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#I also want to try more lineless art
rebrandedbard · 9 months
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A bit of art to close out the year, inspired by this costume from MacBeth (1985). It was fun drawing it bit for bit, but I wanted to modify it a bit for more contrast. First draft under the cut for those curious.
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crescentfool · 10 months
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orpheus and thanatos 💚
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xx-just-a-demon-xx · 8 months
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in celebration of Jim Carrey being confirmed for the third sonic movie i thought id post these robotniks i did not too long ago
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didderd · 4 months
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Hello, hi, would Marsh like a flower? I like giving them out. *Holding a flower to show*
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Marsh: Uh... t-thanks..
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shokupanko · 7 months
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It’s not Monday but it’s certainly Mayu Monday for me! This is my only artwork for March so I’ll see you all again in April or soon after! (⌒▽⌒ゞ
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Pantyhose: I actually went back then forth trying to decide between bare legs and pantyhose but I ultimately decided pantyhose was the way to go. The pantyhose are meant to match the corset except no leather and comfort of course. It has lace details and a leather belt on her left leg. The lace stops around her ankles.
Hair: to stay within steampunk territory, I decided to make her hair fluffy, swirly, and lots of curl heart shapes. I don’t like to use one range of colors so I made the choice to go with my heart and make it extra colorful! (Although Mayu’s hair always proves to be a challenge (∩︵∩)
Makeup: I tried to make her extra girly- sorta 40s makeup vibe. So red lipstick and pink blush. I also tried to make her details more rounded to give a softer appearance :D
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Shoes: it was my try of Mary Jane’s inspired shoes so please remember they are NOT accurate. She has small legs warmers over the shoes and tied off with pink bows, a short heel, and golden beads to go around the rim.
Gloves: blacks gloves with the tips of her thumb, middle, and ring fingers revealed, and well as leather and golden beads to go around and lace at the bottoms.
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Dress: sheesh I’ll try to explain as well and possible… the dress comes with a color, ruffles, folds, and lots of lace for the underskirt. She has two belts below the sleeves to emphasize the ruffles. The dress also comes with a front tying corset that I took extra care to seem functional. The corset comes with lace, leather, and POCKETS! Because every girly in a dress needs pockets (she was originally gonna have a gun in her beta design shhh). The pockets are attached to the leather part of the corset in the back, and is also joined with golden beads? Buttons? Idk those things. She also has three rows of the golden beads on her skirt!
Hat: Her top hat is decorated in clocks, chains, and gears for a some steampunk effect, as well as a pink bow and pink bunny ears. Around the hat is black lace and under the hat is pink lace for some pop!
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which-qsmp-egg-would · 5 months
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Reptiles have the right idea, the sun feels so nice
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ssruis · 3 months
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Me actually finishing this would be so funny. Do we think it will happen before pandemonium (no)
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moonviewer · 1 year
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drew a princess for no reason 
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skenpiel · 2 years
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O BTW b4 i go to bed. heres some silly stupid doodles of my redesigned trollsona since im rereading hs now anyway ^__^
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duskerot · 1 year
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maybe i will stop lining my art . maybe i will just color under my sketches after cleaning them up alittle
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kozachenko · 1 month
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[Click for better quality]
Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!
Artist's Notes;
So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.
After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.
If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.
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Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.
BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)
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inkyrainstorms · 2 months
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Hades and Apollo's Fieldtrip to Superhell!!
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Based on one of the best fics I've read! Seriously it's so good, the Hades-Apollo bonding took me out and nearly brought me to tears on way too many occasions, 100/10 I didn't know I could be rendered incoherent with emotion when two deities touched each other's shoulders and tolerate each others existence, but here we are.
They're the Uncle-Nephew duo ever <33
Also! I decided to try out a new lineless art style, and I really like how they came out, so I might do some more in the future :D
Eclipse by TsarinaTorment
@tsarisfanfiction I hope you don't mind getting pinged, but I’m not verified on Discord and wanted to show you the art I made for your epic fic :D
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inkblottzz · 15 days
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Not a traditional request, but I'm curious to see how your art is formed and what your process is. It's so cool that your art is similar to comyet's!! I always wondered what other people in their newer artstyle would look like but they only ever drew Ink. I guess now I have a chance :D
Drink water and i hope you have a good day!!!
this is a really interesting request!! thank you for asking, actually! i like questions like these :-D
i'll start by explaining my personal art process—how i, 12-year-old me started out, and then explain how i got where i am with my art today! buckle up, because this will probably be a lengthy post :-)
The Progression of my Art
my first ever art posted online was at the beginning of 2020, when quarantine first hit. i had always had a knack for art; doodling in class, making OCs, etcetc. however, when i heard about undertale through a friend, that's when i really started to take things serious.
i did all the things kids do when they first find out about undertale—i watched countless comic dubs, animation memes, looked up fanart, etc. i first started my real art journey when i began making fanart for undertale and the AUs. this is why undertale is so special to me, and why i have loved it for so long! it has fueled my creativity for almost five years now.
this is the first fanart i ever had done. i posted it on amino sometime in may.
