#Eric Berkowitz

[okumaodasi]

YATAK ODASINDAN DURUŞMA SALONUNA

1956 yılında, Kuzey Rodezya’nın bir köyünde, çaresiz bir kadın, evliliğini yoluna koymak için kabilenin ileri gelenlerinden oluşan yerel bir mahkemeden yardım istedi.

Kocasıyla ilişkisi sallantıdaydı. Yakın zamanda hem kocasına hem de kendine zührevi bir hastalık teşhisi konmuştu.

Kocası hastalığı ondan kaptığında ısrar ediyordu ama kadın, kendisinin asla sadakatsizlik etmediğini, tersine hatalı olanın kocası olduğunu savunuyordu.

Adam bir keresinde kadını bıçaklamakla ve daha kötüsü, ona büyü yapmakla tehdit etmişti. Ne var ki bütün bunlar çifti mahkemelik etmeyecekti, ta ki kadını o gün mahkemeye koşturacak kadar dayanılmaz, o derece çirkin bir şey olana kadar.

Şafak vakti kadın uyandığında memesini kocasının ağzında buldu. Kocasının büyü yapma tehdidini anımsayıp korkuya kapıldı.

Mahkemedeki oturumda yörenin ileri gelenlerinden akil biri kocaya sordu: “Karınızın memesini emerken ne düşünüyordunuz? (salondaki bir bebeği işaret ederek) bunun gibi küçük bir çocuk musunuz? Bunu neden yaptınız?” Kocanın cevabı durumu daha da kötüleştirmekten öteye geçmedi. “Sevdiğimden,” dedi.

Akil adam kuşkuluydu. “Sevgi ha! Karınız uykudayken sevginizi bu şekilde gösteriyorsanız garip biri olmalısınız.”

Akil adam kocayla bir süre tartıştı. Koca ithamlara karşı çıkıp yalnızca karısına duyduğu müşfik sevgiyi sergilediğini söylerken akil adam, kocanın büyü yaptığından giderek daha fazla kuşkulanmaya başladı.

Sonunda şöyle konuştu: “Hayır, hayır… Karınızla giderseniz onu öldürürsünüz diye korkuyorum.” Kadın gece polis nezaretinde tutuldu ve sonra mahkeme işlemleri devam etti.

20. yüzyılın ortasında Kuzey Rodezya’da bu tür tartışmaların mahkeme müdahalesini gerektirdiği tek vaka bu değildi.

Başka bir adam karısının memelerini emerek onu kısırlaştırmakla suçlanmıştı. Keza kadınlar, kocalarının kendilerine oral seks veya kendileri uyurken ilişkiye girmelerine bir son vermek için sık sık mahkemeye başvuruyorlardı.

Kocalarını âdet çamaşırlarını çalıp kumarda şans getirsin diye tılsım olarak kullanmakla suçladıkları vakalara da rastlanıyordu. Kabilenin yargıçları bu suçlamaları ciddiye alıyordu.

Onlara göre uyuyan bir kadınla cinsel ilişkiye girmek, bir cesetle sekse benzerken günün herhangi bir vaktinde bir kadının memelerini emmek, yetişkinin rolüyle çocuğun rolünü birbirine karıştırıyordu.

Bu toplumda bir kadının âdet kanının bulaştığı çamaşırlar basit bez parçaları değildi; çoğalmanın iyiye veya kötüye kullanılabilecek muazzam gücünü taşıyorlardı.

Bu kıyafetleri kumarhanelerde şans getirsin diye kullanmak, evrenin koruyucu güçlerini ziyan etmek demekti. Bu bağlamda mahkemenin memeyi emen kocayı karısından uzak tutmak için koruyucu tahsis etmesi, tartışmalı durumlarda makul bir tepkiydi.

Öte yandan, mahkeme kararlarını gözden geçiren Britanyalı kolonyal görevliler, bu inançların hiçbirini paylaşmıyorlardı.

Evlilik içi seksin sadece karı kocayı ilgilendirdiğini ve dolayısıyla mahkemenin müdahalesinin yakışıksız olduğunu düşünerek çoğu kez bu tür davaları başlarından savıyorlardı.

Karısı uyurken onun bedeninin tadını çıkaran bir adam sadece hakkı olan erotik hazzı alıyordu ve kaba güç kullanmadığı sürece hukuka düşen bir rol kalmıyordu. Güç, büyücülük ve şansa dair bütün bu konuşmalar ilginç ama yersizdi.

