#I hate being marketed to

[galaxygolfergirl]

Fanduel Sportsbook may you suffer a fate worse than death for your incessant and relentless marketing campaign of irritation and terror. Every time I see Rob Gronkowski I want to put his head in a waffle iron. ENOUGH. WE GET IT. YOU CAN GAMBLE IN NORTH CAROLINA NOW. SHUT UP.

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

[khruschevshoe]

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

[clouvu]

Save me french yuri... Save me

[hawnks]

Not to be a hater but the romance book culture is in peril

[kheprriverse]

Malon in many ways is their rock even in small decision-making moments, like making them use a wishbone to make up their minds.

Ballad, however, is a bit dramatic.

[moonlit--wonders]

I Love You So F***ing Much + Space Themes

[evansbby]

my opinion on the Blake lively situation

[chryza]

selling my soul to be able to afford a doctor that will actually prescribe me what I need. wish me luck o7

[3416]

finally watching keefe's entire media availability from the other day and reflecting, and it makes me so sad, lol. love or hate keefe, he was brought in to be the contrast to mike babcock... to be calmer and bring more respect in his interpersonal relationships with the players, and i think he did a great job of that. i don't think he lost the room, i just think the leafs need to see a different kind of coaching... different system... to give them the best chance to advance in the playoffs with the way the team's constructed, but you can't watch that media availability and say he doesn't care or wasn't trying or is a bad temperament to coach this team. his whole approach WAS to listen to the players needs and be a calmer presence, and i've enjoyed that a lot about him. i know some people don't love that he handles accountability player to player differently, but i think that's a mature way to go about it knowing he has different kinds of relationships with them all, and they all care abt the privacy of those methods to different degrees. all of these core guys have had insane seasons being coached by him, and that's not nothing... i'm onboard with the idea that change is needed, but i like keefe a lot as a person, and i think he was a great choice to pivot to post-babcock, regardless of the playoff outcomes. hope he finds success elsewhere in the league if he is gone....

[the-meme-monarch]

sorry but i think starlo got the sans and spamton over-saturation effect for me. i don’t like him

[uncanny-tranny]

Good news! You aren't required to make your hobbies and passions "marketable." In fact, your crafts, hobbies, and passions don't even need to be public if you so choose. You don't have to spend all of your energy becoming perfect if you aren't enjoying the process. You are not a product, you are a person, a creative, and your work also does not need to be a product.

[rukafais]

I played Never Grave's demo so I could see if it had any ambition at all beyond smashing a bunch of popular things together to create something kind of interesting and in short:

no lol

The unique mechanic, possession, is so sidelined you might as well be playing as the Cutesy Witch Character that is the mascot despite being a hat that possesses corpses, because it's not actually a hollow knight style metroidvania, it's smashing hollow knight's style and pacing into dead cells' room generation and enemy placement and creates an unhappy compromise that makes me wish it would shit or get off the fucking pot. It also has drops which are supposed to incentivize replay so you can get upgrades and whatnot, but what it mostly does is make me resent how transparently shoehorned the mechanic is.

also why is the build mode so crusty

Oh also this area is like 50% of the demo (since it is the area you actually do all the combat exploration in):

If you have a game that is making me think, at all times "man i wish i was playing another, better game that looks like this/plays like this that I enjoyed more" you've failed to give your game a unique identity and that, more than anything, irritates the shit out of me. The video game industry is built on clones, at least make it a fucking GOOD clone that isn't creatively bankrupt.

Also they have the whole roguelike random upgrade thing going on but they all feel pretty meaningless because there's no real indication or sense of balance. Everything feels like it's there because it has to be there, because it's popular, instead of trying to have some kind of creative identity and stand on its own. It's deeply, agonizingly mediocre. It feels like it was designed by a fucking marketing team because This Is What's Popular, Right?

Which sucks. Because I would play a game about being a fucked up little creature that possesses corpses to get around! But it doesn't even commit to that premise enough to get me interested, DO YOU KNOW HOW MUCH OF A SUCKER I AM FOR EVEN THE SLIGHTEST BIT OF AESTHETIC PANDERING?

Also there's no flavor text or lore or plot which like, if there was SOMETHING i could be interested. There is fucking nothing. It feels like someone slapped this together from a bunch of premade templates and expects you to get excited about it.

ALSO IT'S GOING TO BE ANOTHER EARLY ACCESS GAME, FROM A STUDIO THAT SEEMS TO PRODUCE NOTHING BUT EARLY ACCESS GAMES THAT NEVER MAKE IT OUT OF EARLY ACCESS, JESUS CHRIST POCKETPAIR

[sailoryooons]

Okay I need y'all to be a sounding board to tell me if I'm crazy or if this is as diabolical as I think it is. Tonight (after hours) my boss randomly pinged me and told me to drop my job description and four key projects/values I bring to the company ASAP. I'm like okay... and open the doc link... and there are literally other people in the marketing department doing the same thing where we can all see what the other is writing.

No preface for why we were asked to do this and not everyone in the department has been asked to do this.... is this not absolute psychological warfare????????????

[vavuska]

"kids these days don’t want to work"

Oh, no. Kids want to work, because no work means no money, but the job market is laughing at us.

University/College is a big scam, unless you really want to become an engineer or a pc nerd.

My parents paid for a useless law degree and NOW I have to pay more money for a fucking accountant course for unemployed people, because it's impossible to find a job with my profile.

Education system is just a way to steal working class money.

[martyrbat]

[ID: an uncoloured drawing for a panel next to the publicized version. They're both from the comic Batman: Legends of the Dark Knight #194. In them, Batman is shown from the waist up. He's looking at Jim Gordon, who's off panel, with a penitent expression after being accused of something he secretly did do. He has his palm pressed against his chest and is blocking the bat emblem as his other hand is clasped ontop of it. In the initial drawing, there's a halo floating above his head as well as several tiny hearts mixed in with the lights that surround him. In the publicized panel, the hearts and halo has been removed and two speech bubbles have been added. He's in front of a terra rose background and is starting to say, “Jim, I don't even know what you're...” But Jim cuts him off, saying, “Stop it. I'm tired of this.”

The third photo is a description of the drawing from the artist's (Seth Fisher) website. It reads: This is another page that the DC editors changed: no halos or hearts around Batman, no matter how (disingenuously) contrite he is. In the final edition, the halo and heart in the center bottom frame have been excised.]