#I'm also starting a lot a poetry & nonfiction today

[a-ramblinrose]

“For anyone who wondered where the other road led…”

[qqueenofhades]

Can I request a further rant on Alice Albinia's The Britannias please?

Anonymous asked: 'Further rant available upon request' here is my official request.

Aha. You are both prompt and accommodating. And it is my lunch break, so let's do this!

For context, this is the book in question:

This book was recently published, comes highly reviewed and (as I said) has apparently already been longlisted for some prestigious nonfiction writing/women's prizes. I got it from the library the other day and started reading it; I'm about 150 pages in. It has given me an increasing Itch to the point where lo, yes, here I am on Tumblr about to compose a Statement. This may be because of what the book blurb states upfront as its focus and goals:

Trespassing into the past to understand the present, The Britannias uncovers an enduring and subversive mythology of islands ruled by women. Albinia finds female independence woven through Roman colonial reports and Welsh medieval poetry, Restoration utopias and island folk songs. These neglected epics offer fierce feminist countercurrents to mainstream narratives of British identity and shed new light on women's status in the body politic today.

Okay... well. Basically, she wants to write a history of Britain as focused on its islands, which in itself is a perfectly valid thing to do. As she states in the introduction, focusing on the history of a place through its physically and geographically marginalized locations, its relation to the "mainland," the constructions of power and identity, how one resists and influences the other, is all a very interesting thing to do. It's just how she does it that gives me a twitch. Her clearly stated goal is to find a "hidden women's history" wherein these "fierce feminist countercurrents" are allowed to inform and eventually subvert a totally androcentric and oblivious mainstream British history that has apparently prevailed largely unchallenged ever since antiquity, and where the Male Process of History deliberately destroyed and excluded all female contributions. She is somehow, apparently, the first one to notice this and/or put it together.

Now I'll be honest, the Secret Magical Women trope also gives me a twitch wherever it appears, whether in saccharinely self-important historical or fantasy-historical fiction or in this case, attempted historical nonfiction. Albinia's thesis also seems, essentially, directly lifted from Marion Zimmer Bradley's Mists of Avalon fantasy series in the 1980s: the pagan Celtic/British tribes were egalitarian, proto-democratic, female-led and/or female-centric, and the conquering Romans/Christians/Saxons were all virulently misogynist, masculine, authoritarian, and determined to stamp out this wherever it appeared. I have only gotten up to about the year 1000 (it goes chronologically), so I can't speak to what rationales Albinia comes up with for the later centuries, but let me just say: Hmm. It says a lot about the overall style of this book that I read the first 10 pages and then immediately picked up my phone to check Wikipedia and see if she was a TERF. As far as I can tell, fortunately, she isn't, but it does give me the same binary gender-essentialist vibe (men are from Mars, women are from Venus), and yikes. Basically, there are a lot of things going on here, and all of them are Not Good when it comes to the actual practice and investigation of premodern women's history:

First, while Albinia cites a few research articles (via endnotes) and translations of primary sources (thus far, mostly Roman and early medieval) we know nothing about her qualifications for using these sources, how she is comparing and analyzing them, whether they should in fact be taken at face value, whether anyone else has written on these topics (spoiler alert: yes), or why we are supposed to buy her narrative of this Hidden Female History of Britain. For example: she includes several passages from Roman writers discussing (reported) actions or (reported) mythologies of British women or British female-associated places. These are presented as uncritical and general fact, or something which we should apparently assume was really happening as described, even when she (occasionally, and shallowly) points to the issue of using exterior and non-contemporary male writers from far away. Her analysis also does not touch at all on the potential metatextual or political impulses these Roman male writers might have for presenting a freshly conquered imperial territory as corruptly or unacceptably feminine, and whether this correlated at all to an overall real-world practice or belief. Yes, as far as we can tell, the ancient Celts were in some ways more "feminist" than the Romans, in that Roman public culture was deliberately and exclusively masculine and patriarchal and any civic participation by women in other societies would thus appear as more than usual. But that is a whole can of worms for many reasons, none of which are highlighted or dealt with here. (Like... are we even going to talk about how the "Roman standard" for society was itself re-created by the Renaissance and how that shapes Western historical views, or...?)

