#Djuki Mala

[grahamstoney]

My Highlights Of The 2015 Melbourne International Comedy Festival

New Post has been published on https://grahamstoney.com/shows/highlights-the-2015-melbourne-international-comedy-festival

My Highlights Of The 2015 Melbourne International Comedy Festival

I totally smashed the 2015 Melbourne International Comedy Festival, going to over 30 shows during the 3 weeks I camped out in the Melbourne Central Youth Hostel, and then Nomads All Nations after the YHA kicked me out for overstaying my visa welcome.

Tickets From Some Of The Shows I Saw

I take my hat off to all the comedians who showed up and strutted their stuff for my amusement. It’s hard to rank all the shows I saw, or compare them on any sensible basis as there was so much variety and talent on show and they were almost all highly entertaining.

But nevertheless, here’s my best attempt starting with my most favourites:

Rich Hall

Measured by sheer quantity of my own laughter, Rich Hall was my highlight of the festival. I laughed so much, I lost it completely many times. At one point I thought the rather conservative-looking woman next to me was going to have a go at me for enjoying myself too much. Rich’s acerbic wit, cynicism and rapid-fire delivery made me laugh so hard that muscles in my head which I didn’t even know I had went into spasm. It was just extraordinary. And if I thought his bit about Target was hilarious, that was nothing compared to his song about Bob Dylan which was just hysterical.

Thank you, thank you, thank you Rich, you are an inspiration.

Arj Barker

Arj Barker is one of my all-time comedy heroes. Not only did I love his character Dave in the Flight Of The Conchords HBO series, I think his music video The Sickest Buddhist is hilarious, and he never fails to deliver live.

This festival I had a bonus treat when I bumped into him on the street corner outside Town Hall. I was a little star-struck and the conversation went something like this:

“Hey Arj!”, I said suddenly upon noticing my comedy idol right in front of me while crossing the street.

“Oh, Hi”, said Arj, appearing slightly startled.

“I’m Graham. I saw your show last week. Love your work.”, as I extended my hand.

“Hello Graham”, replied Arj as we shook hands.

Quick Graham, think of something intelligent to say: “I really like how you weave spiritual themes into your stand-up routine.”

“Well you’ve got to talk about something”, Arj replied.

“I’m a comedian too; but I’ve only just got into it. Where do you find your inspiration?”

“Just everyday things, you know”, my spiritual comedy leader opined.

“Like, personal experience hey”, I agreed naively.

“Yeah… At first, everything that happens to you, you’re like ‘how can I make a joke out of this’? Then after a while it gets a bit more difficult.”

“Right… like first album syndrome!”, I empathised misguidedly.

“Mmm… more like fourth or fifth album syndrome.”, he replied.

“Well great to meet you Arj!”

“Thanks Graham… nice to meet you too”

Top bloke; even remembered my name.

Dave Callan

Where to begin with this one? Well, the title A Little Less Conversation 2: A Little More Less Conversation made me laugh even before I turned up. It was an extension of Dave’s previous show titled A Little Less Conversation, where much of the talking was replaced with contemporary dancing. Not the dicky interpretive style, but the music video type. Then after explaining that there would be no silly dancing in this show, Dave Callan and four hot young dancers led us through a hilarious music video dance journey backwards through the alphabet.

The weird thing is Dave is actually remarkably flexible and despite what you’d guess from his appearance, he can dance. Beat It took on a new meaning, his pole routine was extraordinary, there was an awkwardly funny male wardrobe malfunction, and I’ll never be able to listen to Taylor Swift’s Shake It Off again without just hearing that the bakers are gonna bake, bake, bake, bake, bake.

Puddles Pity Party

I first heard about Puddles Pity Party when an excited group of people got on the tram while on my way home on night, and kept raving about what a great night they’d had at some show they’d just seen. I couldn’t help but ask “What have you been up to?”, and they replied: “Puddles Pity Party… you’ve got to go see it!”

