#Flowers Cochin

[handweavers]

recent paper/mixed media collage pieces i've done, including my handmade plant-based inks, carved lino blocks, and dried flowers. the carved lino stamps are based on designs from a vintage indian jewellery book. some of the inks used are chestnut, black walnut, cochineal, and sumac 🤎

i tend to collect images that relate to south and southeast asia and focus on that kind of imagery because a lot of paper collage & ephemera is so focused on western imagery and i want to turn away from that. some of the paper i used is sourced from pamphlets from the malaysian sikh organisation my babaji (grandfather) was a member of

[nuno-draws]

Prompts used: • Explore how different cultures have different ways of experiencing seasons or have different names for them. • Calendars and timekeeping @yourcubitoyourculture

This is part the last part dedicated to Ukrainian names of the months. Check out other parts in the links below!!

Featuring Ren, Mumbo and Pearl!

autumn || winter || spring || summer

_______________________________

"Червень" (cherven') - June “Червець”(chervets') - cochineal, is a name of a bug that is active during this period, and was used to make red dye. Previously, the month shared the same name with the bug.

"Липень"(lypen') - July “Липа”(lypa) - linden, this name is associated with the flowering of linden trees and the period of collecting linden honey.

"Серпень" (serpen') - August “Серп”(serp) - sickle. This month marks the start of grain harvest in Ukraine. Sickle is the most known tool used in this process.

[nexility-sims]

have been feeling listless and unmoored re: sims stuff lately, but i got a healthy dose of inspiration from @warwickroyals & @prydainroyals this past week, so i did a little succession / magazine-ish thing :^) obviously beatriz's 2023 death would be commemorated in uspanian vogue !!!!! obviously !!!!

transcribed text below:

Fashion is a Royal (and Family) Affair

That Crown Princess Barbie is a student of Uspanian style isn’t a surprise. For this issue, she recounts the historical episode at the heart of our memorial for the late Queen Beatriz. Pictured above in private photos are: Mother Desideria in 1860; Mother Zuriñe in 1885; Mother Rowena and then-Crown Prince Alfonso in 1926.

THE “BIRDIE” ISSUE OF VOGUE USPANA debuted in 1973. At the time, the magazine was in its infancy. An issue shaped by the queen—and it was, from cover to cover, driven by her desires and presence—ensured longevity. It proved to be a bestseller. Clothes, too, flew off the racks as Uspana’s designers received a boost among popular consumers. A textiles renaissance commenced among women of a certain class who had been looking elsewhere for quality fabric. Then and now, this was the mission of the magazine: loyalty to Uspanian fashion. The Birdie issue was a testament to this, from the sensibilities it imparted to the sourcing of its materials. The queen’s favorite designers, stylists, and photographers filled the issue; it made them iconic, and they would continue to set national trends for decades to come. More importantly, the Birdie issue fit into a larger project underway during Beatriz’s reign. Foreign fashion’s creep into the Uspanian mainstream had started two centuries before Beatriz obtained the Crown, but it reached its cultural apex under the sway of her mother. Uspana’s people had long reviled Queen Rowena’s taste in one breath and wished to emulate it in the second. The two women were not seemingly opposed in a diametric sense. They overlapped under the label of “extravagant,” namely, but Beatriz was forgiven her excess. The Birdie issue, in retrospect, shows why. In an initial meeting with the queen, she told then-editor Lluc Soler that she cared deeply about a “revival” of traditional fashion in the country. Soler replied that traditional fashion was alive and well—“in the mountains, with the grandmothers.” Some in the annals have suggested that this retort led to control of the issue being ceded informally to a team with whom the queen preferred to work. (By 1975, Papan Ibarra had risen from those ranks to become the magazine’s new editor-in-chief, a position she occupied until 1991.) Nonetheless, a certain truth in Soler’s statement formed the foundation of the issue. It did draw heavy inspiration from those grandmothers in the mountains. This included people such as the queen’s own grandmother, Mother Zuriñe, who readily embraced the aesthetics of Yaas and was a master weaver in her own right. The cover reflected the elevated homage orchestrated within. On it, Birdie herself posed in a wool rebozo hand-dyed with cochineal. This garment was a perfect duplicate of the so-called suncloths the queen’s great-grandmother, Mother Desideria, wore on a regular basis in the late nineteenth century. Fittingly, it was also topped with a replica inspired by the time. One of the many jewelry pieces destroyed during the 1880s had been the Shield Flower tiara with its red fire opal set in gold and symbolic allusions to the sacrifice and self-immolation of Uspana’s founding mothers. Queen Beatriz wore tiaras on many occasions, but it was widely known that she preferred to wear the true Uspanian symbol of elite regalia: the jade necklace. For that reason, jade

BIRDIE, 1973 Shield Flower tiara by Xiuhcozcatl for the House of Tecuani. Rebozo by Quilatzli Castañeda. Necklace creator unknown. Fashion editor: Papan Ibarra.

[scotianostra]

On February 6th 1685 Charles II the “merry monarch” died.

The following is an account of King Charles II death by his physician Charles Scarborough, it seems quite horrific, and given a choice I think I would prefer to have died the same way as his old man, with one swift chop of the axe!

When Charles II lay dying from a convulsion which attacked him while shaving, the medicos of that day left no stone unturned in helping him along to the Great Beyond. First, he was bled of a pint of blood. Then his shoulder was cut and eight ounces more of blood was extracted by cupping.

Then followed an emetic, a purgative and another purgative. Next, an enema in which they used antimony, sacred bitters, rock salt, mallow leaves, violet, beet root, camomile flowers, fennel seed, linseed, cinnamon, cardamom seed, saffron, cochineal and aloes. This enema was repeated. In two hours, another purgative was given.

The King’s scalp was then shaved, and a blister raised on it. They gave him next sneezing powder of hellebore root; they sought to strengthen his brain by giving him powder of cowslip flowers. Purgatives were frequently repeated. He was given drinks of barley water, licorice, sweet almonds, white wine, absinthe, anise seed, extracts of thistles, rue, mint and angelica. When these did not cure him, they gave him a poultice of burgundy pitch and pigeon dung, to be applied to his feet. More bleeding, more purging; they added melon seeds, manna, slippery elm, black cherry water, extracts of flower of lime, lily of the valley, peony, lavender and dissolved pearls. When these did not do the trick, they went at it with gentian root, nutmeg, quinine and cloves. When this failed, he was given forty drops of extract of human skull. Then they forced down his throat a rallying dose of herbs and animal extracts. Then some powdered bezoar stone.

Alas, after an ill fated night His Serene Majesty was so exhausted that all the physicians became despondent. And so, more active cordials, and finally pearl julep [a heart tonic] and ammonia, were forced down the royal patient’s throat. Then he died.

Charles II died aged fifty-five, he suffered an apoplectic fit while shaving. He died four days later but may well have survived without the medical intervention of the day. No shir!

[spectral-idiot]

I DONT CARE THE PUBLIC, TAKE ANOTHER SNEAK PEAK!

