#Focal Length In 35mm Format - 26 Mm

[wwemindset]

2019-05-09_22-16-09_SM-G950F_278 by Miguel Discart Via Flickr: WWE Live 2019 - Forest National WWE Live 2019 - Forest National

[dominikagruzlewska]

STRUCTURE - RESEARCH, TASK 1

Joseph-Philibert Girault de Prangey (21 October 1804 – 7 December 1892) is known as the first architectural photographer who started to take photographs with daguerreotype from early 1841 of significant sites like Paris, Egypt, Greece, Palestine, Syria, and Turkey.

Frederick H. Evans (26 June 1853 – 24 June 1943), a notable British Photographer known for his contribution to Architectural Photography as his photographs focused on French and British Cathedrals, and his works were among the finest work at that time, for which he was made an honorary fellow of the Royal Photographic Society in 1928 and also a member of Linked Ring photographic society.

Modern architecture started to flourish with photographs in about the 1920s when urban photographers like Eugène Atget, Berenice Abbott, Walker Evans, and T. Lux Feiningercame into play. Eugène Atget(12 February 1857 – 4 August 1927), a French photographer known for his documentation of the streets of Paris before it entered Modernization. His works were published by Berenice Abbott after his death.

Berenice Abbott(July 17, 1898 – December 9, 1991), an American Photographer is known for New York and urban design photographs in the 1930s and also for her portraits of between-the-wars 20th century cultural figures.

Walker Evans who was also an American Photographer and photojournalist and believed that being a photographer he must make the picture “literate, authoritative, transcendent”. He worked for Farm Security Administration (FSA) and documented the effects of The Great Depression.

Historically, what type of camera did photographers predominantly use for architectural photography to ensure that those vertical lines remained constant throughout?

The photographers most often used a large-format camera which helps to minimalize parallax errors. They could parallax shift the plate in the back of the camera in order to control perspective.

How does this camera differ from a traditional analogue 35mm or digital equivalent SLR?

View camera vs analogue 35mm

The main difference is that in 35mm you can’t change the angle of plate and perspective which view cameras allows that. Apart that view camera has much longer exposure time than 35 mm.

View camera vs DSLR

As above – in DSLR we can’t change the angle of plate or perspective, but we can attach the tilt lens, which allows to control the perspective.

What types of lenses are available to photographers working with a DSLR, that are designed to function in this same way? What range of focal lengths are available from Canon & Nikon with these types of lenses?

CANON

Canon TS-E 45mm f/2.8.

Canon TS-E 90mm f/2.8 Tilt-Shift Lens.

Canon EF 1.4x III Extender.

Canon EF 70-200mm f/2.8L IS II USM Lens.

Canon EF 50mm f/1.4 USM Lens.

Canon EF 16-35mm f/2.8L ll USM Zoom Lens.

Canon TS-E 17mm f/4L Tilt-Shift Lens.

NIKON

Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens with Auto Focus.

Tamron AFA012N700 SP 15-30mm f/2.8 Di VC USD Wide-Angle Lens.

Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens with Auto Focus.

Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens.

Nikon AF-S FX NIKKOR 50mm f/1.8G Lens with Auto Focus.

[fudeen-note]

Rainy season ends in Tokyo.

このページの Photograph はこちらをクリック (click here)

　

　

　

いつもの年より 22日も早く 梅雨が明けた

　

　

　

　

　

　

　

　

------------------------

　関東甲信地方は平年より(7月19日ごろ)より22日早く、昨年(7月16日ごろ)より19日早い梅雨明けです。 　梅雨入りや梅雨明けは毎年9月に見直されますが、統計を取り始めた昭和26年以降、関東甲信のこれまでで最も早い梅雨明けは4年前2018年の6月29日で、このまま確定すれば過去最も早い梅雨明けとなり、東海と九州南部では過去2番目に早い梅雨明けとなります。 　そんな中、青い睡蓮が花咲きました。 　今夏のはじめの一歩となる睡蓮の風情を写し撮るべく 1 EV の差で 5 枚現像し、high dynamic range image として仕上げました。

　

　

　

☆ Shooting Data ------------------------ ○ camera : OLYMPUS OM-D E-M5 Mark Ⅱ ○ lens : OLYMPUS M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS ○ lens : OLYMPUS M.ZUIKO DIGITAL 2x Teleconverter MC-20 ○ focal length : 800 mm ( compared to 35mm format : 1,600 mm ) ○ shooting mode : Program AE ○ Tv ( Shutter Speed ) : 1/20 sec. ○ Av ( Aperture Value ) : F13 ○ ISO speed rate : 200

　

　

