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#Lawrence Lindo
curryvillain · 2 years
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OLDIES SUNDAY: Burning Spear - Marcus Garvey (1974)
It’s Reggae Month and Black History Month, so we continue to honour those who have made strides in taking the music to another level, and those who have fought for the freedom of Black People. Today’s Oldies Sunday focuses on one of the most important voices in Reggae, and one of the most important Black figures in History. We check out Burning Spear’s “Marcus Garvey“. Produced by Lawrence Lindo…
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Because we love this scene so much here are some amazing GIFs. Tuello is definitely the MVP.
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nickblaine · 2 years
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season 4 script summaries
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previous script summaries: season 3, season 2, season 1, seasons 1/2 cont’d also, check my tht scripts tag for gifs, excerpts, and more details
good news! there are no deleted Nick/Osblaine scenes in season 4. i’ll just be summarizing the subtext that is written into the script and comparing differences to the onscreen version.
before i begin:
• everything described here is from the official scripts that are archived at the Writers Guild in Los Angeles. • the scripts i read are final drafts. there is no “writing in the margins.” everything described here is from dialogue and script direction that was used on set during filming. (you can see an example of what these scripts look like in the 4x07/4x10 links below.) • the library has strict no copies/photos rules in place which is why i can only summarize what i read. • anything in italics is a direct quote for the sake of clarity. • feel free to ask questions and i’ll answer to the best of my ability. my private notes are pretty detailed, but if i need to do more research i may save the answer for a future library visit. • please do not share this post without my permission. thank you in advance for respecting my wishes.
4x01
In prison, Nick is very aware of the Guardian in the room and can’t speak openly because of it. He speaks in code to warn Lawrence that he’s going to be executed and thank him for helping June. This establishes a pattern of Commander Blaine using Gilead code to communicate, as seen in several future scenes.
4x02
When June sees Nick at the farm, she knows immediately that he is there to arrest her.
It’s implied that Nick asking where the Handmaids are is code to June so she knows they are okay. (This is confirmed in the next episode when he does it again.)
June spends a good minute considering shooting the Eyes in a blaze of glory and making this her last stand. Nick “jerks her attention away from the decision” by saying “don’t” and telling her that he’s trying to keep her alive.
The scene ends with June saying “fuck you” before the Eyes swarm her, but this line wasn’t in the final cut.
4x03
In the van, June is “stung by [Nick’s] betrayal.”
Nick can’t speak freely to June because he assumes there are eavesdroppers. He uses code to “pass along news” to her that Mrs. Keyes is safe and the Handmaids are still free. June finds this news a relief.
Nick asks where the Handmaids are and when June doesn’t give him an answer, he actually warns her in a low voice (uncoded) that she isn’t strong enough to take what the Eyes will dish out if she doesn’t turn them in. This wasn’t in the show.
When Nick quotes the bible to her - “June hears this for what it is -- an honest wish for the woman he loves.” But Lydia “breaks the connection.”
Moving onto the Nick and Lawrence scene... I want to be clear, Nick does not expect Hannah to be used against June. This is not present in the script at all. All he asks of Lawrence is to get June to talk before the Eyes kill her, with no expectation of how it’s done. He is only thinking of keeping her alive.
Also, throughout the Nick/Lawrence scene, Lawrence thinks about Eleanor a lot. “Some women just don’t want to be saved” was a direct reference to her. Lawrence compares Nick’s love for June to his love for Eleanor, and is struck by “the simplicity of [Nick’s] wish [to keep June alive.]” But he really believes Nick needs to just let her go, like he had to let go of Eleanor. This is why he refuses to help until Nick threatens him.
Speaking of, Nick’s veiled threats are what makes Lawrence decide to take him a little more seriously.
The scene where Hannah doesn’t recognize June was written to be much shorter than what we saw onscreen. Hannah was actually supposed to be muzzled, and just the sight of her crying through the muzzle is enough to shake June into giving up the Handmaids.
The meeting on the bridge was scripted a little differently than what we see onscreen. Lizzie's directing softened the scene quite a bit.
June is muzzled, and being transferred to the Birthmobile on foot when Nick joins her side, whispering apologies as he walks with her. She ignores him until he says Hannah is safe at home. June stops and starts breaking down crying. Nick reaches out and touches her shoulder, “letting his finger trace the skin of her neck.” June reacts by embracing him. The guards try to pull them apart, but Nick just gives them a look. “He’s a Commander,” so the guards stop and let her go. Nick removes her muzzle and she cries about Hannah being scared of her. There’s a line here that I love, I have to quote in full—
“NICK: She loves you.
