#Distant Connection

[noleftexit]

The room was quiet And dark All he could hear was her That sweet sultry voice Running through his head

Her little giggles And the soft moans Her wants And needs described in detail Her excitement As she played with herself

The room was quiet And dark All he could hear was her Telling him it was ok She wanted him to enjoy himself

Her instructions Asking him to play too Her dirty mouth Between whimpers of wanting him there Her desperate countdown Begging him to cum in her soaking wetness

[hychlorions]

they match :')

[tapakah0]

[cometrose]

Op I read your old post about "the blind dragon who wants to see the sun" and I realized wait Zhongli is most symbolized by the sun

zhongli has soooo much sun symbolism here is a list

Gold everywhere!!! Lots of yellow and gold in his color palette. His eyes are described as golden or amber -the golden glow of his hands, the gold in his suits or archon outfits. Gold, the color of the sun is his signature color.

In his splash art his meteorite looks distinctly like the sun (plus his character demo is full of sun symbolism)

In depictions of Rex Lapis he always symbolizes the sun

Zhongli's namecard description: stars fall, light fades

His burst/ultimate is translated to "Planet Befall" in english but in chinese it is "Heavenly Star"

During one of the melusine quests in fontaine one them says "gold are the tears of the sun" if you gift them cor lapis. She also says cor lapis is warm to the touch "truly as gentle as the sun itself"

Deus Auri which translates to “god of gold” is one of Rex Lapis' titles

Mora (which is often referred synonymously with gold) is minted from Zhongli’s own flesh and blood

As you mentioned Azhdaha was a blind dragon who yearned to see the sun. As Morax was the one who granted him eyes -meaning he was the first person Azhdaha saw- Morax is in part the "sun" he yearned to see

In Zhongli's TCG card the story says "a hidden gemstone can illuminate the whole earth, bright and unrivaled as a star"

One of the distinct features of the adepti is the "illumination" that Rex Lapis granted them that gave them the ability to create subspaces and other powers (what does the sun do? illuminate)

In Azhdaha's story he recites a poem to Jiu (his eroded self) "A star appears within the wild a sun ascends as bright as jade”. Other than gold Zhongli's signature item is jade! Fun fact the weapons of the Primordial Jade series were created by him.

In the description of the Geo Hypostasis it states maybe the reason it creates pillar is not to combat enemies but to get closer to the sky

In one of Albedo's voicelines he says "without human manipulation you would need to harness the power of a sun eight times the size of our own in order to naturally create gold”

Interestingly the Solar Chariot crashed into Liyue forming The Chasm about 6000 years ago, coincidentally Rex Lapis descended upon the region at the same time.

Lastly, while Zhongli symbolizes the sun a lot of the people around him symbolize the moon. Guizhong has a dark blue and white color palette with stars in her sleeves. Azhdaha often depicted with the moon and night. Ganyu and Xiao both have moon symbolism. The 'yue' in Liyue means moon. All the other archons -Venti, Nahida, and Ei especially- have a lot of moon symbolism. So not only is he very "sun-like" but the people around him are very "moon-like"

[distort-opia]

Do you think that Bruce, having lost his parents very early, has a very romanticized view of his own parents? You know, when you're a kid you remember something like that but... Things sometimes are not like they looked like. I ask this because more and more adaptations are appearing in which Bruce's parents were not nice to him or were even criminals. And to a certain extent, I kind of like it because most of the rich people in Gotham are criminals to some extent and I kept wondering why the Wayne's were so good... But I don't know if that's the case in the comics' Canon timeline.

Oh yeah I definitely think Bruce idealizes his parents, and especially his father. Multiple canonical comics have shown that his parents weren't perfect, not by a long shot; they loved Bruce, but they were also busy people with issues of their own. Meanwhile, Bruce was clearly an anxious child, deeply affected by his parents' occasional neglect... and his father, Thomas, didn't much like Bruce being so "emotional". There's more than one comic in which Thomas scolds Bruce for it, and Bruce has reactions that speak so much towards a desperate need for validation from him. Let's just say, it makes a lot of sense to me that Bruce ended up exhibiting certain toxic behaviors towards his own children. And that he internalized an idea of masculinity and fatherhood that's not the healthiest, either. Someone recently asked me about Bruce's traumas in childhood, and you'd be surprised how many are connected to his parents, and specifically Thomas; here's a link if you're curious (I cite many sources for the examples above).

Overall I'd say that in canon, Thomas and Martha Wayne aren't downright shitty horrible parents, or anything of the sort. Yeah, other adaptations basically made them criminals or abusive, and suggested that Bruce just repressed the bad memories or overwrote them (like in Batman: Damned, for example) but... I think the current picture suggested by canon is more compelling. Bruce's parents loved him and they tried their best to be good to him, but they were also flawed. The darkness that Bruce exhibits on more than one occasion was there in them too, as multiple alternate Universes show. Flashpoint has Martha turn into the Joker and Thomas into a brutal and unforgiving Batman. Batman/Superman #18 shows us a world in which Thomas was killed, but Bruce and Martha survived, with Martha establishing herself as a powerful person in Gotham's underworld, targeting criminals and villains because of her obsession for keeping Bruce safe. And I think all this is how it should be, Bruce's parents should be portrayed as complex individuals with a darker side too, simply because reacting to his parents' murder the way Bruce did isn't something anyone would do. For him to react so strongly, to dedicate his life to never healing and refusing to let go... tragically, it makes so much sense that before all that, Bruce deeply craved his parents' love and affection, but wasn't getting it enough. It makes sense that, if you take a child with insecure attachment who's already deeply hurt by any sign of neglect from his parents, and you have his parents die in front of him-- the ultimate form of being left behind, being abandoned-- he wouldn't respond in the healthiest of ways. It follows that he'd end up defining himself by that trauma, and forever fear loss.