☆ Developing Data ( RAW ) ------------------------ ○ development : RAW image developed by SILKYPIX Developer Studio Pro 10.0.19.0 ○ taste : fudeen's special ○ exposure compensation ( by camera ) : -1 EV ○ exposure compensation ( by developer ) : +1 EV ○ total exposure compensation : ±0 EV ○ white balance : setting by shooting [ 6,455 K ] ○ tone adjustment : strong contrast ○ saturation : manual [ 1.09 / 8.0 ] ○ color profile : natural ○ color representation : film color Fortia ○ sharpness : pure detail 　edge emphasis [ 25 / 100 ] 　detail emphasis [ 75 / 100 ] 　black spotted outline control [ 25 / 100 ] ○ noise reduction : fine detail 　false color control : [ 30 / 100 ] 　fringe removal : [ 10 / 100 ] 　noise aligned : [ 10 / 100 ] 　noise removal : [ 21 / 100 ] 　dark side noise reduction [ a little strong ] ○ highlights controller : [ initial value ] 　color / brightness emphasis [ 25 / 100 ] 　saturation / hue emphasis [ 70 / 100 ] 　bright portion compensation [ 50 / 100 ] 　dynamic range extension [ +2.0 / 6.0 EV ] ○ development setting : adjustment of demosaic sharp [ 100 / 100 ]

　

　

☆ Exposure Blending Data ( HDRI ) ------------------------ ○ exposure blending by Photomatix Pro 6.3 ○ style : soft 4 ○ EV spacing : 5 images, -2, -1, ±0, +1, +2 ○ tone mapping method : exposure composition / natural ○ strength for tone mapping [ -5.0 / ±10 ] ○ exposure balance [ -3.5 / ±10.0 ] ○ shadow contrast [ 0.0 / 10.0 ] ○ local contrast [ 0.0 / 10.0 ] ○ white clip [ ±0.0 / ±10.0 ] ○ black clip [ ±0.0 / ±10.0 ] ○ color settings : image color ○ saturation [ +5.0 / ±10.0 ] ○ color temperature [ ±0.0 / ±10.0 ] ○ brightness [ 10.0 / 10.0 ] ○ blending / opacity [ 0 / 100 ] ○ contrast : medium contrast ○ sharpness : medium

　

　

☆ Location & Target ------------------------ ○ location : 新宿御苑 ○ target : 睡蓮 ブルースモーク

[fudeen]

Mystic Illusion.

　

　

ビルの向こうの落日が 揺らぐ水面(みなも)に気を注ぎ 逢魔が時の封を解く 　 　 　 　 　 　 　 　 ------------------------ 真っ赤に燃える夕陽が、ビルの谷間に沈んだ後、カメラを構えて暫く待っていると、空が真っ赤に燃え出したんです。 いつものように、あ～でもない、こ～でもないと、カメラ抱えてフレーミングしていると、池の水面にビル影と真っ赤な空が浮かび上がりました。 水面すれすれのポジションを選んで、広角気味にセットしてパシャリ。 また暫く眺めていると、青く澄んだ夕空と、ちょっと緑に沈んだ反射とが、どちらも綺麗なグラデーションを見せ始めました。 ふとした切っ掛けから、普段は目にしないトワイライトゾーンを覗き込んじゃったような、何とも不思議な気分になりましたよ。 そんな事を思い出していたら、何だか、ちと不気味なキャプションになっちゃいました。　(^^;) 　 　 ☆ Shooting Data ------------------------ ○ camera : CANON EOS 20D with Olympus ME-1 ○ lens : CANON EF-S 17-85 mm F4-5.6 IS USM ○ focal length : 26 mm ( compared to 35mm format : 42 mm ) ○ shooting mode : Aperture-Priority AE ○ Tv ( Shutter Speed ) : 1/160 sec. ○ Av ( Aperture Value ) : F 4.5 ○ ISO speed rate : 100 　 　 ☆ Developing Data ( RAW ) ------------------------ ○ development : RAW image developed by SILKYPIX Developer Studio 3.0 ○ exposure compensation ( by camera ) : -1/3 EV ○ exposure compensation ( by developer ) : +1/3 EV ○ total exposure compensation : ±0 EV ○ white balance : 4,671 K ○ sharpness : pure detail manual ( outline emphasis : 18/100, detail emphasis : 75/100, false outline control : 25/100 ) ○ tone adjustment : a little strong contrast [ +1 ] ○ saturation : most vivid [ +3 ] ○ color mode : film color fortia ○ fine color controller : adjusted ○ high light controller : manual ( color tone - brightness control : 25/100, saturation - hue control : 70/100, high light compensation : 50/100 ) ○ dynamic range expansion : +1.0 EV 　 　 ☆ Location & Target ------------------------ ○ location : 晴海埠頭 ○ target : 落日後の残照

[srikanthofficial]

Fujifilm X-T100 24.2 MP Mirrorless Camera with XC 15-45 mm Lens (APS-C Sensor, Electronic Viewfinder, Face/Eye Detection, 3" 3-Way Tilt Touchscreen, 4K Video Vlogging, Film Simulations) - Black

