#Hayley Rocker

[s4sharkteeth]

these damn kids done broke mr morlind’s brain

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[haileysnaileyone]

Ah, the joy of drawing characters that would be the ideal version of yourself 😅.

Finally made a Rock Troll OC, Vendetta (aka “V”, “Ven”, and “Vennie”). She’s lead vocalist and drummer of the band, “Chromatose”. Her voice claim is Hayley Williams, I love “Paramore” and Hayley is just so flipping talented and sexy to me 😎. Ven is also heavily influenced by Avril Lavigne, Pat Benatar, Ann Wilson, and Alanis Morissette. Love me some rocker ladies and I think she turned out pretty cute❤️. Hope y’all like her as much as I do😄😁!

[thatliminal-wanderer]

Rock Music ID Pack

Requested by Anonymous

Names

Abby, Ace, Adam, Adrian, Aero, Alex, Alice, Angus, Ann, Anthony, Avril, Axl, Bill, Billie, Billy, Bohemia, Bon, Brad, Brian, Bruce, Charlie, Cher, Chester, Chrissie, Christine, Cliff, Danny, Dave, David, Don, Duff, Dusty, Eddie, Eric, Fleetwood, Florance, Floyd, Frank, Freddie, Geddy, Geezer, Gene, George, Ginger, Glenn, Gregg, Halen, Hayley, Helena, Iggy, Izzy, Jack, Jimi, Jimmy, Joe, John, Keith, Krist, Kurt, Larry, Liam, Lindsey, Mac, Malcolm, Maynard, Micheal, Mick, Mitch, Nancy, Neal, Neil, Nick, Nicko, Nicky, Noel, Ozzy, Paul, Pear, Pete, Peter, Phil, Randy, Rick, Ringo, Robert, Roger, Ronnie, Rosa, Rose, Sabbath, Serj, Steve, Steven, Stevie, Thom, Tim, Tom, Tony, Zack, Zeppelin

Pronouns

aero/aeros, beat/beats, black/blacks, blink/blinks, chili/chilis, crash/crashes, cream/creams, cure/cures, door/doors, dru/drum/drums, eagle/eagles, electric/electrics, guitar/guitars, gun/guns, heart/hearts, hot/hots, iron/irons, jam/jams, journey/journeys, kiss/kisses, loud/louds, machine/machines, maiden/maidens, metal/metals, music/musics, nirvana/nirvanas, oasis/oasis’, pearl/pearls, pepper/peppers, pink/pinks, queen/queens, radio/radios, rage/rages, red/reds, reverb/reverbs, rhy/rhythm/rhythms, riff/riffs, rock/rocks, rose/roses, rush/rushes, scorpion/scorpions, scream/screams, shred/shreds, stone/stones, vocal/vocals, yell/yells, 🎵/🎵s, 🎶/🎶s, 🎸/🎸s, 💥/💥s, 📹/📹s, 🔊/🔊s, 🔋/🔋s, 🔌/🔌s, 🗯️/🗯️s, 🤘/🤘s, 🧑🏻‍🎤/🧑🏻‍🎤s

Titles

A Rock Fan, A Rock Lover, A Rock Producer, A Rock Song, A Song With Loud Noises, Lover of Rock and Roll, The Drummer, The Guitarist, The Hard Rocker, The Headbanger, The Rock Fan, The Rock Musician, [prn] Inviting You to a Concert, [prn] Who Listens to Rock

Genders

Aggrorockvolic, Bassgender, Bassguitagender, Delinqxenifemasc, Drumgender, Guitargender, Guitarweaponic, Rockcothrillic, Rockfem, Rockgender, Sleepyguitaric

Other mogai

Aldembodirock, Alderguitar, Aldermusicae, Musicperspesque, Musictasteperspesque, Musicvior, Musivesil

[lightboundpunkz]

im interested to know aidan and Keith's dynamic a little better

4, 9, 25

4: how would they describe each other if asked? physically? in personality?

keith would describe aidan physically in such a stuttering way like “um so like he’s short, uh he might look like a girl but he’s not, um, he’s like,,, got this angry look all the time, dresses like if hayley williams was a guitar player- actually can she play guitar? maybe she can but anyway, yeah, aidan looks like if danny devito was a punk rocker and a lot younger”

as for personality he’d be like “aidan seems to be fueled by hatred. he’s all doom and gloom and stuff. he can be funny tho sometimes. and he’s really good at playing guitar. he doesn’t like talking about himself so whenever he tells me something about himself it makes me really happy”

aidan would describe keith physically like this “black hair, blue eyes from hell, white brit twit. lanky ass bitch”

and for personality: “if a golden retriever had a skinsona”

9: what is one quality they have in common?

they both listen to paramore, mcr, and green day

25: if a stranger saw them together, how would they describe their relationship?

all i can think of is “holy shit is that dan and phil” but i think that’s more based on personality than looks so idk

sunshine boy x “i will cut you”?

