#I'm actually ok with the trial

[syruubi]

Man its been weeks and I’m still soured by the conclusion to Fontaine’s main story. I'll just rant here

There were a lot of things I didn’t like about it (Arlecchino's altruism being played straight, Traveler being out of character, the lore exposition ass-pull with the prophecy slates, the weird logic about how destroying a Gnosis could potentially wake up the Heavenly Principles but not fucking destroying an Archon Throne when Celestia forced everyone to fight a GODDAMN WAR TO ESTABLISH THEM-) but the biggest offense to me was how Furina was handled. This was marketed as the grand finale of the arc, the climax with Furina at the center of it all. And she got shafted. Big time. Furina had no agency in the plot whatsoever, nothing she did had any effect on how things turned out, and she didn’t even have the dignity of fully understanding why it all had to happen that way.

(Also I will preface this with yes Furina and Focalors are technically the same person with the same origin, but after the split Furina lost all her memories as Focalors. They are two separate consciousnesses with different experiences, and therefore I will treat their individual choices as their own)

I’ve seen people try to argue that no, she chose to take on this role knowing she would suffer, that she didn't HAVE to go along with it. And she was even working by herself to solve the prophecy without relying on Focalors, she wasn’t a puppet/pawn! But the thing is she was essentially in a hostage situation. If she didn’t do things exactly as dictated by Focalors people would DIE. Like there is a reason why criminal punishments are lighter when it’s found the perpetrator was coerced into it! And her researching how to avoid the prophecy changed nothing about the outcome, she could have sat around eating cake and the story would have word for word turned out exactly the same. All that information served to do was highlight her suffering and draw the audience’s sympathy. That's what I mean about her not having agency, it's not about her ability to act as an individual but how her actions had an effect on the overall plot. None of her choices outside of the role designated by Focalors did anything to change the situation for better or worse.

And to top it all off she didn’t even understand WHY this all had to happen. Why do people dissolve in the Primordial water? How does her pretending to be an Archon play into solving the issue? Why can’t she confide in anyone? What the hell is Focalors even doing? She doesn’t learn the answers to any of these until after everything was over, and not even from Focalors’ own mouth, it was relayed to her by Neuvillette.

Speaking of Neuvillette, I’m not gonna lie I’m sorta annoyed at his existence because it felt like Furina was shafted for him. Everything is very tilted in Neuvillette's favor. He gets his powers back, full control over Pneuma/Ousia, final say in trials, the ability to hand out Visions, and just straight up the ability to manipulate life itself. And okay all these things were his to begin with lore-wise, whatever, but he also becomes the "lore important" character after this at Furina's expense. Furina doesn't have her memories as Focalors, she can't tell us anything about how the world works, about Celestia, about what happened 500 years ago. Even though other Archons didn't give us much either for one reason or another, they at least HAVE that knowledge, and are therefore guaranteed to have involvement in future events with the Abyss and Celestia. Furina at the moment, doesn't. Neuvillette has it now. And all that talk about Focalors judging Celestia? Also Neuvillette's job now. And it feels like it was all stolen from Furina from a story-telling perspective because again, she didn't know of the plan to return his powers. She didn't even get to explicitly agree with her other self that he should have them back. The writers really seemed to go out of their way to place him on a pedestal at Furina's expense, which irks the hell out of me.

There are some opportunity for future interludes to turn the current state around, and they probably will since Furina is still being marketed as an Archon, but as it stands I want Fontaine to be over so we can move on to the next disappointment.

[thelilylav]

We only see each other at funerals

(On Jason, Thalia, Nico, Bianca, and their parallels/connections)

The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art

[thepoisonroom]

that post that's like "learning social skills helps with social anxiety" applies to dating also btw

[bumblingbabooshka]

Live Fast & Prosper

[dumbasswhatever]

I have so many thoughts about Klavier and Phoenixs relationship. Phoenix thinks that Klavier is maybe a bit annoying, yeah, but he doesn't blame Klavier for the events of seven years ago. Maybe there's a bit of pity in there too. But then Klavier. He wants so badly to actually apologize to Phoenix and clear the air but he'll never take the first step. He doesn't trust Phoenix one bit (he was suspicious of Phoenixs involvement in the jury trial system from the very beginning), but he also doesn't think Phoenix is an actually bad guy. And Klavier also feels some urge to impress Phoenix with his prosecuting and prove that he isn't that stupid kid from before. Which is especially annoying because Phoenix Is Fucking Annoying And Impossible To Deal With. Klavier wants to clear the air between himself and Phoenix but he cannot stand to be in the same room as the man for like four different reasons. Every single thing the man says seems tailor-made to irritate him or make him more suspicious or remind him of his weaknesses. But also if Phoenix tried to be nice to him then he's doing it out of pity and Klavier might just lose his mind. But it's okay he's coping <3

[freuleinanna]

trials (and errors)

Chapter 1 | Chapter 2 | Chapter 3 AO3

Chapter 4: Liars

A perfect lie does not exist. Untether it from truth, and it's a mere fantasy. Weave truth into it, and it becomes a commemoration, for concealment is just an act of protection, and protection, well, is just an act of love.

Can you imagine? The chapter I started the whole thing for? Ugh. Welcome to the circus, aka the courtroom angst, aka Sturrock hardly dealing with those two and those two hardly dealing with each other

The hearing itself is a blur.

If they were to compare memories, both Marisa and Asriel would probably agree that what they remember most is endless bureaucratic gibberish and a whole lot of pretentious words flying about. Illicit affair this, conspiracy to murder that. Asriel powers through the whole thing silently agreeing to at least consider respecting the Authority should he miraculously manifest himself and strike down the bunch of dim-witted black-robed idiots blabbering about marriage institutions and the worth of a human life. Beside him, Stelmaria is unmoving, her eyes glide from one speaker to another, thoughts impenetrable behind the icy facade. Both of them exude the feeling of having much better and more important things to do with their time, which isn’t wrong. Both of them are fully focused on not looking at the opposite side of the hall where Marisa and her daemon are.

They climb their respective stands. They aren’t allowed to be seated. After all, it is a trial, and they are supposed to be defending themselves. Asriel has a feeling that neither him nor Marisa are interested in defense, simply wanting things to be over.

Stabbing each other in the process is just an extra perk.

‘State your name, please,’ Cardinal Sturrock is slumping in his direction. Asriel opens his mouth and doesn’t shut up out of spite listing his name, status, estates, and full heritage up to the seventh generation even when he’s interrupted – twice. His voice thunders through the room. People wince.

‘You did ask, Your Eminence,’ he shrugs coldly.

‘Thank you, Lord Belacqua,’ comes the most thankless tone possible.

Marisa’s answer, against his, is short and dry.

‘Marisa Coulter, née Delamare.’

With the precision of French vowels on née. Whether it’s pride or emotions that make her resort to the accent, or a simple habit of pronouncing it right, Asriel doesn’t really know. I love you, sea creature. He doesn’t look, but his teeth hurt from clenching.

And then it becomes very hard not to look because questions come one after another, and it’s their shared history that gets spilled on the floor.

‘Could you remind the honorable judges of the circumstances of your meeting?’