Electronic viewfinder, 3 way tilt LCD monitor, retro and lightweight, compact lens, detachable grip, mode dial, function dial, 3 way tilting touchscreen

Large APS-C image sensor, advanced SR auto mode recognizes the scene and the subject you are looking at and automatically optimizes camera setting and focus

High resolution, high-speed continuous shooting lets you record fast-moving objects, choose the best shot from the 15 frames taken in a second, multi focus : Multi focus mode adds multi images together to generate a sharp image with amazingly deep depth of field

The 26 lenses of rich lens line-up covers wide focal length from 15mm to 1200mm (35mm format equivalent) both with zoom lenses, realizing compactness and high image quality and prime lenses with bright aperture and beautiful defocusing effect

In combination with rich X Mount genuine lens line-up incorporated with Fusion's unique optical technology, including small and light electronic zoom lens "XC15-45mmF3.5-5.6 OIS PZ" capable of minimum working distance of just 5cm

[tekamedia]

Chess grandmaster allegedly caught cheating in bathroom during tournament

New Post has been published on https://newsprofixpro.com/tekamedia/2019/07/14/chess-grandmaster-allegedly-caught-cheating-in-bathroom-during-tournament/

Chess grandmaster allegedly caught cheating in bathroom during tournament

A Latvian-Czech chess phenom whose legitimacy has long been questioned was allegedly caught cheating inside a bathroom during a tournament in France this week. Grandmaster Igors Rausis, 58, was suspended from the Strasbourg Open after a photo emerged showing… Read More

 Buy Now

   Price: $259.00

Item specifics

Condition:

Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully

Optical Zoom: 7.5x Battery Type: Lithium-Ion Weight: 18.2oz. Type: Digital SLR Color:

Black

Connectivity: Remote Control Series: Canon EOS Rebel Megapixels: 18.0MP Brand:

Canon

MPN:

5169B005

Digital Zoom: 2x UPC:

0013803134278

About this product

Product Information The Canon EOS 600D / Rebel T3i is a DSLR camera with an 18 MP CMOS Image Sensor that delivers pictures with high clarity. This Canon EOS 18 MP camera features the DIGIC 4 Image Processor for speedy operation and it also includes an expanded ISO range that allows capturing of images in low-light conditions possible. Furthermore, the Canon EOS 600D / Rebel T3i DSLR camera also features a full HD movie mode with digital movie zoom and video snapshot with an adjustable exposure control for advanced and customized video shooting possibilities. In addition, this DSLR camera has an Intelligent Scene auto mode that detects and automatically selects the best setting based on the surrounding environment, allowing you to capture images and videos with ease. Also included in the Canon EOS 18 MP camera is a Vari-angle and wide 3-inch LCD monitor that allows you to view and shoot video and images at different angles. Product Identifiers Brand Canon MPN 5169B005 UPC 0013803134278 Model T3i / EOS 600D eBay Product ID (ePID) 100140893 Product Key Features Optical Zoom 7.5x Color Black Series Canon EOS Rebel Digital Zoom 2x Battery Type Lithium-Ion Type Digital SLR Connectivity Remote Control Megapixels 18.0MP Dimensions Weight 18.2oz. Width 5.2in. Height 3.9in. Depth 3.1in. Additional Product Features Light Sensitivity MAX 12800 Viewfinder Magnification 0.85x MAX Video Resolution 1920×1080 Optical Viewfinder Type Eye-Level Mirror Pentaprism Focal Length Range 18mm-135mm Exposure Compensation ±5 Ev Range, in 1/2 or 1/3 Ev Steps Min Shutter SPEED 30 Sec Features Picture Style Auto, Af/Ae Tracking, Depth-Of-Field Preview Button, Dust Delete Data System Sensor Size 14.9×22.3mm Red-Eye Reduction Yes Light Sensitivity 100-6400 Exposure Metering Partial (6.5%), Center-Weighted, SPOT (4%), Multi-Segment, Evaluative, Partial (9%), SPOT Exposure Modes Bulb, E-TTL II Program Flash, Depth-Of-Field, Manual, Shutter-Priority, Automatic, Program, Aperture-Priority Battery Form Factor Manufacturer Specific MAX Shutter SPEED 1/4000 Sec Digital Video Format Quicktime, MOV Lens for Sd EF-S Is 18-135mm Additional Features Picture Style Auto, Af/Ae Tracking, Depth-Of-Field Preview Button, Dust Delete Data System White Balance Daylight / Sunny (Preset), Tungsten (Preset), Fluorescent (Preset), Auto, Flash (Preset), Shade (Preset), Cloudy (Preset) Focal Length Equivalent to 35mm Camera 29-216mm Special Effects Monochrome, Neutral, Custom Effect, Landscape, Portrait, Faithful Supported Flash Memory SDHC Card, SD Card, SDXC Memory Card, SDHC Memory Card, SDXC Card, SD Memory Card Flash Type Pop-Up Flash Min Operating Temperature 0°C Auto Focus Type TTL Phase Detection, TTL Contrast and Phase Detection Lens Type Zoom Lens Exterior Color Black Viewfinder Type Optical Exposure Range Ev 1-20 (Iso 100) Dioptric Correction Range -3 to +1 Continuous Shooting SPEED 30fps Still Image Format Dpof 1.1, Exif 2.3, JPEG, Raw + JPEG, Raw, Raw Image Lens System Features Internal Focusing System, Ud Glass Sensor Resolution 18.0MP Operating System Supported Microsoft Windows XP, Microsoft Windows Vista, Mississippi Windows 7, Mississippi Windows Vista Sp2, Apple Mac Os X 10.4-10.6, Mississippi Windows Vista Sp1, Mississippi Windows XP, Mississippi Windows Vista, Mississippi Windows XP Sp3 Face Detection Yes Camera Type Digital SLR Display Type LCD Sensor Type Cmos Screen Size 3in. Shooting Programs Sports Mode, Action, Landscape, Night Scene, Night Portrait, Close-Up, Portrait Mode MAX Operating Temperature 40°C Camera Flash Features Flash +/- Compensation, Wireless OFF!!-Camera Control, Af Illuminator, Auto Flash, Red-Eye Reduction Flash, Flash OFF!, Fill-In Flash Display Rotation Rotating Viewfinder-Field Coverage 95% Screen Details LCD Display-Tft Active Matrix-3″-Color Flash Modes OFF! Mode, Fill-In Mode, E-TTL, Rear Curtain Sync, Red-Eye Reduction, Auto Mode Display Size 3in. Lens Filter Size 67mm Expansion Slot 1X SD Memory Card Lens Construction 12 Group(s) / 16 Element(s) Connector Types 1X Microphone, 1X USB, 1X Hdmi, 1X Remote Control, 1X Hdmi Output, 1X Hawaii-SPEED USB, 1X Composite Video/Audio Output Microphone Type Microphone-Built-In-mono Microphone Operation Mode mono Focus Adjustment Manual Focus, Manual, Automatic, Autofocus & Manual Focus