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i was SO so proud of this piece. i showed it to my friends & family, and then decided to show people online! this was my first big milestone as an artist.
as time went on, i improved more and more, creating countless UT AU artworks in my spare time. and it was all because of the people who were kind and supportive of my art! the UTAU amino will always hold a special place in my heart, because of the positive experience i had. the positive feedback i got is what drove me to really want to start improving my skills and become a better artist like the ones i looked up to 💛 this is why it's so important to be kind to beginners. even if their art isn't the best at first, you bet your asses it'll be in the next few years!!
SO! i drew and improved, really just trying to find my own style that i liked. i had always loved ink sans, and that prompted me to look into his creator's artwork around late 2022-early 2023. i followed her instagram, and at first, just admired her work from afar.
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then, i tried out replicating her style! this is the first piece i ever drew inspired by mye! i made this last fall, in 2023.
after that, i tried to find my own style some more, leaving the lineless style behind. but, in may of this year—2024—myebi decided to hold a DTIYs, and that's when i decided to replicate her style!
i know, i know, kinda defeats the whole "draw this in your own style" thing... but i had been wanting to try and replicate their style for quite some time, and i saw this as a perfect opportunity to try it out!
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this is myebi's OC, aheran, that i drew for the contest !! it isn't exactly like her style, obviously, since i didn't want it to be too similar and weird mye out. however, i did replicate the lineless style, the grain textures, and the shading style as best i could. i also played around with shape language.
this piece was SO fun to do, and i did end up earning an honorable mention!
this was also my first post on instagram. after this, i started to draw all my art in a style inspired off mye's!
How do I draw in Comyet/Myebi's style?
here is where i'll be answering your question: what does my process look like when I'm replicating myebi's style?
i'll try my best to break it down into seperate steps that i usually take!
1. References!
References, references, references! References are the most important thing you need when trying to replicate something specific. I am currently at a point in my style where I do not usually need references, but you bet I used them big time when I first began to replicate mye's style!
Personally, I believe her instagram (@mye_bi) is the best place to get recent refs of her style! It's the social they post most often on. For Undertale specific references, I gathered them from her Tumblr (@/comyet) because her insta doesn't have Undertale related art. You may have to scroll a bit, but you'll find it on her blog!
I also have some niche references from other online sources, but I had to dig quite a bit for them. You don't need to be that thorough lmao
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all art by myebi/comyet!
2. Sketching
After I gather references, I start with a sketch! Really, it's just taking a bunch of references and finding things you like/need to replicate in your piece. If there isn't a reference for something you are trying to draw, then the best you can do is guess! I have to make guesses on how Myebi would draw something all the time, because I draw a wide range of different characters. It's all about experimenting and doing your best!
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sketch by me, ink reference by @/comyet, error reference by @/loverofpiggies
3. Coloring over the sketch
After I finish the sketch, I go straight over it with all my base colors! I typically do everything on seperate layers, which procreate... hates. I use a lot of layers.
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And, to finish off, I really just add details! Lines, textures, shading, etc. I can't quite explain how I do it—I just go off Myebi's style!
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Finding the right brushes
I have spent a long time trying to find brushes that best replicate Myebi's style, and the one I linked below is the best I've been able to find! It's the pack I use right now.
I use Weak Pencil 3 for any lineart I do, I use Fine Pencil 2 for color blocking, and Weak Pencil 4 for the grainy textures/shading :-)
The pack does cost a bit of money, but unfortunately, I haven't been able to find a free brush pack that gets the job done quite the same!
and that's all there is to it! i hope this answers your question and gives you some insight on how i make my art :-D
DISCLAIMER: i am not attempting to be a "myebi 2.0" or anything like that. i simply really enjoy how their style looks, and i enjoy drawing in a similar style! i mean absolutely NO ill intent towards mye—she is my biggest inspiration, and i will always have the most amount of respect and admiration for them and her work. 💛
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crystalreydraws · 4 months
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Hello hi I just found out you're the artist of my favorite pic of Jamil from all time 🥹 I absolutely LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVEEEEEEEEEEEEE SO MUUUUCH his bday art from 2020!! It's my favorite one from every art and he looks so pretty and hot and cool and like he's in a music clip and about to drop a fire verse!! I LOVE your painting style so much, as a baby artist, would you one day show us how you color? I'm sure you put so much blood, sweat and tears into your hard work and it would great to get a little bit of that wisdom. Please keep drawing, keep doing what you love because it makes the world a better place to live!
