#Farfisa

[fuzzkaizer]

TONEBUTCHER - TACO BELL 1993 FUZZFISA

Harvested Farfisa transistors operating on a D cell

[cannedbluesblog]

Vintage Keyboard/Equipment Ads

[lisamarie-vee]

[topoet]

McMusic

There’s no denying that I like an organ’s thick juicy sound. My love started with that Farfisa bounce in 60s garage rock – i.e. 96 Tears. It expanded with Vanilla Fudge, ELP. I think on of my fruit jazz organ lps with Jimmy Smith’s Monster (more about him when I get to ’S’]. Back in the day when I flipped though bins of 2nd hand cds I came upon Brother Jack McDuff (1926-2001) lp: Gettin’ Our…

[opulentconceptions]

The Wyld Gooms: Fierce Garage Punk Ravers | Outro Records 029

The Wyld Gooms – “You Did Me Wrong” / “Doesn’t Matter To Me” (Outro Records 029) January 2022 I finally obtained a copy of the first single by the latest garage punk hoodlums on the impressive Outro record label. The 45 was released during January 2022 but it’s taken a couple of months for this potent disc to circulate in the UK and through the hands of some of my trusted English record…

[valentinobaos]

Farfisa

[singeratlarge]

SATURDAY MATINEE MUSIC VIDEO! “Air Raid” https://www.youtube.com/watch?v=lbUdbVyKqJE  “Noir Reggae” is how I describe this song. The somber and metaphorical lyrics were inspired by dreams I had after reading a play by British writer Charles Williams (one of The Inklings, the league of writers that included C.S. Lewis and J.R.R. Tolkien). The message: A common enemy shakes people out of their squabbles and unifies them for a righteous cause, but wouldn’t it be great if we didn’t have to wait for bombs to drop to get people together? My early demo of this was in a Rolling Stones "Some Girls" style, but then I took it into a Bowie-ish space-reggae direction. Guitarist Chris Bovard was slotted to play but couldn't make the session, so I did it, imagining Stevie Ray Vaughn doing surf guitar with a dose of ISLANDS-era Robert Fripp (I also played a nifty Farfisa organ). I'm thinking of re-cutting this song someday with a harder reggae rock beat, like Bob Marley's "Could You Be Loved?" Thanks for tuning in. https://www.youtube.com/watch?v=lbUdbVyKqJE

#airraid #war #charleswilliams #inklings #commonenemy #somegirls #rollingstones #chrisbovard #stevierayvaughan #robertfripp #farfisa #reggae #noir #ensoniq #bobmarley

[fuzzkaizer]

"electronic leslies" from Italy

Farfisa - spherasound

JEN - variospectra

EKO - SOUND

cred: facebook.com/PAolo Botta

[ktc-al-khulaqi]

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[mudwerks]

(via A Tour of The Farfisa Super Synthaccordion)

the most complex fucking thing I’ve seen in quite some time

[ryansholin]

A cover of The Seeming and the Meaning by Stereolab.

Spent some time over the past couple days doing a full accurate cover of the kind of song I’d like to write, as an exercise in finishing something, and was able to learn and practice a bunch in the process, including some actual actionable information about “mastering,” which is a thing the music production influencers seem to either make sound like a dark art or alternatively tell you is learnable if you just take their upcoming $400 class, be sure to like and subscribe.

Not that there’s any hiring wrong with that! Related, not that you can tell from my mostly unfinished lead vocals here, but I had my second (in person) voice lesson this week, and again, a little trick called “breathing” seems to be one of the key tactics to master.

My homework is Fly Me To The Moon. Maybe I’ll do something with it.

I think a question I’ll need to research soon is what a real “let’s record some vocals” workflow is supposed to look like. Recording a whole bunch of takes to a loop, I think, is a thing I should be doing? And maybe something called comping?

But I know I should be warming up, breathing, and choosing keys that fit my range, which should be especially easy when I’m the one writing the dang songs.

[odk-2]

Blondie - X Offender (1976) Gary Valentine / Debbie Harry from: "X Offender" / "In the Sun" (Single) "Blondie" (LP)

Power Pop | New Wave

Tumblr (left click = play) (192kbps)

Personnel: Debbie Harry: Vocals Gary Valentine: Guitar Jimmy Destri: Farfisa Organ Chris Stein: Bass Clem Burke: Drums

Produced by Richard Gottehrer / Craig Leon

Recorded: @ Plaza Sound Studios in New York City, New York USA 1976

Single Released: on June 17, 1976

Album  Released: January, 1977

Private Stock Records

[seanmorroww]

Bruxula - “A_x (Nicola Cruz Remix)”

Dark Farfisa [12th Isle, 2022]

[videostak]

i genuinely believe if u like turn depth and vibrato to the lowesst on an organ and sorta get the drawbars at a certain simplicity u can just spam the highest octave notes and ppl will think ur good cause u sound sorta like ray manzarek. like i dont any ppl i jam w/ cause i dont kno any ppl but like if smthn happened where i had to play w/ a band live id just spam that shit hitting as many notes in the highest octave on the black keys and i think ppl would think it would sound good and professional.

[fuzzkaizer]

FARFISA - PREAMPLIFIER Mod. BP/25

"BC209C and « 9640 87010 sgs iw » transistor inside, great sound, tasty overdrive in the medium position, louder in high position. That’s basic stuff, no ON/OFF switch, no level pot, an always on effect"

cred: facebook.com/Monster Chcroute

[tastierearranger]

Arranger Legacy | Farfisa 7X

Ritorna la rubrica Arranger Legacy: i fedeli lettori di questo blog sanno che si tratta del lavoro di una squadra di cui, oltre al sottoscritto, fanno parte Giorgio Marinangeli, Marcello Colò e Riccardo Gerbi. Con questi contributi corali, vogliamo celebrare gli strumenti arranger che hanno reso grande la storia di questo comparto di strumenti musicali. Fra i tanti produttori di arranger del…