This is not a fragment of a one shot, but its something i did that i planned post as a complement, since the original core of the one shot that is a week afar is a dancing scene between Kieran and Flore, whit this song

I hope Levi enjoys this! If he says so, I CAN BE THEIR VOICE MUAHAHAHAHAHHAHA

The art is from @cochineal-leviat !

THIS IS SO DIFERENT FROM WHAT I USE TO POST

The "Hanata" thing is because I wanted to give Flore a japanese name so the bud will look as the other pokemon characthers ins Ao3 (Japanese|English) and mixing Hana (Flower) and Hinata (From the sun) kinda made sense in my dumbass head

[landofspaceandrainbows]

Thanks to @flashfictionfridayofficial for the prompt!

~

"And did you hear what he was calling himself?"

"Rex Mundial, Emperor of the world, El Rey - "

"and all the banners all white and red, they asked, well, heh, "asked" for all our finest, madder, cochineal, scarlet roses, that's our role to manufacture more banners."

"Yes, 'asked' is one word for it."

The last voice, was Cleo's and she lifted the deep red rose from her pocket and tossed it out the open window, onto the roadside in the castle to lay in the dust.

She looked through the flower basket and handed Bo a blue violet flower, he turned it this way and that, looking for the best angle before pinning it to his own shirt front.

He made her hand him another one, up on a stool while he fixed it over the door.

"Down with red, and down with all kings!"

[lgalacticjayl]

Deer in a Forest Repeat Print

7ft by 4ft, cotton, natural dyes

putting close up and process under keep reading

close up of the final project

Initial sketch of the plan. As you can see it did not quite turn out as intended but thats the thing with natural dyes or fiber is you kinda just have to accept what it gives you and it still looks great

The first step is extracting the dye in soups so here is marigold flowers soaking to be extracted and then used to dye the fabric itself (after the fabric has been scoured tannin-ed and mordant-ed)

The fabric is now dyed and a stencil can be made on transparent paper, each layer gets their own stencil

The stencil then gets put on the screen through light reactive emulsion leaving the design unreactive and washed out

Printing dye is then made, the green is indigo (which needs soybean paste and ended up washing out) and marigold. The red is cochineal (cactus bugs) and logwood (tree bark).

Some shots of the printing itself

The first layer was barely just visible

the second layer was more promising but the third I was very happy with

The last step is to steam it for an hour to set the dyes which is where the magic happens for me as you never know what it's going to look like when it comes out. The left image here is before steaming and the right is after and you can see how the logwood really overpowered the cochineal and how much the indigo washed out but then left an imprint with the first layer. It's so cool to see

Hope you have enjoyed reading the entire process of these I plan to post more like this for my own reference to look back on as well

[mantisgodsdomain]

Okay we're done getting really mad about bug game worldbuilding. If you are interested in seeing us get extremely mad about Bug Fables' consistently shoddy worldbuilding, then it is below the cut. We'll tag this properly in like a week so it doesn't haunt the main tag for everyone who might not want to read 1.8k words of a random author getting really fucking mad about shoddy worldbuilding.

We've done a lot of stuff with worldbuilding for Bug Fables. Our handling of Bugaria itself is, we will admit, not quite canon-typical. There's a lot going on, and not all is easy to work with. We know from the game itself that Bugaria is surrounded by hostile deadlands, making outside trade difficult and often-lethal - we also know, from being able to observe the in-game map as a human with outside perspective, that Bugaria is contained within a single backyard.

For the game proper, this is fine. It lends itself well to the "borrower" type aesthetic that the devs appear to prefer, limits the scope of the in-game map, and allows for them to do significantly less legwork trying to figure out how to design things. We, however, are a man obsessed with semantics, and we know too much about the amount of food and territory generally required for one hive of wasps or bees to buy into one suburban backyard that's... what, 60 square meters of backyard?

IRL honeybees alone will forage up to, on average, 1-6 km away from their hives, potentially going up to 13 km, and though there's been less research done into the habits of other colony bugs, it's fairly safe to assume they'd need similar range - more likely greater range, actually, as any form of what we humans call "higher intelligence" is incredibly demanding, resource-wise. Bugaria has four different kingdoms of social bugs, many of which would have overlapping needs for resources, combined with a whole load of other miscellanous solitary bugs. loaded into the space of a single backyard that likely wouldn't account for the range of a single hive of honeybees, let alone four hives of miscellaneous bugs and venus-knows-how-many solitaries.

In order to survive in any place, you need to fulfil the requirements of life. Food, water, and shelter are basic needs for a reason, and without access to all three, settlements are likely to quickly peter out. In order for The Hive to process nectar into honey, they first need nectar, which would have to come from flowers, which would be the exact same food source that wasps, butterflies, and moths would need, which clearly aren't growing in the needed

Put quite simply, it would be really fucking difficult for a space of this size to support the presented numbers of bugs. Plants are not an infinite resource, and even assuming that there's a density of flowers far beyond what's shown in-game, there's still predatory bugs to consider. Wasps and ants need protein to feed their grubs, dragonflies and damselflies need protein to feed themselves, mantises and mantidflies are obligate carnivores that cannot survive without a steady supply of prey- you can't survive if you never eat, and Bug Fables is incredibly low on lesser bugs that could potentially serve as food for the more predatory bugs.

Canon offers only aphids and cochineals as cattle, and those still wouldn't really serve to feed larger predatory bugs - and that's even without noting the ecological desert that results from only ever having a handful of enemies. We know that there are limits to what you can do in a game, but the second you want to expand on life beyond what's shown, you run straight into the lack of known prey and wildlife like smacking right into a brick wall. Roaches raise scorpions in a wasteland that seems to have only Mystery Berries for food unless they're trying to hunt Deadlanders, which we doubt are particularly edible. The Royal Blade of the Ant kingdom is an obligate carnivore, and there's nowhere he can go if he wants to buy lunch.

Realistically, we know that the answer is "the devs didn't really think about it". This game is built on the work of devs who persistently place "because it looks cool" over doing any of the worldbuilding work to integrate their existing story elements into the world. You only have to look to Yin to see just how many parts of the game are riddled with things added purely because Someone Thought It Might Be Cool, and no one did any further legwork to make it WORK. The Termacade is a living monument to the philosophy, being added A WEEK before release without anyone so much as communicating it was going to happen before it was in active development. 

Unfortunately, we are permanently obsessed with semantics, we can't stand "because magic" as an answer to important worldbuilding questions, and every time we have to do all the legwork to fill massive holes in the setting where no one ever thought that the answers to questions like "how the fuck do these people feed themselves" is relevant, we will be sadly prone to falling into madness.

There is no canon answer to how these bugs feed themselves. There is no indication as to how things that should be basic parts of the setting WORK. The bugs, in the first place, are written persistently as more People With Hats than actual BUGS - there are nods made to biology, sure, but the difference between a wasp and a bee is little more than a set of aesthetics and a silly hat. There are enough elements in the game that are simply thrown in without care of how they interlock that it sometimes becomes genuinely maddening.

Some people, sure, are satisfied with this - there is a madness that we have that we lack, a need for SUBSTANCE that is prone to driving us to inadvisable lengths hunting for a hint - any hint - that there was care put into this detail, rather than a single flippant comment. We have no complaint with things left vague, but we VERY MUCH have a problem when the setting is consigned to being little more than a backdrop decorated with random glittery ideas to act out anime tropes on, rather than something that should be paid attention to all its own.

