#I am always concerned

[godbirdart]

i've been so used to the online space where if you like a series or fictional character that someone else hates they will openly berate you and cut you out of their life and tell you to Go Die so when i got into a thing that a friend really didn't like and their only reaction was "i do not like it" and left it at that with no over the top reaction or lecture on Why The Thing They Don't Like Is Bad, honestly i felt like i met god

[magicicephoenix]

Happy Bendyversary!! He’s now 7 years old! :O

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[emmaswanned]

"wake, or scratch, or whoever that was, said the story could be used to attack us. we all need to question what's real. with that said, how do we know the story isn't giving you false hope?"

[queenoftheimps]

Why I Think The Season 2 Finale Is Gonna Be Even Rougher Than We Anticipate

Something I am increasingly worried about as we approach the Interview with the Vampire season finale:

What if Louis knows that he doesn't know everything? What if that's what he prefers?

Most of the audience suspects Armand was involved in the trial. Daniel definitely does. There's clues already there that this is the case. I've seen chatter online about how next week will, presumably, be when Louis realizes the truth and splits with Armand.

...however. When Louis confronts Armand about his memories of 1973, Armand tells him Louis asked him to erase them. Louis initially pushes back, but seems to accept this.

Except: why would you ever accept that as an explanation -- unless you knew that it's something you would do? Or possibly even something you'd done already?

Armand, as suspicious as he is, has been laying some groundwork that Louis is deliberately taking part in altering his own memories: "The pages we tore out of Claudia's diaries -- we did most of those together!" Which Louis seems to confirm is true.

I think part of the issue is that Louis' evasiveness is being attributed to a desire to protect Armand & continue seeing him as the love of his life. And it may be true to some extent. But also -- I think it's at least partly to protect Louis from the weight of his own guilt over Claudia's death.

Because if Armand is guilty -- if he has been plainly, obviously guilty for decades, if Daniel can catch it from third-hand evidence 70 years later -- and it happened because he wanted to have Louis to himself, how do you even process that? How do you handle knowing that Claudia died a horrific death because of a romance she herself called you out on? After she told you that this man threatened her and you denied it?

Hell, how do you process it when she's condemned by testimony from someone you failed to kill? When Louis tries to convince Daniel that he really did intent to kill Lestat, that Claudia was the one who couldn't burn him, is it because he can't handle feeling responsible for Lestat being alive to testify against her?

Truthfully, I wouldn't really blame Louis for not being able to handle that level of guilt, and we know he winds up spending several years draining drug addicts as a coping method before ultimately attempting suicide. Being able to forget all of it, and forget that you'd forgotten them, would be appealing. (And I think it's noteworthy that Louis only seems to be willing to question Armand about his memories of 1973, which occurred well after Claudia died.)

That said: I have concerns about what this is going to mean for present-day Dubai.

Daniel clearly can tell something is up and is gunning to dig in. But Louis keeps shutting him down hard. ("Armand sold you out-..." "I'm talking now.")

We also have seen what happens when Daniel digs into something that Louis really doesn't want to talk about. When he asks for Claudia's missing pages, Louis deliberately seems to trigger his Parkinson's. When Daniel makes comments about Lestat's letter, Louis starts digging into Daniel's memories of Alice (which also seems to worsen Daniel's tremors, though that may not be deliberate).

So what happens if he starts pushing in on something that Louis has gone to great, deliberate lengths to forget about? Something that ties into the worst event of Louis' life, something he still feels tremendous guilt over?

Raglan James' line about "You fear Armand. You should fear the other one" feels like a shoe that hasn't been dropped yet. I've been pretty steadily predicting that Daniel is going to have some sort of massive medical issue in the penthouse, but I'm slowly wondering if Louis may be what triggers it (possibly by accident). Hell, I even kind of wonder if Armand suspects something like this could happen, which is part of why he's been so adamant about always being nearby, cosplaying as Rashid so he can run in whenever Louis gets upset.

I don't know, I would love for the finale to be as easy and simple as "Daniel helps Louis see that Armand is guilty, Louis dumps Armand". But this show has never been about easy, simple situations so I suspect we're in for a rough time.

[tj-crochets]

I had exactly enough purple scraps left from the starry purple quilt to make a baby quilt! Well, the quilt top isn't exactly done yet, but pretty close, just one more round of ironing and sewing left

[possessable]

Oops Symbiote Edith

???????

