#JC Bach

[senfonikankara]

J.C. Bach | Sinfonia Concertante

[onenakedfarmer]

Currently Playing

Sebastian Knauer BACH AND SONS 2

Zürcher Kammerorchester

Johann Sebastian Bach Concerto for Harpsichord in A Major, BWV 1055 Concerto for Harpsichord in F minor, BWV 1056 Concerto for Flute, Violin, And Harpsichord in A minor, BWV 1044

Johann Christian Bach Concerto in F minor, WC 73

Carl Philipp Emanuel Bach Concerto for Keyboard in G Major, Wq 43/5

[garland-on-thy-brow]

I have heard they were a large family but did not know there were over 50 of them.

[pianistbynight]

Hello, I'm terribly homesick and I generally feel a little lost in life (a now-usual, anxiety-inducing occurrence when not stuck in the uni grind 😅🙃) but don't want the opportunities I have right now to go to waste, so here's my plan for the next 4ish weeks:

Practice piano at every opportunity

Attempt to learn Robert Schumann's Kinderszenen. All the pieces because while each sounds good on its own, it sounds even better as a collection. I'm aiming to get them to Tiffany Poon level of nuance lol

Finish learning Clementi sonatina op. 36 no. 3, spiritoso

Learn JC Bach's sonata op. 17 no. 2, finale, when I get bored of either of the 2 above

Sight-read every time I practice piano which should be almost every day

Learn a new technical exercise and/or push a new speed boundary in one I already know

Other activities to do when I get bored or tired of practicing

While at the piano, read the music theory book

Read Leviathan Wakes

Read the HSP book

Japanese on Duolingo because I just fell in love with the language (so easily whispered! and i find the rhythm cool) while visiting Japan (@zzzzzestforlife says i just need to spend 2 mins doing 1 lesson each day so that's what i'll do bc...i don't feel like getting too serious about many things right now...)

Report back to tumblr on my progress

[edge-oftheworld]

orchestral teeth/twl/nitsw/ /lom/goy/lonely heart

draft 2 of the first two movements is up <3

hope you enjoy!! there's a bit of layering of parts that may or may not clash in some places (don't mind the end of the first movement)

enjoy a lot of cello melody (bc luke's voice), unpolished danceableness, a bunch of key changes in teeth (because i'm trying to mimc 4 versions of that song in 2 different keys) and me trying to convince you ghost of you is on calm so that the violas get a solo in calum's verse :)

link to movement 3's first draft and older versions of these

inspired by (other than 5sos):

-the moldau by bedrich smetana -little threepenny opera suite by weill -wine, women and song by strauss -viola concerto in g by telemann -viola concerto in c minor by jc bach

no timestamps sorry. each movement blurs the 3 songs together you just gotta hear it through. anyway go listen to the inspo too if you feel like more classical music!

this is a demo made using musescore, not recorded with live instruments (yet)

[hartshorn-and-isinglass]

I'm going to ensure that no normal person is ever going to reblog this by describing this piece as an absolute panty-dropper. You've got this bluesy call-and-response between the vocalist and the solo violinist, who is going absolutely ham by 17th century standards. And the lyrics? The Song of Solomon.

For a long time I assumed JC Bach was a younger relative of JS Bach, but he's actually older. His music seems ahead of its time, whereas the more-famous Bach was a little on the conservative side musically--I can't be the only one who's gotten this wrong.

...

Ich beschwöre euch, ihr Töchter Jerusalems, findet ihr meinen Freund, so saget ihm, daß ich vor Liebe krank liege.

*sigh*

[grecoromanyaoi]

I think (JC) bach is my fave overall composer for cellist reasons HOWEVER. I think the most fun composer of all time is offenbach. he was probably amazing at parties

[art-of-manliness]