Bölgedeki yerel mahkemeler Avrupalıların bu davaları ciddiye almamalarından şikâyet ediyorlardı, fakat onlara aldırış eden yoktu.

Eric Berkowitz

[dipnotski]

Eric Berkowitz – Tehlikeli Fikirler (2023)

İlk Çin imparatorunun kitaplara açtığı savaştan Vatikan’ın pornografi “yasağına”, Charlie Hebdo saldırısından sosyal medyaya uygulanan baskılara dek, çatlak sesleri bastırma çabası insanlık tarihi kadar eski. Berkowitz sansürün Batı’da geçirdiği serencamı sınıf, ırk ve toplumsal cinsiyet merceğinden incelediği ‘Tehlikeli Fikirler’de insanlığın kendi kendini neden ve nasıl susturduğunu, tarihi…

[hickoryhorneddevils]

went to the library to return 2 books and left with 5 new ones yippee!!!!!

[dc-megatournament]

DC Mega Tournament

Round 2

Please vote for who you think would win between the 2 characters and not who you like more.

Links: Eric Strauss, Blackstarr

[docgold13]

Batman: The Animated Series - Paper Cut-Out Portraits and Profiles

My Top Fifteen Most Favorite Episodes of Batman: The Animated Series

#15). Harley and Ivy - Airdate January 18th, 1993. Written by Paul Dini; directed by Boyd Kirkland.

#14). Robin’s Reckoning Part One - Airdate February 7th, 1993. Written by Randy Rogel; directed by Dick Sebast.

13). Egg Baby - Airdate April 1st, 2000.  Written by Hilary J. Bader and Alan Burnett; directed by James Tucker.

#12). His Silicon Soul - Airdate November 20th, 1992.  Written by Marty Isenberg and Robert N. Skir; directed by Boyd Kirkland.

#11). Birds of a Feather - Airdate February 8th, 1993.  Written by Brynne Stephens and Chuck Menville; Directed by Frank Paur.

#10). Over the Edge - Airdate May 23rd, 1998. Written by Paul Dini, Stan Berkowitz and Alan Burnett; directed by Yûichirô Yano.

#9). The Laughing Fish - Airdate January 10th, 1993. Written by Paul Dini; directed by Bruce Timm.

#8). Joker’s Favor - Airdate September 11th, 1992.  Written by Paul Dini; directed by Boyd Kirkland.

#7). Growing Pains - Airdate February 28th, 1998.  Written by Paul Dini and Robert Goodman; Directed by Atsuko Tanaka.  

#6). Harlequinade - Airdate May 23rd, 1994.  Written to Paul Dini; Directed by Kevin Altieri.  

#5). Feat of Clay Part Two - Airdate  September 9th, 1992.  Written by Marv Wolfman and Michael Reaves; Directed by Kevin Altieri.

#4). The Trial - Airdate May 16th, 1994.  Written by Paul Dini and Bruce Timm; Directed by Dan Riba.

#3). Two-Face Part One - Airdate September 25th, 1992.  Written by Alan Burnett and Randy Rogel; Directed by Kevin Altieri.

#2). Almost Got ‘Im - Airdate November 10th, 1992.  Written by Paul Dini; Directed by Eric Radomski.

#1). Heart of Ice - Airdate September 7th, 1992.  Written by Paul Dini; Directed by Bruce Timm.  

[omgellendean]

The text of the letter and names of the celebrities that signed it under the cut.

"October 23, 2023 

Dear President Biden,

We are heartened by Friday’s release of the two American hostages, Judith Ranaan and her daughter Natalie Ranaan and by today’s release of two Israelis, Nurit Cooper and Yocheved Lifshitz, whose husbands remain in captivity.

But our relief is tempered by our overwhelming concern that 220 innocent people, including 30 children, remain captive by terrorists, threatened with torture and death. They were taken by Hamas in the savage massacre of October 7, where over 1,400 Israelis were slaughtered - women raped, families burned alive, and infants beheaded. 

Thank you for your unshakable moral conviction, leadership, and support for the Jewish people, who have been terrorized by Hamas since the group’s founding over 35 years ago, and for the Palestinians, who have also been terrorized, oppressed, and victimized by Hamas for the last 17 years that the group has been governing Gaza.

