#I got to see the concept art of this and it was really fucking cool

[deer-with-a-stick]

dude, with the LEC song, the LaneCK tournament, and the cinematic, season 2024 is off to a good fucking start

[bogleech]

For me the most disappointing thing about Palworld is the designs being so boring and bland that you'll never have cause to review them. We deserve better from a creature collecting game, especially one making this much money!

Yeah here's the most opinion I can possibly muster on any of them:

DUMUD: it's a big fat shark-like mudskipper and that's a good concept, it just doesn't really have the charm of any Pokemon it shares anything in common with.

WUMPO: resembles the fur-wearing "werewolf" pokemon that got cut from the first or second generation, crossed with Tangrowth. One of the more okay designs because those are two good pokemon.

SIBELYX: this is supposed to be their Gardevoir I guess and I think it's an owl? Or is it a moth? Well it ends up one of the slightly cooler looking ones a little less obviously derivative of specific pokemon. Maybe they were also going for a Dimitrescue knockoff with the hat

CAWGNITO: an alright one because plague doctors just generally look cool. However the simple formula of plague doctor + actual bird would have been far too obvious and underwhelming as a Pokemon. There's no novelty or twist to this.

HANGYU: this is the one that's a ghostly noose canonically used to execute people. It's a funny little send-up of the darker pokemon pokedex entries, though the design is uninspired compared to object-based creatures in Pokemon, Digimon or any other monster franchise I can think of.

LOVANDER: this is one that fucks people, and they possibly borrowed the topography of Salazzle's official model. I want to think they did intend it to be freaky and unwholesome looking with the rubbery goblin hands, but I suspect they intended something actually sexy by furry monsterfucker standards and just weren't good at it. Yes I know that likely does not stop people from being into it anyway.

TEAFANT: I was going to say this is the only pal that looks better than its closest equivalent Pokemon, because they would be Cufant, and I gave Cufant a pretty negative review back in the day.

......But actually, now I kind of like Cufant. A lot, come to think of it! Teafant is cute and competent in the most paint-by-numbers possible way. It's what almost anyone would draw in ten seconds if asked to make a cute marketable teacup elephant pokemon. Cufant is an awkward, messy design but it is comparatively cute in a goofy, dorky way that's rare among the Pals, and more importantly, it is unique. I don't think they used AI to generate any Palworld models (the tech isn't there yet) but I can see why people assume they used AI just to get the initial ideas, because it's very easy to find people who have more a more creative eye for character design. I'd say even if not ESPECIALLY people with zero experience in art would have made the Pals look more interesting.

[jet-teeth]

Finally got caught up on that funky Bravern show the other day and omg. It's so much fun. Have some scribblin' More yelling under the cut (and also mild spoiler alert if you haven't seen any of it:)

Loved seeing more of the other Deathdrives, even if they were kinda short-lived on-screen and all (guess that's what happens when a buncha story stuff needs to get compressed into just 12 episodes)

I'm enjoying the hell out of this silly show it's fucking BUCKWILD. I can't remember the last show that made me laugh this much I am just constantly chimpanzee screaming at the screen Wasn't super sure at first because I was a bit "???" about where this was going in the first few eps but oh my god. It's def become a fav now. It's for sure meant to be a parody of itself/commentary on the entire mecha anime genre and all the tropes that it's loaded with but then the story actually gets interesting too. The TWISTS. IDK it just seems like they had so much fun making this Also, sentient robot characters yippee! (That stuff just seems to be super rare, I've always kinda wondered why, but it's like the mecha genre is allergic to the concept unless you go full into Transformers territory (which is its own whole thing at that point.) Like idk maybe I'm the weird one for loving that idea, but I do wish more of that existed outside of the context of parody or "for little kids" or whatever. Anyway I'll take whatever I can get on that front. I'm adopting all of these idiots) Cupiridas is my fav, Extremely Silly Guy. Kunus (Cunus?) is completely off her shits but I actually love that super wingy design. Pessimism has some really cool silhouette nonsense going on, can def approve of straying from the usual humanoid look. I could throw in some sketches of the main mechs (Bravern, Superbia) but they already get most of the fan art, so I wanted to doodle some of the others..

[piglet26]

Reylo Scenes: TROS Part 2

After a failed attempt at killing Rey and Rey slashing Ren's fighter. He's relieved he didn't kill her. She's relieved she didn't kill him. He emerges looking fucking glorious while Rey tried to stop a ship from flying off cause she thinks Chewie is on board. What the hell are they doing putting a mask on him at this point?!

In the novel from Kylo's perspective, "But his impulse to kill Key had almost ruined everything he had been planning..... but his deepest desire, the thing he wanted most (Rey) would require planning and patience."

"It didn't matter what or who was inside that transport that made desperate to prevent it's escape, he was not going to let her have it. He reached out, felt the massive machinery in his mind, yanked it towards himself."

What's interesting in this scene is Kylo Ren is pushing her and Rey ultimately pulls from anger to best him and keep chewing. That's what always been interesting about Rey is she's the Jedi, but often times she fights with anger, fear and aggression. In the novelization it's revealed that over the course of that year she's been hearing voices. It looks pretty and it's a good shot, but I kept thinking didn't we already see this? Force wise... they're pretty even. While it doesn't hit as hard as the tug-o-war in the TLJ it does serve a purpose. Rey is a Palpatine after all.

In the movie, as per usual, this next bit doesn't make any sense. Ren seems stunned and just let's Rey, Finn and Poe run off. In the novel it makes more sense.

"Kylo Ren watched the freighter rise into the sky, Rey inside it. She had beaten him again (she thought she killed her friend not really a win but you're emo) and yet, he was filled with triumph. He'd been right to push her. She had just demonstrated unbelievable, mind blowing power. Dark power. Sith Power. The scavenger was almost ready to turn. And when she did, they would both kill their light, embrace their darkness, then the star destroyer fleet and the Sith throne would be theirs."

Kylo Ren is a Reylo and is trying to make power couple goals happen and we have to appreciate that.

This is concept art from "The Rise of Skywalker" notice how their costumes mirror each other.

The chemistry between Rey and Kylo is electric whenever they share the same space, so much so that sometimes it feels like we, the audience, are intruding on a private moment between the two.

On board Ochi's ship Rey confesses she has sex dreams about Kylo Ren. Let's be honest they both do and she confesses she's had visions of her and Kylo Ren on top the Sith throne.

Next scene is them in Kijimi. Ren is looking for his future Queen who is trying to find the sithway finder or whatever. Arriving in his pretty cool ship.

In the novel per Zorii, "As the black clad man approached the squads officer snap to attention, "Supreme leader".... the man standing below with his gang od butchers was Kylo Ren himself.....The supreme leader said his voice was tight and calm, but Zorii got the feeling he was barely containing his rage. He looked around almost as if he were sniffing the air. "We have a perimeter around the city." The lieutenant began, but Kylo Ren cut him off, "We're too late, the scavenger is gone." Zorri goes onto describe Kylo Ren having a moment whipping his lightsaber out and going beast mode.

In the movie through the force it's implied that that's how Rey knows Chewie is onboard Ren's destroyer, but in the novel it's different. He interrogated Chewie forcefully (wink wink ha ha ha) to get information on Rey. Rey was able to link mind with Kylo Ren and that's how she knew Chewie was onboard. They should've shown them linking minds more.

Then Rey was in his room, or excuse me, private quarters. Anyone else surprised his room was so white and pretty, if no impersonal. Where's his bed? I saw it in the first movie I think.

"Rey. Wherever you are, you are hard to find."

I'm wondering if at this point that can connect to one another more voluntarily. Rey is always swinging first. Like always. This scene can only really be described as exposition scenes, but there is a nice aspect to it. It's nice to see what they see from one another's viewpoint when they force bond. They just see each other. The dyad is increasing in power, not only can they now touch through the force, they can fight and their spaces even blend. They were together and yet separate. Kylo Ren also seems to be very excited his girl is in quarters and wants to lock down that ship.

In their next scene, again, Kylo tells her the plot of The Rise of Skywalker while wearing that damn mask. I have questions when did Kylo Ren find out they were a dyad?! Why were denied this scene? Obviously they instinctually know they are connected, they just never knew the word to put to it, but were is the exact scene? The thing about Kylo Ren is he uses information to twist it like a knife. He's going to use the truth that they are Dyad, that she is a Palpatine and ultimately the attraction she feels for him to seduce her to the dark side. From Rey's perspective, "He extended his black gloved hand to her, she looked at it, remembered. The last time he extended a hand had been in the wreckage of Snoke's throne room. Their combined power had defeated him. It was true. That together they could do such incredible things. Suddenly, she sensed a weight at her back and along with it... Finn. His presence a bright beacon of light piercing the dark." Ren pulling some MJ Smooth Criminal moves there.

