#Giuseppe Catenacci

[marcogiovenale]

esce il nuovo numero (22) di 'sud'

Esce il numero 22 della rivista “Sud” diretta da Francesco Forlani. Ci sono due racconti inediti di Pascale Privey e Pia Petersen in traduzione italiana (a cura di Luigi Toni). Ci sono alcuni “objets” inediti di Marco Giovenale. Poi tante altre “cose, atlanti, lime, soglie, coppe, chiodi”. Dentro ci sono: Fernando Arrabal, Giuseppe Catenacci (Cento anni di Raffaele La Capria), Gianni Biondillo,…

[moviemosaics]

Kill, Baby, Kill

directed by Mario Bava, 1966

[thebutcher-5]

Operazione Paura

Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo discusso di una pellicola cinese recente, una pellicola blockbuster davvero molto interessante: L’eroe dei due mondi. Una storia che segue due linee di narrazione, una nel mondo reale e l’altra nel mondo fantasy del libro, in cui un padre è alla disperata ricerca della figlia e sarà costretto a fare delle scelte molto…

[docrotten]

KILL, BABY… KILL! (1966) – Episode 130 – Decades Of Horror: The Classic Era

“I can tell you of my own fear, of what I might be risking here since I revealed to you the secret of Villa Graps.” Do tell, do tell. Join this episode’s Grue-Crew – Whitney Collazo, Daphne Monary-Ernsdorff, and Jeff Mohr – as they make the Decades of Horror’s ninth journey with the genius of Mario Bava with Kill, Baby… Kill! (1966).

Decades of Horror: The Classic Era Episode 130 – Kill, Baby… Kill! (1966)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/

A Carpathian village is haunted by the ghost of a murderous little girl, prompting a coroner and a medical student to uncover her secrets while a witch attempts to protect the villagers.

  Cast and Crew:

Director: Mario Bava

Writers: Romano Migliorini (story) (screenplay), Roberto Natale (story) (screenplay); Mario Bava (screenplay); John Davis Hart (dialogue: English version) (as John Hart)

Cinematographer: Antonio Rinaldi (director of photography)

Assistant Director: Lamberto Bava

Film Editing by: Romana Fortini

Set Decoration by: Alessandro Dell’Orco (as Sandro Dell’Orco)

Costume Design by: Tina Grani

Production Management:

Production supervisor: Nando Pisani

Production manager: Luciano Catenacci (uncredited)

Unit manager: Mario Olivieri (uncredited)

Produced by: Luciano Catenacci, Nando Pisani

Selected Cast:

Giacomo Rossi Stuart as Dr. Paul Eswai

Erika Blanc as Monica Schufftan

Fabienne Dali as Ruth

Giovanna Galletti as Baroness Graps (billed as Giana Vivaldi)

Luciano Catenacci as Burgomeister Karl (billed as Max Lawrence)

Piero Lulli as Inspector Kruger

Micaela Esdra as Nadienne

Franca Dominici as Martha

Giuseppe Addobbati as Innkeeper

Mirella Panfili as Irena Hollander

Valerio Valeri as Melissa Graps

Daphne picked this Bava classic and she loves Kill, Baby… Kill! right from the opening scene in which a distraught woman impales herself on wrought iron fence spikes. From the costumes to the atmospheric village, she’s all in. Chad was never drawn in by the title or the poster, but now that he’s seen Kill, Baby… Kill!, he thinks it’s a beautiful movie. It has that Bava look and feel with almost a Hammer, gothic sensibility. Jeff’s first thought is, “Not another Italian horror movie with a creepy kid,” but now, Kill, Baby… Kill! is one of his favorite horror movies. He loves everything about it – story, cinematography, acting, set design – and it’s scary as well.

In a strange marketing ploy, Kill, Baby… Kill! was given a new title, paired with two other films, and the resulting retitled trio was billed as “Orgy of the Living Dead.” As promised on the podcast, here is a link to the “Orgy of the Living Dead” Trailer. 

The Classic Era Grue Crew strongly recommends Kill, Baby… Kill! At the time of this writing, the film is available to stream on the Classic Horror Movie Channel, Wicked Horror TV, Shudder, and Kanopy, and on physical media as a Kino Classics Blu-ray.