[vampirepunks]

I really love all the DS2 theories I've seen so far but one thing I'm picking up is a lot of people expecting Higgs to still be on the same trajectory/goal set as he was in the first game and y'know....... I don't think that's the case.

The overall theme of DS2 from what we've seen so far + Kojima's comments seems to be the concept of opposites, inverses, and dualities, as though it's saying, "take the entire idea and turn it inside out and upside down." It appears to challenge the viewer to subvert whatever expectation/understanding they have based on the first game. It's eternal recurrence as seen through a mirror. The first game was themed around blue and black, this one is red and white. Connection becomes disconnection. Hope becomes despair. Age becomes youth. Repetition becomes change.

Buckle up, I've got thoughts.

(This pattern of contrasts illustrates a theory I've had since DS1 based on Nietzsche's "Thus Spake Zarathustra" and the three-stage journey of metamorphoses--camel -> lion -> child--required to become the overman, but that'll be a separate post. If you're already familiar with the book, just know that in this context DS1 would be the camel and thus DS2 encompasses the lion.)

So, in DS1, Higgs is a hyper-fatalist obsessed with extinction. It's easy to assume that hasn't changed, that he's still dedicated to Amelie and wants to end the world... Too easy, right? Has anything Kojima has written ever been that simple?

I raise you this: In the vein of eternal recurrence, Sam becomes Cliff and Higgs becomes Amelie/Bridget... but this is not a literal retelling, rather, a metaphorical one. A dark mirror to the stories we already know.

So if the theme is opposition, what's the opposite of extinction? Creation. What's the first thing we learn about Higgs in the DS2 trailers? He's a musician now. He sings and he plays guitar. And, arguably, music is the very essence and lifeblood of creation itself, one of the very first things mankind created when our species was in its infancy. Further, Higgs uses his own umbilical cord (yes, it's an umbilical cord), as a guitar jack, channeling his ties to life, death, and his own soul in his performance, highlighting that he has an intimate connection to this core act of creativity. More about that in this post.

Now, DS1 already has a lot of themes and motifs surrounding duality, most notably the concept of chirality: two things that are each other's opposite, two hands imperfectly overlapping, two objects that act as one another's mirror. Powerful things happen when they collide--anything ranging from drug interactions to voidouts to the very birth of the universe.

If I'm reading this right, Sam is set to become the chiral counterpart to his father's tragedy and Higgs is set to become the chiral counterpart to the extinction entity. The same narratives we know, recurring once more, but flipped to become something entirely new at the same time. A rope that becomes a stick and a stick that becomes a rope. Humanity will always need both; the stick is not evil for serving its purpose, nor is the rope inherently good for doing its job. "Whatever is done for love always occurs beyond good and evil."

I'm calling it now: Higgs is not serving Amelie, not seeking to bring her back, not trying to become her. He is rebelling against the idea of her, unshackling himself from the role she placed him in, taking back the autonomy he lost and acting to avenge the abandonment and manipulation he suffered. He's claiming her image as his own to make a mockery of what she represents, painting himself up to look like her decaying corpse, all in an effort to prove she no longer controls him, defiantly asserting, "The queen is dead... long live the king." And so, what is there left for him to do but throw himself into reckless acts of creation? Life from death. Extinction Entity? Cute. Try this on for size: Creation Entity.

[nerdie-faerie]

I'm once again thinking about the missed opportunities to have Klaus and Kol bond more. Part of Klaus' whole motivation as a vampire is to get his werewolf part back and to finally be stronger than Mikael (sort of, I'm simplifying) both of which can be obtained by breaking his curse. But Kol? Kol is the only other original that can relate to having a fundamental part of themself ripped away from them. Klaus might not have known he was a werewolf until he killed, but he likely still had a connection he couldn't explain, as evident by him going to watch the wolves transform. And something he'd never been able to explain was now gone. He might only be able to realise the connection afterwards through its absence.

Kol though. Kol had grown up with magic, a connection to nature and the world around him in a way the rest of his siblings supposedly didn't have. And then he gets turned. And not only has his baby brother died, his father has just murdered him and the rest of his siblings after forcing them to drink human blood, which he'll later learn. Now, not only does he have to deal with the grief of Henrik's death and also his own but also the loss of his magic. A loss that's likely only worsened by Kol being a self-proclaimed child prodigy.