And so I did. Puddles is called “The Sad Clown With The Golden Voice”, and rightly so. It’s hard to put into words just how entertaining he is, from the way he sings to the way he interacts with the audience; the whole thing is just magic, especially considering that he never really speaks during the whole show. I’ll never hear Dancing Queen the same way again, nor the hostile audience refrain from Am I Ever Gonna See Your Face Again? Just amazing.

Ronny Chieng

Even just the publicity photo and title of the Ronny Chieng‘s show You Don’t Know What You’re Talking About made me laugh, and that was before I’d even booked the tickets. I can just imagine him leaning back on that seat telling me off for speaking before my brain was engaged. His acerbic wit is hilarious live and he seems to have risen to prominence quite quickly; although I have a hunch it might not have seemed quite so quick to him.

Aside from his comedy, Ronny had by far the best neon sign of the festival. I also bumped into (that’s a synonym for accosted) him crossing the street in Melbourne, and said a quick “Hi”. Seemed like a decent guy who appeared to be going somewhere that didn’t involve hanging around chatting to a random stranger like me for too long.

Steen Raskopoulos

Earmarked as one of the leading emerging comedy talents of the country, I think I’ll claim Steen Raskopoulos as a friend of mine since I’ve been to several Improv classes taught by him, and I reckon by now he probably even knows my name. I saw Steen’s preview show back in Sydney when he was road-testing material for this festival, and it was a real treat to see the final work on stage in Character Assassin.

Steen really takes his audience on an emotional journey which includes involving audience members with no Improv background up on stage. He has a way of making you feel safe. I did laugh though when he said “I wouldn’t ask you to do anything that I wouldn’t do myself”. I know he’s sincere, but as a seasoned Improv guru, I’m pretty sure the scope of what he would be prepared to do himself is probably broader than most of his audience.

Nevertheless I’m sure his participants went away grateful for the experience. He also ties the various themes, characters and stories in his show together brilliantly. The whole set-up, execution and finale to the Old Man And The Ducks story was a work of art. Pure genius.

Another highlight for me was Steen and Susie Youssef’s Bus Stop Romance at the Festival Club mime night. Funny thing is, I think I’d seen it before, yet it still works. Or are they just such likable performers that it feels familiar even first time around?

Stephen K Amos

Another one of my favourite comedians is Stephen K Amos, whose voice and persona just make me laugh right from the word “go”. I got the feeling he’d only just stepped off the plane when I saw his preview show. He just hilarious though and the fun he’s clearly having on stage is infectious. I was particularly impressed with the way he handled a heckler about 40 minutes into the show, when a guy down the back yelled out:

“First one mate!”, implying that he’d only just found something funny.

Mr Amos smiled broadly and said proudly, “I know how to handle this”… and then proceeded to demolish the guy. Can’t remember what he said, but it was awesome to witness. I wish I’d videoed it… but I get the feeling Stephen really hates that.

Sammy J & Randy

Everyone’s favourite wildly successful man-puppet musical comedy duo (we’ve all been there!), An Evening With Sammy J & Randy is always entertaining, with their bizarre absurdist musical comedy storytelling.

I got laid after the last time I saw their show, so I had high hopes this year. That’s all I’ll say about that.

I passed up a unique opportunity during the Upstaging bit in their show, when Randy lept from the stage in a full-body puppet outfit and clamoured all over me in the audience in an attempt to upstage Sammy J, who was delivering a monologue from his drama studies thesis about the perils of upstaging. It suddenly occurred to me to pull Randy’s mask off, thus upstaging them both. Who is the guy playing the purple puppet anyway? Sadly, I chose to let them have their moment and watch passively instead. I’ll endeavour to be more pro-active next time.

Randy’s lip-sync battle at The Festival Club was also had me seeing double for a while. #YOUJUSTHADTOBETHERE.

Nina Conti

Nina Conti has perfected the art of externalising the monkey-mind of her inner critic for our amusement, and she does it brilliantly. Then she takes ventriloquism to a whole new level when she gets members of the audience up on stage, straps a remote-controlled mask with huge lips on them, and says “Don’t worry, I’ll do the talking for you.” All they have to do is stand there for the most part, and the result is hilarious. She either knows intuitively what they’re really thinking, or lives in a fantasy world that’s even funnier.