[wildwaxshows]

Fr., 26.7.2024, 20:00 Uhr: THE SPITS (US) + THE BRIEFS (US) - Knust, Hamburg

THE SPITS

Everyone’s favorite space-age mutant skate punks. The Spits are already as ingrained in modern punk music as possible, yet still manage to devour the rip-offs and influence the youth of todaywithout even looking like they're trying. The Spits have been setting the bar high, throughout the Midwest, and soon after, the world over. With an ingenious amalgamation of DEVO's early synth work in tandem with the absolute best Thug-Punk grunt the Ramones could ever maliciously muster, The Spits never try to reinvent anything, they just rip it's head off and drive it home time and time again. Possibly one of the only modern bands to have several of their songs being covered by their contemporaries, The Spits have already done so much, but still have so much more to come, as they continue to influence anyone with a penchant for irresistible punk music, played like there's nothing to lose.

THE BRIEFS

Punk rockers don't age, they just get weirder, baby. Twenty years have zipped by, and The Briefs are as frantic, energetic, and snotty as ever. Like a scud missile from outer space, the band's debut album, “Hit After Hit,” set out to destroy the new Millennium's flaccid alt-rock scene—and, in turn—inspired two decades of raucous radioactive fallout. Sewing together a tattered tapestry of 70s-style punk—with a nod toward Dangerhouse Records, DEVO, Thrasher Magazine, and ABBA—these iconic bleach blonde brutes have urged countless kids to grab a junk guitar, a pair of second-hand sunglasses, and a bottle of peroxide. What started with four idiot savants in a downtown Seattle basement has led to a remarkable two-decade career that has spawned some of the catchiest anti-hits this side of Y2K. Any self-respecting rocker will argue: “Hit After Hit,” (2000); “Off the Charts,” (2003); “Sex Objects,” (2004); and “Steal Yer Heart,” (2005); are more than essential punk classics—they're commandments, damn it. Sweat-drenched singles like “Rotten Love,” and “Poor and Weird” may have even aided in reversing punk's once terminal diagnosis. But how have they survived this long, this loud? A dynamic, leave-everything-on-the-stage live show paired with relentless US and European touring has garnered the band a fierce following (although you can't spot Briefs fan based on age, they are indeed known to harbor a certain swagger). 2008-2012 saw a much-needed cat nap for the band, but diehard pals will tell you this was no radio silence. Guitarist Daniel Travanti formed Sharp Objects and co-founded Modern Action Records; guitarist Steve E. Nix and bassist Kicks formed The Cute Lepers; drummer Chris Brief formed Suspect Parts. In the end, it all came back around to the beginning—to The Briefs. (Hayley Crusher Cain)

[newmusickarl]

Top 50 Albums of 2023: #30-21

30. Everything Is Alive by Slowdive

I’ll be the first to admit that despite the heavy praise from the amazing Music Twitter community (I’m not calling it X, sorry Elon), before this year I had never completely bought into the Slowdive hype. Although I enjoy their 2017 self-titled comeback record, I had never taken to the shoegaze legends in the same way that I know a lot of my fellow music fans do. But I’m pleased to say with Everything Is Alive, I’ve been well and truly won over.

Their first album in six years, singles like kisses, skin in the game and the slab spiral into fascinating sonic territory and make you want to stay locked there forever. It was an album that completely blew me away on first listen, offering a completely immersive audio experience. One of those records where you just want to stick your headphones on and get lost in all these interesting textures being strung together.

Outside of the singles, shanty and chained to a cloud deliver mesmerising synths, big walls of guitars and the ghostly vocals of Rachel Goswell and Neil Halstead. Alife (or Alfie as I’ve been frequently calling it!) is another standout, whilst Andalucia Plays is just hauntingly melancholic. So not just one of the year’s best records, but a record that proves why I continue to trust Music Twitter’s recommendations - they never seem to steer me wrong.

