#EDM live stream

[reptussanctus]

I’ll be live on Tumblr Live this evening at 6pm and simulcasting to YouTube

We will be just chillin and playing a game or two and I would love to hang with you so stop on by

If you enjoy my content check me out on other streaming services and social medias across the web at the link

[electronicmusicandgifs]

                 Fred Again.. on Studio Live 3 in London

[itswakapedia]

Hello! I make what some people would call music!

I'm working on making a streamer and content creator safe music library for streams and videos without fear of DMCA strikes!

So far about 25 tracks on Spotify/Apple Music to play while streaming live on Twitch/Youtube and also available to download free/choose your own price through bandcamp but i'm constantly working on new tracks to update this to be a super massive list of all songs I've created!

[findike]

Live Stream Findike Episode 2

[bantuotaku]

@djmattknight

Link Below...

[mariahlstudios]

I'm going live! Come hang out and say hi while I try to make art while wearing these bad boizzzzz. See you at twitch.tv/mariahlstudios -xoxo mbl 🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤 #art #artist #artchallenge #distortionchallenge #live #stream #twitch #ravegrl #edm https://www.instagram.com/p/Cp0hQWEPr1B/?igshid=NGJjMDIxMWI=

[djcrystino]

Trance Motion #103 coming soon.😇 Newly released songs are waiting to be discovered.🔊 Until then enjoy friday night's #live #stream that was on @twitch, now on @youtube .🍾 👇 https://youtu.be/qBsGz7DWzRU #djcrystino #edm #edmfamily #trance #trancefamily #vocaltrance #upliftingtrance #dj #djlife #studiotime https://www.instagram.com/p/CopziDmNiLv/?igshid=NGJjMDIxMWI=

[rhythm86radio]

Gryffin releases sophomore album “Alive” ahead of biggest headline show yet

Gryffin releases sophomore album “Alive” ahead of biggest headline show yet

Three years after his debut album Gravity smashed the charts, Gryffin returns with his sophomore project, Alive. Packed with dazzling collaborations featuring the likes of Kygo, Tinashe, MØ, Elley Duhé, OneRepublic, and more, Alive is a sonically stunning piece of work that demonstrates a clear evolution in Gryffin’s sound as he moves deeper into a natural combination of electronic, pop, and…

[reptussanctus]

Going live here on Tumblr in about 30 minutes for about an hour talking about food, gaming, music, whatever

[vyl3tpwny]

You inspired me to get back into Bangarang era Skrillex without shame in my heart and to embrace the (harmless) cringe in my soul. As well as seek out other lesser known artists who keep up that sound. So, thanks!

real talk i have been making music for almost two decades now. when i first heard skrillex's music i instantly knew it was amazing. but i couldn't really express why. as i've gotten older, spent lots and lots of time making music and learning about music and researching, a lot of things i used to adore don't impress me like when i first heard them. but even all this time later, skrillex's music — past and present — is incredible and untouchable. i think a lot of casual listeners do not realize just how flawless, complex, and perfectly executed his sound design and ideas are across the board. the best thing you can do when listening to skrillex's music is just pick out ONE single sound and ask yourself "how did he create this sound? how do you go about creating this sound from scratch". the casual listener rarely considers a question like this, but when you ask this about nearly anything skrillex makes, even if you can fathom an answer it's still the most mindblowing thing in the world.

but sound design is not everything either. i got sucked into the soundcloud community around 2016 or so. to any of my soundcloud classmates, peers, and alumni, hey how are you doing <3 but the soundcloud scene of 2016-2019 was a VERY specific beast. a lot of the music that emerged during the scene's height was this idea that sound design is always more important than anything else. so you would have tons and tons and tons of songs that came out that had crazy sound design ... but not much else. this goes back to skrillex's music. skrillex's sound design isn't just complex, but it's also executed with amazing songwriting. it isn't just a tech fest, he's making amazing songs, perfectly accessible, with incredible sound design as the foundation rather than the only thing the music has to offer. for a while i think i had been so swept up by the soundcloud scene that i rlly ignored songwriting in favour of sound design, like i had to choose.

that is to say, skrillex's music has been and will always be a pinnacle of what "festival EDM" should be evaluated as in standard. i've already done my share of criticizing skrillex for how he butchered "dubstep", and i'm not going to ever pretend that such criticism does not exist. but regardless, EDM is an extremely saturated genre which has caused lots of people to hate or misunderstand it. i think if people focused more on making strong songs and not tunnelvisioning on one aspect of the music, EDM would be more compelling to more people, beyond just 'sounding good' or 'being a banger'.

scary monsters and nice sprites, the song, is a really good song. it has a pretty standard arrangement and flow, but moment to moment it's always interesting and full. the production is so ridiculously clean and dynamic but does not skimp out on making shit sound beefy and deep as well. but what a lot of people don't realize is that the sound design on that song is so incredible, that in a lot of music spaces, it's considered a holy grail to whoever fully reverse engineers the growls in scary monsters. for over 10 years now, there have been dedicated skype groups, discord servers, youtube streams, and forum threads on people literally dedicating portions of their music making lives to trying to understand JUST the scary monsters growls alone. what makes it so elusive is that it's likely done with the FM8 synth and trying to reverse engineer more than 2-3 operators on an FM synth is literally a death sentence. skrillex himself probably couldn't remake it from scratch, only create something similar doing the moves he would do in FM8. but the scary monsters growls are literally a holy grail and people are STILL working in small community pockets to figure out how it was done, 14 years after the album came out.