In one part of the show, Nina’s alter-ego monkey put her in a hypnotic trance, took control of the show and then proceeded to ask for questions from the audience. Feeling like a smart-arse, I yelled out: “What’s the meaning of life?” This led to a fun, engaging and somewhat nihilistic dialogue, which worked even better given that I was down the back of the room where Nina, being in a hypnotic trance, clearly couldn’t see where I was and had to ask which direction to point the puppet in. Surreal and hilarious. Monkey asked “Are you a seeker?” and “What do you do?”, to which I replied “I’m a comedian”. Judging by its curtly cynical and amusing answer, pursuing comedy won’t lead me to enlightenment… but I’m still willing to fail trying.

Akmal Saleh

Whenever I see a show by Akmal Saleh, I never really know what it is about. I don’t think he knows what it’s about either. But hey, the guy is funny so who’s complaining? Rockhampton, apparently.

Miles Allen

I was a late bloomer: I got into Breaking Bad late in life, when season 5 had just come out on DVD. Thanks to my local library’s phenomenal DVD collection, I had a month-long Breaking Bad festival where I barely left the house except to hunt for food, and the next instalment. It was rather heavy-going. So imagine my delight to find Miles Allen had packed all 5 seasons into a single hour of One Man Breaking Bad. This was a really fun way to revisit the show without having to spend another month, nor wind up with a crystal meth addiction. Bitches!

Sara Pascoe

What a welcome treat to have a comedian including vital lessons on evolutionary psychology, sociology and human sexuality in her act. I’ve also read Sperm Wars (or perhaps it was Sex At Dawn, which covers similar ground), and appreciated the in-depth analysis of why modern relationships don’t work as well as we expect, as much as the comedy. Apparently Sara Pascoe‘s partner is also a comedian, and they use each other in their respective routines. If that’s not symbiosis, I don’t know what is.

Kitty Flanagan

Kitty Flanagan is funny, sexy, sassy… and single? How can this be, or is it just a comedy ruse so that she can do routines about her ex-partner? Well, it was funny. I can’t help noticing that the audience was about 90% female, which improved my odds of hooking up significantly. I’d say more, but I’m afraid that she’ll see it as use the material against me in a future show.

Tom Gleeson

One of the funniest things I’ve ever seen on TV was Tom Gleeson‘s iPhone rant from Good News Week. The great thing about seeing him live is that you get the adult version, not the PG-rated one that we usually see on TV. With years of experience making people laugh, he can even make stories about his kids entertaining to other people. As he said in his act: “I nail this, every time”. Cocky, yes; but also engaging and funny.

Genevieve Fricker

What do you get when you take a musical comedienne with a strained arm and put her on-stage with a piano and a busted electric guitar? No, it’s not a joke; it was the plight of Gen Fricker the evening I saw her at the festival. An unfortunate incident helping her father move furniture (you’ll know not to do that again) had left her arm in a sling, and although the guitar issue turned out to be a problem with the speakers, she only found that out later. Ms Fricker handled the situation like a pro, using it all for comic value. Definitely one of the most likeable performers at the festival, she’s also great value when you run into her off-stage.

Jeff Green

What are you to do on a quiet Monday night at the festival, when most other comedians are recovering from their weekend hangovers? Check out Jeff Green, that’s what. What is it with UK comedians coming to Australia to steal our women though? Surely it’s not just for residency in Australia, is it?

Susie Youssef

Another recently-claimed friend of mine from Sydney, it was great to see Susie Youssef doing her own show at the festival. I’ve seen Susie do Improv before many times, but not stand-up… so what a treat!

Ray Badran

My mate Ray Badran was Dazed & Confused after pulling the PR coup of the festival with a brilliantly mis-executed audience interaction during a pre-festival show that got his name into papers as far away as the U.K. All publicity is good publicity, Ray. Nothing like a little controversy to get the word out there.

Joel Ozborn

Took a random punt on Joel Ozborn, who I’d never heard of before. He was funny, and he did it without putting anybody else down. My head was pretty much spinning by this point in the festival so I can’t recall much else about his show except that it included a little guitar, a little less keyboard, a shoe, and that it was held in the kitchen.