Best tracks: alife, kisses, the slab

Listen here

29. This Is Why by Paramore

When immensely popular American rockers Paramore announced Bloc Party were the primary influence for their sixth studio album, This Is Why, my interest was naturally piqued. Where Silent Alarm offered a vital soundtrack for the post-9/11 youth back in the mid-00s, Paramore have now done the same for an apathetic generation of kids dealing with COVID lockdowns and ever-growing social and political divide. And whilst it isn’t quite Silent Alarm, this is unquestionably a brilliant indie rock record.

Firstly, the opening title track remains one of my favourite tracks of the last twelve months. With all the catchy, stuttering chords of prime Foals, along with some ever-impressive vocal acrobatics from enigmatic frontwoman Hayley Williams, the mid-song breakdown that ends with Williams’ cries of “I’m floating like a cannonball” is so gloriously cathartic, you can’t help but get won over. Big Man, Little Dignity is another strong favourite, which sees the trio take shots at powerful men not held to account for their deplorable actions (“smooth operator in a shit-stained suit”). Liar, arguably the album’s most subdued moment, is similarly awe-inspiring too thanks to some twinkly guitars and Williams’ graceful falsetto vocals. 

At a concise 36 minutes there’s not a second spared, as the band channel their message through the sounds from indie rock’s past, breathing fresh new life into the scene and helping it to resonate with a newer, younger mainstream audience. So, if you are sat there wondering why Paramore are one of the biggest rock bands in the world right now – This Is Why.

Best tracks: This Is Why, Liar, Big Man Little Dignity

Listen here

28. Blondshell by Blondshell

An incredible self-titled debut that has lit me up in the last year is this amazing record from LA-based rockstar-in-the-making, Sabrina Teitelbaum – AKA Blondshell. Hugely accomplished for her first outing, it’s a sharp 32-minute listen packed with big choruses and some truly epic guitar work. Here’s what 5-9 editor Andrew Belt had to say in his brilliant review earlier this year which sums it perfectly:

“The nine tracks on her debut album capture uncomplicated rock tracks which could have been recorded live. Uncomplicated does not mean not compelling, however. Fusing influences from the likes of Nirvana, The Cranberries and Anna Burch, Teitelbaum wears her heart on her sleeve as she chronicles a difficult couple of years which spawned Blondshell. The self-titled record bursts to life with ‘Veronica Mars’ – a two-minute, verse/chorus/guitar solo blast with the TV show referred to in the title causing Teitelbaum to reflect on its impact on her when watching at an early age. Singing ‘Logan’s a dick, I’m learning that’s hot’, Teitelbaum laments the mixed messaging the show could provide to young minds, with the rock track melting away at the end via a red-hot unhinged, high-pitched guitar solo. The sound throughout is cohesive with Yves Tumor-producer, Yves Rothman, teasing out something quite impressive from Teitelbaum as Blondshell. Confessional, edgy, compelling, Blondshell is an accomplished offering belying its debut album status.”

Best tracks: Salad, Sepsis, Dangerous

Read Andrew Belt’s full review on 5-9 here

Listen here

27. Dream Big by Soda Blonde

Back in 2021, Irish indie-pop outfit Soda Blonde emerged out of the ashes of the excellent Little Green Cars, with the four remaining members of that band releasing their debut album under the new Soda Blonde guise. That Soda Blonde debut, titled Small Talk, would finish in my Top 30 Albums of 2021 and even receive a nomination for the Irish Choice Prize (the Irish equivalent of the Mercury Prize). Now with this sophomore outing, they have made the Top 30 again.

Full of confidence, Soda Blonde are sounding more assured in their new skin, with Dream Big presenting a stunning collection of songs full of breathtaking musical variety and killer hooks. The opening run of Midnight Show, Bad Machine, Boys and the title track is particularly mesmerising, as the band guide you through glorious arrangements full of strings, rhythmic guitars and clusters of memorable moments. In the back half, My First Name sees frontwoman Faye O’Rourke’s majestic vocals stand out amongst a magnificent collage of strings, bluesy guitars and stomping drums for one of the record’s biggest highlights. 

This is a phenomenal record from start to finish and if you haven’t heard of Soda Blonde before, now is the time to get yourself acquainted.