As I said above, the book completely brushes aside any of the previous existing scholarship on these topics (done, you know, by actual historians) and presents it as Albinia discovering these issues or formulating these arguments for the first time. She does mention a few other people whose work she relies on or who are informing her hypothesis, but several times thus far, this is from the 1920s or some other clearly outdated argument. Nobody in the field is still treating arguments made in the 1920s as au courant, and while I can't say for certain, it reads as her being more able to access older or public-domain work (since more up-to-date publications require institutional access or paying for copies) and doing the equivalent of the people on Wikipedia who cite the 1911 Catholic Encyclopedia for everything: they can get that text for free, so that's what they refer to. Now obviously, we all support uncovering feminist strands of history, doing feminist history, challenging heteronormative or patriarchal narratives, etc. But also, we support doing it well and making some reference to the complexity of it!!!!

Likewise, Albinia is a white British woman whose previous books are based on her time living and traveling in India and Pakistan (both of which are, uh, previously British colonies). I have not read them, so I can't speak to how she treats it, but there's certainly an element of exoticizing them here, and while she does make passing reference to the British Empire's effect on those places, she does a sort of weird inverse here. She obviously knows about the basic facts of empire and colonization, but there's a notable amount of time dedicated to portraying ancient/Celtic Britain as the helpless victim of constantly brutal Roman colonization (she makes a few very brief and offhand references to cultural miscegenation and how this process unfolded in ways apart from violence, but they are clearly secondary to her main thesis of this as a masculine rape analogy). She is very clear about mourning for this "sacred divine [female] Britain" which was then destroyed by the unrelentingly violent and misogynist forces of Roman (cultural/military) and Christian (religious) colonization, and as I said, that is straight up Marion Zimmer Bradley. I haven't gotten past said first 150 pages, but I'm not terribly confident that her historical analysis improves much in the centuries to follow.

The book does have some bright spots: it's well written, it's engaging, she includes some colorful and interesting sociological vignettes about life on the margins of modern Britain, and there are certainly some things she's mentioned that I would like to look into in more depth. But yet again, this is being presented as an Authoritative or Revelatory History deserving of recognition and prizes, when there are real historians who have done so much of this work and in so much better ways. There is very little nuance to her thesis, no context or analysis or critique provided for her sources (yet again: why are we supposed to take Roman men as an authority on British women and why is she presenting them as obvious empirical fact while critiquing all other elements of their system/society?) and some squicky assumptions around gender and empire that really would need to be drawn out and examined in more detail. The Secret Magical [Pagan] Women Erased In History By Brutal Men gimmick is one that got a lot of traction with Philippa Gregory (sidenote: bookstore websites really need to stop recommending me Philippa Gregory for Women's History Month before I do crimes), and has been exasperatingly hard to eradicate ever since. Just to name one, we need to talk a lot more about the gender politics of medieval Christianity, any of the work done on this topic already, or anything else that would complicate her argument beyond the simplistic black-and-white state in which it currently exists. There are plenty of historians who would like to do that! Why don't you give some of THEM a call?!?!

Anyway. There is probably more I could say (and might), but I will leave it here for now. Thank you for the indulgence, etc.

[mercerislandbooks]

50 Years of Island Books: The Staff

This 50 Years of Island Books series is about to reach the grand finale, because November is only a few weeks away and it's almost time to pop the champagne. Since April, I've talked to booksellers and owners from years past, sales reps, and many beloved local authors to paint a picture of what Island Books has meant to the community and how it evolved into the place it is today.

Now, I'm turning my attention to the people who show up hour to hour, in the here and now, to make the store the living, breathing wonderland that it is and will be in 2023 and beyond. On a rainy Monday when the store was closed for cleaning, I pulled them aside for some heart-to-hearts.

