#Indentured Workers

[academyoftheheartandmind]

Bugs and Other Poems

By Sigrid Kim Bugs Rolling green hills looking like pillows, On a Sunday morning, keep looking like something you’d see on a postcard only for so long. You’re not from the North-East if you’ve never gone on a road trip up the 87. She tapped the worn down sink as her kid sat outside on the bench. It’s 9:00 AM, her head soon presses against the forest green plaid pillow. All she sees is…

[thozhar]

Kerala has been widely lauded for having achieved human development goals comparable to those of economically advanced countries despite being economically poor. Its allegedly egalitarian economic model was highlighted as an alternative to neoliberal, free market policies. However, the ‘pro-poor’ policies largely passed over the plantations. Plantation workers have not benefited from the land reforms of the 1960s and 1970s, and thus the majority have remained poor, landless labourers working within the exploitative plantation system. Moreover, the women plantation workers face multiple levels of discrimination because they are, at the same time, Tamil, Dalit, and female. Remarkably, though, the Pembillai Orumai challenged the negative caste prejudice and ethnic stereotyping of the plantation Tamils. The ethnic stereotyping of lower class Dalit Tamils is epitomised by the slur ‘pandi’, which symbolises the inferior in the oppositions of modern/non-modern, and resourceful/unresourceful. The portrayal of the Tamil plantation women as unresourceful was evident in the racist colonial conception of Tamil plantation workers as hard working but unintelligent. Echoes of this imagery were everywhere during the Pembillai Orumai strike. Many commentators, including trade union leaders, framed the strike as an anarchist act that could not be considered a proper form of resistance. They also repeatedly claimed that ‘invisible forces’ instigated the strike, an accusation the leaders of Pembillai Orumai strongly denied. These accusations were meant to rob the underclass—lower caste—Tamil speaking women of their due credit by suggesting they were incapable of organising themselves. Yet it was this very community who designed and implemented a model of resistance that interrogated the contradictions of the widely celebrated Kerala development model and its egalitarian claims. And as all actions, this one had its own momentum. It also became an act of rebellion that challenged the social relations responsible for their alienated condition, including the ethnic stereotypes that characterised them as inferior. It was an attempt to reclaim human personality in a Dalit liberation tradition, not only for them but also for their men and their dead indentured ancestors.

— The women strike back: the protest of Pembillai Orumai tea workers by Jayaseelan Raj

[mostlysignssomeportents]

Why the Fed wants to crush workers

The US Federal Reserve has two imperatives: keeping employment high and inflation low. But when these come into conflict — when unemployment falls to near-zero — the Fed forgets all about full employment and cranks up interest rates to “cool the economy” (that is, “to destroy jobs and increase unemployment”).

An economy “cools down” when workers have less money, which means that the prices offered for goods and services go down, as fewer workers have less money to spend. As with every macroeconomic policy, raising interest rates has “distributional effects,” which is economist-speak for “winners and losers.”

Predicting who wins and who loses when interest rates go up requires that we understand the economic relations between different kinds of rich people, as well as relations between rich people and working people. Writing today for The American Prospect’s superb Great Inflation Myths series, Gerald Epstein and Aaron Medlin break it down:

https://prospect.org/economy/2023-01-19-inflation-federal-reserve-protects-one-percent/

Recall that the Fed has two priorities: full employment and low interest rates. But when it weighs these priorities, it does so through “finance colored” glasses: as an institution, the Fed requires help from banks to carry out its policies, while Fed employees rely on those banks for cushy, high-paid jobs when they rotate out of public service.

Inflation is bad for banks, whose fortunes rise and fall based on the value of the interest payments they collect from debtors. When the value of the dollar declines, lenders lose and borrowers win. Think of it this way: say you borrow $10,000 to buy a car, at a moment when $10k is two months’ wages for the average US worker. Then inflation hits: prices go up, workers demand higher pay to keep pace, and a couple years later, $10k is one month’s wages.

If your wages kept pace with inflation, you’re now getting twice as many dollars as you were when you took out the loan. Don’t get too excited: these dollars buy the same quantity of goods as your pre-inflation salary. However, the share of your income that’s eaten by that monthly car-loan payment has been cut in half. You just got a real-terms 50% discount on your car loan!

Inflation is great news for borrowers, bad news for lenders, and any given financial institution is more likely to be a lender than a borrower. The finance sector is the creditor sector, and the Fed is institutionally and personally loyal to the finance sector. When creditors and debtors have opposing interests, the Fed helps creditors win.

The US is a debtor nation. Not the national debt — federal debt and deficits are just scorekeeping. The US government spends money into existence and taxes it out of existence, every single day. If the USG has a deficit, that means it spent more than than it taxed, which is another way of saying that it left more dollars in the economy this year than it took out of it. If the US runs a “balanced budget,” then every dollar that was created this year was matched by another dollar that was annihilated. If the US runs a “surplus,” then there are fewer dollars left for us to use than there were at the start of the year.

The US debt that matters isn’t the federal debt, it’s the private sector’s debt. Your debt and mine. We are a debtor nation. Half of Americans have less than $400 in the bank.

https://www.fool.com/the-ascent/personal-finance/articles/49-of-americans-couldnt-cover-a-400-emergency-expense-today-up-from-32-in-november/

Most Americans have little to no retirement savings. Decades of wage stagnation has left Americans with less buying power, and the economy has been running on consumer debt for a generation. Meanwhile, working Americans have been burdened with forms of inflation the Fed doesn’t give a shit about, like skyrocketing costs for housing and higher education.

When politicians jawbone about “inflation,” they’re talking about the inflation that matters to creditors. Debtors — the bottom 90% — have been burdened with three decades’ worth of steadily mounting inflation that no one talks about. Yesterday, the Prospect ran Nancy Folbre’s outstanding piece on “care inflation” — the skyrocketing costs of day-care, nursing homes, eldercare, etc:

https://prospect.org/economy/2023-01-18-inflation-unfair-costs-of-care/

As Folbre wrote, these costs are doubly burdensome, because they fall on family members (almost entirely women), who have to sacrifice their own earning potential to care for children, or aging people, or disabled family members. The cost of care has increased every year since 1997:

https://pluralistic.net/2023/01/18/wages-for-housework/#low-wage-workers-vs-poor-consumers

So while politicians and economists talk about rescuing “savers” from having their nest-eggs whittled away by inflation, these savers represent a minuscule and dwindling proportion of the public. The real beneficiaries of interest rate hikes isn’t savers, it’s lenders.

Full employment is bad for the wealthy. When everyone has a job, wages go up, because bosses can’t threaten workers with “exile to the reserve army of the unemployed.” If workers are afraid of ending up jobless and homeless, then executives seeking to increase their own firms’ profits can shift money from workers to shareholders without their workers quitting (and if the workers do quit, there are plenty more desperate for their jobs).

What’s more, those same executives own huge portfolios of “financialized” assets — that is, they own claims on the interest payments that borrowers in the economy pay to creditors.

The purpose of raising interest rates is to “cool the economy,” a euphemism for increasing unemployment and reducing wages. Fighting inflation helps creditors and hurts debtors. The same people who benefit from increased unemployment also benefit from low inflation.

Thus: “the current Fed policy of rapidly raising interest rates to fight inflation by throwing people out of work serves as a wealth protection device for the top one percent.”