After Rey flees with her crew, in the novel it's gives Kylo Ren's reaction. Her surveys the damage left from The Falcon's engine wash. "Kylo considered it a small price to pay to encounter Rey again. To provoke her into a rage. To say the word Dyad and watch the truth of it wash over her lovely face......he hardly paid attention, he kept seeing her face. The way her lips had parted with surprise. The way her body had canted (leaned) toward him. If the Millennial falcon hadn't appeared she might have come to him. Taken his hand. Kylo really hated that ship.... he'd been so very close, but now she knew the truth. She would accept it."

Yeah, they're horny. It's the first time Kylo described her in such detail and really let us as the reader or audience know..... he wants power, but he wants Rey more. If Ren had the world in his hand it wouldn't mean as much without Rey. This is the first scene in the movie where Rey acknowledges how much she wants to be with him. Interesting, Finn again is really her solid base on the good side of the force.

Side note: Dark Rey is hot.

The lightsaber fight onboard the death star wreckage. I've heard criticism that this fight while beautiful is pointless. I disagree. It's actually a scene that pushes them forward. Rey said, "give it to me" and Ren giving this shudder like he just came in his pants. hmmhmm! Ren likes feral, passionate Rey. He's pushing her and pushing her when she's already at the edge. Interesting enough, Ben can take whatever Rey has to give. All the anger and the fury she's had to hide from everyone else she can express to him. The fight is really about their likeness and yet difference, their passion, how Rey has grown in her lightsaber fighting and fixing the end of The Force Awakens. Ren is fighting at full force capacity, he's not injured and he's not emotional.

The way he is in love

“He sent the thought directly into her mind: I know you. No one does, she shot back. But I do.” WHY WASN'T THIS IN THE MOVIE?!

They fight until Rey is exhausted and when it looks like Kylo Ren might strike the killing blow, Leia reaches out through the force before she passes. In a fit of rage Rey stabs Kylo Ren, but snaps out of it when she feels Leia's passing. She begins to heal the wound she created.

How did she heal? Oh, you know those books she had in the beginning of the movie? Those book were the sacred Jedi text from Acht-to. She smuggled them onboard the falcon. So they never were actually set fire. Turns out Yoda that they actually were useful.

Rey showing him compassion, healing him, believing in him almost doggedly is so empowering for Ben Solo to return. His parents might be gone, but he still has someone to return home to. This movie has flawed writing but sometimes almost accidentally that land on something that works. The line where she admits she wanted to take his hand is a great line. It's declaration of love for Ben, not a rejection of Kylo Ren. It's her saying, "I didn't reject you. I wanted the best version of you"

After the unconditional love offered by both parents and the selfless, sacrificial love offered by Rey...... Kylo Ren becomes Ben Solo again. We just don't see him for the next 20 minutes as Rey processes her identity crisis and then goes off to fight to Palpatine..... without a plan.

There's also something purely adolescent about Reylo. Even in TLJ, these two throw themselves into one another. Like Rey having a vision of their future together so she goes alone to an enemy ship based purely on belief in him. Now we have Ben Solo, in a moment of pure adolescent "I gotta get to my girl" just needs to be with her on exegol as she faces down Palpatine.

From Adam Driver, "and the thing that we started with for "Who is Ben, then? There's no ambiguity about what it is that he has to do. There's no more seesaw that's happening. For the first time, someone who has never had the answer now finally knows his purpose or destiny. But I don't know that he entirely is sure of what's going to happen from there, nor do I think he cares. I think it's so long as he is with her, he's on the right path. " Adam driver is a Reylo.

Ben solo is back and he's glorious. He's likeable, charismatic, he's funny and he shoots backwards like his dad. People appreciated Adam Driver in an all new way with these scenes. He doesn't say a word except "oh, but you know he's shifted from Kylo Ren to Ben Solo. His physical acting is so strong. The subtlety showed his talented and not many actors can say that.

It such a beautiful moment when finally Ben Solo and Rey connect instead. In the novel and in the film especially so because she reaches for her connection to Ben right before she's going to kill Palpatine.

He acknowledged her and Rey’s lips parted in surprise. The connection was… right. Good. Like coming home. They wasted a precious moment reveling in this new sharing. This is how it should have been all along. A true dyad.

Rey lowered the lightsaber behind her back, as if readying for a massive blow. She reached for the Force. The effort made tears sting in her eyes. [...] She raised her hand ... which was now empty. She had projected her weapon away. [...] The moment Ben felt the grip of Luke’s lightsaber in his palm, he knew it belonged to him, an extension of his very own self. He raised it slowly, relishing the feel of it. ”

It's a beautiful moment where Rey and now Ben Solo have a redo of The Last Jedi. Rey looks at Ben with such love, joy and relief. Ben looks at Rey with such confidence, determination and love. It's the "Are you with me? "Yes, I'm with" Now with them both in blue light.

Finally Ben Solo and Rey are united. These soulmates separate by so much over the course of two movies are finally as they were suppose to be. Palpatine and Skywalker standing together. What it should have been is act of love, redemption and hope defeating evil. It should have been Ben Solo confronting his demons with the woman he loves and fought to be with. It should have been is Rey belonging; a redeemed Ben was supposed to become her new home and/ fulfill her need for a family. It should have been a power couple fighting evil with the Force.

But no. Somehow the two of them coming together empowered the devil. Their power like a source of life itself. Then Ben Solo is chucked off a cliff after draining their energy. Why? Ben Solo should have faced his grandfather's and father's enemy, or his clone. Palpatine confirms all the voices he's been hearing in his head has been Palpatine. He literally made irrelevant to something he is very relevant to.

They fail together, but she succeeds alone after the spirits of the Jedi aiding her?! I hate all this. Then she dies after her energy being drained, or she clutches the lightsaber too hard, I'm not sure it's not described. It's annoying. Ben drags himself up broken ribs and all to get to Rey. He crawls to her when he realizes she's passed. It's a horrible moment where you feel how alone Ben feels.

"He could see her now, collapsed on the floor, and the pain in his chest was suddenly so much worse than that of a couple broken ribs."

Ben initially mourns her until he realizes there might be a chance to save. He heals her like she healed him. Oh also none of the films go into the fact that because of their bond they were able to learn the force, including fighting moves, from one another. "Ben poured everything into her. He found reservoirs he didn’t even know he had. He gave her his whole self"

Then Rey finally takes his hand! She's back! Ben is so relieve that she's there. In the novel, "She was glad to see him. Glad to be with him in this moment. It was the greatest gift she could have given him. His heart was full as Rey reached for his face, let her fingers linger against his cheek. And then, wonder of wonders, she leaned forward and kissed him."

Reylos! We finally get our kiss, they smile at one another, look they're so happy! Probably the happiest they've ever been. A celebration!

Anddddddd he's gone. Seriously. Rey mourns him in the novel like we never see her do in the film. "The girl who had felt alone for all those years on Jakku had been part of a dyad the whole time. And just when she'd discovered that precious connection, that incredible oneness, it was ripped away. A voice came to her through the Force, clear and strong. I will always be with you, Ben said."

It's tragic because there's so much to Ben Solo we just don't see as an audience after 3 films!!!!!! He doesn't have any lines.

This movie was edited until literally the week before the films release. The recall of the artbook, the last-minute editing, Adam Driver recording new dialogue in his closet..... I'm wondering if the original idea for TROS Reylo was, well, this. We know from the editor, they didn't know for sure if they wanted them to kiss until post-production. Much of the movie wasn't decided until post-production.

And then we get to the ending. Rey Skywalker. How are you not Rey Solo after the man you felt kinship with and the man you were in love with?! Like da fuq?!

Moving forward to this Rey 2025 movie. I'd like it to do well. I hope it does well. It probably won't unless Ben Solo returns. Reylo might be controversial (whatever) but it's currently one of the biggest draws this franchise has. Kylo Ren/Ben Solo is the most popular character out of the sequel trilogy. We deserve it and I'd pay to see it.

sigh the ending we should have gotten

This post took me like 4 days

[david-talks-sw]

I got a good feeling about "The Acolyte"

Not even kidding. Like, I've spoken before about why I'm wary of it.

George Lucas' Star Wars is something that intentionally has black and white morality, rather than shades of gray. Those movies are meant for kids and projecting a "gray" morality onto them then proclaiming it was George's vision all along is doing so in bad faith.