This is the ninth Mario Bava film covered by Gruesome Magazine’s Decades of Horror Grue Crews. You can check them out here:

BLACK SUNDAY (1960) – Episode 40 – Decades Of Horror: The Classic Era

BLACK SABBATH (1963) – Episode 108 – Decades Of Horror: The Classic Era

BLOOD AND BLACK LACE (1964) – Episode 65 – Decades Of Horror: The Classic Era

PLANET OF THE VAMPIRES (1965) – Episode 94 – Decades Of Horror: The Classic Era

A BAY OF BLOOD (1971) — Episode 78 — Decades Of Horror 1970s

BARON BLOOD (1972) – Episode 155 – Decades Of Horror 1970s 

LISA AND THE DEVIL (1973) – Episode 117 –  Decades Of Horror 1970s

SHOCK (1977) – Episode 133 – Decades Of Horror 1970s

Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule is one chosen by Whitney: The Skeleton of Mrs. Morales (El esqueleto de la señora Morales, 1960).

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the site or email the Decades of Horror: The Classic Era podcast hosts at feedback@gruesomemagazine.com

To each of you from each of us, “Thank you so much for listening!”

Check out this episode!

[giallofever2]

Un “Raro” Giallo All’italiana noto ai più appassionati, particolare è la partecipazione nel cast di Attori è quella di un volto noto della musica Italiana anni 70 , parliamo di Mino Raitano...

A "Raro" Italian Giallo known to the most passionate, particular is the participation in the cast of Actors is that of a well-known face of the Italian 70s music, we talk about Mino Raitano ...

1973/4 (Italian Lobby & screen captures)

Una vita lunga un giorno

Also Know Aka

Italian Una Vita da Vendere (Working Title)

Usa Long Lasting Days

German Fünf Rätsel zum Tod

Directed by

Ferdinando Baldi... (as Sam Livingston)

Music by

Franco Reitano as Mino Reitano

Writing Credits

Ferdinando Baldi... (writer) (as Sam Livingstone)

technical specifications

Runtime 1 hr 25 min (85 min) (Germany)

Cast

Mino Reitano... Andrea Rispoli

Ewa Aulin... Anna Andersson

Philippe Leroy... Philippe

Eva Czemerys... Wife of Philippe

Luciano Catenacci... Spyros

Franco Ressel... The Doctor

Franco Fantasia... Manolo

Dante Maggio... 'Uncle' Giuseppe

Anna Maria Pescatori ... Frieda

Nello Pazzafini... Nello

Angelo Boscariol... Thug (uncredited)

Angelo Casadei... Passerby (uncredited)

[poetyca]

Attimi

Maglie di unici catenacci leganti espressioni di cupe divisioni passate Oltre muri eretti in luoghi dov’è d’uopo incontrarsi e insieme restare Inavvertite separazioni comunque operate E non vorresti che almeno tu non comprendessi Che è qui che abbiamo più bisogno Di chiarire oltre il chiarore perpetuo Solo e solidale Senza sospirare… pace.

Giuseppe Bustone

from WordPress https://ift.tt/2Xgfepi via IFTTT

[manualstogo]