He stifles a groan. The only thing stopping him from suggesting the honorable judges to shove their honorable questions up their honorable asses is Stelmaria’s tail around his legs. She could have crushed the pathetic daemon-insects between her paws if she wanted, but she is playing impassive for his sake. Asriel burrows his fists deeper into his pockets and clears his throat.

‘It was a social event, I don’t remember which. Both Mrs. Coulter and I were present.’

Well, he made the whole board frown. Again. What, did they expect him to pour out every detail? Who cares, let’s cut right to the chase. They met, they slept together, they had a child, he killed her husband – that’s what everyone wants to discuss anyway. Dancing around the subject just takes the meaning out of it.

‘And how old were you?’

‘Twenty.’

‘And Mrs. Coulter?’

‘Why don’t you ask Mrs. Coulter herself?’ he snaps, patience is leaking out of him despite the decision to stick to his best behavior. Damn his non-existent tolerance for stupidity.

‘It is your account of the events, Lord Belacqua. We will address Mrs. Coulter when needed.’

Speaking of her like she isn’t in the room. The spot of blue color is very still in the corner of his vision as Asriel makes an effort to look straight in the Cardinal’s bloated face. He can’t lick Marisa’s taste off his lips. It’s distracting. Stelmaria moves her head in a warning: focus.

‘I believe, Mrs. Coulter was nineteen at a time.’

‘And is it correct that your affair started a year after that?’

To be fair, Asriel said so himself during one of the previous hearings because it was easier then, one on one with Sturrock and his henchmen. He said a lot of things. Now, however, with Marisa standing witness, the lies become palpable like rough stitches in the air. Seeing them, knowing them, how could anyone believe they lasted a whole year?

The truth is, the affair had started immediately. It’s just that the sex came well after, but she cheated on her husband the moment their hands met.

They would meet at the library. She would pretend to not notice Asriel’s presence until the last minute, but always made sure to wear the most flattering dresses. He would pretend he visited the dusty archives for any serious, adult reason except spending a day with Marisa.

She would smile politely as she saw him and say, ‘Lord Asriel. Here again?’ – in a voice that fit a genderless servant, not a woman of flesh and blood, but her eyes would spark with delight. Sometimes, he would approach to read over her shoulder, hardly seeing the lines from being struck on the head with the scent of perfume mixed into that of her skin.

She would turn her face half-round to ask, ‘I wonder, what do you make of the Bermundsen’s last paper on potential use of natural events, Aurora lights in particular, as a source of renewable anbaric energy?’

He would breathe ‘I think Bermundsen is flying pitifully low’ down her neck.

They would sit across from each other, shamelessly making love with their words and ideas, innocent to anyone who could see.

At times, she would make for the stepladder to take another book. He would take it for her, reaching over her head, almost pressing her into the shelf in the process. Their eyes would meet, and there would be that look in hers, all at once calculating and genuinely content, impossible to decipher all the way through. Not daring to allow their fingers touch over a book, they would pause. In the air, an instant collapse waiting to be released. They would both stand, undoubtedly imprinting one another in memory to imagine late at night for their own raw, secret pleasure. Adding a throbbing sensuality to that image on purpose.

At the end of the day, they both knew exactly what they were doing.

It’s a force Asriel, with his scientific mind, cannot comprehend or break down into a handful of co-applying laws physics has to offer. Something possesses him to take a look, something not entirely lost, that’s still trying to live and breathe despite his best efforts.

Marisa appears withdrawn. Empty, like she isn’t there at all. The harmony of deep blue with the gold of her daemon would be fitting to a saint, except that wearing a color besides black only paints her more of a sinner. Deep within, Asriel is admiring the defiance. His admiration is of dark, self-torturing quality.

Under a delicate hand, the golden monkey seems to have lost all life. Therein lies the Marisa effect.

‘Lord Belacqua?’

‘Hmm?’

‘Is it correct that your affair started a year after you and Mrs. Coulter had met?’

‘Yes. Yes, that is correct.’

***

Mrs. Coulter, he keeps saying.

I briefly collaborated with Mrs. Coulter on one of my branching research, she was providing theological base to…

When Mrs. Coulter and I had become involved…

… there was no paper correspondence, Mrs. Coulter insisted…

…Mrs. Coulter…

…Mrs. Coulter…

Some other woman she must be, that Mrs. Coulter, because Marisa doesn’t recognize herself in what Asriel is saying. The person he talks at such lengths about sounds rational and cold, plotting her way through the affair down to every breath she takes, and not at all in love. She remembers being in love. How does one pick memories clean off the carcass of that giant dead thing?

Bones are there, alright, but Asriel is lying. Tiny details get cloaked sometimes, and sometimes grand ones. Marisa isn’t fool enough to think it a protection, instead pulling herself together against what it really is. An erasure, utter and complete: of her, of what they were. Matter-of-factness, with which Asriel answers the questions, ultimately retelling the story in a way a dust-dry librarian would retell the plot of an exciting novel, is an act of killing. She is reduced to an outline, a character – someone unimportant, and only vaguely familiar.

A stranger, in a word. A stranger whose name he pretends to have never tasted on his tongue in moments of disarmed tenderness.

He said he wouldn’t spare her. Who knew it was to be like this.

Despite the indignation it pokes alive, his flow of immaculate half-truths has another effect, an unexpected one. They carve Mrs. Coulter into existence out of thin air, and the more Asriel speaks, the more real she becomes, allowing Marisa to dissolve in the image. Soothing her until she enters a state of tranquil trance, her tyranny buried into the golden fur. How easy it is to pretend uninvolved. It allows her some control – maimed, disfigured, but control still.

So she listens, and doesn’t object. Her hatred, now cool and steady as opposed to the fiery eruption before, listens too. Grasped by curiosity almost unhealthy, it wonders how much less emotional Asriel can make the whole thing sound.

And then, suddenly, it’s her turn.

And then, suddenly, it’s a full-blown interrogation.

Air grows thicker, as if molecules knit themselves closer together with every pair of disapproving eyes landing on Marisa. She tenses.

‘Mrs. Coulter, do you agree with Lord Belacqua’s account?’

Down to the detail, except where he left out that we actually had hearts, she says, yet the words transform in her mouth and leave it as a plain, ‘Yes.’

‘Very well,’ Sturrock locks his ring-laden fingers, leaning over them and resembling at that moment a fat hawk on the search for a prey. ‘Could you say for how long you had been married to Edward Coulter prior to meeting Lord Belacqua?’

‘Six or seven months.’

‘Are you not sure?’ the hawk frowns.

‘Seven,’ Marisa corrects, even though it’s not true, because the whispers start swishing and she needs some merit. Yes, she was still very freshly a wife when she broke all her vows, but at least she can track her own marriage. That must count for something, must it not?

It was, in fact, six months and eighteen days. She spent endless nights wishing she’d just waited for six months and eighteen days longer before allowing Edward to put a wedding band on her finger. Or that Asriel had come along that exact amount of time earlier. Either way, a fruitless endeavor, but it kept her up for hours.

‘And would you say you had amicable relationships with your husband?’

‘Quite.’

‘Mrs. Coulter, I’m afraid I need you to elaborate.’