Luke Heggie

Luke Heggie has finely honed cynicism into an art form. If I ever have another BBQ, he’s invited. His bit about gentleman’s clubs had me falling off my seat, and although he says he isn’t special, I’m not so sure. He has a show at the Melbourne International Comedy festival, and that’s pretty special. I also chatted to him after the show and he seemed pretty cool.

Stuart Daulman

I took a punt on Stuart Daulman because the title of his show Stuart Daulman Is An Absolute Credit reminded me of the hilarious (to me, anyway) airline food reference from The Castle. I really wasn’t quite sure what was going on during most of this show, but by the end I reckon I almost got it. It’s a performance, not just a dude telling stories. I also learned how to use for dead birds for the art of seduction. I hope the beautiful Haaaaannah gets to see his show one day.

Rob Lloyd

I was stunned by Rob Lloyd‘s show Rob Lloyd vs The Monsters, based on his childhood anxieties. I was hoping for some helpful insights into my adult anxieties, which I suspect go back to my own childhood. But mainly I was just stunned. You can take that however you like. It was, nevertheless, an impressive performance piece; if you’re into that sort of thing.

The Festival Club

After realising that returning to my hostel to sleep any time before about 1 or 2 am was completely pointless given the two trams and a suburban train line right outside the window, I abandoned the idea of getting a decent nights sleep altogether and ended almost every night late at The Festival Club. Some of these nights were recorded by the ABC for Comedy Up Late, which was cool because it meant I got to relive them on iview after getting home.

Acts I remember include:

Mark Watson had my favourite line from the festival: “I would do that religiously. And by religiously I mean: without really thinking it through in detail”.

John Kearns had impressive teeth.

Kano Mami was hard to describe, but fun to watch.

Djuki Mala got their dance moves on.

Rhys Nicholson reminded me why I’m straight.

Lawrence Mooney made me laugh.

DeAnne Smith had a sweet song with helpful pick-up lines in it.

Die Roten Punkte at Haus Party were either a really silly duo of German musicians, or taking the piss.

It was nice for Mike Wilmot to be here.

So You Think You Can Mime. I think they can.

The guy who won the Lip Sync Battle with an unforgettable rendition of What A Feeling from Flashdance.

Set List

Let’s face it: we like seeing other people suffer. It’s funny, because we know the pain is happening to someone else. And comedians are funny for a living… So what could be funnier than a comedian suffering on stage? That’s the dark side of Set List. The light side is that it can inspire comic genius by assisting with the free flow of streams of consciousness as topics that the comedian has never seen before appear on the screen.

The highlight here for me was Sara Pascoe’s improvised four walls to the prison of the mind; and the guy who literally ran off-stage mid-way through the “set” after freaking out. He made me feel a lot better about myself.

Shaggers

Shaggers, the show where comics talk about sex, became a regular feature of my festival calendar after first seeing it 2 years ago on the suggestion of my mate Peter. On that night, one of the comedians went totally ballistic riffing on the audience, and it was absolutely hilarious.

This time around, most of the comics talked about how they hadn’t been laid in ages; so it was more of a show about not shagging. Desperation isn’t attractive; and maybe it was a bad omen because I totally failed to hook up with any of the cute girls in the audience that night too.

Other Randoms

A few other random highlights were:

Seeing Simon Taylor totally own a room full of screaming drunk idiots in a pub.

I’m the kind of person who sees Bob Downe in Big Top Bob.

If I wasn’t in a bad mood, Greg Fleet was probably funny.

Rebecca De Unamuno did some remarkable improvised characters.

Reliving Becky Lucas‘s bestest childhood best friendship.

59 Free Comedy inspired a pleasant tram ride to Richmond.

Outdoor Performers

I also saw plenty of outdoor performers in Federation Square and just across the road from the Town Hall. The most memorable ones were:

Mr Moriyasu: I’m still not clear if he’s actually Japanese, or taking the piss. But he’s funny, and he really does go inside that balloon. I’m hungry!