So many times we come in and say a quick hi to these friendly booksellers, the face of a familiar place we know and love, but it's rare we think about who they are as people and what they think about as they work. I've known many of them for years and have watched the staff evolve. From my little perch, I can honestly say that they put so much love into what they do, and that our island community wouldn't be the same without them.

Side note: since I already cornered the longest tenured Island Books employee for a separate blog, Cindy only makes a tiny (and fun) appearance via Caitlin in this post. If you want to learn more about Cindy, click here.

To our Island Books booksellers—we love and appreciate all of you. Truly. Now let's get into it.

Miriam: I'm so happy to have a chance to talk to each of you. Let's start with, which book category excites you the most, and why?

Brad: Any day I can turn someone onto the Russians, like Checkhov, Tolstoy, or Dostoevsky, or someone less read, like Pushkin, is a great day. Jorge Luis Borges is a favorite for customers looking for a literary blend of fantasy and science fiction literary. He's Argentinian, and his voice differs from many other classic authors. There are so many large and small presses putting out reprints.

Becca: I'm largely a sci-fi, fantasy, and romance person. I’m not averse to other categories, but the books that I drop everything to read tend to be one of those genres (or fairy-tale retellings). I also love curling up with a good Middle Grade or Young Adult fiction.

Lori Robinson: The genre I get the most energy around right now is romance. I read widely, but I have my favorite places I like to land, although every once in a while something different catches my eye.

Caitlin: I love to sell the books I like to read: short story collections, literary fiction, translated fiction, poetry, some memoirs, and art and ballet history. When I first started at Island Books, a lot of people said, “Oh, short stories don’t sell here.” But I'm happy to say that isn't the case anymore.

Nancy: I like to read literary fiction and good narrative nonfiction, generally science and history.

Lillian: I think people would assume that I read a ton of kids books, but I’m around them so much and read them for work—at least 600 picture books a year (!), so for my own pleasure, I read mostly mystery, romance, and fantasy. 

Miriam: As a group, you have a wide variety of tastes, which is great for customers. Now, tell me about your proudest accomplishments at Island Books.

Brad: I love to draw signs. I’m a part-time illustrator with a cartoony style, maybe because I’m a big graphic novel fan.

Becca: It’s fun to have become a person that customers ask for book recommendations. -- I still feel fairly new (2 years under my belt now), but to have become an integral part of something I love so much is awesome.

Lori Robinson: Mine would be the year we sold over 200 copies of Amy Snow by Tracey Rees in six months because I kept hand selling it. It was the first time I realized the impact a bookseller could have on the success of a book that wasn’t getting all the media attention.

Caitlin: Mine would be proving that our customers do like short stories.

Nancy: I'm proud of the many stories over the years that I could bring home to my family, and tell them how we found the perfect book for a customer’s dying mother or a kid having an issue, things like that. And the funny ones—we used to have a customer who loved to give a certain book to his lady friends. Whenever we saw that title on order, everyone knew he had a successful date! I think he single-handedly kept that book in print. I sure didn’t have those kind of stories when I worked as a web designer.

Miriam: There's no job quite like bookselling, is there? Those are great answers. Can you give an example of when you felt a deep connection with a customer or the community?

Becca: When a kid comes in and says they like fairy tales and you realize that kid is exactly who you were as a small child. Then you give them a pile of books and they buy all of them and you’re like, yes, I’ve found mini-me! Or having someone call back or come in the next time and say, "What you gave me for my grandkid was exactly what I needed and they loved it".

Lori Robinson: I have a certain customer who I remember coming to our door during the pandemic and saying, “Just pick two books out for me, I’ll read anything you want." That trust is challenging. When I don’t know someone, I really want to take care of it and give people good choices. Anytime someone buys a book that I write a blog about, that warms my little heart. And I love when someone comes in and I think, I would never guess you’d read this book, and then they say, “I love this book!” I just love that we all get to like what we like.