Best tracks: My First Name, Boys, Going Out

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26. When Will We Land? By Barry Can’t Swim

If you’ve listened to the October episode of the 5-9 Album of the Month podcast, you know this debut from rising electronic superstar Barry Can’t Swim was one of my standout records in what was a month full of incredible new music. Taking elements from all my favourite electronic releases of recent years, Barry crafts a vibrant collage that binds together cohesively for an essential and astonishing listening experience. Describing this album better than I ever could, here is what friend of the blog Kiley Larsen had to say in his review for Check This Out:

“When Will We Land? is everything you want from an electronic album and more. It may pull from all of Barry Can’t Swim’s influences and serve them in eleven distinct ways, but Mannie’s vision is clear and never wanders from the bigger picture. While the record should be taken in as a whole when possible, each song is so distinct and fully executed that each is tailor-made for playlists (or mixtapes, if you’re keeping them alive). ….When Will We Land? finds Barry Can’t Swim doing what he’s done best over the past few years by harnessing the energy of that big night out while colouring it with organic instrumentation and a much-needed reminder of the universality of the human experience. For music writers, the year is full of anticipated albums. Sometimes, they match the internal hype, while often, they fall short. When Will We Land? was unquestionably at the top of my list, defying expectations and more. Barry Can’t Swim proved a true talent with his EPs, but this debut album is a colossal next step. Even if you’re not typically into electronic music, this is still worth diving into, as there are few albums this year that successfully convey a complete vision with what should be universal appeal.”

Best tracks: Sunsleeper, Woman, I Won’t Let You Down

Read Kiley’s full review on Check This Out here

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25. Did You Know That There’s A Tunnel Under Ocean Blvd by Lana Del Rey

A woman who needs no introduction at this point, one of the most hotly anticipated releases of the year was Lana Del Rey’s eighth studio album released back in March – Did you know that there’s a tunnel under Ocean Blvd (which we can all agree is a peak Lana type of album title).

Having delivered her undisputed magnum opus Norman Fucking Rockwell (NFR) back in 2019, Miss Lizzy Grant has not rested on her laurels since, quickly following up with two more albums in 2021 – Chemtrails Over The Country Club and Blue Banisters. Whilst both records had their moments, the former more so, neither quite came close enough to the theatre, majesty and sheer perfection of NFR. However now back with her fourth album in as many years, Lana once again hit some career best highs.

Opener The Grants welcomes the listener with some gorgeous gospel vocal harmonies, before Lana herself takes over with her inimitable vocals, exquisitely sharing memories of her family. The title track is then even better and already one of my favourite Lana tracks, with its stirring strings, anguished vocals and heartbreaking lyrics of self-loathing (“Open me up, tell me you like me, Fuck me to death, love me until I love myself”). As Lana is joined by a choir for the swelling “Don’t Forget Me” refrain in the song’s outro, you’d have to be cold hearted to not be greatly moved.

An album that is definitely in the top half of her discography, and the first half of this record in particular is as good as anything she has ever done. I also admire the work ethic and frequency at which Lana is delivering new music and I’m not going to complain too much about having a mountain of music from her over the last few years. The fact she’s been so productive and still served up some of the very best work of her career, really it can only be admired.

Best tracks: Did You Know That There’s A Tunnel Under Ocean Blvd, A&W, The Grants

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24. Javelin by Sufjan Stevens

Another of the year’s biggest releases came in early October - the tenth studio album from highly acclaimed singer-songwriter, Sufjan Stevens. In the days following its release, Sufjan dedicated Javelin to his “beloved partner and best friend Evans Richardson” who sadly died in April of this year. With that added context, it made an album that already felt emotionally shattering hit that much harder.

From the moment the cymbals crash and the synths reverberate around Sufjan’s cries of “You know I love you” on opener Goodbye Evergreen, you know you are in for something quite special yet also heartbreaking. Over the next run of tracks Sufjan continues to astound with his unceremonious yet majestic songcraft, as the uplifting instrumentation twinkles around Sufjan’s devastating penmanship on tracks like A Running Start, Genuflecting Ghost and Will Anybody Ever Love Me?

However as great as the first half is, it is the back stretch that left my jaw firmly on the floor. My Red Little Fox is a heartfelt, flute-laden hymnal whilst lead single So You Are Tired is a brutally beautiful, piano-led, string-drenched lament. Shit Talk is then without a doubt one of the songs of the year, a near 9-minute masterpiece centred around a strikingly simple assembly of raw acoustic instrumentation, resonant human emotions, gorgeous choral harmonies and refrains of “I will always love you…I don’t wanna fight at all.” Utterly breathtaking in every single way.

Best tracks: Shit Talk, So You Are Tired, Will Anybody Ever Love Me?