We've said this before, and we'll say it many times again, but worldbuilding is important for a REASON. Your setting will affect your characters just as strongly as it will affect your story - your plot, your setting, and your characters are fundamentally inertwined, and to affect ANY part of the story will have rippling impacts on the rest of it. Your characters are not created in a void! Whatever structures created one person MUST still be present to shape others! You cannot throw shiny ideas on a canvas slapdash and expect it to turn out well! It's a miracle that the character writing in this game turned out as well as it did, considering that massive swathes of the setting are loosely assembled from anime without even taking the time to learn how certain aspects WORK in their home media!

We enjoy writing. We enjoy crafting plots, doing worldbuilding, tinkering with the little pieces of setting that we feel might create something interesting. We wouldn't be writing at all if we didn't enjoy it on some level, though we sometimes wonder if it's more masochism than care for some aspects. This is the trade that we have chosen to work towards working. Perhaps it is this that makes it so violently infuriating when we run into people who don't seem to care for that which we pay attention to.

There are a handful of aspects in this game that are well done. There are far more aspects in this game that are half-baked at best and actively difficult to work into the rest of the world at worst. There is a particular handful of aspects that are so poorly done that they could pass as active malice, towards one group or another. Unfortunately, as with many things, to assume ill will often overlooks the far more pervasive, far more common culprit of simple negligence.

Bug Fables, at its core, is a game made by devs with chronic shiny-object syndrome. There is little care spared to its worldbuilding, to the implications of its setting, to the implications of character actions, because the devs have never cared to think on it. It takes tropes from a hundred and one different animes without caring to learn what makes them work in their home context - just that they're cool, and that the authors want them in their own work.

It's something that we've been guilty of ourself, in previous works, but that only makes it easier for us to spot it here. There is an mirror of mistakes we have made ourself written on the walls, and it echoes with every step. We are the sort of author who learned to build worlds by stealing shards from different worlds and patching them into a new quilt. This is a work that takes does much the same, taking pieces from other works to make a new whole, but it makes the mistake of not spending the time to make sure those pieces FIT.

The mosaic on the floor is made of broken, disparate parts that are only partially fit together. The world falls apart more and more the closer you look at its shards. There are pieces of harm in this painting, pictures of pain, things put together and only barely examined. There is prejudice that could pass for malice woven into the threads of even the more comedic writing, an undercurrent commonly present in society and rarely examined. They've made an entire species of bugs into an incomprehensibly racist trope. Perhaps it's foolish of us to spend so much time and energy on a world that does not love us back, but we care for this setting, and we care for the potential of what it could have been.

The prejudice and shoddiness and pieces of poorly-thought-out and tropey writing in this work are not an act of malice. They are an act of ignorance, left over from a development team that wanted to add the latest shiny thing without stopping to think that their favorite anime tropes might have roots in something rotten.

Anyways, the reason that we wind up putting so many fucking footnotes on our fics is that every time we have to answer basic questions like "how does the wasp kingdom fucking feed itself" we have to rewrite, like, half a dozen tropes ripped off from shitty isekai anime, come up with an entire power structure and system of government that could potentially exist in this universe, write 2000 words of geopolitical bullshit minimum, reinvent animal agriculture, create at least one brand new species of bug, and then battle our conviction to avoid cushioning or avoiding the implied Fucked Up Elements that are Very Much Present In The Base Work if chronically ill-addressed vs the question of if we Want to include this particular brand of Fucked Up Bullshit or if we'd actually rather avoid having to reckon with the aftermath of yet another poorly-thought-out trope ripped from Trapped In Another World With My Smartphone.

[aroundtheworldwithphillyfogg]

October 31st, 1872: Singapore

The “Rangoon” weighed anchor at Singapore the next day at four a.m., to receive coal, having gained half a day on the prescribed time of her arrival. Phileas Fogg noted this gain in his journal, and then, accompanied by Aouda, who betrayed a desire for a walk on shore, disembarked.

Fix, who suspected Mr. Fogg’s every movement, followed them cautiously, without being himself perceived; while Passepartout, laughing in his sleeve at Fix’s manœuvres, went about his usual errands.

The island of Singapore is not imposing in aspect, for there are no mountains; yet its appearance is not without attractions. It is a park checkered by pleasant highways and avenues. A handsome carriage, drawn by a sleek pair of New Holland horses, carried Phileas Fogg and Aouda into the midst of rows of palms with brilliant foliage, and of clove-trees, whereof the cloves form the heart of a half-open flower. Pepper plants replaced the prickly hedges of European fields; sago-bushes, large ferns with gorgeous branches, varied the aspect of this tropical clime; while nutmeg-trees in full foliage filled the air with a penetrating perfume. Agile and grinning bands of monkeys skipped about in the trees, nor were tigers wanting in the jungles.

After a drive of two hours through the country, Aouda and Mr. Fogg returned to the town, which is a vast collection of heavy-looking, irregular houses, surrounded by charming gardens rich in tropical fruits and plants; and at ten o’clock they re-embarked, closely followed by the detective, who had kept them constantly in sight.

Passepartout, who had been purchasing several dozen mangoes—a fruit as large as good-sized apples, of a dark-brown colour outside and a bright red within, and whose white pulp, melting in the mouth, affords gourmands a delicious sensation—was waiting for them on deck. He was only too glad to offer some mangoes to Aouda, who thanked him very gracefully for them.

At eleven o’clock the “Rangoon” rode out of Singapore harbour, and in a few hours the high mountains of Malacca, with their forests, inhabited by the most beautifully-furred tigers in the world, were lost to view. Singapore is distant some thirteen hundred miles from the island of Hong Kong, which is a little English colony near the Chinese coast. Phileas Fogg hoped to accomplish the journey in six days, so as to be in time for the steamer which would leave on the 6th of November for Yokohama, the principal Japanese port.

The “Rangoon” had a large quota of passengers, many of whom disembarked at Singapore, among them a number of Indians, Ceylonese, Chinamen, Malays, and Portuguese, mostly second-class travellers.

The weather, which had hitherto been fine, changed with the last quarter of the moon. The sea rolled heavily, and the wind at intervals rose almost to a storm, but happily blew from the south-west, and thus aided the steamer’s progress. The captain as often as possible put up his sails, and under the double action of steam and sail the vessel made rapid progress along the coasts of Anam and Cochin China. Owing to the defective construction of the “Rangoon,” however, unusual precautions became necessary in unfavourable weather; but the loss of time which resulted from this cause, while it nearly drove Passepartout out of his senses, did not seem to affect his master in the least. Passepartout blamed the captain, the engineer, and the crew, and consigned all who were connected with the ship to the land where the pepper grows. Perhaps the thought of the gas, which was remorselessly burning at his expense in Saville Row, had something to do with his hot impatience.

“You are in a great hurry, then,” said Fix to him one day, “to reach Hong Kong?”

“A very great hurry!”

“Mr. Fogg, I suppose, is anxious to catch the steamer for Yokohama?”