Now, it’s also true that high interest rates tend to tank the stock market, and rich people also own a lot of stock. This is where it’s important to draw distinctions within the capital class: the merely rich do things for a living (and thus care about companies’ productive capacity), while the super-rich own things for a living, and care about debt service.

Epstein and Medlin are economists at UMass Amherst, and they built a model that looks at the distributional outcomes (that is, the winners and losers) from interest rate hikes, using data from 40 years’ worth of Fed rate hikes:

https://peri.umass.edu/images/Medlin_Epstein_PERI_inflation_conf_WP.pdf

They concluded that “The net impact of the Fed’s restrictive monetary policy on the wealth of the top one percent depends on the timing and balance of [lower inflation and higher interest]. It turns out that in recent decades the outcome has, on balance, worked out quite well for the wealthy.”

How well? “Without intervention by the Fed, a 6 percent acceleration of inflation would erode their wealth by around 30 percent in real terms after three years…when the Fed intervenes with an aggressive tightening, the 1%’s wealth only declines about 16 percent after three years. That is a 14 percent net gain in real terms.”

This is why you see a split between the one-percenters and the ten-percenters in whether the Fed should continue to jack interest rates up. For the 1%, inflation hikes produce massive, long term gains. For the 10%, those gains are smaller and take longer to materialize.

Meanwhile, when there is mass unemployment, both groups benefit from lower wages and are happy to keep interest rates at zero, a rate that (in the absence of a wealth tax) creates massive asset bubbles that drive up the value of houses, stocks and other things that rich people own lots more of than everyone else.

This explains a lot about the current enthusiasm for high interest rates, despite high interest rates’ ability to cause inflation, as Joseph Stiglitz and Ira Regmi wrote in their recent Roosevelt Institute paper:

https://rooseveltinstitute.org/wp-content/uploads/2022/12/RI_CausesofandResponsestoTodaysInflation_Report_202212.pdf

The two esteemed economists compared interest rate hikes to medieval bloodletting, where “doctors” did “more of the same when their therapy failed until the patient either had a miraculous recovery (for which the bloodletters took credit) or died (which was more likely).”

As they document, workers today aren’t recreating the dread “wage-price spiral” of the 1970s: despite low levels of unemployment, workers wages still aren’t keeping up with inflation. Inflation itself is falling, for the fairly obvious reason that covid supply-chain shocks are dwindling and substitutes for Russian gas are coming online.

Economic activity is “largely below trend,” and with healthy levels of sales in “non-traded goods” (imports), meaning that the stuff that American workers are consuming isn’t coming out of America’s pool of resources or manufactured goods, and that spending is leaving the US economy, rather than contributing to an American firm’s buying power.

Despite this, the Fed has a substantial cheering section for continued interest rates, composed of the ultra-rich and their lickspittle Renfields. While the specifics are quite modern, the underlying dynamic is as old as civilization itself.

Historian Michael Hudson specializes in the role that debt and credit played in different societies. As he’s written, ancient civilizations long ago discovered that without periodic debt cancellation, an ever larger share of a societies’ productive capacity gets diverted to the whims of a small elite of lenders, until civilization itself collapses:

https://www.nakedcapitalism.com/2022/07/michael-hudson-from-junk-economics-to-a-false-view-of-history-where-western-civilization-took-a-wrong-turn.html

Here’s how that dynamic goes: to produce things, you need inputs. Farmers need seed, fertilizer, and farm-hands to produce crops. Crucially, you need to acquire these inputs before the crops come in — which means you need to be able to buy inputs before you sell the crops. You have to borrow.

In good years, this works out fine. You borrow money, buy your inputs, produce and sell your goods, and repay the debt. But even the best-prepared producer can get a bad beat: floods, droughts, blights, pandemics…Play the game long enough and eventually you’ll find yourself unable to repay the debt.

In the next round, you go into things owing more money than you can cover, even if you have a bumper crop. You sell your crop, pay as much of the debt as you can, and go into the next season having to borrow more on top of the overhang from the last crisis. This continues over time, until you get another crisis, which you have no reserves to cover because they’ve all been eaten up paying off the last crisis. You go further into debt.

Over the long run, this dynamic produces a society of creditors whose wealth increases every year, who can make coercive claims on the productive labor of everyone else, who not only owes them money, but will owe even more as a result of doing the work that is demanded of them.

Successful ancient civilizations fought this with Jubilee: periodic festivals of debt-forgiveness, which were announced when new monarchs assumed their thrones, or after successful wars, or just whenever the creditor class was getting too powerful and threatened the crown.

Of course, creditors hated this and fought it bitterly, just as our modern one-percenters do. When rulers managed to hold them at bay, their nations prospered. But when creditors captured the state and abolished Jubilee, as happened in ancient Rome, the state collapsed:

https://pluralistic.net/2022/07/08/jubilant/#construire-des-passerelles

Are we speedrunning the collapse of Rome? It’s not for me to say, but I strongly recommend reading Margaret Coker’s in-depth Propublica investigation on how title lenders (loansharks that hit desperate, low-income borrowers with triple-digit interest loans) fired any employee who explained to a borrower that they needed to make more than the minimum payment, or they’d never pay off their debts:

https://www.propublica.org/article/inside-sales-practices-of-biggest-title-lender-in-us

[Image ID: A vintage postcard illustration of the Federal Reserve building in Washington, DC. The building is spattered with blood. In the foreground is a medieval woodcut of a physician bleeding a woman into a bowl while another woman holds a bowl to catch the blood. The physician's head has been replaced with that of Federal Reserve Chairman Jerome Powell.]

[dandelion-wings]

doing the quests for Tunner and Guy always makes me so sad for them, because Tunner's trying so hard to hide his health issues so he won't distract Guy, while Guy is trying so hard to hide that he's bored in the Knights so that he can make his father proud...

I've headcanoned for a while that Kaeya got Guy put on the boring gate-guard duty to keep him safe for Tunner's sake, but now I wonder if it might also be in order to bore him, in the hopes that eventually he'll get tired of it and go back to care for his dad. We know Kaeya has a lot of feelings about fathers, after all

[erindrifter]

Oh boy, time for my favorite activity of playing Minecraft while watching Leverage!

I always subject the villagers in Minecraft to some extremely dystopic capitalism shit, so I watch Leverage to keep myself humble

[feralrarity]

Random take no one ask for: being vegan is by no means more ethical than sustainable farming/hunting but a lot of the time it can be a good median of sustainability and more affordable for low income households like mine.

Being vegan for me is foraging wild garlic and mustang grapes and dandelions which I can all find right outside the suburbs in wooded road medians. It's buying rice and beans and various home grown veggies and eating well while not sacrificing extra $ for protein and iron.

I feel like a lot of the time veganism removes humanity from the food chain when taken to extremes but really it's the best thing I can do for my family when the price of un-tortured chicken eggs are that high.

[debtcrusherpro720]

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[bookloversofbath]

The Blackbirders: The Recruiting of South Seas Labour for Queensland, 1863-1907 :: Edward Wybergh Docker

[zrreed]

Leading Aegis releases tonight at midnight!!