Listen here

23. Struggler by Genesis Owusu

When it comes to an album, two things I tend to look for more than any other - an eclectic mix of sounds and a strong thematic concept to hold it all together. Very few artists achieve both elements these days, but when you do find an album like that, it’s like finding the musical equivalent of the holy grail. Enter Struggler from Ghanian-Australian artist Genesis Owusu, which made history back in August by becoming the first album to gain the coveted maximum 15 points on the 5-9 Album of the Month podcast.

Struggler is an album that takes you on a journey, both through the lyrics and sonically too. At the heart of it, you’ve got a narrative arc that tells the story of “The Roach vs The Old Man”, a conflict which acts as a metaphor for humanity vs uncontrollable higher powers, both natural and political. Then musically, this record has a little bit of everything - punk rock, hip-hop, funk, soul, all wonderfully blended together to forge a vibrant mesh of sounds.

In terms of favourite tracks, Leaving The Light and The Roach are both propelled by these great synth lines that bounce off thrashes of guitars. Tied Up is then possibly one of the catchiest songs of the year, a track which sucks you into its groove and refuses to let you leave. Stuck To The Fan closes the record perfectly too, offering a really sombre, bluesy send off.

More carefully curated and refined than his debut outing, Genesis Owusu proved himself to be a very special talent to me in 2023, delivering a record that works as a collective whole but doesn’t stay in a single lane either.

Best tracks: The Roach, Tied Up, Stuck To The Fan

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22. ROACH by Miya Folick

It seems there was something with Roaches in 2023 as we had another incredible album artistically indebted to those pesky insects. This year, American singer-songwriter Miya Folick made the difficult second album look easy with this hugely impressive record, titled ROACH.

Essentially an extension of her previously released 2007 EP, ROACH further builds out the narrative with a deeper dive into her relationship with God, her mother and her own self-esteem. Featuring some of the best songs of her young career, highlights include the hedonistic indie-pop of Bad Thing, brutal break-up anthem Get Out of My House and the tussle with adulthood on the falsetto-kissed 2007.

That said, make sure you stick around for the second half of the album as that’s where Miya Folick’s exceptional songwriting really starts to shine for me. Tetherball is a real stop-you-in-your-tracks moment, with some wonderful ambient electronics backing Folick’s soft vocals to create a gorgeous sound reminiscent of Natasha Khan of Bats For Lashes. These synths then shift into the uplifting pop of So Clear, before Shortstop offers an utterly stunning piano-led finale that you’ll just want to hear again and again.

A fantastic second album that has been on repeat ever since it dropped in the first half of the year.

Best tracks: Tetherball, Shortstop, Get Out Of My House

Listen here

21. PRAYERS & PARANOIA by SIPHO

Just missing out on the Top 20 then, we arrive at an outstanding debut album that I may have missed altogether if it wasn’t for friend of the blog, Andrew Belt. The 5-9 Album of the Month podcast has been my musical highlight of 2023, introducing me to a ton of great new music this year. So I just want to take a moment to give kudos to both Andrew and Kiley for steering me in the right direction over the last 12 months with their fantastic taste in music – cheers lads!

Now Birmingham-based R&B star SIPHO was Andrew’s pick for the podcast back in October and it turned out to be a mightily ambitious first outing that stormed to victory in our most tightly contested Album of the Month battle yet.

With each track anchored by his incredibly powerful vocals, SIPHO remains the star of the show amdist a gorgeous sonic world built on funk, soul, R&B and even a bit of rock on tracks like GLUE. Much like the Genesis record, it is an album that takes an eclectic listening experience and majestically morphs it into a cohesive single piece of work. Listening front-to-back, every song segues seamlessly into the next one, with the track list so intricately stitched together its quite astounding. For SIPHO to craft a record as accomplished as this at the first time of asking is even more remarkable.

The songs have a timelessness quality too, Elevation pulls you in straight away whilst Chemicals boasts spacey synths, bluesy guitars and SIPHO’s incredible falsetto. However it’s all about the final stretch of songs starting with Run For Your Life, which sees just SIPHO and Shae Universe’s voices take centre stage over a minimal piano backing for a track that is just hauntingly beautiful and goosebump-inducing.

An album that I went in to with no real expectations, there was few records that managed to blow me away in 2023 quite like Prayers & Paranoia.

Best tracks: Run For Your Life, Glue, Prayers

Listen here

This weekend, we enter the final Top 20 of the countdown!