“Terribly anxious.”

“You believe in this journey around the world, then?”

“Absolutely. Don’t you, Mr. Fix?”

“I? I don’t believe a word of it.”

“You’re a sly dog!” said Passepartout, winking at him.

This expression rather disturbed Fix, without his knowing why. Had the Frenchman guessed his real purpose? He knew not what to think. But how could Passepartout have discovered that he was a detective? Yet, in speaking as he did, the man evidently meant more than he expressed.

[onmywaytofanfic]

The Phoenix's feathers

So here is a tiny bit about how come that Takeo and Reina had those peculiars earings and how they started. A short scene to introduce a little bit of the flamboyant Hana, Reina's mother.

— Takeo and Hana —

It was quite a warm spring, the flowers started to bloom early. Hana took the chance to wander around the forest, knowing that among the highest branches of the trees Takeo was there, following her every step. She won’t deny that she enjoyed the attention that the big buff Aburame had lately given to her. She was pacing through the forest and with a laugh shouted so he could hear her “What would I give for some company!” She giggled and kept walking. Just a few meters went by and there he was leaning on a trunk, pretending that he had always been there “Oh! How come that you are here?” Takeo did not respond, instead he just straightened himself out. Hana’s smile was broad, her big full lips made her even rounder face work in communion. As a sequence of spheres that interlocked to form her face. “So tell me moth-man, what are you doing here?” 

“Walking”

“What is the reason behind your walking? Some meaning must be that you are so far away from your training field?” she mocked him while kept walking. Two of her steps were one of his. Puberty had hit both of them, and with 15 years old Takeo could perfectly pass for a full grown adult. Little did he know that he would reach 2 meters of height. He rumbled a small “Break-time” 

“So you have decided that the best place to spend break time is in the forest? Would it not be better to rest yourself in a hammock? “

“We do not have those” 

She hated when she was so “facty”. Stop in place and gave him a mean look, with her arms folded and started to scold him “You should have a wider vision as a shinobi. Technically everything could have the potential of being a hammock. We do not need the fancy things of those shitvilians…”

“Civilians”

“No! shitvilians, to be a civilian you first need to be a civil being able to have morals and mind of your own. They have their heads covered in dirt, those being the most civil that are out there.” Takeo grumped 

“We shouldn't…”

“Speak ill of those that we protect? To be able to protect someone that someone needs to be in danger. Here the only ones that need protection are us from their bullshit and their stupidity. You know that well, you have started to do labor work like a full-grown-up. Do you think that someone that needs protection would have so many stupid parties just because there is rain? You know how much they are forcing HER to overgrown everything so they can have their stomachs full every single minute. They throw away tons of food! I have seen what they do!! Like it cost nothing and here we are harvesting a field that is killing my sister! Here we are mending their pants and shoes, being the slaves of a full village who is just full of …” The tears started to fall down. Takeo stood still “They fucking called you this morning to you and your father to amuse some people with your freaking insects! They are monsters ….They…” The tears fall uncontrollably. 

The Aburame stood there waiting for a clue to what to do. He sat near her, she hugged him although she did not receive the same. Buried her face on his shoulders. “I started to bleed…” confessed the girl. Takeo felt a cold chill down his spine, he grabbed her clothes “If I am bleeding already… my sister….” She let out a shriek and cried, covering the Aburame in tears. He let his cheek rest on her head, inhaled the familiar aroma and tucked her closer to him “She would be fine…” “Until they bleed her out birth after birth…” Silence reigned in the scene. “Takeo…” He raised her cochin to look at her “Do you know any…funny story?” That only meant one thing, she needed to ease her mind. He would help her “Do you know the old myth of the phoenix?” She let her lips form a small curve. “I have heard it many times,  Keiyodoshi and the phoenix…” silence, she bumped his abdomen “C’mon tell me. It is one of my favorite tales, I do believe that those things existed before we “ruled” the world. If not, how come people can describe those ancient tales so vividly?” Takeo looked at her “It is more probable that he was a shinobi with an affinity towards fire that did those things for money.” She gave him another push, he barely moved the giant. “Do not take the magic out of it!” She still had tears on her face, he started to tell her the old myth. 

On the way home, she stopped near a tree and grabbed something from the floor. “TAKEO!” 

“I am …right here.. do not need to shout” 

“Look!” two bright red feather in her hand

“The phoenix is blessing us! Now we can invoke him and fly out of here!” Takeo raised an eyebrow. Hana started to do the hand signs needed to do Kuchiyose no Jutsu. “C’mon!” she let her palm on the Earth. Nothing…

“It was worth the try”

“You need to have a deal with the creature…”

“And chakra…” Finished her. An awkward silence grew in them. Her chakra channels being completely destroyed was something that they discovered when Buna rescued her. A sudden blast of chakra when she was born broke her tubes, failing her to canalize that energy and letting it all go to waste constantly. She could not perform jutsu, and on the rare occasion when she could do something it never went as it was supposed to go. 

She looked at the feather “I am gonna make some earrings” Takeo raised both eyebrows “What is the utility of earrings?” 

“Trying to look pretty” She kept walking, starting to fantasize how they could make  her look once they were pierced in her ears. Takeo was behind her, he thought that she was already pretty enough and that those filthy feathers would not accentuate her beauty more than her smile did.

---- Here is a little drawing of the earign that both, father and daughter, wear in honour of her mother. A quick sketch of Hana when she was 14, that is the time that this scene happened.

[handweavers]

handmade watercolour paint samples using only natural materials. watercolour base is a mixture of gum arabic (tree resin) and honey, and combined with finely ground pigment.

pigments used are icelandic ochre (foraged during my residency in '22), cochineal (crushed bugs), rose earth, madder root, hibiscus flowers, and spirulina (cyanobacteria)

[abhiramiabii]

Wedding Cars in Kochi: Elevating Elegance on Your Special Day

 Kochi, a city renowned for its stunning backdrops and rich cultural heritage, is one of Kerala's most popular wedding destinations. From grand venues to vibrant ceremonies, every detail is meticulously planned, and one crucial element that can add an unforgettable touch of elegance to your special day is your wedding car. Choosing the right wedding car in Kochi can elevate your entrance and provide the perfect finishing touch to your dream wedding.

Why Choose a Wedding Car Rental in Kochi?

Make a Grand Entrance Arriving at your wedding venue in a luxurious car is more than just a transportation choice; it's a statement. A well-decorated, high-end car adds a sense of occasion to your big day, creating an unforgettable moment as you arrive in style. Whether you opt for a vintage classic or a modern luxury car, it ensures that your entrance is as grand as your wedding itself.

Variety of Options Kochi offers a wide range of wedding car options to suit different styles and preferences. You can choose from:

Vintage Cars: Perfect for those who love old-world charm, vintage cars like the Rolls-Royce or classic Mercedes-Benz models bring a timeless elegance to your wedding day.

Luxury Sedans: For a sleek, modern feel, brands like BMW, Audi, and Mercedes-Benz offer sedans that are both stylish and comfortable.

SUVs and Limousines: For couples who prefer more space or want to make a grand impression, SUVs like Range Rovers or stretch limousines are ideal choices.