The narrative of the Prequels doesn't frame the Prequel Jedi in as negative a light as Leslye Headland, Dave Filoni, etc etc do.

See here for more details, but bottom line: yeah, a show that has a darksider as the underdog is bound to demonize the Jedi (who are the actual underdogs in the Prequels), and obviously that rubs me the wrong way.

BUT.

The trailer looks fucking cool. It really really does.

And more importantly? I've done some research... and Leslye Headland is ticking a lot of good boxes, in my book.

1. The Acolyte won't be a 10-hour movie.

I've criticized Disney Plus shows before, explaining that a big source for most of their issues is that these series are being structured as "long movies" rather than, y'know, actual shows.

But in this interview with Collider, Headland addresses that: it'll be a series. Not a long movie that you need to watch across four weeks.

Thank God. You have no idea how much that comforts me. Finally a showrunner who's, y'know, actually running a show.

And this goes hand in hand with what she told IGN, here, about how she's going about building suspense.

Yes! Exactly! That's how it's supposed to be!

Like, compare this to Baylan Skoll's storyline in Ahsoka.

In no possible way was that emotionally-fulfilling. For 8 episodes we had no idea what he was after, and the season ended where we still don't know. What does he want? What is he after? Your guess is as good as mine, it's something Mortis-related.

So yeah. Maybe getting the Emmy-nominated trained screenwriter on board to run this was a good idea.

2. Maybe the Jedi will not be as demonized as I originally thought.

Don't get me wrong. 80% of what she says about the Jedi makes me cringe. It's the typical fan's interpretation and y'all know I disagree with that interpretation.

It's painful to see her refer to the Jedi as an institution (not how the Prequels' narrative frames them) and to see her frame "Balance" in the "oh there's so many of them and just two Sith, that means the Force is out of balance" meaning... but at least she acknowledges the Jedi are a benevolent institution.

They're not an "elitist force hiding in their ivory tower" as others have described the Jedi.

Moreover, there'll be a variety of Jedi POVs, many personalities.

Yord Fandar, is described as a strictly by-the-book Jedi Knight and guardian from the Jedi Temple, is an overachiever and a rule follower.

The question now becomes: will the narrative frame him as "your typical Jedi" or is it just this one guy? I'm hoping it's the latter.

I also like how her reasoning goes re: Jedi drawing their lightsabers.

Which explains the hand-to-hand combat seen in the trailer.

This teenager is coming at Carrie-Ann Moss with a dagger, of course the Jedi won't draw her saber.

3. She's a fan of Star Wars... but a screenwriter first.

You can tell in the interviews she's a fan. She's using words like "BBY" and "EU" casually. In the above-linked interviews she's bringing up the Nightsisters, Timothy Zahn, The Clone Wars, she mentions she has a tattoo of Ralph McQuarrie's concept art of Leia, the High Republic books, etc.

She's done her homework. She's a fan.

But the vibe I'm getting from these interviews is that she's weaving in these various lore-elements in a more organic way, rather than in the "fan-servicey" way Dave Filoni has been doing in his shows.

The references and Easter Eggs will be there, but the narrative won't bend over itself just so you can get it. Crafting a good story comes first, and Andor is a beautiful illustration of why this is true.

Which is why I was never bothered about one of the writers never having watched Star Wars before getting the job. You need those fresh eyes when you're tackling something of this scale.

That makes sense to me. Maybe it's because of my own screenwriting experience, but yeah. That out-of-the box perspective is precious.

And like, obviously, that writer watched the films eventually, but for some reason everyone who bitched about Headland omitted that detail and opted for a more bad faith interpretation.

Hm. Wonder why.

Maybe it's the same reason that months ago this clipped audio circulated socials without context, in which she debates whether Star Wars only came from George Lucas and only Lucas is the key.

The FULL context of that interview reveals that she's actually:

debating the "autheur director" myth and positing that it was achieved by a collective of excellent filmmakers and craftspeople that George was skilled and smart enough to recruit...

the studios now think it's a simple as hiring one guy and throwing money at him, because they have no idea what the fuck they're talking about. See Napoleon (2023) for example.

Yes, she also does a jab to the Prequels, which speaks to the generation of fans she's a part of... but overall she's giving Lucas props whilst also stating an ideological difference, that's it!

George is a proponent of the "autheur" theory, Leslye isn't.

However, guess what, in like half the talks George gave post-selling Star Wars? He's giving shoutouts to everyone who helped make the first film, even remembering their names.

So I'm not even sure he'd vehemently disagree with Leslye, in fact they'd prolly have a conversation about it and immediately bitch about how stupid studio executives are :D

But that's not as incendiary, is it? Again, the more I do the research, the more it feels like the reason most of these influencers are hating on her is purely sexist.

I mean, on IGN she's even acknowledging that she does plan on taking stock of fan reactions for Season 2.

It's not a guarantee that she'll incorporate the feedback, but at least that's more consideration than, say, JJ Abrams or Rian Johnson gave the fandom.

She's even bringing the moral ambiguity that the Gray Jedi-loving edge-lords love so much.

"No, she's a woke feminist! Anything she does is evil! Eww, girls!"

🙄

Needless to say... I'm gonna give it a shot.

I think it's gonna be a good show, I think it's gonna be a solid story.

I'm crossing my fingers that they won't as biased against the Jedi as it seems they'll be. Even if they are... if it's still an enjoyable experience, I'll gloss over it.

As @gffa states in this post:

Worst case? It's not a story from George. I can dismiss it from my headcanon without a moment's hesitation :D

[minniiaa]

Sorry if this seems repetitive but I haven't been active on social media in yearsss

Is it true that there's a lot of lawlu hate on tiktok and Twitter? I'm so confused because there used to be so much love for the ship back in 2017/2018 from my perspective (Amino era).

The short answer: yes and no. Let me start by saying I'm not the best person to answer this since I purely consume on twitter. I made my personal twitter in 2007 like it's everyone I've ever known irl and has nothing to do with shipping or hobbies and I follow approx 0 accounts related to anime, manga, or lawlu. I just looked up lawlu a few times and browsed and suddenly it's my whole fucking timeline and there’s no going back and now I have a lawlu twitter (This makes me very happy).

So if anyone else has an opinion on this that is more in the community, please feel free to comment away. Otherwise, below are my observations.

First off, there IS a ton of love for the ship. Most of what I see is beautiful art (they got the nsfw ayo), memes, fanfics, and headcanons just like tumblr. There are tons of comments of people swooning over these posts, Lawlu IS one of the most popular OP ships after all.

There's just a vocal minority that are very against the concept of shipping and in that subset there are those who are very against Lawlu. There people out there that will literally list accounts to block that ship lawlu or write lawlu DNI in their bios. The same can be said for other ships, it's not just this one it’s any they deem a ‘pro ship’ (problematic ship) and Lawlu is generally considered one of these. Below as is an example:

The biggest issues I’ve seen with Lawlu are the following 1. luffy is aroace and cant be shipped period 2. law groomed luffy and the age gap is gross. IMO I think most of these people are just infantilizing Luffy as some goofy autistic kid that doesn't know what love and sex are when in reality he's very self-aware and happy does not equal stupid. Also he's 19 he’s not underage. He met Law twice when he was 17, one of which was saving his life as a doctor and Luffy was unconscious most of this time. Let's not forget Luffy's a war criminal kicking the asses of people 4x his age in a pirate world, age doesn't really work the same as irl.

BUTTT Not that any of this matters because you can ship whoever the fuck you what because guess what? It's ~fiction~. I could rant about how people can ship whatever the hell they want all day but I'll save my breath for now. (my opinion of course)

Also there are just mentally ill people who enjoy telling others to kys if you like something they like do. Lawlu shippers are just their chosen target demographic. Creators get foul messages in their inboxes, rude comments, just general hater behavior. Twitter is just a firey cesspool and all fandoms have 'fans' who do nothing but hate. We live in an age of negativity where being a hater is the cool thing to do.

HOWEVER, I see more people posting about why those people are wrong and stupid than the actual negative tweets but maybe that's because I actually support the ship and the algorithm sees that. Not sure how twitter works, nor do I want to know about that dumpster fire there's a reason I came over to tumblr.

As for tiktok, I don't really consume a lot of tiktok so I can't speak on it besides seeing cosplayers and cute animations/art. I'll leave that to the tiktok people to look into.