[farmlesbians]

i was on a train the other day and there was a group of four slightly drunk rocker-type men in their 30s sitting behind me and blasting paramore and mcr and talking about how great hayley williams is

TASTE

[s4sharkteeth]

the way I can’t think of any dialogue for the hot springs/hike/sauna chapter so here’s some pictures I was gonna use

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[angy-robo-bot]

Has Lychee raided any enemy camps? Also do they know the moon rockers since there from space?

Oh obviously she has!!! Her "mercenary" services were employed by Hayley before Lychee stopped due to not receiving payment. She has also raided some small outposts for weapons and other gear.

[laresearchette]

Sunday, November 19, 2023 Canadian TV Listings (Times Eastern)

WHERE CAN I FIND THOSE PREMIERES?: HOLIDAY HOTLINE (W Network) 8:00pm THE ELF ON THE SHELF: SWEET SHOWDOWN (Food Network Canada) 8:00pm HOMESTEAD RESCUE (Discovery Channel Canada) 8:00pm

WHAT IS NOT PREMIERING IN CANADA TONIGHT?: A PARIS CHRISTMAS WALTZ (Premiering on November 24 on CTV Life at 8:00pm) COUNTRY HEARTS CHRISTMAS (Premiering on November 25 on Super Channel Heart & Home at 8:00pm) ICE AGE AMERICA (TBD - Science) INCREDIBLE ANIMAL JOURNEYS (TBD - Disney + Star) PLANES, TRAINS AND CHRISTMAS TREES (TBD - Lifetime Canada)

NHL HOCKEY (SNOntario) 8:00am: Leafs vs. Wild (SN) 6:00pm: Knights vs. Penguins (TSN2) 7:00pm: Canucks vs. Habs (SN360) 8:00pm: Blues vs. Ducks

NFL FOOTBALL (TSN4) 9:30am: Colts vs. Patriots (TSN2/TSN3/TSN4) 1:00pm: Cowboys vs. Panthers (TSN2/TSN3/TSN4) 4:00pm: Buccaneers vs. 49ers (TSN2/TSN3/TSN4) 8:20pm: Vikings vs. Broncos

CFL GREY CUP (TSN/TSN3/TSN5) 1:00pm: Pre-Game (TSN/TSN3/TSN4/TSN5) 6:30pm: Blue Bombers vs. Alouettes (TSN/TSN3/TSN4/TSN5) 10:00pm: Post Game

NBA BASKETBALL (SN Now) 3:00pm: 76ers vs. Nets (TSN4) 4:00pm: Pistons vs. Raptors (AND I’LL BE THERE!) (SN1) 6:00pm: Nuggets vs. Cavaliers (TSN5) 8:00pm: Thunder vs. Suns (SN1) 9:30pm: Rockers vs. Lakers

HEARTLAND (CBC) 7:00pm: Amy helps a vaulting team ahead of a big competition; Caleb struggles with a tough decision about Carson; Logan realizes where his future lies; Lou and Jessica face a stressful gallery opening….WITH A FANCY ARTY HORSIE!

THE GREAT CANADIAN BAKING SHOW (CBC) 8:00pm (SEASON FINALE): Three baker finalists step into the tent to determine who will win "The Great Canadian Baking Show."

SKYMED (CBC) 9:00pm: As the SkyMed team members face an inquiry into a patient fatality, Hayley struggles to piece together blurry memories of what caused her relapse - and whether she caused the fatality.

JULIA (Crave) 9:00pm (SEASON PREMIERE): Julia butts heads with Simca while working on volume two of their cookbook; Alice faces pressure.

THE CURSE OF OAK ISLAND (History Canada) 10:00pm: The team continues to chase a tunnel that may run directly below the Garden Shaft and into the Baby Blob, where tests revealed high traces of silver and gold; artifacts discovered on Lot 5 suggest a strong connection to privateer Sir William Phipps.

ICE ROAD RESCUE (Nat Geo Canada) 9:00pm/10:00pm (SEASON PREMIERE): Thord and Bjoern take on a marathon, 16-hour rescue, to stop an unstable truck falling off a steep gradient with a large lake below; it involves the men putting themselves in danger. In Episode Two, in the south of Norway, Thord, Bjoern and their army of men are forced to go out into one of the country's worst storms in ten years; they need to rescue a truck loaded with steel girders.