Personalized Decoration Packages Wedding car rentals in Kochi typically include customized decoration options. Whether you want a simple, elegant look with flowers and ribbons or something more extravagant, most car rental services offer packages that can be tailored to match your wedding theme and preferences.

Professional Chauffeur Services On your wedding day, the last thing you should worry about is driving. Most wedding car rental companies in Kochi offer chauffeur-driven services. Professional chauffeurs, who are punctual and familiar with the city’s routes, ensure a smooth and stress-free ride to and from the venue, so you can focus on enjoying every moment of your big day.

Affordable Packages Wedding car rentals in Kochi are available at various price points, ensuring that there is an option for every budget. From high-end luxury cars to more affordable classic models, rental services offer packages that cater to different financial plans, making it easier for you to find the perfect car without compromising on quality.

Popular Wedding Car Rental Services in Kochi

Southgate Travels One of the leading car rental services in Kochi, Southgate Travels offers a wide array of premium cars perfect for weddings. From luxury sedans to vintage classics, they provide chauffeur-driven services with customizable décor, ensuring that you arrive in style on your big day.

Cochin Car Rentals Cochin Car Rentals has an impressive selection of cars for weddings, including high-end brands like Mercedes-Benz, BMW, and Audi. Their professional service and competitive pricing make them a popular choice for couples in Kochi.

Wedding Cars Kerala Specializing in wedding car rentals across Kerala, this company offers everything from sleek modern cars to vintage options. Their fleet includes Rolls-Royce, Jaguar, and other luxury brands, with packages designed to suit various budgets.

Tips for Renting a Wedding Car in Kochi

Book in Advance: Wedding seasons in Kochi are busy, so it’s important to book your car well ahead of time to ensure availability, especially if you have a specific model or brand in mind.

Inspect the Vehicle: Before the wedding day, inspect the car to make sure it’s in perfect condition. This will give you peace of mind knowing that everything is up to your standards.

Discuss Decoration Options: Many rental companies offer custom decorations. Be sure to discuss the details of how you want the car to look, and if possible, align it with your wedding theme for a cohesive aesthetic.

Plan the Route: Share the itinerary and route with the chauffeur in advance. This allows them to plan for traffic or any road closures, ensuring a smooth ride on your special day.

Conclusion

Your wedding is one of the most memorable days of your life, and every detail, including the car you arrive in, should reflect the significance of the occasion. Renting a wedding car in Kochi allows you to travel in style, making your entrance both elegant and unforgettable. With a wide range of luxurious options available, from vintage beauties to modern marvels, you can choose the perfect car that matches your style and enhances the grandeur of your big day.

[tourmyholidayholiday]

Munnar Tour Package Overview

Munnar, often referred to as the "Kashmir of South India," is a picturesque hill station located in the Western Ghats of Kerala. Known for its lush tea plantations, rolling hills, and mist-covered valleys, Munnar is a popular destination for nature lovers, honeymooners, and adventure enthusiasts. A Munnar tour package typically includes visits to tea estates, waterfalls, wildlife sanctuaries, and scenic viewpoints.

Day 1: Arrival in Munnar

Arrival: Arrive in Munnar, either by road from Cochin (about 130 km) or from other nearby cities. The journey offers scenic views of the Western Ghats, with winding roads, waterfalls, and spice plantations along the way.

Check-in: Check into your hotel or resort in Munnar.

Leisure Time: Spend the evening at leisure, exploring the nearby areas or relaxing at your accommodation.

Overnight Stay: Stay overnight in Munnar.

Day 2: Munnar Sightseeing

Eravikulam National Park: Begin your day with a visit to Eravikulam National Park, home to the endangered Nilgiri Tahr. The park offers stunning views of the surrounding hills and is a great spot for trekking.

Tea Museum: Explore the Tea Museum, where you can learn about the history of tea cultivation in Munnar, see old machinery, and enjoy a tea-tasting session.

Mattupetty Dam: Visit Mattupetty Dam, a popular picnic spot where you can enjoy boating and take in the scenic beauty of the surrounding hills and valleys.

Echo Point: Stop at Echo Point, where the natural echo phenomenon is a fun attraction. The spot is also great for photography and nature walks.

Overnight Stay: Return to your hotel in Munnar for the night.

Day 3: Munnar Sightseeing

Top Station: Drive to Top Station, the highest point on the Munnar-Kodaikanal road, offering panoramic views of the Western Ghats and the Theni Valley. It’s also famous for Neelakurinji flowers, which bloom once every 12 years.

Kundala Lake: Visit Kundala Lake, a serene spot where you can enjoy a pedal boat ride and admire the surrounding tea gardens and lush greenery.

Attukal Waterfalls: Explore Attukal Waterfalls, a beautiful cascading waterfall surrounded by thick forests and ideal for short treks and picnics.

Blossom Park: Spend some time at Blossom Park, a well-maintained garden with a variety of flowers, lawns, and a serene environment perfect for relaxation.

Overnight Stay: Return to your hotel in Munnar.

Day 4: Departure

Tea Plantations: Before leaving Munnar, take a walk through the tea plantations, where you can interact with local tea pickers and learn about the tea-making process.

Shopping: Visit local markets to buy fresh spices, handmade chocolates, and souvenirs like tea, coffee, and handicrafts.

Departure: Check out from your hotel and depart for your onward journey.

Inclusions

Accommodation in hotels/resorts with breakfast.

Transfers and sightseeing by private vehicle.

Entry fees to parks and museums.

Boating at Mattupetty Dam (optional).

Exclusions

Airfare/train fare to and from Cochin or nearby cities.

Meals other than those specified in the inclusions.

Personal expenses such as laundry, phone calls, and tips.

Travel insurance.

Any additional costs due to changes in the itinerary resulting from natural causes, such as landslides or roadblocks.

Best Time to Visit

Summer (March to May): This is the peak season for Munnar, with pleasant weather perfect for sightseeing and outdoor activities.

Monsoon (June to September): The monsoon season brings heavy rainfall, turning Munnar into a lush green paradise. However, it’s also a time when landslides can occur, making travel slightly challenging.

Winter (October to February): Winter is ideal for honeymooners, with cool temperatures and clear skies. It’s also a great time for trekking and wildlife spotting.

Things to Remember

Clothing: Pack light woolens for the evening and early morning chill, especially in winter. Comfortable walking shoes are recommended for treks and plantation visits.

Health Precautions: If you’re prone to motion sickness, consider taking medication before the winding road journey to Munnar. Carry basic medications for headaches, stomach issues, and allergies.

Local Customs: Munnar is a peaceful and eco-sensitive area. Respect local customs, avoid littering, and try to minimize plastic use.

Cash: Carry sufficient cash as ATMs are limited in remote areas, and not all places accept card payments.

Connectivity: Mobile connectivity can be patchy in certain areas, so it’s advisable to inform your family about potential communication gaps.

Conclusion

Munnar offers a perfect escape into nature, with its serene landscapes, tea gardens, and tranquil atmosphere. Whether you’re looking for a romantic getaway, an adventure-filled trip, or a peaceful retreat, a Munnar tour package has something for everyone. Proper planning and a flexible itinerary will ensure that your trip to Munnar is memorable and rejuvenating.