[dreamings-free]

Outkast’s Big Boi, EDM artist Zedd, U.K. band Nothing But Thieves, Norwegian artist Aurora, rapper Hanumankind, guitarist-composer Cory Wong will perform in Mumbai on March 8 and 9, 2025

Anurag Tagat Sep 10, 2024

American punk-rock heroes Green Day, pop artist Shawn Mendes, U.K. hitmakers Glass Animals and singer-songwriter Louis Tomlinson are among top-billed acts making their India debut at Lollapalooza India 2025 in Mumbai, between March 8 and 9.

The lineup for the third edition of Lollapalooza India also includes rap veteran Big Boi from Outkast, U.K. band Nothing But Thieves, Norwegian pop artist Aurora, electronic artists like Zedd, John Summit and Alok, American guitarist-composer Cory Wong (known for his work with acts like Vulfpeck), breakout rapper Hanumankind (also our latest cover star), South Korean indie rock band Wave To Earth and rising pop artists Isabel LaRosa and more. Folk-indie singer-songwriter duo Lullanas – comprising Indian-origin siblings – will also make their India debut at Lollapalooza India 2025.

More Indian artists adding heft to the lineup include singer-songwriter Dot., rappers Raftaar and KR$NA, Punjabi artist Talwiinder, sitarist and fusion artist Niladri Kumar, pop artist Lisa Mishra, rock artist Raman Negi, Ahmedabad rap favorite Dhanji, producer Spryk, pianist-composer Sahil Vasudeva, DJ-producer Anushka, multi-instrumentalist-producer Sid Vashi, singer-songwriter Raghav Meattle and indie multi-instrumentalist/producer Sudan.

The announcement in September makes for meme-friendly news for Green Day, known for songs like “Wake Me Up When September Ends.” The band announced their India debut on Instagram and said, “Another first for us!! India, you’ve been calling our name… and it’s finally time to answer. We’ll see you in Mumbai next March for @LollaIndia.” The trio comprising Billie Joe Armstrong, Mike Dirnt and Tre Cool released their most recent album Saviors in 2024 and will likely dig into all-time hits like “Good Riddance (Time Of Your Life),” “American Idiot,” “Boulevard of Broken Dreams” and more. Shawn Mendes, known for hits “In My Blood,” “Treat You Better” and new single “Why Why Why,” returns to the live stage after more than two years on his current tour, which includes Lollapalooza India.

Louis Tomlinson, who has a big following in India following his time with pop group One Direction, will also make a long-awaited India debut. Fellow Brits Glass Animals are a big draw on the back of releasing their new album I Love You So F***ing Much in July, but primarily due to their 2020 hit “Heat Waves,” which was the seventh-most streamed song in India on Spotify in 2022.

Glass Animals founder Dave Bayley – who visited India as a 16-year-old – told Rolling Stone India in 2020, “Thank you for the support, I hope you are staying safe and healthy. We can’t wait to come and visit.”

In a wholly new strategy, Lollapalooza India’s 2025 lineup is out six months in advance of the multi-genre festival taking place in March. BookMyShow Live also took a similar approach while announcing the lineup for their festival Bandland, which is taking place on Nov. 23 and 24 in Bengaluru.

Get Lollapalooza India 2025 tickets here.

[tryckthebard]

If Tryck had a modern verse, they'd probably be a genderfluid popstar who can't pick a genre and the media and older generations absolutely despise them, but they're popular enough on TikTok that a few of their songs get radio play and massive streaming numbers. They get involved in all the counterculture festivals, and have no problem showing up at punk and metal and EDM shows depending on how they feel that day.

And just generally being a menace to anyone who isn't about partying and good vibes and letting people live their best lives.

[bantuotaku]

VIBE WITH ME UNTIL I GET BACK

[maeumverse]

MAGIC GIRL (마법소녀, stylized as MAGiC☆GiRL) is a fictional, independent underground idol group. The group was formed in 2016 by members SHII and ERA while they were in high school. Later in the year, KOKO and MIYU joined the group through an online audition. They were active for two years before going on an indefinite hiatus in 2018. 

Inspired by similar underground idol groups in Japan, such as BiS and You'll Melt More!, the group aimed to promote themselves and their music through social media and live shows. They were mostly active through their YouTube channel and the members’ personal Instagrams. Their debut single, the EDM track IDOL☆BERSERKER was fully composed, written, and arranged by Shii and Era. In 2017, they began performing at small live venues. They built a reputation for themselves for their magical girl concept in which the members transformed from ordinary students into magical idols. They were also known for performing the same song over and over in a single show and forcing the audience to sing the chorus in a call and response manner until the group deemed it satisfactory. These performances would often run over their allotted time slots, and they were banned from multiple venues before 2018.