Kol is pretty much the only one who could understand what Klaus is going through with the binding of his wolf. We know Kol searched for ways to get his magic back/carry on practicing magic in the same way that Klaus was looking for ways to break his curse. While Klaus likely could still feel his wolf there despite being bound, Kol has no access to his magic anymore. I just think they should've been able to bond or connect over their shared loss of an intrinsic aspect of their selves at the hands of their parents

[frozentothetouch]

“it’s like you’re a stranger.”

[faithblob-says-things]

Dp x Dc prompt 4

Sam is Poison Ivy's penpal.

[trans-cuchulainn]

I legit thought you were irish because usually the only people I see with Gaelige in their bio are Irish 🥲

I do not think it’s bad for non Irish people to like or have an interest in Gaeilge!! The sad face was for the lack of knowledge about it outside Ireland, as someone who is fromIreland I’m really really glad you like it!! Not that you need my validation or opinion but I realise the other message could have been misinterpreted

tbh because my area of academic expertise is medieval irish literature and i post about irish stuff a lot (and also in irish, and also used to live in ireland for a while which really confused things), i think a lot of people on tumblr assume that i am irish, to the point where at one point my bio said "disappointingly british". because it did always seem to be a disappointment when people discovered this and i wanted to preempt that

(i use "british" rather than "english" because a significant portion of my dad's side of the family were welsh, even if they are dead now, and i also have family connections in scotland, so this feels more accurate to me. some people get weird about british/english distinctions so i always feel the need to clarify on this front. but i was born and raised in england)

and every time anyone irl finds out what i study or that i used to do irish dance or that i play trad music, their next question is always "oh so is your family irish then?" and when i tell them no, not meaningfully, they're like ?! because their brains can't compute that somebody might just. like stuff

it makes me a bit sad that so many irish people don't realise that irish lit and language and music can stand on its own two feet. it's good! people don't only like it because they have an Ancestral Connection! it is interesting even without that! so i feel you on the 🥲 but like. from the other side of it because the very fact that nobody expects people like me to exist seems sad

(but actually within my academic field itself i probably know more non-irish people than irish people, and while some have a family connection, many others don't. most of my academic friends are not irish. we cluster together in solidarity and weep over learning gaeilge as adult beginners because we never had the chance to do it at school)

[thevelaryons]

NEW RELIGION, or AU WHERE ADDAM SURVIVES TUMBLETON AND CHOOSES A DIFFERENT PATH FOR HIMSELF GOING FORWARD

Fight Club, Chuck Palahniuk // Captive Prince, C.S. Pacat // Cat’s Eye, Margaret Atwood // Fire & Blood, George R.R. Martin // The Five People You Meet in Heaven, Mitch Albom // Interpretation of Dreams, Sigmund Freud // Angel on Fire - Halsey // Sun Bleached Flies - Ethel Cain // Adonis: Selected Poems, Adonis (tr. Khaled Mattawa) // The Sun Is Also a Star, Nicola Yoon // Three - Sleeping At Last // How’d Your Parents Die Again?, Fatimah Asghar // @tagdevilish // The Five People You Meet in Heaven, Mitch Albom // Gusty Island by Listening Point Foundation // Prayer, Jorie Graham // The Diary of Anaïs Nin: Vol. 5 (1947-1955), Anaïs Nin // Loss, H.D. // The Evening Star, Louise Glück // Crush, Richard Siken // H of H Playbook, Anne Carson // unknown // Fifteen - Taylor Swift // Persona 5 (screenshot from holyaches) // The Art of Drowning, Billy Collins // unknown // TOUCH (2019) by Alina Pronskaya // Crush, Richard Siken // In A Week – Hozier // Litany in Which Certain Things Are Crossed Out, Richard Siken // Solve for Desire: Poems, Caitlin Bailey // @ghuolboy // Truce - Twenty One Pilots

[bunnihearted]

i've also realized that there is no therapy that can fix what's broken inside of me

[nevertrulyset]

I honestly didn't know what to expect with "Those Old Scientists" but I think it's my favorite Jonathan Frakes movie now.

[bikananjarrus]

if i think too long about ezra being all alone in wild space i’ll have a breakdown

[thegayneurodivergentagenda]

A boss and a Babe, Between Us and Ai Long Nhai have taken the "rich soft top with Immense Patience(tm) with Awkward Outloud power bottom who gets shy when complimented" trope and wrapped it up in fancy cars and idiot NON oblivious (I'm looking at you Pat) friend group who are just happy to be there. And I love them for it.

Cher, Team, Nhai : I'm always making jokes and poking people half heartedly but I'm also incredibly sensitive to people's emotions and I would die for my friends and I would very much like to be held and told that it's okay to cry

Vs (or with)

Gun, Win, Ai: I'm in love with sunshine and the sunshine is also the biggest idiot known the mankind. Neat.

[seizonshe]

you look at this tiny tiny woman who is always foccused on something, serious and hardworking to the point of correcting you with a frown or simply not talking to you if you botter her too much, and who is just, better than you tm and don't think her playlist is silly lofis, shibuya pop and hatsune miku. and that she listens to it full volume on her earphones. and that she would dance it around her room while drawing cute pictures of cats, and writing poems and haikus.