In a world where Captain Carolina Trace could’ve been an indentured worker, or a soldier for a corrupt government, she chose the freedom of piracy instead. But what the rest of the world doesn’t know is that she’s cursed, and bound to her ship, Omen, for all but a few hours at a time. When her most recent quest to break the curse puts her on a trajectory to cross paths with Ophelia, a fugitive doctor, and Wyatt, a Sovereign soldier, she might just have to reevaluate the things that are most important to her. What is she willing to sacrifice for her freedom? And what is she willing to sacrifice when her freedom isn’t the only thing at stake?

Get your copy on Amazon, Barnes & Noble, iTunes, Google Play, and Lulu!

[fatehbaz]

In fact, far more Asian workers moved to the Americas in the 19th century to make sugar than to build the transcontinental railroad [...]. [T]housands of Chinese migrants were recruited to work [...] on Louisiana’s sugar plantations after the Civil War. [...] Recruited and reviled as "coolies," their presence in sugar production helped justify racial exclusion after the abolition of slavery.

In places where sugar cane is grown, such as Mauritius, Fiji, Hawaii, Guyana, Trinidad and Suriname, there is usually a sizable population of Asians who can trace their ancestry to India, China, Japan, Korea, the Philippines, Indonesia and elsewhere. They are descendants of sugar plantation workers, whose migration and labor embodied the limitations and contradictions of chattel slavery’s slow death in the 19th century. [...]

---

Mass consumption of sugar in industrializing Europe and North America rested on mass production of sugar by enslaved Africans in the colonies. The whip, the market, and the law institutionalized slavery across the Americas, including in the U.S. When the Haitian Revolution erupted in 1791 and Napoleon Bonaparte’s mission to reclaim Saint-Domingue, France’s most prized colony, failed, slaveholding regimes around the world grew alarmed. In response to a series of slave rebellions in its own sugar colonies, especially in Jamaica, the British Empire formally abolished slavery in the 1830s. British emancipation included a payment of £20 million to slave owners, an immense sum of money that British taxpayers made loan payments on until 2015.

Importing indentured labor from Asia emerged as a potential way to maintain the British Empire’s sugar plantation system.

In 1838 John Gladstone, father of future prime minister William E. Gladstone, arranged for the shipment of 396 South Asian workers, bound to five years of indentured labor, to his sugar estates in British Guiana. The experiment with “Gladstone coolies,” as those workers came to be known, inaugurated [...] “a new system of [...] [indentured servitude],” which would endure for nearly a century. [...]

---

Bonaparte [...] agreed to sell France's claims [...] to the U.S. [...] in 1803, in [...] the Louisiana Purchase. Plantation owners who escaped Saint-Domingue [Haiti] with their enslaved workers helped establish a booming sugar industry in southern Louisiana. On huge plantations surrounding New Orleans, home of the largest slave market in the antebellum South, sugar production took off in the first half of the 19th century. By 1853, Louisiana was producing nearly 25% of all exportable sugar in the world. [...] On the eve of the Civil War, Louisiana’s sugar industry was valued at US$200 million. More than half of that figure represented the valuation of the ownership of human beings – Black people who did the backbreaking labor [...]. By the war’s end, approximately $193 million of the sugar industry’s prewar value had vanished.

Desperate to regain power and authority after the war, Louisiana’s wealthiest planters studied and learned from their Caribbean counterparts. They, too, looked to Asian workers for their salvation, fantasizing that so-called “coolies” [...].

Thousands of Chinese workers landed in Louisiana between 1866 and 1870, recruited from the Caribbean, China and California. Bound to multiyear contracts, they symbolized Louisiana planters’ racial hope [...].

To great fanfare, Louisiana’s wealthiest planters spent thousands of dollars to recruit gangs of Chinese workers. When 140 Chinese laborers arrived on Millaudon plantation near New Orleans on July 4, 1870, at a cost of about $10,000 in recruitment fees, the New Orleans Times reported that they were “young, athletic, intelligent, sober and cleanly” and superior to “the vast majority of our African population.” [...] But [...] [w]hen they heard that other workers earned more, they demanded the same. When planters refused, they ran away. The Chinese recruits, the Planters’ Banner observed in 1871, were “fond of changing about, run away worse than [Black people], and … leave as soon as anybody offers them higher wages.”

When Congress debated excluding the Chinese from the United States in 1882, Rep. Horace F. Page of California argued that the United States could not allow the entry of “millions of cooly slaves and serfs.” That racial reasoning would justify a long series of anti-Asian laws and policies on immigration and naturalization for nearly a century.

---

All text above by: Moon-Ho Jung. "Making sugar, making 'coolies': Chinese laborers toiled alongside Black workers on 19th-century Louisiana plantations". The Conversation. 13 January 2022. [All bold emphasis and some paragraph breaks/contractions added by me.]

[mostlysignssomeportents]

Luddites didn’t hate looms. They smashed looms because their bosses wanted to fire skilled workers, ship kidnapped Napoleonic War orphans north from London, and lock them inside factories for a decade of indenture, to be starved, beaten, maimed and killed. Designing industrial machinery that’s “so easy a child can use it,” isn’t necessarily a prelude to child-slavery, but it’s not not a prelude to child-slavery, either. The Luddites weren’t mad about what the machines did — they were mad at who the machines did it for and whom they did it to. The child-kidnapping millionaires of the Industrial Revolution said, “There is no alternative,” and the Luddites roared, “The hell you say there isn’t!” Today’s tech millionaires are no different. Mark Zuckerberg used to insist that there was no way to talk to your friends without being comprehensively spied upon, so every intimate and compromising fact of your life could be gathered, processed, and mobilised against you. He said this was inevitable, as though some bearded prophet staggered down off a mountain, bearing two stone tablets, intoning, “Zuck, thou shalt stop rotating thine logfiles, and lo, thou shalt mine them for actionable market intelligence.”

-There Is Always An Alternative: Remarks presented to York University’s Faculty of Liberal Arts and Professional Studies Graduating Class of 2023

[lookingforariaa]

Attack On Titan: Actor AU ᝰ.ᐟ

ᯓ★ From the very first "Attack on Titan" table read, Eren Jaeger and Y/N L/N been locked in a personal war. They had hated each other, for their own personal reasons. But, now, fate (or the writers) had dealt them a cruel hand: their characters, the series' central love interests, were about to share their first intimate scene. actor!eren x actress!reader

Ensconced in the makeup chair, you flipped through the script with practiced ease. Your brow furrowed in concentration as you absorbed the scene directions and drilled the lines for today's shoot into your memory.

If 13 year old you thought it was bad enough having to share your first kiss with Eren Jaeger at the end of the season 2 finale with a bunch of camera's pointed at you, she would probably want to kill herself for this scene.

Smiles were plastered on for fans, talk show appearances, the whole nine yards. But everyone on set knew the hatred simmering beneath the surface between Eren and you. But your reasons for the animosity ran deeper than just hating him for the funsies.

You'd always bristled at entitled people like Eren Yeager. His producer father had undoubtedly greased the wheels for his leading role alongside you. He hadn't earned it like everyone in this series had, and he had gotten one of the leading roles in the series.

It wasn't fair. The rich always win.

The first table read had confirmed your worst fears. You had extended a friendly hand, introducing yourself as his love interest and the second leading role in the series.

Eren's response? A dismissive scoff and a head-to-toe sweep that spoke volumes. That self-satisfied smirk ignited a fire in your gut. People like him, who waltzed into success on silver platters, were everything you weren't. You'd clawed your way up, and his arrogance was a slap in the face to everything you'd achieve

The hatred towards Eren only intensified on the first filming day. His arrogance wasn't confined to you. He barked orders at crew members and treated his assistant like an indentured servant. Your blood pressure skyrocketed.

