#I’ve got. Emotions. What a time | Explore Tumblr posts and blogs

cimtee · 11 days ago

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I’m so flattered that even a single soul is interested in my WIPs 😳. I happen to love seeing the unique creative process of each artist.

Also it makes me feel less self-pressured to only post the clean pieces I’m more confident about. Also I’m mending the hole left behind from high school, when my friends watched my sketchbook fill up in real time during the classes I didn’t care to participate in (every single one).

One project I started recently is making ref sheets for each of the trc kids. Been meaning to do it for a while, to help with consistency when drawing them, but also because I love character design. Click for better quality!

Lineup sketch:

Also been doodling basic headshots to get their features down. Here are a few + some notes on personal design choices. Ideally, my ref sheets will list these and more:

(they make me laugh when I open up my sketchbook cuz they’re just there like 🧍‍♂️🧍‍♂️🧍‍♂️🧍‍♂️)

Other WIPs: Going through old sketches to see if any more are fit for posting. A handful of Pynch stuff. Some rendered pieces I will probably never finish but maybe will post anyway, if I’m feeling bold. Layout of the Barns, Monmouth, 300 Fox Way, St. Agnes, blah blah. And arguably my biggest one, a detailed interpretation of Ronan’s tattoo. Its tracked time on procreate is over 50 hrs… but what’s one more questionable life decision amirite… I have crazy respect and admiration for tattoo artists now.

It’s been a fun challenge, albeit a tedious one. A sneak peak:

That’s all for now!! I think I need a couple days off tumblr. I like yapping though. Thank you for having me

#WIPs #when it comes to art i’m an overachiever but with zero work ethic #being into character design and semi-realism at the same time is so weird #could would should and have written essays about trc #i usually have many a thought #and have to exhibit self-restraint so i don’t bombard the unassuming fanart consumers #i’ll probably give in at some point #what’s that they say about bottled up emotions #cuz trc has given me PLENTY #anyway don’t talk to me abt the amount of photos i saved for tattoo ref…#a few months ago my pinterest got suspended for no discernible reason #and i’ve pretty much had to reassemble YEARS of references and inspiration #to say this has been a painful situation is to put it lightly #the anxiety depression ocd and probably adhd too all butt heads #fuck everything -depression #wdym bro everything matters too much -anxiety #hey u know what will help u manage? creating Rules. btw if these rules don't hold up ur ffucked. like so fucked. depression whats good -ocd #haha what. u guys r so dramatic. have u ever considered [failed to load] -adhd #why is this the most honest thing i’ve ever written. and it came to me in a sleep deprived fever in the tumblr tags #ok i’ll see myself out

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madbard · 4 months ago

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Putting this in your askbox cuz I know you're also an Epic the Musical fan but yknow I think if Loop saw that musical they'd get very emotional about Would You Fall In Love With Me Again, just in the context of thinking of their old party... :'>

Oh, a thousand times, yes.

I’ve been thinking about Epic and ISAT a lot recently, and honestly I think the entire musical would be such an intense experience for the entire party, but especially Siffrin and Loop. After all, Epic is, at its core, the story of someone who loses himself while desperately trying to return home.

(I know you were talking about ‘Would You Fall In Love With Me Again’ specifically, but this is about to get really out of hand. Also, I’m going to frame Epic as a musical that Loop, Siffrin and the post-canon party (likely sans Bonnie considering some of the subject material) are watching.)

Starting off with the Troy Saga, we have some striking similarities between Odysseus and Loop and Sif already - we know he’s been away from his home island for years, and so badly wants to see his family again. The homesickness here would resonate with them, I think, but the situation is also very different since Odysseus has such strong memories of his home and his family, and his home still very much exists. So that creates a little bit of distance as they are watching. ‘Open Arms’ would probably hit pretty hard though - I could see Polites’ encouragements reminding them of the party trying to help them after the loops. (Note for ‘Warrior of the Mind’ - I think this song would start some of the party off on the wrong foot with Athena. I think Mirabelle and Isabeau at least would be put off by the line “I see you changing from how I’ve designed you” as a bad thing. Here we have this character trying to change for the better, and another character is telling him that that’s a bad thing and he should stay the same? Yeah, they might not be the biggest Athena fans at this point.)

