Hate this internet-enforced misconception that siblings are incapable of genuine human interaction. I've seen people criticizing media for having scenes where siblings hugged, or apologized to one another, or called each other cute nicknames, because "siblings don't do that", and I just? I do that? I have a sister? Whom I love?
Like, either I'm insane, or someone out there needs to tell their brother they love him. Literally, I think "my sibling and I never apologize, we just fight and then get McDonald's together" is the emotionally constipated sequel to "why do I need to apologize to my child, I'm the parent and it would undermine my authority to admit I was wrong". Like, they're different reasons, but the effect is the same. There is a generation of brothers and sisters who haven't talked since they were old enough to move out, and then we turn back and criticize artistic portrayals of siblings caring for one another in the simplest ways because it's "unrealistic". Maybe it's not a good thing that it isn't realistic. Maybe it needs to become a little more realistic, I dunno.
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Ok I'll say it. The post going around celebrating that Texas DA shooting himself on To Catch a Predator is weird and I don't like it.
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good omens the book, 1990: see, queen is so ubiquitous in london these days that if you leave a tape in a car for too long, it'll inevitably morph into a best of queen tape. which is why their megahits are playing in crowley's bentley all the time! isn't that a funny and topical joke?
good omens the show, 2019-2023: yeah crowley's car has a hands-free call system and also only plays cassette tapes. yeah it's whatever don't think about it. what's an incredibly earnest and passionate queen love song we can play during this scene where crowley tries urgently to reach aziraphale
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You’re making a lot of promises there Chara…
Part 24 || First || Previous || Next
—Full Series—
I enjoyed doing this little Flashback scene. We’ll be back to our regularly scheduled freakout session soon. Having monochrome color is very nice.
Here is a gif of Chara spilling their water because YES. And I spent way too long on it :)
Wow technology is so cool.
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some splat doodles in between doing a bigger project for an irl thing
[IMG ID: Three images of various Splatoon characters. Image 1 features Shiver and Frye in alternative detailed outfits reminiscent of their in-game outfits. Shiver is holding her fan and Frye is grabbing her own arm.
Image 2 is a few various drawings of Frye. Top left is her as the 'sitting cutely' reaction image. Top right is tiny Frye dressed as a 'portly little sailor boy' with a lollipop. Bottom left is a tiny Frye doing a peace sign and bottom right is Frye when she sits down in her splatfest performance doing the finger gun pose.
Image 3 is a page full of Marinas plus one Pearl. Left is a fullbody of Marina in coveralls and a tanktop with gloves and a wrench in her pocket. Upper right is a drawing of Marina welding on the ground and kicking her legs. Below that is Pearl and Marina doing the tongue out hands on head anime pose with the label on Marina saying 'built a pipe bomb.' Pearl's label says 'funded it.' /END ID]
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I can’t stop thinking about how every parental figure in Kristen’s life has failed her by prioritizing their other kids.
Obviously, her bio parents are racist assholes who raised her in a fundamentalist cult, and kicked out at 15, all because her parents were offended she was “taking her friends’ side over theirs.” Which she didn’t, what she did was ask for answers and tell them that Daybreak tried to kill her but they refused to believe her. Instead, they chose to make her homeless so she doesn’t spread the idea that her parents don’t know everything. Two years later, and they’re still doing the same thing at the diner.
Then there’s Jawbone and he’s Tracker’s guardian, and unlike Adaine, she didn’t get a speech about how he’d take her in, or what their relationship was, she just moved in with her girlfriend, and he was the adult of the house. And now that she and Tracker have broken up, he and Sandra Lynn don’t seem to have made the time to talk to her about what that means for her place in this family. Adaine came back from spring break to gifts for every birthday she had without Jawbone and adoption papers. Kristen’s mail from her school was going to her parents’ house when she lives with the guidance counselor.
Then, there’s the fact that when Sandra Lynn and Jawbone moved in together, she took on a role she clearly wasn’t ready for, as she was still repairing her relationship with Fig. Kristen had to be the one to finally snap her out of her self destructive spiral with Garthy and then Sandra Lynn asked her to keep it a secret. Meaning she wouldn’t be able to tell Tracker, the only person who has been meeting her emotional and physical safety needs, above just giving her a room to live in. (And we know this is true because part of the reason Nara and Tracker are together is because Nara doesn’t need those things from Tracker). And yes, Sandra Lynn apologizes to the whole group, as she should, for putting their home in jeopardy, which is a massive step. But she never talks to Kristen about putting her between the 3 people responsible for keeping her out of her parent’s house.
So Sandra Lynn calls Fig, “her only daughter in the world,” and Jawbone is only legally responsible for Adaine and Tracker, and neither of them, nor any other adult, has asked if Kristen feels safe or if she’s okay. Like I’m sorry, who the fuck is taking care of the cleric who’s god and teacher died in the same year, is going through deprogramming from a cult that wants her back, her first breakup, seeing her estranged parents and siblings again, and now being expelled on zero grounds despite working herself to the bone to make sure her party gets to go to college?
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Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.
For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.
And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.
I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.
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