They say, when vultures come, it’s already too late. Marisa stands surrounded by vultures, painting and repainting her cracking mask of humbleness to not let fury taint it. Even in death, Edward traps her. Say a few good words about him, and her sins become appalling in comparison. Say a few bad ones, and she’s obviously besmearing his memory with lies to save herself, a malign creature whose only hope is to pray for forgiveness. In a convent.

Very carefully, her voice treads across rows.

‘My husband was a man of politics, as you know. Often away. Amicable is the exact right word, Your Eminence, for we didn’t have much in common, nor did we spend much time together. There were always…other duties.’

‘Is that why you chose to betray your sacred union by infidelity?’

Damn you.

Is there any winning this at all? The Cardinal himself is pushing her onto the thinnest ice Marisa’s ever walked on. Everyone is waiting, everyone is angry. A bunch of men who’ve never known a woman’s touch behave like she’s been unfaithful to them personally, and that is a mighty dangerous sea to navigate. That collective ego can crush her like a wave.

Giving herself some time, Marisa strokes the gold. Her hand is hard despite the gesture, the monkey shivers under it. It might pass for embarrassment, his fear. Good. She tugs at the fur a little and greets the pain where, connected to her deamon, a part of her soul resides, stuck among arteries and veins in rivers of blood – the one thing she’s yet failed to dissect to understand the nature. Her insides yelp; it helps her think. She needs to think fast.

Truth, she decides, is the simplest thing to say. And the quickest way to try and thaw a few hearts that are so hung up on innocence.

She only makes one mistake. She looks at Asriel.

‘I was…’ in love, is what Marisa tries for, ready to play the cards, but that incomprehensible soul of hers… She would throw it to the wolves if she could. It makes the words cluster in her throat. It fights against every sound, clawing them down with a fierce proprietary desire to omit, to withhold, to never share a single meaningful piece.

‘Yes, Mrs. Coulter?’

Because it was theirs.

A young man bumps into her, rushing away from her husband like all dogs are on his tail, which is a bit funny since he’s being followed by a giant cat. A  leopard, alright. For the sake of precision, a snow leopard. The man’s face still carries echoes of an argument he’s very obviously continuing in his head even as he turns.

‘My apologies,’ he mutters, a hand on Marisa’s shoulder making sure she’s okay.

‘No need,’ she chuckles at how aggravated he looks, then nods to his suit. ‘You’ve spilled your drink.’

‘What? Oh–’

Something very inappropriate is about to leave his lips, but the stranger contains himself, albeit hardly. He does give an impression of someone who’s not used to doing it. A gentleman, then; sparing Marisa’s ears the horrors of hearing him curse. She smiles. It is a very expensive suit he’s wearing, of fine materials, clearly tailored. With a big wet whiskey spot on the left sleeve.

She lends him a handkerchief. Simple as that.

‘Seemed like you were having a hard time with Edward Coulter there.’

‘Politicians,’ the man scoffs, patting his sleeve dry. ‘A fine specimen too, pigheaded as they come.’

‘Hard to disagree.’

The man snorts.

‘Thank you.’ He looks up to return the handkerchief. For the first time, their eyes meet. Marisa feels blizzard skies touch her face.

Fathomless, untamed, impossibly blue.

Now she’s dizzy.

She has to blink and breathe before reinforcing a polite smile.

‘You’re welcome.’ There’s a little crack in her voice, through which something new seeds in, spilling gold all around. Everything is brighter. Warmer. And the stranger doesn’t help, the stranger is watching her with intensity so profound, as though taking his snowstorm eyes away would be death.

‘I don’t think we’ve been introduced.’

‘We haven’t,’ meaning to take the pitiful piece of cloth, she reaches forward, sly cruelty curling the corner of her mouth in anticipation. ‘Marisa Coulter.’

Now their hands meet. Now she shudders.

It’s against the rules, the anbaric charge running from her fingers and all the way down her spine.

The young man raises his eyebrows, glances over at Edward, then turns to Marisa again. She nods, enjoying the trick. Now he’ll say, ‘Forgive me’. He’ll say, ‘I didn’t mean to be rude’. They’ll laugh about it for as long as another minute will be merciful to last and by tomorrow, they’ll have already forgotten. Simple as that.

He sends her a grin with not a hint of apology in it and whispers, ‘My condolences.’

Their hands are still touching.

Now, Marisa falls.

How does one share… that?

‘I was weak,’ she says instead, hiding the truth so deep in the hardened soil that is her core now, it doesn’t have any chance of pushing back to the surface, ‘and easily seduced. A young woman, the high society. Getting plentiful attention from a handsome young man. It doesn’t excuse me, but the result is, I think, understandable.’

That should do it. That should be enough.

In years to come, she’ll bare her teeth at anyone suggesting that she was, indeed, seduced, for every time, this exact moment will come before her eyes. When she set the rumors free to cover her refusal, her actual inability to kill whatever love there was by laying it down before the judging eyes. When she stood lying her heart out to protect it. What a wild, unreasonable thing to do, lacking any logical backbone.

‘In your own words, Mrs. Coulter, could you describe the nature of your affair with Lord Belacqua?’

And she keeps doing it again, and then again. Before the board of the Consistorial Court, before the Authority himself. Before Asriel, to whom she has no means of explaining what she’s doing and why, and it’s too late for explanations anyway.

‘It was just that, an affair.’ The monkey’s frozen under the palm of her hand, but his heart is racing. He’s looking at Asriel, making her want to look. She can’t bring herself to, not with all the atrocities falling out of her mouth. ‘I never made any advances.’ A lie. ‘Our relationship was merely physical.’ A lie. ‘There were no high feelings involved on either of our ends,’ a preposterous lie, ‘and I certainly never planned for a child.’

‘Now, the child…’

And so it continues: a hook after hook, round after round of scrupulous investigation, escaping traps, spinning a detail or two into webs by myriads and morphing them to the point of striking unrecognizability, concealing what couldn’t be shared.

Marisa goes through humiliation of describing her pregnancy to a board of priests, each of whom, at some point, winces at the realness of their beloved sacred concept. She answers increasingly stupid questions, and grooms her voice to sound respectful and calm. She acknowledges her sins without ever raising eyes. She, for all means and purposes, survives.

There’s one moment where it almost goes downhill.

‘What were the circumstances of your conceiving of a child?’ Sturrock asks, cruelly overdoing the air of grave solemnity. Perhaps, Marisa is just too exhausted to be impressed anymore.

Are you stupid? she might have as well said it, with the way she turns to the man raising a brow, face completely unreadable otherwise. The fat hawk dives out of his papers. Without as much as a word, he gestures for her to talk, and Marisa, the perfect statue, feels the last crumbs of patience being incinerated within.

‘Physical intercourse,’ from her tongue, venom all but drips. ‘Am I supposed to explain to the honorable judges what that is?’

Well, now she’s done it. Caused a storm. Rows of black attires buzz in a unanimous disapproval. Marisa imagines Asriel chuckling. She doesn’t see him, doesn’t hear him behind the noise, but she’d like to imagine a smile. A half-hidden, proud smile he used to have as he looks at her stirring trouble.

