#Handstyle

[jamabushi]

S words

[vinsunt]

Pleinairpril Day 20

End of the night, Bed Stuy.

[arcadebroke]

[tmrsn]

[ervitemonslip]

🥟

😋

[ryanseslow]

“The Transcending of Internal Conflicts”, 2023, Digital Illustration

[mindofthebrick]

Google maps graffiti tourism: Berkeley, CA

Part 1: Berkeley bombs

[gamat3000]

[xaviergalatis]

[mikhaelidea]

I finished watching Ultraman Trigger yesterday and left slightly* in pain. For a show all about smile those last few episodes sure can get devastating...

So I drew him to cheer me up. Hope it cheer you up too.

*citation needed

It's not my art if I don't somehow involve graffiti in it now is it tho

[wordpress-blaze-63194361]

When Drag Queens Were King

With the conflicts about LGBTQIA+, it is fascinating to look back at the history of gays in American history. Once, not only accepted but widely celebrated, drag was a prominent face in the entertainment industry.

During the Shakespearean period, in the late 16th century and early 17th century, women were not permitted to perform on the stage. Men played the female roles. While this wasn’t exactly “drag”, it’s possible gay men took advantage of the opportunity to express their feminine sides.

Originally, drag was not only applied to men performing while dressed as women but, any performer dressed in costumes other than their own gender. In fact, the first recorded drag contest and “ball” in America took place in 1867! Men and women performed in Harlem, New York. There were drag queens and drag kings. Notable during the 1880’s and 1890’s was William Dorsey Swann. Known as the Queen of Drag, Dorsey was more than just a drag queen. An African American, born into slavery, was known for holding secret drag balls. The “Queen of Drag”, Swann, is believed to be the first person in the United States to lead a gay resistance. He held secret drag balls in Washington, DC. One part of the drag balls included a competition known as a “cakewalk”, originally held on plantations by slaves. Couples would dance in precise steps and formation. It is believed to have been a way to subtly make fun of the formal white dances pre and post emancipation. As dance contests, the winners were awarded with cakes!

The Jazz Age (from 1920 - early 1930’s) in large cities like New York, Chicago, and San Francisco saw the popularity of drag performers rise. Minstrel shows, vaudeville, and burlesque provided drag entertainment. Unlike many drag performers, Jean (Gene) Malin was not trying to impersonate a woman. During Prohibition, the days of the “pansy craze”, Malin was openly gay and proud of it. Described as flamboyant and effeminate, he entertained audiences with a wonderful sense of humor. At six feet tall and two hundred pounds, Malin had a lisp that delighted his fans. He was capable of defending himself when needed. He performed in high end nightclubs and was featured in films and on Broadway.

In 1920 Drag Balls and contests were so popular they were even represented in film. Men were referred to as “pansies” or “sissies” and were often portrayed as clothing designers or tailors, hairdressers, or choreographers and dancers. Flamboyant and effeminate, they added humor to films. Women were portrayed as more masculine and dressed in male fashions.

There were actors and actresses who were known to be homosexual, if not to the general public, usually within their professional circles. In 1930’s, Marlene Dietrich, who made no secret of her bisexuality, had the first passionate same sex kiss in a film. However, that wasn’t the first same sex kiss in film. In 1922, Cecil B. DeMille directed a silent movie l, “Manslaughter”, that included an orgy. Although the first same sex kiss has been attributed to the later film, “Wings” in 1927, it was the earlier silent movie that broke the mold.

Drag has once again become popular in America with shows like RuPaul’s Drag Race. On the other hand, the country is in turmoil. The Lesbian, Gay, Bisexual, Transgender, Queer/Questioning, Intersex, Asexual+ (LGBTQIA+) community is already beginning to feel the change in the air, from the White House to every house, apartment, mobile home, hotel, or tent. The president has already signed several executive orders that will negatively impact LGBTQIA+ communities across the country. We can’t allow America to return to days of the Hays Code. We’ve too far to allow it to slip away.

Source: When Drag Queens Were King

[graffitiandstreetartarchive]

[jamabushi]

Once an exclusive principle takes over the whole, and denies the legitimacy of anything outside its own architecture, then reality is in peril

[vinsunt]

Pleinairpril Day 15

A little Australia action

[le-cercle-rouge]

Paris, décembre 2023.

[wordpress-blaze-63194361]

When Drag Queens Were King

With the conflicts about LGBTQIA+, it is fascinating to look back at the history of gays in American history. Once, not only accepted but widely celebrated, drag was a prominent face in the entertainment industry.

During the Shakespearean period, in the late 16th century and early 17th century, women were not permitted to perform on the stage. Men played the female roles. While this wasn’t exactly “drag”, it’s possible gay men took advantage of the opportunity to express their feminine sides.

Originally, drag was not only applied to men performing while dressed as women but, any performer dressed in costumes other than their own gender. In fact, the first recorded drag contest and “ball” in America took place in 1867! Men and women performed in Harlem, New York. There were drag queens and drag kings. Notable during the 1880’s and 1890’s was William Dorsey Swann. Known as the Queen of Drag, Dorsey was more than just a drag queen. An African American, born into slavery, was known for holding secret drag balls. The “Queen of Drag”, Swann, is believed to be the first person in the United States to lead a gay resistance. He held secret drag balls in Washington, DC. One part of the drag balls included a competition known as a “cakewalk”, originally held on plantations by slaves. Couples would dance in precise steps and formation. It is believed to have been a way to subtly make fun of the formal white dances pre and post emancipation. As dance contests, the winners were awarded with cakes!

The Jazz Age (from 1920 - early 1930’s) in large cities like New York, Chicago, and San Francisco saw the popularity of drag performers rise. Minstrel shows, vaudeville, and burlesque provided drag entertainment. Unlike many drag performers, Jean (Gene) Malin was not trying to impersonate a woman. During Prohibition, the days of the “pansy craze”, Malin was openly gay and proud of it. Described as flamboyant and effeminate, he entertained audiences with a wonderful sense of humor. At six feet tall and two hundred pounds, Malin had a lisp that delighted his fans. He was capable of defending himself when needed. He performed in high end nightclubs and was featured in films and on Broadway.

In 1920 Drag Balls and contests were so popular they were even represented in film. Men were referred to as “pansies” or “sissies” and were often portrayed as clothing designers or tailors, hairdressers, or choreographers and dancers. Flamboyant and effeminate, they added humor to films. Women were portrayed as more masculine and dressed in male fashions.

There were actors and actresses who were known to be homosexual, if not to the general public, usually within their professional circles. In 1930’s, Marlene Dietrich, who made no secret of her bisexuality, had the first passionate same sex kiss in a film. However, that wasn’t the first same sex kiss in film. In 1922, Cecil B. DeMille directed a silent movie l, “Manslaughter”, that included an orgy. Although the first same sex kiss has been attributed to the later film, “Wings” in 1927, it was the earlier silent movie that broke the mold.

Drag has once again become popular in America with shows like RuPaul’s Drag Race. On the other hand, the country is in turmoil. The Lesbian, Gay, Bisexual, Transgender, Queer/Questioning, Intersex, Asexual+ (LGBTQIA+) community is already beginning to feel the change in the air, from the White House to every house, apartment, mobile home, hotel, or tent. The president has already signed several executive orders that will negatively impact LGBTQIA+ communities across the country. We can’t allow America to return to days of the Hays Code. We’ve too far to allow it to slip away.

Source: When Drag Queens Were King

[benebavarese]

Munich – 2024 Panasonic Lumix GX8

[wr1000]

Pastels I found on the street entertained my Wednesday night

LOYAL WORKS - WR - 25 - it’ll be dope