Sniper tf2 mentality
Today I will be talking about Sniper's personality because I often see people portraying him DRASTICALLY different abd I wanted to understand what's going on and why all of the interpretations are correct (in my opinion)
Let's name the most prominent thesises:
Sniper is shy and introverted.
Sniper is unhinged and bloodlusty and is annoyed by people.
Why do i think that these aren't exactly contradictory?
I think at this point it's safe to assume Sniper is autistic (I mean lol this is easier to prove than to disprove). As an autistic person myself, I can see why he could be perceived like that.
Sniper doesn't talk to people and mostly observes them and the situation. Very in tune with his profession. That, however, might be perceived as being shy or very introverted or both. People love talking and expect others to share information, yet Sniper never says half of the things he's thinking about.
But let me tell you, it's NOT because he's shy. If he was shy, it would show in his body language as being stiff and rigid. He's not. His body is pretty relaxed and takes enough space. Still crosses his arms, but in a "don't bother me" way, not a "please don't judge me" way.
He's just disinterested.
I relate to it a lot in real life! People at my job think I'm too shy to talk to them, but no, I just DON'T WANT TO. I'm not scared of any if you, there's just nothing to talk about. I don't know your business, you don't know mine, our interests don't collide. If I talked to you about my interests you wouldn't listen anyway. Small talk? Ew, are y kidding me?
However, I like to listen. I'm an extrovert personally (unexpected huh) so I love being around people, but it doesn't mean I have to takk to them. I'll just sponge the information they are babbling about so I know my community better. When I meet new group of people where everyone knows eachother but me, I'm not going to feel awkward, it's perfectly fine to observe.
Sniper seems to fit into this kind of behaviour too. So he's not shy in a social anxiety sense".
NOW LET'S TALK ABOUT THE BLOODLUST!!
Yeah you all know his in-game voicelines. You feel either horny or assaulted after he rolls these sadistic words on his tongue. Yes I said sadistic, are you gonna argue?
"We professionals don't give speeches we just take a shot" he says in the comics. OH YEAH? IS THAT WHY YOU HAVE THE MOST FUCKING VOICELINES OF ALL OF THEM??
Have you ever noticed how much attention he puts into saying how 'professional' he is? Like, yeah no shit, they all kinda are. But why, unlike other mercs, he insists on calling himself a professional with standards and morals, detached from emotions and feelings, so much???
There's literally no reason to be ashamed of being a killer and to admit that you enjoy killing people, you were hired to Mann Co. for that specifically!!!
My assumption: it's a personal disgust towards himself and his anger issues. I've said it before already and I will again.
His so called 'shadow side' that he suppresses so much. It loves to cause people pain, it loves releasing the inner anger, it is being feral and impulsive in nature. Sniper cannot let himself be like that for whatever reason. He's already built a clear picture of what he is in his head and he doesn't want to destroy that.
The only time he allows himself to be a monster is in the battle because it comes naturally. However, when it's not a situation of adrenaline rush, when people want to talk about his persona face to face, he starts to defend himself and bury his face under the lies he believes in.
And THIS is anxiety. To be scared to be truly perceived. Not like many people tried, but I assume he wouldn't like it.
Bro really thinks he doesn't have feelings lmaoooo imagine being so emotionally immature the only way to process your emotions is to shot a human dead.
So, is Sniper anxious? Yes. Is this social anxiety? No, he's not shy. Is he an unhinged murderer? Yes. Does he identify as one? No. It's really a little bit more complicated than the two thesises from the beginning.
He's a person. Obviously not mentally healthy. High dimensional. Can be potentially broken or healed in terms of a good character study.
I might be very wrong though and most of the assumptions are simply guessing by grasping the patterns, but usually when I analyze someone like thus, it turns out mostly right. But correct me if you feel like it.
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I see your tags on the Wocky and Alita art, I would love to hear your thoughts on Alita actually!
I only need one person to show interest in what I have to say for me to talk forever and ever, thank you. HAHA Okay, in seriousness, this won't be as thorough/long as the Klavier post because... there really isn't much to her, but I find it extremely interesting how Alita falls into the same category of witnesses as April May and Dahlia without being — and I mean no offence to her when I say this — stunning? Like, with April and Dahlia, there's a very clear mass appeal to them which most people point out. Contrariwise, Alita's appearance is really only commented on by Trucy, and just glancing at her portrait, you can see that, without her slightly outlandish fashion, she's frankly nothing to write home about.
So why am I discussing this? Surely it's a little reductive to analyse female characters beginning with their appearances? Usually, yes, but that's the thing about this category of witnesses: their pretty faces aren't just pretty faces.
For April and Dahlia, their beauty is part of their arsenal. It functions as both their defence and their weapon of choice; they know how to wield it to bring people under their heel. Alita being ordinarily pretty instead of drop-dead gorgeous deprives her of that weapon and leads you to wonder how she became a mafia heiress to begin with. It also parallels her to Mimi Miney in a way that goes beyond the 'murderous nurse who worked for and killed her awful boss' comparison you get on the surface. Presumably, Alita, like Mimi, only got to where she was because she managed to fool the people around her into believing she was less dangerous than she actually is. Mimi did this by feigning stupidity and inviting people to underestimate her. Alita seems to do this by showing them what they want to see.