June tries to believe this.
NICK: I love you.
This, June believes.”
June then realizes she may never see Nick again and kisses him goodbye. Very little script direction here, it’s simply described as “just one long moment.” Then the guards lead her away.
Also, it says in the script that Alma and Brianna are hit by the train because one of the Handmaids was shot and they both reached back to help her as she was falling, causing them to miss the opening before the train hit. Janine was just dissociating and humming songs to herself the whole time, not as upset as we see her onscreen.
4x04
I just want to note here that the script confirms Janine’s current age is 23. After she changes out of her Handmaid uniform, “she looks like the 23-year-old kid she is.”
4x05
June spends this whole episode irritated at Janine and Stephen’s relationship because she feels like she failed to protect Janine, which is part of a recurring theme of June feeling like a failure throughout this season. Janine has to remind June by the end of the episode that she doesn’t need saving, and June is only trying to do so to make herself feel better.
There is no scripted response to Lawrence’s “would your heart glow” line. So Nick’s laugh was entirely unscripted lol.
The script specifically refers to Lorraine and Reese (the Marthas) as Nick’s “black market contacts.” As we know from s1, Nick has always had a connection to Gilead’s black market.
When Lorraine goes off on Nick about June, she and Reese expect a scolding from him because it’s “a suicidal way for a Martha to talk to a member of the Eyes.” But Nick just apologizes on June’s behalf, surprising them both.
In the show Nick says “I care about her” but in the script it was: “She’s all I care about. In the world.”
The Marthas are “surprised by his vulnerability, but Lorraine stays icy.” Her scripted response was actually supposed to be: “Swipe left. You’re better off without her.”
Reese hangs back and offers help to Nick because, as she says to him, “I loved someone in Gilead once, too.”
In regards to the council meeting - if I’m understanding correctly (because the scripts are kind of vague and more focused on the soapy aspects of the political standoff in this episode) - Lawrence’s goal is to get sanctions lifted, but when the council turns him down he shifts his plan to get on the council himself so he can pursue his reformation goals unopposed. This is why he agreed to bombing the ceasefire that he proposed in the first place.
Not much is said about Nick’s reaction to ordering the bombing, besides the fact that it catches him off guard and he “looks shaken by his orders to bomb June.“
4x06
When Moira confronts June trying to abandon ship and tells her that Luke never gave up on her after all those years, there was a cut part of that line where Moira said: “[Luke’s] a good guy. And he handled it pretty well when you had a baby with another man.“
4x07
Click here to read the full script that is available to the public.
4x09
When Luke suggested they ask Nick for help with Hannah, there’s not too much script direction, but there are a few interesting lines. When she says Nick would do anything for her and Holly, Luke finds that “both hurtful and hopeful.”
June is floored that Luke “is encouraging a meeting with her former lover? It’s incredibly strange. And also enticing.” It also says she had “put her relationship with Nick behind her. Locked it away. Now Luke has opened the door again.”
When she agrees to meet with Nick, Luke is described as “pleased, yet uneasy.”
As June heads off to see Nick, she and Luke are both “on edge.”
There was actually a cut moment between them and Mark before she leaves. After Mark tells her his officers will be nearby, he gives her a panic button FOB to call them if she needs help. This makes Luke freak out a little. He tells June she’s not going unless it’s safe. She doesn’t like that and insists she can take care of herself. Mark explains that while he has used this location for meetings before, he “can’t vouch for the party involved” because - in Mark’s words - “[Nick] does have a history of violence and allegiance to Gilead.” But June shuts both men down with: “He’d never hurt me or Nichole. I vouch for him. Completely.”
Once June is in the car, she exhales. “There’s no facade to put on for Luke, now that she’s alone.” She looks back at Holly and says, “Okay, we’re off. Excited to see your Dad? Yeah?“ then she smiles at Holly and says “me too.”
When she finally sees Nick, “their eyes lock. They’re both tentative. Unsure. It’s amazing to be together again, yet it doesn’t feel real.”
Nick is described as “almost overcome, so happy and relieved to see June alive and healthy.”
When they move inside, Nick tries to help June with the stroller and he’s described as “awkward” lol.
As we see in the episode, June is moved by Nick’s folder of Hannah intel. After this, “her official mission has been accomplished. She can leave. She doesn’t want to.”
