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#I just decided this and it doesn't fit with canon but this is my story and I make the rules!
beanghostprincess · 3 days
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can you talk more about the connection between shuggy and eurydice and orpheus? i think the myth fits them so well, but i can never decide on which way i like it better. thank you for answering, if you do!
!!! I think I've talked about this before, but I can't find the post-- So long story short: I think the myth sums up their relationship quite well no matter the version. With Shuggy specifically, I believe Shanks will forever be Orpheus while Buggy is Eurydice. A lot of retellings and perceptions of the myth are different, but all of them fit Shuggy so much! Although I think my favorite one is reading into it a bit too much, so bear with me:
We all know that to turn around is to love. To care. Orpheus turns around to check on Eurydice because he doesn't know if she's still behind him. An Orpheus who doesn't turn around is an Orpheus who doesn't love Eurydice. Well, I think Shanks is the same. Shanks worries for Buggy. He asks him to sail with him out of worry and love and loneliness even if he knows Buggy could do alright on his own. He also takes care of him when he's sick and stays with him despite sacrificing his chance to go to Laugh Tale. No matter how much Orpheus trusts Eurydice to not disappear, or get lost, and knows she'll be all right on her own, he will always turn around. In the same way, I think Shanks will somehow keep an eye on Buggy despite that very thing being what makes their relationship break.
On the other hand, Eurydice and Buggy are a whole different story. The version of Eurydice not knowing Orpheus can't turn around and assuming he's just ignoring her hurts, but it hurts way more if you think so in a Buggy POV. Buggy doesn't think Shanks cares in the slightest even when he shows it explicitly, whether it's because of his one-sided beef with him or because he refuses to believe him. Buggy sees not turning around as a way of proving Shanks doesn't care for him. But here's the thing, even if Shanks turns around, Buggy will feel awful either way. Turning around for Buggy means not trusting him enough. The care and worry Shanks feels for him and shows by turning around makes Buggy see this, not as love but as pity. So their relationship might as well be doomed from the beginning, tbh.
Shanks doesn't turn around at first (their usual dynamic) so Buggy sees this as him matching his ""hatred"" (even if he deeply wished Shanks would turn around. Which is to love. Etc etc). But when Shanks does turn around (love him. Ask him to sail together. Taking care of him when he's sick. Etc) Buggy sees this as pity and as Shanks not seeing him capable of handling things by himself, being the hero once again. Shanks loves him but Buggy doesn't let himself be loved (because of his own self-esteem issues and his envy of Shanks). So it's an even more tragic way of explaining the myth--
So perhaps it is a bit of a complex explanation for a pretty simple myth, but this is the way I see them and I'm glad others do it too! Even if it's perhaps in another way or version of the story!! (also keep in mind that this isn't entirely following canon and I'm mostly talking about how I personally see them as a ship).
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works-of-heart · 3 days
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The fandom is so lucky to have you! We appreciate having you here and all that you contribute to it ❤️❤️
1. What brought you into the fandom?
2. What character(s) do you feel the most connected to and why?
3. Out of all of SJM’s books, which one means the most to you and why?
4. Out of all of the SJM couples (fanon, canon, endgame, etc) which one means the most to you and why?
Keep doing you ❤️
Awww!! Thank you so much! This really warms my heart!
1. I got into ACOTAR in 2020, I am not sure why I delayed so long, I was eyeing the series since 2018, and decided to dive straight in. Since the first book I was hooked and immediately picked up the rest of the series! I loved it so much but there wasn't anyone else I knew to talk about it with. So I found reddit and wanted to share my feelings.
I found some parts of the fandom so polarizing, and many of my thoughts and likes were the unpopular ones, so I retreated for a while. I recently stumbled back into Tumblr when I found that there were quite a lot of people here who enjoyed the books as I did and art and fics to share. I wanted to add to that, to be in this space and contribute my own works that I've been dying to share and geek out with others.
I've met so many incredible people in this fandom, many who are super talented and skilled artists and writers, others who contribute in their own ways, and I have been glad to be here ever since!
2. Honestly? Lucien and Elain.
Lucien because he doesn't ever really fit in. He's made a home for himself in spring yes, but then thar fell apart. He lost everything and is with two others who have been his companions and made their own way. He doesn't think a whole lot of himself, he doesn't believe he's needed, as he said "a whole lot of nothing." I resonate with this so much. I've had friends whole dumped me and left me for their own group, I've known what it's like to be invited into gatherings but feel so utterly alone and unwanted, those moments really sat with me when reading his parts of the story, and so I'm excited to see him find himself and grow into truly valuing who he is, realizing he isn't just some seventh son of a lord.
With Elain, the way she's seen by her family is something infeel all too well. She's the people pleaser, the one who tries to balance out the bad with good. She's the one people think is just simple, plain, and 'pleasant'. People think she's uninteresting because she isn't causing waves, that she just enjoys her hobbies and that's it. No one thinks she's capable of more and generally deny her of trying anything else. This really spoke to me on a personal level.
I resonate a lot with Elain who tries to make the best of every situation, but also has a side of her that many have yet to see.
3. I don't think I particularly have one that means the "most" to me persay. At least not yet. I would say the CC books hold a special place in my heart. My husband bought HOEAB on audio book and during a long road trip we listened to it and he was so into it, that it made me smile. He enjoys the series and eagerly bought HOSAB audio book so we took a long drive to listen to it.
4. This will come as no surprise to anyone that it's Elucien for me! The moment Lucien lunged for Elain to try and stop her from being thrown into the cauldron, I was already shipping them, and him whispering with shock "you're my mate" I was sold!
I don't know what it is about them, but the potential they have, the slow burn, the thought of Lucien having given up on true love after Jesminda, only to be given a mate in Elain??! I want it all! I want to see Elain and Lucien having the most tsundere romance, the kind where she's denying her feelings aloud as if it would assure her that she's totally not falling in love with him. The way we can see how their powers will sync, and find home in each other. Their relationship reminds me so much of my own journey with my husband that I can't wait to see it unfold.
I could go on and on as to why I personally love these two together, but at the end of the day, they bring me so much joy and have been the inspiration to so much of my artwork. ❤️
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windfighter · 4 months
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Could you write digimon frontier where someone finds/falls into one of Grumblemons burrows? Or just something about him. (He is very underrated)
I tried, but it turned out to be more about Fairymon ops x,x
Takes place after the end of Frontier, when the kids have gone home and the legendary warriors are the new guardians of the digital world:
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Winding Tunnels
The ground disappeared beneath Fairymon’s feet. She yelped, fell. Her wings beat behind her, kept her from crashing completely. She landed gently on a secret second ground, hidden below the first. Tilted her head and listened to the sounds of the area. Wind howled, swept through tight corridors. A tunnel. Several even, a whole system. Had a Drimogemon made it to her area? She put her hand to the wall, followed it deeper.
The tunnels went in all kinds of directions. She listened for the wind, let it guide her through them. Through very tight corridors where the wind whistled high notes for her, and through wider tunnels where it was but a whisper. She didn’t know how long she had walked, but her feet were starting to ache.
”What are you doing here?”
Fairymon tilted her head at the voice. Grottomon.
”I could ask you the same thing”, she answered.
The air was a lot more still in this place, the wind quieter. A cave. Fairymon’s wings beat, lifted her from the ground and she flew over to where she could sense Grottomon.
”I found your tunnel in my area”, she explained.
Didn’t land. Grottomon moved around, but didn’t look at her. She didn’t look at him either, but the movements in the air told her where he was. Unthreatening.
”The ground is my area”, he answered.
Simple as that. Fairymon didn’t agree.
”The mountains are your area, not the Soyokaze village and surrounding forest.”
She put her hands to her side.
”We split the world in ten areas to not step on each other’s toes after the incident”, she continued. ”We should all honor that arrangement until the Angels are back.”
”Don’t think I don’t know about you sneaking over to Ranamon”, Grottomon answered.
Fairymon’s cheeks felt hot. She crossed her arms over her chest.
”That’s… a different matter”, she said.
”Uhu.”
He knocked on one of the walls, shuffled around and knocked again, probably preparing for another tunnel. Fairymon sighed. She wasn’t angry and Grottomon obviously though she was.
”I just want to know why”, she said. ”And to know where the tunnels are so no other digimon get lost in here.”
”Are you lost?” Grottomon asked.
There was laughter in his voice. Fairymon clenched her hands, stretched her back to look more assertive.
”Of course not!”
She was so lost, but she could always follow the wind out. Grottomon laughed.
”Faster travel”, he said. ”Been over to The Dark Continent a bit lately.”
”Why are you…”
”Wolfmon and I had some things to discuss”, he said.
What exactly he didn’t say. Fairymon didn’t ask.
”I am not spying on you or whatever you’re implying”, Grottomon continued.
Moved to another area of the room. It was big, Fairymon couldn’t hear the wind reach the walls. It seemed to gather somewhere above her. Probably a vent or something. Maybe she could get out that way.
”My area’s not big enough”, he continued.
They had split the world in ten equal areas. One for each of the legendary warrior, since tensions had been high after the humans left. Fairymon was just about to point it out.
”All Dig-mons are in my area”, Grottomon continued. ”No tunnels allowed anywhere else and they need to dig. The Digmons, the Armadillomons, the Drimogemons. Me. We need to dig, it’s in our data. There’s almost no ground left to dig in here.”
He turned towards Fairymon. She made an attempt to turn towards him as well.
”Some tunnels flooded because the ground under the lake got too thin and now the lake’s gone”, he went on. ”Water’s gone, plants are wilting and everyone is starting to starve. I can’t reach Ranamon because she’s in the ocean.”
Fairymon landed on the ground.
”You should have said something.”
”I’m telling you now.”
He turned away again.
”We’re trying to fix it, but we still need more dirt. More space. Fresh water. Wolfmon’s been supplying some food while we sort it out. Only one of you who’ll speak to me.”
Fairymon laughed.
”Can’t imagine the dark continent is great for him.”
She didn’t know why Wolfmon had chosen that area, and why Löwemon had taken the Forest Terminal and Seraphimon’s castle. It wasn’t her place to speculate, but obviously he felt lonely if he reached out to Grottomon of all digimons. Fairymon walked after Grottomon, followed him for a bit as he knocked on the walls.
”We can help you”, she said after a few minutes. ”We could use a few digmons in my area. And I’m sure the others would also like to help.”
She smiled.
”It’s not a competition, we’re taking care of this world together.”
”Some of us more together than others”, he answered.
But there’s wasn’t malice in his voice, just teasing. Fairymon blushed again and looked away.
”I don’t know what you’re talking about.”
He stopped, she heard him draw something on the wall.
”Anyway, I’ll talk with Ranamon”, she continued. ”And it’s probably time we all met up.”
”Because the last meeting went great.”
The last meeting… Fairymon shuddered. Agnimon and Chackmon had gotten into a fight, followed by Löwemon and Wolfmon refusing to talk to each other. Blitzmon and Mercuremon had done something and then half the building had exploded. Arbormon spent most of the meeting sleeping while Ranamon drew figures on the table. Fairymon had gotten into a fight with Agnimon the moment Chackmon stopped arguing and left. Calling it a disaster didn’t do it justice. Fairymon had no idea what Grottomon had been doing throughout it either.
”Well… We’ve grown a bit since then”, Fairymon said. Hoped. ”We were all still affected by the humans back then. Or the corruption. I’m sure this time it’ll be fine.”
The only one she had spoken to since then was Ranamon, but hope springs eternal. So, she really hoped they would do better this time. Grottomon grabbed something and went back to the wall.
”I can figure it out on my own”, he said. ”Don’t need you all stenching this place up.”
”I’ll send word about the meeting”, Fairymon answered.
Turned around, Now, where was the tunnel she had arrived through? Grottomon laughed.
”Tell me again how you aren’t lost.”
”I’m not lost”, she said.
The air rose to the ceiling. Fairymon’s wings beat behind her, lifted her from the ground.
”Ciao!”
She hoped the hole in the ceiling was big enough as she flew through it. The air guided her, let her know where the walls where so she could avoid them. She still scraped against it in a particular thight spot, but then she felt warmth against her face. Sunlight, a fresh breeze. She was above ground again. She turned, flew back towards the Soyokaze Village. Now she just needed to figure out where they could all meet up.
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zaephix · 15 days
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macaron of my eye / / zayne . . .
being the birthday boy came with its perks, like gifts and cake, blessings, and even being able to get away with stealing a few birthday sweets and kisses.
warnings: f!reader, canon divergence (story is diff from the bday story), jealous!zayne, fluff, suggestive
w/c: 1.2k
author's note: happy birthday to the one fictional man who set my standards higher than heaven <3
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"nuh-uh, nope!"
zayne didn't even get the chance to land the slightest touch on one of the many macarons you ended up baking before you promptly slapped his hand away.
"i know it's nearly your birthday but this doesn't mean you can just have your way when you see fit, doctor."
he slowly retracts his wandering hand and you resist the urge to giggle at the sight of his dejected face. these past few days you'd been busy planning for zayne's special day. decorations, sweets, gifts, cake, more sweets... it took some work but you had just about everything checked out and ready to go.