Classical Music 101: The Era That Put the Classical in Classical Music

Welcome back to our series, Classical Music 101! Our goal with this series is to provide an approachable, non-intimidating introduction to classical music so you can start appreciating this timeless musical genre. In our last article, we explored the rich and intricate music of the Baroque era, a period marked by elaborate ornamentation, expressive melodies, and the rise of instrumental compositions. We took a look at the works of composers like Vivaldi, Handel, and JC Bach, who defined the Baroque sound with their dynamic and complex compositions. In today’s article, we’ll explore the Classical era, a time when music got more natural, refined, and elegant, and you’ll meet composers like Haydn, Mozart, and Beethoven. These musical giants set the standard for Western instrumental music, so much so that we now refer to all Western concert music, regardless of the era in which it was composed, as “classical” music. The Classical Era (1750-1820) The Classical era began roughly around 1750 and ended around 1820 with the rise of the Romantic era. The transition from the Baroque to the Classical era marked a fundamental shift in aesthetics. Music moved away from the intricate polyphony and intellectual rigor of composers like Bach and towards the accessible melodies and emotionally expressive style championed by the likes of Haydn and Mozart. While Baroque music sought to capture the grandeur and complexity of the natural world in an objective, almost mathematical manner, Classical music aimed for a more subjective ethos. The goal was to create music that expressed the inner thoughts and emotions of an individual through vocal lyricism and easy-on-the-ear melodies. Bach’s sons played a pivotal role in the transition from the Baroque to the Classical era (Fun fact: Bach had 20 – 20! – kids; the guy not only birthed a ton of Baroque bangers but also sired a prodigious passel of progeny.) During the 1750s, sons Johann Christian, Carl Philipp Emanuel, and Wilhelm Friedemann took Baroque ideas and began modifying them slightly into a style that would lay the groundwork for Classical greats like Haydn and Mozart. Just as larger socio-political trends shaped Baroque music, Classical music was also influenced by cultural changes in the West at the time, specifically the Enlightenment. Enlightenment era thinkers emphasized reason, individualism, and humanism, and they looked to ancient Greece and Rome for inspiration on cultivating these ideals. This emphasis on classical Greek and Roman culture during the Enlightenment was called Neoclassicism. During the Enlightenment, political philosophers used the works of Plato, Aristotle, and Cicero to support their arguments for individual rights and republican forms of government. Architects emulated the architecture of ancient Greece and Rome with its emphasis on simplicity and order. Artists would create paintings depicting classical myths. All these Enlightenment thinkers held the optimistic belief that one could achieve excellence politically, morally, and artistically through reason and discipline. Thanks to advances in industrial production and the rise of governments that emphasized individual rights, a burgeoning middle class began to develop and started flexing its economic power by seeking entertainment that resonated with their democratic and individualistic ideals. Instead of the complex and ornate Baroque art that appealed to royalty, Enlightenment middle classers wanted art that was accessible, inspired personal edification, and was emotionally direct. Musical composers that were alive during the Enlightenment responded to these changing tastes and ideals by creating a musical style that became known as Classical. Characteristics of Classical Era Music Clarity. When you listened to a Baroque tune, it was often hard to distinguish different parts of the song. There was a lot going on. The components of classical music are much clearer. Instead of creating songs with mathematically intricate parts that worked together to… http://dlvr.it/TBtGsq

[afactaday]

#aFactADay2024

#1124: Henri and Marius Casadesus were a violist and violinist (resp.) who wrote pieces of music and attributed them to popular composers. Marius claimed to have found the "Adélaïde Concerto" manuscript by Mozart in 1931 and re-orchestrated and performed it. it was given a place in Köchel (the standard catalogue of the aforementioned pianist's works) and recorded by Yehudi Menuhin, a renowned player. when Marius failed to present the autograph he stumbled upon, and scholars realised that Mr Wolfgang was not in Versailles at the date claimed on the original, suspicions arose, and in a 1977 copyright court case, Marius admitted to having penned it. similarly, Henri devised concertos accreditted to CPE Bach, JC of the same family, GF Handel and Boccherini. from the beginning people supposed that they could have been by Henri and he never denied it. the concerti are still often referred to in double-barrel between the two alleged artists.

Marius said the trick (called by some "a hoax ala Kreisler" (another famous and similar scandalist who pulled off Vivaldi, Corelli and others)) was almost an accident: he was trying out some tunes in a classical style ready to modernise, but noticed that they sounded like Amadeus. in the hearing, he held that he staged them to his friends and asked what it sounded like - everyone insisted that it was by he who i just named. so he rolled with it.

the reason i found this was because i'm playing one of Henri's concertos and i wondered why some albums listed Henri Casadesus while others listed the more well-known London composer. tbh it's much better than anything else the latter could have dreamed of.

[markseow]

Schleswig-Holstein Musik Festival 23 July 2023

JC Bach Harpsichord Concerto Op 1/6, Abel Symphony in E-flat Op 7/6, Mozart Symphony No 1, Arias by Duni and Arne. The Mozartists, led by Alison Bury, directed by Ian Page. Soloists Steven Devine, Benjamin Hulett, and Alexandra Lowe. Petruskirche, Kiel, Germany.

[senfonikankara]

Cumhurbaşkanlığı Senfoni Orkestrası & Orkestra Akademik Başkent

11 Aralık 2023 Pazartesi, 20:00 CSO Mavi Salon

Bach | Brandenburg Konçertosu No.3

C.P.E. Bach | Çello Konçertosu No.3 

Sammartini | Senfoni JC 32 & 39

[onenakedfarmer]

Playing

Johann Christian Bach WOODWIND CONCERTOS VOL. 1

Anthony Halstead Anthony Robson, Rachel Brown, Jeremy Ward The Hanover Band

Concerto For Oboe with String Orchestra and 2 Horns in F Major, CW C81

Concerto For Flute with String Orchestra and 2 Horns in D Major, CW C79

Concerto For Bassoon and Orchestra In E-flat Major, CW C82

[garland-on-thy-brow]

Had a difficult day but now Lucio Silla came up in the playlist and I guess things are not that bad? Lucio Silla you are my only ho.

[cparti-mkiki]

how on EARTH is jc bach so popular

[macmusicguy]

Tom's Tracks on the Tens: Solfigietto Jam

Another Tom Track on the Tens: Solfigietto Jam. Could JC Bach create Jazz?

It’s another installment of Tom’s Tracks on the Tens! Solfigietto Jam is on the Accessible Depth album, and arose out of a frustrating piano lesson. I had a college piano student [ a music major, but not a piano major] who was “working” on the JC Bach piece Solfigietto – and it was OBVIOUS they were practicing maybe 30 minutes a week, if that. So I made them struggle through and play the entire…

[maraismagic]

Album of the day: CPE and JC Bach on the viol. Wonderful 🌸