These were people, not props for his entitled performance.

He treated them like they weren't human.

The scene triggered a raw nerve. You knew all too well the sting of dehumanization. The humiliation. Your mother was a single parent forced into sex work to keep a roof over your head. Even if you lived in a brothel full of sex workers, you didn't ask god for anything else other than to get your mom another job.

You had watched your mom try her best to hide you from the men coming in so you wouldn't have to fall into the hands of prostitution as well. The way those men treated her - a flicker of desire followed by callous dismissal, like a discarded rag.

Like she wasn't even worthy enough to be called a human.

You had clawed your way out. Your striking features - the cascading dark blonde hair and the mesmerising hazel eyes and amazing acting skills - were your ticket to this role, a chance to give your mother a life she deserved.

Seeing Eren was like looking into a mirror of your traumatic past, seeing your mom thrashed around like an object.

Blinking back the sleep in your eyes after having drinks with Sasha the entire night, the scripts pages wavered in your hands, the words blurring at the edges.

Sasha's death still felt unreal. You'd sought solace in her company after they killed her character, clinging to the real Sasha for as long as possible.

A yawn stretched your lips into a wide, ungainly shape. The gentle hum of the hair curlers and the soft touch of the makeup brushes did little to dispel the exhaustion clinging to you like a second skin.

The last layer of blush being applied felt strangely cool against your warm cheeks. You lowered your heavy lashes as they started applying a gentle layer of mascara to your makeup as the finishing touch.

The problem with Attack On Titan was the fact that all the makeup had to look natural. But at the same time all the girls, especially you and Mikasa, had to look beautiful.

Which wasn't hard, because both of you were drop dead gorgeous. But both of you were too humble to ever admit it out loud.

You skimmed through the script one last time as the Matt, your gay best friend who mostly does your hair, brushes them out slightly to make them look more natural.

Perfect," he sighed dramatically, a playful smile on his face. "Ready for today's shoot?"

You rolled your eyes, a groan escaping your lips. "Absolutely not."

"Yeah, figured," Matt chuckled. "t's funny honestly. Do you actually have to ride his thigh? God, the writers hate you."

"Oh shut up!" You scoffed, slapping his arm with your script as you looked a laughing Matt through the mirror.

"Okay, come on, they're asking for you."

"Tell them I'll be right out."

The director barked out his final instructions, taking help from Isayama as his gaze flickering between you and Eren.

Both of you stood with arms crossed and brows furrowed, listening carefully to the director and Isayam. Eren, clad in his iconic faded green shirt and a the black jacket over it.

While you wore a white button-up strained slightly against your chest, the small black corset tied right beneath your chest emphasizing your hourglass figure beneath it.

"So, remember, Y/N you hate him in this scene, you despise him." The director emphasized, looking down at the script.

"Yeah, that's gonna be easy to act out." You scoffed, rolling your eyes.

Eren smirked, leaning down for his mouth to reach your ear. "Don't forget what scene we're filming." His breath tickled your ear. You didn't know what sent the chills down your spine-- his mouth being so close to your ear, or the fact that he was referring to how you had absolutely no control in this scene.

The director clapped his hands, snapping you and Eren out of your silent standoff. You cleared your throat, forcing your attention away from the infuriating green shirt and towards the man barking orders.

"Y/N," he said, pointing at you, "when you say, 'So you're going to kill billions of people for what?!' I want a reaction. Fling your arms wide, like you're trying to grasp the weight of those lives. Let your anger crackle in your eyes, burning into Eren as you demand an answer." You nodded.

His gaze shifted to Eren, a glint of amusement in his eyes. "Eren, when you deliver the line, 'For you,' I want hesitation. Let out a sigh that speaks volumes. Run your hand through your hair, whatever. Turn away, build the drama. Then, do a dramatic turn around back towards Y/N, unleashing that scream with every ounce of conviction you have. Got it?"

Eren nodded understandingly, pursing his lips. "Got it."

"Great! Let's get this scene rolling!" The director boomed, clapping his hands. A flurry of activity followed as the set crew started getting the prison set ready for filming, fixing any minor misplaces in it.

You and Eren stood by, the tension crackling between you like live wires. Within minutes, the set was prepped, the harsh overhead lights casting stark shadows on the fabricated brick walls. You took a deep breath, steeling yourself for the emotional rollercoaster about to unfold.

"Scene 27, take 1."

"Lights," The director sighed, "Cameras." He pointed, "And.. action!"

The sterile light glinted off the metal bars, casting a harsh glow on the tense scene unfolding. You stood across from Eren, your voice laced with barely contained fury

"I know what I'm doing," you spat, the words sharp as shards of ice. "But do you, Eren? Do you have any goddamn clue what you're doing?!"

Eren was positioned before a cracked mirror, avoided your gaze. His knuckles tightened around the chipped porcelain sink, the strain evident in his posture. A sigh, heavy and laced with despair, escaped his lips as he stared down at his clenched fists.

"Yeah," he muttered, his voice barely a whisper.

"Yeah?" you shrieked, disbelief and frustration clawing at your throat. "Because from where I'm standing, it doesn't seem like a single thought has crossed that thick skull of yours!"

Your hands flew to your hair, tugging at the strands in agitation. Frustration boiled over, and you flung your arms wide, the metal cot scraping against the wall with a jarring clang

"Eren!" you roared, your voice echoing off the cold stone walls. "You're about to make billions die at the hands of a horrifying death! And for what?!"

Eren remained silent, his back a rigid wall against your onslaught. A shaky breath escaped him, his jaw clenched so tightly his teeth seemed ready to shatter. Slowly, he raised his hand, running it through his hair in a gesture of defeat. His eyes, half-lidded and shadowed, flickered towards his reflection in the mirror, a flicker of something akin to shame crossing his features.

Then, with a dramatic flourish, he spun around, his voice laced with a desperate conviction that bordered on hysteria.

"For you!" he screamed, the words echoing through the cell. But as quickly as the outburst erupted, it died down. A defeated sigh escaped his lips, and he repeated the words, this time a mere whisper, "For you..." His half lidded eyes met yours.

"Well, that's fucking stupid!" You screamed out.

"Cut!" You furrowed your eyebrows and turned your head back to the director. "Y/N! Your resolve breaks for a second, okay? You still love him deep down and when he looks at you like that your heart aches." The director says, clutching at his own heart to emphasise. "So wait for a second, show emotion, and then say the stupid line."

"Idiot." Eren muttered under his breath, loud enough for you to hear.

"Okay, got it. Everything else was fine?" You asked, ignoring his comment.

"Yeah." The director responded, "Let's take it again from Eren's line."

"Scene 27, take 2."

"Lights, camera.. action!"

Eren sighs once more, "For you.."

A tremor ran through your composure. Your eyelids fluttered shut for a brief moment, a shaky breath escaping your lips. When your eyes reopened, the anger had returned, but it felt brittle, tinged with a flicker of something else - confusion, maybe even a hint of pain. It was a fleeting glimpse, quickly masked by the familiar fury

"Well that's.. that's fucking stupid!" You stammered, trying to showcase your characters resolve breaking.