We all want the same thing: Freedom for Israelis and Palestinians to live side by side in peace. Freedom from the brutal violence spread by Hamas. And most urgently, in this moment, freedom for the hostages. 

We urge everyone to not rest until all hostages are released. No hostage can be left behind. Whether American, Argentinian, Australian, Azerbaijani, Brazilian, British, Canadian, Chilean, Chinese, Danish, Dutch, Eritrean, Filipino, French, German, Indian, Israeli, Italian, Kazakh, Mexican, Panamanian, Paraguayan, Peruvian, Polish, Portuguese, Romanian, Russian, South African, Spanish, Sri Lankan, Thai, Ukrainian, Uzbekistani or otherwise, we need to bring them home. 

Sincerely, 

Aaron Bay-Schuck Aaron Sorkin Adam Berkowitz  Adam Goodman Adam Levine Adam & Jackie Sandler Adee Drexler  Alan Grubman Alex Aja Alex Edelman Alexandra Shiva Ali Wentworth Alison Statter Allan Loeb Alona Tal Amy Chozick Amy Pascal Amy Schumer Amy Sherman Palladino Andrew Singer Andy Cohen Angela Robinson Ant Hines Anthony Russo  Antonio Campos Ari Dayan Ari Greenburg Ariel Martin  Arik Kneller Aron Coleite Ashley Levinson Asif Satchu Aubrey Plaza Barbara Hershey Barry Diller Barry Josephson Barry Levinson Barry Rosenstein Beau Flynn Behati Prinsloo Bella Thorne Ben Stiller Ben Turner Ben Winston Ben Younger Billy Crystal Blair Kohan Bob Odenkirk Bobbi Brown Bobby Kotick Brad Falchuk Brad Slater Bradley Cooper Bradley Fischer Brett Gelman Brian Grazer Bridget Everett Brooke Shields Bruna Papandrea Cameron Curtis

Carin Sage Casey Neistat Cazzie David Charles Randolph  Charles Roven Chelsea Handler Chloe Fineman Chris Fischer Chris Jericho Chris Pine Chris Rock Christian Carino Cindi Berger Claire Coffee Colleen Camp Constance Wu Cory Litwin Courteney Cox Craig Silverstein Dame Maureen Lipman Dan Aloni Dan Mazer  Dan Rosenweig Dan Swimer Dana Goldberg Dana Klein Daniel Glass

Daniel Palladino

Danielle Bernstein

Danny A. Abeckaser

Danny Cohen

Danny Strong

Daphne Kastner

David Alan Grier

David Baddiel

David Bernad

David Chang

David Ellison

David Geffen

David Gilmour &

Polly Sampson

David Goodman

David Joseph

David Kohan

David Lowery

David Oyelowo

David Schwimmer

Dawn Porter

Dean Cain Deborah Lee Furness Deborah Snyder Debra Messing Diane Von Furstenberg Donny Deutsch Doug Liman Douglas Chabbott Eddy Kitsis Edgar Ramirez Eli Roth Elisabeth Shue Elizabeth Himelstein Embeth Davidtz Emmanuelle Chriqui  Eric Andre Erik Feig Erin Foster Eugene Levy Evan Jonigkeit Evan Winiker Ewan McGregor Francis Benhamou Francis Lawrence Fred Raskin Gabe Turner Gail Berman Gal Gadot Gary Barber Gene Stupinski Genevieve Angelson Gideon Raff Gina Gershon Ginnifer Goodwin  Grant Singer Greg Berlanti Guy Nattiv Guy Oseary Gwyneth Paltrow Hannah Fidell Hannah Graf Harlan Coben Harold Brown Harvey Keitel Helen Mirren Henrietta Conrad Henry Winkler

Heidi Jo Markel Holland Taylor Howard Gordon Iain Morris Imran Ahmed Inbar Lavi Isla Fisher JD Lifshitz Jack Black Jackie Sandler Jake Graf Jake Kasdan  James Brolin James Corden Jamie Ray Newman Jaron Varsano Jason Blum Jason Fuchs Jason Reitman Jason Segel Jason Sudeikis

