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#I'm talking people that go new character >>>>>>>>>>> old character
brf-rumortrackinganon · 14 hours
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It's like a ping pong game now isn't it? And MM doesn't know how to play this game, it's going from bad to worse for Madame Markle..
Well, the rumor as per Lady C (so take with a truckload of salt) is that allegedly Meghan planted the original Hollywood Reporter story herself so she could get some sympathy PR. Supposedly Meghan gave the HR reporter one name to use (my money's on the individual who still works at Archewell because no way would that person talk without Meghan's explicit consent) and the guy dug up the other 11 on his own.
The Us Weekly was 100% a clapback to The Hollywood Reporter. Given how quickly that story came out, it was definitely in the works when HR published. The Sussexes' "no comment" answer to the HR was because the Us Weekly story was already in progress. Which I suspect Ari and WME were probably aware of as well, given how they've nuked similar "exposes" for other clients. It was out of character for them to let a story like this get published without interference, just like it's out of character for Meghan to take a complaint like this lying down.
And now there's a new exclusive in The Daily Beast. The story about Meghan popping off on a florist is not new and has been around for a long time (which is different from the wedding florist rumor), but the preceding quote about how she's happy when everything goes her way but becomes "demonic" when it doesn't is new.
Is this the start of a press tsunami? Certainly does feel like it, and that's significant because Talking Tarot (an old tumblr blogger from the Sussexes' early days whose track record was very good but who left royal-watching in 2020/2021ish) predicted a press tsunami very similar to what we saw August - November 2018 preceding a Sussex divorce announcement.
What feels familiar about this, as also happened in the 2018 press tsunami (and ignoring Lady C's allegations since they can't be verified), is that the originating source of these stories is not a Sussex affiliate planting PR at Meghan's behest but rather someone acting independently, followed by Meghan (with Harry) clapping back so egregiously that other stories, other leaks, other sources speak out.
And this is different from the saga with Tom's letter. Remember, Meghan wrote that letter intending for him to leak it so she could get sympathy PR and when he didn't, she baited him with the People 5 Friends story. That's her usual MO, one we've seen time and time again since November 2016: Meghan claims one thing. Harry or the BRF (or Tom in the People instance) say something else. Meghan claps back with a new narrative or she doubles down.
But I'm advising caution. While this press tsunami eve (if you will) looks promising, we've had many false starts before. Let's see what happens next. Does Meghan respond to The Daily Beast? Does this go away? Or is this the fatal chink in the armor that makes the Sussexes' glass house finally collapse?
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aetheternity · 2 years
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I'm lowkey curious and I bet this won't recieve any attention but: What's something the Genshin fandom does that annoys you?
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smalltimidbean · 4 months
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Oh cool, that person who messaged me on Discord like two days ago was hacked - I did think it was weird, but this is like the second best-case scenario so cool cool cool epic
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ryansjane · 6 months
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one thing I really dislike in bl as someone who speaks & understands thai, is when a couple who used to be friends becomes an item & decide to change the formality of pronouns they use for each other. they always go from the least formal that exist ('kuu'/'meung') to the most formal ever ('pom'/'khun'), like... 'chan'/'rao' & 'ter'/'nai'/'geh' exist babes, please use them 🙏
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one day I'll be able to tell what I feel towards certain characters LMAAAOOO
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thankskenpenders · 3 months
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The Lara-Su Chronicles: Beginnings review
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The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.
Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.
Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.
So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?
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I'm here to answer those questions as best I can, and in agonizing detail.
First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.
"What the hell is this?"
The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.
We'll get to the actual contents of that book in a bit.
"He can do that without getting in trouble with Sega?"
Believe it or not, yes, he can.
Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.
All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.
Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.
"What about his old collaborators? Are they involved? Is he paying them?"
Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.
On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.
The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.
"What about those other Archie Sonic reprints he just announced?"
At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.
So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.
He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.
Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.
"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"
Yes and no.
The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.
Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!
In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.
After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.
And now that we're all on the same page about what we're looking at, let's actually talk about the book!
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The cover
Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?
The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.
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Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.
Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.
And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.
Changes to "Mobius: 25 Years Later"
Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.
There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.
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The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.
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Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.
My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.
The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.
Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.
Moving on!
New story #1: "The Storm"
If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.
This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.
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The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.
The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.
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The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.
When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.
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But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.
Because it's eleven pages of characters standing around and talking while nothing fucking happens.
Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.
To be continued!!!
Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.
I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.
...Maybe more will happen in the next story?
New story #2: Shattered Tomorrows preview chapter
After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.
Yep! Straight into the dad stuff!
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Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"
This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."
Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.
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Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.
But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.
Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.
Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.
It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?
The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.
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And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...
The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.
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Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.
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(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)
Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.
It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.
But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?
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The vibe isn't great, is what I'm saying!
I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.
But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.
Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.
And that's pretty much it!
This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."
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After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.
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Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.
Bonus material: Data files
These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.
Lara-Su
The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.
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This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.
Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.
There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.
Geoffrey
Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:
"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."
Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.
Remington
His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)
Lien-Da
She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:
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Commander Taelor
We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.
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Julie-Su
She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.
Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.
And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.
With my name on the list. Because I had to buy a copy to cover it for the blog.
My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.
Yep. He got me.
Is it at least a well put together book? Like, in terms of manufacturing quality?
Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.
The formatting and graphic design work, on the other hand...
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(I didn't crumple those page corners, it came like that.)
For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.
I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.
The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.
It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?
Closing thoughts
Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.
I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!
Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?
Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.
Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.
Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.
But I still have to pity him.
As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.
This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.
I guess if I want people to take anything away from this review, it's this:
Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.
And lesson two: Don't buy Ken's books.
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kenzie-ann27 · 11 months
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what's the worst generation to have as parents and why is it gen x
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erb23 · 1 year
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I miss [some of the comic characters I read] having civilian friends. Or just a civilian life in general.
If you don't balance out the heroics with them having something to come home to and live through then why are they even putting on a mask to fight for?
#i dunno like i said it isn't every character but it just seems like my current faves have people#who just don't care about that good good work life balance between civvies and hero stuff#though current newly started series are looking up in that aspect#at least B**** D**** or G**** don't have their hooks in my faves anymore though they did a lot of damage#*why would you want to read [characters] doing homework or hanging out with friends* because its interesting#old men literally make writing harder for themselves by limiting scenarios that could do so much to build up and flesh out characters#and then they go out of their way to make the worst decisions imaginable that wipe out nearly 4 years of character development#and then have the audacity to do nothing with their new blank slate and leave others to navigate the mess after.#Anyways giving one man full control over an entire slate of characters and shoving out all the writers that have been making good stories#with them for 4+ years was a dumb decision and soured so many people writing for them and then editorial wonders why they all start working#elsewhere#With all I have to say you'd think I only read American big 2 comics but nah. Everything else is just more consistent or has like 0#fan presence so I'd be the only one talking about stories I like. But at any given time i'm reading 3 different books#and i'm slowly translating a ln the hooked itself in my brain. I'm bad at it but its so fun. Also studying for a certification exam :P
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mygnolia · 3 months
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it’s cupid, stupid! | lhs
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୨୧ SYNOPSIS -›  To hell with Lee Heeseung, you couldn't find someone you hated more than the boy who's by your side no matter what. You figured that maybe the summer before university would be the best way to finally let go of him, and to leave the hate you have in your childhood- but no. What do you mean you have to spend ALL summer with him?
୨୧ PAIR  -› golden boy!heeseung x fem-pres!reader
୨୧ GENRE -› fluff, pining, hurt/angst, slow burn (oops), bakery au, summer au, post highschool au | ୨୧ TROPES -› (slightly one sided) enemies to lovers, rivals to lovers | ୨୧ WC -› 20k (jfc)
୨୧ INCLUDES -› CURSING, food mentions, a self indulgent characterization of my grandmother but she’s also everyone else’s in this fic, the bakery has foods from like 40 different cultures, both mc and hee get burned but it’s tiny, heeseung’s parents r lowk overachieving assholes this is NOT a reflection of anyone irl, ew so much banter, heeseung and mc drink from the same straw ik that’s an ick for some LOL, underaged alcohol consumption (and being drunk)…sorry
୨୧ REN SAYS... thank u thank u thank u peng aka @jlheon for beta reading this in one sitting for me!!! your comments were so cute i'm so glad you enjoyed reading it <3
plsplsplspls reblog and send feedback/asks if you liked this!
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Lee Heeseung might only have eleven characters to his name, but they spelt trouble in forty different ways. 
It starts with the same old Lee Heeseung spilling his applesauce on you in the first grade, with his cup of mushy lukewarm grossness splattered across your new pants with glittery stars on them. You shriek when it happens, frantically wiping off the mess and yelling at his Lightning McQueen lunchbox with all of the bottled up rage a six year old can have. His eyes are wide, but all his friends laugh and say girls are so angry all the time, so he stops himself from apologizing. Which, you think his friends were being a little rude to all girls alike, but what mattered was that Lee Heeseung never ended up saying sorry. 
But that’s just one way of spelling it. He hit you in the face with a ball, ran into you when your knee was scraped and you almost were bursting into tears, and tripped you in the lunch line. 
Did the universe hate you, or did he? 
You figured it was the latter.
Heeseung’s been stuck to you your entire life with some extra strong adhesive that you can’t seem to get off. You wish you could get some of the same glue that stuck you two to the hip and attach his tongue to the nearest streetlight, but things almost never worked in your favor. If you could catch him, just once, like one of the dumb boys who lick frozen poles in winter, you’d be satisfied. 
The blackmail would trump any sort of Heeseung related adversity your elementary grade self had to deal with. 
Unfortunately, the years have rendered you no protection against him, and in the small victories you find yourself in, you also see Heeseung right next to you. The exam you aced was topped by Heeseung with a 98%, just a bit higher than your 96%, and it couldn’t even feel good to talk about it because you knew all your friends talked about was how he did the best. Better than you. 
There was no accomplishment anymore when Heeseung was around. 
Heeseung was perfect in everyone’s eyes, a golden boy in their praises and a role model for their parents. If people didn’t want to be with Lee Heeseung, people wanted to be Lee Heeseung. That? That was something you hated. How could people want to be someone who you couldn’t stand?
Summer is a new slate- a very humid new beginning for you to get away from people at school and hang out with only your closest of friends and to ghost any new message you get. That is, if you choose to. Or, you could have an objectively more “hot girl summer” where you go to pools and post pictures on social media and talk about strangers on the internet. Unfortunately, none of those things seemed to be a viable option, with your friends in different countries and in cute swimsuits. Your visits to your grandmother had been so pushed back with all of the finals on top of exams and end of the year festivities that it had been a while since you last saw her. Spending time with her this summer was your number one priority- your friends could wait a few weeks to hang out again. 
You spend your first Saturday at her house making pastries with oddly reminiscent spices and a sprinkle of your childhood within every slice. If there’s one person you can trust to stay the same, it’s your dear grandma, with her decade old recipes and hard to find ingredients that she sometimes makes you go on a manhunt for. It’s endearing in a way to know that her cooking will never change, and maybe it’s the reason you make an effort to visit when you can. You love your grandma, and you always have, because she’s the only true constant in a world that’s constantly changing. 
You’ve made a feast by the time the sun barely peeks from the edge of the ground. You’ve measured countless spoons of sauces and powdery substances that all look the same and you're surprised the sauce you burned still tastes good. She’s finished setting up the table, and you two can finally dig into your favorite authentic cooking. Even if you see her quite frequently, she doesn’t always cook. Sometimes it’s leftovers, sometimes it’s take-out. But today was different. 
After you’ve both finished, your grandma hands you plastic wrapped dishes filled with mere fractions of what you two have made. She tells you to go to the Lee’s down the road, and your eyes narrow slightly. Lee is also the last name of Heeseung. So, what would be the odds it was him? 
Not likely. Heeseung would think he’s too cool to live in an area like this. His parents are probably minted- and if not loaded, then well off. 
Well, you were 100% wrong! Lee Heeseung does seem to live here, and you will admit the porcelain figures of calico cats in the dark as shapeless silhouettes were a little frightening at first. Your grandma washed away your previous concerns with a “Of course they’ll be home! Heeseung always answers the door for me.” and pushes you out of the house to deliver the two boxes of leftovers that smell delectable. If you weren’t so full, you’d just take a different route and have it for yourself. 
You can hear the ‘it’s our neighbor!’ And a pair of footsteps tumbling down the carpeted stairs to answer the doorbell. 
Lee fucking Heeseung in his sock and pajama clad glory. How punchable he looked in this very moment, with his warm brown dyed hair and white t-shirt. 
“I have leftovers. For your family.” His widened eyes immediately go back to their normal state, and he reaches out to meet your offering halfway. 
“You live here?” He asks, in a calm, civil manner that you don’t think you’ve ever seen with him. 
“Grandma does- I’m just her errand…runner.” You respond, in a not so smooth way. You wince internally at how choppy your words come out, but make no further effort to fix it. By now, it’s Heeseung who’s holding the styrofoam boxes. Your job is done. “Do you live here?” 
He nods solemnly, a smile filled with a smidgen of pride dusted across his features. He loves this house- Heeseung’s been in it his entire life, and it’s obvious the memories that have stayed with him since childhood make him far from ashamed to say it’s where he’s grown up all these years. But you? Could you say the same thing about the simple abode you went home to everyday? 
Maybe not. Another reason why Heeseung had it perfect, and another reason to resent him. 
You sighed to ease the tension that had condensed between the two of you. His mom wondered what took him so long, and he wondered the same question. 
Before you’re about to turn away, he blurts, “Thanks for the food.” You turn around, nodding a silent ‘of course,’ and walking away. 
At that very moment, there was no reason to hate Lee Heeseung. But as you walked away and back to your house, you hated the calico cats and the gate you entered through the house he went back inside to. 
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The nostalgic board game high with your grandma does not last for long. As if the universe needed another reason to hate you, the unfortunate truth was that there was always more in store when you were subjected to a bad day, a bad week, or even a case of bad luck. You come back to the mahogany door to terrible news- your grandmother is sick. You rush out of her house the same day with the names of medicinal cures scribbled on a notecard and an urgency in your step. You buy her enough to last for the next few lifetimes, but it doesn’t matter. Anything healthy you could find in the fresh food aisle, you put in your cart, and when you came home, she was already up and sweeping the cold floors with a cough threatening to overwhelm her. 
Sometimes, you wish she didn’t overwork herself. You gently coerce her into laying on the couch, taking some of the medicine you got with a cup of warm water to ease her throat. She says nothing and you expect nothing in return for the last minute shopping you’ve done, but her eyes hold a sincere thankfulness that you know she will never speak aloud. When she’s retired to her bed, you finish unpacking the groceries and complete the mental task of chores your grandma would’ve exerted herself to finish independently. When you’ve finished, your hands are dry with soap and cleaning products, and your arms ache from the mopping, but the house is clean, and your grandma is sleeping well in the other room. You turn off the tv with one of her shows and switch off the light, heading back to your room and changing out of your clothes. By the time you crawl into your bed and charge your phone, the moon is the last thing you remember seeing before you fall asleep.
Monday comes unexpectedly, despite time still being on its course. You find yourself flipping through the cookbooks that littered the walls in your grandmother’s room, and in turn, the absolute urge to busy yourself in her passions manifested in the impulsive decision to work at her bakery. 
“Could- could I go work in the shop?” 
At first, her rejection was through scowls and furrowed eyebrows wondering why someone like you would want to fill their youthful summer days dusting surfaces with flour and kneading doughs instead of living the dream and swimming in turquoise waters. Her second rejection is easier to register. “I already have Hee helping me.” She states plainly, excusing the idea of two people in one room to run her business. Your nose scrunches up, and the temperature of your blood increases tenfold.
“Heeseung,” she clarifies, with almost too much enthusiasm. “He’s in your grade. Goes to your school, too.” She smiles, brushing a section of hair behind your ear and examining the imperfections on your skin. You frown, the obvious displeasure plastered on your features. It’s not hard to notice you don’t like what she just told you. “You don’t like him?”
“It’s whatever.” You tell her, shrugging away from her gaze and shrinking in on yourself. “I don’t care much for him.” 
What a lie! “It seems like you don’t like him.” She comments.
Of course you don’t like him. Heeseung is stuck up, arrogant, and looks past people like you- people who just aren’t as perfect as him. “I mean, why can’t I help you? Shouldn’t Heeseung….rest for the summer?” 
“It’s fine- he’s helped me out multiple times anyways.” She concludes, closing the book she was reading previously. “I wouldn’t mind you coming down to help, I’m sure 17 year olds like you and Hee can run things by yourself.” You raise an eyebrow at both of your names mentioned, but don’t speak out against her. 
You can run it by yourself, but you won’t, simply because your grandmother seems to have an affinity for some boy you just happen to hate. Plus, if Heeseung messes up, you get all the triple chocolate cake to yourself, so you’ll pray on his downfall until then. 
Wednesday morning is when you head over to the bakery, at a much earlier time than usual. The business doesn’t open until at least an hour later, and you spend the time preparing the mixing stands and covering the sweet rolls to be baked in a light sheen of oil. When the sun shines more vibrantly in the morning sky, and the cars honk at the traffic, a ruffled head of hair enters the building, and you’re very worried that you might’ve forgotten to lock the doors. “Sorry, we’re closed!” You yell out, but Lee Heeseung’s tuft of tinted hair is already in your vicinity. 
“The real question would be why you’re here, Miss _____.” He glances towards you, curiosity glazing his eyes over. You immediately scowl at his slightly teasing tone, one that could feel even condescending if he pushed that boundary just a bit more. Lee Heeseung might objectively be better than you in the eyes of an average high schooler, but frankly, you were just the same, and he had no right to sound that amused when you woke up and came here first. It’s 8:03am, and you already found just one more reason to hate him. 
You roll your eyes, knowing that with your back turned to him, he wouldn’t notice the obvious displeasure. “I can’t help out my grandma?” 
It’s so quiet in the place that you hear him suck on a breath behind you. “She’s your grandma?” 
“Did you not remember when I dropped off the food? Oh right, you probably wouldn’t spend your time on something so…,” you pause, racking your brain for a word you think he would use. “‘insignificant.’” 
Rustling. He takes a bowl and a carton of eggs. “Don’t put words in my mouth. Sorry, it’s just so difficult to believe you’re related to her.” Were you really that detached from your culture, or was Heeseung just mean? 
Lee Heeseung’s words get right under your skin, and it makes you see red. You frown in his direction, disregarding his words and moving on with your day.  “Yeah, my grandma is nice, I just don’t know why she thinks you’re a saint.”
“She thinks I’m a saint?” And you see something for the first time, something that’s akin to stars in his eyes, and the corner of his lips turn in satisfaction. He doesn’t even comment on how you’ve let it slip that you’re jealous of their relationship. 
“Maybe in your dreams.” 
“You just said-“ 
You feel like two cats about the fight behind a dumpster, before the door jingles, and someone walks into your conversation with Heeseung. 
“Sorry, is the shop not-?”
You rush to the counter before Heeseung does, counting it as a mental victory to take the first order. 
“It is! What would you like?” It’s something else you can tell your grandma when you get home- that you’ve been starting off all the work in the bakery, and you’re ‘not sure what Heeseung really does.’
The professionalism masks the irritation on his features, and you would’ve killed to see Lee Heeseung’s frown once more. 
When the customer is done telling you his order, you make sure he gets everything he needs, fully satisfied before the ring of the door is heard once more during his departure. The corner of your lip turns up into a grin, victorious as you childishly tease your co-worker. 
“I’m going to do the most around here, and I don’t need your pretty face getting in the way of things.” 
While he denies the rest, Heeseung doesn’t quite ignore what you said about his features. 
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When noon has passed, but the sun still glares down on everyone outside, you work just as hard as the white ceiling fan providing cool air for everyone inside. You work in silence, with a playlist filling the air and adding to the ambience, as you listen to your own music through your headphones. Heeseung works without interacting with you more than what needs to be done, and rarely asks for help. He doesn’t let people down; if anything, he exceeds their expectations, but never yours. It’s been like this since the beginning, and you’re convinced it’s something personal- some wrangle ever since you two learned what cooties were that lasted until now. 
“____,” He starts, turning to you. You glance at him, waiting for the boy to continue. “Can you make the brown sugar milk tea- it’s on the-“ 
“I know where it is.” You snip.
Heeseung makes the right choice (in your opinion) to say nothing as you proceed to grab a cup and open the container of boba pearls. After you’ve taken a few orders, you move to the back of the bakery to pull the tray of matcha sheet cake onto the counter to cool. 
“Have you seen the scissors?” Heeseung asks out of nowhere, startling you from the doorway. 
Reaching for the ones you used to cut the parchment paper with, you hand the pair to him and with a mumbled ‘thank you,’ he makes his leave.
