Hanne Hukkelberg
15 notes
·
View notes
Hanne Hukkelberg - Too good to be good
From 'Featherbrain' (2011)
2 notes
·
View notes
(Crazy by Hanne Hukkelberg)
There’s a sophistication to the simplicity of the structure of this alternative pop tune by @hannehukkelberg
0 notes
► LISTEN to this Playmoss playlist: Good Fridays by La Chica
La Chica (aka la Chica Belleville) is Franco-Venezuelan artist Sophie Fustec. At the beginning of 2017 she released “Oasis,” her first EP, in which she masterfully combines pop, electronica and Latin influences but that, nonetheless, is much more than the sum of her influences: A subtle work brimming with hypnotic, sweet and melancholic melodies crowned by her laid-back and sensual voice. La Chica Belleville will be performing tomorrow at Matadero Madrid, Spain.
La Chica Belleville has prepared a very fresh and relaxed playlist for us. A delicate collection of tracks halfway between electronic pop, hip hop and jazz in which there's also room for Nick Drake's bucolic autumnal shades, Tune-yards' art-rock and Devendra Banhart's pop irreverence.
Harlem River Drive - Harlem River Drive (Theme Song)
FLAWD - ONLY LOVE
Kendrick Lamar - HUMBLE
Nina Simone - My Man's Gone Now
Nicolas Jaar - No
Hanne Hukkelberg - Embroidery feat. Emilie Nicolas
TuneYards - Powa
Mura Masa ft. A$AP Rocky - Love$ick
M.I.A - Jimmy
Devendra Banhart - Carmensita
Nick Drake - Magic
2 notes
·
View notes
Hanne Hukkelberg is one of Norway’s most acclaimed, influential, and vital artists, but she hasn’t released an album in five long years. Her fifth full length, Trust, is set for release on October 20th on Propeller Recordings, and she’s utterly transfixed me with new album cut Embroidery, which features fellow Norwegian singer songwriter Emilie Nicolas. She explains of the song, brimming with haunting art pop dissonance and dusky trip hop: “It’s about us, and our friendship; about how difficult it is to hold on to this profession and to be strong and patient in your music, and your work, and your life.” Embroidery really seems to braid and throttle like its finely and ornately woven. At times, it reminds me of Hundred Waters, but at other times, it’s like Massive Attack and Portishead. Pre-order new album Trust, here.
2 notes
·
View notes
(Propeller Recordings) A new song by Hanne Hukkelberg. I still don’t know what to think of this song. I am still curious about her new album, but i do hope this song not a complete representation of the new album.
2 notes
·
View notes
He burrows into Even’s side. “What did you dream?”
“I dreamt,” Even says, touching the tip of Isak’s nose with his index finger. “that you and I were in the Arctic Circle.”
“Brrr.”
“No, it was summer, so it wasn’t that cold. The sun never set, though, just paused in the sky, and made everything orange-gold. Your hair was even longer than it is now, and you had tiny freckles on the tops of your cheeks, and your nose.”
“What were we doing?”
“Nothing. Just walking around or talking. I couldn’t hear what we were saying, but I could see our lips move, and we laughed. It was like I was watching a movie with the volume turned off. But I was happy.”
“That sounds nice.”
“It felt nice. You looked older, though.”
“How old?” Isak narrows his eyes. “Like, elderly?”
Even smiles. “Not exactly. You had a beard.”
(soundtrack snippets from chapter ten of Burn Bright)
11 notes
·
View notes
Hanne Hukkelberg put out an album last year called Birthmark, a peculiar pop extravaganza. The Norwegian artist seems to emulate tUnE-yArDs’ unpredictability, having fastidiously weaved the sounds on “The Young and Bold I,” for starters. Listen to the album on Soundcloud or wherever you listen to music.
0 notes
Hanne Hukkelberg
Little Things (2004)
7 notes
·
View notes
Hanne Hukkelberg - The Young And Bold I - from Birthmark
0 notes
Hanne Hukkelberg - The Whip
0 notes
A true shining light, Norway’s Hanne Hukkelberg is edging closer to the release of her new album ‘Trust’. Heightening the excitement around the release, she’s just shared a stunning new video for recent single ‘Embroidery’. Playing with the concepts of size, perspective, and digital stitching; check out the video over on NOWNESS.
0 notes
Sure, we saw Robert Palmer and Bryan Ferry tackling The Beatles, but given their propensity for other people’s songs one wonders on whether or not one of them covered another. The answer to that can be found on either Ferry’s Avonmore or Terje’s It’s Album Time. Both of these records contain Ferry’s version of this tune by Mr. Palmer, which fits Ferry’s opus, since it deals with his usual themes of detachment. However, Ferry goes darker than Palmer, his interpretation slows down the entire composition and his vocals get reduced to a husk. There’s a sense he’s observing the situation of the titular couple quite closely, although he is aware there’s nothing he could do about them. Mr. Palmer gave them a chance, while Ferry knows better.
0 notes