For argument's sake, I went through the lawlu tag and picked some lovely tweets to share with you so you can see the toxicity for yourself. Sadly only 10 images per post but I think you get the point. Thanks for the ask hope this was informative. :)

[balioc]

Is this a concept-formulation that's already kicking around out there somewhere? It might well be. It feels like the sort of thing that someone would already have developed. But it's new to me, at least, so I'll muddle around with it as best as I can.

On one end of the spectrum, you've got the musical hook. A hook is maybe two seconds of music, if that. And when you hear it, if it's good, you get a concentrated spike of -- oh, yeah, that's the shit right there, this exact experience in this exact moment is fucking awesome. And then, as soon as it's come, it's gone. All you can do is wait for it to come back later in the track, or rewind a few seconds, or maybe just replay that tiny little scrap of music in your head.

The pleasure of a good hook is incredibly condensed. It doesn't even really extend into the rest of the song, let alone into the rest of your life. To experience it, you have to be listening to those exact few bars (if only in your mind). It has no penumbra, no shades-of-experience that color other aspects of your existence. On the other hand, well...when you're listening to those exact few bars, you know it, and it's great. If it's a good enough hook, you kinda just want to listen to it over and over again, like you're popping Pringles or something.

All the way on the other end of the spectrum, you've got something like a traditional-style TTRPG campaign.

Even when it's being run masterfully, a game like D&D has a very low proportion of that's the shit right there moments, and a very high proportion of tedious yak-shaving stuff. Every so often you get your critical success in a high-stakes moment, every so often you get your awesome monologue or your big-drama scene or whatever...but for every moment like that, there's a hundred moments or more of the other stuff. The commonplace D&D play experience is famous for its vast amounts of OOC joking-around, which is not how things look when people are deeply engaged with the art on a moment-by-moment basis. And, of course, not every campaign is run masterfully. Sometimes boredom, or eye-rolling, is what you get in almost every moment.

And yet people love their D&D campaigns, like really incredibly a lot, and are deeply affected by them, and not-uncommonly have their whole lives changed by them.

The correct model here, I think, is that the pleasure generated by that kind of TTRPG experience is super diffuse. It's almost all penumbra. The awesomeness doesn't inhere in any one moment, or even any one scene or any one story arc. It inheres in the broad strokes of the campaign, in the ongoing knowledge that YOU ARE YOUR COOL CHARACTER and you go on a million cool adventures, in the mythos and the running jokes that add up invisibly over time into magic. And it pervades the entirety of your existence. You can think about it when you're lying in your bed, you can chat about it with your friends over lunch, and the awesomeness is just as much there as it is when you're actually playing. Maybe more so.

**********

Once you start looking at art through this variable-diffusion-of-appreciation lens, you can see many different points on the spectrum.

It's obvious that a short story is more concentrated than a novel, which is more concentrated than a series; it's obvious that a movie is more concentrated than a TV show. But it's not just the choice of medium that pushes in one direction or the other. It's a million different choices concerning content and style. Lushly descriptive language, in prose fiction, serves to concentrate the reader's appreciation into the moment of reading -- it forces the expenditure of extra attention for the sake of creating a beautiful mental moment, which in the vast majority of cases will be gone and forgotten almost instantly. Abstracted and philosophical language does the exact opposite, pulling the reader out of the narrative for a little bit for the sake of giving him something to roll around in his head. Suspense, and surprising plot developments, are concentration techniques that can have their full effect only during the transition from unspoiled-to-spoiled (and they serve to emphasize and heighten the moments of that transition). Archetypical, iconic plots are diffusion techniques that trade predictability-in-the-now for satisfaction-in-contemplating-the-story-later.

Sitcoms strike me as being vehicles for diffuse appreciation, to a huge extent, even more than other TV shows of comparable length etc. Much of what makes them good is just the presence of the characters and their distinctive shticks in your mindscape, in a way that builds from episode to episode without any particular grounding in specifics. When I think about a sitcom that I like, I find myself concluding that I like the show overall more than I like any single given episode. Which is weird, right? You'd expect some sort of bell-curve thing where the best episodes, or even the best individual moments, rise up above the averaged-out mass of the whole. But no.

**********

Fannishness is, overall, a very diffuse form of appreciation. This is true in the very-obvious sense that you're enjoying the work during a time when you're not actually consuming the work, by dint of consuming/producing fanworks and talking with other fans etc. But it's also true in the somewhat-less-obvious sense that the enjoyment-of-the-thing usually ends up very unrooted in the specifics of the thing, the plot beats and characterization details and so forth. You have a big beloved vibe, with lots of bits and bobs attached, and you can take the bits and bobs you like best and rearrange them however you like best when you're engaging in fandom.

**********

I believe it is overall true that concentrated appreciation is much more legible than diffuse appreciation. More legible to artists and art theorists, more legible to marketers and consumers. When you talk about art being good or bad or successful or unsuccessful, it's very easy to think in terms of "what is it like to consume this moment-by-moment?", and much harder to think in terms of "how does each piece of the work pervade the whole of the work, and also the general thoughtscape of the consumer?" For this reason, concentration techniques are associated with prestige, and high-prestige analysis tends to focus on a work's ability to generate concentrated appreciation.

...I also believe that different people want to be appreciating art, in the ideal case, at different levels of diffusion. There are people for whom a good artistic experience means lots of crack-hit awesome moments, and others for whom a good artistic experience means getting to live in an infinite penumbra, and others who fall at every point in between.

**********

For reasons I may discuss later, I think this concept-suite is extremely valent to the construction of theater LARPs, and the tension between people who expect more-concentrated enjoyment and people who expect more-diffuse enjoyment is responsible for a lot of the Wars Over What's Good within that sphere.

[utilitycaster]

🔥 each member of vox machina

Vax: really the sadboy narrative for Liam has always been stupid but it's egregiously bad that it started with Vax, who is like, sad for maybe a fifth of the episodes and largely because Liam O'Brien's actual mother was dying, like, with all due respect what the actual fuck, fandom.

Vex: I am the founding and probably only member of the "Vex is my favorite character and also I am 100% cool with Colville's depiction of her." The generosity she shows even very early on in C1 is still a generosity borne of some degree of security - they have a keep by then - and I also just don't think you have to like a character to write them fairly. Granted it's been a minute since I read early VMO but nothing stood out to me as out of line with my understanding of Vex.

Pike: repeating myself once again but I like Pike a lot and wish we could have seen more, but because we didn't, people who say she's their favorite in C1 do tend to turn me off in that I feel they're looking for a relatively flat and widely praised character to project onto rather than a character who goes through more messy development.

Grog: I think he's often underestimated and I was guilty of doing so myself, to be honest, until I saw Travis play more and until I personally got better at D&D. Also I still maintain that playing INT 6 sensitively and well is infinitely harder than playing INT 16, all things considered, and this is yet another reason why people should play high INT more often.

Scanlan: Also underestimated; I do understand being turned off by the whole extremely horny playboy thing but as I've said before Bard's Lament is a major litmus test for me: if you think Scanlan is completely at fault here, you are wrong, and if you think he's not partially at fault, you are also wrong.

Tary: I genuinely love him and think he's a great character and one of Sam's best, but while his character arc is strong the Taryon Darrington Arc of the VM Campaign, through no fault of his own (and partly bc I personally think D&D Hell, especially pre-Descent Into Avernus publication, is kind of boring), is one of the weakest parts of the campaign because it's kind of a grab bag of loose ends. With that said I would happily watch more Darrington Brigade-one shots.

Percy: Percy is also generally a litmus test in that it's like. Is he a good person? Eventually I believe he becomes one, and even before that I think he's very sympathetic and deeply traumatized and like, 24, so I get it, but also, who the fuck cares. This ties into the Essek and the Ashton opinions and all kinds of other stuff but why are people so invested in fucking absolving their blorbo of all sins? I want someone who's lived enough of a life to have done some heinous shit because that's fun and interesting and it's pretend and also because then they can have a rewarding character arc by either working towards redemption or coming to terms with who they are or spiraling into tragedy.

Keyleth: I like Keyleth a lot but I am, as this post indicates, far more sympathetic to Vex, and so while I do think Keyleth is a fairly good person she is also extremely sheltered and naive and terrified of doing the wrong thing and I would have, like Vex, wanted to scream at her half the time were I just a random NPC wandering about the campaign. On the other hand C3-era Keyleth? fantastic no notes she has grown up in such an interesting way.