In an odd way, you’re stunned by the silence that follows. A “you suck, _____!” would be more in character for villainous Lee Heeseung than whatever just happened. But you’re way too occupied with the bakery, and go back to cutting squares in the matcha cake. 
It’s the same for the next hour until the rush ends and you get a bit more time to yourselves between orders. Heeseung agrees to wash the dishes and you clean the tables to the sound of your playlist from the speakers. 
“You have good music taste.” Is the first thing that comes out of his mouth when he emerges. He wipes his hand on a white towel and you stare at him, utterly puzzled. Where’s the malice? Where’s his snarky comments?
“I’m waiting for you to tell me it’s not as good as yours, or something along those lines.” You deadpan. 
Heeseung rolls his eyes. “I’m not that mean, I can give a compliment or two when I feel like it.” 
“Oh, poor Lee Heeseung only has so much room in his heart to compliment people. How thankful should I be that you spend your daily supply of niceness on me?” You snap, cleaning off the tables. Your chest feels light and you don’t feel as angry as you did this morning, finding your digs to be more playful that serious
Blame it on the lack of sleep.
“I think you should be bowing down to me and only talking when I tell you to.” He jokes, and when you glance up, there’s a semblance of a smile on his face. “Anyways, when are you leaving?”
“Whenever you leave.” You tell him, shrugging. 
“Your grandma said she didn’t want you to stay too late but she also wanted me to take you home, and I think she’d throw a fit if you didn’t. You were dropped off this morning, right?”
“I’d die before getting into a car with you, Lee Heeseung.” 
“If I had to get into a car with you, that’s probably how I’d die.” He responds lightly. You furrow your eyebrows and rack your brain for some sort of retort that hurts Heeseung’s pride, but nothing comes up. 
“My driving skills are very good, I’ll have you know.” 
He jabs, “Didn’t think you had it in you.”
“How about, next time you come, you leave with your bumper falling off? Some bad driving, yeah?” 
Heeseung could start feeling dizzy if his eyes continue to roll around in his skull. “Sure, we’ll see what your insurance has to say about that.” 
The aroma of vanilla slips through the air, and momentarily distracts you as you make haste to get it from the ringing oven. Unfortunately, your enthusiasm spills over the rim, and when reaching inside, you feel the burn of the sheet cake as you leave it on the iron rack to cool. Heeseung doesn’t tear his eyes from the way you jump back, squeezing the tender skin between your fingers as you blow on it in puffs. 
“Are you okay? Here-“ He reaches for your hand, but gentle. “Let me see that.” Heeseung soothes the slight pain with his thumb running over the burn, and his breath cooling it down slowly. 
“I’m fine.” You tell him, slowly pulling your finger away. His gaze snaps back up at you, and you feel your disdain for him dwindle ever so slightly. Maybe the Heeseung that rushed to make sure you were okay isn’t so bad. 
“Right. You’ll be fine.” And he doesn’t know if it’s something he tells himself, or if he’s telling you, when he goes to get some ointment. 
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“A grad party? With Heeseung? Invited?” 
You can’t see him, but you almost hear Sunoo’s pout from the line. “Yeah, I don’t even know why you two fight anyways.” 
You huff, laying back down on your bed after Sunoo’s confession made you shoot up in surprise. “Have you seen him? He’s the most stuck-up annoying person ever.” 
Your friend hums. “To be honest, I don’t think you really know him.” 
“I know him plenty. And there’s nothing good about him, like, ever!” 
“You barely even talk to him, ____.” The last week proves differently, but you bite your tongue.
“I talk to him enough!” You’d defend yourself until the end of the earth. “He’s just…always around me- not like I even want him to, or he’s always hanging out with my friends, or-“
“Our friends.” 
“Well, not really.” You think hard. “They’re only friends because you and I are friends, so I’m friends with Heeseung in a distant obligatory way. And I need to keep it that way by not coming to this party.” 
“Come on!” Sunoo whines from the phone, and you laugh at his antics. “It’s a grad party, you’ll be too busy talking with everyone else to care anyways.” 
“Well, maybe for a bit.” 
“When’s the next time we’ll even be able to see each other anyways? Considering all of this college stuff.” 
You break his facade. “We’re literally going swimming in two weeks from now.” Sunoo laughs. “No, ____. Swimming is different from eating snacks and playing dumb board games.” 
He’s right, and you admit that it’ll be fun for something once last time. 
Maybe Heeseung won’t even show up. 
The next day at the bakery, you rush to ask him, almost too eager to know his answer. “Are you going to Sunoo’s party?” Please say no please please please-
“Of course. I’m his friend. You weren’t invited, or something?” His tone makes you want to light a fire on his head. 
“I’m his friend, too. I was the first person he talked to about it, so of course I was invited, and of course I’m going.” You say it as if the boy in front of you didn’t make you single handedly question your attendance last night. You say it like your demeanor never faltered, not even once. You say it like Heeseung had no say in the decision.
Because he definitely didn’t.
“I’ll see you there, then.” He smiles at you, a glint of evil in his eyes as he gauges your reaction. You return his scheming grin, frosting a slice of cake before walking out and calling the order number. When Heeseung emerges from the paper white curtains, he sees you engrossed in helping a customer pick out a few of the best options for ‘something not so sweet.’ 
When you’re done, you turn around to take a sip of your iced tea. “Really?” He starts, stirring some milk into a swirling shot of espresso. “The red bean cake is your definition of not too sweet?” Your ear-to-ear smile falls when you hear the off-handed comment from Heeseung, leaning against the counter with his taro milk tea, with close to no sugar. 
“I’m sure if they asked you, they would’ve walked out with a cake that tastes like a sponge.” You retaliate. You do your best not to look so affected, seeing as there were other people in the vicinity. It’s a bakery, you have to keep up the comforting atmosphere. 
“I don’t really think you’re the best person to offer advice for those kinds of things, unfortunately.” His tone snips at your resolve, and with every passing moment you stare at his lips and listen to his words, the more you wish to sew them together. 
“Sure, and they’ll be satisfied with eating basically paper? Your standards are also a little far-fetched.” You busy yourself with cleaning the cups and bowls from this morning, physically turning away from him. 
He walks past you and into the kitchen, but not before saying, “I’m sorry one of us has good taste.” 
You pray to every being that someone keeps Heeseung from speaking another insufferable word. 
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Sunoo’s house is as quaint as you remember, and although you don’t find yourself making the resemblance often, it suits him. With one hand occupied with holding a gift, and the other about to press the doorbell, you’re interrupted by an all too familiar voice. 
“I guess you did show up. Sucks to see my dreams didn’t come true.”
“I will throw this at you.” You motion to the neat basket in your hands.
Heeseung sighs dramatically, before continuing in the same feigned tone. “Would be a shame if Sunoo only had one gift from us.” 
“He’d understand.” You turn around to ring the doorbell, and Sunoo emerges, a bright smile on his face. He greets the both of you, and his quick side hug immediately reminds you of why you’re here. 
You will have a good time. And you won’t let any auburn haired boy ruin that. 
Despite being close to Sunoo, you’re not as close to the rest of his friends. He keeps his circle small, only with people he spends time with regularly. Which would be good for any other day, but for today, you feel almost like an outsider. Sunoo’s group of friends greet you all the same, and shower the boy behind you with affection. When you walk towards the kitchen, you catch some more of your mutual friends, and your nerves slowly ease away. You join their ongoing card game, an observer to it all as they yell in success or defeat. 
The group of people playing Taboo suddenly doubles as the six of Sunoo’s friends decide they want in. With the way you move to the floor, you’re so preoccupied with making sure there’s enough space for everyone and that all the cards are there, that you don’t realize where you’re sitting. 
Cross legged, on the ground, next to Lee Heeseung. 
You can’t get up, and you weakly protest against the many thoughts telling you that a game of Taboo with Lee Heeseung would get you so heated that everyone would see steam out of your ears by the end of the first round. 
“You know how to play?” Yuna starts to thumb through the cards, making sure all of them are placed in the right orientation. While the majority of you guys nod, a few of them shake their heads, and it prompts a quick explanation from Ryujin. 
“So, everyone gets a set of cards in a team of 3, and you have to describe it without using the words in the white box below. So for example, if my word is Vanilla, I can’t use the words bean, flavor, ice cream, extract, or chocolate.” She shows everyone the example card, and you all nod your heads. “Okay, now we divide into teams!” You tune out the rest of her words as she divides you all into sections based on where you’re sitting, and it leaves you with a twisting feeling. 
“Blue will be ____, Heeseung, and Jungwon!” 
Truly, was luck ever on your side?
You don’t have time to ponder just how horrible things are going, because Jungwon’s excitedly pulling you two close into a circle to discuss game plans. 
“Okay, just skip the cards you can’t answer, think about references rather than actual descriptions. Guys, the prize is good, Sunoo told me.” And the need to win anything reignites in your eyes, determination being your main motivation. 
Jake, Sunghoon, and Yuna go first, and guess four cards correctly. You feel the excitement coursing through the air like electricity, as everyone’s competitive spirit shows through. 
It’s finally your turn, and you volunteer to be the describer, picking up the cards with anticipation. You share a look with Heeseung and Jungwon, praying they share your wave of telepathy. 
First word- Engine. 
You scan through the words you’re not allowed to use, Jake watching over as your referee in case you slip up. 
“Okay, it’s the thing in the-“ You’re about to say car, but you pause, quickly trying to reevaluate your descriptions. The timer looms, and you feel panic settle in. “The thing that powers the…vroom vroom.” 
In Jungwon’s head, it clicks. “Engine!” You toss the card, reading the next. Egypt? 
“It’s a 3D thing, but it has three sides in north Africa.” 
“Pyramids.” Heeseung answers smoothly. 
You grin unknowingly. “Right-right, okay. Where is it?”
“Egypt.” 
“This is a Jesus related celebration-“ You continue, glancing at the hourglass as the sand slips through.
“Easter!” Jungwon says. “Christmas!” 
“The second one! It’s one of the little things you… put up!” 
“Stockings!” And you shake your head at Jungwon, goading them to think a bit more and guess. You glance up almost sheepishly, at a loss of words and stumbling over thoughts. Heeseung sighs, leaning back before looking at you again. 
“Oh, don’t look at me like that.” You huff, flicking at the card anxiously. 
“Like what? Like you can’t describe a simple word?” 
“Oh, as if you could-“
“Ornament!” And with that, the timer ends. You glare at Heeseung, hard, and if you were anything like Superman, you really would’ve burned holes through his skull. Thankfully, with Jungwon was your mediator, you don’t say anything snarky back at him, staying silent as the other groups go. 
The first round tension eases as the night carries on. As Jake and Sunghoon score 7 cards in one round, it prompts you, Heeseung, and Jungwon to come together, a jittery feeling as you sip from a can of soda and pray your brain works in tandem with both of them. 
Remembering Heeseung’s your describer, you sink in your seat a little, feeling hopelessness consume your mind- but Jungwon doesn’t let you sulk as he cheers Heeseung on. “Last round!” He says, a sparkle in his eye. The teams are so close, and despite your team having the lowest points by being the last group to go, you know you can score the 6 points needed to beat Ni-ki, Ryujin, and Sunoo. 
The hourglass is flipped, and you hold your breath. 
“Naturally occuring formation,” he says smoothly, glancing at you and Jungwon. “Hot stuff.” 
It clicks. “Volcano!” Jungwon smiles, feeling victory running through his veins. Heeseung’s lip curls up. 
“It’s the saying with too many people, ‘three’s a..” He waits for you both to finish the line. 
“Crowd!” Heeseung and you smile at each other as he continues to rush through the cards, briefly glancing over to the timer. 
He falters slightly, before lighting up. “When you’re excited, you’re on ____ 9.” You finish it quickly, burning holes into the back of his cards before he continues. You have to win. 
“Jungwon, we played this game in 2020 on Discord with the guys!” 
“Among Us.” and you laugh at the references he makes to win.
“____, it’s the 60% thing you like at the bakery.”
Your breath hitches, and you almost forget to answer until you see the way he’s looking at you. 
“Chocolate.” You mumble, and he cracks a grin again, relieved to get it in only four seconds. 
With the way he looks at the words and furrows his eyes, you worry that the sand will slip through the hourglass completely before he can finish explaining the sixth and final word. 
Heeseung chooses to deviate from the normal meaning of the words, and chooses to use a different meaning of it in order to not risk using a word on his unavailable list. “When something is more spicy than you expect, you say it has a little something to it.” 
Your heart is beating wildly, and you’re barely in the same spot as you were when you first started, leaning over and closer to Heeseung’s curly fringe. “Kick!” you yell out, and the room explodes in commotion, carefully counting the tallies under every team name. Yeji sighs as she marks down your final tally, and you stand up, all in a group hug before you even realize it. You watch Heeseung, looking up at the way his eyes are closed and his smile’s wide. The adrenaline keeps you jumping with your partners, unaware of how Sunoo observes the carefree way you cling onto his friend, and the supposed bane of your existence. When you two finally stop cheering at your long awaited victory, you shoot Heeseung a glance, noticing how he’s already looking at you with the same gears turning in his head. Although you’ve created space, he’s zoned out, and you can tell he hasn’t noticed that you two once again make eye contact. It takes a raised eyebrow from you for him to look elsewhere, absentmindedly tonguing the inside of his cheek, feeling almost embarrassed to have been so close. 
There’s a bubbling feeling in your stomach whenever you think about how he remembered- how Lee Heeseung pays attention to the little things. You push it down, because it’s nothing more than what coworkers do for each other. He’s cordial, as always. That’s all it is.
“Didn’t seem like you hated Heeseung much.” Sunoo comments, a smile puffing up his cheeks. You roll your eyes, helping him pick up some of the stray trash from the floor after the party is over. 
“Don’t even!’ You start, debating if you should throw a Dorito in his face. “It’s just for the games, he was literally insufferable every other minute.” 
Sunoo is unfortunately the victim to your back-and-forth, trying for you to see with reason but falling short to your simple petty nature. He fails to see how Heeseung has treated you, but deep down, you see it. You see the occasional stare Heeseung finds himself in with you, the frown on his features or the way he always carries himself  as if he’s somehow better than you. It’s exasperating how easily he surpasses you, and always glances back to make sure you know. The looks he gives you are deceptive, and you basically see his thoughts laid out in front of him before he turns away. You swear to Sunoo that he has it out for you, always trying to boost that inflated ego of his by showing you how much better he is at anything. 
“How are you so sure Heeseung just wants to rub it all in your face? Well, wait.” He pauses, tying a trash bag closed. “Why do you look at him so much that you catch him staring?” 
Oh. You think about it, truly emptying your brain to find a proper answer, but deep down, there was none to be found. 
“I don’t know, Sunoo,” you huff. “He just always looks at me.” 
“Maybe he wants to be friends.” 
Violently shaking your head, you smash in a water bottle, feeling a flash of confusion pass through you. “Why would he want to be friends with me? To show he’s such a nice and caring person?” The boy on the receiving end sighs, slumping to the floor in the kitchen. You stare at him, watching how Sunoo deflates before going to wash his hands in the sink. “You’re insufferable.” He calls out, laughing quietly. 
A frown makes its way onto your features unknowingly, your eyebrows furrowing in confusion as you truly put yourself in your friend’s shoes. 
Surely, Sunoo sees what you mean, right? There’s just no way Heeseung would want to be friends with you either- it’s not like you treat him any better than he treats you. Plus, Heeseung has had it out for you, always by your side for the best and for the worst times, somehow dampening your mood in both. 
Right?
After a tight hug from Sunoo and your efforts to lift his mood after a long day, you get in your car, a random song from your playlist coursing through the stuffy air. 
There is mutual hatred- well, maybe not hatred, but dislike. A definite dislike between you and some part time bakery employee who also happens to be the worst boy you’ve ever met. 
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You’re beginning to think that this feud between you two is a small flame that you’re shoveling piles of wood into, igniting from your own hands. 
You have no idea how to prove it, though. You can’t let yourself look like an idiot by simply being nice to him if he really has it out for you and hates you- or else he’ll get some sort of upper hand. 
Your plan goes like this; You’ll give Lee Heeseung one chance to prove himself as an arrogant and selfish person, and when it happens, it’ll be true solid evidence you have to dislike him. It’ll prove that Lee Heeseung hasn’t changed one bit, and that you were always right in your beliefs. 
You trust the universe will help you out one time, and pray for the best. 
So that’s why, when your grandmother invites you to join her at the Lee’s once again, you agree, finally getting to try not just the leftovers of Mrs. Lee’s delicious galbi recipe. 
And that’s how you're standing in front of his doorstep with a welcome mat under your feet, and a porcelain cat staring up at you from the porch. 
You hear the commotion that follows your knock, and you're greeted with a warm smile from whom you can only assume is Heeseung’s mother. After she invites you in, you meet the rest of the family, and make sure your grandmother has taken a seat. Heeseung glances at you from the stairs, before wordlessly joining the table, quickly grabbing bowls in the kitchen before coming to sit down. Everyone interacts, and you’re stuck smiling and shaking hands with his father and bowing to his grandmother, asking if there’s anything you can do to help. 
When his mother brings the steaming aromatic food over, your eyes light up. “Here, Heeseung, sit next to ____!” 
Your smile drops. 
He takes the empty seat next to you, flashing you a grin. “Long time no see.” You roll your eyes, with the distance between the two of you closer than ever, you lean over to make sure your grandma gets plenty of cabbage kim-chi and warm sauces with her rice, helping her whenever necessary. By the time you sit back down, your bowl already is full of food. You glance over at the culprit.
Heeseung just shrugs when you raise an eyebrow, muttering a thank you before digging in. 
“I hear you’re planning to attend the same university as Heeseung.” His mother’s words cause your eyes to widen, choking slightly on your bite before you feel someone’s hand on your back. “You okay, ____?” And the mirth in his eyes tells you he finds your reaction funny.
You shake your head in earnest, feeling yourself lose even more passion for school. She continues, reaching for some grilled meats with her chopsticks. “It’s exciting, isn’t it? You two are basically neighbors, and you’re always super hard working. Maybe Heeseung could learn a thing or two, since I hear so much about how you help out your grandma.”
You’re pleased to hear she likes you, but it all comes out at once, and her confessions leave you in surprise. You glance over at the boy next to you, hoping to gain some wicked satisfaction from it all, but what you see leaves you with a dejected look. Heeseung’s gaze is steely, and you notice the almost glare his mom sends her son after saying it. He feels small, unlike the confidence that surrounds him after test scores or when he got admitted into his colleges. Something doesn’t feel right, and it leaves a sour feeling on your tongue when you try to make yourself bigger than him. 
“Heeseung has always done well. I’m sure he’ll continue to do well both at the bakery and in school.” You don’t mean to disagree with her, but it’s true. You hate to admit it, at least to his face, but Heeseung’s worked just as hard or harder than everyone else. He tilts his head in confusion as to why you’d voice something like that, and you roll your eyes, hoping that he never brings it up again.  
You continue to talk with his mother, laughing at her comments and going along with whatever she has to say, no matter how traditional her views might be. You thank her profusely for the meal, and she waves you off with a bashful look. ‘It’s nothing,’ she communicates through her laughs and small hug when you two are about to leave.
“See!” Your grandma says on the walk back, as you carry tupperware of marinated meats and soup. “Hee isn’t so bad after all.” 
“I guess.” You really have nothing else to tell her, not wanting to ruin the delicate moments between you two as the sun casts down a slim glow. “He didn’t really say much.” 
His mom, however, made you realize just why Heeseung performs at the standard he does- because he really has no choice but to be the best, or to accept failure in front of his parents’ eyes. It’s a corrosive treatment, one that slowly digs away at anyone’s ability to be passionate about truly anything. 
She changes the subject. “How’s the bakery?” 
You want to tell her that Heeseung is annoying, that he runs around always telling you to do things, that he’s always too busy covered in flour and coconut cream to help you out. You want to tell her that you hate Heeseung, and that your quality of life decreases whenever he’s around. He messes with you, sends jokes and digs your way, and you don’t know how to get him out of there faster. 
“Heeseung’s fine. I know he’s a big help to you.” And maybe, he’s become a big help to you, too. 
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There is one thing you’re not sure you can perfect- macarons. 
They’re dumb, take so little ingredients yet such precision- and to be honest, do they even taste that good? In your personal opinion, they’re nothing amazing, and honestly, the scraps of chocolate cake that you don’t use for cake pops serves you well. 