$259.00 End Date: Tuesday Aug-13-2019 12:16:19 PDT Buy It Now for only: $259.00 Buy It Now | Add to watch list

 Buy Now

   Price: $52.99

Item specifics

Condition: Open box :

An item in excellent, new condition with no wear. The item may be missing the original packaging or protective wrapping, or may be in the original packaging but not sealed. The item includes original accessories. The item may be a factory second. See the seller's listing for full details and description. See all condition definitions– opens in a new window or tab

Seller Notes: “Ships without the retail packaging to save on shipping.”

Dual-band Wi-Fi supports: 802.11 a/b/g/n (2.4 and 5 GHz) networks Weight: 2.65 lbs Connectors: 3.5 mm Audio Jack, Micro USB Waterproof Compliant Standards: IP67 Model:

Ultimate Ears Blast

Type: Portable Speaker Modified Item: No Features: Active Speaker, Waterproof Dimensions: Diameter 3.5 in – Height 9.3 in Compatible Model: Universal Wireless Technology: Wi-Fi, Bluetooth Color:

Black

Custom Bundle: No MPN:

984-001202

Compatible Brand: Universal Brand:

Ultimate Ears

Wi-Fi range: 100m / 330ft Manufacturer Color: Black Bluetooth® range: 45m / 150ft Bluetooth Profiles: Advanced Audio Distribution Profile (A2DP) Connectivity: Wireless Frequency Response: 60 – 20000 Hz Talk / Music Time (Up To):: 16 hour(s) UPC:

0097855130747

$52.99 End Date: Monday Jul-22-2019 13:56:26 PDT Buy It Now for only: $52.99 Buy It Now | Add to watch list

[danielpietzsch]

Horizontally scrolling table with fixed headings

For my Focal Length Equivalent utility, I created a alternative view for when you don't have JavaScript enabled (as you should, if you can).

Instead of dynamically showing the conversion based on the position of the range slider input element, I simply show a good old table with calculated equivalents at pre-defined focal lengths.

I wanted this table to list the focal lengths vertically – with one film- or sensor-format on one row – so you can easily parse the result. As such a table gets easily too wide for the parent elements container, I wanted

the table to be scrollable horizontally and

have the format name headings keep their position, so that you never lose track of which row represents which format.