For just $3.99 The Battle of El Alamein Released on January 23, 1969: Field Marshal Rommel orders Italian troops to battle bravely to their death on a suicide mission while the Germans retreat to safety during the second battle of El Alamein in North Africa. Directed by: Giorgio Ferroni Written by: Remigio Del Grosso and Ernesto Gastaldi The Actors: Frederick Stafford Lieutenant Giorgio Borri, George Hilton Lieutenant Graham, Michael Rennie General Bernard Law Montgomery, Marco Guglielmi Captain Hubert, Ettore Manni Italian Captain, Gerard Herter General Schwartz, Robert Hossein Field Marshal Erwin Rommel, Giuseppe Addobbati General Gorg Stumme, Ira von Furstenberg Marta, Salvatore Borghese Kapow, Enrico Maria Salerno Sergeant Major Claudio Borri, Manlio Busoni unknown, Giuseppe Castellano truck driver, Mario Chiocchio unknown, Massimo Righi Italian soldier, Giulio Donnini unknown, Andrea Fantasia Rommel's doctor, Massimo Farinelli unknown, Tom Felleghy General Ritter von Thoma, Luigi Gatti unknown, Gualtiero Isnenghi unknown, Luciano Catenacci Sergeant O'Hara, Walter Maddigan unknown, James M. Mischeler unknown, Renato Montalbano unknown, Piero Palermini unknown, Nello Pazzafini Italian Sergeant, Renato Romano General Clifton, Adalberto Rossetti unknown, Luigi Scavran unknown, Edoardo Toniolo unknown, Maria von Etzdorf unknown, Ugo Adinolfi unknown Runtime: 1h 49m *** This item will be supplied on a quality disc and will be sent in a sleeve that is designed for posting CD's DVDs *** This item will be sent by 1st class post for quick delivery. Should you not receive your item within 12 working days of making payment, please contact us as it is unusual for any item to take this long to be delivered. Note: All my products are either my own work, licensed to me directly or supplied to me under a GPL/GNU License. No Trademarks, copyrights or rules have been violated by this item. This product complies withs rules on compilations, internatio...

[mitchbeck]