...except for the surprisingly clingy man before you.
he doesn't know why, but he's been feeling irked ever since you visited the hospital a few days ago. it was common to see you heading over to zayne's office after your shift was over, but he'd never actually see you stop and talk to his coworkers. it bothered him, clearly.
you and greyson would talk in hushed whispers oftentimes these days, sneaking glances over in his direction everytime he'd pass by. he brushed it off but it would never leave the back of his mind.
not to mention the fact that you'd barely respond to his calls and texts. he'd taken the next few days leading up to his birthday off, and you seemed excited, so why the change of energy?
he found his answer 20 minutes ago.
"you know, i'd maybe let you eat some if you didn't just come into my apartment unannounced and..." you glance over him, "so gloomy..."
zayne sighs, leaning on the countertop of your kitchen while watching you work ever so diligently.
he supposed you had a point.
after his 4th missed call or so he decided to see you himself, knocking on your door before picking up the key under your plant vase in front of your door and seeing himself in... and as you can tell, without your permission.
"i'm... sorry," he starts slowly. "but don't you think you're at fault for ignoring me?"
you turn back around after putting in the final batch of macarons, smiling. "awh. poor little doctor zayne. so helpless and in need of attention."
he turns his head to the side a little and shakes his head lightly, smiling all the while. "yes..."
"poor little me," a sudden mischiecious glint appears in his eyes, "without my hunter to keep me company. she keeps sneaking off and planning surprises behind my back."
"and yet... someone ruined it!"
"i suppose were both feeling quite woeful today."
"hmph," you turn around with your hands crossed. "don't even ask for a bite. i know you'll be begging sooner or later!"
he stands up and comes closer to your turned form, "not even a nibble?"
"not even!"
"then... i'll just have to improvise, no?"
"what are you talking abou-?"
unbeknownest to you, zayne's favorite sweet was not just macarons.
no, they were something else entirely.
he hums as he rests his arms atop your waist, leaning down exceptionally slowly. your neck heats up, even moreso than when you were stuck baking in the kitchen for hours on end.
his breath fans against your ear, soft chuckles echoing from his chest onto the plain of your back. "this."
he moves the hair cascading down your back to your side, holding it in place as he softly latches his lips onto your exposed skin. your own breath hitches in your chest as you gasp at the contact.
his lips felt cold, but not in a bad way. cold, like the first breeze of autumn after the end of summer. he moves his way up the side of your neck with painfully slow strides. he inhales deeply, taking in the sweet scent of the various flavours of cake attached to you.
and as you exhale steadily, you wonder what encouraged him to reveal this side of himself.
"zayne..."
soft carresses of his lips lingered on your skin—and you found yourself hoping your own lips to be their next victim. never once did his grip on you falter or grow stronger, yet they kept you firmly in place, anticipating his every move.
soon enough he'd completed his trail across your jaw, and you turn your neck to face him. he opens his eyes to find yours and detaches himself, dark and hazy. god, you felt pathetic...
"did you get my answer yet?"
you don't reply, looking from his eyes to his lips again once more, and leaned in.
ding!
you jolted away from him and cursed yourself for putting the macarons in the oven on high so that they'd get done faster. with how everything was going along just about now, you wouldn't even give a damn if they burned or not if you could just continue for a moment more.
"ah... they're ready."
you grab your mittens and open the oven door, letting it cool down while all the steam came out and then finally grabbing it. you set them down on your counter with a proud smile.
"look, this might just be my best batch yet!"
"you really are something..."
zayne gives you a wistful smile and looks over your shoulder, nodding in approval. "you truly outdid yourself this time. they look amazing."
"and?"
"...they also smell nice."
you roll your eyes, "no silly, what's my reward?"
he pretends to think, "hm, i don't know. what should your reward be?"
a noise goes off, your alarm set for 12 am to give zayne a birthday call ringing from your phone. you glance at it and then look back at him,
"...i might just have an idea."
and he reads your mind, dipping in to kiss you without a second thought. afterall, what better way to start his birthday than a kiss?
you sway in his arms, a hand rested atop his cheek and the other on the side of his neck. he smiles into the kiss and pulls you closer, gently moving your bodies in synchronization.
you were sure you could hear his phone vibrating, no doubt on the fact that it was probably one of his colleuges calling to wish him a happy birthday. but you both knew that could wait.
he kisses you slowly and passionately, arms enveloping around you with ease. you're almost left out of breath before you pull away for a split second, until he pulls you back in again. it feels almost desperate, with how he's leaving little to no room for movement and just focusing on your presence. on your lips.
soon enough, you pull away, opting to lean your forehead against his.
"so, birthday boy, did you like your first gift?"
"i thought this was supposed to be someone's reward?"
you giggled, "i changed my mind. this was more important."
he smiles for what felt like the umpteenth time today, sighing peacefully. "does this mean i finally get to try your delicious sweets?"
"what do you mean finally? i tasted the cream inside your mouth! you stole one while i was putting the rest in the oven!"
"hm?"
"don't play dumb, i know exactly how it-!"
and he silences your fusses with one last kiss, and you couldn't help but give in to it.
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im-subtextsexual · 4 months
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I’m glad so many people picked up on the vibes between Eloise and Cressida. Not a ship I ever considered before, but the tension was palpable. I’ve been a Queer Eloise truther since reading the books. Her portrayal on the show only made it more obvious in my mind. I didn’t think the writers would ever go there, but the set up is just so explicit, now I’m not sure. I don’t think they’d actually make Eloise / Cressida canon, but I do think they’re testing the waters for wlw Eloise. And it makes perfect sense. 
First off, the character is queer (I’ll hold off from labeling her a lesbian outright, because there’s definitely room for other identities like bi, demi, ace…. etc.) Even in the books. I legitimately think Julia Quinn accidentally wrote a sapphic character and then didn’t know what to do with her. So what we got is “To Sir Phillip, With Love”, widely considered to be one of the worst in the series. Believe me, if there’s any story that could stand to deviate from the books, it’s this one. And the story could so easily be adapted to a wlw romance, it would be a wasted opportunity not to do it. Like… the story would be better if they tweaked it to fit a queer canon. AND it could be done in a historically accurate way to shut up the naysayers that “a lesbian storyline wouldn’t fit in this universe.” How? Allow me to explain.
*SPOILERS FOR BRIDGERTON SERIES BOOK 5*
In the book, Eloise strikes up a correspondence with Sir Phillip Crane. Yes, THAT Phillip, the one currently married to Marina from season 1&2. Marina kills herself because she can’t stand to be married to Phillip and deal with their children in the wake of her lover / his brother’s death. His initial interest in Eloise is to find a mother for his children. She is intrigued by his intelligence and decides she doesn't want to be alone, but isn’t necessarily eager to marry or have a family. Due to romance novel shenanigans, she runs away to Phillip's house and is forced to marry him. Even as they grow to kind of love each other, it's far from some grand romance. It’s the very definition of “settling”. The most interesting part is the narrative structure of their story being told through letters in the beginning. We could keep all that, but make it gay. 
*Imagine*
Eloise meets some dapper gentlemen new to the marriage mart. We’ll call him Emmett. Very little is known about Emmett and his family as they keep largely to themselves at their estate in the countryside. The only thing that’s widely known is the family suffered a tragic accident where the man of the house and his oldest daughter died, leaving his son (the other twin) to take on the responsibility of rank and title very early. Emmet is making a rare appearance in London to find a wife (there are rumors of stipulations in his inheritance requiring a match). ALL the debutantes are fawning over him because he’s mysterious and extraordinarily good-looking. One might even say “pretty”… To everyone’s great surprise the season’s most eligible bachelor takes a special interest in Eloise after overhearing her talking about her disdain for the social convention of marriage, and how she would only consider it if it were an in-name-only, marriage of convenience. Emmett strikes up a conversation with Eloise and she is taken by his humor, wit and shockingly deep empathy for the limitations society puts on women. They continue to gravitate to each other through the first few events of the season, but Emmett has to return home suddenly because of a family emergency. Eloise is shocked to find herself disappointed, but they promise to write. Cue the correspondence romance.
Eloise grows more and more smitten with Emmett every letter she receives, but still has the same reservations about marriage especially when she thinks of the intimacy a relationship like that would require. When Emmett hints that he may want more than friendship, Eloise's feelings get the better of her and she goes to visit Emmett unannounced. He is shocked to see her, but let's her stay and she gets to know his mother and two younger sisters. The Bridgertons go looking for Eloise, worried something has happened to her. When she is found to have been staying for days in an unwed man's home without a chaperone, the potential scandal causes Anthony to force Eloise and Emmett to marry. Surprisingly, Emmett actually agrees so Eloise does too (all of this is essentially what happens in the book).
Eloise confesses to Emmett that she's nervous/resistant to physical intimacy, but he assures her they never have to be together that way. In fact, he would prefer the marriage of convenience they always talked about. Eloise is relieved until their kiss at the wedding sparks an attraction she wasn't expecting. They spend the first month or so of their marriage sleeping in separate rooms, enjoying each other's company, and letting the tension build. One night, Eloise's control and curiosity finally snaps and she goes to Emmett's room to initiate a physical relationship. She catches Emmett off guard in his sleeping clothes which makes it VERY clear... Emmett is a woman (cliffhanger of episode 4, and where we deviate from book canon to make it queer).
After the initial shock, Eloise allows her new "husband" to explain. Emmett is really Emma, the daughter believed to have died in a carriage accident with her father so many years ago. It was her twin brother that actually died, but since there were no other male heirs, Emma's family fortune would have gone to a distant uncle who is cruel and abusive. To save them of that fate, Emma's mother conspired with the local coroner to make it look like Emma was the one who died, so "Emmett" could inherit everything. Emma has been living as Emmett ever since, successfully keeping up the deception by keeping a low profile in society. The only reason Emma came to London that year is because her uncle died, and a cousin had come around asking questions hoping to inherit. She thought getting married would help secure her identity as Emmett and the cousin would back off. At first Eloise is outraged. She feels betrayed by Emma's duplicity, and is terrified if any of this ever got out everyone they know would be ruined forever. She agrees to keep the secret to save her family's reputation, but shuns Emma. Eventually, Emma (already aware that she's in love with Eloise) attempts to make amends and Eloise is charmed enough that she relaxes back into the relationship they had before the Big Reveal. The only problem is the attraction is still there, even more so now that Eloise knows the truth. Things come to a head, and they go at it Bridgerton style.
Emma and Eloise live happily in a true marriage for a bit until Cressida and Penelope come for a visit. They both find out about Emma, but are sworn to secrecy. Pen easily swears her loyalty (having already suspected Eloise), but Cressida is sickened. In a rage, she threatens to out them all, and storms back to London. Eloise follows her and begs Cressida to keep the secret, and tries to explain why the "wrong" feelings she has for Emma are very right for her. To Eloise's surprise, Cressida isn't upset about what she's doing with Emma, but who she's doing it with. She didn't know what they're doing was an option; that she was an option. Cressida confesses that if she'd known a life with Eloise was a choice she could make, it's the life she would have chosen. Eloise lets Cressida down easy by explaining they didn't have that choice. Everyone in the ton knows who they are. The only reason her relationship with Emma works is because of the ruse that allows Emma to be Emmett. Cressida takes this in stride, and vows to keep the secret, but her mother overhears and causes the biggest scandal London Society has ever seen.
The Bridgertons and a few friends (like Lady Danbury) are as understanding as possible, but the rest of the ton is rabid. Things escalate to the point where Emma and Eloise have to appear before the Queen. Emma pleads her case about pretending to save her family, and insists that Eloise didn't know until well after they were married so she's innocent. Eloise can't help herself and gets on her soapbox about the way society limits women, and that the Queen should understand their plight. Shockingly, she does. She annuls their "marriage" (because they didn't consummate anything... RIGHT?!) but she agrees to let Emma control her family's estate until one of her sisters produces a male heir. After that, she and Eloise will receive a pension from the Crown so they can live independently (the real Queen Charlotte actually did this for suspected historical sapphic couple The Ladies of Llangollen). Since Emma and Eloise would never be able to find husbands now, they decide that they'll just be two spinsters growing old together in their house in the countryside. You know... just two gal pals. No one believes that shit, but they rarely interact with the ton, so they're largely left alone to live as they please.
Happy ending, close to canon, historically accurate, and super gay. It's not that hard. You're welcome.
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thankskenpenders · 8 months
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Sonic Prime Season 3: Final episodes, final thoughts
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Well, here we are. The final seven episodes of Sonic Prime are out on Netflix, concluding the story of Sonic's adventures in the Shatterverse. I've previously shared my thoughts on the first and second seasons, which I was pretty mixed on, but there were still glimmers of hope. The fluid animation, Shadow being fun in all his appearances, Nine being fairly interesting as a jaded alternate version of Tails, etc. There was enough to make me believe that after some highs and lows there was still the possibility that this show could end on a high note - or at least a decent note.
This did not happen.
Sonic Prime's final season sucks. The ending sucks, and the road to get there sucks. It's left me wondering what the point of all this even was. There are still moments I like that I'll try to highlight, and the animators and voice cast are still clearly giving it their all, but these efforts sadly don't outweigh the overwhelming mediocrity of the story. I would barely even recommend other Sonic fans who are on the fence go out of their way to finish it. I won't begrudge people who got more out of this show than I did, but I think overall I just really, really dislike Sonic Prime.
...The problem, of course, is that all other discussion of the show has been overshadowed by needlessly hostile arguments over its place in Sonic's canon. So we've gotta talk about that, too.