Jason Biggs &

Jenny Mollen Biggs

Jeanne Newman

Jeff Goldblum

Jeff Levin

Jeff Rake

Jeffrey Best

Jen Joel

Jennifer Morrison

Jeremy Piven

Jerry Seinfeld 

Jesse Itzler

Jesse Plemons

Jesse Sisgold

Jessica Biel

Jessica Elbaum

Jessica Seinfeld

Jill Littman

Jimmy Carr

Jody Gerson

Joe Hipps

Joe Quinn

Joe Russo

Joe Tippett

Joel Fields 

Joey King

John Landgraf 

John Slattery

Jon Bernthal

Jon Glickman Jon Hamm Jon Harmon Feldman  Jon Liebman Jon Watts Jon Weinbach  Jonathan Baruch Jonathan Groff  Jonathan Marc Sherman Jonathan Ross Jonathan Steinberg Jonathan Tisch Jonathan Tropper Jordan Peele Josh Brolin Josh Charles Josh Dallas Josh Goldstine Josh Greenstein Josh Grode Josh Singer Judd Apatow Judge Judy Sheindlin Julia Fox  Julia Garner Julia Lester  Julianna Margulies Julie Greenwald Julie Rudd Julie Singer  Juliette Lewis Jullian Morris Justin Theroux Justin Timberlake KJ Steinberg Karen Pollock Karlie Kloss Katy Perry Kelley Lynch Kevin Kane Kevin Zegers Kirsten Dunst Kitao Sakurai Kristen Schaal Kristin Chenoweth Lana Del Rey Laura Benanti  Laura Dern Laura Pradelska Lauren Schuker Blum Laurence Mark  Laurie David Lea Michele Lee Eisenberg Leo Pearlman  Leslie Siebert Liev Schreiber Limor Gott  Lina Esco Liz Garbus Lizanne Rosenstein Lizzie Tisch Lorraine Schwartz Lynn Harris Lyor Cohen Madonna Mandana Dayani Mara Buxbaum

Marc Webb

Marco Perego

Maria Dizzia

Mark Feuerstein

Mark Foster

Mark Scheinberg

Mark Shedletsky

Martin Short

Mary Elizabeth Winstead

Mary McCormack

Mathew Rosengart

Matt Geller 

Matt Lucas

Matt Miller

Matthew Bronfman

Matthew Hiltzik

Matthew Weiner

Matti Leshem

Max Mutchnik

Maya Lasry

Meaghan Oppenheimer

Melissa Zukerman

Melissa rudderman 

Michael Aloni Michael Ellenberg Michael Green Michael Rapino Neil Blair Neil Druckmann Neil Paris Nicola Peltz Nicole Avant Nina Jacobson Noa Kirel  Noa Tishby Noah Oppenheim Noah Schnapp Noreena Hertz Octavia Spencer Odeya Rush Olivia Wilde Oran Zegman Orlando Bloom Pasha Kovalev Pattie LuPone Patty Jenkins Paul Haas Paul Pflug Paul & Julie Rudd Peter Baynham  Peter Traugott Rachel Douglas Rachel Riley Rafi Marmor Ram Bergman Raphael Margulies  Rebecca Angelo Rebecca Mall Regina Spektor Reinaldo Marcus Green Rich Statter Richard Jenkins Richard Kind Rick Hoffman Rick Rosen Rita Ora Rob Rinder Robert Newman Roger Birnbaum Roger Green Rosie O’Donnell Ross Duffer Ryan Feldman Sacha Baron Cohen Sam Levinson Sam Trammell Sara Berman Sara Foster Sarah Baker Sarah Bremner Sarah Cooper Sarah Paulson Sarah Treem Scott Braun Scott Braun Scott Neustadter Scott Tenley Sean Combs Sean Levy  Seth Meyers Seth Oster Shannon Watts Shari Redstone Sharon Jackson Sharon Stone Shauna Perlman Shawn Levy Sheila Nevins Shira Haas Simon Sebag Montefiore Simon Tikhman Skylar Astin  Stacey Snider Stephen Fry Steve Agee Steve Rifkind Sting & Trudie Styler  Susanna Felleman Susie Arons  Taika Waititi Thomas Kail Tiffany Haddish Todd Lieberman Todd Moscowitz Todd Waldman Tom Freston Tom Werner Tomer Capone  Tracy Ann Oberman Trudie Styler Tyler Henry Tyler James Williams Tyler Perry Vanessa Bayer  Veronica Grazer Veronica Smiley Whitney Wolfe Herd Will Ferrell Will Graham Yamanieka Saunders Yariv Milchan Ynon Kreiz Zack Snyder Zoe Saldana Zoey Deutch Zosia Mamet