Here’s the simplified table markup:

<figure><table><tbody><!-- ... --><tr><th scope="row">35mm</th> <td>10 mm</td> <td>16 mm</td> <td>24 mm</td> <td>28 mm</td> <td>35 mm</td> <td>50 mm</td> <td>85 mm</td> <td>100 mm</td> <td>135 mm</td> <td>200 mm</td> <td>300 mm</td> <td>500 mm</td> </tr><!-- ... --></tbody></table></figure>

The “scrolling” bit is easily done: simply put a overflow-x: scroll; on the table’s container element, which in my case is a <figure> element (a <div> or any other block element would also do of course, if the <figure> semantic doesn’t work for you):

figure { overflow-x: scroll; }

In order for the film-format name headings to keep their position, I resorted to a fairly new value of the CSS position property: sticky. I added this to the th selectors, in combination with left: 0; so the headings stay at their original positions:

figure table tr th { position: sticky; left: 0; // you might also want a bg color, so the th covers the table // that scrolls through underneath background-color: white; }

You can take a look at this when you go to the tool and disable JavaScript in your browser. Or you can simply look at this table here:

figure.hs { overflow-x: scroll; margin: 0; -webkit-overflow-scrolling: touch; } figure.hs table { border-collapse: collapse; } figure.hs table td, figure.hs table th { padding: 0.5em 0.7em; } figure.hs table tr th { position: -webkit-sticky; position: sticky; left: 0; background-color: white; text-align: right; white-space: nowrap; } figure.hs table tr td { font-family: monospace; text-align: right; } figure.hs table col:nth-of-type(even) { background: #eee; } figure.hs table td { white-space: nowrap; } figure.hs table tr.full-frame { outline: 1px dashed black; } figure.hs table tr:hover { background-color: rgba(238, 238, 238, .4); } figure.hs table col:hover { font-size: 2em; }

Micro 4/3 5 mm 8 mm 12 mm 15 mm 18 mm 26 mm 44 mm 52 mm 70 mm 104 mm 156 mm 260 mm APS-C 7 mm 11 mm 16 mm 19 mm 23 mm 33 mm 57 mm 67 mm 90 mm 133 mm 200 mm 333 mm 35mm 10 mm 16 mm 24 mm 28 mm 35 mm 50 mm 85 mm 100 mm 135 mm 200 mm 300 mm 500 mm 6x4.5 16 mm 26 mm 39 mm 45 mm 56 mm 81 mm 137 mm 161 mm 217 mm 322 mm 483 mm 805 mm 6x6 18 mm 29 mm 44 mm 51 mm 64 mm 92 mm 155 mm 183 mm 247 mm 366 mm 548 mm 915 mm 6x7 20 mm 32 mm 48 mm 56 mm 71 mm 101 mm 171 mm 202 mm 272 mm 404 mm 604 mm 1009 mm 6x8 22 mm 35 mm 53 mm 62 mm 77 mm 110 mm 187 mm 220 mm 297 mm 440 mm 660 mm 1100 mm 6x9 23 mm 37 mm 56 mm 65 mm 82 mm 117 mm 198 mm 233 mm 315 mm 467 mm 700 mm 1167 mm 4x5 36 mm 57 mm 85 mm 99 mm 124 mm 177 mm 301 mm 354 mm 478 mm 708 mm 1061 mm 1769 mm 8x10 71 mm 113 mm 170 mm 198 mm 248 mm 354 mm 601 mm 707 mm 955 mm 1415 mm 2122 mm 3537 mm

Here's the full CSS.

[d-and-s-are-bord-blog]

2019-07-04_11-26-39_ILCE-6300_DSC15962_Kiri_DxO

Author : @Kiri Japan Expo 2019 – ICWA – Day 1 – Divers

Photos diverses prisent avant et apres le show. Various photos taken before and after the show.

( Venez celebrer le 20e anniversaire de Japan Expo ! Ne en 2000, le festival poursuit depuis sa premiere edition l’ambition de reunir les amoureux du Japon, les fans de pop culture et les curieux en tout genre, pour leur permettre de profiter de leur passion et leur faire decouvrir le pays du soleil levant, sa culture et ses talents.

Japan Expo met sur le devant de la scene la culture japonaise la plus traditionnelle comme la plus moderne en invitant le public a rencontrer des invites de nombreux domaines, assistez a des spectacles en tout genre et participer a toutes sortes d’animations, de jeux ou d’ateliers. Rejoignez cette grande fete du 4 au 7 juillet 2019 au Parc des Expositions de Paris-Nord Villepinte ! )

Posted by miguel.discart on 2019-07-22 10:02:08

Tagged: , 20 Eme Impact , 2019 , 300 Mm , Anime , Catch , Combat De Lutte , Created By Dxo , Dxo , E 18-200mm F3.5-6.3 Oss Le , Edited Photo , Edition 2019 , Focal Length – 300 Mm , Focal Length In 35mm Format – 300 Mm , Geek , Homme , ICWA , ICWA Catch , Ilce-6300 , International Catch Wrestling Alliance , Iso 500 , Japan Expo , Japan Expo 20e Impact , Lutte , Man , Manga , Men , Messieurs , Mike D. , Mike D. (ICWA) , Mike D. (Superstar Wrestling) , Mike D. (Superstar Wrestling) (ICWA) , Monsieur , Parc Des Expositions , Parc Des Expositions De Paris-Nord Villepinte , Paris , Paris-Nord , Paris-Nord Villepinte , Sony , Sony Ilce-6300 , Sony Ilce-6300 E 18-200mm F3.5-6.3 Oss Le , Sport , Superstar Wrestling , Villepinte , Wrestling , Wrestling Match

The post 2019-07-04_11-26-39_ILCE-6300_DSC15962_Kiri_DxO appeared first on Good Info.