(This post will contain full spoilers for Sonic Prime.)
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The show's out of ideas but they've gotta stretch that shit out to hit the 23 episode mark somehow
Season 2 ended with the big twist that Nine decided to betray Sonic and Shadow, taking the Paradox Prism for himself so that he could go turn the empty world of the Grim into his own little paradise, since he doesn't believe he'll fit anywhere else. Nine has made himself the true big bad of the show.
The main impact this has is that now, instead of fighting endless identical Eggforcer bots and members of the Chaos Council over and over, the good guys and the Chaos Council have to fight endless Chaos Sonic-style robots sent by Nine while he goes "grrrrr I need Sonic's energy to stabilize the Paradox Prism." This continues for six whole episodes until the series finale, when the show decides it's time for Sonic and Nine to quickly make amends, fix everything, and send Sonic and Shadow home.
That's pretty much the whole season.
I cannot emphasize enough just how much of this final season is just fight after fight after fight against Nine's bots, and how fucking boring that gets. The season feels like one long, drawn out final battle that did not need to be nearly this long, but Nine had his big heel turn 2/3 of the way through the show and we've gotta fill up the rest of the time somehow. The novelty of the bots being based off of Sonic's friends (including the Chocobo-sized Birdie from the jungle world) really wears off quickly when they're just used as generic, silent mooks that the good guys have to fight by the dozen like it's the climax of an MCU movie. The first episode of the season with Sonic and Shadow fighting the new bots is pretty good, especially because Sonic and Shadow's dynamic is one of the few redeeming aspects of this show's writing, but after that it just gets boring. Three full episodes in a row are spent showing all the characters fighting robots in an empty wasteland while Nine scowls next to a big beam of energy. I found myself missing the in-your-face attitude of Chaos Sonic so much. He truly was one of the best parts of this show.
While the cast is busy fighting all these robots for what feels like an eternity, various things of varying levels of interest happen. There's a halfhearted attempt to have some kind of rivalry between Shadow and the main Grim Sonic throughout the final battle, but it completely falls flat because Grim Sonic has no personality whatsoever. It's like Shadow beefing with an above-average Egg Pawn. (Actually, no, that would be funny.) There's also a death fakeout with the two other versions of Tails, where they make a makeshift bomb and throw it a little too close to themselves on the battlefield and seem to get vaporized. If they had actually died there they would have had the funniest, most pointless deaths in the entire franchise.
I also realized at one point that they were trying to do the Avengers girl power fight thing with the three versions of Amy fighting a bunch of Rouge bots. This was very funny to me. Actually, so much of this is just following the tired MCU formula to the letter. Fighting over a macguffin, two armies just kind of running at each other and clashing in a big empty field, constant one-liner quips instead of actual jokes, the need to take out key targets to make the whole enemy army disappear, a villain who has a point but has to randomly hurt people so that there's an excuse for the heroes to fight him. When combined with how shit the multiverse stuff is, this whole show really is just Man of Action tackling some of the most played out storytelling tropes in modern pop culture in the most bland way possible. What a bunch of hacks.
By far, the one truly fun thing that happens in this protracted final battle is when a giant robot based on Big appears. It doesn't have arms or legs, but it can swing itself around to use its tail like a giant mace, and it can also shoot Froggy-shaped missiles out of its mouth. I wish the rest of the show was even half as fun as this. Again, Sonic Prime has just enough good moments to make you mad that the rest of the show isn't better.
The thing is, all this repetitive (but well-animated) action and the thin excuse plot would be totally serviceable if I just gave a shit about the characters involved. But I don't. I don't care what happens to the pirate version of Amy who goes "arrr." I don't care about what happens to Hipster Eggman. And unfortunately, by the end, I didn't really care about Nine, either.
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Nine as a villain
It's hard to criticize the story here without it coming off as a broad condemnation of the tropes at play. The thing is, I like many stories that try to do similar things. I love clashes between heroes and villains that are really just fantastical exaggerations of more personal conflicts. I love stories where a tragic, sympathetic villain lashes out at the world as an expression of the pain they feel, and a compassionate hero just has to get through to them. I eat that shit right up. Undertale is my favorite game ever made. Shit, I love other Sonic stories that do these exact things. And Sonic having to fight an alternate timeline version of Tails also has so much potential for drama!
So I can very easily imagine a version of the show where all this works for me. That just isn't the version we got.
Like I said last time, Nine's motivation is just too sympathetic and understandable for his sudden turn to supervillainy to make any sense. He just wanted to start over somewhere where he can be happy after a childhood filled with bullying and loneliness. Nine betraying Sonic and stealing the Paradox Prism to go make his own world? That tracks! Especially since we don't even know if Nine will still exist if Sonic goes through with his plan to restore his original world! But trying to kill everyone in New Yolk City by tilting the world 90 degrees, intentionally targeting the civilian population because it'll get to Sonic? Nope! Sorry, that's a bridge too far. I don't buy it. He's jaded and antisocial, but he doesn't strike me as cruel. Writing in an excuse about him needing Sonic's energy to fix the Prism does not make this make more sense.
This was really just one of those conflicts where it felt like everyone should stop and talk it out. Instead we got six episodes of fighting before one of Sonic's many, MANY attempts at reasoning with Nine throughout the season finally works. This isn't me pulling some Cinema Sins bullshit where I complain about characters in a work of fiction not always behaving rationally - the real problem is that it's just so damn repetitive waiting for this conflict to resolve. This could have been wrapped up in two or three episodes and instead it takes seven.
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A brief aside about that weird Dorkly-ass Sonic Advance 3 flashback scene hacked together with mismatched sprites where Gemerl happens to be present, presumably just because he's a part of the sprite for the Sunset Hill boss, and seeing him briefly makes me remember the extended cast from the games and how much I wish they had just made a cartoon about them instead of a bunch of stock characters wearing the skin of Sonic's friends, but then Gemerl just explodes with the boss machine at the end while Eggman is shown to get away so I guess Gemerl just dies in this flashback
Yeah that sure happened huh
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The ending
Despite having a final battle that felt like an eternity, Sonic Prime is a show that just kind of... ends. And that ending is weird and haphazard.
The understanding I had was that Sonic's normal world had "shattered" when the Paradox Prism was destroyed, and from those remnants these new worlds were created. This is why they use terms like "Shatterverse" and "Shatterspaces" and why there's shattered glass/crystal/whatever imagery everywhere. This is a broken, fragmented version of the real universe. Right? Right?? Isn't that the entire premise of the show? And therefore, if the universe has been shattered, then fixing it means putting all the shattered pieces back together. Which I would assume means that the Shatterspaces cease to exist.
So, in the ending... Sonic's world seems to just exist as another Shatterspace. Restoring the Paradox Prism doesn't seem to combine the worlds or anything, it just fixes the broken portal to Sonic's world that exists alongside all the others. So... what exactly was the point of all the shattered glass symbolism?
Things only get more confusing as the ending progresses. Shadow brings Sonic through the portal before the draining of Sonic's whatever energy makes him disappear, and they're transported back in time to right before Sonic broke the Paradox Prism. Only Sonic seems to remember what happened (Shadow might remember, but he doesn't say anything), and with the Paradox Prism never shattered, it's unclear if the Shatterspaces exist now.
I'm not particularly hung up on the time loop ending. It's very much in line with all sorts of classic morality tales like A Christmas Carol or It's a Wonderful Life, where the flawed protagonist goes through some kind of magical experience and then returns home with a new appreciation for the people in their life. It's always been pretty obvious that was the type of story they were telling. I'm more bothered by the fact that there's no time whatsoever spent on whether or not the other worlds and the characters in them continue to exist. Sonic seems to act like the worlds will go on without him before he leaves, but it's not like we get an ending scene that shows how the other worlds are doing, so they really truly might as well not exist anymore. Sonic just wraps up the adventure from the first episode when he gets home, and before he can explain what happened from his perspective he's interrupted by a mysterious energy wave from off-screen and it's off to the next adventure.
(Despite this odd cliffhanger ending, the show is extremely over and not coming back. I have to imagine this is just a "the adventures never end" type ending and not a hint that more shit is going on with the Paradox Prism.)
This ending is also a terrible resolution to Nine's whole arc, despite him being the driving force of so much of the show. The way I see it, there are are three possible fates for him:
The Shatterspaces continue existing, and things go as Sonic expects them to go. Nine is allowed to make the Grim into his own little utopia, and everyone else leaves him alone instead of punishing him for all the trouble he caused. Instead of finding love and acceptance so he can heal from a lifetime of bullying and loneliness, Nine is allowed to run away, isolating himself from every other living being in the multiverse, and live alone as the god of an empty world with only his own creations as company. Sonic was his only friend, and he's gone forever now.
The Shatterspaces continue existing, but because of the time travel ending, most of the events of the show never happened. Sonic never helped defeat the Chaos Council, so they still control New Yolk City. Nine is back to living in this dystopian city with no friends. He never met Sonic.
The Shatterspaces have been erased. After fighting so hard for his right to exist as his own person and not just a "wrong" version of Tails, when the timeline is altered, he just... stops existing. Along with almost every other character in the show.
Do I even need to explain why these are all unsatisfying?
Misc. thoughts
I skimmed over this, but a lot of the final season is just spent seeing Sonic's friends bicker with the Chaos Council and then Sonic has to beg them to get along to save the universe. It gets old.
We also never really got an explanation for why the Chaos Council exists. They can't have come from other Shatterspaces because there ARE no other Shatterspaces. If the original Eggman was just split into five guys or time travel was involved or whatever, it never comes up. I can live with this, but it seems like an odd omission for a children's show that's constantly bogged down in technobabble explaining the mechanics of its extremely small and finite multiverse.
I have no idea where Shadow was for the first part of the final battle. I figured Nine must have captured him off-screen after Sonic first left the Grim, but Shadow was just... hanging around until his cue in the script, I guess?
Sonic saying "help a brother up" to Shadow was funny
Hipster Eggman pointing to one of the few nameless extras who tagged along for the final battle and going "Who are you? Seriously, does anyone know who this is?" was the only funny thing he did in the entire show
Mangy Tails randomly pressing buttons on the Chaos Council's generator like a curious animal and managing to improve its output was cute
Rusty Rose randomly realizes that the Birdie in her chest actually isn't being used as a power source, and that the Chaos Council was just... using that to manipulate her, somehow? I don't really know how that works but whatever
The Sonic Advance 3 flashback uses the actual boss music from the game, but they can't use the real Sunset Hill theme because they didn't wanna pay Masato Nakamura for using the Green Hill motif, I guess
To my fellow fans of bad games: did you know that Man of Action wrote the story for the bizarre Square Enix game The Quiet Man? The one where the lengthy FMV cutscenes play out with muffled audio and no subtitles because the protagonist is deaf, so you can't tell what's going on? And you had to do a New Game+ playthrough to actually hear the audio and understand what's going on? The worst-reviewed game of 2018? That one? I only learned that recently and it blew me away
So yeah, that's the end of the show. I didn't like it, and I don't think I liked the show much as a whole. I am far from alone in this sentiment, but the reasons why people dislike the show... those vary a bit.
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The canon conundrum
More than anything else, it seems like most other discourse surrounding this show has been consumed by one talking point:
How can this be canon? Why is it canon?
I want to state very clearly up front that I, too, am a person who's noticed and complained about the inconsistencies with the games in Sonic Prime. Some of the characters are a bit off - or, you know, completely unrecognizable when discussing the writing of some of the AU counterparts. I think it's lame to say Sonic and friends all live in Green Hill and act like that's the entirety of their world. That sort of thing. But if Sega says it's canon to everything else? Sure. Fine. There's weirder shit in the canon.
Really, most of this can be explained away pretty easily. The show was written at a time when Sega was still figuring shit out and there were looser restrictions. Why does Sonic act a little more immature? Probably just because Prime is aiming for a slightly younger audience than the games or the IDW comics. (And also it's, y'know, written by Man of Action, who people have accused of only knowing how to write one kind of protagonist for years.) Why do Sonic and friends live in Green Hill? Because that's the most recognizable location from the games, and the game world doesn't get enough screentime to justify modeling multiple different environments, so they just focus on Green Hill. Why is this considered canon to the games? Because this is the first Sonic cartoon that outright references events from the games as things that have happened to Sonic in the past.
But announcing early on that Prime would be canon certainly let fans' imaginations wander. It was one of the few things we knew about the show before it premiered. People wondered if characters from the games and comics who had never made any appearances in Sonic cartoons might get their time in the spotlight. We wondered if it would tie into the lore or any existing storylines in interesting ways, like the IDW comics do. But above all else, we hoped that its canon status would mean that Sonic Prime would finally be the Sonic cartoon that was faithful to the source material with no catches. We've literally never seen the actual world of the games brought to life in a TV show. Sonic X came the closest, but that still took its liberties. And so hype built for this Canon Sonic Cartoon.
And then it actually came out, and after a brief intro in Green Hill based loosely on the games, it spent most of its running time focusing on things like "what if there was a version of Eggman who was a bratty teen who just wanted to play video games?" The disappointment among fans is understandable. I am disappointed. Look at how much I've bitched about this aggressively mid cartoon.