"Is it?! I think it's fucking stupid that you aren't understanding that Marley wants to take you so you can make pure royal blooded babies with my brother so they can take the founding titan easily!" Eren roared, turning back to you.

"Babies?" The word hung in the air, a foreign concept amidst the weight of Eren's plan. The anger you wielded began to crumble at the edges.

A shaky laugh escaped you, a humorless sound that echoed off the cold stone walls. "Is that it, Eren? All this so I don't sleep with your fucking brother?!"

Eren's jaw clenched tight. He ran his hands through his hair again, his voice laced with a desperate edge. "You aren't fucking getting it! They'll use you, Y/N! Turn you into a breeding machine for their twisted agenda and then kill you! This way, at least you're..." His voice trailed off, the defiance flickering for a moment.

"Atleast i'm what? Safe? You fucking sociopath! You're killing all these people for one person?!"

"Shut up."

"That's what you are.. a murderer, a psychopath!"

"Shut the fuck up." He growled, grabbing you by your neck and pushing you against the wall, choking you slightly. The camera followed both of you in kind.

You smiled, scoffing. "Or what? You'll kill me?"

He choked you harder, making you stretch your neck up as you whimpered slightly.

"I told you to shut the fuck up."

"Make me."

A tense silence stretched between you, punctuated only by the ragged rasp of your breath. Disgust simmered in your eyes, a mirror image of the icy loathing reflected back from Eren. The space between you crackled with unspoken hostility

He was supposed to kiss you now, but you were glad he wasn't, otherwise you might've barfed in his mouth. He looked at you with the same expression etched on his face: disgust.

"Cut!" The director yelled out and Eren rolled his eyes, sighing as he released your neck and immediately walked away from you.

The director slammed his script down, the sound echoing through the soundstage. "Alright, what's going on here? You two are supposed to be passionately making out, not glaring at each other like you're about to duel."

Eren scoffed, running a hand through his hair. "Maybe that's the point. Maybe our characters wouldn't actually kiss in this situation."

You crossed your arms, your eyes narrowing. "Oh, and why wouldn't they? Because your fragile ego can't handle kissing someone who doesn't fawn over you?"

Eren's smirk vanished, replaced by a cold stare. "Funny you should mention ego. It takes a certain level of delusion to think anyone would be interested in someone who constantly reeks of desperation."

You bristled. "Desperation? At least I earned this role on my own merit, unlike some nepo baby." You smirked. "At least I don't need a daddy with a fat wallet to buy my way into a role."

Eren's voice turned low and dangerous. "Careful. You wouldn't want to upset the golden goose who keeps this whole production afloat, would you?"

Y/N leaned forward, her voice a steely whisper. "Don't you dare pull that daddy producer stunt on me. You think your money can buy you everything? It can't buy respect, and it certainly can't buy genuine affection."

Eren's smirk faltered for a moment, his jaw clenching, much to your amusement. "Oh, touchy subject? Truth hurts, doesn't it?"

The director sighed, pinching the bridge of his nose. "Look, can we focus? This scene is supposed to be about raw emotions, about their need for each other. Let's take it again, both of you are professionals, I know you can handle it."

"Scene 27, take 3."

"Lights, Camera... Action!"

The boy holding the movie clip snapper sighs, exhausted, even from a simple job as his. "Scene 27... take 23."

"Okay, guys, If it doesn't happen this time then we'll have to redo this tomorrow. And then we won't have time to film the scenes scheduled for tomorrow, hence the season 4 premiere will get delayed. So, just be professionals for once. You aren't kids anymore." The director sighs, putting his cap back on as he leans back in the chair.

Both you and Eren get back into place as the director yells action and Eren quickly slams you against the wall.

"Shut the fuck up."

"Or what? You'll kill me?"

He choked you harder, making you stretch your neck up as you whimpered slightly.

"I told you to shut the fuck up."

"Make me."

You and Eren looked at each other for a second and you almost thought he was going to chicken out once more, so did the director as he rolled his eyes and slid a hand across his face.

But he didn't.

Eren quickly brought his lips to yours, rough and full of all the hatred that's been simmering between both of you all this while. It was a frantic kiss, as the director had wanted. Both of you were breathless as his hand stopped choking you and went to the side of your neck and the other clutched at your waist, and your hands went to grasp at his hair.

It was a tangled mess of limbs as your heads moved together at the speed of light, begging to deepen the kiss, begging to explore every inch of each others mouth. The air crackled with unspoken desire, the kiss a whirlwind of exploring touches and desperate needy moans. 

Everything was a blur. Gasping breaths mingled with the frantic rhythm of your kiss, his tongue had even made an appearance. It surprised you, because when kissing a co-star the other doesn't use tongue to keep the kiss professional and to show the person respect.

But what would Eren Jaeger know about respect?

His hands gripped your waist, a possessive ache that mirrored your owns as one of your hands tugged at his hair and the other caressed his cheek. The kiss deepened, your heads moving together frantically, a battle fought on bruised lips and tangled tongues.

A whimper escaped your lips as Eren grabbed your hair and tilted your head backwards, the kiss turning urgent, so frantic. It felt like an eternity, a culmination of unspoken longing poured into this single, desperate moment.

Your hands twisted in his hair, pulling at it harshly on purpose, hoping it would hurt. With the groan that he let out into the kiss, you were sure it did.

Then, with a swift movement, Eren shoved his knee in between your legs, your surprised moan swallowed by the next searing kiss.

His hand shot out, gripping your throat as your heads whipped back and forth, a frantic chase for deepening the kiss. A tender moan left your lips as Eren's grip on your throat tightened, his tongue thrusting deeper. The sound of your kiss echoed in the room, into the mic, a desperate rhythm. You let out another soft, breathy moan and it was muffled into his mouth as he tried to get even closer to you.

And with the directors snap, which was your cue to start grinding on his thigh, you did just that. A soft moan escaped your lips and muffled into his mouth. "Eren." You sighed into the kiss, as you disconnected your lips and connected your forehead with his, grinding on his thigh.

Fuck. You didn't expect this to happen, especially not with Eren, but you could feel your pussy pulsate and throb with need. You just hoped he couldn't feel it.

"We shouldn't do this." You said in a soft moan as you threw your head back, giving Eren the chance to kiss down your neck.

"We shouldn't." He sighed into your neck.

"It's a bad idea." Your grinding intensified and his hand came to grab at your hips to help you, a sigh of pleasure escaping you, your nails digging into his shoulder.

"It is." You could feel his breath on your neck.

"I loathe you."

"The feelings mutual."

The air crackled as your eyes locked with Eren's. You guys locked eyes for a moment, as written in the script.

And then you leaned down as you were slightly lifted above the ground with a surge of undeniable desire. Your lips met in a frantic kiss, a tangle of emotions that both fueled and fought against your self-control. The kiss was so rushed, such a blur. Both your heads moving so frantically to fight for dominance.

It was like you were fighting to crawl into each others skin.

A strangled sound escaped your throat, a mix of surprise and something more primal. A flicker of uncertainty crossed your mind. Fuck, why were you enjoying this?

Shame threatened to choke the rising tide of sensation, but Eren's touch, a hand gently yanking at your hair, grounded you. In that moment, you were caught in a delicious storm of confusion and exhilaration.

"Cut!"

You tore yourself away from the kiss, gasping for breath. Eren mirrored your action, his chest heaving slightly. A ghost of a smile played on his lips, a hint of amusement dancing in his eyes. Both of you gazed at each other with longing and confusion, almost disgust and hate for themselves because deep down they know they liked it.