Trash Test Dummies: Who knew wheelie bins could be such fun?

Jessica Arpin nicked some girl’s boyfriend on a Swiss bicycle.

Sharon from Canada’s voice really grated on me.

Random Meetings

Another fun highlight of the festival was bumping into or seeing famous people from TV. They’re a little different in person; for one thing, you can talk back to them:

Julia Zemiro was friendly, engaging, and even helped me with my social skills.

Andrew Hansen was also really friendly and even gave me a helpful response to my silly question: “How can I get on TV?”

Lawrence Leung was busy filming something outside the town hall when I saw him, so I didn’t interrupt.

Claire Hooper looks pretty much the same in real life as she does on TV. Fancy that.

David Collins questioned my judgement for seeing Bob Downe’s show Big Top Bob, asking “What kind of person goes to see that?”, which I thought was a bit mean… so I decided not to mention him here.

[accidentalajumma]

Mojo Juju - Native Tongue 

Featuring the Pasefika Vitoria Choir and dancers from the Djuki Mala dance troupe.

[theupsidenews]

FRINGE REVIEW: DJUKI MALA, THE VAGABOND, FEBRUARY 2017

FRINGE REVIEW: DJUKI MALA, THE VAGABOND, FEBRUARY 2017

Direct from NE Arnhem Land, Indigenous dance and YouTube sensations Djuki Mala have returned to the Garden of Unearthly Delights for another season.

They wowed at WOMADelaide and fascinated at Fringe in 2016, but in 2017, the lads from the Lands will make you laugh, cry, stamp your feet and leave you feeling absolute elation.

Beginning with traditional dance of Aboriginal people, the Djuki guys…

[leanpick]

Djuki Mala’s moves dazzle crowd at Narrogin Town Hall

Djuki Mala’s moves dazzle crowd at Narrogin Town Hall

Dance show Djuki Mala hit Narrogin Town Hall last Thursday in an eruption of lights, music and interpretive dance.

The high-energy dancers presented their interpretations of pop culture and storytelling, juxtaposing traditional dances with contemporary Yolngu culture to offer insights into Aboriginal Australia.

Camera IconThe Djuki Mala dancers on stage at Narrogin Town Hall Credit: Picture:…

[thebestintoronto]

Best Things To Do with Kids in Toronto This Weekend

There may be a game on this weekend (you know the one), but music, theatre, dance, and music don’t get short shrift in Toronto. Find out what’s happening around the city for kids and families this Saturday and Sunday, February 2–3, 2019.

See the full events calendar for even more fun things to do this weekend!

Top Picks This Weekend

Super Bowl Bash (Danforth Village)

For football fans, all ages are welcome to this Super Bowl party. And Super Bowl parties are taking place at restaurants and other locations all across the city. Sunday

Dick Whittington & His Cat (The Annex)

This traditional English pantomime encourages audience participation, making it fun for the entire family. Jan. 31–Feb. 9

Djuki Mala (Downtown)

Experience a “high-energy and stunning fusion” of contemporary dance and storytelling, and traditional Australian Indigenous culture. Friday–Sunday

Rising Stars (Scarborough)

Six rising musical stars, all under 18, perform in Springboard to Music’s annual fundraiser. Saturday

Rosedale Family Fun Day (Rosedale)

Enjoy this free event featuring a magic show by Bumbling Bert, crafts, an infant first aid demonstration, and snacks. Saturday

Rose: A New Musical (Downtown)

The first-ever original musical from Soulpepper Theatre, Rose follows the adventures of a 9-year-old girl who realizes she’s “different” and embarks on a journey of self-discovery. Jan. 17–Feb. 24

Totsapalooza 11 (Little Italy)

Catch renowned children’s book illustrator Qin Leng’s drawing demo, Fay & Fluffy’s Drag Queen Story Time, dance sessions, live orchestra music, dress up, and, of course, books, books, books. Saturday

The Winter Chocolate Show (Corktown)

Here’s all you need to know: chocolate. Twenty chocolate makers from across Canada bring their delicious wares under one roof for a festival designed for chocolate lovers. Saturday

Music & Truffles KIDS: The Heath Quartet (Downtown)

Mooredale Concerts’ short, interactive music series features exciting British chamber ensemble Heath Quartet. And you get a chocolate truffle! Sunday

Coming Soon

’Tis the season to celebrate wintry weather and winter sports. The Marlies host a special night, ice sculptures come to Yorkville, there’s campfire cooking in Downsview Park.