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[thedeadthree]

THE SUN ON YOUR FACE ON YOUR SHOULDERS ITS GOLDEN MOUTH WHISPERING (SO IT SEEMS) YOU! YOU! YOU! — 𝐂𝐘𝐓𝐇𝐈𝐀 𝐕𝐀𝐒𝐒𝐄𝐑𝐌𝐈𝐋𝐋𝐄𝐑. 𝑡ℎ𝑒 𝑤𝑖𝑡𝑐ℎ𝑒𝑟. (x)

𝐓𝐀𝐆𝐋𝐈𝐒𝐓 (ask to be added or removed or interact 𝐡𝐞𝐫𝐞!): @griffin-wood, @queennymeria, @nightbloodbix, @anoras, @leviiackrman, @aezyrraeshh, @marivenah, @risingsh0t, @avallachs, @full---ofstarlight, @unholymilf, @statichvm, @socially-awkward-skeleton, @alltoowelltv, @lavampira, @adelaidedrubman, @grapecaseschoices, @shellibisshe, @carlosoliveiraa, @carrionsflower, @cloudofbutterflies92, @kyber-infinitygems, @pinkfey, @celticwoman, @florbelles, @shadowglens, @yharnams

[smoosnoom]

the inherent boyfriendism of mike wheeler

[teabiscs]

Mayblade 2024: Day 20 - Horizon

Some fun lighting and a bitbeast.

[lucid-daydreaming-art]

this is like the third time ive had to post something like this but you guys need to stop treating unodum like a celebrity or fangirl over him or act like its some sort of gift to be talked to by him or especially treat his friends weirdly because they talk to him regularly. ive gotten word that his friends are being treated as special just because they have connections to him and being asked to like say stuff to him or whatever??? which is legitimately very very gross behavior. cause its not only really uncomfortable for uno but it gets very awkward and uncomfortable for me and his friends. im aware my popularity in the regretevator fandom is largely because im associated with him and in all honesty from the START that concept has made me pretty upset. neither me nor his other friends want to be seen as special just because we’re close to him. its part of why i didnt make much outside of the blog AND why i just abandoned the blog and the fandom altogether. i think a lot of you guys are a younger audience and are still learning internet etiquette and social boundaries, but this needs to be a lesson in how NOT to treat others on the internet, especially content creators. this isnt to say dont attempt to build friendships with people you think are cool and feel like you have things in common with, but you cant go into that with the mindset of “i worship you notice me.” you need to understand that no matter how popular your favorite creator is, theyre literally just a person. thats it. just a person. not a god, not a character, just a person. im really fed up

[idyllic-affections]

good morning. neuvillette with a dragon!child!reader who, once everything blows over in fontaine, goes to find furina and gives her the biggest hug. they've known her for a very long time. and many times, perhaps she almost, almost cracked to them... but her resolve stood strong every time, and she would backtrack with a laugh and some dramatic flair.

while they can't understand how badly she must have suffered, because they aren't human and their mind is not so fragile, they can at least imagine it. and they can't help but think that maybe she doesn't want to be alone right now; she's been alone for five hundred years. if she wants to be left alone... that's fine, and they know she'll tell them that, but at the very least, as one of her best friends (perhaps her very best one), should they not go check on her?

idk i'm going to play her story quest today probably so i will return with more thoughts!

[pininiu]

xyx and his cat is too heartwarming. what is your oc ztun like? and is that a black cat in perfect black hole shape??

*cracks knuckles* oh boy thanks for giving me an excuse

Yes xyx and Cat is the best thing ever.

my OC ztun in the bloomic server can be explained by this one meme for the game

their work is mentally taxing so they just sort of turn off their brain as soon as work hours are over. They find almost anything funny and will join the bit anytime possible.

They won the cat lottery by getting the most shy yet affectionate cat in existence. They named the cat Marianne cuz they thought it’d be funny to refer to them like a human roommate/partner out of context. Marianne sleeps in a perfect void circle most of the time.

The general info can be like gleamed into this ref sheet I haphazardly made back then. It all started out as a joke and now I have an entire essay about their lore written down.

[tj-crochets]

So I have had a ridiculous amount of fun this last week plushifying art and throwing my usual crafting rules out the window as I did so*, and I think I want to make plushifying art a more regular thing? I'm not sure how best to do that, though. Should I make a post that's like "reblog this if you want your art turned into plushies", or "reblog this with links to art you want turned into plushies" or suggest a tag that people can add to art they want plushified, and then I go through the tag when I want to make some plushies? *no paper patterns, just drawing directly on the fabric so each plushie is one of a kind

[official-penis-posts]

Idk if this belongs here or on official pussy posts but I discovered a way to ride someone's face with a (admittedly very trans) penis and it's 10/10.

I wish I had known about that years ago!!!!!

Woo-hoo!