[southgatetravels]

Enhance Your Special Day with Wedding Cars in Kochi

A wedding is a celebration of love, commitment, and the beginning of a beautiful journey together. Every detail, from the venue to the flowers, is carefully chosen to create an unforgettable experience. One of the most important yet often overlooked details is the transportation for the big day. In Kochi, where culture meets modernity, selecting the perfect wedding car can add an extra touch of elegance and style to your wedding. This blog explores the importance of wedding cars in kochi and provides some tips for choosing the best ride for your special day.

Why Rent a Wedding Car in Kochi?

Kochi, also known as Cochin, is a city that beautifully blends traditional charm with contemporary flair. Whether you’re having a grand wedding at a luxurious hotel or an intimate ceremony at a heritage site, renting a wedding car can elevate the overall experience. Here’s why a wedding car rental in Kochi is a great idea:

Arrive in Style: Your wedding day is one of the most memorable days of your life, and arriving in a stylish, elegant car can make a big impression. A luxurious wedding car sets the tone for the day and ensures you arrive at the venue in style.

Convenience and Comfort: Wedding preparations can be stressful, and the last thing you want is to worry about transportation. Renting a wedding car provides you with a comfortable, stress-free ride, allowing you to relax and enjoy the moment.

Photographic Opportunities: A well-chosen wedding car can serve as a beautiful backdrop for your wedding photos. Whether you prefer a vintage car or a modern luxury vehicle, the right car can add a touch of sophistication to your wedding album.

Professional Chauffeur Service: Most wedding car rental services in Kochi provide professional chauffeurs who are experienced and well-trained. They ensure a smooth ride and handle all the details, so you can focus on celebrating your special day.

Customized Decoration: Wedding car rental companies often offer customization options, including flower arrangements, ribbons, and other decorations to match your wedding theme. This personal touch can make your ride even more special.

Popular Wedding Car Options in Kochi

When it comes to choosing a wedding car in Kochi, there are several options to consider, each offering a unique blend of style, comfort, and luxury:

Vintage Cars: For a classic and timeless appeal, vintage cars like the Ambassador, old-fashioned Fiats, or a vintage Rolls Royce are perfect. These cars add a touch of nostalgia and elegance, ideal for traditional weddings or couples who appreciate the charm of the past.

Luxury Sedans: Cars like the Mercedes-Benz E-Class, BMW 5 Series, and Audi A6 offer a combination of luxury and sophistication. These vehicles are perfect for modern weddings and provide a sleek, comfortable ride.

Limousines: If you want to make a grand entrance, a limousine is the way to go. Limousines offer a spacious interior, luxurious amenities, and an unmistakable presence, making them a popular choice for lavish weddings.

SUVs and MUVs: For those who prefer a more contemporary option, SUVs like the Range Rover or MUVs like the Toyota Innova Crysta offer both style and practicality. These vehicles are great for larger wedding parties or for couples who want a more spacious and comfortable ride.

Tips for Choosing the Perfect Wedding Car in Kochi

Selecting the right wedding car can enhance your wedding day experience. Here are some tips to help you make the best choice:

Consider Your Wedding Theme: The type of car you choose should complement your wedding theme. A vintage car might be perfect for a traditional or retro-themed wedding, while a sleek luxury sedan could be ideal for a modern celebration.

Plan Ahead: Wedding cars are often in high demand, especially during peak wedding seasons. It’s advisable to book your car well in advance to ensure you get the vehicle you want.

Inspect the Vehicle: Before finalizing your booking, make sure to inspect the car in person. This ensures that the vehicle is in excellent condition and meets your expectations for your big day.

Check for Customization Options: Many wedding car rental companies offer customization options, such as floral decorations and personalized number plates. Ask about these services to add a personal touch to your wedding car.

Set a Budget: Determine your budget before choosing a wedding car. While it’s tempting to go all out, it’s important to find a car that fits within your budget while still providing the style and comfort you desire.

Read Reviews and Ask for Recommendations: Look for reviews online and ask for recommendations from friends or family who have recently gotten married. This will help you choose a reliable rental company with excellent customer service.

Why Choose Southgate Travels for Wedding Car Rentals in Kochi?

Southgate Travels is a leading provider of wedding car rentals in Kochi, offering a wide range of luxurious and stylish vehicles to suit every taste and preference. Here’s why you should choose us for your wedding car needs:

Extensive Fleet: We have an extensive fleet of vehicles, including vintage cars, luxury sedans, SUVs, and limousines, ensuring you find the perfect car for your wedding.

Professional Chauffeurs: Our chauffeurs are experienced, courteous, and professionally trained to provide the highest level of service, ensuring a smooth and comfortable ride.

Customizable Packages: We offer flexible rental packages and customization options, allowing you to create a personalized experience that matches your wedding theme and style.

Reliable Service: At Southgate Travels, we pride ourselves on our punctuality and reliability, ensuring that your wedding transportation is seamless and stress-free.

Affordable Rates: We offer competitive pricing without compromising on quality, making luxury wedding car rentals accessible to everyone.

Conclusion

Your wedding day is a once-in-a-lifetime event, and every detail should reflect your personal style and vision. Choosing the right wedding car can add a touch of elegance and sophistication to your special day. At Southgate Travels, we are dedicated to providing exceptional wedding car rental services in Kochi, ensuring that your journey is as memorable as the destination. Contact us today to learn more about our offerings and to book your dream wedding car!

[repairingangelsworld]

Plant Dye flowers I have purchased + other things that make dye

Pink: Cochineal

Blue: indigo

Purple:

Green: chamomile, st johns wort

Khaki green: calendula

Yellow: chamomile, calendula, st johns wort

Red: st johns wort

Maroon: st johns wort

Orange: orange cosmos

Grey-brown: orange cosmos

Olive: orange cosmos

Golden-yellow : orange cosmos(shifting ph to alkaline), heather plant

reddish-orange: orange cosmos(shifting ph to alkaline)

green-brown: heather plant(iron mordant),

violet: logwood

grey: logwood(alum)

black: dye wool with indigo to get dark blue and then overdue it with madder and rustic.

Mordants:

We recommend aluminum sulfate (for protein fibers such as wool and silk), aluminum potassium sulfate (for protein fibers), and aluminum triformate (for either cellulose fibers such as cotton and linen or protein fibers). These three mordants are easy to use and deliver excellent results.

[blog8]

Ripples of Relaxation: Discover Tidal Nest in Kerala's Backwaters

Tidal Nest Homestay: A Serene Sanctuary in Kerala's Backwaters

Nestled along the enchanting backwaters of Kerala, Tidal Nest Homestay offers travelers a unique opportunity to experience the heart and soul of God's Own Country. This family-run retreat seamlessly blends traditional Keralan hospitality with modern comforts, creating an immersive experience that captivates the senses and rejuvenates the spirit. Join us as we explore the magic of Tidal Nest, where every ripple tells a story and every sunset paints a new masterpiece.