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Sketched my sleepy and tired oc to do a very quick demonstration but it covers how I color when i render things:
Start with rough greyscale first, it's a good start to roughly decide light direction and value of your overall work. Especially if you have no idea on your shading.
Next, apply base color to greyscale. I'll use gradient map if I want to keep the details of my greyscale. But if not, I'll just start with a flat base color, and try whatever I can to apply color.
Rendering phase. Add layers and just paint on top to refine it. Merge all layers if it's too messy. Then add layers again. My rendering really depends on how much time taken because it's just a loop of paint over and refining. Thats why i do more simple fanart cuz I sometimes get bored of rendering Also at this stage when doing lineless style, I merge lineart with layers and cover up the lines.
Final touch. Merge all layers and use [filter gallery > paint daubs (brush size 1, sharpness 2)]. It will sharpen your work and look detailed. Or add some very fine noise texture, it will look detailed too.
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Another very rough demonstration on how i apply color mood. This will be after step 2. And same will be more refining and even paint over to ensure the colors look ok.
Other tips:
Add warm and cool colors especially on skin.
Use pinterest. Always find more than one reference for a subject if you want to draw better than yesterday. Pure ref is a nice tool to gather reference on your pc. When i draw a single hand I had a lot of ref. (pose, color temperature, lighting, photos, artwork, all diff ref)
Color theory is so important I still struggle a lot. I highly recommend beginners start from practicing Marco Bucci's ball practice. After that slowly change to adding character into movie scene and photographs, the purpose is to adapt different color moods and learn the lighting from the image. Learn more from famous movie and cinematic. They did their best to nail the colors.
Anyway,
this is a long answer about how I color. My previous job influenced me so much on coloring so there's a lot of thinking and struggle on my colors.
So, I suggest you be more experimental and try new ways, at the end what remains is what fits you.
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lavenderarts · 2 months
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Revamp: Monthly Subs and Reward Art!
Hi everyone! After a long hiatus on this due to inconsistent health, I'm back and feeling better than ever, and I'd like to re-institute my monthly subscription service for art rewards. These will be active on my Ko-fi starting on August 1st! Read on to hear about the changes from my old system and details of what you'll get for subscribing, but if you don't care about any of that and just want to see the rewards page, here it is:
Please share this and consider tossing a couple bucks a month my way to help me support myself and my dog! Details below the cut!
So last time I was offering art rewards, it gradually became unsustainable for a number of reasons, chief among them the fact that I was basically offering severely discounted full commissions of all styles, and it was exhausting to fulfill in addition to regular commission work. I just couldn't keep up and got overwhelmed. So to help prevent that this time around, here are the changes I'm implementing:
I'll have a single reward type: single character busts! These are easy to crank out in an hour or less, so I can keep up with demand better. I'll reserve the right to decide between lined/lineless flats and papercrafts as I see fit to keep them interesting and fun for me, but if it's your birthday month or your yearly sub anniversary, you can choose the style and get a little something extra! For examples of what a bust looks like, please check out my recent ArtFight submissions :)
I'm going to do my level best to institute a hard 3-week turnaround rate for all regular commissions, and save the final week of each month for giving these rewards full priority along with onboarding new batches of clients for the following month's commissions.
I'm moving my subscription service over to Ko-fi, where anyone can give between $2-9 a month as a very generous tip and get access to my Discord server, or give $10+ for monthly bust rewards, early access to adoptables, and more! You can choose to give more than $10, but no other rewards exist for higher tier subs, it's up to whatever you feel is appropriate! Ko-fi has both Stripe and PayPal integration, which should be easier on the subscriber end, and it allows me to use PostyBirb to post across multiple sites at once, which makes it much easier to post early-access WIPs and finished work than it was on my old subscription service. It also automatically handles Discord onboarding and role assignment, yay!
I'm on the hunt for a simple Discord bot that can post a single repeating message on the first of every month with a link to a Google form for everyone to submit their requests, so that I don't have to ask for them manually. (If anyone knows of such a bot or is capable of making one, please get in touch!)