The night before, you and Heeseung both mutually agreed to stay for a bit longer, starting on the macarons so neither of you would mess up tomorrow morning in a rush. It’s a large order, and you get them relatively often. You try to get tips from your grandmother the night before that, writing them down in your phone and making sure you listen to every piece of advice she says. You write down the last thing in your notes, ominously typed out in bold text. “don’t overdo it.” it reads, and you stay up watching videos on how other people make them look so perfect. 
Staying late for the shift meant you shifted your routine by a few hours- showering later, eating a bit later, and sleeping less than you should’ve. You were tired already, but the extra work only added to it, making you feel less and less confident in every piped macaron. 
The alarm reads 8:00am, a criminally late hour if you want to get to work on time. Sending a quick apologetic text to your coworker, you rush out of the house, driving as carefully as you can to make it there while scraping as much time off as you can. Rushing in, you see Heeseung, leaning over and assessing your yellow batch. If the grid you used was supposed to be a 5 by 11 sheet, then there should be 55 macarons- but you notice, in a few places, there are missing confections. 
One culprit. “How childish do you have to be to eat the ones I’ve made?” The immediate accusation has Heeseung looking up at you, straightening his back to narrow his eyes. 
“Some of your macarons were hollow shelled.” 
“What, so you go and throw them away without even asking me?”
Heeseung hates how the mood is immediately dampened, finding himself getting more heated around you. “We literally need 25 of each- only four of yours were hollow- I had to start making another batch because I didn’t want to risk mine being hollow, too.” He tries to explain, tapping his fingers on the counter. Your skin feels hot- how dare he mess with the batch you already worked so hard to pipe and fold? If you were to fish out the shells from the trash right now, you would be positive that they weren’t even that empty. You grab one of the tools from near the sink, going to inspect his red ones. 
His attempt to make himself look human is shattered when you notice that none of his, are in fact, hollow like how he presumes they were. 
“You didn’t even check yours!” You exclaim, feeling targeted. 
He rolls his eyes. “It doesn’t even matter who’s batch it was- why do you care so much that I was trying to help you out because you were late today?” 
That- that was your reason. Lee Heeseung once again spelt trouble, by meddling in your macarons when you could’ve so easily examined them yourself. He turns around to start washing the utensils in the sink, as you stand there and seethe. Blame it on the sleep, or on the stress of rushing out this morning, but all of it makes you walk out of the building, feeling the hot tears fill your waterline before they spill and cascade down your skin. 
You worked so hard to make them- and even if they weren’t perfect, even if what he had to say was right, you just wished you could’ve seen it for yourself. You haven’t worked there much prior to the summer, and macarons have always been something you’ve wanted to nail, so to see Heeseung set the standard according to his own feelings and just throw out the ones you wanted to see- well, it hurts. It’s a jab at your pride, at all the effort you’ve put into learning and watching videos, sacrificing sleep to listen to people croak advice after advice on one of the greatest baking feats. It hurts to see once again that you’ve failed to be like Heeseung, and that he took matters into his own hands by assessing your tray for you
Fishing out your phone, you look for one contact to offer comfort. “Grandma?” You ask, sinking down to rest your head on your knees without sitting on the cement. You’re next to your car, not wanting to go through the efforts of finding your keys. 
“What’s wrong?” She asks immediately after hearing your sniffle, and you tell her. You tell her about how your shells were uneven, and how you worked so hard for them, and how Heeseung threw them away before you could even see for yourself. She understands your pain, and tells you that no one can perfect something as difficult as macarons- and that during spring break, she had seen Heeseung go through the same thing. It helps, just a little, to know that he started from the same place as you, too. You calm down with her further reassurance, and wipe your puffy eyes before coming back in. You’re afraid the patrons will notice something’s up, and ignore Heeseung’s worried looks to pat cold water onto your eyelids in hopes of helping them look less red.
He sees all of it- Heeseung Isn't stupid, he knows what he’s done, but he can’t get himself to apologize. And as you knew, he went through the same heartbreaking process, and in his thorough reassessment of the situation, he doesn’t know why he didn’t see it from your perspective until you stormed out. 
‘I'm sorry,’ he writes on the bag of lemon curd he made for your macarons. But it does little to salvage your disposition for today. You ignore him, never asking for any help, or any opinion even in the times you usually would. It’s quiet throughout the whole day, like a gray cloud has dampened the colors in the sky, and you clock out at exactly the right time after everything is done, put away, and cleaned. you refuse to leave a mess for Heeseung to point out, but you leave feeling angry, sad, but mostly, disappointed. 
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The next day, you arrive at the bakery to find Heeseung sipping from a dangerously large cup of instant boba and taro milk. His eyes dart up to witness all of your struggling glory carrying a shipment that came to the house instead of the shop. In a hurry, he grabs a few boxes from the top and sets them down on the counter, and whatever you were carrying follows suit. He treats you as if you didn’t fight, as if you two aren’t filling the room with tension the more you steal glances at each other. He grabs his drink, one that he’s prepared 15 minutes ago, and finishes almost another quarter of it in one long sip.
You want to tease him for how much taro he’s had when it’s barely 8 o’clock, but it’s not the right time. Days like this are always slow, only dragged out longer by the silence and lack of tasks. The awkward silence between you two fuels him to grab scissors and start opening the boxes. 
“I thought your grandma might’ve told you I could handle it.” Heeseung comments, refilling the crushed water and oreo toppings. “I was checking the delivery updates pretty often.”
“Not often enough,” you snap. You fight back a glare, and proceed to open up your own box of extracts. “I’m her granddaughter. Maybe you should go enjoy summer with your friends. Don’t you have a beach trip to thirst trap at or something?” It’s meant to be an insult, but Heeseung quietly chuckles, finding it a little funny. 
“Yes, we are having a beach trip soon. But i already told your grandma I’ll work in the morning before your aunt comes to take over.” You frown, wondering why your grandma never reaches out to you and asks you to help.
With emphasis on the syllables in his name, you fire back, “Let’s be clear, Heeseung, she wants my help much more than she needs yours.” He glares, stirring a cup with his eyebrows furrowed and lips curled down in distaste. 
“I’m sure that’s why she was so enthusiastic about coming over to our house and talking to me.” It’s your turn to scowl, and you’re afraid Heeseung’s comments will only take years off your life and produce wrinkles on your face much quicker. 
“Funnily enough, I heard she didn’t want you working there at all.” You cross your arms to look at him as a way to further your point. 
He responds defensively. “Yeah. as if.” Even the way Heeseung rolls his eyes at you is annoying. “She just wants me around more than you.” 
You can’t feel offended, especially when his tone is so light. It probably isn’t even true- how much your grandmother prefers Lee Heeseung over you, just like anyone else. The feeling burns you and you shrink away from the heat of the sudden fire accompanied by the implications of his words. Heeseung catches on to the sudden shift in your demeanor. 
“Hey, I didn’t mean that.” He tries to apologize, watching you carefully.
The flames leave you angry with his response, feeling once again belittled by him. “Bullshit. Are you glad you’re the favorite for every single person you know?” 
His eyebrows furrow, feeling the bite of your words, and the mood instantly changes. “That’s not what I meant, ____.” 
You roll your eyes. “Of course that’s not what you meant, Heeseung. Of course you’re the one who’s perfect, and I’m simply the one who misinterprets all of it. Of course you have never had a bad intention ever and you are loved by everyone. Why can’t you just go? Do you really have to take one more thing away from me and make it your own?” The years of resentment pile up in the words you throw at him, and the built up wall you’ve created finally shows just why you should despise him so much. “Or was it not your intention to do that either?” 
It’s too early, to be honest, to be fighting like this, and you’re definitely saying things that you’re going to regret. But you’re tired of being second to him- tired of never getting the recognition you so badly deserved from those who you actually wanted to hear it from. You’re tired of never being heard by your teachers, getting grades that swoop right under a certain someone’s. All on purpose. (right?)
Despite the sudden urge to bicker with you about how you think everything is about you, and how you’ve never given him a chance, the boy beside you is observant to how hurt you sound being so vulnerable. Heeseung finds himself trying to rethink the past ten years of shared childhood experiences. He’s never really thought about what he’s done to deserve such resentment from you, but the more he says silent, the more he realizes that he’s always so graciously soaked up praise from everyone, and because of it, you were always left sulking in his shadow. 
“I’m sorry.” But it’s more than that. 
You feel stupid for expecting anything deeper. “Is that all you have to-“
He cuts you off, trying to articulate the words and form reason. “No, there’s more. God- let me just think.” You hear how badly he needs to get it out, and you stay quiet, having let all of your anger out already. 
“I’m sorry for hurting you. I’m not going to apologize for all of the things I’ve achieved,” he says firmly. “Because that’s never how things were for me- I have no reason to feel bad about what I did.” And you can respect him for standing his ground in a situation full of misunderstanding. “I never did it to hurt you, and I never did it to get in your face and show I was better. But I’m sorry for hurting you unintentionally. I’m sorry I never realized that those things were just as important to you, and I’m sorry for always assuming the worst when we’d talk. I’m sorry I never apologized, and held all of this against you, and made this thing between us worse than it was supposed to be. And, I’m sorry, too, about the macarons. That was stupid. I really should’ve known.”
You feel overwhelmed, your mind trying to undo the years of built up feelings towards him under the assumption that he meant to do those things. “I thought you did it because you genuinely didn’t want to see me happy. Like that time you did the extra credit in biology just so you could score better than me.” You breathe, words coming out without really realizing what you’re saying. “Or like that time in first grade where you spilled your applesauce on me, and never apologized. I kept thinking, what the fuck did I do to deserve it? What had I done to make you feel like we had to compete?” Your open ended questions continue to resonate within your co-worker’s mind, and the more you ramble, the more he sees just how twisted he looks. 
“In first grade, that was because the boys said I’d get cooties if I went to talk to you. Believe me, ____, I tried. But every single time I try to fix things between us, you never let me, I swear.” 
It’s your turn to be confused, swearing that you never saw him apologize. “When have you ever tried to be nice to me?” 
“I tried to let stuff go. Like all the little things we’d say about each other- I tried to understand why you were always so unhappy around me. But you always said I was meddling in your business or that I just wanted to find another way to get under your skin.” 
It settles, then, the realization that you’ve turned him into the villain a bit more than you should’ve. You know there’s always been mutual dislike- there are certain times where you know Heeseung had it out for you, with his sneers, his comments or the way he’d smile at your defeat- but you weren’t a saint either. There were other times that maybe, he wasn’t out to get you, but you were always so consumed with the idea of hating Lee Heeseung that you hated the idea of him being a decent person, too. 
“I’m sorry,” You say, leaving your emotions to witness. “I really should’ve paid attention to your genuine efforts back then, too.”
And you’re not the only one who’s at a loss for words this time. Heeseung is in uncharted territory, unsure of how to process the way you’re apologizing, and being so open. And he’s antagonized you too; made you out to be a mood killer and party pooper in every event imaginable, despising the idea of being around you because you two always disagree somehow. 
“But, why do you do it? Why do you come here if it’s really anything personal?” 
He answers in the only way he sees fit. “I want to help her out, she’s always cooked for our family, she’s let me come over a few times, just little things for my family and I. I never meant to take your grandma away from you like that, I promise. She’s just so kind, and she cares so much about me, so of course I want to care for her, too. I just didn’t think it’d be at the expense of you.”
Despite still feeling hurt, you nod, trying to be mature and talking about it rather than burying it deep. “All I hear about is how she wants you to come, and how she never needs my help anymore because she has you already volunteering. It’s like I barely mean anything to her.” Your words sting for Heeseung, but not because there’s any anger directed at him. Heeseung feels a pang of relatability in his chest, the inability to ever be enough for those around you gnawing away at your self-esteem. 
He shakes his head, begging you silently to understand. “She doesn’t want you to work so hard.” He starts, running a hand through his hair. “She tells me about how she’s worried if you’re eating, or if you’re stressed. She’s watched you through-out your whole life, ____. All she’s ever wanted was for you to finally enjoy the summer you worked so hard for.”
“I just wish it felt that way.” You admit.
To hear such high praise from his lips feels foreign- the idea of Lee Heeseung noticing how hard you’ve worked, realizing the amount of effort you’ve put into your standing and accomplishments, it’s weird. You know he understands completely how stressful it’s all been, considering he was stuck to your side the whole time in highschool whether you liked it or not. Lee Heeseung has worked hard, if not harder, than you, and for him to be able to admit that is so much different than what your perception of him would think. It’s awkward to meet his gaze, and his small smile eases the tension a little when you laugh at his attempt to soothe things out. 
“I feel dumb, for thinking so horribly of you. I honestly never thought you looked at me like I was an equal, just someone you could surpass.” He shakes his head, about to reach out and grab your wrist before he realizes just how intimate it would be. 
“You’re not dumb, _____. You never have been. I’ve always looked up to you.” 
There are knots in your chest- the ones that make it feel as tight and hard to breathe as you do right now- that slowly become untangled the more he speaks of you. His words undo them, little by little, and even if it takes a long time to fix the rift between you two, at least you know you have help. 
Internally, your heart begs you to ask. “Why do you even care?” 
He pauses, mulling over his words, and looking for a proper response. “I don’t know.” He sighs. “I just want to, we’ve been around each other since we were kids, and if there was someone who I’d hope to have by my side, whether or not we’re close, it was you.” 
Your breath hitches at his confession, and your mind runs in a hundred different directions, without ever expecting those words to tumble from his lips. You promise yourself to do things differently from now on, not trusting your words to continue the conversation. 
“We should finish unpacking.” And the rest is that. 
When you two leave to go home, the old tension feels different- lighter, almost. As much as you know he would do things to get on your nerves, never understanding just why you were so negative and brooding around him, your perception of him wasn’t the best, either. And still, you may be a bit mad at him, and not exactly friendly, but at least you’ve both let go of the unspoken baggage.  
When you sit in the passenger seat, you’re less inclined to turn away and face the window, and make small talk with the radio on. 
Things aren’t perfect- the years of hurt he’s done to you doesn’t dissipate in a day, but it’s getting better, and you can only hope it continues that way. 
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A week passes between the two of you, and time flows easier now that you two talked things out. You don’t dread going to work, and you didn’t refuse when he offered to buy food on the way home a few days ago. Sure, some topics between you two are sore, and you’re not best of friends, but it’s light years ahead of what it was like before. 
You can never truly get rid of the banter between you two- there are clever insults you’ve crafted in your head that you love to see his reaction to, and you’re just the right person for Heeseung to bicker with. 
“Do you ever stop drinking that soy milk?” Your coworker asks. You nurse your cup, keeping it close as you rush to defend your end of shift drink. “You’re like, a baby.”
“It’s lactose free. And a very good basic drink.” You explain, frowning at yet another large cup of taro tea he holds in his hands. “Your drink probably tastes like nothing.” 
He holds it out, and you raise an eyebrow. “Just use the same straw,” he insists. You truly don’t mind, but it’s so weird now to know that Heeseung, like, your friend. But you take a sip anyways, cringing at how your suspicions were right- There’s barely a hint of sweetness in there. 
“Don’t make that face!” He comments when you grimace, and also feels the need to protect his opinion on 15% sweet options. 
“Anyways,” you change the subject, determined to get him to see your sweet tooth ways. “Help me make some creme brûlée for my grandma. I’ve never tried.” And he sets his cup down, and for the first time possibly, Heeseung joins you to do something. 
“It should be easy, right?” He says, and with a look of determination, you set off. 
“Heat the cream.” You tell him, reading the instructions from your phone. 
He retorts lightly, “So rude.” and you turn around to scoff, all in good fun. 
“You’re insufferable.” And he tilts his head, offering you a small pouty smile when he turns on the stove. 
The mood feels so much less stuffy than it did before when he says, “Must suck to always hate me like how you do.” 
“I have an egg yolk in my hand that i’m willing to throw at you.” He chuckles, and peers over at your bowl. 
“You’re pretty good at that.” He notes, and you fight the urge to beam at his compliment for your yolk-separation skills. After he’s poured in enough cream, he grabs the sugar and a measuring spoon, fishing your phone out from beside you and reading the measurements. 
He adds so much less than what the recipe says, and you only know this because when you glance over, the scale reads a number much lower than 65 grams. 
“Heeseung,” You call out, in a playfully stern manner, and the boy in question turns around like he’s been caught. “Bring back the sugar.” 
“We’ve run out.” He says, the lie appearing as a wide smile on his face. Unconvinced, you walk over, and in turn, he holds the jar up out of your reach. You refuse to reach for it, knowing that the boy in front of you is much taller, but also that you don’t want to break the glass with some horseplay.
Your voice goes from demanding to reasoning. “Give it back. God, I can’t stand you and all of your low sugar preferences. The sugar is literally needed for the texture!” He simply shakes his head, walking over to add just one more unmeasured spoonful. “You didn’t even weigh it.” 
Heeseung mocks you- a high-pitched and garbled version that follows the intonation of your words, and you let out a surprised scoff at his immaturity. Getting a whisk, you make sure the newly added sugar is fully dissolved. He returns with the pot of cream that bubbles slowly, with an oven mitt around the hot handle. Without a look in your direction, Heeseung holds out his arm between you and the heated cream, and it really doesn’t do much- but yet, at the same time, it does. It’s something he does subconsciously; and something you do your best not to pay attention to in order to properly reach for the whisk.
He slaps your hand away lightly, and you mumble an ‘ow!’ in response. “Don’t touch that. Let me whisk it. It’s hot.” He reprimands gently.
Yeah, you’re still doing your best not to pay attention to it. 
When the mixture transforms from a deep yellow to a pale banana color, he leans down and checks the side of the bowl for any egg and sugar he’s missed. “Here,” you reach out. “Let me get the pot.” Heeseung glances up, and shakes his head quickly.
“No it’s okay-“ and it happens quickly, the hand that was whisking leaves to swat your hand away, but it instead makes contact with the rim of the metal appliance when he doesn’t pay attention to where his hand is placed. Although Heeseung only hisses quietly at the pain, you immediately feel bad. 
“Just give it to me,” you demand, and pry the pot out of his hand to let him nurse his wound, leaving it in the sink and quickly going to the medicine cabinet for burn relief cream- the same one you used a few weeks ago. After you grab it, you return to him, reaching out your hand and waiting for him to show you the puffy red skin. 
He slowly puts his hand on your palm, and you twist around his finger to apply the ointment, doing your best to spread it without pressing too hard. 
“Thank you.” 
You glare. “Don’t hold hot things if you’re not fully attending to them.” And he puts his hands up in surrender, taking a step back. 
“I’ll be preparing your ramekins, boss.” The nickname has a nice ring to it. 
When it’s done, the creme brûlée comes out with a slight wobble in the middle, indicating a well-cooked perfection. “Grab the blowtorch!” You shove him into the direction of where it is, and he complies. You sprinkle sugar over five of the six dishes, using a spoon to shape the sugar in the last dish into a heart since you thought it looks cute. 
Heeseung comes back from your right, leaning over to watch you intently. “A heart? You make it seem like you’re in love, or something.” He jokes, evading a jab with your right elbow. 
“Shut up.” 
“You shut up.”
“You argue like a-“ you’re about to finish your sentence with ‘child,’ but when you turn your head (in hopes that saying it directly would add more emphasis), you’re face to face with Heeseung, with a proximity between you two that’s far less than expected. 
He takes a quick step away, and you glance somewhere else with a nervousness in your eye. 
Neither of you say anything, not really sure if you should apologize or if he should, and you return to your current task, a small churning turning in your stomach. You take a step back to let him caramelize the sugar, and he holds the blowtorch with his non-burned hand. 
It’s good, is the only thing you think when you crack the sugar and scoop a bit, admiring the texture. When you and Heeseung finished one each, you begin to clean up and wash the equipment you used. 
“It’s late, _____. I’ll take you home.” He states the obvious, and for what?
“How else am I supposed to get back?” You laugh, and in response, he shrugs. 
“Just a reminder as to which one of us is so graciously kind to drive you too and from the bakery almost everyday.”
“If I had a choice, I could’ve easily taken my own car. You know my grandma needs it for her errands. Like her Wednesday bingo night, or whatever.” He chuckles, holding the door open and unlocking the car. 
Being in the same space as Lee Heeseung isn’t as excruciating as how it used to be- and now, it’s just an opportunity for you to finally ask your burning questions. 
“Heeseung, I’m just curious. How did you even meet my grandma?” 
He furrows his eyebrows. “I think it was the mailbox,” he starts, trying to remember. “She dropped her mail, and it blew out into the street, so I went to get it for her. And on the walk back, she just started asking me questions. Apparently she and my mom were closer than I thought.”
“And that’s how you started working?” 
“First, it was community service. Just using the cash register- since we’re cashless, it’s nothing illegal to have me manage orders.”
“And she just thought you were an angel from the get-go, or something?” 
