based off of this concept! this fic will feature (besides the obvious romance + smut all my ghost fics feature) a plot centered on dealing with grief, ptsd, his reluctant return to civilian life, a look into his friendship/bond with soap + more! a lot of deeper content and more plot heavy and ghost-centric than any of my other projects, but i am very happy to start working on this <3 the fic will span from his first meeting with you all the way to him starting a family with you, and how he still deals with his trauma and baggage from his time in the army + the effects it has. this fic is all about the healing journey & how it's not a linear progress; there will be days where you feel yourself getting better, and there will be incredibly hard days.
please enjoy this sneak peek of the opening scene & let me know your thoughts 🤍 very excited to give my cod girlies some content
“Tell me a joke,”
His words come out in pants — anxious, soft, desperate. There’s something in our brains that tells our bodies to hold on ‘til the end of the line. Ghost doesn’t want to tell him a joke. He wants to say keep holding on.
“C’mon, mate.” He’s trying to crack a smile, but his breathing is getting more erratic. Ghost looks into his eyes, sees that he’s pleading with him. Ghost’s hand is pressed against Soap’s, but there’s so much blood — just a gunshot, just a flesh wound, still too much fucking blood — that it’s hard to hang on. His hand almost slips a few times, but Ghost is nothing if not stubborn.
It’s important to keep pressure on the wound. He told this to Soap, ignoring the severity of the situation when the pack of gauze he pressed against Soap’s abdomen immediately turned red and damp with his comrade’s — his friend’s — blood.
Now, he repeats it like a mantra. At this rate, Soap’s not going to have any more blood to try to keep inside of him.
“Now's not the time for jokes.” Ghost mutters, but he pauses when Soap takes his other hand and puts it over his.
“No more army humor for a friend? Don’t be selfish.”
“You’ll get your damn joke when we get out of this bloody mess.”
Soap laughs, but immediately stops, wincing in pain. “‘Bloody’, I see what you did there.”
“We need to get you out of here—”
“You know I can’t move.”
“I’ll carry you.” Ghost pretends like they didn’t already attempt this, like moving Soap didn’t put him in an excruciating amount of pain.
There’s something in our brains that tells our heart we have to keep attempting to achieve the impossible. We won’t be able to move on otherwise.
Soap doesn’t remind him what a failure that idea was. Soap doesn’t tell him to just leave him behind, because he’s already tried that, and the look of disgust that flashed through Ghost’s eyes told him enough. No fucking way.
“I’m glad we got to be on the same team—”
“Don’t get sentimental. Save that shit for someone else.” Ghost continues to apply pressure to his wound, but his brain — worthless piece of shit, it is — tells him that it’ll be all for naught. He’s lost too much blood already. It’s not a trick of the light when Ghost realizes that Soap’s skin is turning a sickly pallor. Ghost thinks he tastes blood in his mouth, and he releases the grip his teeth has on his tongue. What he should have told Soap was I’m glad we got to be on the same team, too.
“Didn’t quite get a chance to grow better than you, did I, Lt.?”
Simon wakes up, breathing heavily, eyes adjusting easily to the darkness of his bedroom. The bed’s too soft, his pillow’s too soft, the cotton feels foreign underneath his sweaty skin. He shuts his eyes once more, willing the dream to come back to his mind before it slips away from his consciousness, like most dreams have a tendency to do. Even if this dream features a dying Soap, it’s still a chance to see his friend’s face again.
The dream doesn’t come back to him; he’s slipped from his grasp once again.
The dream will come back to him, like it always does. Sometimes the dream shifts; the scenery is different, or the words Ghost wants to say get caught up in his throat, or sometimes, he does manage to spit it out. It’s getting to the point where he can’t determine what’s memory and what’s wishful thinking. All he’s certain of is that he lets his mask slip; lets the last thing his friend sees be the face of the man who’s with him ‘til the end of the line.
You’re the best of us all, Johnny.
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What is your least favourite piece of furniture?
That one kitchen table thing which is too high for my flatmate and too low for me, resulting in me cooking on the washing machine and them having to stand on a crate. Worst part is that we can't remove it cause it's in the walls.
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Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.
Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).
Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.
Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.
Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).
AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.
But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s
At the time of writing this, it's 4:46AM.
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