welcome to the UK, where world leading healthcare is free at the point of use! hopefully you don't need it though. underfunding and shitty management of the public health sector by non clinicians mean you could wait up to six months for an urgent referral. hope all your organs are in good working order because you could die waiting if they're not :) and god forbid you should need to see a GP or a practice nurse for something more minor - the demand highly outweighs the supply and you'll be engaging in the hunger games to maybe get a 10 minute telephone appointment in September 2026 :) mental health suffering? well you are shit out of luck my friend - again, demand far outweighs supply - everything has been cut down to less than the absolute bare minimum - and the criteria for services is sky high now. make a cup of tea and take the crisis line number. you'll be fine right?
welcome to the UK, one of the richest economies in the world! how is it then that living standards are as low as they were in the 1970s, what with the old cossie lives and wages that were already laughably meagre now completely out of sync with how fucking expensive everything is?? i know you worked hard to get your education and onto your graduate scheme and did everything society asked of you to make it in life, but things are different now so here's your mouldy room in a shared house where the rent is a million pounds a month and lol what disposable income aren't you just happy to have a roof of your head?? stop going to Costa every morning for your soy triple shot vanilla latte you entitled little shit! it's not like we've had 14 years of complete mismanagement of the economy or anything! ps. aren't you so tired of hearing that it's all your fault?
welcome to the UK, where we have a welfare system designed to help people.in need, I.e. those out of work and those too sick to work! but good luck accessing that too. and if you want to try - LMFAO! oh honey no one LIKES working. but all this pretending to be too unwell to work ain't fooling anyone! come on mate drop that defeatist attitude and get on indeed.com. none of your conditions are even real. stop using your multiple sclerosis/depression/long covid/terminal cancer as an excuse. fucking sickness culture in this country. the high rates of mental illness especially have no obvious cause at all do they?
welcome to the UK, a tiny country that prides itself on tolerance and has historically seen great benefits to the economy and culturally from immigration! but god forbid we make this an easy place to live for trans people! this Woke has gone too far! and oh my GOD aren't all these refugees SO annoying?! they clearly just want to come here for the free healthcare (you know that non existent thing) and to get welfare benefits (you know asylum seekers aren't entitled to benefits apart from a pittance allowance from the home office right?) and they're absolutely not braving a life threatening journey to escape horrific conditions and persecution in their own country. but whatever. not our problem. off to Rwanda with you. human rights are stupid lmao. empathy? compassion? never heard of her.
welcome to the UK, where we support genocide and saying certain things in opposition of it is actually fucking illegal. i wish i was kidding.
welcome to the UK, where nothing works and everyone is sad.
welcome to the UK. god i fucking hate it here.
british tumblr - even if you don't think it will make a difference, even if you recognise there is just a lesser of two evils here, even if you don't trust any of them, even if you're fucked off and burnt out, i am BEGGING you to vote to get these absolute cretins out of power. we cannot have another five years under tory rule. there will be nothing left.
30 notes
·
View notes
Okay LISTEN. Kylux has such beautiful parallels and opposites in their life stories that it's almost beautiful.
The height of Ben's life was him being young. He was naturally gifted, had a great family, and a promising future. There were problems, but he had friends, and he was thriving. Then he grew up and renounced his identity as Ben and things went downhill.
Hux's childhood on the other hand was his low point. It wasn't until adulthood that he rose up and became stronger.
Kylo killed his father because he loved him. Snoke saw it as a weakness and made him do it. It tore him apart.
Hux killed his father because he hated him. He needed to thrive and that had to happen with Brendol's death.
Hux is reserved and handles his emotions accordingly, rarely ever doing more than raising his voice whenever the occasion permits it.
Kylo can't control his emotions and only acts in anger, unable to ground himself as well as Hux does.
They're opposites but also so much alike. Violent, self serving, desiring full control over the throne.
So alike yet so different. I mourn the loss of the duel of the fates script because in that they actually did come together. Rey refused Kylo's help so Kylo took Hux's hand. Let him lead, obeyed enough to shave his entire head simply because Hux found it too disorderly. Original Hux was fascinated by the force, he wished he had it. While Kylo's life is ruined by it.