''Great job! I love the intensity. We'll just need to film some POV and closeup shots for the sex scenes and we're done for the day." The director smiled, praising both of you. "Let's take 5."

You started to walk away, but before you could leave, Eren grabbed your hand. "Also, by the way." You sighed and rolled your eyes.

"What?"

"I could feel that, you know."

Shit.

[whenmemorydies]

See this?

Carmy is about to pull this shit. He is really about to go in and likely blow up one of the only good relationships he has left from The Beef. After yelling at Tina from the pass. After stressing out everyone and their fucking dog cos he thinks this is acceptable behaviour if its all in service of a star?

This part of 3x03 Doors was such a jagged scene for me because of a few things (including what I've said above). What else got me:

Tina is someone Carmy knows, that Carmy loves (go back to their scene in 1x08 Braciole talking about Mikey. Go back to Carmy's soft "hey Tina you go ahead, you take the night off okay? I got you.");

Tina is an older woman of colour who has made the commitment to skill up so that she can work at The Bear after working at The Beef. Carmy has seen the work she has put in but in this moment, he pays none of it any mind. Imagine being T. Imagine how that would feel. Imagine how it would feel knowing all we know after watching Tina's journey in 3x06 Napkins. The thing is, Carmy doesn't need to know all of T's backstory to know his behaviour is unacceptable. The fact that he knows some of it and proceeds to act in this way is just more evidence of his white privilege showing its ass.

Carmy does not have the self reflexivity here to look at his young, white, male self yelling at this older WOC and see how fucked this is: how he's become another white guy in a litany of white men barking at workers of colour, not seeing Tina for the whole human she is but reducing her to a means of production. The racial dynamics on this show are so evident but don't get talked about nearly enough. I know the writers have crafted those dynamics on purpose because as beautiful a character as Carmy is, he's also a product of his environment as a white chef trained in a highly racially segregated field. This has repercussions for his relationships in season 3, particularly with the BIPOC characters in his life. @november-rising speaks about Carmy's behaviour in relation to Black women's experiences of love and professional recognition devastatingly here. Read their post and the reblogs.

While this shit made me so mad this season, it was also in character - as I've said here - for a white guy trained in fine dining to revert to established patterns of behaviour. Though, I'm gonna need the writers of the show to show US that they did this on purpose and have Carmy ATONE for this shit in season 4. Otherwise, what kind of redemption arc will this man have? This shit is hurtful to the BIPOC characters and BIPOC viewers of this show in no small part because white men the world over have a LONG history of using BIPOC people as a means of production and as a means of production alone. If you're unsure about this, please go look up the Transatlantic slave trade. Please go look up the history of colonial indentured labour. Please go look up The British East India Company. Please look up the forced labour regime in the modern prison industrial complex. Please go read a fucking book. And no I'm not saying Carmy is responsible for the slave trade (LMAO please hold fire if this is where your mind is going). I'm saying BIPOC folks carry with us a long ass history, an intergenerational history of this shit. But guess who else does too? White folks. So don't act like they dont.

This shit is also hurtful because we know how respectful Carmy can be. We’ve seen him in seasons 1 & 2. We know he knows what being a practical ally looks like (even if he may not have the language to name what he was doing) when he made sure to bring the staff of The Beef with him to The Bear and invested in them accordingly. We know he loves and respects them, none more so than Sydney. But there were so many times where he did not act like it in season 3. And when folks have got histories - not just personal but cultural too - as long and as loaded as we ALL do, actions account for a lot. What you do is the shorthand for who you are in the world, whether you like it or not.

Ok back to the scene.

Who comes in and simultaneously saves Carmy's ass and ANOTHER of his relationships? Who protects Tina and keeps the kitchen from exploding AGAIN?

Who supervises her sous chef like a fucking pro?

Sydney. Sydney. Sydney.

And who knows that he's in the presence of greatness but doesn't know how to articulate it cos he's not integrated, not by a fucking long shot. Who needs to attend some anti-racism training along with Al-Anon and therapy (so he can get the benefit of understanding his role in this system and get a better understanding of his own mind)?

Yeah you Carmen, you.

Better get on that shit before you lose the woman who is the beat to your whole heart another means of production to a chef who's going to pay her better, give Syd insurance from the jump and total creative control. Just saying.

[anxiety-pickle]

Jade + Aventurine analysis bc you guys can't read

A somewhat pretentious analysis of Jade and Aventurine by your friendly local neuroscience major (with receipts) (I am putting my academic knowledge to good uses obviously)

Let’s recap what we know about Aventurine

He is, insofar as he’s aware, the last surviving member of the Avgin people of Sigonia

Is he actually the last member? It’s unclear, but the IPC seems to think so (which will become relevant later)

The genocide of his people occured on the day of the Kakava festival, his birthday, by the Katicans, an opposing clan of the Avgins. Both the Katicans and the Avgins were exiled to the desert because of the fighting. The assorted clans of Sigonia were not willing to protect the Avgin people, and they knew that if they were to be let inside the city, the Katicans would follow

The origin of their fighting is uncertain. It is implied that none of the clans got along well. (Aventurine’s second character stor)

Why did the genocide happen? Because of the Katicans and the IPC

But wait!! I hear you yell, didn’t you just say the Katicans are the ones who killed the Avgins?

And to that I say, yes! I did! But the IPC is still the reason they died. During the 2.1 story, All the Sad Tales, during the cutscene with Kakavasha and his sister right before the massacre. 

“Little do the katicans know, this time we will fight back! The men in black that descend from the skies are on our side. The Katicans stand no chance against them…” (Kakavasha’s Sister)

This means that the Avgin people only decided to fight back because the IPC told them that they’d protect them, which they clearly did not do

The IPC also had a financial motive for getting rid of the Avgin people (and the Katicans, though that’s not relevant to the discussion)

We can see in Aventurine’s character story I, “And let’s not forget the letters from the councilors of the Sigonian Sovereignty. They denounce his tribe for once breaking arrangements and sowing discord… resulting in repeated delays in the signing of agreements between Sigonia and IPC.”

The IPC therefore had a very clear motive for deceiving the Avgin people and allowing them to enter a fight unprepared

To make matters worse, the IPC, the hub for technological advancement, medical discoveries, etc, could not save a single person? Not a single man, woman, or child could be saved? Forgive me if I find that unbelievable

“The clan launched a massive attack on the Avgin… who were under the protection of the IPC, resulting in 6,728 deaths and 3,452 missing.”

So… around 4,000 people were missing…? This brings me to my second concern:

The Katicans do not particularly strike me as the type of people who take prisoners - their goal is clearly to exterminate the Avgins

4,000 missing individuals implies that either

1) The IPC did not give a single fuck and simply decided not to search for them (didn’t bother collecting their bodies, tracking down the Katicans who took them, giving them proper burials, etc), or,

2) The IPC DOES know where they are, and decided to mark them as missing persons

As far as real-world tragedies go, I am not inclined in the slightest to give the IPC any benefits of the doubt. These are the same guys who nuked Boothill’s planet. And are currently extorting Belobog. And canonically forced Topaz’s planet into indentured servitude (and were likely going to try the same with Belobog). We don’t even know the full extent of the damage they’ve caused, honestly, and I don’t think we ever will.