A Gateway to Kerala's Backwaters

Situated on the shores of Lake Vembanad, India's longest lake, Tidal Nest Homestay enjoys a prime location in the picturesque village of Kumarakom. Just 16 kilometers from the town of Kottayam and a scenic 50-kilometer drive from Cochin International Airport, the homestay is easily accessible yet feels worlds away from the bustle of urban life.

While many guests arrive by road, the most memorable approach is by boat. This aquatic journey serves as a perfect introduction to the region, with travelers gliding past verdant paddy fields, swaying coconut palms, and traditional villages before arriving at Tidal Nest's private jetty. From the moment you step ashore, the gentle lapping of water and the soothing rustle of palm fronds welcome you to a world of tranquility.

A Home Steeped in History and Charm

Tidal Nest Homestay is housed in a lovingly restored tharavadu, a traditional Keralan ancestral home that has stood the test of time. The architecture is a testament to the region's rich cultural heritage, featuring sloping terracotta-tiled roofs, wide verandas, and intricate wooden carvings that speak to Kerala's artistic legacy.

The Nair family, who own and operate the homestay, have carefully balanced preservation with modern comfort in the restoration process. The result is a space that feels both timeless and contemporary, where age-old traditions coexist harmoniously with present-day conveniences.

Accommodations: Where Tradition Meets Comfort

Tidal Nest offers six well-appointed rooms, each named after local flora: Lotus, Water Lily, Hibiscus, Jasmine, Coconut, and Banyan. While each room has its unique character, all share a commitment to authenticity and comfort.

Handcrafted wooden furniture, locally woven textiles, and artwork by regional artists adorn the spaces, creating an ambiance that is distinctly Keralan. Large windows and private balconies offer stunning views of the backwaters or the lush tropical garden, allowing guests to feel connected to nature even while indoors.

Modern amenities ensure a comfortable stay. All rooms are equipped with air conditioning, en-suite bathrooms with solar-heated water, and plush beds dressed in organic cotton linens. The fusion of traditional aesthetics and contemporary comforts creates a space where guests can truly unwind and immerse themselves in the backwater experience.

Common Areas: The Heart of Tidal Nest

The true magic of Tidal Nest lies in its inviting common areas, designed to foster interaction and relaxation. The main living room, with its high ceilings and period furnishings, serves as a cool retreat during the heat of the day. Here, guests can peruse a well-stocked library featuring books on Kerala's history, culture, and natural wonders, or engage in friendly conversation with fellow travelers and the host family.

The crown jewel of Tidal Nest is undoubtedly its expansive veranda. Overlooking the tranquil backwaters, this space becomes a front-row seat to nature's daily spectacle. Guests gather here to watch the sun rise with a steaming cup of chai, observe the rhythmic ebb and flow of lake life, or marvel at the sky's fiery transformation as the sun dips below the horizon.

Surrounding the home is a meticulously maintained garden bursting with tropical flowers, fruit trees, and a small organic vegetable patch that supplies the kitchen. A traditional oval-shaped freshwater pond, or kulam, offers a refreshing dip after a day of exploration, providing a uniquely Keralan way to cool off.

The Nair Family: Guardians of Tradition

At the heart of the Tidal Nest experience is the Nair family, whose roots in this corner of the backwaters stretch back generations. Led by Anoop and Suma Nair, along with Anoop's parents, the family brings warmth, knowledge, and genuine care to every guest interaction.

Anoop, with his encyclopedic knowledge of the region's history, ecology, and culture, serves as an invaluable guide to guests looking to delve deeper into backwater life. His passion for the area is contagious, and many guests find themselves seeing the landscape through new eyes after a conversation with him.

Suma, whose culinary skills have gained legendary status among returning visitors, oversees the kitchen with a blend of tradition and innovation. Her cooking classes have become a highlight for many guests, offering a hands-on introduction to the flavors and techniques of Keralan cuisine.

The elder Nairs contribute their own wealth of stories and traditions, offering a bridge to Kerala's rich past. Their presence adds depth to the homestay experience, allowing guests to engage with multiple generations of a Keralan family and gain insights into the region's evolving cultural landscape.

A Culinary Journey Through Kerala

One of the undeniable highlights of a stay at Tidal Nest is the food. The homestay's kitchen is a testament to the rich culinary heritage of Kerala, with a focus on fresh, local ingredients and traditional cooking methods.

Breakfast at Tidal Nest is a celebration of flavors, featuring a mix of Kerala specialties and continental options. Guests might start their day with appam (lacy rice hoppers) served with a spicy egg curry, or puttu (steamed rice cakes) accompanied by kadala curry (spiced chickpeas). Fresh tropical fruits, homemade yogurt, and strong filter coffee round out the morning meal, providing energy for the day's adventures.

Lunch and dinner showcase the diversity of Keralan cuisine. Given the homestay's proximity to the backwaters, seafood features prominently on the menu. Favorites include karimeen pollichathu (pearl spot fish grilled in banana leaves), meen moilee (fish in a turmeric and coconut milk curry), and chemmen thoran (stir-fried shrimp with grated coconut).

Vegetarians are well-catered for, with an array of dishes that highlight the incredible variety of local produce. From avial (a mixed vegetable curry in coconut sauce) to olan (a mild curry of pumpkin and red beans), the flavors are both diverse and delightful.

A particular treat is the traditional Kerala sadhya, a feast typically served on banana leaves during special occasions. This multi-course meal can feature upwards of 20 different dishes, offering a comprehensive taste of the region's culinary repertoire. It's a sensory experience that goes beyond mere sustenance, embodying the warmth and generosity of Keralan hospitality.

Culinary Exploration: From Market to Table

For those interested in delving deeper into Kerala's cuisine, Tidal Nest offers cooking classes led by Suma. These hands-on sessions typically begin with a visit to the local market, where guests learn about the various spices, vegetables, and seafood that form the backbone of Keralan cooking.

The vibrancy of the market, with its colorful produce, aromatic spices, and lively atmosphere, provides a cultural experience in itself. Suma guides participants through the stalls, sharing insights into ingredient selection and the role of various spices in Keralan cuisine.

Back in the homestay's kitchen, participants learn to prepare three to four dishes, with Suma sharing family recipes and cooking tips passed down through generations. The class culminates in a shared meal, allowing guests to enjoy the fruits of their labor and gain a deeper appreciation for the complexity and depth of Keralan flavors.

Exploring the Backwaters: Nature's Labyrinth

Tidal Nest's location makes it an ideal base for exploring the fascinating ecosystem of the Kerala backwaters. The homestay owns several traditional vallam (country boats) and can arrange for guided tours of varying durations to suit every interest and schedule.

Sunrise tours are particularly popular, offering guests the chance to witness the backwaters coming to life. As the first light of dawn breaks over the landscape, visitors observe fishermen setting out for the day's catch, water birds diving for their breakfast, and the shoreline slowly stirring to activity. The play of light on the water creates a magical atmosphere, perfect for photography enthusiasts or those simply seeking a moment of tranquility.

For those seeking a more immersive experience, full-day tours can be arranged. These might include stops at local villages, ancient temples, and artisan workshops. Guests can visit a toddy shop to sample the local palm wine, watch skilled craftsmen building traditional houseboats, or observe the intricate process of coir (coconut fiber) rope making. These excursions offer invaluable insights into the traditional ways of life that continue to thrive along the backwaters.