This post “Best Things To Do with Kids in Toronto This Weekend” was seen originally on help! We’ve Got Kids by Jodi Crawford

Naturopath Toronto - Dr. Amauri Caversan

[samclaflindaily]

Sam Claflin Thriller ‘The Nightingale’ Backed by Bron Creative

Bron Creative will executive produce and co-finance the period thriller “The Nightingale,” starring Sam Claflin and Aisling Franciosi with production starting this month in Tasmania, Australia.

Bron Creative produced Denzel Washington’s “Fences” and Nate Parker’s “The Birth of a Nation.” This production will mark the first film for Bruna Papandrea’s new production venture Made Up Stories, following her partnership in the production banner Pacific Standard with Reese Witherspoon.

Jennifer Kent is directing “The Nightingale” from her own script. She previously wrote and directed “The Babadook.” Made Up Stories, Screen Australia, the Tasmanian Government through Screen Tasmania, and the South Australian Film Corporation will co-finance the picture as well.

Set in Tasmania in 1825, “The Nightingale” follows a 21-year-old Irish female convict who witnesses the brutal murder of her husband and baby by her soldier master and his cronies. Unable to find justice, she takes an Aboriginal male tracker with her through the hellish wilderness to seek revenge on the men.

The film also stars Damon Herriman (“Quarry”), Ewen Leslie, Harry Greenwood (“Hacksaw Ridge”), Aboriginal Djuki Mala dancer Baykali Ganambarr and East Arnhem Land indigenous model Magnolia Maymuru.

The producers are Kristina Ceyton and Papandrea, whose credits include “Wild, “Big Little Lies,” and “Gone Girl.” Aaron L. Gilbert, Andy Pollack, Jason Cloth  and Brenda Gilbert are executive producers for Bron; Ben Browning and Alison Cohen are executive producers for FilmNation; and Steve Hutensky is exec producer for Made Up Stories. Jeanne Snow will oversee for Made Up Stories.

WME is handling U.S. rights. FilmNation is handling international sales. The film has already been sold for Australia/New Zealand distribution rights to Transmission Films.

Kent is repped by WME, Gary Ungar and Sloane, Offer, Weber & Dern. Bron Creative is represented by William Morris Endeavor and Goodmans LLP.

SOURCE

[hgdailynews]

Bron Creative will executive produce and co-finance the period thriller “The Nightingale,” starring Sam Claflin and Aisling Franciosi with production starting this month in Tasmania, Australia.

Bron Creative produced Denzel Washington’s “Fences” and Nate Parker’s “The Birth of a Nation.” This production will mark the first film for Bruna Papandrea’s new production venture Made Up Stories, following her partnership in the production banner Pacific Standard with Reese Witherspoon.

Jennifer Kent is directing “The Nightingale” from her own script. She previously wrote and directed “The Babadook.” Made Up Stories, Screen Australia, the Tasmanian Government through Screen Tasmania, and the South Australian Film Corporation will co-finance the picture as well.

Set in Tasmania in 1825, “The Nightingale” follows a 21-year-old Irish female convict who witnesses the brutal murder of her husband and baby by her soldier master and his cronies. Unable to find justice, she takes an Aboriginal male tracker with her through the hellish wilderness to seek revenge on the men.

The film also stars Damon Herriman (“Quarry”), Ewen Leslie, Harry Greenwood (“Hacksaw Ridge”), Aboriginal Djuki Mala dancer Baykali Ganambarr and East Arnhem Land indigenous model Magnolia Maymuru.