Tiberius: I think we, and by we I mean people capable of separating the art from the artist, can recognize that his concept actually fucking slapped and unfortunately he was played by someone who absolutely sucked in a myriad of ways. I would love to see the alternate universe in which the same general concept (prodigy sorcerer from Draconia who is full of themself) had to face not just the destruction of their civilization but the realization that they were taking advantage of the Ravenites and while they did not deserve to be killed by Vorugal, had done nothing to justify aid from those they had subjugated either. Like, the alternate world in which one of the current cast members or like, a close friend of the main cast (Ashly, Erika, Mary Elizabeth) played this is one I'd love to see.

[mikerickson]

Lifting my self-imposed embargo because I'm weird and don't like posting on social media when I'm on vacation.

I'm at a point in my life where I can financially justify at least one international vacation a year and figured I'd finally cross off the Great White North from the bucket list. I'd never been and Andrew hadn't been back in a very long time despite having dual citizenship. Anyways, just got back, and a bullet-point breakdown of the highlights is after the cut:

I wish every international flight was under two hours; EWR to YQB was almost comically fast.

Had my first French conversation with the very nice lady at the car rental counter for about ten minutes. She complemented my pronunciation and grammar, and wished me luck on the trip. Every French interaction after this point was a linguistic battle for my life that I lost (Toutes les Québecois parlent trop vite pour moi).

We had some time to kill before the hotel check-in so we went to a mall in the suburbs just so we'd have a food court with some options. Turns out shopping malls are not only alive and well but fucking thriving in Canada. I haven't seen a mall that packed with people outside of December since the nineties.

Quebec City was very dense with old architecture which made it feel very European. It was also apparently built on a fucking cliff with streets at 60 degree inclines, which also felt very European.

Took a tour of the Quebec Parliament building (beautiful structure), and apparently they used to be bicameral, but voted to abolish their Senate in the 60's and they were the last Canadian province to do so. What a concept.

It's one thing to know on paper that Canada has about 1/8th of the population of the US, but I was not prepared for just how empty the countryside felt. For someone like me, living in the northeast my whole life, the idea that cities in close proximity to each other not having continuous stretches of suburbs and other smaller cities connecting them was completely foreign.

On the highways I kept thinking I was speeding because I'd look down at the dashboard and see the number "100", but 100 km/h is only like 62 mph, which is nothing.

Similarly, I kept getting sticker shock every time I spent money, and kept having to remind myself that $1 CAD was like $0.73 USD while we were there.

It was really cool to see that the complex for the 1976 Montreal Olympics is still maintained and actively used (we stumbled upon a skateboarding competition and I did not feel cool enough to be in that crowd). Sometimes you hear horror stories about Olympic villages bankrupting cities and falling into disuse afterwards, but that's definitely not the case here.

Montreal is apparently known for their local bagel culture, but their bagels have enormous holes in the middle of them, so you have less cross-sectional area for spreads and they don't really work for sandwiches. My faith in NJ/NY bagel superiority remains intact.

Every city we went to had dedicated bike lane infrastructure and young families with kids, but Montreal definitely had the most of both. Tons of parks, too. Simultaneously felt like a larger and smaller city than I was expecting.

Poutine is okay, but I wasn't prepared for the cheese to squeak when you bite into it. Very odd sensation.

The main Parliament building for the federal government in Ottawa (Centre Block) is stunning, but closed; apparently it's been under renovation since 2019 and isn't expected to be reopened until 2032! In the meantime, we took a tour of where the lower House of Commons is currently meeting. We learned that their electoral districts are routinely re-drafted by a non-partisan committee and that they occasionally add new seats to the legislature to account for changes in population. I had to seethe jealously in silence for the rest of the tour.

Also toured their Supreme Court building (way more Art Deco than I was expecting). We learned that there's currently a vacancy because a Justice recently retired because they're required to step down when they turn 75. I had to seethe jealously in silence for the rest of the tour.

Every single city had automatic/self-serve parking garages where you didn't have to interact with a human (which I was very thankful for), but in Ottawa they have this little jingle that the machine sings at you when you take your ticket, which I found very amusing.

On the drive to Toronto we took a quick detour into the Thousand Islands (yes, like the salad dressing) and visited Boldt Castle, which is technically in New York state. After seeing it in practice, the idea of living on your own private island is more appealing than ever.

Toronto feels like an exercise in what happens when a nation's largest city is allowed to grow without being hemmed in by ridiculous geography. As someone who grew up in NYC, this is another concept foreign to me. The GPS did get very tripped up navigating a particularly gnarly interchange however.

Toured the Ontario Legislative Assembly (yet another beautiful building). At this point we were really good at asking tour guides stuff like, "so if happens, do you guys have a plan?" To which they would reply, "well, no, but let's just hope that never happens!"

I now understand why the Great Lakes are effectively freshwater inland seas; you really cannot see the other shore, and Lake Ontario isn't even the biggest one!

YYC to EWR was under an hour. That's definitely going to spoil me for future trips going forward.

[hellonerf]

suicide is discouraged in the workplace

im not even gonna try to be coherent here. this is not an analysis post i am braindead. if i was a better artist makima wouldve been my muse when i was deep into chainsawman. actuallt she kind of was but i pussyed out

OK everyone here can subconsciously understand this connection. dont get too hung up on makima's strong motherhood theme and i just thought about what if ame was motherly and i couldn't kill myself right aftee thinking that as i have no means to it. that was a joke its late and im just me. i decided i wasnt a fan of motherly ame though so all suicidal thoughts erased. i am really chill now

old makima fanart i drew that im trying not to rip my hairs out over thinking about it with ame. also dont worry if this makes tou find my mainblog or main accounts whatever

actually theyre really different in many ways now that im looking at these. ame is so much of a son and makima is so much of a mother its like oppsoite spectrums. but thay makes the commonalities fun actuallt. i keep thinking about the movies and makima hating bad movies. ame is not an art kid by any means does he even care of the beauty of the world? i doubt it. but he likes bad movies and he likes cheap entertainment so who knows... they'd disagree on that. well i think makima's opinion on that was pretty extreme so i think most would disagree with her really

i could imagine ame going "Chainsawman. Doesn't spit." and smoking for the first time to look cool like in movies only to pathetically cough. thats their common trait... artifice... humans... but in a way that loops back to being Really Human i guess. holds a kind of arrogance and hubris that is so associated with humanity. it cant be anything else. ame should kill himself i think he should get moments of clarity and awareness and want to kill himself rqlly bad

both concepts of control. awesome. SUICIDE IS NOT ENDORSED IN THE WRKPLACE. ame goes to protestant church once or twice and sleeps because hes useless. makima is baptised and goes to local catholic churches not the cathedrals she supports the local christians.FUCK i just remembered the country mouse city mouse thing. ame is a liar and hates everything and loves everything and never feels content. i like to imagine him as a country mouse so fucking bad i want him to chill out one day and go to those middle of nowheres i know exist in america(can i shove cana in here and get away with it). why are they in the city if they are country mice? because..... you know..... you understand..... another w for eternal unhappiness (refer to title of this post)(suicide is discouraged in the workplace)

they are evil bosses i am the employee and when i ask for a break they gaze at me with a vacant stare and smile and i know in my heart they are viewing me like i am beneath them. i get scared and run away but truth is they didnt hear my request. they do not register individual people

if they met they would know immediately and viceversa. because everyone knows subconsciously because lying is futile and everything melts away. ame:i know a toxic boymom when i see one... okay im kidding makima is a toxic boymom if u push the chainsawman in ur head 🙂 ame as a kind of control devil works inmy head. i really believe ame was a polite child but demanding in many ways. sincerely wanting.

ame:gun devil i'll give you one year of the lifespans of the american people. in exchange i want you to kill makima—that is... the control devil (i never got around to drawing this)(ame and gun devil can you imagine)

or:gun devil i'll give you one year of the lifespans of the american people. in exchange i want you to kill alfred f jones—that is... the united states of america (paradox)

throughout all this i wanted to cite the best makima artist in the world ever but i'd feel bad if they wouldn't want to be associated with evil hetalia america blog. also i want to be normal and not cringe at being cringe just becayse i think makima was a thunderstrike of genius that i shouldn't taint. ame is a more flexible character to me for obvious reasons. this is how i'd shove ame into makima's role. but u couldn't put makima as ame. only one way. im okay with that. concept idea consensus words fear control blablabla u get the point i hate using words dont care sleepy now

[yogurts-bullshit]

CW: HAZBIN HOTEL SPOILERS AHEAD

Alright so here's my take on the new Hazbin Hotel season.

Bad. ):

The only good parts were vox/alastors song and the first half of Lucifer's episode. THE WHOLE SHOW IS SO FUCKING LAZY. They stripped everything that made it good. It's not funny anymore, it seems like there was no thought put into it, the placement of the music doesn't make sense a LOT. Sometimes they throw in little throwback jokes to be like "hey remember the pilot? Remember when this show was good?"