[joannemaly]

Panasonic officially unveils 50-200mm F2.8-4.0 ASPH

Panasonic has formally announced the Leica DG Vario 50-200mm, the latest lens in its line of F2.8-4 zooms. It's the third lens in the series, and the final model Panasonic promised at CES 2017 when it announced the 12-60mm F2.8-4. It covers a 100-400mm equivalent range and features a dust/splashproof design. Panasonic's Power O.I.S. stabilization is included and works with Dual I.S. on compatible Lumix cameras.

The Leica DG Vario-Elmarit 50-200mm F2.8-4 will be available in June for $1700.

Press Release

The New Ultra Telephoto Zoom Lens for Superb Image Quality LEICA DG VARIO-ELMARIT 50-200mm / F2.8-4.0 ASPH. (H-ES50200)

100 mm to 400 mm * Super Telephoto with High Mobility *35mm camera equivalent

Newark, NJ (February 26, 2018) Panasonic introduces a new telephoto zoom digital interchangeable lens, the compact LEICA DG VARIO-ELMARIT 50-200mm / F2.8-4.0 ASPH. (35 mm camera equivalent: 100-400 mm), the third lens to be introduced from its LEICA DG VARIO-ELMARIT F2.8-4.0 Series. And like all lenses in the series, includes Panasonic’s Nano Surface Coating technology to minimize ghosts and flaring, plus a rugged, dust/splash-proof design that is freeze-proof to -10℃.

The LEICA DG VARIO-ELMARIT 50-200mm / F2.8-4.0 ASPH. has a zoom range of 100mm to super telephoto 400 mm (35mm camera equivalent) to cover shooting situations from wildlife and indoor sports to portraits. The POWER O.I.S. (Optical Image Stabilizer) effectively compensates for hand-shake movement to shoot even without a tripod. The lens works with Dual I.S.*1 (Image Stabilizer) and Dual.I.S.2*2 when mounted on compliant Panasonic LUMIX DSLM (Digital Single Lens Mirrorless) cameras.

Comprising 21 elements in 15 groups, the lens system features two UED (Ultra Extra-low Dispersion) lenses, two ED (Extra-low Dispersion) lenses and two aspherical lenses. The sensor drive at max. 240 fps takes full advantage of cameras with high-speed, high-precision Contrast AF for exceptional video recording performance, and an inner focus drive system ensures smooth, silent operation. A micro-step drive system in the aperture control helps the camera smoothly catch up to brightness changes when zooming or panning. The optical design provides exceptional barycentric stability to minimize image shifts during zooming.

By attaching a filter (67mm) such as ND or PL, the lens provides a wider range of expression in photos and video. A 1.4x Teleconverter DMW-TC14*3 extends focusing distance to 560mm (35mm camera equivalent) and the 2.0x Teleconverter DMW-TC20*3 to 800mm (35mm camera equivalent) for more close-up shots.

The LEICA DG VARIO-ELMARIT 50-200mm will be available in stores at the end of June 2018. Suggested retail price is $1699.99 Available in sharp, metallic black.

*1 Dual I.S. can be used with LUMIX GX9, GX8 and GX80/85. *2 Dual I.S.2 can be used with LUMIX G9, GH5, G80/G81/G85. *3 To be sold separately as optional accessories. •Design and specifications are subject to change without notice. •LEICA is a registered trademark of Leica Microsystems IR GmbH. •ELMARIT is a registered trademark of Leica Camera AG.

The LEICA DG VARIO-ELMARIT F2.8-4.0 Series covers 16 to 400mm (35mm camera equivalent) with three outstanding lenses - LEICA DG VARIO-ELMARIT 8-18mm / F2.8-4.0 ASPH. (H-E08018), LEICA DG VARIO-ELMARIT 12-60mm/F2.8-4.0 ASPH. (H-ES12060) and LEICA DG VARIO-ELMARIT 50-200mm / F2.8-4.0 ASPH. (H-ES50200), to provide versatile, superb picture quality.  