CANTLON: WOLF PACK WIN IN OT OVER SOUND TIGERS

BY: Gerry Cantlon, Howlings HARTFORD, CT - Sean Day’s rising wrist shot eluded the glove of Bridgeport Sound Tigers goalie Christopher Gibson at 2:28 of overtime giving the Hartford Wolf Pack a 4-3 win to complete their first weekend of the season on a positive note before an announced crowd of 1,751. Day took a pass from Phil Di Giuseppe and curled back off the right-wing, found an open seam and let his shot rip. The puck caught the top, left-hand corner, for the victory. “Once the guy backed off, I was able to go down the middle and that’s an easy shot in this league. I thought I was aiming top shelf,” Day said with a laugh and a sheepish grin. "It was a pretty tight shot. I thought we played the game really well and to come out with a win, was huge.” For Day, it was a game of celebration playing his first two games and was his first actual contact hockey so far. He was a red (no-contact) jersey in training camp as he recovered from the off-season surgery to his left hip. “It's even better than last year because I started off getting sent down (to Maine). I’m starting to build up my confidence, that helps, and I’m finding a role.  I’m not fighting for (ice) time as many younger players do and the coaches have put a lot of trust in me and playing with more confidence because of that. Get a couple of points with these wins and a goal helps me a lot.” After a wild first period with five goals between the two teams, it was a defensive battle the rest of the way. The Sound Tigers capitalized on the only glitch for Hartford in the third period off a broken play in their own zone. Wethersfield native Colin McDonald captured the biscuit on a turnover and put the puck out front for ex-Pack captain Ryan Bourque who snapped the bouncing puck and found then back of the net for his first of the season. His enthusiasm for the goal was obvious as he pumped his fist as he likes scoring against Hartford. The goal tied the score at three. Adam Huska had two quality saves late in the second. The first came on Bourque’s right-wing shot as he got the puck with a right skate and a proper kick to the corner, but the Sound Tigers Cole Bardreau snared the rebound fired it right back. Huska made the save to keep the lead for Hartford. “We were outstanding taking the puck away, keeping the neutral zone and not allowing them to freewheel. When they did a get a chance Adam was right there to make the saves,” commented head coach Kris Knoblauch of his Slovak rookie netminder. The only other action of the period of significance was the regular season’s first fight as Tanner Fritz went after Mason Geersten after a clean hit. Geersten earned a clear decision in that scrap. The second period was a tight, defensive affair as both coaches figured five goals a period might not be the best idea and both clamped down their defense. “I like to play these games when it's close checking. They like to chip pucks in and bang bodies, and so I thought we did a good job on them. I thought we played well both nights. We have good skill, good goaltending, and we worked hard against them. Day made such a good play, it was a fun weekend,” remarked defenseman Ryan Lindgren. Lots of scoring broke out from the mid-point of the first period. At 4:20 Vinni Lettieri bagged his second goal of the campaign after receiving a pass from Steven Fogarty along the goal line and at the right side of the net. He got two whacks at the puck with the second going over the glove of Sound Tiger starting goalie Christopher Gibson. Then things got fun. The Sound Tigers tied the game at one on a penalty shot. Matt Loritio had a break-in and was harassed by Lindgren. The call was maybe a minor penalty for a slash, but a penalty shot? It seemed like a weak case for that. Lorito got the chances and got Huska down and lifted the puck past him for his second of the season at 11:41. The Wolf Pack regained the lead 2:07 later. Oliver Wahlstrom took Kieffer Bellows nifty short pass from center ice at the Wolf Pack blue line, burst down the left-wing side and sent a backhanded shot off the near post and it went in off the far post at 13:46. The Wolf Pack tied the game at two as Joey Keane scored his second goal of the young season deep in the right-wing corner and put a sharp angle shot on net that looked like Patrick Newell had deflected it, but it got past goalie Christopher Gibson at 15:30. A 16:29, Lindgren made a beautiful solo dash and got past Wahlstrom’s stick check at the blue line. Kindgren then made a good move on Sound Tigers defenseman Kyle Burroughs and went backhand to forehand and put it past Gibson to restore a 3-2 Wolf lead. “I didn’t know Lindy had it in him,“ Knoblauch said with a laugh. Lindgren earned the team heavyweight belt for that goal and another tough shot blocking man-on-man defensive play. “That was nice.“ Lindgren said, seemingly surprised at his own play. “It was nice to have that space and just took it to the net, so that felt pretty good.” The defenseman clearly have the green light to pursue offense. “We have a lot of guys who can jump up into the play and are very skilled on the backend. So you gotta find the right time to do it and that was a good time for me to jump up.” NOTES: The actual fans in the seats were no more than 300, and for a second night in a row, there was no heat on in the building. They should rename the building the icebox on Asylum Street. The announced 1,751 was the 14th worst crowd in Wolf Pack history. A very poor opening for attendance to start the season in Hartford. Wolf Pack Scratches: It comes as no surprise that Vitali Kravtsov was given the game off after being benched last night. Ville Meskanen was in for him. The other three scratches were the same as last night defenseman Jeff Taylor and Brandon Crawley and the other forward, Ryan Gropp. Sound Tiger Scratches: The team had 12 of them include Josh Ho-Sang, Steve Bernier, Ben Thomson. Erik Brown injured in the pre-season game at Trinity College against Hartford is still out with a left leg injury. Scott Eansor at age 23 retired from pro hockey earlier in the week playing his last game in the exhibition finale in at Webster Bank Arena. LINES: Steven Fogarty-Vinni Lettieri-Phil Di Giuseppe Danny O’Regan-Boo Nieves-Matt Beleskey Gabrial Fontaine-Filip Chytil-Patrick Newell Tim Gettinger-Nick Jones-Ville Meskanen Ryan Lindgren-Jeff LoVerde Sean Day-Darren Raddysh Joey Keane-Mason Geersten As a team, the Wolf Pack have taken 53 penalty shots in team history. The last one to score was Dan Catenacci on April 14, 2017. Their opponents have had 39 chances. Read the full article

[rpsabetto]

Kill, Baby...Kill! [Operation Fear] [Operazione paura]

Kill, Baby…Kill! [Operation Fear] [Operazione paura]

(Italy 1966)

“Something in this town is supernatural. Tell me, why did they abandon the church? I’m scared. I almost think the devil’s here.”

— Monica

The second offering of a Mario Bava weekend double feature, Kill, Baby…Kill!is one of the director’s more commercially successful films. Many commentators have pointed out its influence on the horror genre and praised Bava’s gothic sensibilities,…

[storienneo]

Ancora una volta voglio scandagliare

scrupolosamente le possibilita` che

forse ancora restano alla giustizia.

(Durrenmatt, Giustizia)

La telefonata arrivo` alle 9 e 37 della sera del 18 marzo, sabato, vigilia della rutilante e rombante festa che la citta` dedicava a san Giuseppe falegname: e al falegname appunto erano offerti i roghi di mobili vecchi che quella sera si accendevano nei quartieri popolari, quasi promessa ai falegnami ancora in esercizio, e ormai pochi, di un lavoro che non sarebbe mancato. Gli uffici erano, piu` delle altre sere a quell’ora, quasi deserti: anche se illuminati, l’illuminazione serale e notturna degli uffici di polizia tacitamente prescritta per dare impressione ai cittadini che in quegli uffici sempre sulla loro sicurezza si vegliava.