Though they released original music, the group's covers were better received with a few of their YouTube videos going viral. They were known for covering just about every popular cute kpop girl group song and the biggest hits from Japanese idol groups. Despite being out of sync and/or out of tune more often than not, their passion for performing helped them gain a small audience.

In 2018, Magic Girl announced their hiatus. Shii and Era were graduating high school, and they had decided it was time for them to move on. The group never officially disbanded, with the members often posting individually about their hopes for the group to reunite. Six years later, those hopes have yet to come true. Over time, the four members individually resurfaced in the entertainment industry. 

While in university, Shii and Era formed the producer duo RHYTHMAGIC. After putting out a few demo tracks and producing no more than two songs for a kpop group, they became the newest in-house producers of C ENTERTAINMENT in 2023. 

Koko participated in GIRLS PLANET 999 as an independent trainee. She ended in seventeenth place and later debuted in duo TIME FOR THE STARS, also under C Entertainment, in 2023. The duo released only one single before disbanding. Since then, she's returned to Japan and joined a few other underground idol groups under her birth name, NAUSICAA.

Miyu began to stream herself playing video games not long after the announcement of Magic Girl’s hiatus. She quickly expanded into just chatting streams and IRL streams and once, chess streams, which helped her gain a larger online following that easily eclipsed Magic Girl’s. Nothing more would be heard from her until her participation in the survival show DREAM QUEST in 2024.

MEMBERS

Shin ‘SHII’ Yedam / b. 1999, leader + center, red

Jang ‘ERA’ Haera / b. 1999, blue

Suzuki ‘KOKO’ Nausicaa / b. 1998, white

Yang ‘MIYU’ Chunja / b. 2001, purple

DISCOGRAPHY

IDOL☆BERSERKER (2016)

FAVORITE☆DAYS (2017)

PERFECT☆CHOICE (2018)

NOTABLE COVERS

CHEER UP ☆ originally by TWICE

TT ☆ originally by TWICE

SIGNAL ☆ originally by TWICE

GEE ☆ originally by SNSD

OH ☆ originally by SNSD

NO NO NO ☆ originally by APINK

HEAVY ROTATION ☆ originally by AKB48

CATCH YOU CATCH ME ☆ originally by GUMI

CONNECT ☆ originally by CLARIS

YUME NANTE ☆ originally by YOU’LL MELT MORE!

DEN DEN PASSION ☆ originally by DEMPAGUMI.INC

MOONLIGHT DENSETSU ☆ originally by DALI

[louissatturi]

CELLBIT AWNSERING TO STUPID BACKLASH ABOUT THE ONE-SHOT ON DISCORD

"I enter to see people's reaction wait and talk a little bit, i just read a bunch of out of nowhere toxicity because im doing something special with New friends.

This one-shot is heppening before the 3 spin-off because EDM (enigma of fear) delayed and that is out of my control, we are trying hard to create something interesting and yall who say that "support" the thing are only slendering because it has people yall dont know or because is in a languege yall arent fluent, althought it was already clarified that i are un search of a Professional translator team to maximize acessibility as much as possible

I feel sad with this reaction, and all i can say is : it it dosent interest you, dont consume it

Yall arent oblied to stay here, and are welcomed to give space to people that are actually interesting on the things instead of hating something that has the effort of dozens of people"

"Innit?, we ware already waiting/hoping* for that,they think that everything from ordem is too expand the universe but maybe he (Cellbit) just wanted to play RPG with his friends innit?"

Exactly, if I do spin-offs expanding on the lore and adding diferent layers, the problem is "its too complicated it was better when it was just friends playing RPG".

If i do a really short special to play with friends in getting to know, it will be "bad because it wont be relevant".

Honestely,Im only here because i care about the personal oppnions of the people in here (discord) and always come to check out what yall are talking about,I could just ignore it and go to work and everything would end up Alright anyways.

I just feelt sad seeing this type of reaction when people are working their ass off*, and who many doors this will open, enable a live-action, animation or whatever thing with the product in ENGLISH and shows results and looks way easier.

But anyways, because it was to do with minecraft and gringo creators, its a huge problem to some people in here(discord). Honestly i just really greatful for the people defending and supporting the thing (ordem paranormal), thats crucial for us to keep going having energy to do all off this.

It would be 10.000x easier to just stream minecraft 12 hours a day and gain a fuck ton off money without doing any other project, i do this because i LOVE it and want to keep doing even more.

Again, thanks for the support, and lets give your best to surprise everybody again with this special that is going to be rad* ❤️ im sure that will be really fucking fun"

TRANSLATOR NOTES

* he dosent use such crude languege when saying this, he says "trabalhando mais que nada" (working more then nothing) but because it dosent exist in english i used this cruder expression

* animal can be used as rad in brazilian portuguese