Bang! Bang! Bang! Bang! A gavel brings order by slamming the living demons out of the wood. The monkey’s tail curls around Marisa’s forearm. He scowls, and takes a step back. Closer to her. She doesn’t have shelter to offer, only her nails driven deep in the fur.

‘Let me rephrase the question, Mrs. Coulter, and from now on, please refrain from any irrelevant comments,’ the Cardinal grimaces. ‘Were the circumstances clear enough to presume Lord Belacqua to be the father?’

‘I am the father!’

Immediately – a roar, as if that man can’t speak in lower volumes. Always the roars with him.

Across the room, the whole magnitude that is Asriel comes alive, and suddenly Marisa knows – not even understands, it’s not a eureka, she just knows. Stelmaria paces, abandoning her sphinx-like grace; her hissing grows into snarls and back. Asriel is arguing with Sturrock who, without a doubt, is telling him to shut up, which Asriel, without a doubt, ignores. The voices echo. It doesn’t matter. What matters is that for all the lies they both told – the lies, she realizes, absolutely identical in their meaning and reasoning – this one he won’t allow. That single grain of truth must remain unmutilated, untouched by their game of erasure.

For Asriel loves that child. He loved it enough to name it, loved it enough to steal it away. He loves it enough now, to fight for it. And Marisa, while having the power to invent any obnoxious story and take his fatherhood away, won’t do it.

Because it’s theirs.

Because it’s the only thing they haven’t buried yet.

Because, as her love-stricken body never ceases to remind her, she didn’t want a child, but she also wanted his just a little.

So she bites her cool, steady hatred down and doesn’t ruin it all the way. For an act of killing, an act of mercy. Screaming: Here. Don’t you fucking dare say I didn’t have a heart.

‘My husband was frequently absent, sometimes for weeks on end.’ A sterile voice, devoid of anything but a drop of sarcasm. ‘As a scholar, I pride myself in knowing the basic mathematics to do the count.’

It’s hard to say if the Cardinal’s forehead is glistening with sweat of responsibility or mere frustration. He waves his hand, and doesn’t ask Marisa any more questions.

From the distance, Asriel is scrutinizing her. She can imagine gears turning in his head as he contemplates her actions. Imagining is the only thing she can do; to salvage something, something else must be sacrificed. Marisa fakes a cold smile. He frowns. Threads of Aurora colors are still hanging between them, uncut, piercing the space to weave the two together, but the ability to read them is lost.

***

Mercury. Lead. Cadmium. Aluminium. Any type of hazardous metals, Asriel is used to handling in his laboratory with according tools and protection, but when a tiny bundle nestles on the crook of his arm, he suddenly feels stupefied. What to do. How to hold it. How, for heaven’s sake, to not harm it?

Afraid of breathing the wrong way, he walks to the stairs. Thinks. Properly, carefully. Then sits on the lower steps, all the way making sure not to press the baby too hard, not to bump the head, not to… a billion other not-tos.

The tiniest face he’s ever seen wrinkles in sleep, and Asriel understands why it’s called ‘falling in love’. It is a fall. His heart plunges down toward something so entirely new, it’s torturing, yet rewarding at the same time. He felt it with Marisa but this, this is different. He stares at his daughter’s face with awe written all over his.

‘Won’t you introduce us?’ He’s oblivious to his own daemon approaching. Stelmaria rubs at his shoulder, her impressive might turned delicate, affectionate. Amber eyes find the baby. She gives the blanket a couple of sniffs and grumbles with content, tail slowly passing from side to side. Asriel feels holy.

‘Stelmaria, this is Lyra,’ he whispers proudly, stunned at the sheer strangeness of the words he never thought he’d use in a combination until he does. ‘My child.’

And then again, ‘My child.’ Like he’s perpetually amused by it. His chest shakes with a stifled laughter of joy.

The baby’s eyes aren’t fully closed, so he thinks he might need to ask Ma Costa if that’s alright. She’ll know. Still, the child appears happy in her slumber. His child, sleeping in his arms. Under her eyelids, a shard of blue. Gyptians say, everybody’s born with blue eyes, sky eyes, and only when spirits finish weaving the threads of one’s life here on earth, do they acquire their true color. What a bunch of nonsense. His child, Asriel knows, will have the bluest eyes forever, even when she’s all grown up. Because she’s theirs, Marisa’s and his.

A little mousy thing climbs from under the fold, yawning and squealing. Perhaps, it’s too hot there. The tiny daemon doesn’t even fully wake, slumping right back on his daughter’s chest and dreaming their little dreams.

‘Won’t you introduce us?’ Asriel turns to Stelmaria, echoing the question. The leopard comes to lick the mouse, her tongue as long as his whole body. A kiss of love, though she’s careful enough not to touch the baby. Small paws catch at the fur on her chin. She licks the daemon again, unmistakably pleased.

‘Feisty,’ she says with quiet fondness before resting a head on her human’s shoulder. ‘Asriel, this is Pantalaimon.’

‘Pantalaimon,’ the name settles over the little thing. Both little things. ‘Lyra and Pantalaimon.’

He sighs, content, amused. In love.

‘My child. My child.’

‘He was going there to murder my child, and I wasn’t supposed to intervene?’

‘Lord Belacqua, we’re not questioning…’

‘Where in your holy books does it say that a father should sit and let it happen?’

‘Your motifs are…’

‘Because I’ve read them, and there’s no such thing there! You know what else they don’t say? That a husband can kill the bastard his wife bore. And don’t give me the ‘violation’ speech, if he was going to avenge his wife, he’d have come straight to me. Edward Coulter chose to go and murder the child.’

‘Silence!’ Sturrock roars, banging the gavel in a deafening, psychotic rhythm for so long, the thing must have gone flat. The Cardinal drops it on the table before wiping his forehead for the umpteenth time. Another ink smudge appears. The man sighs. When he speaks again, his breath comes out heavy with wheezing. ‘As I was saying, Lord Belacqua, we are not questioning your motifs. But if the murder of Edward Coulter was indeed, as you claim, undesigned, the question remains: how did you know of his whereabouts?’

Asriel’s hands are itching to break something. The damn gavel, preferably. Preferably, against the Cardinal’s head. Conversations have been going in circles forever now, following the same patterns like figurines in a music box.

‘Once again, the gyptians sent for me,’ he grips at the sides of his stand until his knuckles show white. ‘I know you’ve spoken to Ma Costa and John Faa. I’m sure they told you the same.’

‘Did any of them know what Edward Coulter looked like?’

‘Why would they?’

‘So, a stranger shows up, and they immediately call for you? Certainly, you understand why I’m finding this peculiar.’

‘The man was ravaging their settlement, screaming my name and demanding to see the child. I doubt the dots were hard to connect.’

‘And you, luckily, showed up just in time?’

‘Luck, chance, divine intervention, I don’t care what you call it. Ma Costa sent a boy for me. As soon as I heard what was happening, I took his horse and rode. And yes, I killed a man, but need I remind you, I did so protecting my child.’

‘Yes, yes, you’ve made that abundantly clear, Lord Belacqua,’ Sturrock mutters, clearly irked, dropping back in his chair.