Some fans, however, came up with an elaborate theory about the series. You see, when asked about the show's place in the game timeline during a live Q&A, Ian Flynn (who only served as a consultant on Sonic Prime and did not write any of it) said this:
"I cannot answer because I know the answer, and you haven't finished watching the show yet."
A couple days later, when answering another question about Prime's place in the timeline and also about a writing discrepancy, he said this:
"As to where it fits on the timeline, I can't speak to it because that would spoil the show to a degree. So you're just gonna have to wait 'til it's done. Towards the other point, I don't know how much I can say, so it's probably better that I not comment. That's a really dissatisfying answer, I know, I'm sorry, but my hands are kinda tied on that one."
I feel the need to quote Ian directly here, because these very basic statements about how he can't talk about behind the scenes shit or anything from unreleased episodes was GREATLY misinterpreted by the fandom. People clung onto Ian's claim that we had to keep watching like a life preserver. Some took it as Ian saying that the ending would explain everything. Finally, we'd have a definitive answer for every little discrepancy and the apparent differences in worldbuilding. An explanation for why Sega and the producers repeatedly insist this show HAS to be canon.
And to these fans, the only explanation that made any sense... would be if the ending of Sonic Prime pulled a Flashpoint.
As this theory explained, the Sonic we were following in Sonic Prime wasn't the Sonic we know from the games and the IDW comics, and likewise the world he comes from isn't really the game world. This is a different Sonic who fights a different Eggman in a world that's literally just Green Hill. It was a hint that something was off all along! But in the end of the series, this Sonic would sacrifice himself to merge all of the Shatter Spaces together and form a brand new world, and that would be the more visually diverse world of the games and comics. According to this theory, Sonic Prime was canon because it was a new origin story for the entire franchise.
I want you to really stop and think about how asinine of an origin story this would be. Really drink this in. The idea that there was another, slightly different version of Sonic who went on a kinda shitty multiverse adventure and then sacrificed himself to create the real Sonic that we've known since 1991. People convinced themselves this made more sense than the simple explanation that a different team of writers got some stuff wrong and Sega didn't make them change it. Interviews where producers talked about drawing on Sonic's "mythology" (ie: they reference the games in the show) were taken very literally - they must be saying that Prime's story is mythological in nature, and that this show would be integral to the games' mythology. Why bother making a show that's canon if it's not going to be crucial to that canon, after all?
The final episodes dropped, and none of this happened. Because of course it didn't. It was all Sherlock fandom-level copium. But fans were left confused by the lack of a grand reveal of where Sonic Prime fits in the timeline, believing they had been promised this, and they turned to Ian for an explanation. Ian's answer:
It doesn't matter, b/c Prime wipes itself out. It's sometime after Advance 3*, but otherwise, it's moot. I didn't want to sour anyone's expectations or investment by spoiling how Prime resolves, that's all. If you enjoyed it, awesome. Savor it. If you didn't, then you can safely ignore it. Simple as that.
* About a trillion people have um, actually'd Ian to point out Orbot and Cubot briefly appear in the show, but if we're really being pedantic here we don't actually know how long before Colors Eggman built Orbot and Cubot, so it wouldn't be fully accurate to say a story featuring Orbot and Cubot couldn't be set before Colors. Either way, a story set anywhere around Colors, or at any point later than that, could still be described as "sometime after Advance 3." Advance 3 is just the most recent game that has specific in-game events referenced in the show. Yes I can feel myself morphing into the nerd emoji before your very eyes
Anyway, this is the latest reason Ian is getting death threats on Twitter. This time it's over a show he barely even had any input on!
I'll cut to the chase. It is truly wild to me that people are getting this heated over canonical inconsistencies in a series as historically inconsistent as Sonic, to the point that they think threatening Ian is justified. The aesthetics of the entire world Sonic inhabits change every other game. Sonic Chronicles may no longer be canon due to the Penders lawsuits, but it was canon at one point, and it took huge liberties with Sonic's world, moving Green Hill off of South Island and reinterpreting Station Square as a tiny outpost in a snowy alpine forest region. Characters' personalities change from writer to writer and based on what Sega wants at the time, with some being WILDLY different across different games. One game Sonic will be stoic and cool, the next he thinks "Baldy McNosehair" is the funniest thing ever. Sega's STILL trying to figure out what Amy's personality is supposed to be. We still don't have the explanation for how the two seemingly contradictory backstories for Blaze can fit together. There have been multiple huge, sweeping retcons, and retcons to those retcons. Sonic Forces claims that Classic Sonic is from an entirely different universe than Modern Sonic, and the plot only makes any sense if that's true - otherwise, Modern Sonic would have already known Eggman was going to beat him and take over the world when he did, because his younger self had already lived through that war. All of that makes no sense in the newly reunified timeline, but Forces is very much still canon.
For fuck's sake, we're talking about the series where Eggman blew up half the moon and then it looked completely normal in every other game after, explained away as "the moon just rotated so we can't see the destroyed side from Earth." This has never, ever, ever been a franchise where everything lines up perfectly with no issues. It's not that serious.
The real core problem with Prime isn't that things don't line up 100% with our current understanding of canon, or that Sonic's characterization means this can't be the real Sonic, or anything like that. The problem, as I've been saying this whole time, is that the story is bad. None of these discrepancies would truly matter if the story was better. They'd just be nitpicks. The fact that Sonic and friends live in Green Hill would be the farthest thing from my mind if the drama was more engaging, if the villains were better, if the jokes were actually funny, if more of the alternate universe counterparts of Sonic's friends had more than one generic character trait each, if the multiverse was more creative and varied, if the final seven episodes of this show didn't devolve into the third act of an MCU movie and then just arbitrarily end, if Nine's character arc actually had a satisfying conclusion instead of ending with either isolation or nonexistence. Maybe we'd be seeing people talk about more than just whether or not it should be considered canon if the writing was any good.
"Canon" is not real, and it sure as hell isn't worth sending people death threats over. It's a storytelling tool. Real human beings decide what does and doesn't go into that canon, or how much they do or don't want to draw on past stories, when creating a new story. Serving that canon is secondary to creating a story where the emotional truth resonates with the audience. And Sonic Prime failed to do that. That is its true failing.
And finally, to close out...
Since people will ask, here are my current ranking of the Sonic TV shows, now that Prime is finished.
Sonic Boom
Sonic SatAM
Sonic X
The Adventures of Sonic the Hedgehog
Sonic Prime
Sonic Underground
Yes, I'd say Boom is my favorite. It's far from my ideal Sonic cartoon, but it gets a lot of points for being as funny as it is. But the top four are all shows I'd say I like, more or less. They all have their pros and cons.
So now, uh... I guess let's hope the live action Knuckles show coming to Paramount+ is better than the underwhelming synopsis of "Knuckles helps deputy sheriff Wade train in the ways of the echidna warrior" would imply? Maybe we'll get lucky?
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onlyangel4 · 18 days
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Hi can i request an smau about “i luv it” by Camila Cabello with mr sainz
i luv it. cs55. smau.
carlos sainz x singer!reader
in which reader is a loose canon but carlos fucking loves it
warnings: suggestive content. horny idiots in love.
faceclaim: blonde era camila cabello
edsheeran posted a story
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written: happy birthday to one of my closest friends. sorry i can't be in madrid, wreak enough havoc for the both of us
lilnasx posted a story
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written: happy birthday to my fav messy bitch with a platform
y/nfan
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liked by y/ninsta, user4, user5 and 32,482 others
tagged: y/ninsta
y/nfan: guys it is mother's birthday so to celebrate i wanted to speak about my favourite moments from her current wag era
when people kept on seeing her with carlos so the headlines were "carlos sainz popstar girlfriend", so mother decided to wear this shirt at a gp
lots of f1 fans said mother does not have the attitude for a wag so she tweeted this picture with the caption, "you are just mad i'm in his bed and you aren't"
when people kept on saying she never tried with her gp outfits so she decided to pull off the brattiest look ever
view all 452 comments
y/ninsta: omg god angel thank you so much, i will keep on being bratty just for you
y/nfan: this is the best day ever, i love you so much
user4: she is so fucking insane i love it
user5: it is so funny because carlos is so old money and y/n is just from the wrong side of chicago with such an attitude
carlossainz
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liked by y/ninsta, charlesleclerc, landonorris and 1,008,273 others
tagged: y/ninsta
carlossainz: it is y/n day, do dumb shit to celebrate
view all 23,765 comments
y/ninsta: you can do me to celebrate
carlossainz: i was already planning on that
user1: their sex life must be fucking insane
landonorris: every year i have to mentally prepare for your horny y/n post
carlossainz: don't be jealous
user2: omg it is y/n birthday party day my favourite day of the year
user3: the hottest couple in media fr
y/ninsta posted a story
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written: fuck me
y/ninsta posted a story
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written: the birthday dress
y/nupdates posted a story
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written: omg carlos and y/n have stepped outside of the party for some air and carlos gave y.n his suit jacket how fucking cute
y/ncarlosfan
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liked by user6, user7 user8 and 84,592 others
y/ncarlosfan: so i have spent all morning doing god's work. i went through the social media of everyone that went to y/n's party and found all these pictures of carlos and so many pictures of y/n and carlos making out, they are such an iconic couple
view all 1,887 comments
user6: shit carlos was DRUNK last night
user7: oh they are so fucking fit
user8: i wonder if they want a third?
user9: i just love their dynamic so much, he doesn't try to make her into something she is not
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tadc-harlequin-au · 2 months
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Celebratory 1k+ post! (+Official Reveal of "Him.")
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First of all, before I start, I would just like to thanks everyone from the bottom of my heart. I cannot begin to emphasize just how much it means to me that more than 1,000 of you decided that this blog was follow worthy.
The fact that so many people engage with this blog, whether asking a lore-related question to know more about the world of the AU, to joking around and making me laugh makes my heart swell with pride and joy.
This AU's purpose was not only to tell a story, but to also destress myself from my problems so I can keep my head on my shoulders and keep on living. So to know that many people found this passion project interesting enough, well... All I could really say is...
Thank you.
Thank you so much for giving me the opportunity to share an incredibly canon-divergent story that is so far removed from the original source, it may as well be considered as a standalone project.
Thank you for sparing a little bit of your time and attention (as well as a few braincells) to learn about the characters, the story, the history, and the world of it.
... And most of all, thank you for continuously saving me from the darkness that attempts to consume me everyday.
No one really knows what happens to me behind the screen, and I'd rather keep it that way because I don't wanna be such a downer. Even here, I want to keep things lighthearted so I won't be delving into that.
Besides that, there's unfortunately something I haven't been entirely honest with you guys. Everyone knows about the B.O.S.S. (B.loodthirsty, O.verburdened S.corned S.ouls) roster, and how they serve as the AU's antagonists, but there is a secret character who doesn't exactly fall into that category.
Rather, he's not just a normal boss antagonist. HE'S THE OVERARCHING VILLAIN OF THIS AU, and has been teased since WAYYYY back to the early poster of the Harlequin AU.
You may know this guy as "???" from the roster list, or "HIM" from the answered lore-related asks. Well, for the sake of a celebratory 1k post that won't provide much strain for me, I've decided to reveal who this is.
Now, without further ado, I'd like you all to meet-
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"The Patriarch of Puppets" - Official design reveal!
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"Adorned in silver and reds, The Patriarch of Puppets (or simply, "The Patriarch") is an untouchable and powerful entity who constantly chases Pomni after she finishes a battle with a Boss."
No one knows what the fuck his problem is, But one thing is for sure: he first shows up after Pomni defeats the Skirmish General, and seems to like tormenting the Combat Harlequin by attempting to separate her soul from her heart and inflicting burning agony.
Pomni, in tandem, feels GREAT DREAD even at her first encounter with The Patriarch; she doesn't know why, but whenever he's in her general presence, her entire soul, AND her fight-or-flight instincts screams TWO THINGS: "DANGEROUS. RUN."
Pomni CANNOT fight him to save her life. Her sword hands starts to tremble and she can't move if she's around him for too long. She knows from the very beginning that this is a fight that she cannot win no matter what. He is the Hunter, and she is the Prize.
Bubble also seems to power off instantly and just crash to the ground with no warning, an immediate telling sign that he's already in the general vicinity. He seems to not care about the blimp in the slightest.
His classification is a King Harlequin; 1) a reference to "king-size", 2) a literal one of a kind Puppet, and 3) the tallest of Harlequins that no one even knew existed in the first place.
Just how tall exactly? Well...... here's the updated lineup.
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I hope that this is a fitting celebratory 1k treat for all you hungry lore eaters and Harlequin AU enjoyers!
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groovyfrog420 · 6 months
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SV Redeemed AU
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INTRODUCTION / DISCLAIMER
First things first, these designs for Shadow Milk and Pure Vanilla are FAR into the future. Quite literally end game phase of the story, the “they grow old together and live happily ever after”. There's a long way to get there, and while I will write some of my thoughts about their journey, I'm a shitty writer. There's no single thought-out plot, it's just bits and pieces of my thoughts in one place. 
I don't think I'd be making a tag or naming this AU anything specific. I'm still calling it an AU because there is a bit of canon divergence, but I don’t have a start-to-finish story. (EDIT: wellp that lasted long. new name is #False-Truth AU because I like the oxymoron. I still don't think I'll do much - maybe a few short comics, which you'll be able to find under that tag on my profile)
Keep in mind that these are just my own interpretations, if you imagine these cookies acting differently, that's ok! This is just my own made-up alternate version
LONG POST UNDER THE CUT - don't say I didn't warn ya
I’ve tried to divide it into sections, so if you are looking for just smth specific / only care about one of the characters, you can skip right to it!