A highlight for many is a visit to the nearby Kumarakom Bird Sanctuary, home to a variety of local and migratory birds. The sanctuary is particularly active during the winter months when it hosts species from as far away as Siberia. Knowledgeable guides can help spot and identify the various species, making this an educational as well as aesthetically pleasing experience.

For guests who prefer to explore at their own pace, Tidal Nest offers kayaks and bicycles. Paddling through narrow canals overhung with lush vegetation provides a uniquely intimate perspective on the backwater ecosystem. The silence, broken only by the gentle splash of paddles and the calls of birds, creates a meditative experience that many guests find transformative.

Cycling along the quiet village roads offers a chance to interact with locals and discover hidden corners of the landscape. The flat terrain makes this an accessible activity for guests of all fitness levels, and it's an excellent way to work up an appetite for the next delicious meal.

Cultural Immersion: The Heartbeat of Kerala

One of the unique aspects of staying at Tidal Nest is the opportunity for genuine cultural exchange. The Nair family takes pride in sharing their heritage with guests, offering insights into local customs, festivals, and daily life.

During your stay, you might have the chance to witness or even participate in traditional art forms. The family can arrange for local performers to visit the homestay, providing intimate showcases of Kathakali (classical dance-drama), Mohiniyattam (the enchantress' dance), or Kalaripayattu (ancient martial art). These performances, often accompanied by explanations of their historical and cultural significance, offer a window into Kerala's rich artistic traditions.

For those interested in spiritual practices, the nearby Shiva temple welcomes respectful visitors. The morning puja (worship) ceremony offers a glimpse into the deep-rooted religious traditions of the region. The rhythmic chanting, the fragrance of incense, and the intricate rituals create a sensory experience that many guests find deeply moving, regardless of their personal beliefs.

Tidal Nest also maintains close ties with the local community. Guests are encouraged to visit the village school, where they can interact with students and perhaps contribute to ongoing educational projects. These visits often become highlights of the trip, offering authentic interactions and the chance to make a positive impact.

The homestay also supports local artisans by showcasing and selling their crafts, from intricate palm leaf weaving to delicate lacework. This not only provides guests with unique souvenirs but also helps sustain traditional crafts and provide income for local families.

Ayurveda and Wellness: Nurturing Body and Soul

Kerala is renowned as the birthplace of Ayurveda, the ancient Indian system of natural healing. Tidal Nest embraces this tradition by offering guests access to Ayurvedic treatments and consultations.

A small on-site treatment room provides a tranquil space for massages and therapies, administered by a certified Ayurvedic practitioner. Popular treatments include abhyanga (full body oil massage), shirodhara (continuous pouring of medicated oil on the forehead), and various herbal steam baths. These treatments, using oils and herbs often sourced from the homestay's own garden, offer a deeply relaxing and rejuvenating experience.

For those seeking a more comprehensive wellness experience, the homestay can arrange visits to nearby Ayurvedic centers for specialized treatments or multi-day programs. These might include panchakarma (detoxification therapies), rejuvenation treatments, or tailored programs for specific health concerns.

The serene environment of Tidal Nest naturally lends itself to mindfulness practices. Daily yoga sessions are offered on the veranda overlooking the backwaters, allowing guests to greet the day with sun salutations or unwind in the evening with gentle stretches and meditation. The sound of lapping water and the gentle rustle of palm leaves create a natural soundtrack for these sessions, enhancing the sense of connection with nature.

Sustainable Tourism: Preserving Paradise

Tidal Nest Homestay is deeply committed to sustainable tourism practices, recognizing the delicate balance of the backwater ecosystem. The property employs a range of eco-friendly measures to minimize its environmental impact and contribute positively to the local community.

Solar panels provide much of the electricity, while energy-efficient appliances and LED lighting minimize consumption. Rainwater harvesting systems help conserve water, a precious resource in the region. Guests are encouraged to be mindful of their water and energy usage, with gentle reminders placed throughout the property.

Waste management is taken seriously, with organic waste composted for use in the garden and recycling programs in place for other materials. Guests are provided with reusable water bottles to minimize plastic waste, a small gesture that can have a significant impact over time.

The majority of food is sourced from local farmers and fishermen, reducing transportation emissions and supporting the local economy. This commitment to local sourcing not only ensures the freshest ingredients but also helps maintain traditional farming and fishing practices.

By employing staff from surrounding villages and promoting local artisans, Tidal Nest ensures that tourism benefits the broader community. This approach creates a more authentic experience for guests while contributing to the economic sustainability of the region.

Education is a key component of Tidal Nest's sustainability efforts. Guests are provided with information about the fragile backwater ecosystem and encouraged to participate in local conservation efforts, such as canal clean-up drives. These initiatives not only help preserve the natural beauty of the area but also foster a sense of stewardship among visitors.

Seasons of Enchantment

While Tidal Nest offers a rewarding experience year-round, each season brings its own unique charms. The monsoon season (June to August) transforms the landscape with lush greenery and dramatic skies. While outdoor activities may be limited, this is a magical time for photographers and those who appreciate the raw power of nature. It's also when the famous Nehru Trophy Boat Race takes place on nearby Vembanad Lake, a spectacle of speed and skill as teams compete in traditional snake boats.

The post-monsoon months (September to November) see clear skies and comfortable temperatures, ideal for outdoor activities. The backwaters are particularly serene during these months, perfect for long boat rides and peaceful contemplation.

Winter (December to February) is peak season for tourism, with mild temperatures and low humidity. This is also the best time for bird watching, as migratory species arrive in large numbers, transforming the sanctuary into a birdwatcher's paradise.

Spring (March to May) brings warmer temperatures but offers the chance to experience local festivals like Vishu (Kerala New Year). The abundance of blooming flowers adds vibrant color to the landscape, creating a feast for the eyes.

A Tapestry of Memories

A stay at Tidal Nest Homestay is more than just a vacation; it's an immersion into the heart and soul of Kerala. From the warmth of the Nair family to the serene beauty of the backwaters, from the flavors of traditional cuisine to the rhythms of village life, every aspect of the experience is designed to create lasting memories.

Guests often leave Tidal Nest with more than just photographs. They carry with them a deeper understanding of Kerala's culture, a renewed connection with nature, and often, new friendships. Many find themselves planning their return even as they depart, drawn back by the genuine connections made and the sense of peace that permeates this special place.

In a world that often moves too fast, Tidal Nest Homestay offers a chance to slow down, to reconnect with oneself and with the natural world. It stands as a testament to the enduring allure of Kerala's backwaters and the warmth of its people, inviting travelers to immerse themselves in a landscape and culture unlike any other.

Whether you're seeking adventure, relaxation, cultural immersion, or simply a beautiful place to unwind, Tidal Nest Homestay offers a uniquely personal gateway to the wonders of Kerala's backwaters. Here, amidst the ebb and flow of tidal waters, you'll find not just a nest, but a sanctuary – a place to rest, rejuvenate, and create memories that will last a lifetime.