Panasonic Leica DG Vario-Elmarit 50-200mm F2.8-4 specification

Principal specificationsLens typeZoom lensMax Format sizeFourThirdsFocal length50–200 mmImage stabilizationYesLens mountMicro Four ThirdsApertureMaximum apertureF2.8–4Minimum apertureF22Aperture ringNoNumber of diaphragm blades9OpticsElements21Groups15Special elements / coatings2 aspherical + 2 UED + 2 ED elements, Nano Surface CoatingFocusMinimum focus0.75 m (29.53″)Maximum magnification0.5×AutofocusYesMotor typeLinear MotorFull time manualYesFocus methodInternalDistance scaleNoDoF scaleNoPhysicalWeight655 g (1.44 lb)Diameter76 mm (2.99″)Length132 mm (5.2″)SealingYesColourBlackZoom methodRotary (extending)Power zoomNoFilter thread67 mmHood suppliedYesTripod collarNo

[Read More ...]

The following article was originally published to courtesy of : https://www.proton-pack.com/ 

Panasonic officially unveils 50-200mm F2.8-4.0 ASPH was originally posted by https://www.proton-pack.com

[wwemindset]

2019-05-09_22-16-25_SM-G950F_284 by Miguel Discart Via Flickr: WWE Live 2019 - Forest National WWE Live 2019 - Forest National

[wwemindset]

2019-05-09_22-16-21_SM-G950F_281 by Miguel Discart Via Flickr: WWE Live 2019 - Forest National WWE Live 2019 - Forest National

[wwemindset]

2019-05-09_22-19-04_SM-G950F_320 by Miguel Discart Via Flickr: WWE Live 2019 - Forest National WWE Live 2019 - Forest National

[fudeen-note]

花いっぱいのブーケ

貰って嬉しい　花いっぱいのブーケ

贈って嬉しい　花いっぱいのブーケ

抱えた両手から　零れ落ちそう

ふたりの顔から　笑みが溢れる

　

　

だけれど　本当は

抱えることのできない　夢まぼろしのブーケ

...すべては掌の中に

　

　

　

------------------------

　アフリカンデイジーの花芯を覗き込むと、そこには小さな花畑がありました。

　よく見ると、立派な花束なんですけれど、手に取ろうとすると、どうにもこうにも持つことができない。

　とっても不思議な花束です。

　

　

　

このページの Photograph はこちらをクリック (click here)

　

　

　

　

　

　

　

　

☆ Shooting Data

------------------------

○ camera : OLYMPUS TG-4

○ focal length : 18 mm ( compared to 35mm format : 100 mm )

○ shooting mode : Program AE

○ Tv ( Shutter Speed ) : 1/60 sec.

○ Av ( Aperture Value ) : F4.9

○ ISO speed rate : 1,600

　

　

☆ Development Data ( RAW )

------------------------

○ development : RAW image developed by SILKYPIX Developer Studio Pro 10.0.13.0

○ taste : fudeen's special

○ exposure compensation ( by camera ) : -1/3 EV

○ exposure compensation ( by developer ) : +2/3 EV

○ total exposure compensation : +1/3 EV

○ dodging-baked narrowing / HDR : HDR [ 50/100 ]

　highlight setting [ -25/±100 ]

　shadow setting [ -75/±100 ]

○ white balance : setting by shooting, color temperature [ 4,612 K ],

○ tone adjustment : a little low contrast

　contrast [ 1.35/2.5 ]

　contrast center [ 0.46/0.6 ]

　gamma [ 1.15/1.7 ]

　black level [ 0/100 ]

　clarity [ 60/100 ]

　haze removal [ 0/100 ]

○ saturation : manual [ 1.09/8.0 ]

○ color profile : natural

○ color representation : film color Ectachrome

○ sharpness : pure detail

　edge emphasis [ 18/100 ]

　detail emphasis [ 75/100 ]

　black spotted outline control [ 25/100 ]

○ noise reduction : fine detail

　false color control [ 48/100 ]

　fringe removal [ 20/100 ]

　noise aligned [ 45/100 ]

　noise removal [ 75/100 ]

　dark side noise reduction [ a little strong ]

　moire reduction [ yes ]

○ highlights controller : [ initial value ]

　color / brightness emphasis [ 25/100 ]

　saturation / hue emphasis [ 70/100 ]

　bright portion compensation [ 50/100 ]

　dynamic range extension [ +2.0/+6.0 EV ]

○ development setting : adjustment of demosaic sharp [ 100/100 ]

　

　

☆ Exposure Adjustment Data

------------------------

○ adjusted by Luminar 3.3.2.0

○ preset : [ Landscape ] AI Landscape Enhancer

○ accent AI filter 2.0 quantity [ 47/100 ]

○ AI sky enhancer quantity [ 41/100 ]

○ saturation [ +7/±100 ]

○ natural saturation [ +10/±100 ]

○ green tree emphasis :

　quantity [ 15/100 ]

　hue control [ ±0/±180 ]

○ polarizing filter [ 26/100 ]