Caitlin: One of our customers who loves short stories—having that customer come to me for recommendations is really nice, and an honor because she’s also a big reader, a school librarian, and a mother. I love sharing a common love of certain books with individual customers.

Nancy: Here's my quirky fact - This will be the second 50th anniversary of a bookstore I’ve attended this year. The other one I went to recently was for Red and Black Books, where I used to work with former Island Books bookseller Kay Wilson. I saw her there. Talk about long-time connections.

Lillian: I actually have a really clear one. Earlier this year, a mom came in and said that her queer child felt welcomed and happy to be at the store, and she was so thankful that her child had thought to mention how welcome they felt. I almost started to cry on the spot and it makes me tear up thinking about it. 

Miriam: That's amazing. It's nice to know that your experiences in the store are just as meaningful to you as they are to the customers. I love hearing this good stuff, and I’m also interested in hearing about a challenge you overcame.

Brad: At first I would have said, wrapping, and it’s something I didn’t expect. I had no idea! People on Mercer Island really know how to give gifts. Drawing quickly is also a challenge.

Caitlin: I wish more people would give books I like a try. People will come in and want to read whatever is the bestselling book. What I say is, “What are you in the mood to read?” and then go from there, because not everyone needs to read bestsellers or classics. They’re not in school. Read what you want.

Nancy: There are a lot of books! We like a lot of books, but more and more books come out and we don’t have the space to shelve everything. We can order it, but we can’t stock everything. So every quarter, it’s a huge challenge to say, these are the books we’re going to commit to. 

Lillian: The honest challenge is to stay interested after reading so many books over so many years. What I realize after I go through another season is that the books are different, that’s the great thing about books. Sometimes customers want the same thing over and over, and those things become classics and that’s fine, but for the majority of customers and definitely for me, I have to see what’s different, otherwise, it can get repetitive.

Miriam: Great answers that speak to so many years on the job. Here's another question. How would your colleagues describe you?

Brad: Friendly and kind, I would hope. A good listener.

Becca: Enthusiastic and willing. Laurie says I’m sassy. I'm also the youngest and got sucked into the social media part of things pretty quick, so I get a lot of the, hey, younger generation, technology, things.

Lori Robinson: I know that I’m pretty calm and unflappable when it comes to dealing with whatever you’ve got to deal with.

Caitlin: Oh, ha, here’s a note from Cindy about this question. She said I’m literary and quirky, and a name-dropper. And I was like, “Yeah…I think that’s pretty accurate.”

Nancy: Brilliant, friendly, kind to everyone, no-nonsense. You know. All the good stuff.

Lillian: I’m definitely the squeaky wheel. I guess what they’d say is that I get things done. That’s the thing. I get things done.

Miriam: These answers cracked me up (including the ones that aren't making it to print!). OK, let's do a fantasy question now. What would you do with it if someone gave you one million dollars to improve the book business and/or promote literacy?

Brad: Open more dream bookstores and do them the way I always wanted.

Becca: The industry is already diversifying the characters and cultures in books, and I’d find ways to support that. Everyone deserves to see themselves in what they read.

Lori Robinson: I’d love to do something to fight book bans. Working at the bookstore has opened my eyes to what banning books does, and I appreciate that it’s changed my view on experiencing things rather than being afraid of them.

Caitlin: I’d start with free nationwide healthcare for people earning under a certain amount of money. I grew up in a household filled with books, and I think it’s important for kids to grow up with their own books, and that takes parents earning a living wage. 

Nancy: This is because I’m such a nuts-and-bolts person, but I’d get rid of dust jackets and have everything be paper on board so that we have less damages to deal with. Saves money and they’re annoying.

Lillian: I’d reverse this trend of prices going up because that would make independent bookstores more accessible to people who shop online because it’s cheaper. There are people who can’t afford to shop in independent bookstores, and if you remove that barrier, it would just open up that handpicked-for-you element that can be so special for kids, and adults too.