The producers are Kristina Ceyton and Papandrea, whose credits include “Wild, “Big Little Lies,” and “Gone Girl.” Aaron L. Gilbert, Andy Pollack, Jason Cloth  and Brenda Gilbert are executive producers for Bron; Ben Browning and Alison Cohen are executive producers for FilmNation; and Steve Hutensky is exec producer for Made Up Stories. Jeanne Snow will oversee for Made Up Stories.

WME is handling U.S. rights. FilmNation is handling international sales. The film has already been sold for Australia/New Zealand distribution rights to Transmission Films.

Kent is repped by WME, Gary Ungar and Sloane, Offer, Weber & Dern. Bron Creative is represented by William Morris Endeavor and Goodmans LLP.

[dameyonbonson]

There's a little video intro before this performance begins, explaining where the Yolngu people live: in Elcho Island, a remote spot in Arnhem Land, Australia. Slavery, disease, high suicide rates and the forced removal of children are part of the Aboriginal Australian people's colonised past and the show's mixed-race director Joshua Bond doesn't want that to be forgotten. But he also doesn't want his family's story to be a downer. He's spent ten years touring with Djuki Mala, a troupe of dancers who mix traditional styles copied from their ancestors with Michael Jackson moves they've watched on YouTube.

[vileart]

Djuki Dramaturgy: Djuki Mala @ Edfringe 2017

Djuki Mala will be performing at the Assembly George Square Theatre for the month of August for ticket go to www.edfringe.com 

What was the inspiration for this performance? 

We wanted to tell our story, After the viral youtube clip, There were many questions, we wanted to make a show that answered some of these questions but also demonstrated that we are not only  dancers, performers, but also artists and orators of the oldest living culture on the planet, 

Defining and interpreting our culture  and our place within that culture as it exists today,  whilst maintaining cultural, ancestral law and Traditional culture with that of contemporary cultural influences and attempting to find a balance of both worlds of black and white Australia.

Is performance still a good space for the public discussion of ideas? 

Absolutely, but its also a privilege that gives agency, To have what is essentially a grand soap box whether it be in a black box a spiegeltent or a proscenium arch, where one can address the many.  

with the state of the world, there is certainly no lack of ideas worth discussion, unfortunately however most of the people that would benefit form that agency are not also afforded the privilege of the "soap box”. 

How did you become interested in making performance? 

I don't necessarily remember becoming interested in it, I just remember feeling like it was an extension to way of living and communicating that then developed into a realisation that it was also a way a effecting change by making people feel… 

Is there any particular approach to the making of the show?

Start at the start and be honest.

Does the show fit with your usual productions?

Yes, in the way that this show is a retrospective/autobiographical work, it references some our past productions. 

What do you hope that the audience will experience?

We hope that the audience will walk away with a greater understanding and appreciation of Indigenous Australia and its people.

What strategies did you consider towards shaping this audience experience?

We obviously wanted get our story across, However it is always important to consider what information the audience receives and at what point during the show, to capitalise on the enegetic highs and lows of the show, mapping the emotional arc to ensure the audience are constantly engaged and provided everything they need in order to feel what is intended and when. We want to make sure we share the journey with audience. make sure they're with us, otherwise you might as well be on facebook.  P.s  like us on facebook it’s ….  http://ift.tt/2tMrAaD

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from the vileblog http://ift.tt/2uKig43

[leanpick]

Djuki Mala returns to Fringe World

Djuki Mala returns to Fringe World

Djuki Mala wows audiences with a blend of traditional indigenous dance, storytelling, pop-culture and comedy.

[forrestneighbourhoodhouse]

Djuki Mala - The Chooky Dancers - Weds 7 May COPACC

Djuki Mala – The Chooky Dancers – Weds 7 May COPACC

Djuki Mala – The Chooky Dancers

Date: Wednessday May 7, 2014 Time: 1.30pm & 8pm Duration: 60 Minutes Suitability: All ages Tickets: $20 Bookings: 5232 2077

  Djuki Mala, a charismatic troupe of dancers from a remote island off Arnhem Land, which has been playing to full houses and standing ovations across Australia, is performing two shows at COPACC on Wednesday 7 May 2014

  Produc…