After the genocide, there is an unspecified period of time between Kakavasha’s escape and his enslavement. The ‘indifferent man’ in his quest calls him a “scrawny brat”, so he was probably a teenager/young adult at that time. It’s unclear what his history was prior to that point, however we do know:

Indifferent male: “The guys in black didn’t say much…”

…the guys in black? As in, the IPC? Those are the EXACT WORDS that Kakavasha calls the IPC workers multiple times throughout the quest

It also means that he bought him from the IPC

So, at the VERY LEAST one department of the IPC was involved in human trafficking

It would make sense if the IPC had somehow captured him at some point, as he would’ve been like. An unsupervised 7yo in the desert. And of course, upon realizing someone survived the massacre, decides to ‘maximize profit’, for lack of a better word

It’s unclear to me currently why the case of Kakavasha tricking the IPC and the Intelligentsia guild is called the “Eghazyo Aventurine case” because this would have happened before Kakavasha became Aventurine, unless this is a mistake or mistranslation. The voiceover seemed to imply that the name of the case was aired during the time that Kakavasha was testifying, so I doubt that it’s called the Aventurine case because Kakavasha became Aventurine

Another option I’ve seen is that ‘indifferent male’ is the previous Aventurine, which I can’t confirm or deny, though it seems likely

Only thing that doesn’t make sense to me is that if he was the previous Aventurine, why would he call his fellow IPC workers “men in black?” Does anyone know if there are other instances of IPC workers calling each other this?

Aventurine is forced, by ‘indifferent male’ to kill 34 other slaves. He essentially Hunger Games’d 35 people. It’s also implied that it was broadcasted, because other people were betting on it and were making comments about he “looked good”.

At some point, Aventurine manages to trick the IPC and Intelligentsia guild into believing that the remains of Tazzyronth (or the Sand King) are buried in the unclaimed Sigonian desert, costing the IPC billions of dollars and eventually killing the man who bought him (rightfully so)

After that point, he’s taken to trial before Jade, where he strikes a deal: he gets off death row if he proves to be a good investment

Now, let me make myself clear: Jade did not save Aventurine from shit. Aventurine got himself out of a horrible situation by any means he had available to him, and those means happened to involve leveraging his situation and putting his life on the line to prove to Jade he was a worthy investment. I’ve seen people try to argue that ‘joining the IPC is what Aventurine wanted’ but I think this is a shallow and disingenuous argument because it removes the context of his decision entirely. He did that because he felt cornered, and then, presumably, because he hoped he could use the power within the IPC to protect other Avgin people (which is why he asks after them in his character story). I also saw people saying that Aventurine deserved to be on trial…. Which is certainly an interesting opinion. Mind you, the man who Aventurine killed was responsible for the deaths of 34+ people and was actively buying human beings on the black market, so as far as I’m concerned killing him was an act of public good.

A few more things to clear up about this situation:

In the IPC broadcast about the Eghazyo Aventurine case, it conveniently leaves out that Aventurine was enslaved, probably because that could influence public opinion; additionally, I think the erasure of the whole ‘slave’ thing was just to cover their own ass because they knew that shit wouldn’t fly

Aventurine was not ‘in control’ of this situation; too many of you don’t understand what coercion is and that scares the hell out of me. He killed that man because that was the only way he could be free, and after that the IPC sentenced him to death. It isn’t a choice when your only other option is death. It baffles me that people think this.

Jade does not give a single fuck about Aventurine beyond what he provides to the IPC because she cannot conceptualize relationships or the value of human life outside of a transactional purpose, which tracks with her being a debt collector…

Jade literally says, and I quote, “A servant should obey his master”. For the people in the back, A SERVANT SHOULD OBEY HIS MASTER. Who the fuck says that. Even if she isn’t personally involved with whatever human trafficking the IPC has going on (which I seriously doubt she isn’t at least aware of, given her rank), she sympathizes with a literal slave owner over his victim which is genuinely insane.

Something also incredibly important: Aventurine had no legal defense

Like… none at all? I’m not overly familiar with the US legal system, but even in this case I feel like there would be some kind of self-defense justification. Like. He bought people. On the black market. And then made them kill each other. I don’t think killing him warrants a death sentence for Kakavasha (especially one that holds over once he’s a Stoneheart)

This extreme overreaction on behalf of the IPC probably also has something to do with him not having an ‘interastral refugee travel permit’ (mentioned in the first broadcast message during All the Sad Tales) which also begs the question what in the godamn fuck is an interastral refugee travel permit. I can only assume that the IPC is handing out these ‘travel permits’.... Which also means that they are directly responsible (for the sole survivor of a genocide THEY caused) not having one

The fact that the legal system is structured like this does not surprise me at all. It was stacked against him from the beginning and we need to stop pretending this was a power play on Aventurine’s part rather than a desperate last ditch attempt at some form of freedom

Additionally, Aventurine’s banner is literally called “gilded imprisonment” and his light cone is called “inherently unjust destiny” like they literally could not make it more obvious. He just exchanged his old shackles for shinier ones :/

Something else I’d like to point out: Penacony has a grand overarching theme of “a cage is still a cage”; in fact, Himeko says that verbatim in 2.2! I think that’s also important to consider when looking at this situation. 

Also, Aventurine also feels so little autonomy that he was literally willing to kill himself to escape. Like full stop kill himself. His future self tells him that “death” is the only real freedom he will ever experience, and I think that alone demonstrates that the IPC has done nothing more but lengthened his leash. I don’t think it’s fair at all to claim that any of this is what he “wanted” or that he’s like. Enjoying himself. Because 2.1 makes it so abundantly clear that he’s fucking miserable. Like you’re aware that this is still coercion right. What do you think happens if he stops performing well? What do you think the IPC will do to him if he is no longer producing money for them? Quickly. Look me in my eyes

Now onto the elephant in the room: Jade herself

Personally I find her character design gross fetish-bait, but to each their own I guess. It’s not really my business if you like her character for whatever reason. I’m not saying that you can’t enjoy her character, but I do think people should be examining their reasons for liking her a little more closely. Or at the very least not making jokes about slavery. That is very strange. 

I’ve seen a lot of people say that we should reserve judgment for what her character is like until after she’s out; I disagree. I think we have everything we need. (This is coming from someone who could see Aventurine’s backstory from a mile away and predicted it in 2.0. So far my track record is unblemished but if you don’t want to take my word for it I have evidence).

Let’s take a look at her eidolons:

E1: Altruism? Nevertheless Tradable

E2: Morality? Herein Authenticated

E3: Honesty? Soon Mortgaged

E4: Sincerity? Put Option Only

E5: Hope? Hitherto Forfeited

E6: Equity? Pending Sponsorship

That’s a mouthful, right?

Eidolons are supposed to be the truest reflection of one’s soul and provide us information on the character themself. All of her eidolons reference a kind of transactional relationship - in which she evaluates concepts like altruism, morality, and honesty on a scale of how much worth she can drag out of them. This is consistent with what we’ve seen from her character so far. I find the specific statements ‘Hope? Hitherto Forfeited’ and ‘Equity? Pending Sponsorship’ to be… so sinister lmao. Like she is straight up saying the quiet part out loud. Now let’s compare her eidolons to Aventurine’s:

Aventurine’s E1: Prisoner’s Dilemma.