Miriam: Ah, if only booksellers ran the world. How about this. If I were to work with you in the store for a month, what would I learn about bookstore life that I can’t possibly gather from a brief interview?

Becca: A lot of people don’t know that we get new releases every single Tuesday, or that we get books sent to us a week before they come out so we have them on the actual release day. So many books, all the time.

Caitlin: Customers are pretty savvy. Obviously, there’s that old idea that booksellers and librarians are just sitting around reading all day, but it’s not true, there’s a lot of work. It’s physical work, you’re constantly bending and putting things away.

Nancy: Well I’m sure everyone says, we do not have time to read while we’re working. They also might not know just how much we really know our customers. Sometimes when we’re going through a catalog, we’ll say, “Oh, I know who will like that book.” And we get that book for that particular person in our community. The two big trends in the past years are the normalization of queerness in fiction and nonfiction, so we really have a tiny LGBTQ section, because, there aren’t really any queer novels anymore—they’re mainstream. I love that. The other thing is Tiktok. It’s been crazy for us getting younger women and girls in the store. And we wish Tiktok could work that way for boys too. We now see these backlist authors getting a second wind because of Tiktok and that’s so interesting as a trend. The third thing that everyone is talking about is AI. One of the things that we have on our radar and it’s been coming up in the book world is fake books. We’re seeing them more and more in the travel and cookbook categories. Our job as curators is more important than ever. We’re working with reputable publishers, we’re looking at every book that comes in the store, we’re recommending books. I think with AI, people are becoming even more important. 

Lillian: How much time we spend just putting books away and tidying up and keeping things alphabetized. I can’t tell you how much we hum the alphabet to keep bookshelves in order. And working with me in particular, I’d say that I come across much more serious than I really am. 

Miriam: You all have to be so organized. Let's move on to my final question. What does being part of a small business within a community mean, and how do you play a role in it?

Brad: One of the best things about working at Island Books is how the community supports the store. And it’s not just about books. We’re a hub. About six months after I started, a woman came in and said her car wouldn’t start. Does anyone know how to jump a car? And I said, I can help. She didn’t know me, but she knew I worked at Island Books, so she knew we'd pitch in.

Becca: People are so committed to the small-town vibe here, everyone knowing each other. It’s so cool to see my colleagues interact with all these customers and they know their names and who they are. I also admire the way we work with other small businesses in the community. Everyone is invested in each other.

Lori Robinson: It’s funny for me, because I went to middle school and high school here, and I worked on the south end for longer than I care to admit, but all of that built a lot of relationships for me, the kind where you see people every day. It’s strange to have people to come in who have kids who were four when I met them and are now graduating from college and starting their careers. When I think about being part of a bookstore, I hope that there are some kids and regular customers who have felt like we’ve offered them a safe place and that I’ve personally been a safe person to talk to who they know won’t judge them or what they like to read. It means a lot to people when we remember them. I hope we offer a warm moment and a good experience.

Caitlin: With the exception of Laurie (and Becca, who is moving off-island), none of the staff lives on the island. So I guess we feel we’re representatives of the store and the community and it’s our responsibility to make people feel welcome.

Nancy: I feel like I have really grown with Mercer Island. I don’t live here, but I feel like I’ve really gotten to know this community. I worked for Roger for six years and I’ve worked for Laurie for almost seven, and we see kids grow up, we see people age, we have a lot of customers who have died over the years, and you’re kind of going through life cycles with people. We’ve seen the build up of Mercer Island, the businesses who are all working together now—it didn’t used to be like that. The community feels more like they appreciate their community too. I think our customers really stepped up during Covid and realized, we love this place, and we need it. They’ve been great.