A short silence follows. A short time to regroup for another attack. What ticks His wheezing Eminence the most, Asriel thinks as he’s watching the man shuffle papers on the table, is that he does not exhibit guilt. Every fool knows it’s the surest way to win the judging party over, yet he disregards even the most basic of rules. Deep within, he can’t miss the appeal: a man of science facing a board of clerics and winning, slowly but surely. He allows himself a smirk. Right away, comes a cautionary glow of golden eyes. Stelmaria bares her teeth, just slightly. Nothing is over yet.

They are all tired, agitated, and way, way less patient. Sturrock finally stops pretending to be the all-knowing bringer of justice and sulks in his high seat, clueless as to what comes next. That makes him pesky, stubborn. From here on in, dangerous paths wind ahead.

‘Where is the child now?’ the Cardinal finally asks.

Ah. So they know.

Asriel draws air to reply when he notices a tiny movement. It only makes him pause for a fraction of a second, but his mouth grows suddenly dry as he realizes what it was. Marisa turns her head. Marisa, who, for hours, stood as  indifferent as a statue and seemed to be oozing nothing but quintessential, undiluted boredom with the fate of their daughter, turns her head, and listens.

‘Lord…’

‘Yes, I heard.’

He can feel Sturrock frown.

‘And?’

It doesn’t matter. Her listening doesn’t matter. The woman is a labyrinth, each turn a dead-end. A sea creature that learned to mimic humanity. It’s just his heart he needs to persuade, because, well… She told the truth. Threw away the best weapons she had and told the truth where it mattered.

‘Lord Belacqua, I have to insist…’

‘The Jordan College,’ Asriel barks, pushing through the pounding in his chest. ‘She’s in the Jordan College, in care of its Master.’

Come what may, he’ll fight.

‘So,’ the sweaty, round face of the Cardinal proves to be a surprisingly good distraction. Who could’ve thought. ‘How does a child, placed in a nunnery, end up in the Jordan College?’

‘I took her there myself.’

‘On what grounds?’

‘On the grounds of my doing whatever the hell I want, because this is my child!’

He shouts. Stelmaria’s roaring, carried by the echo, rambles through the hall, and a whole lot of bugs, spiders, and mice daemons hurry to hide in their humans’ sleeves. They don’t have anything against him, Asriel realizes with grim satisfaction. Better yet, they are quite afraid. He stands prouder, arms folded. The taste of victory grazes his tongue already, nearing in anticipation to that first sip of tokay as the liquid gold pours into a glass.

‘And did you not think to consult with Mrs. Coulter?’ Sturrock gestures innocently to the side. ‘Its mother?’

He looks a cheap magician demonstrating a trick, although why, Asriel can’t seem to grasp. Marisa has been standing there this whole time. It’s not like he made her appear out of nowhere. A thought stumbles on its own irrelevance, at once fading.

There’s something in Marisa’s eyes.

Something, he could swear.

She stands wearing her guilt, and shame, and sin like she would one of her ravishing dresses, and he could swear she gives him the smallest, sharpest nod.

‘Mrs. Coulter…’ Asriel begins hoarsely, then stops. Honey-spiked wine turns into a nauseating unctuous slush in his throat. With an effort, he swallows it all the way down. He’d swallow his own pride to keep talking. ‘Mrs. Coulter does not have a grain of interest in being a mother, Cardinal. As soon as the child was born, she wished for it to be sent away. She even went as far as telling her husband that it died at birth. That child never knew a crumb of mother’s care, so I don’t think Mrs. Coulter has a say in the matter.’

He never takes his eyes off Marisa. Treading onto the ice, waiting for creatures to come from the depths and devour him.

Take her away, Asriel. I can’t… I’ll hurt her, or do something, or… She will ruin everything, she will. I hate that. I hate… Just hide her, Asriel, please. Hide her from me. I’d rather hate her from the beginning than love her, and hurt her still.

Creatures never come.

The lie settles.

Hanging over the room, an uneasy silence: the entire board of the honorable judges grows quiet, shifting their gazes from one stand to another. There’s not a cough, not a chirp from their daemons. No minds able to unriddle that enormous magnetic charge pulsating in the air, created and sustained, it seems, in half-accidental, neither scientific nor theological, conditions of two people looking at one another. Each a defendant, each a prosecutor. Making their own gravity.

Which can only exist for as long as it’s allowed.

‘Be it as it may, Lord Belacqua…’ the Cardinal sounds a tad less sure now, yet there are no more grounds to surrender. ‘She is still the child’s mother, and in terms of the rightful…’

‘Your Eminence, if I may?’

A clear voice, so perfect in its tone against the angry, tired grumbles that have been bouncing off the walls for hours, it’s like a breath of air.

All Asriel can do is watch. It all depends on her now.

Sturrock pinches the bridge of his nose – needless to say, dripping with sweat – before addressing Marisa. Whether he’s contemplating his career, or wondering if the two of them decided to team up specifically to wear him down, Asriel would understand.

‘Yes, Mrs. Coulter?’

‘Let him do with the child as he pleases.’

What are you doing.

‘Again, Mrs. Coulter, any elaborations?’

‘None,’ she shakes her head. ‘Except that I have no intention of being a mother to, as Lord Belacqua so eloquently put it before, a bastard born of sin.’

What are you doing, goddamn you.

She stands there. Just stands there, with whispers and looks touching her face, her clothes, getting under it and branding her a monster. An adultress, twice sinner, a mother who left her child. They would be more merciful if she just played her cards. Everyone loves a sad story with a mother and a child somewhere in it, and none more that the church folk. She doesn’t leave them a chance to be merciful.

In her eyes, shards of sea-blue, so familiar it sends a violent thrust through his heart. The ones forever mixed into the blue of their daughter’s. And suddenly, Asriel finds himself nodding to her in the same hidden gesture she did.

That’s right. Hit harder. I know you can.

The golden monkey stirs. Behind her stand, Marisa is a mask of cold elegance. Right next to her, her soul withers in a white-knuckled grip. Then she blinks, and her sea-blue goes completely blank, and she looks away.

‘Is that your official request, Mrs. Coulter?’

‘If need be, yes.’

The Cardinal gives out an exasperated sigh. Then bangs a gavel.

‘So be it.’

***

The very last thing they do is sign the orders.

Marisa sways when she takes the first step, but simply because she spent hours on her feet, hardly moving. Not because she’s afraid of walking toward the inevitable end.

She doesn’t look at Asriel. He doesn’t look at her.

They’ve said all they wanted, agreed on all they needed, and lied the living souls out of themselves in the process, painting each other all colors of monstrous. The tainted mess left on the courtroom floor has nothing to do with what they really were. And that, perhaps, is the most victory they can share. With nobody knowing the truth, they might forget it too. Forget there was ever love at all.

Ugly, grotesque versions of them that will leave the room shouldn’t make it too hard.

Asriel is the one to leave first. Stelmaria follows him quietly, a ghost of a man and ghost of a daemon.

His signature is right there on the paper. Marisa hardly even reads what is above. She’s not to approach Lyra or visit the Jordan College, that much she heard from Sturrock’s lengthy speech. The rest, she couldn’t be bothered with.

She signs a confident ‘M’.

A less confident name, not yet understanding why.

Then shivers.