Prepare for the ramblings. 
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PURE VANILLA'S DESIGN 
more relaxed now - doesn’t need to keep up perfect appearances and the image of a hero, so he can lay back a bit more. (messier, less perfectly styled hair - more like his younger years. comfier clothes.) 
focusing on herbology - with less power now (why explained below) and trying to not overwork himself, he’s taken to different healing methods, as well as taking on gardening as a hobby
slightly more open eyes - (heavily elaborated on bellow) 
different staff - due to being able to use his own eyes more now, as well as staying more on the low, he’d decided to retire the famous staff. Since it’s a flower, it was planted somewhere and allowed to blossom and grow freely - fitting symbolism for a new beginning, I think. The lantern light glowing blue makes it easier on his eyes.
PV STORY BITS 
In this AU Shadow Milk and Pure Vanilla retire together. I think PV would still like to teach, but would focus more on the medical and practical side of things, like herbs and healing practices. (He’ll leave telling tales about the past  to Shadow Milk, though he might throw in his own comments from time to time���) He mostly offers advice and shares every-day methods for protection of different kinds with those who ask, but may take on an apprentice or few to fully pass down his healing knowledge to. He uses magic sparingly now. 
This way with not focusing on a variety of subjects and many, many students, he’s able to rest more and doesn’t have to split himself between multiple worries. He can focus properly and give his students more individual attention, to make sure his knowledge will be retained for the future. 
Eyes
(don't jump me pls read the footnote) 
I've decided to take the closed/covered eyes motif PV has in a bit more symbolic way *. I want to interpret it as PV being blind (=ignorant) to the world around him, choosing to see the world and his own actions in an idealized light, and to look away from anything that doesn't fit that idea. Light sensitivity would be very ironic yet fitting - since his own powers are very light-based, by using them to help others he’d be blindinding/hurting himself in the process... 
Over time, he realizes how futile it is. Even if he turns his eyes away from the wrongdoing in the world, from his own mistakes and imperfections, they will still continue to happen. He begins to understand that he has to accept that neither he nor the world is perfect, to stop wallowing over the past and start fixing the present. To keep moving forward and keep working on himself, not hide his imperfections under literal and figurative wraps. 
With the help of Shadow Milk, he begins to open his eyes more and more and accept the real truth, no matter how imperfect it is. 
*I’m not sure how confirmed it was in canon that he’s blind (from what I’ve seen it was mostly implied, but still). I'm not erasing that - for the sake of this AU, I'd like to say that he has partial issues with sight (including the mentioned light sensitivity), but now he learns to accommodate them rather than ignore them and hurt himself more for the sake of others. No, he doesn't magically gain full sight now, but he's more comfortable, healthier, and more honest about the world around him with all of its imperfections. 
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Burnout
I believe SM and PV complete each other so perfectly because they can help each other grow in areas where the other is lacking/struggling. With PV, I’d like to focus on burnout, false ideas, and how the pressure he’s constantly under has affected him. He was very much just a normal guy before receiving his Soul Jam. Years beyond a normal cookie’s lifespan of hard work and trying to be the perfect leader, to always ensure the happiness of all his people (whether that be as king or otherwise) are bound to take a toll on anyone. Obviously he'd never admit that, always putting everyone else before his own needs, and he’d likely run himself into the grave. That's where I think Shadow Milk would be helpful - he’d make him realize how unsustainable what he’s doing really is. He wasn’t built for handling immense power for all of eternity, he’s just a single cookie and whether he likes it or not, he can’t save everyone or make every single one of his people happy... Being selfish isn’t entirely wrong, sometimes might even be necessary. 
Onto the idea of false truth - Pure Vanilla has a very idealized view of a lot of things and people. He’s trying to see everyone in the best light, but he also holds a high standard for himself - that he must be the ideal, shining and caring hero and a beacon of perfection . Shadow Milk is likely to pick that image apart - probably not in the kindest way, saying that in trying to be perfectly selfless, PV is putting himself on the pedestal above everyone else while still being just a single cookie with limited capabilities. He’d likely call this image egoistical, and while PV would argue that he’s doing it for the good of others (he is helping after all, right?), Shadow Milk wouldn’t be entirely wrong - this way of thinking, that he’s the one who must take care of everyone else, is harmful for both him and the ones he’s trying to protect. 
Shadow Milk would show him that truth is relative, that “pure truth” doesn’t exist, for anyone could interpret it differently. That PV isn’t (and doesn't have to be) the perfect blameless hero. That his people aren’t as good or pure as he’d like to give them credit for, but neither are they helpless. 
Shadow Milk metaphorically and literally helps him open his eyes - he slowly learns to lay back, to accept the reality and “truth”, whatever it may be, and is no longer blinding and burning himself out by trying to help everyone at once. With a new mindset and outlook of the world, he can allow himself to retire, and leave a calmer, out-of-the-spotlight life. 
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Retirement
Ok, controversial idea, but I think the ancients will have to one day retire and pass down their SoulJams. Yes, I played Cookie Odyssey, I know how important it is to them, but hear me out. As I said above (which is shown in the game btw, but correct me if I'm wrong), they were just normal cookies before taking on the roles of the Ancient Heros. Cookies with high achievements, yes, but still. They aren’t The Beasts, baked specifically for the purpose of handling the Soul Jams, and even then, The Beasts weren’t perfect. I’m not saying they’re bound to get corrupted like their predecessors did, but I am saying that this role is bound to take a toll on them. Not even just from the perspective of power, even just handling so many responsibilities with running their kingdoms is going to be extremely draining mentally. (Physically likely too, even if they’re said to stay “always young” thanks to the Soul Jams - many stories teach that you can’t mess with nature and that nothing lasts forever...)
I don’t know who they’d pass the Soul Jams along too - whether that’d be Gingerbrave and his friends, or a new batch of heroes, that is to be decided. The point is, they have served their purpose, they have (from the perspective of this AU) defeated Dark Enchantress, and deserve to now leave the rest of  their lives in peace.
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SHADOW MILK'S DESIGN 
“mellowed out” a bit - continues to be eccentric and dramatic, but less manic
still unsettling - most level-headed cookies upon meeting him immediately get a feeling that there's something.. off about him, even if they can't put their finger on it. (I purposefully left some of his corrupted design elements or callbacks to them, like the marking over his eye, for that reason) 
vibrant, colorful, very extra in both behavior and looks, everything he does he does with drama and flourish 
quiets down when out of the eyes of the public, or alone with Pure Vanilla 
peacock elements - fitting for someone with such a vibrant personality. also the eye connection is perfect - if you look closely at the feather he's wearing, you might even notice a familiar symbol in its “eye”
a playful bard - (elaborated heavily bellow) - an identity allows him to enjoy his favorite activities, while also being a slight callback to his academic past 
SM STORY BITS
The bard 
While spending more time with Pure Vanilla, PV encouraged him to pursue his creative interests. Partly to have smth to get SM’s mind off of causing chaos, and partly because they let him indulge and express himself without causing any serious damage. Now he’s joined PV in retirement, though still not fully stepping down from the stage.
Being a bard allows Shadow Milk to indulge in everything he likes most: being the center of attention, dramatics, theatrics, mischief, a tasteful dose of lies and half-truths, but also, in a way, calling back to his past self: for while a lot of his stories are made-up tales, he can also share the history of Earthbread that he’s witnessed. Yes, he may do so through over-dramatic performances or behind caricatural characters, but every tale holds a grain of truth, does it not? Whether his audience chooses to believe him or not is their choice to make.
Referencing the fact that a big part of human history survived through word of mouth, and how storytellers play an important role in preserving it, I think it’s only fitting to make him a bard.
About visual choices
I made his redeemed design less chaotic and asymmetrical, but still vibrant and based mostly on his current color palette, rather than the one from Blueberry Academy. That's because while he may be rediscovering his interests from the past, he’s not the person he was before corruption and never will be again. Instead, he too is learning to rediscover the world in a new light, with a new identity. 
Visually I’ve tried to keep some elements from his current design, if slightly toned down: a wide collar, puffy sleeves, a flowy cape. Elements of his corruption are also still there: different colored sclera (= his one eye being black), the sharp teeth. He may have settled down and calmed down slightly, but he remains as playful as ever :)) 
He still causes local chaos once in a while or resorts to pranking unsuspecting cookies nearby (the slight charring at the bottom of PV’s robe is a result of one of such pranks getting out of hand), and PV has accepted that he'll never be a calm, put-together cookie he once might have been. However, SM's learned to not be a danger to others for the sake of the one he cares about the most, and that's enough for the both of them. 
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And that's all for now! If you've managed to get this far, thank you SO much for your patience, I hope you've enjoyed my thoughts and brainworms <3
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weemsfreak · 3 months
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The Only One
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Hi ya'll, happy pride month!!
Sorry for being mia, I have been quite busy with school and also working on this (slowly) all of June. I was unsure of the vibes I wanted this story to give, as I have been feeling confused(?) as of late, and for some reason June has brought many feelings and a couple crap experiences that I wanted to incorporate into here. I did make the story hopeful toward the end, but I just wanted to say that if anyone feels this way, you are not alone!
Calling our Lesbian Headmistress to help make the confusing and lonely times a bit better with a pride event. I know not everybody likes to celebrate pride in this way, but I thought it was cute.
Larissa Weems x studentreader (platonic) ~4.6k words
Part of my 'All the Time' series, based on reader being a lesbian but struggles with her sexuality and falls for her straight friend (canon experience ;))
Warnings: partially closeted, mention of family not understanding, self reflection (internalized homophobia/being proud)
༻༺
Nobody ever talks about how lonely it is, being queer in a small town.
The lack of representation, of places to go, and people to meet. The sliver of hope that you will feel safe if you decide to venture, if you decide to try.
Her with him and him with her and 'girl crush' this and 'man crush' that.
But all in all, you thought that perhaps the worst of it all was the feeling of being the only one.
You listen to songs that describe other places, places you wish your mother would tell you to go.
You know she wants you to stay, but you can't ignore the crazy visions of you in…well, somewhere that perhaps doesn't exist- or maybe it does.
Somewhere a different version of yourself could live; hopeful, happy, proud.
Your favorite movie, which makes you feel accepted, alive, is less than ten years old, even though you're a fan of old classic Hollywood.
You don't see yourself in them.
Many times before, you've heard people say 'it would be so much easier to be gay.'
They must've been joking, of course; but being gay was not a joke.
They joke about being gay but they've never wondered if their family would still love them.
They joke about being gay but they've never been scared of their friends abandoning them and talking behind their back.
They joke about being gay but they've never rejected a man with the reason of being interested in women, just for the man to ask if it's the truth, 'they could turn you', so they say.
They joke about being gay but they've never been the quiet one when others talked about boys.
They joke about being gay but they've never felt like they were disrespecting women because they found them attractive.
They joke about being gay but they've never been the outcast.
They joke about being gay but they've never worried about their loved ones not attending their wedding.
They joke about being gay but they've never pretended to like men to try and fit in with their peers.
They joke about being gay but they've never had nobody to talk to.
They joke about being gay but they've never had nobody to cry to.
They joke about being gay but they've never wished they were a boy, for the sole reason of a woman liking them back.
They joke about being gay but they've never had to love somebody in secret.
They joke about being gay but they'll never know what it feels like.
As bad as you felt, through the loneliness, the grief, the 'what ifs' and the doubt, it wasn't the fact of being queer that scared you, it wasn't that you weren't open, or accepting.
What did hurt though, was what came with it.
The fear of never finding someone, the fear of being rejected and harmed in public, the fear of never understanding how you really felt; the fear of feeling too deeply.
There have been times where you almost, almost, decided to leave it be.
'In another life' you said, shrugging your shoulders as a tear dripped down your cheek at the thought of faking it, and marrying a man.
But one day, you were reading a book dated from the 60s, when the realization hit you.
Years ago, regrettably not that many, you would not have the choice, you would not have the freedom.
And here you were, in the age of progression, hiding away in the land of heterosexuals.
You had a choice, you had freedom.
For the woman before you who were stuck in sham marriages, cried themselves to sleep, snuck around with another woman and feared for their life, for the women who raised children but not with whom they loved, for the women who had no such thing as freedom of choice.
You would not fake it, you would not hide, you would be your true self for them, and for you, regardless of the very possible fact that you could be the only queer in this small town.
༻༺
The headmistress stood outside of the chemistry classroom one gloomy morning, greeting students as they entered as your teacher always did.
You sauntered through the halls as you watched your peers and their modernistic and typical ways.
You weren't sure who's twisted idea it was, to put hundreds of adolescents in underfunded schools run by people whose dreams were crushed years ago…but you admired the sadism.
Opening your locker and retrieving your books, your sketchbook met the floor with an echo when a guy accidentally bumped into you.
"Oh crap, sorry Y/N"
You gave him a menacing look, before taking a breath and straightening yourself out.
"No worries."
His friend, who had shoved him into you, continued on to class as he spoke from down the hall. "C'mon man, leave the freak alone."
You expected him to continue on as well, but he didn't.
"How are things going?"