The Prisoner’s Dilemma game theory wherein two people, separated, must cooperate for mutual benefit, or betray their partner for an individual reward. This perfectly reflects Aventurine and Ratio’s plan in 2.1, and goes to emphasize the importance of trust that Aventurine has. 

Aventurine’s E4: The Unexpected Hanging Paradox

At first inspection, the ‘unexpected hanging paradox’ appears to be a regular thought experiment, but actually has to do heavily with probability. The Unexpected Hanging Paradox entails a situation where a criminal is sent to death, however the Judge does not tell the prisoner which day he will be executed on, only that the executioner should ‘surprise him’ over the course of the next week. The prisoner therefore concludes that he will not be executed because it will be impossible to surprise him based on a game of probability. This directly references Aventurine’s experience in court both as Kakavasha, on trial for murder, and when he confronts Sunday.

We can see here that eidolons are absolutely reflective of character goals, intentions, and thoughts. Jade’s eidolons are based entirely on a manipulative, exploitative worldview. Whether or not her worldviews include herself are up for interpretation at this point, but it’s obvious to me that she sees Aventurine as an investment and not a person. The first thing she comments when she sees Aventurine is how pretty his eyes are - immediately assigning material value to his body, which is especially gross considering she is well aware that he was enslaved. 

Then, at the end of 2.2, she makes another cameo - and Aventurine does not seem to receive her well. Understandably so. He mentions wanting to “escape her” during his phone call, providing us with insight into his framework and how he perceives her. He literally uses the word ‘escape’. He does NOT like her. Jade proceeds to call him “child”, which I interpret as at least partially demeaning. She also didn’t seem to care at all when she thought he died in 2.1, so I’m not really sure where anyone got the idea that they were close. 

As another note on Jade’s character design before I wrap up, I personally find it extremely uncomfortable that she has a whip. Again, I’m not going to tell anyone that you can’t enjoy her character, but there are definitely some extremely strange undertones that hyv is leaning into that I really don’t appreciate. I also think the greater reception of Jade’s character deserves its own post because I don’t even know where to start with that. 

So, giving Jade EVERY benefit of the doubt, we can conclude that she: she ONLY knows about the enslavement - but has no personal ties - and does not care, does not appear to care that her colleagues were participating in human trafficking (specifically seemed more put-off about the lack of revenue than the various human rights violations, which makes sense because she doesn’t seem to care about any of the other human rights violations, such as nuking planets, either), would have had no problem sentencing him to death had he not been a company asset, implied that slavery is good, claimed that she didn’t know why Aventurine would kill the person who owned him because it ‘didn’t benefit him’, is participating in the repossession of Penacony by the IPC, is a debt collector (derogatory), did not gaf that her colleague was going on a suicide mission, and did not gaf when her colleague presumably died. 

Footnote: Before you start, no disliking Jade but liking Aventurine is not misogynistic (and that accusation is, in itself, misogynistic), yes, it is disingenuous to claim that Aventurine was not coerced, it is also disingenuous to claim that the IPC had no knowledge of the human trafficking, yes you can still like her. Idgaf. And stop making jokes about racism and slavery, it’s weird and I think your brain should be studied in a lab so that doctors can determine what is wrong with you

In conclusion:

Media literacy is dead and the hsr fandom killed it. 

[ladykailitha]

If I were to do a A/B/O story with Steddie this is how I would do it (I've never done omega-verse for any of my fandoms, but damn there is something about Steddie that just screams it, you know?)

Steve was sold to a place that uses infertile omegas as sex toys. Rut servicing, gang bangs, orgies, or even just pretty arm candy for special events. The point is that the Harringtons sold him when they found out he couldn't be sold to the wealthiest, most influential alphas as a broodmare.

They are pretty much indentured and have to pay off the debt of how much the company paid for them. Steve pays off his debt and stays. Most omegas leave, but he loves what he does. He really loves rut servicing. It's his favorite because he has all the control during the three to four days the alpha is sex crazed. He also loves that he can take care of them without them thinking he's in for the bond bite.

Steve's at some gala or event or whatever on the arm of an older alpha, probably a senator or someone important like that when he meets Eddie Munson, frontman for Corroded Coffin.

They're introduced and they hit off, until Steve mentions offhand that he's infertile. Because that angers Eddie for some reason.

Eddie sets up Steve to be his rut servicer and demands that Steve be placed on some kind of birth control. It's a strange request, but it's granted.

When Steve arrives, Eddie tells him under no uncertain terms that either of them are going to be barebacking. Condoms are required.

This pisses Steve off. He's infertile and these demands are just ridiculous. He can't get pregnant.

Eddie scoffs. If he was infertile it would reflect in his scent. It would be sickly sweet, like overripe fruit. Cloying almost. But Steve doesn't smell like that. He smells darker, woodier, more like spices then fruity.

Steve frowns, he hadn't heard that about omegas, but it made sense, his other co-workers did have that sweet smell, but never really thought about it being different than his own.

But before they could talk it out, Eddie goes into his rut hard. Harder then it's ever been and Steve is pretty much scrambling to keep up with the sex.

At the end of the five days, Steve is worn out and ready to pass out for the next week, but he needs to know what Eddie was talking about.

Eddie tells him that he's not infertile, he's an ultra-fertile omega. So rare that they present in only 1% of the human population as a whole. Red-heads are more common they are.

Basically they are only fertile during their heats, but instead of having only a 1 in 5 chance of getting pregnant like omegas do in heat (1 in 8 out of heat), they can get pregnant 4 in 5 chance of getting pregnant. In fact, they are so revered that they can have their pick of the best alphas in their country. Some of them even go so far as casting their net over the whole fucking world.

Steve isn't sure he believes him, but his parents never tested for it because it was too rare. So it's possible that he could be, it's not like he can test it now. The test needs to be done at the time he presented. The only way to know for sure is if he shared a heat with an alpha (he's not allowed to as service omega to spend it with anything but toys) and he doesn't know of any alpha willing to take the chance that he might be some golden omega.

Only Eddie is totally willing. Willing to even bond Steve, with or without the ultra-fertility.

Steve is shocked. He's even more shocked when he goes into heat just from being so close to Eddie. Because he's on blockers, that's not supposed to happen.

While Steve is still cognizant he consents to Eddie helping him through the heat, suddenly grateful for the condom and birth control stipulation is suddenly very welcome.

It's only a light one that lasts a couple of days, but it's the best he's ever had. The first he's ever shared with an alpha. And he loved it.

He found out that in order to share Steve's heat, Eddie had to pay a lot of money for the privilege so he just bought Steve's contract as a whole. The one he made because he brought in so much money to the company.

They talk about bonding and sharing Steve real heat. The reason Eddie was so insistent on the contraception measures is that his scent had been known to break blockers in the past.

Which makes sense, some alphas just have that strong a scent. It's not a thing like an ultra-omega, but just something that could happen. The company tended to screen those types of alphas and made sure that the omega would be safely whisked away. It just never happened to Steve before.

Eddie courts Steve properly and they bond. And sure enough Eddie was right Steve gets pregnant, and suddenly Steve's parents are banging on the door demanding they be compensated for the fact that he's an ultra-omega and could have been sold for lots, lots more money then the company gave them.

But Steve tells them to fuck off and slams the door in their faces. And Steve and Eddie live happily ever after with their growing family.

First chapter of the full story here.