But then… oh, the Cyclops Saga is going to be uh… interesting. I wonder when any members of the party might have encountered a giant… led a fight against said giant… tried to barter with the giant to find a nonviolent solution for everyone… thought for a moment that they had succeeded… realized they had failed in a terrifying moment when they were told they would be the final one to die… witnessed helplessly as that giant brutally crushed one of the people they love most in the world as that person called out their name in agony… (The first time I listened to Epic after finishing Act 3 I had to pause it for a minute because I kept visualizing Bonnie during ‘Survive’ and it was doing psychic damage.) As much as I like to imagine the party watching Epic, I can’t imagine Siffrin watching that scene without having a panic attack. After that I doubt they are finishing the musical. (Now, we do have a fair bit to go and fascinating songs to think about so for the sake of this post maybe they were somehow all distracted during that scene? I don’t know, for whatever reason they keep watching.) If the party didn’t like Athena before, they definitely don’t like her after she abandons Odysseus - though I could see Odile giving her a little more grace in that regard, as she might see a bit of herself in Athena’s intelligence, the age difference between her and Odysseus and her clear difficulties with friendship and emotions.

The Ocean Saga is called than the Cyclops Saga. I could see Siffrin and Loop exchanging some looks at the “you rely on wit and people die on it” line but while there are some parallels between that song and their own discussion post Act 3, the similarities are ultimately far outweighed by the differences. Then we have the ultimate paranoia/insomnia/exhaustion/homesickness anthem in ‘Keep Your Friends Close,’ which I could see Siffrin and Loop getting pretty invested in.

As much as I love the Circe Saga, I’m not sure the party is getting much from it aside from enjoying the story and music.

Then we have the Underworld Saga and STARS. Loop is NOT going to be handling this well. ‘The Underworld’ is an absolute nightmare - gotta love being haunted by the screams of your friends that you couldn’t protect, tee-hee! Odysseus’ mom dying while waiting for him to come home is also an intense scene considering how little Loop and Siffrin know about what might’ve happened to their own parents when the island disappeared, but that scene is also just generally heartbreaking. ‘No Longer You’ is where things become viscerally painful for Loop - after all, there is a reason there are at least two full length Loop-centric animatics of that song. I want to ramble about this one but… “we’ve suffered and sailed through the toughest of hells, now you tell us our effort’s for nothing” and “I see a man who gets to make it home alive, but it’s no longer you” speak for themselves. The universe doesn’t care how much you suffered - someone is going to get that happy ending that you fought and died and bled for, but it’s not you. Not anymore. Then we reach ‘Monster’ and Odysseus has reached a state of self-loathing and dehumanization that Siffrin and Loop are far too familiar with. The death of diplomacy in exchange for brutality matches with post-Act 3 Siffrin, but it also aligns with Loop, and their willingness to do whatever it takes to help Siffrin escape the loops, even if that means sacrificing the party. And of course the perceived loss of humanity is very applicable to Loop, always.

On to the Thunder Saga, and Odysseus’ rage in ‘Different Beast’ is his own personal Memory of Sadnesses moment. This saga is just… tough to listen to for the entire party I think. The way Odysseus and Eurylochus’ friendship falls apart - that still hurts so much every time I listen and I’m sure it would be painful for them as well. (I could probably elaborate more but this post is already far longer than I had expected and I’m starting to run out of steam so I’ll leave it here.)

The party has made it to the Wisdom Saga! Odd opinion incoming, but I think ‘Legendary’ would resonate with Isabeau a lot - a song about this young, less-than-intimidating guy who desperately wants to be bigger, braver, stronger, the kind of person that can protect the people he cares about. Also, I could see Telemachus activating some protective instincts in the party, considering how some of his eagerness and fighting attitude are mirrored in Bonnie as well. ‘Little Wolf’ and ‘We’ll Be Fine’ would cause a massive shift in Mirabelle and Isabeau’s opinion of Athena - the character who opposed change at the beginning has changed for the better! Athena’s regret in ‘We’ll Be Fine’ would also hit really close to home for Odile, I think - “maybe if I’d made a different call, maybe if I hadn’t missed it all, maybe he’d be fine” aligns so painfully well with her own guilt and regret for not being able to figure out the loops and help Siffrin sooner. I think ‘Love In Paradise’ would be a surprisingly tough listen for Loop and Siffrin. The context is so different, but this song contains lyrics like “under my spell we’re stuck in paradise, no one can come or go - not til the end of time, there is no way, you’re mine, all mine.” Calypso is so scared of being alone that she traps Odysseus on the island with her for years - meanwhile, Odysseus is slowly broken down by his grief and his desperation to go home. For Loop and Siffrin, there’s an uncomfortable understanding of both characters, I think. (The entire party loves Athena after ‘God Games,’ I don’t make the rules.)