For whatever reason, her hand is aching to write ‘Delamare’. I love you, sea creature. Taking a deep breath, Marisa has to spend a good minute closing her mind, sealing it up for good. Resorting, ironically, to the very thing she and Asriel created together.

Marisa Delamare drowns at sea. From its depths, a creature emerges, as enigmatic and obscure as the black waters that have turned its blood cold all the way through to the heart, and its beautiful embrace is deadly.

The creature’s name is Mrs. Coulter.

[planeoftheeclectic]

Oh, do tell more about "Columbo: Turnabout's Fair Play".

oh geez ok I don't know how much I can say because I have been trying so hard not to spoil the mystery but let's go.

There are a few people who know how it will end/what the twist is, most of whom don't care much about Ace Attorney and were unlikely to ever read it in the first place and one of whom cares negatively about spoilers. This is because I was very anxious that the twist leading to the break in the case was too contrived and I wanted an outside opinion.

This was because I began writing TFP before I finished playing Bridge to the Turnabout. All subsequent worries about "realism" and "physics" and "the laws of science" have since been summarily dismissed.

I am currently working on some things that are very close to what will go in the epilogue and I really can't say more than that or I'm worried you'll figure it out immediately. Suffice to say: I like mirroring.

In the past 24 hours I have discovered two musical themes from AA4 that I will absolutely be using as writing ambiance because they are exactly what I've been looking for. One is Phoenix's theme, one is ostensibly the Gramarye's theme but honestly might as well work for Phoenix, both are embedded below for your convenience.

Honestly, the name of that second one is perfect for Phoenix. Man I can't wait until we get there.

Hmmm...I think the only reason I can get away with writing this fic is because I am very good at mimicking other people's vocal patterns - to the point where I have come home from Shakespeare plays speaking in iambic pentameter. (In fairness, that's less hard than it sounds - English is made for that kind of thing.) But Peter Falk is so integral to the concept of Columbo that if you can't nail his patter, your work is just going to be missing something, imo.

Hmm, what else...I think you in particular will be delighted by the ending, which is why I had to stop talking about it with you the moment I realized what it was going to be lol. Which is infuriating because I love our talks and value your contributions so much but I can't and it's driving me insane ahhhhhhhh!! That said! I relish the look on your face when you finally get there, and that expression (multiplied by the other people who read it, which is way more than I expected when I first posted it tbh) is what keeps me going. It's going to be so good. I can't wait. Why isn't it done yet. What do you mean I have to write it first.

I'm still desperately tempted to write the alternative setup I initially proposed, aka "Maya Fey hires her friend the retired detective to get those idiots together it's been like 20 years guys, geez." I probably will write it as totally separate from TFP but man can you imagine.

If I ever write the jokingly hypothetical Klapollo sequel it will be after we've finished at least aa4 and possibly the whole sequel trilogy. Which is probably for the best, given I have palutena trap to work on. That said, I've grown exceptionally fond of Klavier. Possibly because I keep murdering his brother and making horrible things happen to him. ...Sorry about that, buddy.

I somewhat doubt that Phoenix has an official breakdown sprite (excluding the head-on-desk and nervous sweating varieties) but I need to start picturing it, because that scene is coming up sooner than I can imagine. And also farther away. But at least there's only one more Edgeworth chapter forecast. That should help contain their combined loquacious verbosity to a manageable length.

I may have said this before, but I am trying very hard to write everything from the narrative point of view of the TV camera. That's defining chapter breaks, POV's. information delivered, and general tone. It's very fun, and an excellent writing exercise. I get whiplash whenever I go back to palutena trap, which has a much more standard 3rd person limited view (the character's). I would definitely recommend this sort of thing if you want to experiment with your writing style!

Hmm, now for a fun fact to end it on...well, this isn't TFP specific, but I'd like to imagine that Gumshoe is on vacation at a beach somewhere and brought one of his metal detectors and finds a buried treasure chest that is for once not connected to a murder and so he strikes it rich and can finally retire to live a life of luxury eating slightly fancier instant ramen and that's why we never see him after the 7-year gap.

[starboundsingularities]

good lird they did not make a gimmick blog about a real life murder

#someone fucking DIED but whatever who gives a shit it's funny i guess

7 notes

🥚 eggvidenced Follow

honestly with how suspicious and confusing everything on the dl-6 case was i wouldn't be surprised if it came out that it was that prosecutor guy tbh

🌟 rockliker270 Follow

date posted: june 23, 2010

1,834,853 notes

⚖️ courtofpublicopinions Follow

🌟 rockliker270 Follow

ok hear me out. what abt winston payne though

🧊 just--ice Follow

okay now they're just making lawyers up

#also didn't mvk die or something?

28,932 notes

🔥 triedbyfire Follow

why the fuck are you people still posting about the gavinners as if theyre not copaganda. didn't the guitarist get convicted of murder

🎸 guiltiest-lovers837 Follow

so fucking tired of this "um um didn't daryan get convicted of murder" YEAH AND HE'S LITERALLY NOT IN THE FUCKING BAND ANYMORE. dipshit

🔥 triedbyfire Follow

are you gonna address the copaganda thing or

1,092 notes

🌻 attorneybout Follow

he's so. 😳

📂 trialanderror Follow

why is he defending

📂 trialanderror Follow

OP WHY IS HE DEFENDING???

24,374 notes

🦈 giantlakemonsters Follow

i just wanna hear about another gourdy sighting thats all

🥜 liberdeez Follow

op. i'm so sorry op. gourdy isn't real you have to let her go. they had a whole trial about it.

🔐 wrightorwrong Follow

hi!! so this isn't actually the case as while gourdy was briefly mentioned in a trial, said trial had nothing to do with whether or not gourdy was "real" per se as much as. well. murder, actually. while gourdy WAS found out to be an inflatable steel samurai this was not brought up in the case at all as the veracity of gourdy wasn't really as relevant as the fact that the witness was looking for gourdy rather than at the murder she claimed to have seen. plus this was also a relatively small part of a MUCH larger trial which for those interested not only solved the dl-6 case but ALSO marked the end of prosecutor von karma's ~40 year long record and the court records are really a fascinating read through!!

🦀 mad_libz_87 Follow

net 0 information post

#thanks again lawblr

94,834 notes

🍒 cherriescoola Follow

btw i was at the park the other day and klavier gavin (of gavinners fame) was there and obv there was a huge crowd but this guy was there with him and at some point he (the other guy) waved to the crowd and someone still screamed like it was klavier??? who was that guy ive never seen him before in my life

2,284 notes

🩸 has-dl6-been-solved-yet Follow

December 28, 2016

YES!!!

702,947 notes

🪙 tellerlikeitis Follow

guys help i'm a bank teller and this guy just introduced himself as robin banks what do i do

🔪 violencekilling Follow

you gotta let him rob you that's the law

302,948 notes

👻 ghostesswiththemostest Follow

look if i ever get convicted of murder im just hiring the lawyer with the coolest sounding name

💼 courtofwaw Follow

bestie if you already got convicted it is Too Late

62,193 notes

📋 lawandwhoreder Follow

guys i know it's real fun to think people just can predict whatever but if you look at the earliest reblogs of that post that "guessed" the true killer in the dl-6 case it was actually a post about how they didn't want to go to the store. clearly edited

#stg nobody bothers to factcheck anything anymore

7,293 notes

🐺 lawnewolf Follow

i am NOT homophobic or whatever the fuck you guys are saying now i just think its weird to write fanfiction about realass people?? go touch grass ffs

🌈 lawsbian Follow

the fun police (this guy) putting me in yaoi court but the lawyers (phoenix witrght and miles edgeworth) just keep trying to make out (real court is like this too btw)

🐺 lawnewolf Follow

YOU HAVE SOMETHING WRONG WITH YOU.