The kiss has very little direction, as usual it’s all Max and Lizzie’s chemistry that makes it so good. “They can’t resist. They kiss, with longing and passion.” Then they move apart “both knowing they shouldn’t go any further.”
Nick was supposed to hold Holly “with love and wonder” per the script, but they couldn’t because of Covid protocols. It does say Holly loves her doll, though.
Their goodbye was also much different in the script. June simply buckles Holly up in the car, tells Nick she can’t thank him enough, and “tries to keep it together.” Nick tells her “keep yourself safe, and be happy.” They share a final look before she gets in the car and leaves.
On the drive home, June is just described as “[getting] emotional, but keeps moving on.”
Nick is described as “stoic, but drained by the experience” before he puts his wedding ring on.
When June returns home, Luke is “relieved” that she returned to him. June collects herself and “she has so many more steps to take, but she’s trying her best to move forward.”
4x10
Click here to read the full script that is available to the public.
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Spoilers
5x10 Safe
My thoughts...
I do love that they used Billie Eilish's Bury a Friend as ending music to episode it was perfect for that moment between June and Serena. And of course after the whole episode of not seeing her, Serena would pop up on the same train June's on. Not that I mind it too much. If we like it or not it seems those are going to be floating in and out of each lives more and more.
What I wasn't happy with the imagery of masses of people being put on trains late at night being only told they're going West. It reminded me too much of a certain group back in the early 1940 putting masses of certain groups of people on the trains not telling them where they were going, they ended up at concentration camp where they were tortured and murdered. I'm not sure if that was the visualization they were going for if they were trying to actually have a stink back to that or not. Because The Handmaid's Tale is a dark show so it could have been done purposely. If that was for reason that's fine and I'd like to know what the reason was used. But if not I'm really not happy about that imagery especially if it was done and they weren't consciously thinking about it. Although it could of just hit me that way.
Janine coming back to herself as it were in the 11th hour I thought was brilliant. It was like hearing June's name or news snapped her right back to herself. Madeline Brewer is so outstanding and freakin powerful as Janine. Love how she told the now Mrs. Lawrence off!! I am worried about her now though.
Nick is in heap big trouble. I'm not surprised by his actions watching him punch Lawrence was highly entertaining. Let's be honest his marriage to Rose was always going to an issue on any number of levels. But I'm more scared what they may do him now. Especially with who Rose's father is. I think that's going be the bigger issue then he punched another Commander.
I'm not sure how I feel about what Luke did. Didn't Mark give them fault identifications for both June and Luke? Or did I misunderstand something. So why didn't Luke use them? Or is he right leaving his wife and (not ready his) child again is the better option. But for who him or them? I'm just not sure if he's being selfless or selfish again. Only time will tell.
Ok not cute show having June be run over by an asshole in a truck!! Nearly lost my dinner, I know the is show always fucking with June; doesn't mean I like it! Especially when she ran over, that's too close!! Luke did do a very good thing by stopping that asshole and protecting his wife though.
I will say this season definitely went unexpected direction from where I thought it might go. For me it was a bit of slow start but now after watching the whole thing it's more like when your slowly climbing that hill on a roller coaster then you get to top... then it's crazy ride the rest of the way. Yea for me that explains season 5 of The Handmaid's Tale. Can't wait for season 6, even though it's the final season.
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iwasbored777 · 2 years
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I swear if it turns out that Lawrence saved Janine's life I will love him again but he is so weird he constantly holds me on the love-hate impression and I don't know how I feel about him.
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ryonee · 1 year
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Ay eseeeeeee. Gracias! Si viendolo bien claramente era hey arnold xD mi memoria es MUY mala.
Pero! Aproveho este momento para preguntar, has visto los dibujos de lawrence forma pikmin/papita? Son MUY tiernos y apapachables.
-anon 🌈
Awww si están bien lindos!! Me da mucha risa uno donde están todos mordisqueados jajajaja más uno que tiene una mordida en la pompi!! Es demasiado adorable!!! Me encanta(⁠灬⁠º⁠‿⁠º⁠灬⁠)⁠♡
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》𝕎𝕖'𝕧𝕖 𝔹𝕖𝕖𝕟 𝕊𝕖𝕟𝕥 𝔾𝕠𝕠𝕕 𝕎𝕖𝕒𝕥𝕙𝕖𝕣.《
// a handmaid's tale multimuse RP & ask blog
// mun : saahs, 25+ any pronouns
• • • • • • • • • • • • • • • • •
( based off of the television series, the same-name novel, and The Testaments novel. ) featuring Aunt Lydia, Joseph Lawrence, and Janine Lindo
!! spoilers up to season 5 !!
