david tennant dropping an egg on the counter instead of just cracking it on a flat surface. wacky dad energy verging on “how ‘bout we let the kids cook breakfast, granddad?” I want to put him in a nice armchair with a hand-knit blanket and leave him be.
michael sheen using a vegetable peeler on an onion. fully “I hope they don’t figure out I’m just cosplaying a human” behaviour. I want to put him in a jar with nothing but the clothes on his back and see how long it takes him to escape.
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I was looking at a few posts about autism (as one does) and it just suddenly clicked into place a fundamental thing about Yuri's character that I'd been grasping at, but hadn't really been able to adequately identify. I still have a much longer and more thorough analysis going through a whole lot of my thoughts on Yuri's character and her experience of autism that i'm working on (of which this will likely be a component), but I thought I'd share this separately just to emphasize.
Post I saw which made this click for me was making fun of the fact that most media depicting impaired empathy in autistic characters explicitly depicts them with this unflappable confidence of never having been rejected by people they love. The crux of this is that in actual reality, autistic people almost always have that experience at some point, for some behavior, for reasons they don't really understand. "There is an invisible line where people will get sick of you, and you have no warning of when you're about to cross it." So frequently, autistic people attempt to ride a razor thin edge, walking on constant eggshells to desperately attempt to avoid crossing that line.
Very often autistic people will attempt to avoid doing anything at all which could be considered weird, or off-putting, and will try their absolute hardest to do things in a way that is acceptable to other people, sometimes to the point of outright suppressing their emotions, because they are afraid that they'll say something just wrong enough that the people they care about will push them away, and they don't understand WHY it happened, but they know it's THEIR fault. Sometimes masking is fighting to appear aloof all the time because you can't regulate your emotions in a way that is acceptable to other people.
And holy fucking Jesus, that fits the exact mold of what I've been trying to talk about with the particular way Yuri's anxieties manifest.
It really feels to me like Yuri has this constant fear of breaking the "rules" of socializing, despite not really understanding what those rules even are. She's constantly afraid of saying something wrong, when she doesn't even know what wrong would be, she's just sure everyone ELSE will know it when they hear it. I think a huge part of her social anxiety comes from her own understanding of herself as a very weird person who doesn't really get a lot of how to socialize, and it seems to me like she's probably dealt with her fair share of social rejection and isolation based on those traits. She then felt she had to take responsibility for those traits, probably because it's the one thing she can change, and she is the one common denominator in all of these bad situations (This is something which is pretty common, actually! "Everyone else can socialize just fine, and I have so much difficulty with it! I must just be broken in some way. I have to try super hard to be normal to make friends!")
I think a big part of why it's so apparent in the Literature Club is because she really thinks she's found a place where she can make friends in spite of all of her issues, so when she starts...being herself, and receives even the smallest HINT of pushback, she overcorrects and tries to rein all of herself in to fix her "mistake", because she really wants to make friends here, and doesn't want them to reject her as well.
She's had this experience of others pushing her away for being weird so often that, coupled with her acknowledged trouble for reading situations, when anybody responds poorly to something and she recognizes it, she immediately overcorrects out of fear of being an annoying burden to everyone around her, and that "correction" consists of suppressing herself into being "normal" (or at least "less weird"), because she believes nobody could actually like her just for being who she is. There's something wrong with her fundamentally, and to make friends, for people to like her and want to be around her, she has to "fix" herself.
it's just, like...
it's really hard for me to interpret Yuri's character that doesn't involve her being somewhere on the spectrum, bros. she's written with such delicately constructed autistic coding, despite the appearance of just being a hackneyed weird girl visual novel trope. she deserves the world.......
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Hey so I saw on his Wikipedia page that A. Alastor is aroace and a sex symbol at the same time and B. there are two separate webcomics with him in it that are almost impossible to find online, also C. apparently Mimzy is in love with him and D. the old webcomic had him bound by this evil cloud lady with an apple sceptre, and Lucifer has one of those in the show, so I’m thinking what if she still exists in canon and she’s E. Eve???