Lillian: As the kids’ specialist, it’s different, because I spend a lot of time chatting with the community kids. I get to watch them grow up. There are people that come in who are going to high school that eight years ago I was recommending chapter books to. So, to have a hand in helping kids become life-long readers, and enhancing how important it is, is great. I always say I’m lucky to not be the teacher or parent because I don’t have to worry about the academics. I worry about, how can I make this kid love books so much that they will be a reader for the rest of their life?

Miriam: Right? That makes so much sense. Thanks, everyone. What a cool crowd. I adore all of you and am so glad you're in my life, and everyone else's!

Next week, for my final installment of 50 Years of Island Books, I'll be talking with the owner, Laurie Raisys, and it'll be a good one. See you soon.

—Miriam

[andyswritingcorner]

Writing Thoughts 1/26/2024

I think I might start writing things I'm thinking about because well I have a lot on my mind.

I'm currently making the second draft of a personal essay I started a few years ago. And I pulled up the original to look at it. I compared it to what I have written so far and I gotta say, there is improvement.

My hope is that with this blog I can write more and share it with a broader audience. I want to show my improvement since I started writing in college.

I plan to write some nonfiction. Although I love fiction, nonfiction has been calling my name. I have a lot of stories to share, some happy, some not. But the point of writing is to share stories, they might not be happy all the time, but I want to share my stories with my readers.

And I also have been writing some poetry. I like freestyle poetry. And I like to experiment with it too. So plan to see plenty of that.

Honestly, writing is very therapeutic for me, and I hope this blog can be something fun for everyone. So imma leave today's thoughts on a question.

What would you guys like to see written from me?

[mood2you]

all my currently reading or started

This

This is why I said I should drop em all (except D Gray Man which I have to return today)

Missing Person by Sarah Lotz - 181 - I just stopped at part 2 so hopefully it will be getting good. It's the book I read when I go to the library. I think, despite this book's length, it needs a lot more filler/crap/nonsense. I want to be sitting next to Chris and Shaun, honestly.

Data Detective by Tim Hartford - 150 - Another book to read in the library. I like reading certain nonfictions, not even as though I was interested in data I think as long as the book is written a certain way.

France Fin De Siecle - 9 - Well the cover is pretty. No, I just have people over.

D Gray Man - 61 - Noooo I have to give it back to the library I like forget it's there... How do you read manga anyways do you read one chapter a day? This is like poetry where I avoid it because I want to "savor" it what does that mean? Do I have to have a sketchbook open to read it? Some manga are things I do not want to study for my style. And also that's not what reading is. D Gray Man looks really nice though. I do think I like manga about, like, demons and ghosts and D Gray Man is very interesting if every demon is like the first chapter how, like, the husband and the wife made the demon together that's some kind of "I did it for love" deal like Orestes and Euridice or whatever. I want to see a child turn their father into a demon to get him back, you know, there's a lot there, every kind of love that can make a demon. And I like the devil guy, the earl guy, he looks like the Blue Meanie.

Game of Thrones - Don't Care - It's so boring when I was reading it in the library my eyes were drooling like a cartoon character. It's like reading a textbook. But I wanted to read it becaues my dad got me this terrible looking book with a throne of swords on the cover. It is ruining my GoodReads agthorithm.

L.A. Weather - 150? - I turned this into a library-only book because I was going to read it in real time in chunks but this time I went and it wasn't there.

Interview with the Vampire - 24% - I got the omnibus from Libby in ebook format and it must be the world's greatest literature because I actually got 24% into the first book despite it being an ebook I let the loan lapse and now I'm back in the wait list and it sucks.

Dead Until Dark - 15 - It's actually so good and it's small it fits in your pocket.

Nichijou - 50 - Just started it. It's alright. the jokes feel forced but it might be that not all the puns come through. A piece of salmon fell on her head?

The Metamorphesis - 10 - I'm at the part where he says this time I really will do it, I will get up and get on the train, this time for reals, hup. Hup. Okay this time I will. I want to see him on the train but it may not be that type of story.

Hulabaloo in the Guava Orchard - 15 - This one I do want to read, I might bring it on my trip.