Sometimes, I think that Kylo and Hux's relationship was tarnished just to make Rey and Kylo seem more probable. Those two were stronger together, and the writers tore them apart. But they're perfect together, opposite yet one in the same.
140 notes
·
View notes
i was so excited to listen to glass animal's new song 'creatures in heaven' today and instead my heart has been ripped out because it's so awfully painfully fitting for our mota boys (i'm currently making an angsty heartache–y edit to it lol whoops) BUCKLE UP because i need to yell (and keep scrolling if lyric analysis/song fics aren't your thing <3)
also tumblr keeps screwing with the formatting ignore that pls lol
What do you think about when you think about love?
I'm dumbstruck when you're tender, but
It's three in the morning, be in the moment
It tears through my head, does it haunt you too?
i mean, the imagery. pillow talk, sneaking off base before dawn, vulnerability and raw honesty laying side by side in a field, looking up at the stars and wondering which ones are the people they've lost looking down at them, every peaceful, happy moment laced with the knowledge that so many friends will never get to have another one.
You held me like my mother made me just for you
You held me so close that I broke in two
fuck my life. dave bayley count your days. these lines are just so viscerally painful and stunning? john feeling like every core of his being was made to fit gale, like puzzle pieces slotting together, the gaps in his life filled the moment gale enters his orbit. both of them never having experienced being treated so gently and with so much reverence, feeling taken apart and put back together in each other's arms.
You pass through my head, does it haunt you too?
Never really said that I loved you, too
heavy on the angst here because this reads like post–war john pov, filled with regrets but plastering on a smile as he watches gale marry someone who isn't him, aching to tell him how he feels but knowing it will only make a mess of things. and more than anything, he wants gale to be happy, and if that means staying quiet and loving him at arm's length, he can do that. but late at night he can't help but wonder if gale ever thinks about what could've been, if all the moments they shared haunt him too.
Lucky, lucky you, 'cause I'm fortune's fool
Such small words but they hit so huge
this reminded me of gale's father and his gambling and how despite everything he falls in love with john, a gambling man. such small words (don't count on it) but they mean everything :(
I don't think I realize
Just how much I miss you sometimes
We were young and so in love
this hurts on SO MANY LEVELS. i immediately read this as curtbucky– john never gets time to grieve, everyone just has to keep trucking on. but sometimes late at night it hits him so hard he feels like he's drowning, realizing how empty of a space curt's left, how much he truly loved him, the first person to make him feel that way.
but also can be read as buckbucky, both of them properly feeling the emptiness of not being by each other's sides for the first time before they reunite at the stalag, maybe both having a feelings–realization moment when they're hit with how wrong everything feels when they're apart.
or, post–war, john aching for gale and wishing on everything that he can just fall out of love. he knew that it would be hard, going back home and going their separate ways, even with the promise to stay in contact, but it's so much harder than he ever could have imagined.
Three in the morning, safe inside
Bury me here in your laundry pile
ouch ouch ouch. a few images: john seeking out one of gale's worn shirts after his plane goes down, falling asleep with it pressed to his chest in his bed. or john stealing one of gale's shirts before they all go back home post–war, shoving it to the bottom of his suitcase, sleeping with it every night despite the way his stomach turns, feeling hollowed out as the smell of him slowly fades away. or, john staying at gale and marge's house for the wedding, having a breakdown the night after, finding himself on the floor of their laundry room at three am, curling up in a pile of dirty laundry just to feel close to gale one last time before he goes home in the morning.
I don't see the point in a subtle romance
Ten tonne heartache sitting on your back
john is so all or nothing with love; when he's in, he's in, barrelling full speed ahead, giving it all up for his person. maybe the secrecy when they first start seeing each other is okay at first, little midnight rendezvous, but he craves more, he wants a future with gale so badly, he wants a house and a wedding and kids and a dog and sitting side by side on a porch at eighty years old. but he knows that gale is giving him all that he can right now, and it's better than nothing, so even though he wants so much more, he'll settle.