Hi! I'm rather new in the whole Hellaverse fandom as a whole (since 2021) so my knowledge is limited but I'll reply with the best of my ability
A. Yes, Alastor is a canon aroace character. This doesn't make him unable to be a "sex symbol" haha. As an aroace myself I'm very glad it has been officially stated, even tho I do like some fun crack ships with him when they're not too out of character.
B. There's only one official webcomic made about Alastor, "A day in the afterlife" you can easily find it on paranoid DJ's YouTube channel, he made an awesome dub and sound design. Any other webcomics you may have found are probably fan made and headcanons :)
C. From what I gathered, Alastor is an old OC of Viv, and he went through different changes. For a time I think he and Mimizy were endgame at some point. But it's not canon anymore. Idk if Mimzy still have the hots for him tho.
D. I am not aware of this webcomic and I don't know if it's an official one. Maybe it's a fan made and then everything in it are just headcanons! :)
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I've haven't gotten through all of Leverage. But I'm so far down the rabbit hole that all I want to do is talk with somebody about the characters and how much I love them and their stupid, goofy, love they have for each other.
Is there help for me? Do I want help?
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There are very few pieces of media that speak to me on what I can only describe as on a spiritual level, and one of those is Shadow and Bone, written by Leigh Bardugo. Don’t get me wrong, I adore Six of Crows and I think it’s an important story that needed to be told for so many reasons, but there’s something so special to me about the simplicity of Shadow and Bone.
When something is simple, it has to be done well. Yes, Shadow and Bone is on its surface a good vs. evil story which we have seen in media time and time again. I think what stands out to me about it is ironically why so many people call it (or specific things about it) “boring.” There are a lot of important themes, but my favorite is the emphasis that is put on the power of being “ordinary.”
I was 15 when the first book came out, and I read them as they were released. I spent a lot of my childhood reading fantasy books because escaping into them made me feel special, in a world where I felt at once completely ordinary and like a total outcast. This feeling only got worse as a teen, as I would spend a lot of my classes, and even my lunch period reading these books. I understand that this is a feeling that a lot, if not all teens feel. I am not special even in my isolation. I spent so much of my time pretending I had some incredible hidden but innate magical powers.
Shadow and Bone was incredible to me for the very reason why I constantly see it being criticized by my peers and even my friends. The idea of “power” being seductive, while also inherently being corrupt, and fueling the class system and poverty that the entire population is living under, (but Alina as the protagonist is being exposed to a lot of it’s worsts) is something the reader is constantly being reminded of.
Alina is put in a very unique situation by being a girl who holds incredible power as a grisha, but was not raised in that knowledge. To her, the power was suddenly thrust upon her, which made it a lot easier to eventually see the flaws in the entire system. So to read about this protagonist my own age, who had the option of power, was tempted by even more of it in the darkling and the amplifiers- and to give it all up in the end was mind blowing to me.
Alina goes from despising her upbringing and general hardship, to ultimately embracing the simplicity of it. Alina is THE Main character™️ and she ends up as a powerless orphan, in love with another powerless orphan she’s known her entire life. In the realm of all my fantasy books I’d been reading, there was nothing “special” about that. And yet, in it’s difference there was.
Alina’s privilege in making her own choices was special. Her choice to not be controlled by the pillars of power around her. Her choice to embrace her upbringing, and help those who will grow up the way she did. Her choice to accept the love she had had her entire life, that although was not seductive and dangerous, was reliable and enduring and all the more powerful for being that.
It is really surreal and almost funny to see it being criticized for these things now. You think Alina and Mal are boring? Well so did they. And then they grew up and learned better. This is the first book that I can think of in hindsight, that made me wonder if I actually did have this very ordinary but incredible power in myself. I have the privilege of making my own choices. I have the power to love others, and isn’t that incredible? From a person who has now grown up and gained some perspective for myself… Thank you Leigh.
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