[zooterchet]

The Dark Knight Trilogy

The Freemasonic Shutdown of Anti-Stalk Technology (The Internet, Cop Interdiction):

Batman Begins: Ivan Tomasic is cleared by Dave Charlebois, and given Homeland Security tags, as a Russian agent. Fear gas is developed, a substitute to Zyprexa, however permanent. Brian Monaghan is dosed. Matthew Lennox, is presumed dead, by Andrew Brooks. The invasion of the MUSH occurs, by George Soros's agents, Jeffrey Lange, for the Obama regime. David Charlebois's work is submitted, to Metro-Goldwyn Mayer, Nietzsche's company.

The Dark Knight: Kevin Weeks, "Alex Fleming", is called out of retirement, to fight prosecutor Andrew Brooks. Allison Haimes, North Korean Law academy, Ba'ath Trial specialist, is tapped by Jeffrey Lange, for the 4chan project. Dave Charlebois, is dropped out of college, for financial fraud, a fence deal to the United States Air Force, of Russian Intelligence marijuana. Kevin Weeks, engages Andrew Brooks, through Whitey Bulger, and Allison Haimes, has her face scarred. Kevin Weeks, sets up Sandy Hook, which Dave Charlebois claims credit for under Mossad tag, after catching Eric Frein, through Brian Monaghan. The mastermind, Alex Jones, is caught, but Jenna Williamson, flees in absentia, haviing provided Adam Lanza's assault training, out of the Braziian US Army DEA dispatch, Pracinas. Jeffrey Lange, now a PhD in cop sciences, prints "Gotham", to redeem David Masouz, relative of Nancy Mace, Charlie Day, Jim Bowie, David Bowie, Andre Olnesti, Gary Kasparov, Mrs. Kasprak, and Nathaniel Bedford Forrest; Aisha of Mecca.

The Dark Knight Rises: Brian Monaghan, written as "Mister Zsasz", with the aid of David Charlebois, arranges the trade of Tom Brady to the Buccaneers, disrupting Fox Cable Footage. Trump, threatens the country, through Michael Fargnoli's marketing software, through Will Morgan. Jessica Bailey, propositions Dave, to make comics, through his father. Dave attends SNHU, outing the marketing software fraud, outing Mike Fargnoli and Jeffrey Lange and Donald Trump, as guilty; riots ensue, in the capital. Jessica "Baiiley"', real name, Jessica of Windsor, swears to her protector, David "Berkowitz" Falco, Dave Charlebois, and he outs his activity. INTERPOL, is redeemed.

So, if you aren't one of the named, the survivors; is the internet dangerous?

Have you done something illegal, the internet is saving you from?

Is it us, or you, Batman fans?

[brightlotusmoon]

How Sex Changed the World - Extreme Sex HD documentary - Dailymotion Video

This aired in 2013 and I'm not surprised I never knew about it. I love the expose on the US government using sex and drugs for things that they would throw us in jail for.

[popentertainment-moviereviews]

HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG (2022)

Featuring Brandi Carlile, Eric Church, Judy Collins, Sharon Robinson, Regina Spektor, Rufus Wainwright, Nancy Bacal, Steve Berkowitz, Adrienne Clarkson, Clive Davis, Shayne Doyle, Susan Feldman, Rabbi Mordecai Finley, Glen Hansard, Dominique Issermann, Vicky Jenson, Myles Kennedy, John Lissauer, Janine Dreyer Nichols, Amanda Palmer, Larry 'Ratso' Sloman, Joan Wasser, Hal Willner and archival footage of Leonard Cohen, John Cale, Bob Dylan and Jeff Buckley.

Directed by Daniel Geller and Dayna Goldfine.

Distributed by Sony Pictures Classics. 115 minutes. Rated PG-13.

“It was [the] trajectory that made me interested in exploring the song. I cannot think of another song that had a comparable experience. Anything that's up in that altitude, songs like ‘Bridge Over Troubled Water’ or ‘Imagine,’ people got right away that those were important songs. They were big hits. Obviously, their meaning changed over time, but there was this huge splash and then everybody was aware of them. ‘Hallelujah,’ when Leonard turned in the album the song was on, his label rejected it. Columbia didn't put the album out. Then when it came out on an indie label a little later, nobody noticed the song. The review in Rolling Stone was a nice review, but it didn't mention ‘Hallelujah.’ So this song starts not just under the radar, but way off the radar. No one knew it was there. It's the fact that it [appeared] slowly but surely. It was never a hit. It was never one thing where everybody discovers this song. It was a gradual build of momentum that kind of snowballed, in fact, from different covers and different versions and different uses.”