Scared of the crack where the light comes through
I'm only really me when I'm here with you
ughhh both of them being so scared to be really seen by someone that it's terrifying how quickly they grow close. that nauseating feeling you get right after opening up to someone for the first time, the feeling of holding your breath waiting for rejection– but it never comes. they accept each other with open arms and patience and unconditional love and they show each other what it's like to be able to be so fully unapologetically real with someone for the first time. a shell of themselves when they aren't together, like they're missing one half, and it's so obvious that everyone around can see it. they share the same name for a reason.
And it gets into your head like a cosmic zoom
Coat on the door like an old space suit
So long cowboy, you're so cool
Cash in hand with a memory of you
okay, ngl this just made me think of john ditching his coat that gale hates– even in the heat of going up on a mission, it's still in his head, enough to go through the motion of swapping it out. so long cowboy just sounds like something sweet he and curt would've said to each other honestly; thinking about john saying it again when he looks up at the stars the night he finds out curt didn't make it.
cash in hand with a memory of you? come onnn it's literally the lucky deuce. may as well have just slapped that bit of the song behind the scene of gale going through his belongings when he makes it back to base, picking up the cash and thinking about his man. </3
–anyway! apologies for the word–vomit, sometimes i just get a song wedged into the front of my skull and i am paralyzed from doing anything else until i get my thoughts out about it. and it's truly such a gorgeous song, 10/10 recommend if you feel like crying, been listening to these guys for a decade now and they never disappoint.
literally gonna agonize over making an edit for this for hours to get the vision just right and would not be surprised if i end up writing a oneshot inspired by it lol i adore every song they've put out but this one just gripped me so strongly the moment i pulled up the lyrics with how perfectly it slotted into the mota–verse. <33
33 notes
·
View notes
When the funniest and most intriguing crack pairing bursts into life in your brain but it’s so niche you’re probably the only one who can appreciate it. 🥺
Firstly, it’d help a good deal if you’re a Crowbarrow fan to begin with.💗
Secondly, you’d need to have seen both Kin and Ackley Bridge to fully appreciate why the thought of Michael Kinsella (Charlie Cox) and Martin Evershed (Robert James-Collier) meeting is just sending me right now. 🤣❤️
Martin and Michael seem like such perfect opposites on the surface (one is a frequently surly yet comedic high school teacher and the other is an unexpectedly soft-spoken and sad Irish mobster) that I have a sudden perverse urge to see them forced to interact regularly. 😅
(But if you haven’t seen both shows, a gif’s worth a 1000 words...)
And how are we getting these two in the same place?
Anna, Michael’s daughter - whom he loves more than anyone - decides she wants to live with her dad even though he doesn’t have legal custody of her, and never will, thanks to his past. Though he tries to dissuade her, Anna is stubbornly resolved and eventually Michael gives in though it means having to leave his criminal family and Ireland behind to start a life somewhere else.
They end up in the small Yorkshire mill town of Ackley Bridge, hoping to avoid too much notice since Anna was reported as having been abducted to the Irish authorities. Anna enrolls in the local high school, and, naturally, who should one of her new teachers be but Mr. Martin Evershed?
Anna begins settling in but Michael is still hyper-vigilant about either of them being recognized, not only because Michael would be arrested for “abducting” Anna but because he knows the Kinsella family have enemies who’d like nothing more than to take Michael out now that he’s alone. He insists on escorting Anna to and from school every day, even though she keeps telling him he needs to chill out because he’s just making himself more conspicuous.
Her words prove prophetic as one day Martin notices Michael following Anna at a distance and confronts him, thinking he’s a creep. Michael thankfully refrains from pulling a gun on him or just beating the shit out of him, though he’d been solely tempted at first, and explains that he’s Anna’s father - which she confirms and introduces Martin as her teacher. Michael is impressed by his willingness to protect his students and tells him so. The subject of an upcoming school dance is raised and Martin asks if he’s interested in attending, because they’re still short of chaperones. Michael agrees, much to Anna’s consternation.
As they’re leaving Anna suggests Michael let her give him a bit of a makeover, because he still looks like an Irish mobster and they’re not in Dublin anymore. Michael reluctantly agrees, asking her not to go overboard with it.
The makeover the night of the school dance:
I did mention this was a crack fic, right? 😂😂😂
66 notes
·
View notes