You'd likely be late for class if he kept the conversation up.
"A lot of this" you shrugged, pointing to your books.
"Yea, me too. The harvest festival is coming up though, I know you love the fall, and all things creepy."
You huffed in amusement, nodding your head.
"It’s nice to have things to look forward to."
He smiled and nodded, looking to his feet.
"Well, I'll see you there. Maybe I'll message you?"
You shook your head uninterested, not holding him to it.
"Sure."
Bending down to pick your sketchbook up off the floor, it was open to a doodle you had done which was rather, well, not appropriate for school.
Slamming your sketchbook shut, you stood and met your locker mirror; your own reflection, as well as the principals, smiling back at you.
Jump scare.
"Good morning, darling."
You spun around in surprise, staring wide eyed.
"Principal Weems, good morning."
She nodded as she looked at you in amusement, hoping to hide her true thoughts about your morning interactions.
"Where is Ms. Currie?"
The principal tilted her head at you, "Out today. I was notified last minute, so I'm your substitute."
Well, it was your lucky day.
The principal never failed to notice your…disinterest.
She didn't fail to notice the way some students picked on you, nor your lack of emotion; your presence of indifference towards men.
She saw herself in you, you were just like her.
That thought brought her both joy and pain.
༻༺
Sitting in the quad, you nervously twisted your fingers as you watched your friend approach.
You had heard, apparently, that it was a 'cannon lesbian experience' to have a crush on your friend.
Man were they right, and man, did it hurt.
She sat with a smile, though you could see that her attention was diverted.
"Hi."
"Hey Mar."
You swallowed, looking her in the eye across the table.
"I um, I was thinking, the Rave 'N is soon, maybe we could go together…"
Just then, you watched Gannon make his way to the table and sit beside your friend.
She squealed lightly, pulling him closer to her.
"Y/N, did I tell you Gannon and I are going to the Rave 'N together?!"
Your heart dropped, but it wasn't anything new, it wasn't at all surprising.
For you knew your friend liked men, but you had thought that maybe, well, you didn’t know; maybe there was hope that someone could be like you.
"Oh, uh, congratulations."
Your heart panged as they looked into each others eyes, smiling in anticipation.
"So, what were you talking about?"
You shook your head and let out a weak chuckle, quickly thinking of an excuse.
"I um, I was thinking maybe we could get ready for the Rave'N together, that could be fun."
Marcella smiled as she stood, linking her arm with Gannon's.
"Sure! I'll see you later!"
The principal, who supervised lunch in the quad, watched your rejection with disappointment and regret.
It dug deep, it brought back memories of her own time at Nevermore; the hate and the heartbreak that she felt, that you felt.
Sometimes, things never changed.
'I don't know if I believe the way I feel is real
And I often wonder if it is
Watching your friend dance with a guy
And pondering whether it's what she truly wishes
Should you step in, or leave her be?
You know you wouldn’t wish it, but does she?
It hurts a bit, a little, a lot; watching her dance so close to him
And maybe she'd dance with you like that too
But not in this life, no, not now,
For she's dancing with him, and you watch from the crowd'
༻༺
You knew it wasn’t the fault of your own; the despair, the regret, the loneliness.
But, you couldn't help but feel it when you were alone, so utterly alone, regardless of the fact that you could be surrounded by people.
They'd never understand the feeling of being so outcast, ironically, the feeling of being so different. The feeling of being told that how you felt was somehow wrong.
You felt it, you felt it wholeheartedly; and how could your heart be wrong?
Your parents, who never meant any harm, contradicted themselves.
Honestly, you couldn't exactly say how, but it hurt in a way that you didn't understand.
You thought maybe they were smarter, more knowledgeable, perhaps wiser than you.
They had always said that you could talk to them, but it was useless, as any attempt made you feel worse, not better.
They had been on this earth for sometime, however, surely they must've experienced the hate, and transformed themselves to some degree?
Wishful thinking.
They could never be so open.
And you think, maybe that's what hurt the most; wishing they could understand, wishing they would care enough to understand.
Alas, wishing was useless.
There were nights where you prayed for an older, wiser being to cry to. Someone who could tell you what to do and how to feel, someone who would listen, someone who would care.
Someone who would see you. Someone who understood, because they felt it themself.
༻༺
You made every attempt to be true to yourself.
To not lie, to let yourself feel what you felt, to get out more; to live.
It was hard to be true to yourself, though, when your friends agreed to accompany you to a pride day in Jericho, and then ditched you.
You resented them, you envied them, they didn't know what it felt like; they never would.
The hurt multiplied ten fold when June came around. The hiding, the thinking, the loneliness, it didn't settle, it didn't stop.
After an hour of scrubbing off your makeup, crying face down into your bed, and ditching your  themed outfit, you arrived in Jericho, the opening ceremony finished.
The town square was very festive, multiple restaurants and shops agreed to host a scavenger hunt, crafted special meals to celebrate, provide smaller fun activities, and fireworks. You were proud of the small town of Jericho, they were trying; as were you.
And although they were trying, these activities were not really fun to do, well…alone.
Alas, that's what you were. Alone.
Passing by the Weathervane, you saw a small group of Nevermore students on their way out. You wanted to join in, but you didn’t know them, not that well.
Peering over at the counter, you found a drink special for the day;
'buy any regular sized drink, get rainbow whipped cream for free.'
You snorted, it was rather cheesy, but cute.
Stepping up to the counter, you ordered an iced coffee.
"Would you like rainbow whipped cream on that?"
You sighed, about to shake your head no when you heard a voice at the other end of the counter.
"Thank you, dear. This looks delicious."
She was standing tall with a red lipped smile, peering down at her hot chocolate; rainbow whipped cream on top.
You had to agree, it did look delicious.
"Yes, uh, whipped cream please."
As soon as your drink was made, you beelined it for the door, hoping she wouldn't see you.
It wasn't that you didn’t want to see her, it wasn't that you didn’t want to talk.
It was that you didn’t want her to see you- alone.
Unsure of where to go next, you stood on the sidewalk and tried your drink; delicious.
The doorbell rang and she stepped out, gazing around the streets.
In a flash, you turned and headed down the sidewalk, away from the activities, away from her.
"Y/N?"
You stopped, slowly turning as if you were unsure of where the voice had come from.
A wave, a smile, and she was next to you in a few strides.
"Darling, you're going the wrong way, the festival is this way!"
She never failed to make you happy, her and her rainbow hot chocolate.
You shrugged, "I uh, I don't really want to participate."
Her head tiled in question as she caught sight of your drink.
"You're not interested in celebrating pride?"
Well, that just made you sound homophobic. You shook your head quickly.
"No, no I am. I just, my friends were supposed to come with me but, they changed their minds I guess."
The principal looked down at you, your head hung in sadness, perhaps shame.
Today was not a day to be sad, it was not a day to be shameful, it was a day to be proud, to celebrate.
"Well, I am here with a few Nevermore students. I am proud to support them, no matter who or what they are."
You couldn't help but smile crookedly in awe, meeting her appreciative blue gaze. She bent down closer to you, softening her voice. "That includes you, love."
Your heart beat fast as you stared in surprise, tears threatened to spill as you felt accepted and cared for, for the first time in a long time.
Taking a sip of your drink with a shaky hand, you fiddled with your jewellery.
The woman saw you thinking, contemplating.
She felt the exact same at your age. Knowing who you were, to an extent, but pushing the feeling away with every chance you got.
You didn’t want to, she knew, you wanted to be proud, she knew, but it was hard when you felt like the only one, the only one in this small town.
"How about we try the scavenger hunt, hmm?"
You looked up at her with a frown, but inside you felt joyful.
"We're probably already behind" you chuckled.
The woman waved a hand in dismissal, "Nonsense. We have a good chance if we work together."
༻༺
1.
You made your way back into the Weathervane, retrieving the first clue to the hunt.
'If the first pride flag was designed in Jericho, it would've been designed here.'
You passed the first clue to her, knowing the first pride flag was designed in 1978. If it had have been designed in Jericho, well, you had three options.
The woman smiled, gasping lightly as she recalled "'Sew it forward', it was established here in the 1960s."
༻༺
2.
You followed the intriguing woman to 'Sew it forward', watching as she retrieved the second clue and stamped the pride book red.
She took the clue between her fingers, narrowing her eyes at the small writing.
'This famous bar in New York City was the site of the 1969 riots, a pivotal event in LGBTQ+ history. Find the Jericho bar that starts with the same letter.'
You racked your brain around the bars in Jericho. You have never been to the bars besides for lunch.
"Stones!"
The principal raised a brow at you, a small smirk on her face.
"What?! Just because I'm not of age doesn’t mean I haven't been. Stones has good pizza."
A loud laugh was heard throughout the fabric shop. You were overjoyed that you could make her laugh freely, albeit most likely sounding stupid.
She headed for the door; and you would follow her anywhere.
༻༺
3.
Arriving at Stones, you found those also attempting the hunt, and those drowning in drinks.
You stamped the book with the second stamp, orange, and retrieved the third clue.
'Locate a pin or item that displays personal pronouns or sexual orientation, both important ways to respect people's identities.'
Leading the way out into the street, you looked around.
You didn’t remember seeing a shop with a prominent pin or badge.
"A pin or badge."
You looked up at the tall woman, her eyebrows furrowed in question.
Raking your eyes over her form, you found a brooch on her jacket, one you knew she wore often.
Lips.
"Where did you get that brooch?"
She peered down at her brooch, straightening it out as a light blush overtook her cheeks.
"Oh, my brooch. I got it at the antique shop, Uriah's Heap."
Uriah's Heap, a shop so very, well, out of the ordinary.
It was your favorite.
You stared at her for a moment hoping she would catch on, until her eyes widened in excitement.
"Let's go!" she smiled, grabbing your hand as she drug you to the shop.
༻༺
4.
You stood outside of Uriah's Heap, finding a large progressive pride flag pin on their window.
You knew this was a scavenger hunt, a race of some sort, but you always loved searching for hidden treasures in the shop that many people didn’t appreciate.
Following the principal, she found her way to the antique jewelry.
Choosing a vintage locket, you placed it on the counter and found a basket of pins staring back at you.
"Hello, did you find something of interest?"
The woman, who you remembered enjoyed chaga tea after working here on outreach day, peered down at you.
"Yes, may I purchase this?"
Peering over at the tall woman, she held a brooch up to you.
"Do you think this is nice, darling?"
A brooch which you thought resembled an eye. Very fitting for the principal and her unique look.
"It's beautiful, it matches your bracelet."
She smiled gratefully down at you, placing it on the counter.
"You are very perceptive" she remarked.
The lady rang up both items, the principal speaking up.
"Oh, I'll purchase that separate."
You shook your head at her with a sly smile, "I got it Principal Weems."
After purchasing your items, the principal retrieved the fourth clue and stamped the book yellow.
'What LGBTQ+ novel, written by Sheridan Le Fanu, preceded Dracula?'
You had read this book recently, an easy clue, really.
"Carmilla"
The woman looked down at you in surprise, nodding her head.
"Great novel, absolutely the best. I'm proud" she winked.
You smiled, gaze landing on the floor bashfully before peering back over at the pins in the basket.
The woman noticed and sorted through them. "Hmm, so many options. Would you like one?"
You watched as she held them in her hands to you, every option they had available.
There were so many colors, so many flags and pronouns.
You hummed and hawed over them, knowing which you wanted to chose, but still unsure.
"Well, I think I like this one."
The principal chose one; red, orange, white and pink stripes staring back at you.
Your mouth opened in shock as you watched her pin it to her jacket.
She smiled mischievously, "What's the matter, darling?"
The lesbian flag, something you didn't see often included in pride merchandise.
"I, uh, are you…" you stuttered.
The woman chuckled, straightening out the pin. "A lesbian?"
You nodded speechless as you stared up at her, thrill running through your veins.
She clasped her hands together and gave one nod, a bright smile as she batted her eyelashes your way.
Her support, her happiness, the confidence that she had, it made you want to cry.
You were so, so happy for her, you were so very proud.
Proud of her for her openness, proud of her for her representation, proud of her for being her true self, and for showing others that it was okay to be gay.
Grateful for her bravery, to show others that they were not alone.
You took a deep breath, "Can I have the same one?"
She dug through the pins, finding the very same flag and holding it out to you, "May I?"
You nodded, presenting your jacket to her.
She pinned in on, running a hand soothingly over your arm.
"I'm so very proud of you, darling."
You breathed in heavily, taking in her sincere and caring smile before meeting her gaze.
"I'm proud of you too, Principal Weems. And I'm so happy for you, thank you."
It was all the principal had wished for on this day, to help at least one person through their journey. To help you present yourself, to help you feel like you deserved to be seen, to help you feel proud.
"Of course, love. Now, where can we find the novel 'Carmilla'?"
Well, the library or bookstore, of course. But, you took a bet that Carmilla may not be at the library, so you headed to the bookstore.
5. Crow bookshop
You retrieved the second last clue, stamping the book green.
'Locate the basket prepared for a festive outdoor meal, filled with colorful snacks and drinks. Perfect for a celebration under the open sky.'
The principal looked down at you in contemplation.  "The Basket, like the restaurant?"
You shrugged your shoulders, unsure of where else they would be referring to.
༻༺
6.
You arrived at 'The Basket', a restaurant just before the beach.