And it's so FAST, like the whole thing with the extermination timeframe being cut in half felt like such a lazy cop out. To me in read like they don't think they are gonna get another season and so they knew they only had 6 episodes to shove in all those plot points. Or they just wanted instant gratification for everything and felt like because this show has such a big fan base already they just assumed they didn't NEED to introduce you to these characters, like you should already know they are and have a connection with them. Like Hazbin Hotel thinks because it has a popular pilot it's a legacy show like the Simpsons and doesn't need to introduce anything, you should know it all by now.

And goes by so quick but despite how much time we are supposed to see go by, these characters NEVER FUCKING GROW. They're supposed to! They have groundbreaking realizations about who they are and stuff, and then a second later they are THE SAME PERSON AS BEFORE. And then there is that whole scene in the final episode where Charlie is like "look! Angel Dust has redeemed so much!" But I really feel like he hasn't, and we haven't seen any redemption from him at all. Plus there was this whole song about the similarities between Husk and Angel (Loser, Baby), which don't get me wrong, I loved, but it just really revealed how much of fucking clones they are, which is SO FUCKING LAZY.

Plus all of the "big reveals to keep you hooked and shock you!!!" We're just things that people have theorized about for 8 fucking years since the first concept art was released. Like the whole "vaggie is an exterminator!" or "Husk was a Overlord!" The whole time I got the impression that this was supposed to be a big thing but I was just like... Yeah.... I know.

Oh and Zestiel was also dope as fuck in his 2 minutes for screen time, but I feel like I only liked him because he was acting like what Alastor was SUPPOSED to be, but they made him really nice I feel like. And I understand that Alastor is canonically supposed to be a nice, gentlemanly Mama's boy, but I feel like this show felt like since all of the leaks and lore and stuff released about these characters, it had to show that IMMEDIATELY so instead of that being a slow build up and reveal it dumped it on you instead of showing you who Alastor depicts himself as and it felt like a mockery to the depths of his character. The show didn't earn being able to show how kind Alastor is.

And I feel like that's the reason that I think the show is so lazy because, yes, it has all these big cool reveals and moments, but the show doesn't earn any of those moments. Like there are so many big reveals, like Charlie's big song about her daddy issues, that I feel like could have hit so hard! If we had mentioned her daddy issues more than 2 times beforehand. Or with the whole Carmilla (I might be spelling that wrong) thing with the angel. The angels death could have been such a big story and plot hook and even if they didn't wanna carry it into the next season, they could have made the reveal and big season finale thing. It just felt so weird that instead of it being something big, it was just this lady who we don't even really know, who walked into screen, sang about how she did it, and then we never see her again. Cause I mean like, say what you will about shows with lost of filler early on, but at least they build on everything. You get to know these characters and this setting so that when there are big reveals and songs and moments with them you really feel it. Instead in hazbin all of the moments just feel so unearned and underbaked.

Plus instead of just embracing the fact that there are new voices, they had all the new voices basically do impressions of the old voices, like Blake Roman was basically doing a poor impression of Micheal Kovach the whole time and it brought him down so much. Like, I like Blake Roman, he's a good voice actor, we didn't have to pretend he's Micheal Kovach. 

Really, honestly, I was thinking about it today, and Hazbin Hotel is a show about a bunch of dead people realizing that the heaven and hell system is messed up and trying to fix it and redeem themselves in the process. Y'know what else is a show with the same concept? THE GOOD PLACE. One of my favorite shows, very beautifully written, and every single point and moment Hazbin Hotel makes, The Good Place does 30x better.

so yeah, there's my Hazbin Hotel rant. Did not like the show, really pissed off about it, I'm gonna go rewatch the pilot, and then probably rewatch The Good Place.

[inazumaclown]

finally. the gouenji post where i rate his looks (soccer and school uniforms excluded).

gouenji is the face of the franchise along with endou and kidou, he has his own manga spinoff, and he's regularly elected as a fan favourite in every popularity contest.

canonically, gouenji has a huge fanclub of girls rooting for him and it's definitely not only because soccer.

so why is he so popular ?

well mostly because he's non verbal most of the time (girls love boys who can shut up), he makes bomb ass takoyaki, and he's also very handsome. but are his clothes helping or is he THAT handsome ? let's find out.

ah, the OG season 1 classic. the first ever outfit. he looks great. orange is as much his color as it is endou's, it suits him very well. we already know gouenji is careful with his looks, since he canonically spikes his hair every morning, and now, we can be sure the fucker knows how to dress himself. he knows how to make colors match, he even matches the sunset. truly unparalleled.

if kazemaru didn't exist, i would have fell in love with him. 10/10

OG season 2. man i want that hoodie. i want it so much. it's as cool in the game as it is in the anime.

i really like how this outfit manages to hide him and completely reveal him at the same time. the orange color, the fucking saiyen hairstyle under the hood. this dumbass had to keep the spikes even though he knew he had to hide them under a fucking hoodie that would ruin his work. it's called dedication. 11/10

before moving on to GO, (where the problems lies mostly), let's talk about two out of category looks.

i love gouenji's looks in the games, especially the very first. he looks like a whole different character, way more rebellious and loudmouthed with his frosted tips, jet black eyes and eyebrows, unbuttoned jacket (we'll talk about those) and single earring. he looks very homosexual. 10/10

after the first game tho, they dropped the delinquent look and he got the inverted pikachu treatment, they made him rounder. a little saddened but not complaining, they kept the best features. 8/10

one day i'll talk about the orion endings in detph, with all the emotions they triggered in me. persisting in giving him a hood is funny though. 7/10

OK NOW LET'S TALK ABOUT GO.

the ishido shuuji outfit. iconic.

my man looks EXPENSIVE and that's great. i can see the first game gouenji in him. i cannot tell if he's gay or european. the raybans, the blood read suit, the slutty unbuttoned shirt, the jewelry, the kazemaru blue streaks iN his unspiked hair ! this outfit would cost me more than my day job monthly salary. he's living the life.

i can't buy him as a villain but i can buy him as a mean girl. 100/10

the concept art is as good as the final design. i do get why they didn't keep the spikes for this look. he would have looked a little too much like a gay broly. not a bad thing but understandably unpreferable.

there it is. the glowdown.

his hair does look good unspiked but... where are the blue streaks. why is he suddely hiding his chest under three layes of clothing. gouenji darling you know warm colors suit you best so why the grey-blue-ish suit ? am i supposed to believe this is the real you ? i know it's not. i hope you find yourself. 4/10

OH BOY NEVERMIND WTF IS THIS.

wtf went through everybody's head while designing this. i get this is a way to mimic adult endou's charm but it does not work. gouenji isn't endou. you love endou because he's a very wholesome bundle of joy (voiced by naruto), and you love gouenji bc he is one half of the inazuma eleven equivalent of sasuke (kidou being the other half), you can't dress them the same way and not see the dissonance.

this man is not gouenji, this man buys cheap beers in the early afternoon without saying thank you to the cashier. this man pretends to be a metalhead. this man just divorced kanye. i would not trust him with my kids.

this is not a relaxed look, this is a sad, depressed look. please gouenji talk to someone. people love you. you can be helped. 0/10

conclusion : i don't know how they fucked up so bad at the end, they really made gouenji forgot about his hard-earned fashion skills. thank god he actually IS that handsome but before that he's all W after W. i'm eager to see him in victory road.

[theinstagrahame]

This is the post where I show off the stuff I've gotten in the last month-ish. And it's been another good one!

(I mean it's always a good one, I have excellent taste)

Coffee and Chaos: I'm tickled by the concept of a coffeeshop AU, and I know that this game isn't explicitly for that. But it's also not *not* for that. Comes in a like conference-style folder, with all the bits you need to play tucked into the sides, which is also a great presentation that I felt deserved a shout-out!

Far Horizons Guide to Cults: I'm friendly with some Far Horizons folks, but wanted this book because it's awesome. A book containing notes and pre-made cults that have goals and drives beyond just "Be A Cult". I am intrigued by the occult, and I hope this gives me more nuance.

Neurocity: Picked this up on vibes alone, but I'm hearing more and more rad things about the creator. It's dystopic, a little cyberpunk, and the book is dripping with style. Can't wait to dig deeper.

You're In Space and Everything's Fucked: Station and Struggler's Guides: The title alone sold me, but I like what Dinoberry Press puts out in general. This is a solo survival space horror game with a cool respawn mechanic. I also splurged on the fancy version because the covers are very cool.

