I love to imagine Dogday straight up telling Catnap 'I woof you so much',
and Catnap just makes a heart with his hands.
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Actually, Guzman is his spanish name.
OH YEAH some other folks pointed that out too, makes sense since it's an irl Spanish name (probably why I see it around a lot!) 😳
(normally it's a surname, I've only seen it used as a first name once in a blue moon -- but also in the pokemon world it's pretty clear that naming conventions aren't the same lol)
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workin a little on my urban fantasy workplace comedy thing i'm writing, and i decided early on that it had to be masquerade-less, all the weird fantasy and horror and stuff known etc
and like i was stuck on stuff for a while but something is clicked in my head when i stopped thinking things like, 'how has the government legislated about vampires, how are werewolves treated in society, do ghosts have personhood rights' and started thinking things like 'ok, a bus has eaten some people. what absolutely useless statement has local government put out? in what ways do ppl complain about this the way they complain about unfilled potholes?'
and rly that is. helping.
there's plenty of stuff out there that does the extended racism metaphor, big level etc etc. i gotta get smaller and weirder or this story will never get off the ground.
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still stuck on mhok's trauma, unsurprisingly. i keep thinking about the opening scenes of this show, showing us day losing his sight, and mhok losing rung. i really thought that the show would spend equal time and care on both
my first post about this show was pointing out that the first shot of day is a close up of his eyes, and the first time we see mhok, he's holding something in his mouth. and i thought it was so interesting that we see mhok gagged, because society generally doesn't care what people who've been incarcerated have to say. or poor people. and by and large, it doesn't care about the voices of traumatized people, either
and i was so curious to see what the show was going to do with that. i can't believe the show itself was never really interested in what mhok has to say
and i'm stuck on mhok's time in hawaii. the show highlighted over and over again how poor he is, and we know that he didn't like studying. what are his english skills like? we saw singha there, and i think one other thai person. was that the extent of his social circle? he seemed pretty happy to leave hawaii behind, so did he make no new friends? did he spend his days off just sitting in his room by himself, the way day did when he went to songkla with mhok?
i assume he and porjai were still in touch, but he moved abroad at a time when his ptsd was getting worse, and in the wake of a terrible breakup, and he just walked all of that off? alone???
feeling overly protective and over-responsible is absolutely an understandable trauma response for mhok, but you know what else is? losing a relationship, and feeling like you HAVE to go back and fix it, and that if you can just get a do-over, you'll be able to do everything perfectly this time, and you'll get everything right, and everything will be okay! this makes more sense to me in the final episode than the idea of mhok and day having a happily ever after does
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It's been rolling around in my brain the last few days for some reason, but I still hate the family backstory reveals for Sophie and Eliot. I've seen some of the meta for it, but quite frankly, it still makes no sense. If it had been something actually thought of and intentional in the original, I think it could have been so fascinating. I mean, Sophie's willing abandonment of Astrid to contrast with Nate's loss of Sam or Eliot's adoption in contrast with Hardison's and Parker's? Could have been excellent! But they came out of nowhere in Redemption and don't work with these characters.
Sophie was still actively using the fucking alias that she met Astrid under! She met with someone from her past on the show! Like. Quite frankly, that one is unequivocally bullshit that they made up and threw in and pretended could fit with the established canon. (And I'm sorry, but the idea of Sophie abandoning Astrid and never telling Nate about her just... So much of Nate's trauma was rooted in the loss of Sam, and I think that introducing this element after he's gone and unable to respond to it taints Sophie and Nate's relationship in a way bc I'm not exactly sure how Nate would've responded to learning about this but I think that it's something he'd have needed to know. I don't know how to fully express my thoughts on that but yeah.)
As for Eliot, I don't like the adoption aspect literally at all. The way that he would interact with his family and the memory of his family would be different, and I think that it's flat out ridiculous to think that he'd have never mentioned it to the team in the original show, especially when dealing with the kid cases. (I also dislike the biracial adoption as its own element because if Eliot was actually raised by Black parents in the... idk what 80s/90s? That just. doesn't feel congruent with how they write Eliot interacting with PoC, not necessarily in a bad way, but babe, he's written like a white southern man raised in a specific kind of culture that does not jell with that. It also makes Eliot look... really bad that he was apparently raised with the knowledge of how fucked up the military was and his parents' history and made the choices that he did.) Like the show may not have explicitly stated it but the implication of that relationship was vastly fucking different throughout the original show.
Just. These were not backstories that were congruent with their depiction and characters in the original show, and they're also just moves that I don't particularly like or find interesting directions for those characters. There's also something to be said about how it was apparently unacceptable for a woman to not have kids or someone not reconciling with their biological family when that was something that the original show handled a lot better. Out of all the directions to take Sophie and Eliot's stories, that's just not really one that I think was a good idea.
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Castle Dedede? Great... well you're probably gonna have to pass by choco mountains... just be careful
"From my understanding... The event took place in Iceberg's castle Dedede. So we should head east, if they're not there, we will head north west, to find Mt. Dedede"
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Grief shows itself in weird ways. Like i haven't physically cried since the day of his funeral, but i've got no motivation or drive to do anything. Way worse than my normal amount.
I'm clipping coupons for when my mom and i walk down to the grocery store today and i can't help but think that he'd be doing this if he was here. I see foods and things that he'd like and for a split second it's almost like he's here again. Not knowing that i'll have a little surprise treat to give him next time i see him.
But that won't happen.