Il telefonista annoto` l’ora e il nome della persona che telefonava: Giorgio Roccella. Aveva una voce educata, calma, suadente. ‘Come tutti i folli’ penso` il telefonista. Chiedeva infatti, il signor Roccella, del questore: una follia, specialmente a quell’ora e in quella particolare serata.

Il telefonista si sforzo` allo stesso tono, ma riuscendo a una caricaturale imitazione, resa piu` scoperta dalla freddura con cui rispose: «Ma il questore non e` mai in questura a quest’ora», freddura che in quegli uffici abitualmente correva sulle frequenti assenze del questore. E aggiunse: «Le passo l’ufficio del commissario», col gusto di far dispetto al commissario, che certo stava in quel momento per lasciare l’ufficio.

Il commissario si stava infatti infilando il cappotto. Prese il telefono il brigadiere che aveva tavolo ad angolo con quello del commissario. Ascolto`, cerco` sul tavolo una matita e un pezzo di carta; e mentre scriveva rispondeva che si`, sarebbero andati al piu` presto possibile ma appena possibile, cosi` collocando la possibilita` in modo da non illudere sulla prestezza.

«Chi era?» domando` il commissario.

«Un tale che, dice, ha da farci vedere urgentemente una cosa che si e` trovata in casa».

«Un cadavere?» scherzo` il commissario.

«No, ha detto proprio una cosa».

«Una cosa… E come si chiama, questo tale?».

Il brigadiere prese il pezzo di carta su cui aveva scritto nome e indirizzo, lesse: «Giorgio Roccella, contrada Cotugno, dal bivio per Monterosso, strada a destra, quattro chilometri; quindici da qui».

Il commissario torno` dalla porta al tavolo del brigadiere, prese quel pezzo di carta, lo lesse quasi credesse di trovarvi qualcosa di piu` di quel che il brigadiere aveva detto. Disse: «Non e` possibile».

«Che cosa?» domando` il brigadiere.

«Questo Roccella,» disse il commissario «e` un diplomatico, console o ambasciatore non so dove. Non viene qui da anni, chiusa la casa di citta`, abbandonata e quasi in rovina quella di campagna, in contrada Cotugno appunto… Quella che si vede dalla strada: in alto, che sembra un fortino…».

«Una vecchia masseria,» disse il brigadiere «ci sono passato sotto tante volte».

«Dentro il recinto, per cui pare una masseria, c’e` un villino molto grazioso; o almeno c’era… Grande famiglia, quella dei Roccella: ma ora ridotta a questo console o ambasciatore che sia… Non credevo nemmeno che fosse ancora vivo, da tanto che non si vede».

«Se vuole,» disse il brigadiere «vado a controllare».

«Ma no, sono sicuro che si tratta di uno scherzo… Domani, magari, se hai tempo e voglia, vai a dare un’occhiata… Per quanto mi riguarda, qualunque cosa accada, domani non mi cercate: vado a festeggiare il San Giuseppe da un mio amico, in campagna».

L’indomani, in pattuglia, il brigadiere ando` in contrada Cotugno: nello stato d’animo, lui e i due agenti che lo accompagnavano, di fare una gita: per quel che aveva detto il commissario, erano sicuri che quel luogo fosse disabitato e che la chiamata della sera prima era stata uno scherzo. Un fiumiciattolo, che scorreva ai piedi della collina, era ormai soltanto un alveo pietroso, di pietre bianche come ossame; ma la collina, in cima quella masseria in rovina, verdeggiava. Fatto il sopralluogo, il loro proposito era di darsi a raccogliere asparagi e cicorie, festosamente: tutti e tre esperti a riconoscere le buone verdure selvatiche, da contadini che erano stati.

