i watched 120 new-to-me films this year; here are the posters from a few of my favorites in no particular order!!
faults (riley stearns, 2014)
out of the blue (dennis hopper, 1980)
wake in fright (ted kotcheff, 1971)
entergalactic (fletcher moules, 2022)
histoires d'amérique: food, family and philosophy (chantal akerman, 1989)
the woman king (gina prince-bythewood, 2022)
waking life (richard linklater, 2001)
on the count of three (jerrod carmichael, 2021)
thank you and good night (jan oxenberg, 1991)
i’ll tag @lesbiancolumbo / @draftdodgerag / @localpubliclibrary / @calicoskiesacoustic / @jerrylandis / @columbosunday / @harrierdoobie / @sightofsea and anyone else who’d like to do this!! 🌟
entire watchlist from 2022 is below the cut:
the world to come (mona fastvold, 2020)
nancy (christina choe, 2018)
la bouche de jean-pierre (lucile hadžihalilović, 1996)
run (aneesh chaganty, 2020)
the mosquito coast (peter weir, 1986)
mass (fran kanz, 2021)
a field in england (ben wheatley, 2014)
angels wear white (vivian qu, 2017)
a cape cod christmas (john stimpson, 2021)
shook (jennifer harrington, 2021)
outing riley (pete jones, 2004)
love & mercy (bill pohlad, 2014)
small engine repair (john pollono, 2021)
the fallout (megan park, 2021)
clemency (chinonye chukwu, 2019)
red elvis (thomas latter, 2022)
calendar girls (nigel cole, 2003)
the little hours (jeff baena, 2017)
out of the blue (dennis hopper, 1980)
aya of yop city (marguerite abouet and clement oubrerie, 2013)
fresh (mimi cave, 2022)
jesus camp (rachel grady, 2006)
bamboozled (spike lee, 2000)
master (mariama diallo, 2022)
the world of us (yoon ga-eun, 2016)
jezebel (numa perrier, 2019)
the cat, the reverend and the slave (alain della negra and kaori kinoshita, 2009)
cohabitation (lauren barker, 2022)
the queen of versailles (lauren greenfield, 2012)
secret ceremony (joseph losey, 1968)
the northman (robert eggers, 2022)
the silent partner (daryl duke, 1978)
in secret (charlie stratton, 2013)
the ground beneath my feet (marie kreutzer, 2019)
the man who haunted himself (basil dearden, 1970)
woodlands dark and days bewitched: a history of folk horror (kier-la janisse, 2021)
the miseducation of cameron post (desiree akhavan, 2018)
roadrunner: a film about anthony bourdain (morgan neville, 2021)
karen dalton: in my own time (richard peete and robert yapkowitz, 2020)
fire music (tom surgal, 2018)
histoires d'amérique: food, family and philosophy (chantal akerman, 1989)
fruit of paradise (věra chytilová, 1969)
a different image (alile sharon larkin, 1982)
preparations to be together for an unknown period of time (lili horvát, 2020)
candyman (nia dacosta, 2021)
fan girl (antoinette jadaone, 2020)
chicago 10 (brett morgen, 2007)
pray away (kristine stolakis, 2021)
mavis! (jessica edwards, 2015)
M (yolande zauberman, 2018)
wake in fright (ted kotcheff, 1971)
thomasine & bushrod (gordon parks, 1974)
desire me (released uncredited; jack conway, george cukor, mervyn le roy, and victor saville, 1947)
faults (riley stearns, 2014)
premature (rashaad ernesto green, 2019)
mother joan of the angels (jerzy kawalerowicz, 1961)
the loft (erik van looy, 2014)
the black phone (scott derrickson, 2022)
no exit (damien power, 2022)
nope (jordan peele, 2022)
paprika (satoshi kon, 2006)
our eternal summer (émilie aussel, 2021)
playground (laura wandel, 2021)
not okay (quinn shephard, 2022)
everything everywhere all at once (daniel kwan and daniel scheinert, 2022)
pressure point (hubert cornfield, 1962)
sharp stick (lena dunham, 2022)
on the count of three (jerrod carmichael, 2021)
martha marcy may marlene (sean durkin, 2011)
waking life (richard linklater, 2001)
sicaro (denis villeneuve, 2015)
arrival (denis villeneuve, 2016)
this magnificent cake! (emma de swaef and marc james roels, 2018)
chevalier (athina rachel tsangari, 2015)
young and wild (marialy rivas, 2012)
alice (krystin ver linden, 2022)
shame (steve mcqueen, 2011)
good madam (jenna cato bass, 2022)
black bear (lawrence michael levine, 2020)
speak no evil (christian tafdrup, 2022)
wet sand (elene naveriani, 2021)
the catholic school (stefano mordini, 2021)
poly styrene: i am a cliché (celeste bell and paul sng, 2021)
the violators (helen walsh, 2015)
the woman king (gina prince-bythewood, 2022)
the killing kind (curtis harrington, 1973)
oleanna (david mamet, 1994)
entergalactic (fletcher moules, 2022)
the more the merrier (george stevens, 1943)
primrose path (gregory la cava, 1940)
watcher (chloe okuno, 2022)
enemy (dennis villenueve, 2013)
darlin' (pollyanna mcintosh, 2019)
sissy (kane senes and hannah barlow, 2022)
till (chinonye chukwu, 2022)
black panther: wakanda forever (ryan coogler, 2022)
the hunt (thomas vinterberg, 2012)
the other side of the underneath (jane arden, 1972)
barbarian (zach cregger, 2022)
the intervention (clea duvall, 2016)
sorry to bother you (boots riley, 2018)
the silent twins (agnieszka smoczyńska, 2022)
tahara (olivia peace, 2020)
arranged (diane crespo and stefan schaefer, 2007)
swimming (luzie loose, 2018)
#like (sarah pirozek, 2019)
babysitter (monia chokri, 2022)
chico and rita (tono errando, fernando trueba, and javier mariscal, 2010)
pleasure (ninja thyberg, 2021)
john the violent (tonia marketaki, 1967)
fat girl (catherine breillat, 2001)
lemon (janicza bravo, 2017)
thank you and good night (jan oxenberg, 1991)
what about me (rachel amodeo, 1993)
the KKK boutique ain’t just rednecks (camille billops and james hatch, 1994)
sun don’t shine (amy seimetz, 2012)
zero fucks given (emmanuel marre and julie lecoustre, 2021)
piggy (carlota pereda, 2022)
ladyworld (amanda kramer, 2018)
wolf's hole (věra chytilová, 1987)
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