This was the explanation that music journalist Alan Light gave me in 2013 when we were discussing his then-new book The Holy or the Broken: Leonard Cohen, Jeff Buckley & the Unlikely Ascent of "Hallelujah," which was an in-depth examination of the slow rise of the song to iconic status.

The new documentary Hallelujah: Leonard Cohen, A Journey, A Song was inspired by that book (Light is one of the producers of the film as well as one of the consultants about the subject), although it takes a slightly different tack than the tome. Light made a point to make the narrative about the strange journey of the song, not spending more than a chapter or two of its time specifically on the creator. (“The book could have gotten too top-heavy as a Leonard and Jeff [Buckley] co-biography,” Light explained to me at the time.)

While the film does explore the strange path that the song took to becoming a musical standard, the film is more of a straight biography of singer-songwriter Cohen which periodically swerves into different directions about other uses of the tune.

And you know what? That’s okay. Leonard Cohen’s life is endlessly fascinating. I’m all in, either way.

Which is not to say that there is not enough just in the one song. “Hallelujah” was an ongoing work in progress for years, with the songwriter tinkering with the lyrics long after he had originally recorded the song. In fact, he supposedly had written 180-some verses of the song over the years.

It seeped into the public consciousness slowly. First off, Bob Dylan took to occasionally covering the song in concert. Then former Velvet Underground member John Cale did a reworked version on a Leonard Cohen tribute album. It was that version that led to the recording which may have opened the floodgates – singer Jeff Buckley’s recording of the song on his debut album Grace was based on Cale’s version, he had never heard the Cohen original.

Since then, the song has been used in multiple different ways. Anytime there is a huge celebration someone sings it. Anytime there is a great tragedy, someone sings it. It has been used at sporting events, at weddings, at funerals. It is a staple on TV music reality competition shows. It has been recorded in dozens of holiday albums – even though other than the title and some religious imagery there is nothing even the least bit “Christmas-y” about it. It was even used in Shrek.

While it is undoubtedly Leonard Cohen’s best-known song, it is not necessarily Leonard Cohen’s best song. (And this is coming from someone who loves the song.) Therefore, the film Hallelujah does the public service of opening up significantly more of Cohen’s body of work to fans who may know only the one song.

It also gives us a fascinating ride-along on the very unusual pathway of Cohen’s career. He started as a poet and acclaimed novelist who didn’t even start in music until his 30s, at which point he was probably a little old, a little rich, and a little well-dressed for the hippy summer of love lifestyle he was entering. Still, Cohen was an unusually thoughtful and philosophical man with a sterling sense of language, a man who was able to sustain a career for over 40 years without once having a real hit single.

He was the type of man who would put his life on hold for six years just to take a spiritual retreat at a Buddhist monastery. He was a man who lived in the same home for decades, even when he could afford to move someplace much nicer. He was the kind of man who was so unworried about the material that he didn’t even notice that his manager had stolen all of his money. And he was the kind of man who when that happened, he just hit the road for the first time in decades, touring for years and not only making back all the money he lost, but also revitalizing his career to the point that when he died in 2016, he was probably more respected as an artist than he ever had been.

“Hallelujah” was a big part of the story, but it was not the whole thing. The movie Hallelujah: Leonard Cohen, A Journey, A Song tells even more of that story. After all, as the guy himself said in his song “Anthem,” “There is a crack in everything. That’s how the light gets in.” The world is a better place because this movie is letting in the light.

Jay S. Jacobs

Copyright ©2022 PopEntertainment.com. All rights reserved. Posted: July 1, 2022.

[lyamsworld]

Seks mevzuatının temel ilkesi, kadınların evlenip çocuk doğurması veya seks yapılıp bir kenara atılması üzerine kuruluydu. Bir koca keyfine göre gayrimeşru ilişki yaşamakta serbestti, çünkü bunun onun malvarlığı üzerinde bir etkisi yoktu. Öte yandan aynı şeyi eşinin yapması halinde ölümle cezalandırılacağı kesindi.