Filtrarono nel recinto, che non era fatto, come guardando da giu` si poteva credere, di semplici muri: erano magazzini, le porte chiuse da lucidi catenacci, che circondavano il villino, davvero grazioso e con molti segni di disgregazione, di rovina. Vi girarono intorno. Tutte le imposte erano chiuse, tranne di una finestra dai cui vetri si poteva guardar dentro. Stando nella luce abbagliante di quella mattinata di marzo, videro dapprima confusamente l’interno: poi cominciarono a distinguere e a tutti e tre, ripetendo la prova facendosi schermo del sole con le mani, parve certo si vedesse un uomo che, di spalle alla finestra, seduto a una scrivania, vi si fosse accasciato.

Il brigadiere prese la decisione di rompere il vetro della finestra, di aprirla, di entrare nella stanza: l’uomo poteva esser crollato per un malore, si era forse in tempo a dargli soccorso. Ma l’uomo era morto, e non per sincope o infarto; nella testa, che poggiava sulla scrivania, tra la mandibola e la tempia, era un grumo nerastro.

Ai due agenti, che pure erano entrati scavalcando la finestra, il brigadiere grido`: «Non toccate nulla!»; e per non toccare il telefono, che stava sulla scrivania, ordino` a uno degli agenti di tornare in questura, di riferire, di far venire subito medico, fotografo e quei due o tre che in questura erano considerati e privilegiati come esperti scientifici: secondo il brigadiere soltanto privilegiati, non avendo fino ad allora esperienza di un solo caso in cui costoro avessero dato un contributo risolutivo, di confusione piuttosto.

Dati quegli ordini, e continuando a dire all’agente che era rimasto con lui di non toccar nulla, il brigadiere comincio` a fare il suo lavoro di osservazione, in funzione del rapporto scritto che gli toccava poi fare: compito piuttosto ingrato sempre, i suoi anni di scuola e le sue non frequenti letture non bastando a metterlo in confidenza con l’italiano. Ma, curiosamente, il fatto di dover scrivere delle cose che vedeva, la preoccupazione, l’angoscia quasi, dava alla sua mente una capacita` di selezione, di scelta, di essenzialita` per cui sensato ed acuto finiva con l’essere quel che poi nella rete dello scrivere restava. Cosi` e` forse degli scrittori italiani del meridione, siciliani in specie: nonostante il liceo, l’universita` e le tante letture.

Immediata, l’impressione era che l’uomo si fosse suicidato. La pistola era a terra, a destra della poltrona su cui era rimasto seduto: vecchia arma da guerra ’15-’18, tedesca, uno di quei souvenir che i reduci si portavano a casa. Ma c’era, a cancellare nel brigadiere l’immediata impressione del suicidio, un particolare: la mano destra del morto, che avrebbe dovuto penzolare a filo della pistola caduta, stava invece sul piano della scrivania, a fermare un foglio su cui si leggeva: «Ho trovato.». Quel punto dopo la parola «trovato» nella mente del brigadiere si accese come un flash, svolse, rapida e sfuggente, la scena di un omicidio dietro quella, non molto accuratamente costruita, del suicidio. L’uomo aveva cominciato a scrivere «Ho trovato», cosi` come in questura aveva detto di aver trovato in casa qualcosa che non si aspettava di trovare: e stava per scrivere di quel che aveva trovato, ormai dubitando che la polizia arrivasse e forse cominciando, nella solitudine, nel silenzio, ad aver paura. Ma avevano bussato alla porta.

[giallofever2]

Un “Raro” Giallo All’italiana noto ai più appassionati, particolare è la partecipazione nel cast di Attori è quella di un volto noto della musica Italiana anni 70 , parliamo di Mino Raitano...

A "Raro" Italian Giallo known to the most passionate, particular is the participation in the cast of Actors is that of a well-known face of the Italian 70s music, we talk about Mino Raitano ...