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i like to imagine selkie alan going through the opposite of the normal selkie development path (stick -> fuzzy stick -> coat falls off, selkie stick). the cursor starts to feel looser and one day the cursor wiggles a lot and *poof* now there's a stick under a coat of metallic fabric.
that's so funny actually.......... it's funny to imagine him initially being just stuck as a cursor too and just going 'well i guess this is my life now'
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I wanna. Pick them up in my mouth and shake 'em around like a dog obliterating a squeaky toy
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Woe, angst be upon yee
Think about this plot for more than a minute and it'll start to fall apart probably but just uhhh please don't think about it too much😞🙏
So Sosu has been frozen for over 210 years, they came from a world that wasn't as irradiated as the Commonwealth is currently, so, why not give them radiation poisoning?
They feel fine when they first step out but even still, they can just feel things are different, everything, even the air, feels contamimated. Over the many years, most of the radiation has disappeared, people of the Commonwealth have grown a tolerance to the low amount of radiation that still persists, but Sosu being completely new to this world has no such tolerance and even with a radiation suit slowing the process, the poisoning still seeps into them, slowly starting to kill them. At first it's barely noticeable but the closer they get to their goal, the weaker they seem to get.
First true problem presents itself, the Dimly-lit desert- I mean the Glowing Sea. Even with the power armor taking most of the radiation, by the time they get to the insitute, they're severely ill. The fatigue, the effects of the radiation, it's all obvious. Despite never knowing them it pains the Father to see them in such a way, perhaps it was cruel to let them out of their frozen prison.
Nonetheless the institute is smart, has people to deal with what radaway can't heal, and so with time Sosu is cured but it's made clear to them; any trips to Commonwealth are risky, simply put their body can't handle the radiation.
Obviously there are companions that want the Institute destroyed, but I wonder how they'd react to this? Going off of the assumption that they're close to Sosu, just how willing would they be to write their death sentence by demanding them to destroy the only thing that can help them stay alive? The thing that'd let the companion keep their close friend, maybe their lover, alive? How willing would they be to sacrifice the person whose been there for them this entire time, despite Sosu having their own struggles to deal with?
And with X6? Oh with X6 just think about it. Time passes and he's, dare he say, attached to the future leader. Slowly, without his notice, he's started to truly care. How would he take it, hearing other companions, or faction leaders, demand that Sosu does the "right thing" and destroy the Institute, destroy the only place where they can roam free without a hazmat suit, without having to worry about radiation?
He'd be kinda angry about it I think
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if there's one thing I personally focus on when I draw something, it would be the emotions. I try to convey the exact emotions of a character when I make art, and portray how they'd be feeling at that exact situation, as they say something, and so on...
I try to feel the same feelings they would when I draw an expression, as close as I can get at least, it's what I do over and over. You don't really have to do that ofc, but for me, it's a huge part of the point and it's really fun to do! It's what I believe could give my drawings more life and make them more genuine, even if it's a sketch (in fact, sometimes sketches can be more powerful on that aspect so I used to stick to drawing exclusively those for a very long time). That's how I pour my heart in, and I'm sure a lot of artists would do the same in their own ways when they create their works.
For that same reason, I really like drawing smiles (and characters that can make genuine ones) because that makes me happy. Other feelings are cool, too, but drawing happy art is so soothing, so I draw a lot of smiles!! It's also why I feel the need to understand a character, because you can't exactly feel what they'd be feeling unless you aren't so aware of what they're going through. I wouldn't be entirely right, I'm sure, but I really want to try. It's maybe why I usually stick to drawing a select few characters from a series all the time, because there are some characters I "get" better than others, and feel I can bring out better(and most of the time, luckily, those kinds of characters end up to be my favs, so I can draw then alot ;v;) Then again, I'm seeing them through my own lens of thinking, I'm just putting out what I see in those characters in the end. But it's usually the good things I love! Or something I feel is really intriguing and want to think about, or want to explore on, emphasize? Anyhow, it's the feelings and emotions part I've always been interested about! So I hope I can do that well!
My drawings aren't perfect, but they aren't too bad either, and I've been trying all the way. If they could imbue some sort of feeling for you, that's definitely what I wanted to accomplish! It makes me so excited when I get feedbacks about it being able to make someone "feel" something.. it means what I wanted got across so I'm like "yes"!!
it'd be nice if they will feel genuine one way or another!! I was and is and will be happy to continue to share my works with you all
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I was looking directly at a reference while drawing these and I still somehow convinced myself he had long hair. Whatever, he's pretty.
A-Z Isekai'd Cress deign by @acfan120 really got me in some kinda way and I couldn't help wanting to draw him. I also have thoughts on story for him but I'm not gonna be annoying with that rn. Maybe someday.
Bonus my warmup doodle:
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Just thinking about it, but it's kinda weird how your dead spouse is kinda just glossed over when it comes to the fo4 romances, besides Preston (iirc)
like my partner just died like 4 days ago but let me just romance this guy I just met, as far as I know, Preston is the only companion to actually address this in his romance. Like its just a weird writing choice to me, not to mention that the spouse gets like 2.5 seconds of screentime and gets only a few mentions during the main quest.
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At least with him going to AEW we get jaykada
you would not believe how many fic revisions I've had to do because of this, smdh
but! but I am looking forward to more of that. I also think Okada should put on an absolute banger with Swerve sometime soon :D
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GIRL HELP WDYM I REACHED 30 TAGS??????? OMG???? I WASN'T EVEN DONE YET
ANYWAYS 31st: and that compared to a relationship where the communication lines are basically none or very fucking weak then yeah it is an upgrade I think. Idfk I was never in a relationship I'm just picking from the ones I've seen in my life
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I know Aoki and Masato are the same dude yet they seem like two very distinct entities in my brain-
no you're right you're absolutely right. they are not the same but they are but they aren't but they are but masato where did your freckles go
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