Eric Berkowitz-Seks ve Ceza

[sounmashnews]

[ad_1] BOSTON -- It's like a high-speed scratch ticket -- bounce onboard, take an opportunity and also you would possibly win a free trip. If there isn't any conductor on the Commuter Rail, viewers inform WBZ-TV it is like you do not even want a ticket. And they are saying it occurs rather a lot. Len Berkowitz recorded his morning commute. He mentioned that 40% of the time, the Commuter Rail was free for him. "No sign of any conductors today. I don't know why people even buy tickets," mentioned Berkowitz. Kate Elmendorf purchased a cell ticket however did not need to activate it. "Kind of convenient because if I want to use the ticket again I can," she mentioned. Patty Connelly pre-pays for her month-to-month move although. She mentioned watching others not pay a fare is not truthful. "So I've paid in advance and there's a bunch of other people who didn't pay at all."  David Wade determined to check it out himself. Over a few months, he took six rides, shopping for and activating tickets on his cellphone every time.He solely had his ticket checked as soon as. So how widespread of an issue is that this? Pre-pandemic, the Commuter Rail introduced in about $250 million a yr. The T estimates it loses about 4-8% when fares aren't collected. That's a yearly lack of $10-20 million.  Four-to-eight p.c of uncollected fare truly appears low for the way usually it occurs to riders WBZ-TV spoke to. Either approach, that is no drop within the bucket for a system that is strapped for money.MBTA General Manager Steve Poftak acknowledged it is an issue. "You're right this money does add up," he mentioned. But Poftak thinks model new fare gates at North Station are the reply. They went on-line this weekend. Passengers should use a ticket or scan a ticket on their cellphone simply to get close to the Commuter Rail platform. The similar system will likely be put in at South Station and Back Bay. "What this is going to do is allow us to essentially wipe out this problem," Poftak mentioned. An issue that has price the MBTA tens of thousands and thousands of dollars by the years -- it is a good perk for riders however a giant ache within the caboose for the T. David Wade Multiple award-winning journalist David Wade co-anchors WBZ-TV News at 5, 6 and 11 p.m. with co-anchor Lisa Hughes and chief meteorologist Eric Fisher. [ad_2] Source link

[vm4vm0]

FORD F-150 RAPTOR R - SCARY FAST from Brunch Club Creative Studio on Vimeo.

CLIENT: Ford

AGENCY: W+K NEW YORK EXECUTIVE CREATIVE DIRECTOR: Karl Lieberman GROUP CREATIVE DIRECTORS: Eric Helin, Stuart Jennings COPYWRITER: Jake Thompson ART DIRECTOR: Alex McClelland DESIGNER: Henry Jinings DESIGNER: Malithi Gunawardena HEAD OF INTEGRATED PRODUCTION: Nick Setounski EXECUTIVE PRODUCER: Jessica Griffeth SENIOR PRODUCER: Alexander Kramer PRINT PRODUCER Blake Harmon GROUP ACCOUNT DIRECTOR: Mike Welch ACCOUNT DIRECTOR: Phil Pennington ACCOUNT SUPERVISOR: Caroline Schwartz ACCOUNT EXECUTIVE: Terrance Woodall STRATEGY DIRECTOR: Newman Granger STRATEGIST: Hannah Kratky SENIOR SOCIAL STRATEGIST: Liana Holland MEDIA & COMMS DIRECTOR: Geoff Scoones MEDIA & COMMS PLANNER: Carly Lissak SENIOR PROJECT MANAGER: Nicole Formisano PROJECT MANAGER: Chantal Kharas DIRECTOR OF BUSINESS AFFAIRS: Karen Murillo BUSINESS AFFAIRS: Nestor Gandia TRAFFIC: Sonia Bisono PRODUCT INFORMATION SPECIALIST: John Bonacquisti

PRODUCTION COMPANY: Greenpoint Pictures DIRECTOR: Lauren Sick DIRECTOR OF PHOTOGRAPHY: Logan Triplett EXECUTIVE PRODUCER: Tatiana Rudzinski EXECUTIVE PRODUCER: Trevor King HEAD OF PRODUCTION: Karen Berkowitz OWNER: Michael Kuhn LINE PRODUCER: Steve Oare PRODUCTION MANAGER: Andrew Peterson