Dead Belt: The pleather folio for this honestly is what sold me, but the game itself is really cool. Salvage ships by laying out cards, exploring, and managing your air and tool resources. Try not to die. I haven't really succeeded at that last part yet...

Exquisite Corpse in the Maggot's Keep: Technically, this isn't a TTRPG, but it's go so many TTRPG folks in it that it might as well be. It's a choosable path adventure written by a variety of people in (if I remember the pitch) exquisite corpse style.

Best Left Buried: Throne of Avarice and In Calamity's Wake: As we already know, I'm a SoulMuppet fan (as in, I've written for their other big series, Orbital Blues). The main book, Throne of Avarice, was written by a creator whose work I've been trying to get more of. I haven't read Best Left Buried as fully as a game, but I am really excited by the excuse to dig in.

Between Clouds: I like air islands and big monsters and found family. Partially, I grabbed this because a friend got really excited about it, and it seemed like it could be fun to run a campaign with them, but I'm also curious about the Year Zero Engine, and glad to see people using it.

Kitchen Knightmares: Grabbed this as an add-on for the You're In Space crowdfund, but I'm glad I got it because it's loosely inspired by This Discord Has Ghosts In It, and that game rules. I might be able to pitch this to my friend group, who enjoyed Discord Has Ghosts.

In a Mirror Brightly/Handbaskets: First off, plug for the RTFM podcast, because it's very good. This two-games-in-one book is created by the two hosts of that show, who are great designers and seem really lovely. But, two wildly different vibes in a single volume is a great idea.

You Meet in a Tavern, You Die in a Dungeon: I've been following the creator for this since some of my earliest days in the RPG scene, so I was happy to help make this a reality. Feels very tropey, and I mean that in the best way possible.

In Other Waters: Tidebreak: Honestly, I have barely scratched the surface of In Other Waters, the PC game this is based on. But this is a Mothership solo hack that returns to that world, and it had me curious based on that pitch alone.

Aaand because I'm a doofus who forgot to include it, here's one more book! PLUS A guest appearance from my new desk mat.

Teeth: Been into Forged in the Dark lately, and as much as I enjoy Monster of the Week, the pitch for this seemed like it was more my speed. You're monster hunters, trying to keep the occult under wraps, while keeping secrets of your own. Plus, horror comedy!

The mat is the cover art from Friends at the Table's current season, Palisade. It's an Armor Astir campaign following up on some of the characters from their Partizan series.

[alexissara]

What A Year For Games! Top 10 Games of 2023 For Little Lesbians Like me!

I am on and off again with video games often switching between years where I am really into games and years where I am snoozing but I started to dedicate myself to finding and sharing more sapphic art so people can stop saying it doesn't exist lead me to playing tons more games and wow I played so many fucking amazing games this year it was an extremally hard year to pick a top 10 games. Now these aren't a top 10 sapphic games, it's just the best 10 games of the year, on an objective scale because I am the goddess of this world and there for right. Not all of these games will have come out in 2023, it's games I played in 2023 why limit ones self?

These games are roughly in order by how confident I am to put them on this list but each of these games did something different than me so I wouldn't say that a game is "better" rather than what I got out of it at the end of playing felt biggest.

Stray Gods

It's a musical, it's a video game, it's Stray Gods: The Roleplaying Musical. This game is a really fun little Greek myth story telling experience with an neat interoperation of myth and the characters to provide a fun experience to people with or without attachment to the stories. The dynamic music changing to your choices is a really cool concept although I wish more of the songs were a bop. I also wish the game explored the idea of polyamory like the Greek gods were not monogamous and I see no reason I can't kiss Freddie and Persephone in the same playthrough. What is there though is still compelling, fun, and engaging with a great set of characters across the board romanceable and not.

Pokémon Emerald Rouge

Pokabbie's amazing Pokemon Rom Hack that shows the utterly wild shit possible for Pokemon experiences we could get. It's amazingly fun to do runs of Pokemon where you catch new pokemon, fight trainers and get to then recatch that species to use in later runs. It's a really great gameplay loop that really just uses what's fun about pokemon and allows for a lot of different run customization which leads to the loop not getting stale and makes it easier to find particular pokemon you want. This was my favorite Pokémon experience this year.

Street Fighter 6

Street Fighter 6 has some of the worst monetization to date in fighting games. However, despite that it provided a lot of fun to me this year playing the base game's amazing World Tour mode and in enjoying the greatly designed new characters who I hope become Street Fighter staples. All while making my favorite SF character Juri even better with new interactions, a little bit of progress to her story and more. I hope that World Tour mode encourages a lot of other fighting game devs to step up the single player experiences in Fighting games and I also hope [as seems to be the industry trend] that "modern" controls take over. It was so nice to be able to do all the special moves consistently and more easily feel like I was in control of the game rather than feeling light I was fighting my hands to move out an input.

Drums Of War

I sure do wish a Fire Emblem game came out in 2023, it's been so long since Three Houses and Hopes is amazing but not the SRPG gameplay I came to love. Well if there was a Fire Emblem game I am sure it would have ENGAGED me, wait, there was the amazing Fire Emblem rom hack Drums Of War. Parrhesia utterly killed it with this take on Fire Emblem. The heart of the story being an emotionally damaged lesbian and the dancer with a big secret who fell for her makes for an utterly captivating romance paired with a real "war is hell" story that really does it's best to show you how fucked all sides of this conflict are until the player finally gets to forge their own path forward. Roxelana and Calista would be among my most favorite Fire Emblem lords if I was ranking them alongside all the lords of the series with both characters being utterly delightful and some charming side characters too like Estrelle. The gameplay itself aired a bit on the harder side to what I like but regardless I had a great time with the majority of maps and by the end of it I think I finally managed to get with the curve of the difficulty even if I wish there was an easier mode.

Cassette Beasts

The soundtrack alone would put this game on this list but luckily it has even more than a soundtrack. The whole cast are really charming, I totally fell for Viola and the other characters all have their own special charms. The game has plenty of faults I talked about in my review of it but despite the flaws of the game basically right until the very end where it massively declined for me this was one of the best games in all of monster tamers for me. The DLC was sadly not so great that came out later in the year but I didn't mind giving the extra money to the devs when the core game was so good. The monster taming is fun, the gameplay feels flexible enough for you to find the niche you like to play in and become really good at that niche, it allows for a lot of flexibility from folks who wanna swap partners all the time to people who will find their favorite characters and monsters and stick with them. I really hope the developers keep moving forward with Cassette Beasts and making new strives forward with their concepts because of all the indie monster tamers I've played this is leaps and strides above the rest.

En Garde!

This extremally short little romp is a compelling experience that is just a little bit longer than your average modern block buster. It's a simple and sweet swash buckling game where you play as a bisexual vigilante woman with a big crush on a sexy pirate woman trying to stop the oppressor of the people's evil schemes. Each chapter is like another adventure of Zoro short and puppy, fun and with ever so slight tension but you know the hero will come up on top. It's a really good experience and it has some great accessibility features for folks with reflex issues like me to still be able to enjoy it. The music is staller, the voice acting is fantastic, it's a great package that instead of padding itself out fills every second with greatness.

Luxaren Allure

I am a massive fan of turn based RPGs, I love getting to look at menus and think about my actions, being able to multitask while I play, enjoy a big juicy narrative and so I was very happy to play a JRPG style experience that's all about lesbians. An amazingly fun concept for a JRPG plot where one woman's beloved whom she chickened out of confessing too gets corrupted by an evil power and she is tasked with being the hero to take her out. This gives the interactions and the end goal a sense of uncertainty, will this be a sad case of tragic yuri, will she find joy with someone else, will she be able to save the woman she loves from this evil power, will she submit to the evil herself to be by her side? Everything feels uncertain with just this little angle added to a fairly typical JRPG formula. All while on the side having an adorable romance between a naga and a human girl giving us the good good lesbian sweetness between the dramatic tension.

Baldur's Gate 3

I am so often the contain, the noted hater but not on this day, nay I say, it was pretty fucking fun. The game is flawed, pretty flawed, like it's got a lot or fantasy racism shit I hate, it's tied to an IP I hate, it's got so many bugs that happened on my own run but if there is one game from this list I will probably think of the most and play the most in 2024 and beyond from this year it's probably this game. The games depth of interactivity, the wide breath of options, and the mods, oh the mods, the many many many mods, this game has so much to do and will for a very long time. It's rare to get a truly great multiplayer game and this game also provides that, this is a fantastic experience for playing online with others and makes for really great runs. Then there is the romances, oh the romances are really great, the girls are all fantastic and the side queers are super brilliant too. It's just a really fun video game and it does a good job exploring trauma and different takes on abusive relationships and overcoming [or succumbing] to them.