#look idc what your enemies to lovers fic bullshit says #they're straight. and more importantly REAL PEOPLE. #there's TENSION because they are in COURT and there are LIVES on the LINE. #not because they wanna fuck. god.

12,293 notes

🔮 inhighspirits Follow

why dont they just ask the spirit mediums to ask the victims who killed them this law shit is easy

837,495 notes

💞 lawveyourself Follow

seriously i cant believe they gave this guy a law degree

💞 lawveyourself Follow

what do you mean evidence fraud

503,893 notes

🎧 instrumentalillness Follow

fuck you *unguilties your love*

384,568 notes

🎀 copiicat Follow

perjury isnt illegal btw in fact if youre one of tge witnesses youre legally required to lie on the stand. thats why everyone does it. trust me

[thefox-i]

Explanation for this:

Dangaronpa V3 is kinda meh to me so this is my au in which Rantaro and Kaede are the main protagonist and antagonist duo.

I also think the 3rd trial is a big waste of potential. They had such a cool idea in mind with the whole "Korekiyo confessed to one murder but not the other" but then in the end it's revealed he actually commited both and it's like.... ok??? You're telling me we could've had a trial with 2 murderers who didnt know about eachother's exsistance and that no matter what there would be a killed left among the survivors??? Anyways in this au I like to pitch the idea of Himiko secretly being the second killer who accidentally murdered Angie and although Korkiyo did kill Tenko his crime doesn't count as Himiko killed Angie before him.

There could've been fun loopholes I'm just saying 🙄🙄🙄

Also I think the dynamic between Rantaro and Kaede could've been fun to explore in a "Kaede wants to trust and believe her friends while Rantaro is aware they could betray them at any moment" kind of situation

[inutaffy]

listen i want everyone to know how much of a canon pjo ship hater i am. i 100 percent submitted so/angelo to the "not everyone ships that" tournament. i don't get per/cabeth don't talk to me about f razel don't talk to me about ca-leo dont talk to me about ji-per like NONNNEEE of them are gripping to me you just need to know that right now

[noxtivagus]

thinking about if ever i go to one of those final fantasy orchestras i will Cry

[bonefall]

⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️

I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.

But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.

Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.

I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!

OH LET'S GOOOO

Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.

The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.

As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.

BIG POST. Glossary;

INTRO TO BREEZEPELT: The Sight and Dark River

ABUSE: Outcast, Social Alienation, the Tribe Journey.

DARK FOREST: How these factors push him towards radicalization.

For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.

INTRO TO BREEZEPELT: The Sight and Dark River

Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.

But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,

From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.

Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.

He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.

(And Nightcloud has a cute moment where she watches over them until they fall asleep)

As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.

In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;

Crowfeather.

Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.

(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)

So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.

We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.

The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.

When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,

Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.

And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.

All this to point out,

Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.

We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.

ABUSE: Outcast, the Tribe Journey.

In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.

Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.

They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;

They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.

When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...

Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.

But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?

Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.

Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.

Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.

The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.

Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).

Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.

I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.

In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.

At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.

EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.

Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.

The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.

And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,

And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"

Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.

This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.

It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.

It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.

Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.

That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.

As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.

DARK FOREST: How these factors push him towards radicalization.

Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.

But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.

Escalating to violence was about making Jayfeather feel the way that he does.

When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.

When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."

Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.

Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.

We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;

The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.

This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.

At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.

A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.

Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.

In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.

But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.

Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!

(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)

[thebearer]

Carmy promising to quit smoking when you get pregnant with teddy… and the trials of him pulling through… ugh I love this man

"Carmen."

Your voice made him jump, wide eyed and caught. He felt like he was in high school again, sneaking cigarettes with Mikey and Richie at the Christmas dinner.

Your hands on your hip, the swell of your abdomen just beginning to round out- a reminder of why Carmen was quitting smoking.

"I-I thought you were asleep." Carmen said plainly, the lit cigarette between his fingers.

"And I thought you were down to two a day?" You lift a brow.

"I-I am. I just... I need one-"

"-You need one?" You repeat, waving the smoke off dramatically, nose curling in disgust. You hoped it would make Carmen feel guilty, as mean as it was, he needed to stop. Before the baby got here.

"I just... I've had a long day, baby." Carmen sighed softly, eyes pleading with you. "C'mon... it's just one more."

"Fine, Carmen." You quip, an edge to your voice that has him flinching. "Shower in the guest room and put your clothes in the laundry before you come up. I can't handle that smell right now. 'm gonna be sick." You groan, hand smoothing over your bump dramatically.

You turn, fighting back a grin when you hear Carmen follow, cigarette stomped out and traded in for a stick of gum.

"What did you need me t'do earlier? Put the, uh, the diaper genie together?" Carmen trailed you like a lost puppy, desperate to be back in your good favor.

"It's fine. I just want you to shower now, Carm. Seriously, I told you that makes me sick." You whine dramatically.

"Baby, c'mon, don't be like that, please?" Carmen sighs softly. "'m sorry, ok? I-I'm trying."

You cave. You can't be mad at him too long. He was really trying, trying so hard to be better for the baby and it made your heart swell. A few slip ups you knew were bound to happen, but Carmen had asked you to be firm with him- tough love, so he'd actually quit. Or at least get it down to where it was a rare indulgent instead of the nasty habit it was now.

You give him a soft but stern look, lip rolling at the way his eyes rounded. "Shower first, seriously. Then I'll show you." You nod towards the bathroom.

"You wanna come with me?" Carmen asked so sweetly it made your heart skip. "They say it's good to keep yourself busy."

You roll your eyes lightly, grinning anyways. "Fine. But you go in first."

[theriverbeyond]

It's crazy how well-crafted Hadestown is, like there aren't many shows out there that have equally strong messages artistically and politically. What do you think of the balancing of Hades as a character? Personally I love how it's shown that even after his reconnection with Persephone it's his clinging to the existing power structure that leads him to make the deal he does with Orpheus, so it isn't a clear-cut redemption - I think that is what makes it so neither his humanity nor the system he upholds feels hollow.

CRACKS KNUCKLES ok so on a character/thematic/narrative level I'm obsessed with Hades because the political compentary he represents feels so coherent and distinctly recodnizable to like, Figures and Systems Of Power that exist in the world right now

I really really really love how Hades specifically turns to industry because he is *lacking* genuine love/connection/care and using these material comforts trying to fill the void inside him -- "Lover, you were gone so long/ Lover, I was lonesome/ So I built a foundry/ In the ground beneath your feet" -- it feels very similar to how so much of modern life is Being Sold The Idea Of Love And Connection. We too turn to capitalism to replace genuine connection that is lacking in our lives, like how buying and being sold the aesthetics of community is easier than actually creating and being in community. Genuine affection and care vs the feeling of power as you wield it over others.