Previously I offered a whole suite of other rewards in addition to the monthly art -- things like subscriber-only request streams, early claims on adoptables, and even physical merch, which were not sustainable for me. Going forward, early adoptable claims for a discount will still be available as a reward, and I may occasionally do request streams, but on a less formally-scheduled basis and only as I have the free time to do so. I am not able to offer physical prints/stickers at this time; I might revisit the option in the future, but I need to know more before I try it again! I'll also be continuing to offer a subscriber discount on all commissions that will stack with other sales and discounts, along with the ability to skip the waitlist and jump directly into the work queue.
So to recap, if you subscribe to me, here's everything you get:
For $2-$9 USD: Discord server access with a special role, and my thanks for your generous support!
For $10+ USD: Discord server access with a special role, 24 hour early adoptable access with the ability to claim for a discounted price, a bust of a single character each month, first looks at finished artwork and WIPs/timelapses, commission discounts, and potentially more down the line.
My Discord is open to anyone, and all members can freely chat, post art, attend/host art streams, and answer polls regarding prompts for adoptable designs and more. You just get some nice bonuses for subscribing! While these subscription tiers are available, one-time tips and donations of any amount are still an option for commission clients or anyone else who just wants to show some love.
I hope this all makes sense and sounds enticing; I really love seeing people's OCs and getting to bring them to life and put my own little touch on them, and I'm very excited to start giving something back to all of you out there whose support means so very much to me, and without whom I could never do what I do. Thank you so much for checking out the Ko-fi! As a reminder, reward eligibility begins on August 1st! The tiers are active on Ko-fi now, but if you subscribe before August you won't be rewarded for the month of July, so keep that in mind.
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thefaiao · 5 days
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seeing your clowns made me go feral since my fixation is cringe and clown flavored
Who let you cook like that who let you cook AUTHHFFH UR ART IS SO COOL IM BEING DRAGGED AWAY
You’re hatching is so fucking inspiring since it’s soMETHING I try to do in my own work I LOVE UR ART
would it be fine to ask what brushes you use? I love ur values also, you’re so so good at shapes and form WAAAA I LOVE UR STUFF. I did dig up an old ask you made iirc, but I’m not sure if it’s changed
Hey! Thank you very much. I'll go through the brushes I use for each program: Drawpile
From what I understand most of these are MyPaint brushes... but I only know them as drawpile brushes because that's what I use. Main ones I've used lately is Irregular Ink and a default brush for coloring
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I don't really change the size of irregular ink much and the pressure doesn't matter that much. It has high stabilization which I haven't changed, but I'm sure you could get away with lowering it. For the other brush I'm pretty sure it's a default one that I slightly tweaked (drawpile is a bit bad about communicating what brush exactly you are using to you.) I quite like it because it feels like playing with clay, makes it easy to map out the volume. I use it for those lineless pieces I do from time to time too. I change its size a lot while drawing. I've also used these two, one of the pencil brushes and a second one I stole from Jokioro that I have no idea what is called
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I used the first one for the D'arce I did a while ago and the recent VTMB piece. It's great at emulating sketchy graphite pencils, I like layering it to do multi-colored hatching rendering. The second one I don't know how to use super well yet but it's probably my fourth most used as of late. It works very weirdly so if you wanna figure out how to make it work I recommend looking at how Jokioro draws. Clip Studio I bounce around a lot with all the brushes, but I use a loooot of stuff from the Frenden pack. Mainly Meeko Leako for lining and even coloring, it has a great texture to it, very fun
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This has been my most used brush for years. It's great for super straight lines and produces a great difference in value between quick lines and thick lines. I haven't used it as much since I picked up drawpile more recently, but it's amazing! Other than that I use the default G-pen when I just want simple lines without much texture
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It's a bit ugly at a glance but I think if you lock in it's great for super clean lines, just trying to get the point across without much noise. I also like coloring with it at times, when I'm going lineless. SAI Binary pen. Use the binary pen. It's the best brush ever made
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It just feels super right to draw with it, it's so simple but it makes your lines look super slick, and it's just a binary pen. I guess they just got the behavior down perfect for it. But yeah, love this brush. IRL I've always used these archival ink pens in different sizes for basically everything I've done traditionally, and of course just a simple number 2 pencil for sketching and such. I've used a bit of charcoal recently, and been wanting to deep into darker pencils for detail, but this is still the default. I also will probably try out dip pens sometime
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That's all I can think of immediately, but I always like to mess around to try and find another great brush, and you should do the same even if you end up using these a lot.
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