Thirsty Suitors

What a fucking great game, while the gameplay is mostly quick time events it does an amazing job of making each aspect of the game feel distinct from each other. While skateboarding in general kinda sucks in this game the combat and cooking all feels really great. Then there is the vocal performances and writing which are all fucking stellar. It's really great to see a fully fleshed out and fully real feeling queer woman who has had messy exes of all genders and has done a lot of fucked up things in her time. Jala's road to redemption with her family and exes all feels really great and this is a special story and I realized sometime after there is some level of variance too that I could have seen if I made some different choices. It's really great and even if it's not a dating sim like I thought it might be it's still a really great little thing. Then you factor in all the cool queer brown people in this game and wow, like I felt so scene by this game like the angry mess Tyler is speaks to my little transbian heart, the high fem lesbian struggle with family that Diya has I could feel echoed in my own life, I just, wow, it was great. I am so happy this game exists and I will likely always see this among the best narratives in all video games.

The Cosmic Wheel Sisterhood

My game of the year, The Cosmic Wheel Sisterhood fucking blew me away. In a shocking twist of fate while I complained about a lot of endings this year I didn't like my original ending for The Cosmic Wheel Sisterhood either but then that drove me to go from liking the game to loving it as I ran the game again in spite of it, fueled by spite alone I felt a sense of determination, I would change my fate! This thematic fortune telling game where you make your own cards, help people or end up seeing a fate that only hurts them, I knew how to play it, I knew the systems now, I understood how the cards worked, the truth of my powers and the price I agreed to pay and I'd use all of that to make the happiest fucking story possible for Fortuna aka ME. So I dart through the game, I help the trans woman be herself and happy, I get my hot butch girlfriend, I help everyone out with their life problems crafting only the best cards possible to make sure I can give the best fates possible and then I hit the end point, the time to pay the price. I say no, the game says, you have to, I keep saying no, and then I draw my cards again and shape fate and in that I defied fate, made an ending I could be happy with, a better world for all my fellow witches, and so my story ends with my friends back by my side [probably gonna be a polycule] and a whole lot to look forward to. What a fucking experience, what a cool fucking game.

If you want to help me enjoy more art then consider checking out my Patreon or Ko-fi .and giving me a little bit of cash so I can do more of this kind of writing but also like make lots of my own art, art is hard to make and costs money and like maintain my chronically ill and trans body also takes money so anything helps, thank you.

[yume-fanfare]

mitsuba's deaths and almost deaths: my ranking!

he has died 3 times in canon, and has had some other close calls in both canon and aus, so it's ranking time! this will of course contain several spoilers under the cut!

CANON DEATHS

number 3: his severance death

this one has a LOT of potential! it had been a while since his last death! he broke into pieces right in front of kou, and just as he was having the most peaceful cutest sleep! was vanishing physically painful? who was more emotionally hurt by it, kou or mitsuba? how did it feel Falling Apart into pieces later? i need to know! but unfortunately we haven't yet gotten an actual severance chapter from their pov, only vague flashbacks. we don't even quite know what natsuhiko told kou and it's haunting me. can we go back to the kou becoming a supernatural plotline please. but anyways yeah this is why it is the worst (in terms of thematic importance and story focus) death to me. need those extra details

number 2: his first death

car accident. when he was buying potatoes. on his mom's birthday. when curry doesn't even actually need potatoes. need i say more. there's even the extra irony in the fact that kou's earring, which he so hates, says "traffic safety" in it. it's simply so perfect. it aligns so well. it's an everyday tragedy, yet it somehow is the cause behind the plot of the entire manga. has led to some of the most heartbreaking official art. like the one where baby kou is holdin g an empty uniform whose owner has vanished into a pile of flower petals. fucked up.

number 1: the death of m1tsuba

PERFECT. SHOWSTOPPING. HE DIED IN KOU'S ARMS!!!

the scene that actually got me Invested in this manga. ive watched it around three hundred times, in the anime, the manga and the musical and it can still bring me to tears. while death number 2 hangs heavier, this one ranks higher for me because it is. a cataclysm. this event seriously changed the trajectory of kou's life forever. HAS THE "this... this isn't you, mitsuba! the mitsuba i know i-is... sassy. girly. sarcastic. selfish. and... and his voice was annoying. obsessed with cameras. went emo sometimes and was only fake-nice. and... and he was my friend!" LINE AND and it cut to the shot of their first meeting as first years but with mitsuba getting up and leaving and! man. it is so good. i wouldn't change a single detail. something important to me... maybe

ALMOST DEATHS (CANON AND NON-CANON)

only the ones i remember off the top of my head and wanted to talk about sowwy

if you have not read any of the aus i mentioned you Definitely should check them out they are SO good!

honorary mention: the times he's (almost) been turned into a mokke

didn't know whether to count this one but i really like it it's so funny. his pyon pyon pink bunny era. the most mokke-coded character. i did cringe a little in that christmas event where his gift was being turned into a mokke because come on. horrors for him again? on christmas? but no one had that great of a time then so ill forgive it

number 5: his transformation into a familiar in hanako-kun of magic

he didn't die at all in this one, yes, but it's supposed to parallel his becoming a supernatural, so it's going into the ranking. it was kind of lame though 😭 ik it was public voting yadda yadda but like it only happened like that to fill aidairo's monthly quota of bad things happening to mitsuba. the alicorn concept and clothes were cute though ill give them that. can we get a colored front-facing ref

number 4: his almost-death in chapter 98

it sucked so bad. like ok. when i was reading the chapter i was not surprised by it at all. this is a horror manga so something bad Had to happen, and like hell he was actually going to die Again in that moment. and it was executed in a really cool way! kou's single page that only had a "SQUELCH" speech bubble was bone-chilling and there is almost a eurydice flavor to the whole fleeing and turning around to see the ghost of the person you love and finding that you're holding Only their hand.

but as much as ive joked about this manga inventing a new level of bury your gays, there Are some unfortunate implications to two boys having a cute date and then immediately almost-killing one off them. (this could indeed also be applied to mitsuba's death in a way too). im usually not too harsh w this stuff because even if the implications are there i have faith that this wasn't quite meant like that.

but ultimately this scene was there only for shock value to end the chapter in a cliffhanger so! not ranked very high

number 4: his afterlife as a mummy in the ghost hotel café

ok we barely have anything on his death here so it's not too high but just those four lines are so funny. guy who owns the land but is too scared to act out on it. is secretly planning on taking over the hotel. has cried when kou bit him. is his pastissier apprentice. i hope he's better at baking than mit2uba is at cooking. the idea of them having a silly afterlife baking together and chasing after each other is so funny i love them

number 3: his youkai transformation in the bakeneko ryokan hanakotei

his most recent almost-death! we don't know much about it yet but it is such a cute concept!!! he turned into a kitty youkai and now works at the hot springs! it's just like spirited away!!!! super invested on this one i want more so badly

number 2: the time he got poisoned in hanako of the opera

chef's kiss! this one is Almost perfect, if only because the number 1 spot is my favorite scene in any manga ever. mitsuba drinks poisoned peach juice and thanks to the subsequent investigation and hanako's intervention, he is able to escape from the oppressive opera environment with kou! but here is the catch: every night, natsuhiko left a glass of juice for him, and mitsuba never once drank it. what changed this time? why did he drink it? well, the one who left the juice and poisoned him was not natsuhiko, but kou. did mitsuba know? kou. poisoned mitsuba, who in this au is his Childhood Friend. to see if, by taking him out of the opera, he'd be able to help him regain his love of music. and mitsuba willingly drank the poison. probably knowingly. he trusted kou not to kill him. and then they elope. there are sooo many levels to this one i love it

number 1: chapter 48, picture perfect arc

EVERYONE GIVE IT UP FOR THE BEST ROMANCE EVER!!! SHOWSTOPPING!!!! BREATHTAKING!!! NO ONE DOES IT LIKE THEM!!!

it's so perfect. the way the the page where kou jumps off the building is angled and composed so that the panels themselves are falling with them too. kou's promise. the way he literally jumped off a building just to have a chance to understand mitsuba better. and then they'd work their way back to life together! it gets me every time. no one does it like them. i love them so much. <333

and that is all, thanks for sticking by!

but how about YOU guys? what is Your favorite mitsuba death? how would you change my ranking? im always up for talking about mitsuba!