“Who doesn’t?” And you glare, mocking him like what he did to you earlier. Heeseung’s lips curl into a grin at your antics, never taking it to heart. 
“Me, obviously.” And it’s a half-lie, because secretly, Heeseung isn’t so bad. 
“Well,” he starts, motioning. “I don’t think there’s anything I do or could do that you’d like.” 
You splutter, “That’s not true!” And he raises an eyebrow at your indignant words. 
“Name one thing that you like about me.” 
“No!” You refuse, crossing your arms. “You already have a large enough ego from the teachers.” 
Heeseung rolls his eyes at you, tapping his hands tapping on the wheel impatiently. “That’s lame, ____. You’re just further proving my point.” 
With a sigh, you tell him, “I like how you helped us win in Taboo.” And he gives you a look. 
“Cop-out.” 
“What-? No!” Emptying your brain, you try to find something you truly like about the boy who makes life a living hell- or, well, used to (he still kind of does). “Okay, fine. I like that you care about my grandma.” 
Heeseung stays kind of quiet, not really sure what to do now that you’re once again being sincere. “Well, she’s like- the only person who doesn’t expect something from me.” 
Confusion floods your thoughts. “What do you mean?”
“I’m grateful for everyone in my life,” He prefaces. “But it’s no fun having to always work for people’s approval, sometimes, I wish that someone could just appreciate me for me, and that’s how your grandma is. No expectations with her. She’s just happy I’m still around- which, I know, is bare minimum, but at least I don’t have to try so hard for her to like me.” The light turns green, and the car rumbles as he slowly accelerates.
You mull over his confession. “Do I expect something from you then, too?”
“You expect me to perform well, because I always have- and therefore, I have to do well, or else you’ll just rub it in my face.” He states plainly, and you grimace for the second time today. 
“Sorry, I won’t do that anymore.” Heeseung waves you off. 
“It’s no big deal- plus, you weren’t the only one who thought I’d do well all the time. It’s something everyone thought of me. If anything, you were the one who just motivated me to always work harder.” 
“But isn’t that a good thing? To be the best?” 
He shakes his head and when you take a good look at him, Heeseung has a glassy look in his eye. “Sometimes, yes. A lot of the time, no. I just want to do well without anyone forcing that on to me. I don’t want the expectation to be perfect, because then, it’s so much easier for me to stumble.” You don’t realize just how much weight Heeseung carries on his back from the words of his peers and his family. And to you, he resembles a diamond; perfect, but from pressure. 
“Well, from now on, I won’t expect it from you. And if I do better, then I won’t rub it in your face. So that’ll make two people you won’t have to worry about.” The response he gives you is non-verbal, but his change in expression is first laced with surprise, and then silent appreciation.
“Thanks,” he says, once again at a loss for words. “I appreciate it.” 
You send Heeseung a smile, understanding how it feels to always have to do good. You can only hope that he gets his break from the pressure before he burns out. 
“Oh, I should tell you now. I can’t make it next Friday. I have plans, and I’d figure I’d let you know now so you could find someone to replace me.” He announces. When he looks over to see your response, you nod in understanding.
“What are you doing?” 
“Grad party.” Heeseung says plainly. “It’s Jake’s, so if I’m hungover, I’ll try to let you know if I’ll be good by morning.” 
“So considerate.” You comment, albeit a bit teasing. He scoffs, making the final turn before reaching your house. “To be expected from someone like you.”
“Someone like me?” He questions. “And what kind of person am I?”
“Someone who’s going to have to work alone for the next two weeks if he doesn’t shut up.” He laughs, his eyes scrunching up as unlocks the car. “Thanks for the ride.” 
“Of course, ____.”
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A few days go by, but one morning, you walk outside to see Heeseung parked in his car, scrolling on his phone- and it takes you walking up to him to roll the window down. 
“You didn’t even text me you were coming,” you start, pouting slightly. 
Heeseung pats the passenger side. “Just- get in, will you?” And you comply, never one to refuse a free trip to work. 
“So why today?” You ask, fiddling with your fingers and bag. “You usually never pick me up on Thursdays.”
“Since it’s your grandma’s birthday and all, I figured I could just pick you up, and drop you off. She called me yesterday asking to come over, and invite my parents, too. And they couldn’t come because of a work trip, but I promised her.” 
You stay silent. “Fuck, that’s today?” And Heeseung laughs- not at you, just at the situation. 
He nods, eyes still glued to the road. “Have you decided what you want to get her?”
“Flowers, definitely. Probably these treats she’s been thinking about getting from the store. I have this really nice collection of kitchen appliances that I know she’ll like.” And you’re rambling, but Heeseung makes no effort to stop you. “She loves to peel stuff by hand, but I was trying this thing out in the store and it actually works perfectly. Here, I’ll pull it up.” And he takes a quick look at the overpriced appliance, realizing that you also care immensely, but in different ways. “I still need to get her stuff, though- I’m not sure how I’m supposed to get to the flower shop if they close when we close.” And it leaves you dejected, since you know what flowers are her favorite, and how happy she’d be if she saw them on the table for a while. 
“We’ll figure it out,” Heeseung promises, and you nod, believing his words. 
You close a bit earlier than usual, and Heeseung writes on a small sticky note for patrons to come tomorrow. The bakery closes at 8:00 PM everyday, and usually 30 minutes can’t hurt- or at least, you hope it doesn’t. 
When you continue to anxiously check the clock, he comes to your side, rubbing your shoulder and telling you that “30 minutes is plenty of time.” 
“We have to walk there though, and clean up. There’s virtually no parking there ever since that other place opened up nearby.” And he curses, not taking something like that into consideration. While you might be ending earlier, you can’t just leave anything out in fear that someone’s going to try and break in, but you also don’t have nearly enough time to properly wash the dishes and wipe down the tables and counters. Instead, you both opt for putting away the large equipment and the food, turning off the lights so anyone who looks in gets the impression it’s closed with the lack of displays or people around. Then, you two can come back to finish organizing and preparing for tomorrow. 
His reassurance is easy to listen to, and Heeseung’s ability to figure out a plan is comforting in and of itself. You’re grateful he’s even willing to come with. 
“You can just wait in the car, really-“ 
Heeseung looks at you like you’re mad. “We talked about this,” he pressed. “It’s dangerous to go out alone. I have nothing to do in the car anyways.”
Finally, you shut off the lights and start dragging Heeseung’s arm, who’s still taking the key out of the lock as he’s being taken away by your impatience. Setting off in a brisk walk, you continue to check your phone, trying to beat time. Heeseung promises you once more that it’ll be okay, and you ask him what he got for your grandma to change the conversation. You both know her well, and your gifts reflect what qualities you care for most. You realize that Heeseung always keeps others in the back of his mind- like his thoughtful gift to Sunoo, with a handwritten card that Sunoo read a bit of to you guys before Heeseung stopped the further embarrassment. You didn’t realize it then, but the people in his life feel wanted all the time because he has the love to give them. 
You get there barely five minutes before 8:00 PM, and the discontent that washes over the shop owner’s face is apparent. “We’re closed,” she says, and you can’t imagine it’s easy to stay by yourself in a room so stuffy and full of pollen. You walk up to her with Heeseung following behind you, observing the way you practically beg for her to let you find some flowers. You promise you won’t take long, and she sighs, unraveling some of the wrapping paper she knows you’ll want. 
There aren’t many left now that the day is over- and you wonder what kind of people frequent the flower shops. Is it apologetic husbands trying to win over their disappointed wives? Is it children buying flowers for their parents and elders? Or is it people like you and Heeseung, who want to gift it to someone they care about?
“Can you trim the thorns?” And she shakes her head, continuing to ring your bouquet up. You feel horrible, understanding exactly how it feels when someone at the bakery asks for something so grandiose near closing, when your social battery has depleted and you don’t have any more smiles to give. And you know this, but you’re willing to go above and beyond if the shop owner is okay with it. The effort she’s put in already to cut the papers and ribbons to accentuate the flowers is already plenty, but it’s your grandma, and you make sure to come back to support her generously again. 
“Please,” you exhale, desperation and anger mixing in your tone. “I’ll pay extra.” With that, the shop owner sighs, taking your forty dollars and looking up as she opens the cash register. “Just keep it.” You say, in apology for earlier. She doesn’t decline the offer, and slides the crumpled bill into the slot with the rest of them, and ties a purple ribbon around the bouquet. 
You almost forget that he watches the whole ordeal, until the owner of the flower shop mutters a “couples these days” under her breath, and your eyes widen.
With profuse thanks, you grab the neatly wrapped flowers and leave, but the moment you turn the corner, you gawk. “Did you hear what she said?”
“That we’re a couple?” Heeseung brushes it off like it’s nothing. “Yeah. But- what kind of boyfriend would I be if I wasn’t the one paying for them?” 
Heeseung paying for flowers to give to you- it’s a thought that leaves you quiet as your feet follow the same steps you took to get there. Of course he would- and you wonder if you’d ever want to be on the receiving end of it from him- or, actually, anyone for that matter. You’re not sure your mind automatically wants such a sweet gesture from Lee Heeseung himself.
“Thank you for coming, again.” 
“Quit worrying about bothering me,” and it’s like he can read your mind. “Believe it or not, I don’t mind being around you.” His sarcastic comment still holds that undercurrent of honesty, and it’s like he knows just what you need to hear. 
The walk back is much less stressful than the walk to. It falls back to that simple dynamic between two people who have begun to tolerate each other, full of little insults, hits to the side, and laughing. You finally make it back, and the sun paints the sky with swirling blue and pink. The sunset illuminates Heeseung’s side profile as he unlocks the door again, and when you finally pay attention to his jawline, or the gentle purse of his lips in concentration, you come to the conclusion that Heeseung is more than easy on the eyes. 
And as you two clean up, the flowers sit in the passenger seat; a symbol of care for your grandmother, and Lee Heeseung’s time well spent with you.
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The trips with leftovers become more frequent, and his parents always remember who you are every time you come bearing gifts. “____!” They exclaim, returning the old tupperware with more dishes on top. It feels like at this point, your grandma cooks for them, and they cook for her just as much. 
“Go bother Heeseung, won’t you? We have dinner in a moment, but he’s been so busy with his work.” You smile at her, curious as to what he even has to do now that school’s over. “It’s the room to your left when you go up.” 
You knock on his door and he yells in response, telling you to come in. Under the assumption that it’s his family, Heeseung goes wide-eyed when he notices it’s you in his messy room with his pajamas and old t-shirts strewn here and there. 
“I did not expect it to be you,” he mumbles, quickly getting out of his chair to fix his covers and pick up a sock. A laugh bubbles from your throat with the way he’s scrambling to make things presentable right before you. 
“Don’t worry. I don’t think I’ll be staying long anyways. Your mom told me to drag you downstairs because you were too invested in your work.” He looks sheepish as he mumbles a quick apology, and after the quick tidying, he shuts his laptop and organizes his desk. “What do you even have to do anyways?” 
“I’m just making music- I started this internship with an entertainment company where they let me shadow a producer and offer input on some unreleased songs for their artists- so I’m just looking at the tracks and making demos.” 
“They let you do that? I figured shadowing wasn’t possible for a company so big.” He nods, a smile dusting his features, and you can tell he takes pride in what he’s accomplished.
You’re about to ask more, but a call of your names from downstairs leaves you two quickly walking down. 
“Have dinner with us!” His dad tells you, and you want to tell him you already ate a bit, but the noodles look delicious, and you agree to only eat a little bit. You glance over at Heeseung, but he offers a small smile as he pulls out a chair for you. 
And so it begins again, but just without your grandmother. 
“____, what are you planning to do in the future?” Heeseung’s dad starts. 
“I’m planning to study Biology in the fall at uni.” You start. “I had an internship last summer before senior year, and I really learned a lot from it, so I knew what I wanted to do by the time I applied for schools.” His mother praises you, as all Asian mothers do, and you can see why Heeseung is so kind-hearted by the way his parents speak to you. 
The conversation naturally switches from your plans to Heeseung’s, as they talk about his pursuit in music production. 
“I’m sure he’s doing a good job, I’m always in classes with him, and there’s nothing you need to worry about.”
His mother continues, however. “I mean, there’s always ways kids can get ahead. I always tell him to apply for things early, and he could’ve gotten more scholarships and finished his internship last summer if he wasn’t so behind. But he’s doing it now, so there's nothing we can say about it.” Her words rub you the wrong way immensely. While your own parents were never the most involved in your high school academics and were supportive of any career path you chose, they never placed an expectation on you to do the best and overachieve. But you get the sense that for Heeseung, no matter how supportive they were, it was never really good enough. It’s torturous.
But, you don’t really know how to respond, humming to ease the growing silence instead. “That’s always true, but I know a lot of people look up to him, including me. He’s doing great regardless of when he does it.” No matter how gently you put it, you know it’s in total opposition to how they think and feel when it comes to their own son, but you can only hope that it helps ease the tension.
The rest of dinner goes smoothly, with the discussion of your summer and how things have been with friends, parties, and planned trips. You finish their food quickly, complimenting Heeseung’s mother’s cooking once again and watching her face light up. 
“You should head home, we don’t want your grandma to be too worried.” His dad starts, and you agree, quick to grab your bag. Heeseung takes the containers from your hand and starts putting on his sandals. “I’ll walk you home.” Despite your refusal to let him carry your things, he insists, and you miss the way his mom stares fondly at you two from the kitchen island. 
The warm summer air gives you the illusion that it’s not so late, and with the way light still peaks from the horizon, you feel less tired the later the summer nights get. 
The boy next to you speaks up first. “Did you mean it?” You sneak a glance at his relaxed posture, a hand in his sweatpants and bangs on his forehead. 
“What part?” 
“Any part.” 
You nod, feeling almost incredulous that he thought you’d make up something like that after you two agreed to be on good terms.
“Of course, Hee- I wouldn’t lie about that stuff, especially not to your parents.” 
“I’m sorry about them, by the way.” He reaches up to run a hand through his hair. “They have high expectations sometimes, I’m sorry if it’s uncomfortable to hear them talk about me like that so openly.” The first instinct you have is to reach for his shoulder, making eye contact with him and offering a semblance of comfort before you walk across the street. 
“No, you don’t need to apologize for stuff like that. I’m sorry your parents hold you to those kinds of expectations.” 
“It’s okay, I’m used to it.” 
“But the problem is, you shouldn’t have to be used to it. You’ve genuinely done so much and you deserve some recognition rather than someone always telling you to do better.”
It goes quiet, but you don’t choose to bring anything else up, enjoying the crickets chirping and the gentle breeze that carries you home. 
You stop outside your door and unlock it, inviting him in to say hi to your grandmother.
“Thank you,” you tell him as he’s leaving. “For walking me home.” 
Heeseung simply shakes his head. “It was nothing, really. Thank you for seeing my parents again and whatnot.” He smiles, waving at you before walking back, and a grin makes its way onto your face before you even notice it. 
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Your phone dings at an hour earlier than you expected to get up, and it leaves you in an annoyed mood while you turn off your alarms.
hee: dude you HAVE to come in we just got a huge order for triple chocolate cake they said they’d pay extra if we finished by today
y/n: help wtf r u doing at the bakery 
hee: i was making brownies i asked ur grandma this morning if i could
y/n: what for…
hee: because i had a craving ??? what else..
y/n: oh LOL ok ill be there in 30
Originally, you and Heeseung were going to have the day off, and your aunt and grandma were going to work instead- but the tempting offer from Heeseung leaves you explaining why you have to come in for work, and that they should stay at home. You say anything that comes to mind, but they know you wouldn’t let them come with the way you were dressed and already grabbing your shoes and keys.
When you finally rush to the doors, you see Heeseung cutting into the chocolate treats, and when you two make eye contact, he shoves the piece in his mouth and nods. 
“Gross.” You comment, laughing. 
He says something intangible, and you shake your head, putting on your apron.
The amount of work you two have put in is simply criminal to be fake, and the day off you have is getting darker the longer you two stay.
You voice your concerns. “Do you think they’re lying about the tip?What they told you seems like much.” 
Heeseung shrugs, and sprinkles sea salt over the piece he picks up. “I’d hope it’s true. They seemed pretty desperate. I called them back today telling them their order would be done soon, so if they show up and pay more, that’d be great.” 
“I’m glad you’re so optimistic.” You laugh. 
“I have to be, because you’re definitely not.” Heeseung laughs when he sees the scowl on your face. 
“Oh yeah? I think I’m at least a little better than the time you spilled the tapioca pearls and then talked about how everyone had it out for you that day.” He rolls his eyes. 
“Between the two of us, I’ll always hear you saying ‘fuck, i dropped the spoon’ more.” His teasing has you smiling. 
“Focus on your lettering. Or do you need someone to hold your hand and help you?” You lean over to look at him spelling CONGRATS with brown icing. “You messed up.” Nitpicking, you point out a random loop and make fun of him for it despite it not looking bad at all. 
“I did not!” He huffs defensively. “I want to see you try.” He passes you the bag, and you get a piece of plastic wrap on the counter before starting. 
“Lee Heeseung sucks.” He reads. “Did you seriously write that?” You laugh at how offended he is, and the boy next to you is quick to pull the bag from your hand to start piping. halfway through the word ‘hate,’ you elbow his side, and it causes his letter ‘t’ to be dragged too far.
“Hey!” He runs over, smearing a bit of icing on your forehead before you duck and try to avoid all his other attacks. The laughs bubble from your stomach, the adrenaline causing you two to chase each other around the kitchen. You’re not even sure what Heeseung would do if he catches you, but you don’t want to find out. 
“I think we should package those cakes!” You remind him, albeit as a distraction. He sighs, crossing his arms in defeat before agreeing and heading back over. You narrowly avoid his glare, a wide smile on your face as you hum in victory. It’s a bit past closing, and he makes sure to flip the sign, still keeping the light on. 
The customer rings the phone, telling Heeseung that she’ll be there in a few minutes. By the time you’ve boxed all three cakes and cleaned up any edges, she walks in. You ring her up at the counter, and she pulls out her largest bills, telling you to take the change as a gift. You two both thank her immensely, making sure she can carry the cakes out to her car before closing for the night. 
When Heeseung enters through the front door, immediately you start cheering. “We just got paid tonight, Hee!” 
The boy grins, subtracting the total from the amount she gave, and it’s clear that she was being serious when she said she would pay extra. “I think this calls for celebration.” 
You don’t really have an excuse to see him outside of work, and the idea of being alone in a non-bakery setting feels scarily new. 
And you’re about to make up an excuse about how you have to be home (you don’t), but your stomach makes a low sound, and it serves as an answer in place of your faltering words. 
“I’m thinking Korean.”
You don’t expect to learn something new about Lee Heeseung, until you see him order two bowls of stir fried ramen despite the restaurant serving much more elegant dishes. 
“Ramen?” A glance at the menu has you reading one of the more expensive meals offered. “You could’ve had- I don’t know, their Honey Garlic Short Ribs.” 
He scrunches his nose in disapproval as a testament to how much he adores his instant noodles. “It’s just not the same. We barely have noodles at home, since my mom always insists on making it from scratch or boiling them in those big packages. Never just ramen.” You take a sip of your water, surprised. 
“You don’t have ramen? God, come over more often, I’ll make you some.” You suggest lightheartedly. 
He glances over, taking you up on the offer. “Woah- me, in your space?” You send him a glare, looking away and ignoring his laughs. 
The food comes relatively quickly, and he looks over what you’ve gotten to judge it. “It looks good. Let me have some.” He says, reaching over with his wooden chopsticks. 
You gasp at his suddenness, quick to refuse and to drag your plate away from him as you pick up a short rib and eat it before he can. The meat tastes wonderfully marinated and tender, and you don’t realize that the haphazard way you tried to eat it left some sauce on your mouth. Heeseung glances over with a frown, about to comment on how incredibly stingy you are until he notices there’s red sauce on your chin, and grabs his tissue. 
“Here.” He says, tapping you on the shoulder. And silently, he wipes it off, to make sure you won’t have to walk around with people seeing and saying anything. 
“Oh- thanks.” It’s pathetic the way your throat dries up, and how you force yourself to drink your water and move on. You hear about this only in movies- about male leads you turn to burns and wax poetic about how much they love you. You don’t expect it to happen so suddenly.
“Is yours any good?” You ask, averting your gaze. His fried eggs and boiled shrimp sit neatly on his stir fried noodles, the presentation better than you could ever make it at home. 
With a shrug, he replies, “We’ll see.” He tries some, and you see a satisfied grin on his features. 