○ adjustable gradation top :

　exposure [ -9/±100 ]

　contrast [ +19/±100 ]

　natural saturation [ ±0/±100 ]

　warmth [ -8/±100 ]

○ filter control quantity [ 100/100 ]

　

　

☆ Location & Target

------------------------

○ location : 塩竈神社

○ target : アフリカンデイジー

[fudeen]

漣　(さざなみ)

　

　

残照の空の下 幾筋もの煌めきを共連れに 一陣の海風が 水面(みなも)を渡る 穏やかな夏の夕暮れ 　 　 　 　 　 　 　 　 ------------------------ 晴海客船ターミナルの臨港広場で、モニュメントの夜景撮影にチャレンジです。 とはいうものの、日没後 1時間弱を経過しても、まだ気温は 30℃。 夕涼みがてら撮影に来たというのに、海風とはいえ、とても涼むどころの気温ではありません。 文面とは違い、強い風に三脚も煽られて、ブレも心配でした。 しかし、その風のお陰で水面には細波が立ち、ステンレスのモニュメントに反射した光を、綺麗に映し込んでくれました。　＼(⌒o⌒)／ 喜び勇んで、帰って早速現像してみると、撮影位置が正面からズレていたり、モニュメントが画面ギリギリだったりと、やや軽率な構図となっていました。　(TT_TT) 撮った直後にモニタしたときには、「よっしゃ！」と思ったんですけれどね... 現場で興奮するほどに、写真って、ホント思うようには行かないものだと、またまた反省しきり。 そして、更なる best shot 目指して、リベンジを誓うのでした。 　 　 ☆ Shooting Data ------------------------ ○ camera : CANON EOS 20D with Canon ANGLE-C ○ lens : CANON EF-S 17-85 mm F4-5.6 IS USM ○ focal length : 26 mm ( compared to 35mm format : 42 mm ) ○ shooting mode : Aperture-Priority AE ○ Tv ( Shutter Speed ) : 4 sec. ○ Av ( Aperture Value ) : F 8.0 ○ ISO speed rate : 100 　 　 ☆ Developing Data ( RAW ) ------------------------ ○ development : RAW image developed by SILKYPIX Developer Studio Himawari ○ exposure compensation ( by camera ) : -2 EV ○ exposure compensation ( by developer ) : +1 5/6 EV ○ total exposure compensation : -1/6 EV ○ white balance : 4,018 K ○ sharpness : new type manual ( outline emphasis : 13/100, detail emphasis : 75/100, false outline control : 0/100 ) ○ tone adjustment : a little strong contrast [ +1 ] ○ saturation : vivid [ +1 ] ○ color mode : expected color mode 2 ○ fine color controller : average ○ high light controller : manual ( color tone - brightness control : 25/100, saturation - hue control : 70/100, high light compensation : 50/100 ) ○ dynamic range expansion : +1.5 EV 　 　 ☆ Location & Target ------------------------ ○ location : 晴海客船ターミナル臨港広場 ○ target : 広場のモニュメント

[fudeen]

Lost Balance.

　

　

天空に向かう　瀧のような階段 でも　ちょっと傾斜がきつ過ぎて どうにも　こうにも　昇れません 　 　 　 　 　 　 　 　 ------------------------ ロビーの階段を広角一杯に取り込もうと、ちょっとカメラを振ってみました。 なんだかアンバランスな風景となり、現実離れした階段となって写っていました。 ステンレスの手摺りが、まるで迸る瀧の水流のように、飛沫を上げて流れて見えました。 本来の姿は、12月23日のツリーの背景となっている、落ち着いた階段なんですけれどね。 　 　

------------------------ ○ camera : CANON EOS 20D ○ lens : CANON EF-S 10-22 mm F3.5-4.5 USM ○ focal length : 16 mm ( compared to 35mm format : 26 mm ) ○ shooting mode : Aperture-Priority AE ○ Tv ( Shutter Speed ) : 1/50 sec. ○ Av ( Aperture Value ) : F 5.6 ○ ISO speed rate : 400

------------------------ ○ development : RAW image developed by SILKYPIX Developer Studio 2.0 ○ exposure compensation ( by camera ) : -2/3 EV ○ exposure compensation ( by developer ) : +2/3 EV ○ total exposure compensation : ±0 EV ○ white balance : 4,022 K ○ sharpness : manual ( outline emphasis : 600, detail emphasis : 972, false outline control : 0 ) ○ tone adjustment : manual ( contrast : 1.80, contrast center : 0.46, gamma : 1.21, black level : 2 ) ○ saturation : most vivid [ +3 ] ○ color mode : film color fortia

------------------------ ○ location : 新千歳空港 ○ target : ロビーの階段

[wwemindset]

2019-05-09_22-18-35_SM-G950F_310 by Miguel Discart Via Flickr: WWE Live 2019 - Forest National WWE Live 2019 - Forest National