When she first meets Apollo and Trucy, Alita stays quiet and spends more time listening to them than she does talking. Once she has a hold on who they are, then she slips into her persona, and I find it interesting how she doesn't even attempt to come across as particularly delicate or lovelorn? Instead she goes for the relatively typical role of a distressed, indulgent loved one earnestly entreating Apollo for help. I'm inclined to say she does this because her read on Apollo makes her realise that he'd likely be exasperated or annoyed by such a person; but it's also almost as if she knows she doesn't have the disposition to pull off that frail, damsel-in-distress archetype and has resigned herself to being ordinary. Like how she looks. The next time she has to reapply her persona, Alita's appearing in court, and again she makes subtle adjustments that best suit her situation. The judge is old, so she takes a chance on expressing her dedication as a wife while balancing her dedication as a righteous citizen, which works. But oddly enough, despite her successes, I don't think Alita is actually good? At donning disguises? Everyone I've seen discuss this case has been able to guess almost immediately that she's the culprit, and maybe we're just prepped by past characters like her that have appeared, but I don't think she's even that convincing in the game.
Both the identities she assumes are risky manoeuvres that happen to fall in her favour, and she's not particularly dedicated to maintaining the front. When she asks Apollo to be Wocky's defence, she admits that marrying him is largely a chance at a more exciting life than some great love story; Plum Kitaki straight up says that there's a darkness in Alita she doesn't like, despite how docile Alita behaves in front of her; and Wocky has moments where he slips up and calls her things like, "imposter" and "fallen angel", implying that at least subconsciously, he knows she's not what she makes herself out to be. Even her general mannerisms don't greatly differ between her actual self and the mask who's blunt her claws — nothing is ever overtly coy or cutesy — and when Apollo brings up the fact she was Wocky's nurse, she drops the facade almost immediately. There's no waffling, no, "Whatever do you mean?"s or, "You're scaring me"s, just the statement, "I don't know what you mean by 'meaning', Mr. Justice!" delivered in a sudden cool, frosted steeliness.
And I think that steel is what really makes her different.
See, the other women are all driven to crime by some defining trait in themselves caused by their circumstances. For Dahlia, it's her desperate need to be free of the Fey clan; for Mimi, it's grief over her sister's unjust death; and for April, it's her fear of Redd White. You don't really get that with Alita. Instead of there being something dark in her life that leads her down this path, she just seems... tired. Tired of being "pretty enough" but not "gorgeous", tired of being the obedient nurse to the corrupt doctor, tired of being ordinary. There's no predatory external force pushing her into a corner, there's no abusive family beliefs pinning her down. There's just an ordinary life, lived dull and ordinarily, and she had had enough. So what does this girl, who's tired and ordinary in every way except the steel that lines her spine, do to get out of this?
She gambles.
Marrying into the mafia was a gamble, seeking Apollo as council was a gamble, shooting Dr. Meraktis was a gamble. Every decision she's made since she met Wocky has been a series of high-stakes gambles that leave her life on the line all so she won't be second-best anymore. This time, she was going to be the one on top. No matter what.
... And I'm sorry for loving evil women, but girlboss?? Girlboss???
I've heard people say they're disappointed that her "breakdown" is just an extension of her usual damage sprite, but it's honestly one of my favourite "breakdowns" in the series ever? Just because it isn't really one? Everything Alita has done up till now has been reckless, calculated risk, of course being convicted for murder is no different than losing in any other aspect of her life. Of course you're not going to get more than her damaged sprite, because this doesn't warrant a more dramatic reaction. She's lived this whole time knowing it could all come crashing down around her, and it finally did.
She made a bad bet. You caught her. Oh well.
The frosted girl of steel, standing tall to the very end. It's kind of sad that, even after all that, she's still seen as only second-best, incomparable to mimi, dahlia or any of the other women who've stood in her place.
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Thinking thoughts about Ambrosius’s decision to try to kill Nimona… while this choice is certainly not a good one, it does make a sad sort of sense. He doesn’t know Nimona, not really. He’s faced off with her, sure, but his main impression of her is of a terrifying monster intent on killing. He doesn’t know her as a person, has never even properly met her. (Nobody truly knows her, but Ballister knows her best, at least, and seems to be one of the only people in the kingdom who understands that she’s more than a mindless weapon.) From Ambrosius’s perspective, though, there seems to be every reason to kill her.
This choice is doubly reinforced by his sense of loyalty and the desire to prove himself. Loyalty is an important theme in the story, and Ambrosius’s loyalties lie chiefly with Ballister, the person he seems to care about most, and the director, the closest he ever had to a parental figure. He also has an intense desire to prove himself to both of them - to prove that he really does care about Ballister and wants to protect him, and to prove that he’s capable of being a good knight and defending his kingdom.
Ambrosius is… rather insecure. He has very low self-esteem, and has always seen himself as lesser compared to Ballister, not as worthy as him or as good at jousting, even going so far as to bitterly tell Ballister he was always “better, without hardly even seeming to try.” And it’s possible that Ambrosius feels indebted to the director - who knows what might have happened to him if he hadn’t been taken in by the institution, and he owes his status as king’s champion to her. (Not that that’s a good thing, of course, but even so - she did still skyrocket him to victory and fame.)
At this point in time Ambrosius is still the director’s puppet. From an outside perspective it’s obvious that her intentions are nefarious, but when you’ve been manipulated by someone for most of your life, maybe even as long as you can remember, you… don’t necessarily know that. Ambrosius is still deeply under her influence, to the point that he still desperately craves her validation and approval even when she deliberately hurts him. She’s explicitly ordered him to kill Nimona, so that’s what he has to do so he doesn’t fail in her eyes.
There’s a sad irony in the parallels between Ambrosius and Nimona and the cycle they unintentionally perpetuate - two people raised as weapons in cruel institutions, used against their will to hurt people they cared about, now trying to kill one another. He might not know her backstory, but he can certainly see how she’s being used as a weapon now. And in the moment when he lifts his sword and attempts the killing blow, he too is a weapon. Does he see himself in her, perhaps? Does he subconsciously recognize that they’re the same in that regard? Is his firm belief that she’s dangerous born from the way he sees himself?
When he tries to kill her, is he trying to kill part of himself?
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