And Hades doing this only further alienates him from Persephone, and it becomes this vicious cycle of him creating and upholding a system that drives away any actual connection, which then of course only motivates him to Continue Onwards. His "Lover, when you see that glare/ Think of it as my despair for you" with Persephone responding "Lover, what have you become/ Coal cars and oil drums/ Warehouse walls and factory floors/ I don't know you anymore".

And re: Hades' redemption, I think the fascinating thing is he ISN'T redeemed. TO ME!! He gets to the point of redemption and then he turns away, which I think fits really well into the overarching theme of the show, as in, resisting the pull of capitalism feels impossible and often ends in tragedy but we should do it anyway, and also fits the PATTERN of the show, which is people getting to the doorstep of freedom and then turning around.

Specifically, when Orpheus asks "Can we go?" and Hades says "I don't know", that is his redemption point. He wants to help them, but he feels stuck, and trapped in this web he created and sat himself in the middle of. Can he break his own system? And Hades' personal tragedy is he gets SO CLOSE but then the Fates (or like, his own inner dialogue) come in and tempt him away. They make him Doubt -- "If you let him go/ Oh you're a spineless king/ And you'll never get em in line again". He is, at the end of the day, TOO trapped in the system he has created ("Whole damn nation's watching you"), too dependent on the workers he exploits that he doesn't see any other way to live. "That's the way the world is". Hades gets so close to letting them go before he turns around, because he decides that letting them go means letting himself go, and he no longer thinks that is possible.

He does let them try, though. "Give them a rope and they'll hang themselves" he does expect them to fail, because he doesnt himself have hope that another world is truly possible, but he knows Orpheus does. Even as he turns back I feel like he's saying. If you believe another world is possible, prove it. "Show the way so we believe"

And I'm just so obsessed with this sequence because like -- "Show the way so we can see/ Show the way the world could be/ If you can do it, so can she/ If she can do it, so can we/ Show the way" -- the unspoken here is that Hades is watching too, and this is a trial, and a test, and like. He can't break the system. He doesn't know how, he doesn't feel like it's possible. But he's watching, he can't not watch, and so that means like. Orpheus' effort is worth it. His believing is worth it. Even as they all fail, again and again and again, it's worth it.

[jedi-enthusiast]

Ok here's my thing with "The Wrong Jedi" arc, and I'm saying this as someone who actually really likes Ahsoka in TCW.

People use this arc to shit on the Jedi (particularly the Council) so much, but like...Ahsoka was literally doing everything she could to make herself look guilty and give them no other choice but to suspect her.

Like, let's put this in perspective, shall we?

One of the people in your (really fucking large) family--someone you know of, but whom most of the family isn't really close to--gets accused of murdering someone and being a part of a terrorist group--and apparently there's video evidence, although even that doesn't really make it clear what happened.

You, of course, start trying to do everything you can to get said cousin out of jail since--even though you're not close to them--you don't think they would do something like that, and the evidence isn't concrete.

But, while you're trying to help them get released, you find out that your cousin has escaped from the county jail, several police officers are dead from knife wounds, and the only evidence is a knife that specifically belongs to your cousin as well as a couple other things that implicate them.

Your cousin goes on the run, then teams up with a known murderer and terrorist, and hurts even more police officers while on the run until finally they're caught once again.

Now you are left with a choice: you can either continue trying to defend your cousin, or you allow the police to take them into custody to face a trial.

Right now a lot of people hate your family, to the point that they're sending death threats and mail bombs and screaming obscenities outside your ancestral home.

It's already putting everyone else in your family, including literal children and babies, in danger and if you continue defend your cousin--despite all of the evidence that points to them being guilty--they could be put in even more danger and the government funding that your family lives off of could be taken away, since you would be defending a suspected terrorist.

So, in that situation, what would you honestly do?

You would do the smart, and reasonable, thing and stop defending your cousin so the police could take them into custody.

The Council tried to help Ahsoka, but she kept doing things to make herself look guilty and--in doing so--put them in a hard position where they couldn't defend her anymore without causing harm to the rest of the Order.

And would you really, truly, honestly defend someone when all of the evidence points to them being guilty? Of course not!

If you want to blame someone for what happened in that arc, blame Barriss for framing Ahsoka in the first place or Tarkin for being such a dick, but shut the fuck up about the Jedi.

They were put in a shitty position and made the best choices they could in a bad situation.

[andyoullhearitagain]

Every Odo Costume Ranked From Worst To Best Part 2

Part 1

9. Trials and Tribble-ations Odo:

At first I thought he was just dressed as a random civilian and was like ok, that's a specfic-ass outfit to design for that. But it turns out this is how the staff on Starbase Whatever dress.

Kay. Anyway he's pulling it off and I for one like his weird cargo jacket. And I want his 60s turtleneck. Also his sleeves are way too long again, and I'm not 100% sure it's intentional, but I love the idea of Odo consistently making too-long sleeves.

8. Tavnian Wedding Odo:

I actually love this? Idk I think the draping is so pretty. I especially like the shape of the collar.

I just wish it were another color than Tupperware blue.

7. Black Tie Odo:

I hate when people are mean to my friend and lover the tuxedo. She's not boring, she's classic! She's the same every time because she's already beautiful. Love love love Odo's continental tie.

6. White Tie Odo:

This is such a good look for him!!! The jacket is a tad wide for him (I'm beginning to thing René Auberjonois has pretty narrow shoulders) but what is Odo, a tailor? He can't make a perfect fitting jacket every time, people!!

5. Terok Nor Odo:

Listen I love a vest, and I'm pretty sure I've worn this exact outfit. I usually wear a necklace with it, but once Odo adds a brooch Starfleet communicator it's perfect. Odo tells us this is how he appeared on Terok Nor and it's what he was wearing in "Necessary Evil" so clearly before he wore a uniform Odo was like I will come up with one (1) outfit and then that's what I will look like every day. And does his everyday outfit have long-ass sleeves? You bet it does.

4. Weird Terok Nor Fever Dream Odo:

Odo's subconscious gave him a pretty cute outfit. I think. It's so dark in here. But Odo's neck was simply meant to be turtled and the shirt has such a nice print.

And then he's got this overshirt/vest thing? And a belt. Idk, I'd wear it, I love layers. 

3. 1960's Odo:

Odo should have gotten really into 20th century Earth fashion on his off hours bc its such a good look for him. This should be Casual Odo. Imperfect fit but we know Odo's not good at that.

He made himself a watch! And it tells time??

2. Douglas Pabst:

It's honestly not even fair to include these bc obviously this normal human man looks better than weird alien dude but I had to because he looks so good!!! Some people just have eras that really suit them aesthetically and his is the 50s I guess.

1. Curzon Odo:

❤️❤️❤️❤️❤️ Absolutely no question his best costume. It's such a good color for him! His hair looks great! The Trill spots are so flattering, actually.

Sorry, there's something wrong with me.

The yoke is such a fun Space Fashion shape and I love how the gold from the collar comes back st the cuffs. 🤌

We should have gotten a three episode Curzon Odo arc.