“Is ramen really that good, Hee?” His enthusiastic nods tell you all you need to know as you continue eating, your pile of bones growing ever so slowly. You two make small talk, about his recent beach trip, or about you rafting with your friends. He talks of college- about going away and his fears of growing up. You tell him you’re scared to dorm, since you’ve been around your family for so long, and you share each other’s sentiments about the rapidly approaching adulthood you’ll both have to face. It’s nice like this, not to bicker and to argue and to despise him. It’s nice to just exist around Lee Heeseung, and you wonder why you haven’t done something like this before- sitting next to him and being able to talk freely about the interests and questions you share. 
You guess that it was just the timing- you were both always so stressed from school, unable to properly sit down to sort out your emotions. And yeah- summer is a new slate, and this year feels just a bit more life-changing than the rest of them. 
“You eat so slow.” And you shoot him yet another scowl, picking up some rice. 
“You ordered ramen and you eat like you’ve been starved for three years.” 
“Whatever. I’ll cover the bill?” 
Narrowing your eyes, you try to remember if you two had discussed anything about payments before. “No- I thought we were just going to split the bill.”
He doesn’t seem to care too much. “I’ll pay for you, since I couldn’t have done it without you,” refering to all the baking you did today.  
Exasperated, you refute his horrible reasoning. “I wouldn’t have even found out about her order if you weren’t there. Just let me split it.” You reach out expectantly, and he retracts the receipt, clutching it close. 
“Just pay me back sometime for something else,” and it’s the last thing he says before turning on his heel and leaving you with your agape. 
When you clean up and join him in the car, the first thing you tell him is that he’s ‘annoying,’ and ‘so stubborn it hurts.’ 
Heeseung just laughs at you, telling you it’s nothing special- like he’s used to paying for others. And thinking about how many people come in to ask him for his number or hope for a date, your assumption makes sense- that he does these things for everyone, and you’re not an outlier in any way. 
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When the bakery is one chestnut haired boy short, things are much less interesting. 
“Don’t have too much fun without me.” You joke when Heeseung begins to undo his apron. 
“You can come,” He offers with a small yet sincere smile on his face. “I asked, you all know each other anyways.” You feel your heart stir with the way Heeseung keeps you in his thoughts. 
All you do is refuse his offer. “I have to rewatch my rom-coms.” You wave him off, and within minutes, you’re left alone. The quiet music plays and the bell jingles every so often as patrons come for pick-up orders or drinks. Thankfully it was slow for a Friday, and you weren’t rushing around the shop.
There’s a girl who’s around your age who walks in, curious as to who’s taking her order before making eye contact with you emerging from behind the curtain. 
“Where’s the boy you usually work with?” She says, getting a list of what her and her friends wanted. “I’ve been meaning to ask for his number.” 
You can’t lie and say you’re indifferent to her question, but nonetheless, you take her order and give her his phone number saved in his contact. “He’s not dating anyone, so don’t worry.” You tell her, handing over the receipt. She smiles, and your heart tightens a little at the thought of Heeseung. One of you two is well-liked, one out of the two of you is perfect in every way, and it wasn’t you. 
Without any of your usual weekly plans with your friends, the drive home was quiet as you figured out what to do for the weekend. You would feel bad every time your grandma had to take a shift despite her recovering quickly, and despite her being excited to work again. When home, you decide to make dinner, change, clean up around the house, and retreat to your old room. The show you were catching up on until the wee hours of night was interrupted, and a familiar contact flashes on the screen. 
“Heeseung?” You ask, confused. It’s 12:00 AM. 
“____-ie.” The line giggles a bit before you hear some shuffling. “My head hurts.” 
You’re a bit shocked to hear him like this, but you’re not going to hang up on him and leave him confused. “Did you drink too much?” You ask, trying to choose your words carefully. 
“Yeah,” Heeseung responds, sighing. “I lost a bet, _____. And I lost cup pong, too.” He sounds dejected, like a hurt puppy as he elongates his syllables and pauses between thoughts. “I was going to tell you something.” 
“That you can’t come in for work tomorrow? You sound out of it, Heeseung.” 
He groans, and more shuffling comes from his side. “Yeah, but I can’t drive, ____-ie.” You cringe at the nickname, but refuse to say anything about it with the way he’s acting now.  “No one else can take me home, and my parents can’t know.” He sounds stressed, and you’re quick to reassure him before he starts crying. 
“Where are you?” 
“You’ll pick me up?” Heeseung asks, his tone filled with elation. 
“Maybe. Depends on how I feel in the next 10 minutes.” 
“I’ll cover your shifts anytime, I’ll drive you home, I’ll buy food for you, I’ll sneak you out…” He continues to ramble about all the favors he could do for you, and you laugh before getting out of bed.  
“You better mean it.” 
“I want to see you.” You know he just wants to go home, you know he doesn’t mean anything else with his words. You know he just wants to sober up and go to sleep. 
You know it’s nothing more between you two, yet your heart still beats wildly with every minute you drive, the words echoing in your head. 
“I got you water, and some food- I have no idea if you ate or not.” Is the first thing you tell him when he stumbles out of the house and into your car. 
Heeseung’s one drowsy blink away from falling asleep, and you have to shake him away to make sure he doesn’t fall asleep with a hangover. “Hee!” You rush to park on a random sidewalk before unbuckling your seatbelt. 
You brush back his red hair, pushing his curly bangs away and wiping the sweat from his forehead. He slowly blinks, adjusting to the proximity between you two. You shove a water bottle in his hand before getting a tissue to wipe the light sheen off of his skin. 
“What are you doing, hm?” And his voice, rough with exhaustion, has you quiet for a moment as your skin gets hot. 
Despite your heart thrumming faster, you force yourself to answer simply. “You’re going to have a hangover.” 
He opens his water, drinking almost a third before he leans back. “My head still hurts.” He whines, and you have to laugh. 
“Here,” you suggest, opening the tupperware of fried rice. “Eat.” 
He refuses, continuing to drink from his water, and you don’t have it in you to be annoyed at him. Instead, you grab a spoon. “I can’t believe I’m doing this,” You mumble, starting to break up the fried egg and mix it all together.
After the first bite, “It’s good,” He says simply. “I’m glad I got to see you.” 
You feel the incessant pounding in your eardrums and your whole face feels hot. “Eat, before you throw up.” 
“I missed you.” Despite the harmless intention, you can’t stand to let Heeseung sweet-talk you, and it almost frustrates you to know there’s no weight to his words.
You roll your eyes at him and force him to finish his water. “Sober up before you get home.” 
In the quiet of the night, in the small neighborhood with everyone asleep, no one would know about the loudness of your chest, about how his eyes still hold his twinkle as he gazes tiredly at you, letting him dote on him. 
You continue to make sure he drinks and eats, and you’re so engrossed in taking care of him that you don’t realize how little the distance is between you. Making eye contact with him leaves you stunned into silence, but Heeseung says nothing to dispel what’s between you two. He reaches up, his palm cupping your jaw, and you swear, past the alcohol, there’s the faint fresh scent of the ocean, one that you recognize from being around him so often. 
You hold your breath, keeping the box in your steady as you wait for what he’s about to do next. He stares in silent question, glancing only to your lips and back up. It’s like time doesn’t even pass anymore, like a moment written in eternity when you brush away some of his hair.
You swear you’re about to kiss Lee Heeseung for the first time in your life. 
Instead, you cough and duck from his intimate stare, and he pulls away. The heat of his thumb still lingers on your cheek, and the way he looks at you doesn’t go unnoticed. 
“You’re feeling better, right? I’ll drive you home.” 
The wind whips against your window and the streets lay bare as you turn into his neighborhood. It’s all you can do. You can’t be in love, not with Heeseung. 
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Heeseung texts you profusely the next day, apologizing before he leaves the house to see you in person. ‘i’m sorry if anything happened last night, please let me know if I overstepped a boundary,’ and despite his words being through text, your mouth feels like it’s dried up, and that you have no idea what to tell him. You send him something vague about driving yourself, nothing that alludes to how your heart raced and skipped a few beats, and how you still think about the gentle way he caresses your jaw. 
How are you supposed to pretend things were the same? Like you weren’t watching him, like his gaze wasn’t with care, and his touches were not electric. How could you pretend that you weren’t slowly falling for Lee Heeseung?
“Did I,” He starts as he rushes through the door. “Did I do something wrong?” 
Shaking your head, you continue to crush up the cookies in their topping container. “I just don’t want to bother you with driving me around anymore.” 
“But you’re not a bother.” Heeseung can barely recall what happened yesterday, and he doesn’t know what caused your sudden lack of interest with your texts from the morning. “Look, ____-” 
In a desperate attempt to push down your unreturned feelings and return things to how they were, you cut him off. “Heeseung, drop it.” 
The day stretches for an eternity, and Heeseung knows something’s wrong. As one last chance to fix things before he goes, he speaks up. “Please, what did I do?” 
And you want to oh-so desperately tell him that last night, you were about to kiss, that the distance between you two was so finite and the way he looked at you had your stomach churning with butterflies. That somewhere, you realized just how similar you two were- that Lee Heeseung understood hard work, he paid attention to the little things, he related to and comforted you in the times that you felt like you were never enough. And those are just the handful of reasons why. You never knew just how well you truly knew him until you evaluated the years you’ve spent together. Some things you pick up subconsciously; like the way he fidgets or nervously smiles when a girl asks for his number, or the way he always looks back at you when he rejects her advances. It’s weird how quickly the knots that made your relationship so complicated suddenly untangle. It’s really just this long windy string that connects you and him, and within the miscommunication, it’s gone awry. 
You and him are in the same vein, and with how much time you spend with each other, it’d be criminal if you didn’t slowly fall for the way he sings along the radio or how he started to open your door. He cares, in all of the minuscule tiny ways that make your heart ache so terribly. “Nothing, it’s…” It’s almost sick how your mind immediately wanders to some stupid scenario where you and Heeseung ended whatever was going on between you two, and you admitted feelings to each other. Heeseung drives you around in his car, Heeseung comes to your house with baked goods he made himself, Heeseung’s eyes glitter when you two get good scores on a test, telling you how happy he is. “It’s just nothing.” You tell him, not really sure what to make of your feelings at all. And while your emotions towards the boy are new and fresh, they're so real- it snowballs fast.
“It’s not nothing if something’s changed between us.” He reasons, a look in his eye begging you to explain. 
“It should be nothing, Heeseung. We’ve never gotten along, so what’s the difference now?” The words leave a burn on your tongue, and you hate the way Heeseung looks away for a moment before he agrees. 
“Right.” He says, monotone and lifeless. “Why bother?” 
And you’re angry with yourself for the way you nod, taking your things. You want to scream in his face that you’ve begun to tolerate Lee Heeseung, in more ways than one. You don’t just tolerate him- you appreciate him, you care for him, you want him to be yours. 
“Okay- Hee, wait.” You falter in your decisions, your heartstrings pulling you in an enchanting way towards him- against all rational. “I’m sorry.” You can’t let a good thing go, you can’t risk never talking to him again, simply because you don’t know what it’s like to live life without him. You see him in every memory, in every class photo, and you can’t bear to be the reason you two stop talking- all because you were too scared to speak your mind.
He turns around, waiting for you to continue, crossing his arms as he proceeds to lean against the counter. If you were honest with yourself, you’d admit that Lee Heeseung is one of the most attractive people you’ve met. 
“Do you mean it?” You ask, feeling foolish. He should be asking you that- after what you’ve just told him.
Heeseung takes a step closer, his gaze on the ground as he nears the cash register, slowly closing the distance between you two.
“Do you mean it?” He asks, his voice small. There’s still space between you two, and it feels like oceans apart. And you soak up his words for consideration, truly questioning if you did. 
“No, Heeseung-“ You stare at the blinds, looking around the space only to realize just how secluded you two were- that no one outside of the bakery would know just what loops and hurdles you two had been through to get here. “I could never. I shouldn’t have said it.” 
“Is it true, then? That we get along, now?” His slow steps finally leave the crunching of his shoes in front of you, and you nod your head. And after he sees your confirmation, he continues. “How do you feel about me, ____?”
Your surprised gaze meets his, and you see the small smile on his lips, and the almost playful look in his eye indicating that he’s not really hurt anymore.
“I hate you, Lee Heeseung.” You say, emboldened by his teasing. “I hated you for spilling all of that applesauce on me when we were eight, I hate how you get along with everyone, I hate how you act like you’re better than me.” You pause, to think of more, but his hand reaches up to cup your chin, pointing up to make sure you’re looking at him. 
“I hate all that humming you do at work,” you start, your voice small, feeling shy now that he’s forced to make eye contact (which is extremely attractive and turns your legs into jelly). “Or your piping skills, or how good your macarons taste compared to mine.”
Heeseung is so dangerously close, like how you were just last night. “What else?” He goads you on, wanting to hear just how much more you have left. 
“I hate everything about you,” You barely murmur above a whisper with him being so close to you. “But I’d hate it if you didn’t return my feelings, either.” 
He smiles, finally hearing you admit the very things that’s been plaguing your relationship with the idea of more. 
“Anything more to add?” 
You scoff, reaching up and tangling your hands in his hair. The last thing that reaches Lee Heeseung’s ears are the words, “You’re so annoying,” before you crash your lips into his. 
Your kiss with Heeseung satisfies a longing that’s lasted for a while- to know what it felt like to be so close to him, to kiss his rosy lips just once. It’s tantalizing- the way you can’t pull away, and the way he doesn’t let you with how his hand rests on your lower back to pull you closer. When your hold on his hair loosens slightly, he gingerly lets you lean back. Your forehead comes to rest with his as you open your eyes, letting out a slow breath as you think about the ghost of his kiss on your lips. He’s hesitant to separate from you completely, and rests his hand on your waist instead. 
You smile, biting your lip so you don’t giggle like an excited girl who’s just told her friends about a measly interaction with her crush. Your heart feels like a floating balloon, and your lips stretch into a grin, prompting Heeseung to smile at you, too. 
An idiot. That’s what you both look like. But when Lee Heeseung presses a small kiss on your forehead and intertwines your fingers, you couldn’t care less. 
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“Heeseung, stop piping heart macarons, it’s embarrassing.” He rolls his eyes at you and adjusts the piping bag with red macaron batter inside. 
He mimics you childishly, and you want to scoop the lemon curd to plop on his head. “Stop piping heart macarons, yeah, okay, so why do I see you eating them?”
“I don’t. I’d never.” You’re lying, and you both know that, but Heeseung entertains your false narrative a bit more. 
“I’ll have you know, the lady at the law firm a few blocks down came here earlier and ordered some of them.” He retorts. You stick your tongue out at him and continue to mix the drink you’ve been preparing.
“What does she want them for, hm? I can imagine she’s in the season of love in July.” He laughs at your childish comment, continuing to pipe out almost identical hearts onto the baking sheet. 
“Maybe she loves her partner so much and wants to shower them in affection.” He grins, alluding to your relationship. You want to flick him across the forehead, rolling your eyes and walking over after finishing your drink for a to-go order. 
With an elbow on the counter, you watch him from the side as he diligently fills in the heart outlines. “You’ve always liked my macarons, though.” He reminds you. “Remember? You said it when we k-“
“Can you shut up about that?” You cut him off, feeling embarrassed. “It was like- a month ago.” 
It’s your exasperation that fuels him to tease you further. “It was a good kiss, was it n-“
You bump his shoulder, and he messes up one of the macarons, pausing before looking up at you. “Hey!” He whines, frowning. “These are supposed to be for that lawyer, remember?” 
You roll your eyes, and you know when Heeseung lies through his teeth. “Yeah, yeah,” You mutter, using a clean finger to wipe at the edge to make it look nice once more. You play along with his lie. “And we definitely fell in love because of cupid.” 
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my baby is done!! as always pleaseeeeee let me know what you think!! even if it is just 'hdefhjfhds' that means the world to me!!!
reblogs are appreciated!! reblogs w comments are da best and asks !! let me know what you think NO JUDGEMENT!
tagging @sumzysworld !
send ask or dm if you'd like to be added to my perm taglist
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I don’t like plot twists. Most of them are either outright bad or just poorly implemented.
Not to mention if you make the whole story hinge on shock value alone (which some writers do when it comes to plot twists), it just decreases the repeat enjoying of the story.
Some of them are great and implemented in such a way that you want to watch/read the story a second, third, maybe more times just to see it all come together for the reveal. These kinds of stories are uncommon among stories that have a plot twist.
There’s a reason for this. Foreshadowing and making sure all the puzzle pieces fit together.
Your plot twist needs to make logical sense within the story in order for it to be satisfying and not just the literary equivalent of a jump scare. That being a cheep and easy way to introduce shock value into the story.
Your plot twist is still part of the plot and requires a set up in order to make sense. You can’t just bin the old parts of the story you don’t like and stick new parts on and call that a plot twist, that’s just bad writing.
Not to mention you shouldn’t just keep adding more and more plot twists to your story in an attempt to make it more interesting. Adding a plot twist doesn’t inherently make a story good, and adding more plot twists definitely isn’t going to make your story better.
I just put down a fic because there were five different plot twists, each more ridiculous and convoluted than the previous in as many chapters. And that’s not even the total number of plot twists in the story that I had read up to that point, I remember at least 3 earlier plot twists before reaching the “a new twist every chapter” part of the fic.
It was unreadable it was so convoluted. I couldn’t keep track of what the hell was even happening, because I couldn’t remember what parts of the character’s backstories from earlier chapters were getting retconned by the plot twists.
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paperclipninja · 5 months
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I'm gonna sound very old person yells at cloud but I don't care, I feel like I need to say this. We all (well most of us) know that messaging Neil with any headcanons/theories/wishes/hopes/dreams to do with the show is a no-go because it could potentially compromise the story he wants to tell or ends up telling. And yes, he is a grown up who chooses what to respond to etc and I think it's wonderful he engages with fans and answers a lot of lovely and interesting questions about his process, writing and journey etc.
However, there is another reason not to send theories and ideas about how the show should go to the show creator in the hope of a response: it doesn't matter. It doesn't matter whether a theory is correct, or a speculation may or may not play out. That is why fandom exists.
Online fandom is where we all come together to yell and cry and throw around weird-ass ideas and theories and look at art and read fanfic and unite in our love of characters and a show. A huge part of being in fandom, is the way fandom theories become like an understood little bit of fanon lore that some people attach to, others disregard. But it doesn't matter. And part of the fun of fandom, is when a new season or a new episode of the show comes out, you have this collective catalogue of ideas and theories and headcanons and you get to yell and scream, "omg it happened1" or "lol that that thing was ever talked about" or "thank god that theory didn't come to pass".
Wanting to know now (not that we ever will) and not wanting to wait until the next season to find out the answers diminishes the fandom experience. I cannot stress enough how much we are in the absolute peak of the fandom experience right now. The between seasons time is the ultimate time to be a part of a fandom (as I'm sure many people are well aware), knowing there's another season coming energises everyone to create and connect and speculate and it's glorious! I know it feels like it'll be like this forever, but it won't. Next season is the last and yes, there will be a flurry and uptick of all the energy and excitement once again, and I absolutely believe Good Omens fandom will live on and remain active and thrumming. But there won't be theories and what ifs and hunting for clues for the next season, and over time it will dwindle a little and plateau and some people will fall into other fandoms, and while it will probably bubble away, there won't be the anticipation that sits with us now.
My point is, fandom is where we get to throw around ideas and flail and be ridiculous and also serious sometimes, but it's all for us. For the fans. Showing Neil theories or getting in a flap about a particular speculation and asking if x, y, or z might happen isn't just about putting the creator in an awkward spot, it takes away what fandom is about. Just let this time be ours. If you haven't been in fandom before, enjoy it! Don't be in a hurry to seek definitive answers or know things either way.
It doesn't matter if any or none or all of the things that float around end up being correct or incorrect. Fandom isn't about being right. It's about being a part of a community and being able to share ideas and it's about it being FUN.
So TL;DR Stop sending Neil fan ideas because that is for fandom, not for the creator.
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artist-issues · 1 year
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I Hate How She Talks About Snow White
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"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "
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Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.
It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)
Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."
It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.
Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.
Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.
In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.
It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.
Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?
Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.
It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.
Sit down and be humble. Who the heck are you?
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So apparently the version of the "Isn't It Bromantic" interview that gets passed around isn't the full thing
So after seeing a tumblr post I can't find, about two and half hours of intensive internet digging, and one purchase from a sketchy second-hand site later (full story under the cut, I promise it's interesting, but also long), I got the physical magazine and scanned it
So here you go: the full "Isn't It Bromantic?" TV guide interview with Robert Sean Leonard and Hugh Laurie
Feel free to repost wherever you want- I want people to be able to find the full thing
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SO, as for how I found it:
I saw this tumblr post forever ago that I can't find anymore because tumblr is just Like That with a cropped screenshot of an interview with Hugh Laurie and Robert Sean Leonard. In the interview, they're asked about the "bromance" between their two characters. Leonard makes an annoyed comment about how "everyone [is] obsessed with homosexuality", followed by the interview apologizing and Laurie immediately jumping in with, "No, no, let's talk about it. Wilson and House have an unusual relationship so you have to explore…" and the screenshot cuts off there. Cue funny comment from the OP about the interaction, roll credits.