1973/4 (Italian Lobby & On Set Pics)

Una vita lunga un giorno

Also Know Aka

Italian Una Vita da Vendere (Working Title)

Usa Long Lasting Days

German Fünf Rätsel zum Tod

Directed by

Ferdinando Baldi... (as Sam Livingston)

Music by

Franco Reitano as Mino Reitano

Writing Credits

Ferdinando Baldi... (writer) (as Sam Livingstone)

technical specifications

Runtime 1 hr 25 min (85 min) (Germany)

Cast

Mino Reitano... Andrea Rispoli

Ewa Aulin... Anna Andersson

Philippe Leroy... Philippe

Eva Czemerys... Wife of Philippe

Luciano Catenacci... Spyros

Franco Ressel... The Doctor

Franco Fantasia... Manolo

Dante Maggio... 'Uncle' Giuseppe

Anna Maria Pescatori ... Frieda

Nello Pazzafini... Nello

Angelo Boscariol... Thug (uncredited)

Angelo Casadei... Passerby (uncredited)

[giallofever2]

Un “Raro” Giallo All’italiana noto ai più appassionati, particolare è la partecipazione nel cast di Attori è quella di un volto noto della musica Italiana anni 70 , parliamo di Mino Raitano...

A "Raro" Italian Giallo known to the most passionate, particular is the participation in the cast of Actors is that of a well-known face of the Italian 70s music, we talk about Mino Raitano ...

1973/4 (Italian Lobby & screen captures)

Una vita lunga un giorno

Also Know Aka

Italian Una Vita da Vendere (Working Title)

Usa Long Lasting Days

German Fünf Rätsel zum Tod

Directed by

Ferdinando Baldi... (as Sam Livingston)

Music by

Franco Reitano as Mino Reitano

Writing Credits

Ferdinando Baldi... (writer) (as Sam Livingstone)

technical specifications

Runtime 1 hr 25 min (85 min) (Germany)

Cast

Mino Reitano... Andrea Rispoli

Ewa Aulin... Anna Andersson

Philippe Leroy... Philippe

Eva Czemerys... Wife of Philippe

Luciano Catenacci... Spyros

Franco Ressel... The Doctor

Franco Fantasia... Manolo

Dante Maggio... 'Uncle' Giuseppe

Anna Maria Pescatori ... Frieda

Nello Pazzafini... Nello

Angelo Boscariol... Thug (uncredited)

Angelo Casadei... Passerby (uncredited)

[giallofever2]

4 Italian LOCANDINE for the Cult Movie

1972

Afyon - Oppio

Also Known As (AKA)

Canada (English title) (dubbed version) The Sicilian Connection

Finland Huumereitti

France Action héroïne

France (video title) La filière

Greece (transliterated) Gia ton nono apo ti sikelia, me agapi

Portugal Na rota da droga

Spain La ruta del opio

Sweden Sicilian Connection

UK (video box title) Sicilian Connection

USA (dubbed version) The Sicilian Connection

West Germany The Opium Connection

Yugoslavia (Serbian title) (literal title) Krvavi opijum

Release Dates

Italy 22 December 1972

Norway 23 June 1975

USA January 1977

France 1 February 1978

West Germany September 1985 (video premiere)

Portugal 1987 (video premiere)

Directed by Ferdinando Baldi

Music by Guido & Maurizio De Angelis

Writing Credits

Ferdinando Baldi

Duilio Coletti

technical specifications

Runtime 1 hr 40 min (100 min) (France)

1 hr 45 min (105 min) (Italy)

1 hr 40 min (100 min) (USA)

Cast

Ben Gazzara: Joseph Coppola

Silvia Monti: Claudia

Malisa Longo: Rosalia Calogero

Teodoro Corrà: Ciro

Luciano Rossi: Hans

Bruno Corazzari: Larry

Fausto Tozzi: don Vincenzo Russo

Steffen Zacharias: Sally

Luciano Catenacci: Tony Nicolodi

Mario Pilar: Ibrahim

Jess Hahn: Sacha

José Greci: Lucia

Corrado gaipa: Calogero

Carlo Gaddi: Marsigliese

Giuseppe Castellano: Mike

#afyonoppio #sicilianconnection #ferdinandobaldi #bengazzara #malisalongo #silviamonti #teodorocorrà #giallofever