VFX COMPANY: THE MILL PRODUCER: Edward Rilli ASSOCIATE PRODUCER: Cath Daly VFX SUPERVISOR: James Allen CREATIVE DIRECTOR: Jimmy Bullard

TELECINE: Ethos Studio COLORIST: Dante Pasquinelli COLOR PRODUCER: Sam Cesan

EDIT/POST: Rock Paper Scissors MANAGING DIRECTOR: Eve Kornblum EXECUTIVE PRODUCER: Justin Kumpata PRODUCERS: Taylor Colbert, Shayna Rubin EDITOR: Akiko Awakawa EDITOR: Aaron Tompkins ASSISTANT EDITORS: Tom Mika, Kathryn Lenihan

COMPOSER: Nathaniel Eras

TITLES: Brunch Club

SOUND DESIGN: Henry Boy SOUND DESIGNER: Bill Chelsey EXECUTIVE PRODUCER: Kate Gibson MIX: Sonic Union EXECUTIVE PRODUCER: Justine Cortale AUDIO ENGINEER: Steve Rosen AUDIO ENGINEER: Julienne Guffain

[emzeciorrr]

FORD F-150 RAPTOR R - SCARY FAST from Brunch Club Creative Studio on Vimeo.

CLIENT: Ford

AGENCY: W+K NEW YORK EXECUTIVE CREATIVE DIRECTOR: Karl Lieberman GROUP CREATIVE DIRECTORS: Eric Helin, Stuart Jennings COPYWRITER: Jake Thompson ART DIRECTOR: Alex McClelland DESIGNER: Henry Jinings DESIGNER: Malithi Gunawardena HEAD OF INTEGRATED PRODUCTION: Nick Setounski EXECUTIVE PRODUCER: Jessica Griffeth SENIOR PRODUCER: Alexander Kramer PRINT PRODUCER Blake Harmon GROUP ACCOUNT DIRECTOR: Mike Welch ACCOUNT DIRECTOR: Phil Pennington ACCOUNT SUPERVISOR: Caroline Schwartz ACCOUNT EXECUTIVE: Terrance Woodall STRATEGY DIRECTOR: Newman Granger STRATEGIST: Hannah Kratky SENIOR SOCIAL STRATEGIST: Liana Holland MEDIA & COMMS DIRECTOR: Geoff Scoones MEDIA & COMMS PLANNER: Carly Lissak SENIOR PROJECT MANAGER: Nicole Formisano PROJECT MANAGER: Chantal Kharas DIRECTOR OF BUSINESS AFFAIRS: Karen Murillo BUSINESS AFFAIRS: Nestor Gandia TRAFFIC: Sonia Bisono PRODUCT INFORMATION SPECIALIST: John Bonacquisti

PRODUCTION COMPANY: Greenpoint Pictures DIRECTOR: Lauren Sick DIRECTOR OF PHOTOGRAPHY: Logan Triplett EXECUTIVE PRODUCER: Tatiana Rudzinski EXECUTIVE PRODUCER: Trevor King HEAD OF PRODUCTION: Karen Berkowitz OWNER: Michael Kuhn LINE PRODUCER: Steve Oare PRODUCTION MANAGER: Andrew Peterson

VFX COMPANY: THE MILL PRODUCER: Edward Rilli ASSOCIATE PRODUCER: Cath Daly VFX SUPERVISOR: James Allen CREATIVE DIRECTOR: Jimmy Bullard

TELECINE: Ethos Studio COLORIST: Dante Pasquinelli COLOR PRODUCER: Sam Cesan

EDIT/POST: Rock Paper Scissors MANAGING DIRECTOR: Eve Kornblum EXECUTIVE PRODUCER: Justin Kumpata PRODUCERS: Taylor Colbert, Shayna Rubin EDITOR: Akiko Awakawa EDITOR: Aaron Tompkins ASSISTANT EDITORS: Tom Mika, Kathryn Lenihan

COMPOSER: Nathaniel Eras

TITLES: Brunch Club

SOUND DESIGN: Henry Boy SOUND DESIGNER: Bill Chelsey EXECUTIVE PRODUCER: Kate Gibson MIX: Sonic Union EXECUTIVE PRODUCER: Justine Cortale AUDIO ENGINEER: Steve Rosen AUDIO ENGINEER: Julienne Guffain

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