There were a few specials, a fruit basket, a flight of ciders, and a flight of sliders.
You knew the principal was a fan of burgers.
"Are you hungry?"
The tall woman looked down at you, smiling as she read over the special.
"Chipotle, Bacon and cheese, Veggie, Bean, Texas, and Chicken sliders. Would you like to share?"
You looked over the menu, rereading what she had just rhymed off.
Nodding, you asked, "What's a flight?"
She chuckled, ordering the special for you both.
"You're about to find out."
Sitting at a table on the back patio, you settled down across from the principal.
A moment silence, you looked her up and down, questioning many things.
An older, wiser being. A beautiful one who appeared to be pretty open, who seemed like she'd understand, who seemed like she cared.
"How did you know that you liked women and not men?"
The woman raised her gaze to you, lips stretching into a sad smile.
She took a deep breath and smoothed a napkin over her lap.
"Well, when I was your age, this small town was all that I knew, just like you.
I knew that I didn't feel the same as my peers, I never cared to talk about boys, I never really fit in in the way that I hoped to.
One day I realized that I wouldn't at all mind kissing my friend, in fact I longed to" she chuckled. "Representation was lacking, but what little of it there was, it helped me realize how I felt as I grew. It's hard to accept yourself, for many reasons, but when you try to push it away, it doesn't get any better, it never changes."
Your voice was hoarse as you asked in confirmation.  "It never changes?"
She shook her head, "It never changes. You have to decide for yourself.
Do whatever makes you happy, feel whatever makes you happy, no matter how different it is, no matter how alone you may feel."
You pursed your lips as tears built in your eyes, she was right, of course she was.
"Well, it helps knowing I'm not the only one."
The woman nodded her head in agreement, wallowing over the memories of her feeling alone, of her heartbreakingly coming to the realization of how she truly felt, of who she really was.
It brought her sadness, to know that others felt the same; perhaps even worse.
"The journey is not an easy one, it's not for the weak. You have to know that you're strong, and you're worthy, always."
The sliders were placed on your table, averting her attention.
She carefully cut them all in half, holding up a piece of the bacon and cheese as she offered the rest to you.
"Bon appétit."
The principal stamped the book blue and picked up the last clue.
 '"At midnight, in the month of June, I stand beneath the mystic moon." What establishment is named after this poet?'
She looked down at you with a finger pointed your way.
You scrunched your eyebrows, Edgar Allan Poe.
The only establishment could be, "The Poe!"
You and the principal laughed, shouting the answer at the same time.
༻༺
7.
 You headed to The Poe, a small museum and shop on the beach that sold trinkets, drinks, and ice cream.
Principal Weems stamped the last page purple, turning in the scavenger hunt book to the shop.
"Well, congratulations! You were fifth to finish the scavenger hunt."
You laughed, fifth place.
The tall woman smiled down at you with a wink, "We're losers."
You both were, in fact, losers.
After collecting your prizes and ordering ice cream, which the principal insisted on, you made your way to a bench on the beach.
You watched the woman with great interest. An intelligent, interesting woman she was. A powerful, selfless woman. A perceptive woman, a force to be reckoned with.
You hoped and prayed that you would grow up to be at least half the person that she was.
The principal caught your interest with a low chuckle.
"I'm having lots of fun with you, love, but I'm sorry you had to spend the day with your principal."
You tilted your head in confusion; you were not sorry, not one bit.
"I'm not sorry. Today was the best day I've had in awhile. Thank you."
The woman pouted, opening her arms to you; you gladly embraced her.
With a deep breath you pulled away, placing your hand in her soft reassuring one.
"So what happened with your friend? The one you wanted to kiss?"
The principal chuckled remorsefully. "Nothing."
Looking out over the water, her smile turned to a frown.
"I wanted to hold her, to protect her from men with all the fury I had grown.
They don't see her beauty like I do, they don't care to.
But unfortunately, it's the same old story."
She turned to you with sad eyes.
"A girl cries over a girl and that girl cries over a guy, and well…
it goes on and on and on,
and it doesn't stop.
It never stops."
You were just like her, perhaps there was hope for you.
Just then, fireworks lit up the darkness of the beach. All colors of the spectrum were on display, but all you saw was red, orange, white, and pink.
Your attention was then diverted to a girl wearing a Nevermore uniform as she made her way to you.
She waved, "Hi Principal Weems."
She then looked to you. "Hi Y/N"
She spoke with the principal as you analyzed her. You recognized her, but you didn't know her name, so how did she know yours?
The girl's eyes landed on you once again, meeting your gaze. You didn't want to ask.
"Aura, I like your pin." A sly tone to the older woman's voice.
You followed the principals gaze to the pin on Aura's jacket, then you peered down at the pin attached to yours.
"Thanks Principal Weems" she smiled, eyes slowly trailing to the woman's pin, then to yours.
Your eyebrows furrowed, and Aura's raised in surprise.
"Oh, we all have the same pin!"
The principal chuckled, gazing down at you with a bright smile.
"See darling, you're never alone. I promise you're not the only one."
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starry-bi-sky · 21 days
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I absolutely love your older brother Danyal Who left to protect Damian story, can you add on to it because I wanna know how he would interact with the family and maybe he knew Jason when he was in the league before he left or He would turn invisible and spy on the batfam to check up on Damian from time to time so he knows things about them
i've actually thought about Jason knowing about Danny in the League before! I made a little meme about it in one of my meme dump posts! Ultimately it's non-canon to the au and would have to be part of an offshoot branch or a variant of the au due to continuity reasons.
Meaning that if Jason knew about Danyal, I don't think Damian would have been able to keep his existence (and "death") a secret for long. Or at least long enough for it to be revealed that he was alive. Jason would have asked about Danny at some point, maybe even right away upon re-entering the family and seeing Damian there, depending on the context. I can see him asking whether in front of everyone and in private too, depending on that context as well.
Ooooo and! I just remembered this, but there's no guarantee that Danny and Jason would have even met while Jason was in the league too -- some depictions I've seen of this au have Jason around while Damian is still a baby, or as a young kid. The timelines are notoriously wonky. -- and Danyal "died" when Damian was five. Depending on the ages, the timeline, and all that jazz, Jason could have very well entered the League when Damian was five sometime after Danyal's death.
Or he could've been there to see Danyal, meet him, and eventually become close enough to him to figure out that Danyal deeply adored his little brother and everything he did was ultimately meant to be for his benefit -- in a twisted up way. Hey, we could even go a step further and say he was there the night Danny got his facial scar. It really would all depend.
But that would require me sitting down and recharting the timeline in order to fit that in without any significant plot holes; like deciding ages, how long Jason's with the League before splitting (ultimately he spent five years away from Gotham before returning. How many of those years am I willing to keep him in the au?), when he was there, etc.
Something I am simply not interested nor have the energy to do for this au this far in ashdgf. So for the sake of my own sanity and the continuity of the main au: Jason did not know nor know about Danyal in the League.
However its still a fun idea to think about! So some things I've thought about if Jason did know Danyal in the league:
- For the hispanic jason truthers: Jason sometimes called him diablito; 'little devil' since the whole 'grandson of the demon head' thing.
- Danyal had a habit of sitting right outside Damian's room at night to listen for intruders, something he's done since Damian was a baby after the initial attack that resulted in his scar. Jason would sometimes sit with him if he found him like that.
- If Jason was present -- both physically and mentally -- for the day Damian was born, he saw firsthand the way Danny was so happy to meet him. The light shining in Danyal's eyes as baby Damian latched onto his fingers is not something he could ever forget.
- This means he was also there the day Danyal got his scar a few days later. Bursting into the nursery with Talia and seeing Danny hovered in front of the crib, almost drenched in blood with his face split open, is not something he'll forget either.
- (fun fact, did you know that head injuries bleed the most even if it's a shallow cut? Danny's scar, which in order to still be prominent at 15, would be from his hairline to his jaw, would've been bleeding profusely. And scars shrink with age! This is not only because of healing, but because your body grows except the scar doesn't. This i know from personal experience -- i have a scar on my knee from 2nd grade that used to stretch horizontally from kneecap to kneecap and needed two large bandaids to cover. But now is barely any longer than the first joint of my pinkie. It has not faded.)
- Nor will he forget the thousand yard stare in Danny's little blue eyes as he looked up at Talia and, in a little voice, said; "They were gonna hurt Damian, momma."
- He and Talia both tried convincing Danny to use the lazarus pits to heal his face without a scar, Danny refused and kept refusing. It was proof he'd protected his brother and he wouldn't accept any of their reasoning. It hasn't impaired his sight or ability.
- Jason held his hand while the cut got stitched up. Danyal didn't cry once. He stared at the wall over the doctor's shoulder, and the only indication that Jason knew he was in pain was when his grip tightened in his hand.
- Jason left shortly after Damian turned three, so he was somewhat aware that Danny was going to begin distancing himself from Damian. Damian's memories of him in the League are fuzzy at best.
- When Damian joined the family and Jason was hanging around/reconciled with them, he asked Damian in the cave about Danyal. He said; "By the way, where's Danyal? I'm surprised he's not hovering by your side."
- He did not like the way Damian tensed up and refused to meet his eyes. When Damian finally revealed that Danyal was dead, he refused to believe it, and continued to refuse to believe it long afterward. Danyal? Gone? The little eldest demon was dead? That sounded completely unlike him. That boy was too stubborn and loved Damian too much to stay buried.
- They got into an argument about it right there in the cave. Jason thought Damian was lying to him, and Damian was not appreciating how much Jason cared nor him saying Damian was a liar.
- Jason has a few photos of him and Danyal and Damian in the league. All of them happened when Damian was too young to remember them. He has one or two photos of Danyal before he got his scar. He eventually shares these with Damian.
- I did have one idea where he found Danny in Amity Park once and had to be threatened by Danyal to not tell anyone.
okay that's all i've got for now. Onto the others!
"[or] would [he] turn invisible and spy on the batfam to check up on Damian from time to time so he knows things about them"
He wouldn't do this actually! Danyal is essentially in something like deep cover right now, and his whole reason for leaving the League is the belief that him being near Damian or the two of them being together is dangerous to Damian. That they will eventually be pitted against each other, and Danyal refuses to harm his brother in any sort of capacity.
The very last thing he would do is try and do anything that would indicate that he was alive -- including going invisible and flying over to Gotham to see Damian. The Waynes would figure out eventually that they were being spied on. They have experience with the paranormal and the weird due to Gotham shenanigans and basic hero craziness. They have incredible reflexes and intuition, you know how people can feel it when they're being stared at? That. That would happen, and when they can't shake the feeling of being watched, they'd get paranoid and seek out the cause of the feeling.
In some issues, afaik, Wayne Manor has protections against magical creatures. That place is more secure than Fort Knox; Danyal would not be able to get in or near it without triggering some sort of alarm.
And so, Danyal would do the opposite, and in fact would avoid Gotham like the plague -- in order to stay away from Damian, he has to stay away from Damia. And he'd probably avoid some of the cities where he knows his father's affiliates and allies lay, just to be safe. This is relatively easy to do since he's 15 and not leaving Amity Park any time soon.
If, for any reason, his foster family or school (for the 'visiting gotham' trope) made a plan to visit Gotham, Danyal would find a way to get out of it, by any means necessary.
It's just not a risk he's willing to take, and the 'deep cover' thing is something I mentioned in my Ellie and Damian Meeting oneshot (its in a reblog of my "danny and dani meeting" post). The only reason Damian hasn't immediately flown out to Danyal is because of two main reasons:
he has no idea where he is
Bruce forbade it for the time being because it could spook Danny off.
If Danny found out that Damian knew he was alive, knew where he was, and was going to come see him, there's no guarantee that Danny will just... stay. There's no guarantee that Danyal won't freak the fuck out and disappear off the radar, and then they'll be back to square one. Finding and meeting Danyal requires patience and proper planning, they can't dive headfirst into this.
Besides! Danny keeps tabs on Damian and his father (and eventually by extension his siblings) through news reports and articles about them! Sure not all of them are truthful, but the things reporting their actions, whereabouts, etc, he keeps and prints out and puts in a little shoebox/scrapbook in his room!
The folder on his father is huge because he started it a few months into moving in with the Fentons and it spans back decades. and Damian's is currently the smallest since he just recently appeared in public eye. Most of it is things like, Wayne Inc announcements for charities, galas, etc. Not tabloids or gossip. Positive publicity stuff.
He keeps them under his bed, and he pulls out his father's scrapbook to tell him about patrol whenever he comes back and needs to stitch himself up. It lets him pretend that he's actually telling his father about what he's done.
As for Danny interacting with the fam -- it'd be awkward but non-hostile! Danny's... not sure how to act with them, he'd be not unlike a skittish stray cat that you're trying to befriend who keeps running away. He only knows them from what he's parsed out from news articles written about them -- both civilian and hero -- and anything Talia's told him.
There's for sure a resemblance between him and Damian in more than just looks -- they both hold this sort of powerful or confident air around them that seems exclusive to the Al Ghul family -- and there's of course that pride in their abilities. They have similar speech patterns -- although Danny's more relaxed due to Sam and Tucker's influence. And they both share an intense care for animals and the environment that's also pretty standard for the Al Ghul family.