[paulisded]

The Ledge #593: New Releases (Pt. 2)

The second part of this month's new release series is admittedly dominated by cover tunes. Great bands such as Superchunk, The Feelies, Cruzados, The Routes, Hayley and the Crushers and the Rick White Archive are featured remaking classics by The Cure, The Minutemen, Buzzcocks, and others. 

But the main focus of the covers blasted on tonight's show is the brand new tribute album to, of course, The Replacements. Let the Bad Times Roll, and it's definitely worth they hype. "December 2022 I was drinking at the Fishtown Tavern and 'Can't Hardly Wait ' came on the jukebox, and at that moment I knew this tribute to the Mats needed to happen," Arik Victor from Creep Records says in a press release. "The next day, we invited all the bands we love."

Of course, tonight's show is more than cover tunes. We have the return of The Alarm, the second 2023 album by bar italia, and wonderful material from the Netherlends, Australia, Italy, and other countries around the world.

As for this week's edition of "52 Weeks of Teenage Kicks", I admittedly discovered a real treat on YouTube. Baby Shakes have routinely performed the tune as an encore, and this live version I discovered a few days ago even includes Billy Doherty and Damian O'Neill from The Undertones! Like I do every week, however, I must again plead with y'all for more versions of "Teenage Kicks". If you are a musician, or have any contact with artists that could record their own take on the classic, please contact me!

CLICK HERE TO DOWNLOAD THE SHOW!

1. Baby Shakes (ft. Billy Doherty & Damian O'Neill) - Teenage Kicks

2. The Alarm - The Last Words of Johnny Rotten

3. bar italia - my little tony

4. Canyons And Locusts - Buck Dharma's Eyes

5. Erik Nervous - Drop Dead

6. Mikey Erg - Wake Up 

7. Tired Radio - Bastards Of Young 

8. Her Heads On Fire - Alex Chilton

9. Neckscars - Unsatisfied

10. The Exbats - Himbo

11. The Exbats - Food Fight

12. Nobro - Set That Pussy Free

13. Nobro - Delete Delete Delete

14. Superchunk - In Between Days

15. Superchunk - Political Song for Michael Jackson to Sing

16. Rick White Archive - DON'T WANT TO KNOW IF YOU ARE LONELY

17. Rick White Archive - I WANT YOU BACK

18. The Feelies - What Goes On

19. The Feelies - I'm Waiting For The Man

20. Cruzados - Have Love, Will Travel (Live)

21. The Routes - Oh Shit!

22. Hayley and The Crushers - Lust For Life

23. Lisa Beat And The Liars - Sheena Is a Beat Rocker

24. Smooch - Glitter Thugs

25. The Gee Strings - Rock n Rolls

26. Citric Dummies - I'm Gonna Punch Larry Bird

27. Teenage Bottlerocket - It Wasn't Enough

28. The Heck - Detention

29. Stepmother - Fade Away

30. The Uppers - Madam Please

31. The Color Fred - The Ledge 

32. Celebration Summer - Left Of The Dial 

33. Goddamnit - Cant Hardly Wait 

34. Suzi Trash - What Makes the Wind Blow?

35. Timeshares - Treatment Bound 

[15ktherapy]

one of top places I’ve ever been was at that paramore concert btw like I just got everyone around me it was awesome I love you queer teens I love you older committed rocker women I love you punky young adult men I love all of you. we are all here under our shared love for Hayley Williams and her music isn’t that just so beautiful ?

[eitmonline]

EITM Playlist 8/28/23

Marvin Gaye - Let's Get It On | 6:08

BLACKPINK - THE GIRLS | 6:24

Zach Bryan, Lumineers - Spotless | 6:29

BOYS LIKE GIRLS - CRY | 7:06

Marvin Gaye - Come Get To This | 7:37

Foo Fighters - Hearing Voices | 7:52

Foo Fighters - Beyond Me | 7:57

Joe P - Don't Wanna Love U | 8:39

Gregory Alan Isakov - Watchman | 9:08

Clarence Carter - Strokin’ | 9:30

Marvin Gaye - Distant Lover | 9:40

Whitesnake - Here I Go Again | 9:56

Fall Out Boy - So Much (For) Stardust | 10:02

LYELL - Just My Type | 10:33

Ballas Hough Band - Do It For You | 10:58

Greta Van Fleet - Fate Of The Faithful | 11:13

[xxgotthedevilinsidexx-archived]

When Eric retired for the night Hayley set forth to get everything she needed for Hope's room along with Hope herself. Admittedly, it didn't take her half as long as she thought it might. All night she cleaned up the room, fighting back and forth with Eric's crew. Thankfully he was a sound sleeper and the extremely loud noises they made only kept Hope awake for a good part of the night. With some luck on her side, she managed to keep Hope awake most of the day ─ this was so that tonight she could sleep soundly in her new home and bed.