Except, as these things tend to do, it ended up becoming a bit of a brain worm, and I wanted to find it again. But I couldn't find the tumblr post. I looked absolutely everywhere, and in the process of looking everywhere, I found what I thought was the original interview- a blog post with the full quote from the actor. I didn't think too much about it, I figured it was just a short quote given to a popular blog in 2008. There's a magazine cover above it, but I don't think too much about it, because I'm focusing on the quotes in the article instead of the rest of it.
So I send screenshots to a couple friends to make jokes, and it probably should have died there.
However, late at night I end up thinking about that interview again, because of course I did. I start to think about how it's weirdly formatted for, what I assumed at first reading, was just an entertainment news blog reaching out for comment and getting a response. So I pull up the screenshots of the article (because weirdly enough, the old-ass blog only loads on mobile) and look at it again.
This is when I realize that this isn't an original piece from a blog interviewing these two after reaching out for comment. This is a blog post quoting and commenting on a full interview from a magazine, which I had originally thought had just been the inspiration for the piece.
So naturally, I go looking for the magazine.
Luckily, the name of the magazine is displayed on the cover, and so is the title of its main piece. This should be easy to find, right?
Wrong.
This is an interview in a physical magazine. From 2008. October 13th, 2008, to be exact.
I know this exact date because searching the article title and magazine name leads me to an archive on the TV Guide website.
Of covers.
And nothing but covers.
I spend like forty-five minutes searching everywhere I can think of on the web. Internet Archive, the TV Guide website, any search result that comes up when I search any combination of the words "House" "Interview" "Bromantic" "Bromance" "TV Guide" "Archive" etc. Over and over, all that's coming up are that original blog post and the cover from the official gallery.
The only things I could find online were:
The cover and date of the issue on the TV Guide website
The original blog post that was screenshotted in the original tumblr post
Another blog post that had a much shorter version of the quote, references something Leonard says from later in the article, and makes a comment on the nature of his reaction to the term "bromance"
An entry on Leonard's IMDB page's "interview" list mentioning it in title only
And:
5. A single listing for the issue on what seemed to be a second-hand site that looked like it hadn't had its UI updated since the mid 2000's, with a listing with no date or additional information besides what issue it is.
This is the only listing anywhere. I checked every other second-hand site I could think of, and then some that only came up through google searches. There's not a single listing for that issue on any of them. There were plenty of listings of TV guide magazines, including one that seemed promising because it included issues from that year, but it was missing all of October.
It seemed like the only listing for this issue on the entire internet was this one copy on this one obscure website. For all I know, this was listed in 2008 and abandoned, and just never got marked inactive. It could also be a complete scam.
A few quick google searches show that that website seemed to be legit, albeit a bit loose on quality control (which makes sense, this website seemed like the kind of thing you'd have to use the Way Back Machine to access). It also had an option to pay via PayPal, which meant I could file a chargeback if need be.
It was $11.50 when you include shipping.
So at about half past midnight, I bought the listing.
Naturally, about an hour later, I manage to actually find a scan of the interview. I had to follow a link in the comments of a post on FanPop, taking me to an old wordpress blog, and I'm sitting in front of the damn interview at last.
But something doesn't make sense. Why would their cover story only be two pages of text that aren't even full pages, and why would it cut off so strangely? There was no concluding sentence or paragraph, even though it started with a fairly long lead-in. It also led right up to the edge of the page, which felt like there should be more to it. There were more images in the interview than text, and the fact that there are so many of them and they clearly did a whole photoshoot indicated that they had them on hand for a while. The silly string one, for instance, I imagine probably had to require a couple takes, which means cleaning off Wilson's hair and face, adjusting makeup, etc. for it. Meanwhile, the conversation itself seems like it could have taken ten minutes total. I could have been totally wrong and that was where the article ended, but I couldn't shake the feeling that there might be more.
So I hold tight. A couple days pass with no update, and then the PayPal purchase gets updated with a tracking number. Promising, but it could still be a scam. Whether or not I get the actual magazine becomes a source of anxiety for the next week.
Until today, when I get told it was delivered. And when I opened the envelope it was sent in: there it was.
When I tell you I was happy stimming in my bedroom just holding the damn issue in my own hands... And then opening it and finding out that I was right, there was a missing page... I was elated. I still am, just typing this.
So I spent half an hour getting my scanner to work, and I give you the above issues.
Like I said above, feel free to repost however and wherever you want. I want all this to mean something.
In the meantime, I have two more House-themed TV Guide magazines coming to try and get articles from.
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punkshort · 2 months
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Roommates | 10. just us two
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Pairing: (ex)pornstar!joel x f!reader
Chapter Summary: You and Joel settle into your new lives together.
Chapter Warnings: language, alcohol and food consumption, massive quantities of fluff, smut (18+ MDNI), unprotected piv sex (reader is on BC), oral sex (f!receiving), spanking, pussy pronouns, multiple orgasms, some sex tape action 👀
WC: 7.1K
A/N: Okay, we've reached the end of the road for these two! I can't believe I'm wrapping up another fic, jfc. Thank you so much for sticking around and expressing so much love and excitement for this story. It means so much to me that I'm able to share this part of myself with people who are just as happy as me about these characters. This chapter wasn't really necessary, most loose ends are already tied up but they deserved to be happy, so this entire chapter is just love and fluff and smut. Shout out to @txtattoostark for listening to me yap and for the watermelon moonshine inspo. Enjoy, and thanks again ❤️
Series Masterlist
One Month Later
Joel smiled to himself as he watched you in the kitchen with his mom from his spot in the living room. The old radio next to the sink, dusty and missing two buttons, was softly playing jazz music while you both worked on dinner. It wasn't the trailer park he grew up in. The small ranch house his mother bought with the life insurance money she received after his father passed away wasn't too bad. He begged her for years to let him give her some money, to buy her a place closer to town, to pay for new appliances at the very least, but she always refused. Instead, he found himself visiting her whenever he had a few days off so he could fix the sink or the washer or cut the grass.
He didn't mind. It was a good excuse to come visit. He enjoyed catching up and spending time with her.
But now, with you? Watching the way you seamlessly moved around the kitchen, laughing with his mom and stirring things in pots while swaying your hips in those tight denim shorts... yeah, this was different. This was much better.
"Hey, brother," Tommy said from behind, startling him out of his rosy daydream. Joel stood with a smile to engulf Tommy in a hug once he kicked off his shoes.
"You look tan," he remarked, then reached for Maria and gave her a kiss on the cheek.
"New Orleans was sunny," Tommy said, holding some bottle of clear alcohol in his hand. "Brought back some moonshine. Watermelon. Mama's favorite."
"Oh, Tommy! Maria! You're back!" their mother cried from the kitchen before wiping her hands on a towel and hurrying over to the front door, her worn out blue slippers catching on the rug as she walked. "How was your honeymoon?" she asked after she squeezed them both within an inch of their lives.
"Amazing," Maria said happily. "We had such a great time. Have you ever been?"
Mrs. Miller shook her head. "Maybe James will take me one day."
"Is he here?" Tommy asked, handing his mother the liquor.
"No, he's visiting his daughter out of town this weekend. Come on, I have some snacks out."
The four of them entered the kitchen and you swiveled around with a big smile. Setting down the wooden spoon you were holding, you threw your arms around Maria's neck, then Tommy's.
"How was it?" you asked them, your eyes sparkling with excitement.
You and Maria fell into an animated conversation about some haunted ghost tour when Tommy cleared his throat and propped his hands on his hips.
The pair of you stopped talking to look at him questioningly, then realization dawned on you. You smirked and shook your head before digging into your back pocket to pull out a folded bill and slapped it into his palm.
"You were right, Tommy."
He laughed and tucked the money into his shirt pocket.
"Thought you mighta forgot."
Joel frowned and looked between the two of you curiously, but Maria seemed to know exactly what was going on because she was already chuckling to herself.
You glanced over at Joel, who was eating a cracker with cheese, and your expression softened. "Best hundred bucks I ever lost."
"The hell you givin' him a hundred bucks for?" Joel asked incredulously, but you just slipped your arms around his waist and rested your chin against his chest with a smile.
"I lost a bet," you told him.
He practically melted into a puddle under your touch. He couldn't get enough. After a year of denying yourselves or sneaking around, it felt so good to be open. He refused to ever take it for granted, so he tilted your face up and pressed a tender kiss against your lips. He felt your mouth twitch into a smile when Tommy groaned in fake disgust.
"Thought we were the newlyweds here."
You broke the kiss to shoot him a look over your shoulder.
"Try and keep up."
Joel tossed his head back and laughed, then released his hold on you so you could return to the stove. Maria washed her hands and picked up a knife to chop vegetables and Tommy reached for the bottle of moonshine their mother left on the counter.
"Let's crack into this," he said, and Joel nodded. He weaved through the kitchen to open up the cupboard where the glasses were kept, grabbing five tumblers. You were swaying again with the music and you gently knocked into him with your hips, just enough to tease him, and he sucked in a sharp breath.
"Watch yourself, baby," he warned with a wink before placing the glasses down next to Tommy so he could pour.
Joel couldn't remember a time he had seen his mother look so happy. The five of them sat around her dining room table, a table made for four but you all squeezed in, knees knocking together underneath, arms brushing against one another, and it felt perfect.
He leaned back in his chair after finishing his food, one arm draped along the back of your chair, his other hand loosely holding his glass of moonshine and he smiled. He tried to pay attention to Maria and his brother tell stories about their honeymoon, but he had a hard time looking away from you. Eventually, he stopped trying. His gaze slid down your face, admiring your smile and the way your eyes crinkled when you laughed.
He was so fucking lucky.
Tearing his eyes away to bring his glass to his lips, he caught his mother watching him across the table with a knowing smile. She winked at him before giving Tommy her attention once again and Joel felt his face warm.
Once dinner was over, he and Tommy stood to clear everyone's plates. A habit that was formed early on in their lives. Whoever didn't cook had to clean up.
After the dishes were done and the leftovers were packed away, the two brothers refilled their glasses and wandered out to the back porch where their mother, you and Maria had ended up.
Maria and Mrs. Miller were strolling around the yard, their mother pointing out plants and flowers and telling Maria some long winded story about each. The deer hate this one. Cindy up the street cut a chunk of this out of her garden for me, can you believe how big it is now? I got this from Home Depot on clearance half dead, look how good it's doing.
"Better go save her," Tommy murmured before jogging down the steps. Joel plopped himself next to you on the porch with a sigh and clinked your glasses together.
"Lucky you already got the flower tour earlier," he told you.
You bit your lip and chuckled. "She really loves her garden."
The two of you sat in silence for a few minutes. The sun was setting and you could hear the crickets coming to life all around you. Birds swooped anxiously overhead, rushing back to their nests for the night. A cool breeze floated through the air, rustling your hair and making you shiver.
"C'mere," he murmured, patting his thigh. You smirked and shook your head but put your glass down and stood to perch on his leg, wrapping your arms around his neck lovingly and giving him a chaste kiss.
He hummed in approval and licked his lips. "Taste good."
"Like watermelon?" you asked, fingers twisting around the long strands of hair on the back of his head.
He nodded. "And you."
You kissed him once again, lingering a bit longer that time so you could fully appreciate the softness of his lips between yours and breathing in deep the scent of soap still stuck to his skin.
Then voices began to grow louder behind you, indicating your alone time was coming to an end.
Tommy stumbled on the stairs leading up the porch and you turned around on Joel's lap. He wrapped his arms around your waist, keeping you right where you were, before teasing his brother.
"Better take it easy. You been out for two weeks at work, you ain't callin' in tomorrow 'cause you're hungover."
Tommy rolled his eyes and took your abandoned chair.
"Yes, boss."
"How are things at the bar, Joel?" his mother asked, sitting down with a sigh. "I'm so glad you found some work I can actually tell my girlfriends about without lying."
You stifled a giggle and glanced at Maria, who was also trying to hold back her laughter.
"Good, Mama," Joel said, ignoring her other comment. His chin came to rest over your shoulder as he spoke. "The remodel is done. Opened up the room so there's a place to dance. Easier for customers to move around. Everyone's been real excited to see the changes. Been busy."
"He's been working so hard, too," you added, twisting to your side so your fingers could lovingly rake through the hair on the back of his neck. "Some days I don't even see him."
Mrs. Miller gave you a sympathetic look but you could tell she was proud of her oldest son for venturing outside his comfort zone and applying himself.
"So you're all moved in, I take it?" Maria asked, and you nodded.
"Didn't really have much. Most of my things were still packed from when I moved out."
"She's been sprucin' up the place, too. You oughta see it," Joel said fondly. "Got pretty lookin' art on the walls, fluffy pillows and blankets for the couch. Actually got some food in the damn fridge, too."
Tommy laughed heartily. "That mean you'll stop swipin' fries and shit from the kitchen?"
"Hey, I'm payin' for those fries. I'll take 'em if I want 'em," he said with a scowl, then looked up at you, his eyes softening. "But it's nice to have dinner waitin' for me at home," he added, bringing a smile to your face.
"You were always terrible at cooking," you teased, tugging on his earlobe playfully between your fingers.
The night dragged on, the stars lit up the quiet night sky and Mrs. Miller eventually began to yawn, indicating it was time to head home.
Home.
It felt so right to think of it that way. It was where you belonged. But you knew it wasn't simply the house. You could have been living in a shack and you would still be just as happy because it was with him.
Joel gripped your thigh while he drove his truck with one hand on the steering wheel. The windows were down, the wind whipped at your face, tangling your hair when you turned your head to gaze over at him.
"See anythin' you like?" he teased when he spotted you admiring him from the corner of his eye.
You giggled and felt his fingers squeeze your bare leg.
"You know what I want?"
The corner of his mouth tugged upwards and his eyes darkened with excitement. "What's that, sweetheart?"
You seductively ran your palm up his arm, sighing at the way his muscles twitched under your fingertips.
"I would really, really love... a vegetable garden."
You laughed at the way his face fell in mock disappointment.
"I'll build you a vegetable garden," he finally said as he turned onto your street.
"Really?" you asked with a huge smile. He nodded and shot you a wink.
"'Course. Whatever you want, baby."
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Joel stayed true to his word. About a week later you woke up on Saturday morning to the distant sound of a hammer beating a piece of wood in the backyard. Stretching a lazy arm out to your side, you pouted when you found Joel was missing.
Then the pieces slowly clicked together.
It was a rare weekend off for him. You had been talking about it for the past few days. He was looking forward to Tommy returning to work so he wouldn't be so short staffed and he could relax with you for two whole days. You didn't come up with any plans except laying in bed, ordering takeout and watching movies, content to just spend time together. But Joel sweetly surprised you by waking up early, something he absolutely detested, so he could build you the vegetable garden you asked for.
You lightly padded down the steps still clad in your tank top and shorts to grab a mug from the cupboard. The coffee pot sizzled with heat when you plucked it from the burner, half the liquid already gone. Once you fixed it the way you liked, you walked out onto the back deck and leaned over the railing, your mug cupped in both hands, to fully appreciate the sight before you.
Joel had his back to you as he crouched over a simple rectangular wooden frame on the ground. You could see the sweat collecting on the back of his neck and it made your mouth water. As your eyes traveled lower, you noticed the dark patches in his shirt forming at his collar and between his shoulder blades, making your thighs clench together while he worked, completely oblivious to you watching him, listening to him grunt and sigh when he lifted a new piece of wood.
You swallowed thickly before taking a sip of your coffee, your eyes never leaving his form while he stood to stretch his back. He lifted his hat from his head and wiped his brow with the back of his forearm and you sunk your teeth into your lower lip. Something was so fucking hot about him getting all sweaty and worked up, but on that particular day? When he was making you something, sacrificing his rare down time just for you? It lit a fire inside you that couldn't be tamed.
Before he noticed, you scooted back inside to fill up a glass of ice water. With your hand hovering over the door handle, you got an idea that sent a jolt of arousal right through you. Without giving yourself a chance to overthink it, you pulled down your shorts and underwear, kicking your panties off to land on the couch, and shimmied your shorts back on.
Your pulse was fucking racing with excitement when you stepped outside once again, but this time you made sure to make a little noise so Joel would hear you. When the door clicked shut, he turned around and grinned before setting down his tools and stepping into the shade.
"Thank you, darlin'," he murmured when you handed him the water.
"You're welcome," you replied, your hands clasping behind your back as you practically vibrated in place with nervous energy. His eyes flicked down your body curiously right when he was finishing up his drink.
"Sleep okay?" he asked, sensing something was off while he set the glass down on the deck.
"Mhmm," you said, a nervous grin spreading across your face. "Missed you, though."
He chuckled and wiped some sweat away from his face with the bottom of his shirt. Your mouth went dry and your eyes instantly locked onto his tanned stomach and the dark smattering of curls that led below his waistband. The sleep shorts you were wearing were thin. If they were a lighter color, you could probably see right through them if you really looked. As it turned out, they were also terrible at absorbing moisture because they were sticking uncomfortably to your inner thighs while you waited for him to notice.
"Huh?" you said when you realized he was speaking.
He shook his head and dropped his shirt back down. "I said, I'm makin' you the damn garden you wanted."
You inched forward and took his hand in yours. "Well, do you think it can wait? Because I need to show you something inside that needs your help."
Somehow, he was still not picking up what you were implying.
"Baby, I'm on a roll. I just need another hour, maybe two-"
You tugged the hand you were holding between your legs and his eyes widened when he felt the wetness waiting for him there.
"Sorry. Got tired of being subtle," you told him with a playful smirk. He whipped his head around, checking to see if any of the neighbors were out tending to their lawns or enjoying their morning coffee on their patios while his fingers hooked around the soaked material.
You saw in his face the exact moment he realized you were bare underneath your shorts. It was like his brain was buffering, desperately trying to calculate how long he allowed you to stand there practically begging to be fucked while he rambled on about a goddamn garden. The surprise in his features slowly faded into the hazy, lust filled gaze you were so familiar with, and you smiled triumphantly.
"Get your ass inside right fuckin' now before I do somethin' that'll get us both thrown in jail," he growled, something primal shifting in his face while his body flooded with arousal, his need for you dripping heavier in his veins with each steady beat of his heart.
You squeaked and covered your ass when he swat at you from behind, then you hurried past him, back into the house.
Looking back on it, to think you would have made it upstairs to your bedroom was comical. His hands grabbed your hips halfway up the carpeted steps, pulling you down as you laughed giddily and pretended to try to fight off his attack, clawing fruitlessly at the stairs while he smiled into your lower back where his mouth was alternating kisses and bites across your skin.
"You wanted attention, you got it," he mumbled before yanking your shorts down and sinking his teeth into the flesh of your ass. Not enough to really hurt, but enough to make you yelp in surprise and leave a few linear indents in your skin.
Joel usually took his time with you. He preferred it that way. He liked to watch your face as he tormented you between your legs. He liked to see what new sounds he could pull from your throat when he changed an angle.
But not that day.
No, that day he yanked your shorts all the way off, tossing them over his shoulder and down the steps before grabbing your hips with his hands, all rough and sweaty from working outside.
You braced yourself for the inevitable stretch, the welcome yet slightly painful intrusion that you yearned for, but what happened next shocked you.
Your eyes widened and you gasped when you felt his mouth descend on your pussy from behind, his tongue immediately setting an intense pace, which was a change from the way he usually ate you. But speed and passion weren't the only variation. He never, ever went down on you from behind before.
"I- J-Joel, what are... oh," you moaned, eyes fluttering closed as he lapped eagerly at your core. Instinctively, you spread your hips and sunk down further onto his mouth. Your cheek was rubbing harshly against the carpet and your lips were parted, allowing a small trail of drool to trickle down your chin. If you had any awareness left, you might have cared, but the pleasure he was building between your legs left your brain completely numb.
"Oh, fuck yes, Joel - keep going, just like that," you groaned, reaching behind you blindly to grab a fistful of his hair. "Fuck you and that fucking mouth," you gasped when his tongue flatted against your clit. He chuckled against your core but didn't stop. His hand slid up the back of your thigh and gave your cheek a firm jiggle before smacking his palm down across your ass. You jolted forward, your forehead bumping up against the next step, and cried out for more so he did it again, but on the other side.