• // MOBILE NAVIGATION :
ooc 》《 RULES . 》 MUN .
ic 》《 MUSES . 》 MEMES (there are none yet) .
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snowchub · 2 months
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Amor grande y gordo🍔
Lawrence y Dani también son estudiantes de la universidad A, pero su historia de “amor” comienza desde la secundaria, donde su relación no era la mejor. Lawrence era el bully de Dani; claro que, en esa época, Dani no tenía el mismo peso que ahora. Antes era un lindo twink al que muchos querían. Tenía una figura envidiable y su belleza enamoraba a cualquiera, excepto a Lawrence. A él, Dani solo le causaba más molestia. Cada vez que lo veía, le desagradaba, y lo que más deseaba era humillarlo frente a todos. Por eso, cada vez que podía, lo hacía caer en medio de los pasillos, le robaba el almuerzo o le tiraba sus cosas.
Para sorpresa de muchos, la reacción de Dani frente a estos abusos era una gran sonrisa. Desde hace mucho se había fijado en el pelirrojo, pero jamás había intentado hablar con él, pues nadie sabía su orientación. Jamás lo habían visto con un chico o una chica, e incluso muchos asumían que era asexual. Así que Dani solo olvidó la idea de tener una relación y aceptaba con gusto el poco tiempo que pasaban juntos, aunque eso implicara ser lastimado por Lawrence.
La frustración de Lawrence solo aumentaba al ver esa sonrisa boba en el rostro de Dani, como si le pareciera divertido ser molestado. Estaba harto y debía encontrar otra forma de quebrarlo. Sin importar lo que pensaran los demás, llevó su obsesión de humillar a Dani un poco más lejos. Cambió su estrategia y se hizo cercano a él. Fingió una disculpa y, como ofrenda de paz, le daba comida grasosa cada vez que tenían receso. Se empeñó en hacer que esa linda carita que todos amaban desapareciera de cualquier forma.
La respuesta de Dani ante las disculpas de Lawrence fue positiva. Aceptaba con gusto la comida que le compraba, jamás rechazaría el regalo de alguien que le parecía lindo. Incluso aprovechaba la cercanía para conocerlo más. Siempre que lo veía en los pasillos, Lawrence estaba solo. Sus expresiones eran frías y secas, y a nadie le gustaba estar cerca de alguien tan antipático. Pero ahora que estaban hablando, Dani podía conocer más sobre el chico enorme e intimidante al que todos le temían.
Con el tiempo, la confianza no tardó en llegar. Lawrence se sentía cómodo estando al lado de Dani. Le contaba cuando se sentía triste o enojado, y cuando estaba frustrado, Dani siempre encontraba una forma de tranquilizarlo. Pero para este punto ya habían pasado muchos meses y el peso de Dani se había disparado. Su ropa apenas cubría su cuerpo, ya no soportaba estar tanto tiempo parado, caminar o correr lo cansaba demasiado, y su apetito se incrementó al triple. Lawrence se sentía culpable de haberle hecho eso a alguien tan amable que, a pesar de lo terrible que lo había tratado en el pasado, no dudó en perdonarlo. Cuanto más lo pensaba, más miserable se sentía, sobre todo por la idea enfermiza de ver a Dani mucho más atractivo ahora que estaba gordo y no cuando era delgado. Su cabeza era un caos.
Había llegado el día de la graduación. Dani ya necesitaba dos sillas para poder sentarse y estar más cómodo. Su traje y toga fueron hechos a medida, pues no había una talla que le quedara bien. Lawrence estaba demasiado nervioso; ese día iba a confesarle a Dani lo que le había hecho. No podía vivir con la culpa de haber lastimado al ser más dulce del mundo.
La ceremonia pasó y cada vez que Dani intentaba acercarse a Lawrence, este lo evitaba. Cuando tuvo una oportunidad para estar lejos de los demás, la aprovechó y se encontraron bajo un árbol grande decorado con luces amarillas. Dani estaba emocionado, esperaba que Lawrence al fin le pidiera ser novios.