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1975 Il giustiziere sfida la città Also Known As (AKA) Canada (English title) (cut version) Final Payment Spain Desafío a la ciudad Spain (alternative title) La venganza de Rambo France Bracelets de sang Norway One Just Man Norway (video title) Rambo's Hevn Slovenia Rombo proti ugrabiteljem Turkey (video title) (Turkish title) Kanun benim Turkey (Turkish title) Kanun benim USA (dubbed version) Rambo's Revenge USA Syndicate Sadists Europe (English title) One Just Man West Germany (video title) Der Vernichter West Germany Flash Solo Directed by Umberto Lenzi Music by Franco Micalizzi Writing Credits Vincenzo Mannino ... (screenplay) Vincenzo Mannino ... (story) Release Dates Italy 16 August 1975 USA April 1976 Turkey March 1977 West Germany 4 May 1984 Cast (in credits order) Tomas Milian Tomas Milian... Rambo Joseph Cotten Joseph Cotten ... Paternò Femi Benussi Femi Benussi ... Flora Silvano Tranquilli Silvano Tranquilli ... Dr. Marco Marsili Ida Galli Ida Galli ... Signora Marsili (as Evelyn Stewart/Ida Galli) Maria Fiore Maria Fiore ... Maria Scalia Mario Piave Mario Piave ... Pino Scalia Luciano Catenacci Luciano Catenacci ... Conti Guido Alberti Guido Alberti ... Owner of Billiard Salon Shirley Corrigan Shirley Corrigan ... Conti's mistress Antonio Casale Antonio Casale ... Philip Duval Rosario Borelli Rosario Borelli ... One of Paterno's men Luciano Pigozzi Luciano Pigozzi ... One of Conti's men Mario Novelli Mario Novelli ... Franco Bruno Di Luia Bruno Di Luia ... One of Conti's men Giuseppe Castellano Giuseppe Castellano ... One of Conti's men Riccardo Petrazzi Riccardo Petrazzi ... Paterno's Thug in Saloon / Rambo's double in motorcycle scenes Tom Felleghy Tom Felleghy ... Commandante Ferrari Duilio Cruciani Duilio Cruciani ... Luigino Scalia Giovanni Di Benedetto Giovanni Di Benedetto ... Police Inspector (as Gianni De Benedetto) Alessandro Cocco Alessandro Cocco ... Giampiero Marsili Adolfo Lastretti Adolfo Lastretti ... Ciccio Paternò Rest of cast listed alphabetically: Mario Castaldi Mario Castaldi ... Man in the gambling room Nick Alexander Nick Alexander ... Philip Duval (voice) (uncredited) Bruno Alias Bruno Alias ... Man in Gambling Room (uncredited) Bruno Bertocci Bruno Bertocci ... Man in Gambling Room (uncredited) Rossana Canghiari Rossana Canghiari ... Woman in Gambling Room (uncredited) Nestore Cavaricci Nestore Cavaricci ... Man at Gambling Room (uncredited) Enrico Chiappafreddo Enrico Chiappafreddo ... Giuseppe (uncredited) Carolyn De Fonseca Carolyn De Fonseca ... Flora (voice) (uncredited) Michael Forest Michael Forest ... Dr. Marco Marsili (voice) (uncredited) Rocco Lerro Rocco Lerro ... Newsman Waiting Outside House (uncredited) Edward Mannix Edward Mannix ... Thug (voice) (uncredited) Francesco Narducci Francesco Narducci ... Journalist (uncredited) Benito Pacifico Benito Pacifico ... Paterno's Thug in Saloon (uncredited) Walter Patriarca Walter Patriarca ... Newsman Waiting Outside House (uncredited) Anna Maria Perego Anna Maria Perego ... Woman in Gambling Room (uncredited) Tony Raccosta Tony Raccosta ... Man at Autodrome (uncredited) Claudio Ruffini Claudio Ruffini ... Conti's Thug Guarding Giampiero (uncredited) Robert Spafford Robert Spafford ... Owner of Billiard Salon (voice) (uncredited) Susan Spafford Susan Spafford ... Signora Marsili (voice) (uncredited) Sergio Testori Sergio Testori ... Conti Thug (uncredited) Frank von Kuegelgen Frank von Kuegelgen ... Paterno's Thug in Saloon (voice) (uncredited) Luciano Zanussi Luciano Zanussi ... Journalist (uncredited) filming locations Sesto San Giovanni, Milan, Lombardia, Italy Rozzano, Milan, Lombardia, Italy Cologno Monzese, Milan, Lombardia, Italy Olgiata, Rome, Lazio, Italy Milan, Lombardia, Italy