"You like that?" he panted, pulling away from you for just a moment to catch his breath. You arched your back, giving him a generous view of the mess he left between your legs and he was afraid for the first time ever that he might come completely untouched. He inhaled sharply and pinched the bridge of his nose when he saw your cunt pulse, calling to him like a goddamn siren at sea. "Fuck, so beautiful," he growled before closing his eyes and picking up right where he left off.
His thumbs spread your lips so his tongue could tease your entrance, scooping up your arousal and rutting his hips against the stairs, eating you like he was about to go off to war.
"I'm... oh, shit, Joel!" you exclaimed, pulling at his hair roughly so he wouldn't dare try to stop when you were so close to your climax. And he could sense it. He was good at that. He knew what you needed sometimes before you even knew. So once again, he brought his palm down sharply across your ass, a little harder that time but not too much. Just enough to leave a few seconds of sting, electrifying your nerve endings and pulling you over the edge.
Two tears rolled down your cheeks when you came. The little bit of pain from his hand and the carpet digging into your cheek and knees mixed with your pleasure in such a way that it left you breathless.
Finally, once he felt your legs begin to tremble and whimpers fell from your lips, he pulled away with a deep gasp. His eyes were pinned to the way your pussy looked; all drenched with a combination of his spit and your release, and he cursed under his breath.
"She looks so fuckin' good, baby, wish you could see what I see," he murmured, mesmerized as he continued to stare without any shame. You hardly had any of your senses. Your breath was ragged and your throat was dry but still, you tilted your chin and whispered, "show me."
A wide smile stretched across his face and his eyes lit up.
"Yeah? You'd let me take a picture of this pretty pussy?" he asked, but he was already digging in his back pocket for his phone. You nodded, eyes still closed.
When both his hands left your waist, you arched your back a bit more and spread your legs, presenting yourself to him. You heard a deep groan rumble from his chest and he whispered, "fuckin' natural, baby," before you heard the shutter on his phone. One, two, three times at least you heard the familiar little click, click, then he leaned over your slumped body and slid his phone in front of your face.
"See? Look at you. Look at what I get to see," he murmured into your ear. Your eyes opened and widened as you stared at your wrecked pussy on the screen.
"Oh, wow," you breathed, not expecting at all to find it sexy, but you did. You fucking did. "Look at what you did to me," you said, craning your neck over your shoulder. His eyes flickered with heat and his mouth crashed down onto yours.
"Just wait til I split you open on my cock," he said, his voice rumbling against your back. "Have you all stuffed full with my cum. Now that's a pretty sight."
You groaned and shakily pushed yourself up.
"I'm begging you, please, Joel... do not fuck me on these stairs. My knees are killing me."
He laughed and helped you stand, legs wobbling just a little.
"Nah. I got an idea and we can't do it here."
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You laid underneath the covers in bed, your lower half still bare and your tank top still on while you nervously chewed on your lower lip, watching Joel at the foot of the bed tinker with a camcorder he had buried somewhere in his closet that he swore up and down he never used with anyone else.
Never wanted to before, he had said when you eyed it suspiciously after he explained he swiped it from a set when it was used as a prop in one of his films years ago.
"Battery's dead but I'll just leave it plugged in," he said, then he flipped out the little screen tucked into the side of the device and swiveled it around so it was facing out. He set it on his end table and adjusted it until he was satisfied with the angle, then looked over his shoulder with a grin.
"You sure?" he clarified again. Your eyes flickered from him to the camera, then back again.
"Yeah," you squeaked, your voice very clearly betraying you. His gaze softened and he leaned across the bed to press a chaste kiss against your forehead.
"We don't gotta do this," he assured you. "I don't wanna make you uncomfortable."
"No," you replied, shaking your head. "I want to, I'm just nervous."
He scoffed and readjusted himself so he was lying next to you, blocking the idle camera.
"Nothin' to be nervous 'bout. It's just for me 'n you," he murmured before cupping your face and pressing his lips tenderly against yours. When his tongue swiped over your bottom lip, you sighed and looped your arms around his neck, melting into his embrace and deepening the kiss. His hand slid down from your cheek to squeeze your breast, groaning a little when he pinched your nipple through the fabric of your tank top.
His lips dragged down to your jaw, his teeth grazing your throat until he found a spot he liked and latched on while pushing the sheets from your body. The anticipation bubbled up while his hand continued to travel lower, your legs instinctively falling open for him. You finally relaxed when he successfully distracted you with his fingers through your folds and gasped as he slid two inside you with ease.
"Oh, yeah, you're ready for me," he moaned into your neck, his erection bordering on painful. He exhaled shakily when one of your hands wrapped around his length and began to gently stroke him, your palm so soft and warm that he almost forgot about the camera.
"C'mon, baby, sit up f'me," he said, pulling his hand from between your legs and leaning back so he could kick his jeans off. You scrambled to sit, your breaths coming in shallow pants as you watched him tug his shirt over his head. When he reached for the hem of your tank top, he paused and turned to tap the record button on the camcorder. Instantly, your limbs went rigid and your hands fell to your lap, covering yourself, but when he turned back to you he pinched your chin in his fingers, pulling your nervous gaze from the camera lens.
"Eyes on me," he told you, his voice low and deep, sending a shiver down your spine.
You nodded and raised your arms so he could peel off your tank top. He tossed it onto the floor and sat back on his heels to admire the way your tits sat exposed to him, his eyes darkening when your nipples hardened with arousal. He lunged forward and took one in his mouth, his hot, wet tongue lavishing your pebbled skin before switching to the other one. You tipped your head back and moaned, mouth open as you stared up blankly at the ceiling, your fingers rising to get tangled in his hair.
"You're so beautiful," he whispered, planting little kisses all over your chest and circling his arms around your ribs, tugging you closer. You wrapped your legs around his waist, trembling when his cock pressed between your bodies, his erection sliding through your wet heat and suddenly you couldn't breathe.
"I-I need you," you whimpered, weakly lifting your hips into his lap.
"I know, baby, I know," he hummed. One hand dropped to cup your ass so he could reposition his legs underneath you, then flexed his hips so the tip of his cock lined up with your opening. "Want me to fuck you just like this? Sittin' in my lap?"
You nodded, your eyelids heavy with desire as you tightened your grip around his neck. The second he pressed into you, you gasped. He watched with adoration as your eyebrows pinched together in concentration, breathing deep and slow as you relaxed and slowly took him.
"Joel," you whispered, jaw slack. "Joel, I love you."
He moaned and pulled your hips flush with his, forcing you to take the last few inches all at once. "I love you, too, baby. Christ, you're incredible. Fuckin' look at you."
Look at you. His words made you remember the camera. Your eyes flickered over to the little rectangular screen, the outline of your bodies perfectly centered, and you swallowed tightly.
"Pretend like it's the mirror," he whispered in your ear as he began to gently rock in and out, "just like the mirror at the hotel, okay?"
You nodded and sighed, your shoulders loosening and your muscles relaxing as you began to roll your hips in rhythm with his. He tightened his grip around your middle, his body engulfing you in warmth. You rested your head on his shoulder as he continued to fuck you nice and slow, stretching you out around him, reaching depths that had you reeling.
This was it. There was nothing else outside those four walls. You had everything you ever wanted right there. The way he kissed you, touched you, made love to you always left you feeling so safe. Deep down, you always knew he was the missing piece in your life, the mysterious thing you kept searching for in others and were always left disappointed. Because nobody else ever loved you and cared for you the way he did.
"I'm so lucky to have you," you told him, your tongue dragging up his neck, collecting the dried sweat with a moan. You began to bounce in his lap a little faster and he immediately matched your pace with thrusts of his own.
"I'm the one who's lucky," he said through clenched teeth. He exhaled heavily through his nose and tucked his chin to his chest so he could watch himself disappear inside your cunt. "So soft. Softest pussy. So fuckin' warm and wet, you feel so good. Goddamnit, every fuckin' time..."
You smiled to yourself as you listened to him ramble. "Maybe we're both lucky."
He chuckled and you gasped when his cock brushed up against that one spot that made you see stars. You feverishly grabbed his face with both hands and bit desperately at his lower lip, pulling it between your teeth and making him groan.
Your body was loose and pliant now, so with more confidence you quickened the roll of your hips, relishing in the way his cock felt dragging in and out of you, how your clit rubbed against the coarse hair at his base, in the noises you managed to pull from his throat each time your skin slapped together.
"Yeah, that's it, baby. Show me what you like. Oh, good girl," he groaned, hands sliding up your back to hold you as you began to lose yourself. He could see it in the look in your eyes and the way your fingers dug into his shoulders.
It was the most beautiful fucking thing.
Your body moved perfectly in tandem with his, your sharp gasps and his deep groans filling the room, the camera long forgotten by now.
"Oh, god, I'm close," you whimpered as you felt the heat that had been building begin to quickly creep up and spread through your stomach. "Oh, fuck. Oh, god... Joel, don't stop, please..." you begged, your breath coming in ragged gasps as your vision began to blur.
"I ain't stoppin'. C'mon, give it to me, lemme feel you," he growled. He snapped steadily into you now, each thrust punctuated by a grunt while his eyes locked on yours, watching with pride as you crumbled and fell apart, your walls squeezing him so beautifully as you came that it nearly pulled him right over the edge with you.
It happened fast. One second you were in his lap, your body tingling with the aftershocks of your orgasm and the next he had pulled out of you and flipped you onto your hands and knees. Only when you felt his thick cock slide back inside did you fully realize you had switched positions. And shit, taking him from that particular angle always was so much more intense, but combined with the fact that your new view included the camera in the corner of your eye made everything so much more powerful.
You could fucking see him now and you couldn't look away, completely entranced with the way his face looked as he slammed into you. His mouth hung open as he looked down at you with what could only be described as complete and utter desire. You could feel his hand running up the length of your spine but you could also see the look of worship in his eye, the way his face twisted in pleasure when he watched your ass ripple from the force of his hips, and you felt a heavy wave suddenly crash over you once again.
"Oh, fuck!" Joel groaned loudly as he watched another orgasm shoot through you. His hands grabbed at your waist to try to keep you still, but you were trembling everywhere and you couldn't hold yourself up any longer.
You fell onto your elbows, the side of your face pressing into the bed while he held up your hips, fucking into you harder now that he could tell you were spent. "I'm gonna come, baby, I'm -" he cut himself off with a desperate whine, the buildup from the past hour or so becoming too much and causing his release to intensify.
Your bodies finally stilled and he pumped you full of his spend, his groans getting caught in his throat as he pulsed inside you. He watched in a daze when his cum started to leak out even though he was still inside, and without thinking, he snatched the camera from the bedside table so he could get a close up.
"Fuckin' hell, baby," he whispered hoarsely, chest heaving and hands shaking as he held the camera at his chest, pointing it down to where you were connected. "So glad you're back on the pill. Fuckin' beautiful, all full of me like this. Shit," he muttered, swiping a finger to collect some of his release to rub it over your clit. With a whine, your body jolted forward and he chuckled before dropping his hand, knowing you were too overstimulated.
"Joel," you whispered tiredly. Your eyelids were heavy and your thighs were shaking from the effort of holding yourself up.
"I know, baby, just one more thing and then I'll clean you up," he promised. He took a deep breath and steadied the camera before slipping out of you.
He made a pained noise in the back of his throat when he watched through the lens the way your body leaked of him, your pussy all swollen and stretched out, completely fucked, messy and used.
"Jesus," he croaked, wishing he could keep filming but your body sagged forward and he stopped the recording before tossing the camera onto the other side of the bed so he could check on you.
"You alright?"
You nodded, eyes closed, lips bitten raw, hair a complete mess but you still wore a satisfied smile.
"Tired. I think I'm gonna just..." you yawned and stretched out your shaky limbs. "Just gonna close my eyes for a sec."
He grinned and stood up to go to the bathroom, plucking a couple clean washcloths from the linen closet and wetting them both under the faucet so he could clean himself up with one and take the other back to you.
"Did you eat?" he asked softly as he gently and carefully dragged the washcloth through your thighs. You shook your head, eyes still closed. "I'm gonna go make you somethin'. Gotta eat, honey," he whispered before kissing the top of your head and covering you with the sheet. But by the time he came back upstairs with a bagel and cream cheese, you were fast asleep.
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So you're getting married, then?
Well, he hasn't really asked me, not in so many words.
Four, you mean?
Huh?
Well, that's how many it takes: will you marry me?
Your eyes fluttered open when you heard two familiar voices reciting an even more familiar dialogue from the television, the volume turned down so low, you could hear the neighbor's dog barking from four houses down.
Joel shifted in bed next to you as quietly as he could, unaware you had awoken. You peered up at him, hair all messy, chest still bare, and you smiled when you caught him stifling a laugh at Audrey Hepburn.
"Hey," you said, voice coming out rougher than you expected, so you cleared your throat. He immediately muted the television and turned toward you, grinning as his eyes raked up and down your sleep-addled face.
"Hey, yourself," he said softly. He pushed the hair off your face, letting his thumb linger on your cheek while he continued to examine you closely. "Feelin' okay?"
You nodded and yawned, stretching your sore legs out underneath the blankets. "You fucked me into a coma."
He laughed heartily and rubbed his palm over his chest, embarrassment flushing his bronzed skin.
"But I guess that's what I get for shacking up with a pornstar," you added with a giggle. He tossed his head back and laughed even louder at that and you couldn't resist, his happiness too infectious. You inched forward and nuzzled into his side, his arm dropping to wrap around your shoulders.
When the laughter died down, he gazed lovingly at you and, tucking a stray piece of hair behind your ear, reminded you, "ex-pornstar, but I suppose old habits die hard, huh?"
"Mm, maybe, but that's okay," you said, tracing light, invisible patterns on his stomach. "It's nothing I can't handle."
He cocked an eyebrow at you and smirked. "Careful, or I might have'ta hold you to that."
"Bring it on, superstar," you whispered before leaning up and pressing a gentle, soft kiss against his mouth. You licked your lips and hummed before looking up at him through your lashes. "Cream cheese?"
"I made you a bagel, but you fell asleep," he admitted, "but figured we could relax the rest of the day. Order in, watch movies... just like we said we would."
"I don't remember saying we would do all that naked," you teased.
"Thought that was implied, baby," he said with a frown. "You shacked up with a pornstar, what'd you expect?"
What did you expect? Did you ever imagine your life would turn out the way it did? Sitting in bed with a sheet wrapped around you, eating Chinese food and watching a Turner Classic Movies marathon with the man of your dreams? You always wished for it; before you met, after you became friends, while you were carrying on an illicit affair, and even when you weren't on speaking terms, you always, always wished for it. But did you ever really think it would come true?
You couldn't really remember, and at that point, it didn't matter. Because you didn't care how you got there, just as long as you were together, you were happy.
You did exactly what he said you would do. You stayed in bed until the sun began to set, wasting the whole day away curled into his side watching old movies and pointing out your favorite parts, exactly the way you used to.
It was around nine when Joel suggested going out for ice cream. Let's get out, stretch our legs and walk along the river, he had said after vowing to finish your vegetable garden the next day.
And on your way out, your hands fused together even while he struggled to lock the door one handed, you looked at the chairs on his porch and smiled to yourself.
"What's that for?" he asked, tapping your cheek lovingly while you walked side by side to his truck.
"Nothing, it's stupid," you told him with a shrug.
"Ain't nothin' you got to say is stupid to me."
You sighed when he let your hand go so you could round the truck and hop into the passenger seat. After you clicked your seatbelt into place, he put the keys in the ignition but waited to turn it on. Instead, he looked at you expectantly with his eyebrows raised.
"Fine," you mumbled, "I'm gonna sound fucking crazy, but... fine."
"Oh, well now this I gotta hear," he said.
You gave him a look before turning in your seat to face him. "The chairs on your porch." He nodded.
"So far, not crazy."
You rolled your eyes. "Remember when I came by to drop off the shirts for the Jack and Jill party?"
He nodded again and you could feel the self-consciousness begin to creep up.
"We weren't on great terms back then. I had just found out you bought a house. I felt like I hardly even knew you anymore. And I was so damn nervous, I didn't want to fuck things up even more than I already had, but when I saw you had two..." You paused when you saw the flicker of understanding cross his face. "I thought you maybe found someone else. I know. It's crazy, like I said."
Joel smiled and reached his hand across the seat to lace together with yours, his thumb brushing over your knuckles.
"Got the second one for you."
Your eyes snapped up to his in surprise.
"What?" you breathed.
He gave you a shrug and tilted his head bashfully. "I was just waitin' for you."
Tears welled in your eyes as you fumbled with the seatbelt, unbuckling yourself so you could stretch your body over to his seat and pull him into a deep kiss.
"I thought I lost you," you whispered against his mouth, and he chuckled.
"You didn't. I was all yours that very first night, sweetheart."
You didn't even try to deny it. He was right. It seemed so obvious now. Why didn't you see it back then? But before you began to mentally chastise yourself for being so bullheaded, you stopped. You couldn't change the past, something you've been learning to accept in therapy for months now, but what you could do was focus on your future. And while you sat next to Joel as he drove towards your favorite ice cream place in town, windows down and stars twinkling in the sky, you smiled because your future together looked pretty damn bright.
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bluecrocss · 4 months
Text
Yes. You are racist. (Buckle up, this is gonna be a long one)
So approximately half a year since the premier of the Disney+ Percy Jackson show, and almost two years since the announcement of the Trio's casting, I would like to take this moment to look back at the insane, racist and anti-black backlash that was launched at Leah Sava Jeffries and a few other cast members from the PJO fandom.
I'm not concerned with the trolls who are openly racist, who resorted to racist slurs and outright threats, everyone agrees that they "took it too far". I want to talk about the rest of you, the "I'm not racist, but.." people, the "What's wrong with wanting book accuracy?" people. Just to let you know, for the unasked question... yes, yes you are.
I've noticed the Percy Jackson fandom has been lording some weird superiority complex over a certain *unnamed* fandom that has fallen out of grace due to their recently outed bigot of an author. But honestly, y'all are not much different. The amount of vitriol and anti-blackness I have seen from this fandom (beyond just bullying a 12 year old girl), y'all don't have a leg to stand on.
Below is a breakdown of the most common arguments I have seen used to justify y'alls absolutely insane bigotry. I am going to explain why none of these justify the amount of anger and vitriol y'all have sent towards Leah, Rick or any of the cast.
I am not here to argue, and this is not a democracy. I am giving you a chance for some self-reflection and to understand that this pattern of violence directed towards POC actors (mostly black women) has never been justified in the name of "book accuracy"/"comic book accuracy"/"ending forced diversity" or whatever other excuses y'all try to make up.
If you still try to justify or argue further for any of these points, I will just block you. I am not coddling you through your racism. If anyone has seen any other dumb arguments floating around that I might've missed, feel free to sound off in the comments.
She's not book accurate:
Neither is Percy, Luke, Grover, Dionysus, Poseidon, and just about every other named character.
Rick already made it clear that physical features were not the priority with casting, rather it was actors that embodied the role. So why are the biggest complaints about Annabeth and Zeus? 🤔
What? You're gonna say everyone else got backlash too? I see you trying to obscure the main issue by playing dumb 😉
See my friend, yes, there were one or two comments about how Percy's hair should be black or how Luke is supposed to be blonde, but as soon as Leah was cast, none of those actors got any significant backlash. In fact, Walker and Charlie literally have an army of fan girls at their beck and call, calling them the perfect Percy and Luke, despite neither being "Book accurate". But then again, have we not observed the pattern of White boy of the month vs WOC to hate for the year? (Yes, I know Charlie isn't white. Further adds to the irony, doesn't it).
Why include character descriptions if you won't stay true to them, you cry? Well, my dear sweet moron, see, books and TV are two different mediums. Because in literature, you can't *Literally* SEE the characters, the author has to add descriptions to paint a picture in your mind, in TV... that's not an issue. So unless the character's appearance is necessary to the plot (like Luke's scar, or Nico being Italian) the show runners can actually focus on more important things.. Like ACTING and PERSONALITY.
2. It's just not how I imagined her:
News flash, babe! ANNABETH ISN'T REAL. None of these character are. They are concepts that originated from the brain of Mr. Rick Riordan. It doesn't matter how YOU imagined her. There are millions of people who read these books that imagined her several different ways. When the creator of the character watched Leah's audition and said, 'Yes! She embodies the character I created!", your imagined version of Annabeth ceased to matter. And guess what? The books still exist... they have not been burned. Your version of Annabeth has not disappeared. Go read the books.
3. Zeus can't be black/Gods have to be Greek/*Insert Character* can't be black:
Y'all did not read the books, I swear. You have to be fake fans looking to troll atp.
The gods move based off the center of western civilization. They change their forms/environment to reflect the culture they are occupying (they did it with Rome, now they're doing it with America). The gods change forms all the time. How we see them is not their true form as a mortal would disintegrate if they were to see their true form.
