#Leon cogniet

[jstor]

Happy World Art Day! 🌍 🎨 At JSTOR, we're celebrating the vibrant tapestry of creativity that colors our world. From the studios of renowned masters to the cozy corners where emerging talents find their voice, let's honor the spaces that ignite imagination and the artists who bring them to life. Join us in celebrating the power of art to inspire, provoke, and unite us all. Images:

Mihály Munkácsy. The Music Room. 1878. The Metropolitan Museum of Art.

Edgar Degas. Dancers in the Rehearsal Room with a Double Bass. ca. 1882-85. The Metropolitan Museum of Art.

Léon Cogniet. The Artist in His Room at the Villa Medici, Rome. 1817. Cleveland Museum of Art.

Jean-Alphonse Duplessy. Cobbler’s Quarters. 1860s. The Cleveland Museum of Art.

[ghost-in-the-eyes]

Mothers and daughters // 1

Bruno is Orange- Hop Along // Take Care: Mothers, Daughters, and Inheriting Self-Hatred- Ella Wilson// I Know I Deserve More- Michelle K.// Mother and Child- Gustav Klimt// Just Take My Wallet- Jack Stauber’s Micropop// komonatin// Labour- Paris Paloma// The Massacre of the Innocents- Léon Cogniet// Mirrors- zenetta// an oresteia- Anne Carson

[life-imitates-art-far-more]

Léon Cogniet (1794-1880) "Métabus et Camille" In Virgil's Aeneid, Camilla is the daughter of King Metabus and Casmilla. Driven from his throne, Metabus is chased into the wilderness by armed Volsci, his infant daughter in his hands. The river Amasenus blocked his path, and, fearing for his child's welfare, Metabus bound her to a spear. He promised Diana that Camilla would be her servant, a warrior virgin. He then safely threw her to the other side, and swam across to retrieve her. The baby Camilla was suckled by a mare, and once her "first firm steps had [been] taken, the small palms were armed with a keen javelin; her sire a bow and quiver from her shoulder slung." She was raised in her childhood to be a huntress and kept the companionship of her father and the shepherds in the hills and woods.

[lionofchaeronea]

The 1798 Expedition to Egypt under the Command of Bonaparte, Léon Cogniet, 1835

[horses-in-art-history]

Théodore Gericault and Léon Cogniet, Two Dapple-Gray Horses Exercising (Deux chevaux gris pommele que l'on promene), 1822, Rosenwald Collection.

(Picture source for Two Dapple-Gray Horses Exercising (Deux chevaux gris pommele que l'on promene)

[everdeenxmellark]

scène du massacre des innocents (1824)

by léon cogniet

why do you tear from me my darling son,

the fruit of my womb?

it was i who bore him,

my breast he drank.

my womb carried him about,

my vitals he sucked,

my heart he filled.

he was my life,

‘tis death to have him taken from me.

my strength has ebbed,

my speech is silenced,

my eyes are blinded.

- the mothers lament at the slaughter of the innocents

[imaginator3]

"The massacre of the innocents"

Léon Cogniet

[eyes-of-laura-mars]

[takyon-coney3]

“The Massacre of the Innocent” by Léon Cogniet, 1824

[joacomaduro]

Retrato de un hombre c. 1820, Atribuido a Léon Cogniet (1794-1880)

[mysterious-secret-garden]

M. Leon Cogniet - Tintoretto and his daughter. Engraving, 1855.

Versions >> 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14

[gerardbillet]

Heroines Romantiques : Pierre-Jerome Lordon: la Communion d’Atala, Leon Cogniet : Velleda dans la tempête, Anne-Louis Girodet-Trioson : Atala, Hippolyte Maindron : Velleda, Eugene Delacroix : Portrait de George Sand en costume d’homme, la dernière Scene de Lelia, Rosalie Caron : Mathilde et Malek-Adhel au tombeau de Montmorency. #museedelavieromantique #heroines #romantiques #pierrejeromelordon #lacommunion #atala #chateaubriand #leoncogniet #velleda #annelouisgirodet #hippolytemaindron #eugenedelacroix #georgesand #costumedhomme #ladernierescene #lelia #rosaliecaron #mathilde #malekadhel #tombeaudemontmorency #ɪɴsᴛᴀᴘɪᴄ #photosoftheday📸 #parismaville🙏 (at Musée de la vie romantique) https://www.instagram.com/p/CfjDyn_rF4x/?igshid=NGJjMDIxMWI=

[church-history]

Léon Cogniet - The massacre of the Innocents -1824

[oldpaintings]

The Artist in His Room at the Villa Medici, Rome, 1817 by Léon Cogniet (French, 1794-1880)

[bookofjudith]

the love amazing that songs cannot repay

O God Beyond All Praising, Traditional American hymn // Massacre of the Innocents, Leon Cogniet

[yosoycrawford]