Pero inmediatamente Dani escuchó la confesión de Lawrence, su sonrisa se borró. Estaba confundido. Hace muchos meses había notado que estaba más gordo. Cada semana subía de 2 a 5 kilos, y sus padres insistían mucho en el tema de hacer dietas y ejercicio, pero no quería porque le gustaba tener esos momentos especiales con Lawrence cada vez que le compraba algo delicioso. Quedó en shock y sintió cómo sus lágrimas corrían por su rostro. Se sentía humillado; lo que tanto había querido, Lawrence al fin lo había logrado.
—Cada vez que me miraba en el espejo pensaba que me veía lindo para ti aunque a los demás no les gustara —dijo Dani con la nariz roja y los ojos hinchados. Sentía que su corazón se había roto por completo. Lawrence, al escuchar eso, no dudó en tomarlo del rostro para que lo viera directamente y, sin titubear, le contestó:
—Dani, nunca he dicho lo contrario… eres hermoso, me gusta verte comer y adoro que cada mes te haces más gordo. Me gustas mucho, eres el chico más adorable y tierno que haya visto. Perdóname por no notarlo cuando estabas delgado.
Como era de esperarse, luego de sus palabras, Dani estaba indeciso. Había hecho un cambio en su cuerpo tan grande por amor a Lawrence que lo mejor era confiar en él. Por suerte, para ambos, a partir de ese momento hasta ahora, Lawrence jamás ha dejado de repetir cuánto ama a Dani. Todavía continúa la costumbre de comprarle comida grasosa en el receso, le compra ropa nueva, pero de tallas más pequeñas para que su cuerpo regordete siempre esté a la vista. Le gusta exhibir a su novio y decirles a los demás que es solo suyo.
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roxystudios · 6 months
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Hola otra vez lol, no tiene nada que ver con la reacción pero aqui dejo un poco de cosas sobre Lawrence (mi oc imposter) ☆
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🇺🇸: "hmmp stop cheating!"
Que lindos amiguitos! Esperemos que no les pase nada malo.....verdad?
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Jeje este si es el del presente, un dato sobre Law es que se lleva bien con los niños ^w^♡ ternura verdad?
Btw los dibujos los hice yo por si se preguntan
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l4-r4t4 · 6 months
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ugu, me dio por dibujar a Lawrence y ahora que probé TPOF recien me inspire paradibujar a mi oc con Ren JAJKKSJS y a Lawrence tbn
una artista de twitter quen dibuja bien lindo tambien fue parte de mi inspiracion jijiji
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nickjunesource · 1 year
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And The Winner Is...
"4x09- Family Moment"!
What a beautiful and deserving moment it is.
Thanks so much to everyone who voted! We hope that you enjoyed participating!
Any thoughts on the final round of the Battle of Osblaine? Were you surprised by the winning scene? What about the bonus questions- did those results surprise you?
The full final poll results, including all bonus questions, are under the cut.
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"4x09- Family Moment" defeated "2x13- Nick holds Holly" by a vote of 61 to 41.
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Only 44 people responded that their favourite scene made it to the final showdown while 58 voters did not see their favourite scene make it. Sorry to all of the voters whose favourites didn't get to the end!
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Looking below, these scenes were the favourites of the Osblaine community:
"4x03- Bridge": 23 votes (22.5%)
"1x05- First time": 16 votes (15.7%)
"1x06- Wall kiss": 12 votes (11.8%)
"4x09- Family moment": 10 votes (9.8%)
"1x10- I'm pregnant": 5 votes (4.9%)
"2x02- Boston Globe": 5 votes (4.9%)
"2x07- What about you?": 5 votes (4.9%)
"1x06- Hand touch": 4 votes (3.9%)
"1x03- Ice": 3 votes (2.9%)
"1x08- Morning after": 3 votes (2.9%)
"2x12- She's too smart": 3 votes (2.9%)
"2x09- News from Canada": 2 votes (2%)
"2x13- It's ok": 2 votes (2%)
"2x13- Nick holds Holly": 2 votes (2%)
"3x06- Snow kiss": 2 votes (2%)
"2x10- Stairs": 1 vote (0.98%)
"2x10- Snow hug": 1 vote (0.98%)
3x03- Doorway hands": 1 vote (0.98%)
4x10- Woods kiss": 1 vote (0.98%)
5x10- Forehead kiss": 1 vote (0.98%)
All other scenes (12 of them) got zero votes.