America is a cultural melting pot (specifically NY where Mount Olympus is now based). If the god's choose forms that reflect the current society they inhabit, they could literally be any race (keep in mind NYC is only 33% white).
All of this is literally SPELLED OUT in the Lightning Thief.
Furthermore, if you're going to push the ethnically Greek thing... Poseidon is British with a British accent and Hermes is Latino. The only ethnically Greek actor is Dionysus (who still doesn't look book accurate). Y'all are sounding like some white supremacists because do you forget that race is a social construct?
Before the advent of the transatlantic slave trade, I can promise you that the Greeks and the Anglo-Saxons did NOT view themselves as the same people. Why are y'all not taking issue with Poseidon's actor then?
Also, Percy Jackson has canonically had a slew of explicitly black demigods since the second book (including Harriet Tubman, which I have mixed feelings about 😭), so I genuinely have no idea where some of y'all are going with this point.
4. She was our smart blonde representation:
Don't pmo. I swear to God!
White, blonde women have NEVER been excluded from Hollywood. Representation is not something you lacked. The dumb blonde stereotype was a simple branch off of a larger misogynistic "dumb woman" stereotype. It has not truly been relevant since the mid 2000s outside of childish jokes.
This iteration of Percy Jackson will probably not go beyond the first 5 books, based off pacing and the age of the actors. So here's a fun game: 5 bucks to the first person who can find me a quote in the first 5 Percy Jackson books, where Annabeth laments her insecurities about being blonde (hint: there aren't any).
Also, her blonde hair does not hold her back at Camp because she is head of the Athena Cabin who are highly respected (and guess what?), ARE ALL BLONDE!
Her insecurities about her hair color are two or three lines at most in the later books, not this fundamental, core part of her character y'all all of a sudden wanna pretend it was. And guess what, as a non-blonde black girl, I was able to read those scenes of Annabeth feeling undervalued because of her looks and relate to her even if she didn't look like me at the time.
Why all of a sudden can y'all not do that with a black Annabeth? By every metric black girls are undervalued for their intelligence in academia more than white girls are, regardless of hair color. So your little representation of a woman undervalued by her looks would still hold. Do y'all dehumanize black women so much, that you are incapable of empathizing with show!Annabeth's plight in the way I could with Book!Annabeth simply because she doesn't look exactly like you?
Your issue isn't that she isn't blonde, it's that she is NOT WHITE.
Furthermore, Becky Riordan had tweeted previously (before the show was even cast) that Annabeth never needed to be blonde (probably recalling the BS y'all put Alexandra Daddario through), so even if they cast a white Annabeth, the blonde hair was never a guarantee. the author and producers all agree that it was not a significant part of her character. It's been a non-issue since day one.
Also, stop acting like smart blondes are rare in media... If you don't go watch some Legally blonde, Iron Man (Pepper Potts), Zack and Cody (Maddie), Liv and Maddie, FMAB (Winry), Captain Marvel, She-Ra, Buffy, The boys (starlight) etc. etc., and go sit down somewhere 🙄🙄🙄 (those were literally all things I've watched recently, off the top of my head, btw 💀)
5. It's not about race, but...:
Yes it is. It was always bout race. No other actors got as much hate as Leah. Her grandmother and other family members on IG had to mute their comments because they were getting so many threats.
Alexandra Daddario had to come to her defense on Twitter. Rick had to put out an official statement on his website. This girl has endured years of psychological torment for simply having the best audition. No one else is book accurate, no one else is ethnically Greek (except Jason Mantzoukas). Walker literally has British and German ancestry.
Why was she being called racial slurs on reddit and in youtube comments?
I know what you're gonna say, "I actually had problems with the entire cast", "I actually had a bigger issue with Walker's hair color", blah blah blah. Then why aren't you in Walker's comment sections? Why are you only making your displeasure known on posts defending/advocating for Leah? Why is she always your first example of 'wrong casting"?
Well, she "looks the most different"... Look up the term "scapegoating".
"Oh, I don't agree with the harassment. I just don't like the casting." Guess what? She's already been cast. They are not going to uncast her. What do you get out of still complaining about it.
All the vitriol you're stirring about her when you complain about her on Social media, it is directing people to send her hate, even if you're not writing it directly. It's is not enough to "not agree" with the racism, it is your duty to actively prevent it. And btw, these are young gen z actors, they are active on social media. They see the edits of themselves (even comment on it) and they most likely see these little "harmless" complaints you're posting. Are your upset feelings really worth contributing to the racist dogpile on this poor girl?
6. Why couldn't they atleast give her blonde braids?:
Why should they? Y'all wanted blonde because of the "dumb blonde" trope... that doesn't apply to POC.
A blonde black girl is gonna be viewed the same as a non-blonde black girl (or at worst, someone might decide she's "ratchet" or some shit for wearing colored hair). What difference would it make?
Why shouldn't Walker dye his hair, then?
7. Annabeth has Gray eyes:
Less than 3% of the global population has "gray eyes". Even if they cast a white actor, they would've needed contacts. Her being black is not the reason Annabeth's eyes aren't gray. Simply put, it is a plot element they removed, like the whole "names have power" element, or Ares having flames for eyes, or Dionysus using his powers to grow strawberries at Camp.
That's how adaptations work. Unnecessary plot elements are cut to save time and budget. This has nothing to do with her casting. They probably also didn't want to make child actors wear contacts (not a new practice).
8. Even if Rick chose her, he was wrong/Disney is forcing him to be okay with it:
Where do I start? Rick created the character. He can't be wrong. Do y'all have no self-awareness? Death of the author has no place here, because y'all are hung up on an aspect of the character that is not relevant to her arc or development.
Y'all's justification for wanting a "book accurate" Annabeth is that she was such an inspirational and important character growing up, and yet your behavior is so in conflict with the character you claim means so much to you. You're narrow minded, dismissive of bigotry and injustice, and disrespectful to the wishes of the creator of your favorite character; everything that Annabeth would never be. Y'all were never genuine fans of the books. You're bigots that needed an outlet for your rage.
Keep in mind, Rick has said countless times that PercaBeth directly mirrors his relationship with his wife. Y'all think he would have allowed them to cast someone who doesn't live up to the woman who has been by his side for decades? The mother of his children?
Regarding Disney forcing him, show me one piece of direct evidence that proves Disney in anyway pressured Rick to cast her. Cuz if you can't, that's baseless speculation. And if you have to resort to baseless speculation, maybe try to examine why it's so important to you to hold on to this belief.
9. So, I'm racist because I hate "race swapping"?:
To start, there is a difference between "race swapping" and "color blind casting". Often times, when y'all complain about the former, you're actually mad about the latter.
It would be "race swapping" if Rick and the team decided ahead of time that they wanted a black Annabeth and ONLY allowed black actors to audition. But the actual reality was that they accepted auditions from everyone (there were white actors and non-black poc that also auditioned for the role) and chose the best person who embodied the role. They didn't "make Annabeth black" and they didn't "make Zeus black", they cast black actors for those roles.
Y'all think you're being slick with your wording. Dismissing that is implying that they did not earn their roles fair and square. Which is racist. It's the equivalent of going up to a black college student and telling them they only got in because of affirmative action. You're dismissing the achievements of a person solely because of their racial background.
For all you people complaining about "unfairness" and "forced diversity", I would think hiring based on merit would appeal to you 🤔
71% of theatrical Hollywood leads were white in 2024 in comparison to 29% POC and you still think "black washing" is a thing? You still get this angry over a black person fairly earning a role because you think in a time where Hollywood only knows to do remakes and adaptations, that the majority of lead roles still *have* to be reserved for white actors?
Once again, white people have never been excluded from Hollywood for being white. Representation has never been something you lacked nor is it something you can lose. Your anger comes from seeing a black face where you think they don't belong. Because you feel you are owed a disproportion of representation in Hollywood.
10. Woke agenda/DEI/Forced Diversity:
If you are unironically using any of these terms in a negative light, it's already too late for me to reason with you. Look up the term "dog whistle". If you are sharing the same terminology with Elon Musk and his fanboys, maybe reevaluate some things.
POC are objectively underrepresented and have been historically excluded through actual laws and policies in Hollywood. There is no such thing as "forced diversity", you have bought in to a right wing conspiracy theory.
"Woke" is a term that was intentionally appropriated from the black community. It originally meant being aware of injustice and systematic threats to the community and is now being weaponized by bigots. Good job.
Diversity and inclusion is a good thing.
11. But POC deserve to have their own stories told:
We do. And we have been fighting for it for over a century now, and we've made great strides, no thanks to y'all.
No thanks to y'all gaslighting us about how little representation we get or that representation matters at all. No thanks to y'all pushing the idea that POC can't sell globally and obscuring POC actors in international promos. No thanks to y'all continuing to whitewash even to this day (Bullet train, the beguiled, gods of Egypt, atla, every portrayal of Jesus ever, etc.). No thanks to y'all calling every piece of media that has more than one black lead and more than one queer couple "woke". No thanks to y'all throwing a fit every time a black person in a fantasy setting isn't a slave.
Fact of the matter is, y'all never cared about POC "getting their own stories", you're only parroting our own words back to us now as a politically correct way of saying, "leave white roles alone" lmao
Well fun fact, actors of color getting opportunities to play lead roles and allowing poc to "tell their own stories" are not mutually exclusive. If y'all cared that much, instead of bullying a 12 year old actress, you could actually support up and coming independent POC writers, directors, and studios 😱
12. Studios need to stop "setting up" actors of color:
Do me a favor and google the term DARVO.
Your racism is not the fault of the studios for giving a POC actor a role that they earned. It is not up to the rest of society to tiptoe around racists to avoid their vitriol. It is our responsibility to hold them accountable and protect minorities from unwarranted hate. At most, you can say it's the responsibility of the studios to provide adequate support to POC actors who face this backlash.
At the end of the day, Hollywood only allows very few spots for POC actors (especially WOC), while simultaneously pushing a new white boy every month to put in everything. Putting minorities in these roles that are usually closed to them, usually opens the door to more actors of color than before.
Brandy being cast as Cinderella did a lot to push her into the mainstream (yes, she was already extremely famous in the black community atp), Halle Berry being the first, black, bond girl literally shot her to icon status, and even going as far back to what Anna Mae Wong did for Asian American actresses with her "femme fatale" roles.
At the end of the day, even with the backlash, *some* rep does more good for POC actors than *no* rep. The solution to racist backlash isn't to take away those opportunities, but rather to not be racist??? 🙄
Also, for everyone that claims that "POC race-swapping" is just as bad as "white-washing", despite white washing having a longer history and objectively causing more harm, note how the backlash to white washing never lasts as long as the harassment that POC get.
Like, no one brings up Scarlett Johansson's ghost in the shell role anymore, but you can best believe Candace Patton is still fending off racist trolls. As much as people hated the atla movie, people moved on quick from Nicola Peltz playing Katara since she was just a kid that accepted the role (re: daddy bought her the role), but y'all would not have any of that consideration for Leah Sava Jeffries.
But I digress...
13. What if we made Tiana white? Wakanda white? Hazel white...:
Ah, my favorite inane point. I was so excited to get here :)
See, I could start out by pointing out how "White washing" and casting a POC actor as a traditionally white character are not equivalent.
I could point out the history of hollywood ACTIVELY excluding POC actors and POC stories. I could point out how grossly over represented white people are in hollywood. I could point out that POC characters are so few in comparison that whitewashing them causes actual harm, where white people have never lacked rep.
I could point out how, because poc characters and stories are so often tokenized that their racial/cultural background is often directly tied to their character's identity, in opposition to a lot of white characters, since hollywood treats white as the "Default".
See, I could make all those points, but the thing is, the people who make this argument already know all that. They are trying to waste time by drawing me into a pointless circular argument that will sum up to "fair is fair", while ignoring all the context and nuance I previously provided.
So you know what? Forget it. Let me play your game.
I am actually fine with a white Tiana. Would it make sense, for her and her family to experience Jim Crow era racism, in the south while white? No. But we can look past it. Disney was never known for historical accuracy anyway 🤷🏿‍♀️
However, in exchange, the live action frozen will have a black Elsa and Anna, live action Rapunzel will be black, live action Merida will be black, we're re-filming Cinderella and Beauty and the beast to cast a black belle and Cindy, snow white will need to be recast as black, and we also get aurora whenever the live action sleeping beauty is announced. But then y'all can keep Tiana, deal?
You want a white T'Challa? Fine! (I'm partial to Ryan gosling), in the meantime, we'll be recasting Iron man, Captain America (Steve version), Bruce banner, Thor, Loki, hawk eye, black widow, ant man, captain marvel, Bucky, Peter Parker etc. All the avengers and their side characters, then y'all can have Sam Wilson, war machine and the whole of Wakanda (will it make sense that a sole, hidden, African nation is randomly made up of white people? Who cares? We get the avengers!).
You want white Hazel? You got her! I hope you have no problem with us taking Percy, Nico, Will, Poseidon, Jason, calypso, Rachel, Tyson, Silena, the stoll brothers, Sally Jackson, Hades, Hepheastus, ares, etc. But y'all can have Hazel and Beckendorf.
If we're gonna do this, let's commit all the way. Fair is fair, after all.
14. Leah isn't as "pretty" as Book Annabeth/Movie Annabeth:
I wish I could say this wasn't a genuine point I had read, but when all else fails, they will always go for a woman's appearance.
Now first of all, as a rule, I will never hold black women to white beauty standards. Our hair will never be long and silky enough, our nose will never be narrow enough, our skin will never be fair enough and our eyes will never be light enough (Might I recommend Toni Morrison, when you get the chance?). But Leah is unfairly gorgeous idc what any of you say, and you're not gonna have me use my defense of Leah as an opportunity to bash Alexandra either because she is also beautiful. These two queens slayed to the best of their abilities within this toxic ass fandom.
I find it funny, however, that so many of you harped on the "blonde" issue because you thought it was important that Annabeth be seen beyond just her looks, but quickly devolve to bashing an actress's looks when it comes to why she's not right for this role 🤔
I would also like to sincerely apologize that the 13 year old girl they cast in the show, wasn't as sexually attractive to you as the 24 year old woman they cast in the movie and sexualized through like 25% of her screen time (I'm actually not sorry. You're very weird if this is an actual point for you).
15. I don't agree with sending hate to the actor, but she's just not right for the role:
Once again, what are you doing by complaining about her casting on no other basis than her race?
The creator of the character said she embodied the role. She has already been cast, and Disney would be in a legal/production hell to recast her atp. Just because you're not directly leaving comments on her social media doesn't mean you're not part of the hate mob.
No matter how you look at it, your issues with her casting come from a very entitled and narrow-minded place. When you join in on these dialogues you are bolstering a sentiment that pushes more people to harass this teenage girl. When you leave these "harmless" complaints, on show content, fan posts or posts defending her, she's liable to read them because the cast regularly interact with fans online.
What do you have to say that is so important that it trumps protecting a young girl from the long-staying trauma of racism, of being told she doesn't deserve something she worked for because of how she was born?
16. I can't even criticize the show without being called racist:
Get. Over. Yourself.
Y'all are not the victim. Have fans of the show gotten protective of Leah and the young cast? Yes.
With good reason. This fandom is unbearably toxic.
Racism outweighs your need for a "perfect adaptation", sorry.
If you explain yourself properly and keep your critiques fair (like, even I don't think this was a perfect season, and will be sharing my thoughts shortly), no one is gonna call you racist.
You're preempting with that because in all honesty, you're probably planning to use your "critiques" of the show to pivot to one of the many points that I just outlined, and you want to pre-empt the criticism.
If a black Annabeth is the end all be all for you, just don't watch the show, no one's holding a gun to your head. Geez.
17. I'm Black/POC and I don't agree...:
Hey, Candace Owens... No one gives a shit.
First of all, for all the "I'm POC and I don't agree" people, you don't speak for us. Anti-blackness is rampant in just about every culture globally. You being not-white doesn't somehow make you less prone to hating black people.
But for the "I'm black and I don't agree" leftovers (assuming you're not just a 👩🏼‍💻 behind a keyboard). Black people are not a monolith. You're not obligated to think a certain way because you're black.
But consider why you're putting yourself up as a barrier to protect this hate mob. It's one thing to just state why you don't like Leah's casting, but to start off your spiel with "I'm actually black" as a way to weaponize the very identity politics you're critiquing... very strange. Not to mention, what are you defending?
The black community is coming together to defend one of our own, a kid who has been receiving death threats since she was 12, and this is when you feel the need to back the opposition?
I mean whatever... sometimes the house slaves would snitch to the master. There will always be some of y'all in the woodwork. It is what it is.
But when the exact ideology you defend is turned against you, when a Baltimore elected official is being accused of getting his job through "DEI", when conservatives are claiming that they wouldn't "trust a black pilot", don't decide that's where you'll finally draw your line in the sand.
All that being said, This is my Annabeth:
May every tongue that rose against Leah Sava Jeffries Shrivel and die in 2025 🙏🏿 My girl will keep winning ❤️
(video by @/waleahhasmyheart on TikTok)
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feefivefoe · 1 month
Text
I guess I'm unintentionally working my way up the age ladder, so Jason next-
This is the first part that contains backstory stuff I gave my reader, so unfortunately this is where a lot of the "they can be anyone" immersion dies, sorry y'all.
Genuinely, he thought he might hate you at first. Even at the preteen age of 12, where children were usually trying to start striving to independence, you had been so...bland.
It's not that you didn't stand out. Quite the contrary. Anywhere Alfred could be found, you were just a step or two behind him. A leech. Only ever speaking in a hushed voice, making the old man strain himself to hear you, surely.
He doesn't think you've ever even looked him in the eye.
It isn't until that summer he starts connecting the dots. You still cling to long sleeved shirts, pants over shorts, even when it's clear you're struggling to not overheat.
Then he catches you in the kitchen in the middle of the night, t-shirt and pajama shorts.
Burn marks, healed yet gruesome, decorate your arms and legs. Based on how they're positioned, he'd argue they probably exist on the rest of your body, too.
And yet, despite his invasion of what you clearly(?) wanted kept hidden, you merely bow your head in shame and offer a meek apology.
That's when he stops seeing you as a problem, but as a victim of consequence.
Not a bratty child who doesn't care enough about the lower class to speak to your new 'sibling,' but a lonely child who had never even once considered he might want to speak to you.
"Mister Wayne and Mister Grayson are very busy." You had said once, matter of factly rather than bitter or sad. "I'm sure they'd spend time with me if they weren't. But they have two lives, so they have less time than anybody."
He doesn't have the heart to tell you that they make time for him. And the rest of Gotham.
As you do with Alfred, you begin to shadow him. Meandering behind him without a care as to what his plans are, happy to receive the barest of acknowledgments.
You hesitate when speaking about yourself, as though taking up his time with mentions of you is an issue. He's starting to understand why.
Jason isn't sure if it's pity or growing affection that keeps him around, at first. For a while, he sees you as more of a sad, wet dog than as his family.
But you begin to connect with peers at school, finding validation outside of those that feel forced to give it to you. You mature, grow up more than you should, and realize the reality of your home life.
And Jason is thrilled! ...and...a little sad? He's happy for you, sure. Having friends is probably what you needed. People who want you around, genuinely. Who choose to make time for you.
But he'd be lying if he said that the way you used to stare at him didn't make him feel like a hero. Like he was doing so much, changing your world, simply by existing.
You still speak, of course. You're friendly siblings that get along well. You give him various foods you've tried making, courtesy of Alfred inspiring a desire to learn to cook and bake on your own. You talk about books you've read together, and listen intently while he rambles about his favorites.
You even peek in after particularly rough patrol nights, just to make sure he's gotten through it okay.
But it isn't...quite the same. No, but it's...it's for the best.
And he is still a hero! As Robin, he's protecting the whole city alongside Batman!
So he's still a hero.
He's still your hero.
"Jay? I was wondering if I could ask you for some help. The show my club is doing is one of those old books you like-"
"They aren't that old."
"-and my character doesn't show up much in the movie-"
"You watched the MOVIE before reading the book!?"
"-so I wanted to ask if you'd help me with characterization!"
He remembers groaning at you and rolling his eyes. "I'm busy tonight. Go watch the dumb, BAD, movie again." He pauses. "Uh, but I can tomorrow. I'll make sure I don't have anything planned, promise."
He saw you pause, and sees the constant same promises pass through you.
"I...have other arrangements. I'll make it up to you next time."
"Ah...sorry, kiddo! Big kid stuff. But next time! You trust your big bro, yeah?"
But this is Jason. Jason doesn't lie to you.
Jason keeps his promises.
You smiled. "Yeah. Tomorrow."
...
Then he died.
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