Overall though he's just... rather quiet. Snarky and witty, but quiet. Unsure and seemingly analyzing them, trying to figure them out. He's quietest around Bruce -- not because he's afraid of him or anything, but he's overwhelmed by him. He's wanted to meet Bruce since he was a child, and now he is and he doesn't know what to do. It's a strange feeling to have.
You can find him sitting in the same room Bruce is in and find him just, watching him. Watching him from various, obscure places. He seems content to just exist in his presence, and confused when Bruce speaks to him -- like he's not totally comprehended the fact that he's actually there in front of him.
Damian and Danny have perhaps the most awkward interactions with each other out of everyone -- they have old issues they need to sort out like Danny purposely distancing himself from Damian, and intentionally orchestrating their past interactions to result in Damian hating him, and Damian needs to figure out who his brother really is beyond what he led Damian into thinking.
There's a lot of one-sided yelling matches where Damian airs out his grievances at Danny, and Danny sits there silently and lets him. Danny apologizes to him for treating him so coldly in the past, that if there's anything he could go back and redo, it would be that. That he doesn't expect forgiveness from Damian, but he wants him to know Danyal's sincerity. He tells him that if he wanted, Danny could return to Amity Park and he won't bother Damian or his family again. Al Ghuls don't cry, but i think Danyal does when he apologizes to Damian.
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ckret2 · 3 months
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I'm gonna tell y'all a story about transformers roleplay.
In transformers RP (back when I was playing circa 2015, anyway), there was this phenomenon where everybody wants their character to be Slightly Tall. So if one character is average height and everyone's decided average height for a transformer is about 20-ish feet tall, then the next person goes "well my bot is about a head taller than average, so he's like, 22 feet tall." And then the next person goes "well my bot's about the same height as THAT bot but I think he's a little bit taller, so he's like, 23 feet tall?" And the next person goes "well i want my bot to be Tall so if the nearest Tall bot i found is 23 feet tall then mine must be 24 or 25—"
And sometimes you end up with a long chain of people, unaware that they're participating in a game of height telephone, going 'well I want my character to be SLIGHTLY tall" and putting their measurement just a LITTLE BIT MORE than the last character they saw.
With the end result that you then get two characters interacting where, in canon, the first character is supposed to be upper-abdomen-height to the genuinely tall second character, but the first character's player says "my bot is 20 feet tall" and the second characters's player says "my bot is 80 feet tall" and now he doesn't even come up to his knees.
If someone wants their character to be "slightly tall" they automatically want to be "slightly taller than—" the next character over. But if everyone wants to be slightly tall, and you're slightly taller than a slightly tall character, then you're really tall.
Same goes for slightly short characters. "Well if my character is slightly short then i want to be slightly shortER than yours even tho he's slightly short too—" now your character can fit into a shoe box. That's the risk!
Not everybody can be the slightly shortest!
And so now if I get asked "how tall is your character" I avoid the devil out of specific answers. Relative heights ONLY, no absolute heights. "I headcanon my character as slightly taller than average, so WHATEVER YOU PERSONALLY THINK AVERAGE IS IN THIS SETTING, they are SLIGHTLY ABOVE THAT, and compare that to the other characters accordingly." "I headcanon this character is midway between X character and Y character and I picture them as slightly short." "I headcanon them as exactly the same height as Z character." You ain't getting more outta me than that. I've been on the frontlines! I've fought this war before!
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maxphilippa · 7 months
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i'm genuinely just saying that the ii fandom should try to not put their ships on basic dynamics because when you watch the media itself you realize that they're wayyyy more complex than that, and that the content that gets made off it feels one dimensional and like people don't really get why their dynamic/friendship works at all, or simplify their attributes completely disregarding the other relationships the characters in said ship have.
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nickloon works because of suitcase mattering so much to both of them. now this is something that most of the fandom doesn't get because they don't get nickel's character at all and often portray him as an gay asshole, but i've made a lot of analysis on his behaviour, so you can check my posts on him if you're interesed to learn why suitcase is so important to him too. however they're so much more than just "a weird gay thing", they're an story of growth and realizing that you were wrong, how much love they have and how you can learn and change for the better, as someone who went through that same thing and now i have a best friend thanks to that, seeing how people only put them on one dynamic disregarding completely the reason as to WHY they're like that is pretty boring. they work because had so many issues at hand and needed communication in order to work through it. their care towards one person (suitcase) is what made them be so angry at eachother and what ultimately made them become friends as well, but the way they genuinely ended up wanting to be friends and caring so deeply for eachother is what speaks the most. sure, nickel cared about baseball and all, but balloon was ultimately the reason as to why he lets go of the rough attitude, and decides that he does want to fix what he has done, that he wants to become a better person and friend.
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lightbrush works as an POST canon ship, not as one that happens on s2, nor should people ignore the fact that paintbrush was often angered/stressed by lightbulb's behaviour for most of the show. it works because ultimately they're both struggling to come to terms with themselves, and lightbulb gets to finally understand why she was messing up so much and genuinely showed care for paintbrush, who was ultimately struggling with themselves, you know, coming out and all that. what people don't get by making their relationship just an "silly random fella x hot headed person" is that they're both so much more than that. lightbulb has depression and her terrible copying mechanisms are what made her suck so much as a team captain, and paintbrush wanted stability and for someone to actually listen to them for once. lightbulb gets to learn that life is much more complicated and that she has to be there for people if she wants genuine connections with others, and she helped paintbrush on such a complicated moment, showing that they can work on an actual friendship post show, and that they do care about eachotther after all.
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fantube is so much more complicated and emotional from what the fandom usually portrays. downgrading them to just an "girlboss x malewife" feels like they're not getting their characters at all and also like it's missing the point of their arcs being entwined by still making them act like their s2 pre-ep 14 selfs. both fan and test tube had severe issues with social interaction and grasping on what's real and what not, emotional communication often being their biggest struggle, and constantly got on arguments with others thanks to the fact that they couldn't "fit in". test tube shows to generally struggle understanding people and their feelings, meanwhile fan is more so aware of those, he still struggles with understanding that the game is very real and that he can't keep running away from the fact that change IS very real. they both made eachother grow because fan made test tube aware of feelings, and test tube made fan aware of growing and learning. they're both pretty equal on their own terms and they had bad copying mechanisms through s2 as a whole, except for their elimination of course, where they make amends and start over. they trust eachother and are pretty much partners, whether romantic or not, they are a team. a duo. they're just trying their best after all, and still struggle a lot with feelings at times. but that's why they work it through talking: the thing that they couldn't do at all before.
i really like/enjoy these ships on their own and i kinda hope that the fandom starts to actually get the characters and understand them properly, i would've also talked about silvercandle, but that is a whole can of worms and after iii 18, i have an overall more negative/neutral stance on the fandom perception of them.
this is just a recollection of thoughts, too.
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disclaimer that i have no access to the writers room on patreon.
but i hate hate hate that it feels like thomas lost one of his best writers (joan) and then decided to make up for it, by making the fandom write the script. we see it with the incorrect quotes, we see it with the 5 year special, we saw it with the lastest christmas asides, i know there are other examples too. and im sure we'll see it in the finale.
thomas has tried so hard to pander to what he thinks the audience wants, those fans who want their perfect little ideas to be canon. they've both ruined the series. i used to like the little cute moments that you could run with and make a ship from (e.g, first you take her by the hand (even tho i hated that one at the time, i gotta say its so funny now), elementary my dear daddy, the entire virgil and logan debate, etc etc). but now it is so goddamn obvious who the "canon" ships are. its exhausting.
this series would've been so much better if thomas had the confidence to write a story without feeling the need to cater everything to the audience. we loved the original videos where it was fun and lovely and tackled some hard conversations. not turning the sides into one dimensional innocent babies who make a mockery of the original videos. yes the conversations are going to be mature as the audience grows up, but you're still acting like "oh im logan and i like jam", "oh im janus and i like wine", and "oh im patton and im so innocent" is fucking funny. its not. (even though svs redux didn't necessarily have these examples, i still heavily disliked the episode because of how it played out).
i feel like too many ideas and wants have been pushed in thomas' face, and i dont blame him. if everyone was shouting at me that my original characters have to end up together, or they must fit these tight little boxes, id get overwhelmed and want to give up. obviously thomas doesn't want to do that (even though he pretty much has at this point) so instead hes dragging things out and effectively making everyone else write the episodes for him.
just some thoughts.
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lukasdoodles · 17 days
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Sometimes i wonder if anyone remembers my old zombie apocalypse au that i havent written for since 2020 lol--
ANYWAY i think abt it all the time and so decided to redesign some of the main characters with their casual wear. There's a big story and info with it but idk if i'll ever write it out or whatever. If you wanna know more then feel free to shoot me an ask and I may just ramble abt it hehe
Anyway design notes below!
Starting with Olivia, she's an engineer and medic, so she has alternate outfits for those jobs, but for her casual look she prefers to cover up (make it harder for the zombies to bite through). I still wanted to make her outfit resemble her canon design, so i stuck with the red shirt/white sleeves, and kept her beanie of course. She's cut her hair as well, but keeps some dangly strands in the front so she can twirl them as she gets anxious.
Axel's casual design also takes a lot of inspiration from his canon design, he's a scout and engineer alongside Olivia, doing most of the heavy lifting and helping with documentation. I felt like the plaid overshirt fit him better than his canon design, don't have much info for him past that lol
Aiden's design is supposed to be more military-ish, as in the story he takes on the role of a leader for the cast. There's more lore behind that, but he's always prepared for the worst. His leather jacket is his dad's, so is his gun and knife (not pictured). Aiden is strong and cold, he doesn't want to get attached to people who might die or betray him. Thankfully, that hasn't happened. Yet.
Lukas's design is more casual and laid back. He occasionally scouts for the group, but his big role is being a mediator and organizer. He takes on a secondary leader role, helping Aiden with the hard decisions more than anything. Aiden keeps telling him to cut his hair too- but Lukas likes the mullet. He'll keep liking it until a zombie yanks on it, at the least.
Radar was a doctor- a pharmacist- a scientist? The others aren't sure. He showed up at their camp with a car full of supplies, wearing a doctor's coat and sporting a worn nametag. He won't tell them what he used to do, but he keeps the stained coat in hopes it might save him one day. He's also got hearing aids in this au he's hoh. That comes into play eventually hehe
Jesse is the main character out of the group of Mc's. He's...fine.
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ranticore · 25 days
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selected pages from Shapeshifter Problems, a small exploration of old old concept art & thoughts on shapeshifter tropes (specifically the question of the 'true form') i posted to patreon earlier this year. there's a bunch more haha. here's some OLD art and bg process for writing said the black horse. I don't like my old art but looking back at it I'm really happy how I've developed since, I used to make everything too sharp, straight-sided, or skinny. I had to make a conscious effort to change that and now it's so much better.
image transcriptions under the cut (just the text sorry)
Image 1: "These are more of those older designs - the horns were a deliberate play into devil imagery on Puck's part while giving Félix this form (all to cause more torment of course) but again I couldn't vibe with it. Such clear statements of intent didn't work for me.
The scars remain canon but not quite so stark, more a difference in texture (again, moving away from visual details). His forehead scar is ALWAYS there."
Image 2: "Félix. These are really old - from 2019-2020. They're the first attempts at Félix's horse form. At the time I was leaning into some goat-like attributes. I liked the idea of something that looked like an emaciated amalgam of many familiar creatures but if you look closer, it actually doesn't look like any animal at all. The original body shape and proportions were inspired by moose. I didn't know how to draw convincing horse shapes which is why he had these hands and claws for so long. I still draw the little flower wheel pattern on his sides sometimes... a secret just for me. His belly fur, squared off ear shape, and beard are still defining characteristics"
Image 3: "More old art from 2020. Bottom left is my first ever painting on my iPad using Procreate. I still prefer SAI for creature drawings, or at least the original sketches underpinning a lot of my art. Below on the bottom was my attempt at a scarier form for the character but I ultimately decided that it ran contrary to the atmosphere I was trying to create. Top left is my first 'real' horse painting and it includes the tail shape which has not ever changed, and feathers, which I nixed because I wanted to learn how to draw the feet and legs properly and not rely on covering them up with flowing hair (my favourite thing to draw)"
Image 4: "Like the black horse designs, these humanoid designs for Félix (circa 2019 - OLD art!) started very complex and simplified over time. I decided to avoid visual complexity, but made the mistake of solidifying specific 'rules' for how the Púca servants' bodies work, and I deeply regret this. Because I wrote Said the Black Horse in 2021, I was still operating under the old mindset and that caused it to become somewhat established canon.
In his original iteration his tattoos represented magical contracts between him and various faeries, so they were supposed to be always visible as a reminder of that contract.
<- a really early furry version, I was playing with the eye on the neck as a design feature. Ultimately I feel that although it looks cool, the medium he exists in is proser. So I needed to move away from visually complex designs and towards designs which were interesting to different senses instead."
Image 5: "As time went on the design simplified. I enjoyed making fun textures using procreate brushes. These designs lack his forehead scar but do include his impalement scar. If you've seen my Hanged Man card you'll know how he got that one. But when I made the charts like this about how his body 'worked' in 2020, again I ran into the same issue I always do when writing about faeries... the more I explain it, the most 'logic' and 'science' goes into it, the less it feels like a faery story to me. Overexplaining is anathema to the faeries of Inver. so even though I like these design notes they just don't fit in this setting."
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