Next up, Vengeance Saga. This is where things start to get intense. As one might guess from the fact that I made a Loop-centric lyric comic for ‘Not Sorry For Loving You,’ I think they would relate to this song on a visceral level. “Someone came by today, they said they’re taking you away, that you’re not mine to save, and sooner I won’t get to see your face” - this so perfectly fits with Loop’s realizing Siffrin won their happy ending and is going to be leaving Dormont with THEIR family. Not theirs to save. Not anymore. “I spent my whole life here, was cast away when I was young, alone for a hundred years, I had no friends but the sky and sun” - this is literally an exaggerated description of their own life, washing up on the shore of Vaugarde as a teenager, completely alone with no memory of ever having been known or loved. “So when you washed ashore, I thought for sure that you were my dream come true - I thought I knew” - Loop/Siffrin being so desperately lonely when they met the party and bonding with them so deeply and desperately, starved for love and connection to the point where they clung TOO hard, loved TOO defensively. And then we reach the final lines of the song and I honestly think the comic explains better than I could exactly how perfect those lyrics are for Loop. At the end of this song, Calypso is left sobbing on a beach, watching as Odysseus sails into a future without her in it, with people that love him, so desperately lonely and full of the knowledge that nobody will ever, ever love her again. Yeah… I think this song might mess with Loop a bit. And then, of course, we have ‘Six Hundred Strike.’ This is another song that I imagine Siffrin for - specifically Act 5 Siffrin fighting the King. “How does it feel to be helpless? How does it feel to know pain? I watched my friends die in horror - watching as they were all slain!” Honestly, this song is a big Act 5 moment for Odysseus - except that he actually defeats Poseidon. I can’t imagine that this song wouldn’t cause at least a shudder in Siffrin and Loop.

And now, finally, the Ithaca Saga. (Which is what you were actually talking about. This got extremely out of hand.) I’ve mentioned the party would feel protective of Telemachus. They are not handling ‘Hold Them Down’ well. ‘Odysseus’ is interesting to think about actually, because for whatever reason this has become such an Act 5 Isabeau loops AU song to me. I imagine that an Isabeau loops AU would involve him undergoing a change that mirrors Odysseus a lot, becoming steadily colder rather than becoming manic like Siffrin does. I think he’d cope with the loops by essentially shutting down his emotions, using his intellect to be a truly terrifying force in combat. Under it all though I think there’d still be a core protective rage - “my mercy has long since drowned” vibes. He’s going to protect his family, even if it means becoming a monster. Alright, AU talk aside, the fact that the suitors literally refer to Telemachus as “the kid” in this song (as they’re planning to maim him to control Odysseus) is going to mess with Loop and Siffrin at least a little bit. Moving onto ‘I Can’t Help But Wonder,’ for whatever reason this song makes me think of Bonnie and Nille. I actually have a half-sketched lyric comic with this song set to their reunion, but only time will tell if I ever actually get around to finishing it.

Alright. We’ve made to the song this ask was actually talking about.

‘Would You Fall In Love With Me Again’ is a beautifully painful song to think about in connection with Loop because it is such a cruel inversion of what actually happens. Odysseus returns home, changed and certain Penelope won’t love him anymore, convinced that when she looks at him she will see a monster. But when she sees him again, she sees her husband. She sees him, she recognizes him, she tells him she still loves him, that he is still the same person, that she will fall in love with him over and over. She tells him everything Loop wishes they could hear from their own party. In reality, the party didn’t recognize Loop, because they aren’t the same person anymore. In canon, Loop never gets the confirmation that the party loves them still. They know the party is grateful, but that’s only because they were able to help them find Siffrin. Siffrin thought the party loved him after he helped each of them during the friend quests, and it’s only after Act 5 that they realize that the party loved them already, and will continue to love them even if they mess up. Loop never gets that confirmation. As they fade back into the Universe, they do so knowing the party will not grieve them.

Part of my love for post-canon Loop content stems from my desire to see Loop asking, in their own way, without even realizing it, if the party would fall in love with them again.

The answer is yes. No matter how long it’s been, and how much Loop has changed, I believe that the answer is yes.

#tldr yes loop would be really emotional about that song!!!#so uh… you may have asked about something that I’ve spent hours thinking about and have not had the chance to write about.#so I got VERY carried away. also I’m sorry if there are typos this is completely unedited because I do not have the time or energy #I saw this ask and started writing and ended up here an hour and a half later. I regret nothing and everything.#I’m a bit scared to check how long this is I don’t know what happened #thank you for asking about ISAT and epic do I had an excuse to rant about them!#and sorry for dropping an entire essay on your head instead of writing about the song you actually asked about heh #in stars and time #epic the musical #isat spoilers #madbard rambles

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