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When it comes to favourite seasons, Osblaines were pretty split:
Season 2: 51 votes (50%)
Season 1: 43 votes (42.2%)
Season 4: 7 votes (6.9%)
Season 3: 1 vote (0.98%)
Season 5: 0 votes (0%)
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According to respondents, these were their favourite Osblaine episodes:
4x09: 22 votes (21.6%)
1x05: 20 votes (19.6%)
1x06: 19 votes (18.6%)
2x02: 10 votes (9.8%)
2x13: 6 votes (5.9%)
4x03: 6 votes (5.9%)
2x09: 4 votes (3.9%)
2x06: 3 votes (2.9%)
1x08: 2 votes (2%)
2x10: 2 votes (2%)
4x10: 2 votes (2%)
1x04: 1 vote (0.98%)
1x10: 1 vote (0.98%)
2x03: 1 vote (0.98%)
2x04: 1 vote (0.98%)
2x12: 1 vote (0.98%)
5x10: 1 vote (0.98%)
All other episodes (14 of them) got 0 votes
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As for favourite characters, Nick was the clear favourite, followed by June:
Nick: 82 votes (80.4%)
June: 15 votes (14.7%)
Serena: 2 (2%)
Joseph Lawrence: 1 vote (0.98%)
Janine Lindo: 1 vote (0.98%)
Alma: 1 vote (0.98%)
All other characters received 0 votes
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Where are our voters from? Most are from North America, followed by Europe. We had voters from 5 out of 6 continents!
North America: 60 votes (58.8%)
Europe: 30 votes (29.4%)
Oceania: 6 votes (5.9%)
Asia: 5 votes (4.9%)
South America: 1 vote (0.98%)
Africa: 0 (0%)
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bzedan · 11 months
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I decided to make a new queer monster playlist for this year. I wasn't sure which monster to do, as I had a couple of ideas, but in the end, the Creature From The Black Lagoon won out. I should have known they would, they were a muse to me one Inktober and I've loved them since.
Serving Cunt From The Black Lagoon, a playlist for those who just want to relax in the bath and not have to deal with other people's nonsense.
All the queer monster playlist posts:
Fun Vampires
Mamí
Queer Frankenstein
Gay Ghosts
Lesbian Werewolves
Tracklist after the cut, image description in alt text.
'Discuss Feelings' - Mark Mothersbaugh
'Mother Nature (feat. LP)' - The HU
'You're Mine' - Phantogram
'Naive' - Kalandra
'Joke's On You' - Charlotte Lawrence
'Oh to Be in Love' - Kate Bush
'Old River' - Orville Peck
'Lonely in Your Nightmare - 2001 Remaster' - Duran Duran
'Mutilated Lips' - Ween
'Rescue, Mister' - TR/ST
'I Want Candy' - Bow Wow Wow
'Ojitos Lindos' - Bad Bunny
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How lovely is this!!!??? This cast is amazing.
Video courtesy of OT Fagbenle’s IG account
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juneandnick · 5 months
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I intentionally left out the characters of June Osborne and Nick Blaine. With the aim of directing the poll to characters other than Osblaine.
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fine-soup · 7 months
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RESPONDE SINCERAMENTE.... para una relación romántica ¿prefieres a lawrence o a Strade? Ya se que ese par no son nada románticos en ningún contexto pero si tuvieras que elegir a uno cual seria... 👁👁
Esp
Esta es buena, si me pongo a pensar en una relación romántica en si, Lawrence sería una buena opción... Y yo no elijo buenas opciones por lo que me iría por strade ya que algo lindo lindo no soy de buscar algo así :3
Eng
This is good, if I start thinking about a romantic relationship in itself, Lawrence would be a good option... And I don't choose good options so I would go for strade since something pretty nice I'm not into
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idv-askchaoticduo · 10 months
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³3⊡‿⊡³ "Lawsito...mi corazón mi pelirrojo más lindo de mi vida, quieres ir al baile conmigo my cuchurrumin?"
@bloody-trio
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"A-Ah... Tan pronto? Estas seguro que queres que sea yo tu pareja?" The gambler said surprised, taking the flower and looking at it closely.
"Encerio crees que solo con una florcita te voy a decir que si?" Lawrence placed a hand on his hip and looked at him with a raised eyebrow.
"Bueno, estas en lo correcto. Tenes suerte que no le pueda decir que no a una carita como la tuya." He says happily as he pokes the informant's cheek teasingly.
---[Translation]---
"A-Ah…So soon? Are you sure you want your partner to be me?"
"Do you really think that with just a little flower I'm going to say yes?"
"Well, you're right. You're lucky I can't say no to a cute face like yours."
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