Hayley on the other hand didn't sleep at all. She was slightly tired but nothing she couldn't handle. Being on the run for so long taught her how to go days at a time without sleep. It was still difficult to believe that all of this was happening. It felt strange and foreign to her just saying the word 'home' out loud. But thanks to Eric that's exactly what this was for all three of them. She was home, and it was beautiful. All the pain and worry of the past months melted away as she watched her daughter sleep peacefully. The future felt brighter than ever before. Her head turned slightly when she heard the sound of distant footsteps. A smile broke her lips when her eyes fell upon the clock and noticed the time. She was comfortable in the old rocker as she watched Hope sleep soundlessly. The warmth of the room and the peace of the moment was something she had been longing for.

Hayley followed suit, entering the kitchen with a sly smile. Hayley grabbed one of the bottles and held it up, catching the light of the moon reflecting off the glass. " I must say your cleaning crew was quite a handful. " She remarked before taking a drink from the bottle. Drinking blood from a bottle wasn't something she was used to. It just didn't deliver the same kick as actual blood from the tap. A taste she was definitely going to have to get accustomed to. " I take it you slept well with no interruptions? It certainly looks like it. " She replied with a smirk, taking another swig from the bottle.

An incoming text message from Pam. ++ ERIC TELL ME YOU DIDN'T MOVE THAT DOG AND HER PUP IN WITH YOU???? ++

After the vandalism was officially concluded…several hours later, Eric had gone to his coffin and slept died like a supernatural baby. When the next night came around, he burst forth and found that the house had not only been deep cleaned (it would need it after the previous night’s escapades) and renovated by his crew, but it was filled with…baby things. That, and everything was reorganized! Where was his blood?! It seemed he was going to regret this arrangement already till he found his Tru Blood tucked away in a drawer he never knew existed in the fridge. Strange how that happens once a woman gets involved in one's life...

Popping two bottles in the microwave, he did a sweep of the house, the silence both welcoming and suspicious. Weren’t children supposed to be obnoxiously loud? It didn’t occur to him that by the time he was awake, it was the baby’s bedtime. Maybe this would be bearable after all! 

Silent as the grave, Eric loomed in the doorway of Hope’s new room, finding Hayley in a rocking chair that looked as old as him. That wouldn’t do. His presence was only announced by the distant ding of the microwave, but he had enough sense that saying anything and waking the tiny…not-really-human-infant was a bad idea. Instead, he locked eyes with the Hybrid and made a drinking gesture look somehow erotic as he inclined his head in the direction of the kitchen. Disappearing from his perch, he went to await Hayley there with both bottles out on the island.

[asshole-rebel-psycho]

Unpopular Opinion but...

There aren't that many female musicians or girls in bands because no girl has ever thought...hmm maybe if I pick up a guitar and make crappy music on my laptop some guy will wana eat my p***y.

Women are never that lonely. They can be but not like men. A woman's problem is that she's never alone. Not enough to do isolated work. I should know, I'm a woman who comes from a family of all women.

Women don't have that deep. Isolated, sexual frustration mixed with angst, rejection and testosterone that young guys have.

They don't have to do something to make men attracted to them. They just have to open their dms and they can get a fee meal every day of the week. Guys can't.

Talent and artistry comes from isolation, struggle and action!!

Lots of women have no follow thru with playing an instrument. I should know I've tried to play music with other girls many times.

Ladies, if we want to hang with the guys we got to put in work like the guys. Stop worrying about what Brad is doing, stop only doing hobbies because of Brad...and most of all stop blaming your lack of success on men!

It's not men gatekeeping you honey...it's YOU gatekeeping YOU.

I'm disappointed with the lack of female contribution in Rock. My generation just has Hayley ( who is amazing) Williams, a straight girl. You would think that lesbians have the angst for it but no...at least Nancy Wilson, Amy Ray and Patti Smith did some stuff..but nobody really knows who they are.

Let's start kicking ass ladies. Let's rise against our female privileges and become lonely, cave dwelling, hobbit virgins so we can be as good as men at guitar!

[worldmeetssabrina]