#Listener-Generated Content

[bookishscrolls]

Effective Community Engagement Strategies for CRS Success

Community Radio Stations (CRS) have a unique and powerful role: to be the voice of the community, by the community, and for the community. But how do you make sure your station isn’t just broadcasting to people but actively engaging with them? This guide dives into actionable strategies for community engagement that will turn your CRS into a dynamic hub of conversation, culture, and…

[moonfruito]

i've said this since the first stream and i've known this since he began talking about genloss and i will keep saying it. genloss is an exploration of the feelings of being a content creator and being constantly under the eye of the public, being scrutinised and torn apart and controlled by a constantly spectating audience. what does it mean for a person to have their life broadcast, to be examined by strangers, and to have it all happen suddenly and explosively with no chance for you to have prepared for it? there is a line drawn between the person you were before and after people noticed you. there is not as much of a line drawn between who you are in front of thousands and who you truly are. can your actions, when you are under the pressure of the public and a company paying your bills, be separated from who you are? somewhere in the tangle of your reality and the wires, cold glass screens and warm flesh and blood, there is the person that you are and that you have been, have always. it's just hard to identify it through the tv static.

[werevyote]

Wasn't originally gonna post this but sure why not 🍂

[fuumiku]

Demon AU (krkb)

+ bonus Kuro

Kurokabuuu!! If Kabru gets to be naked then so does Kuro, equality for all 🔥Not to break the mystique but in that intro comic Kuro isn't flexing he's just pushing Mickbell away bc he about to be in business mode gdbdg. Was weird trying to make Kuro look more demony, did not work very well except for making him buffer but hey...! A black dog demon yeah yeah yeah...!

I have accidentally recreated Howl's Moving Castle... NOW HEAR ME OUT- The base concept for my satyr Kabru AU (the initial idea was the sketch where he has no horns haha) now turned demon AU was materializing Kabru's fear of anything monster, particularly his insecurity as a kid of being an incubus('s child and that making him a monster), and helping him work through it so he can love himself and others and the world better, but everything started clicking only after thinking about Kuro's role in the setting more. He's this feared dude with a witchy reputation and a lil rhyme about how everyone should stay away from him for their own sake etc etc, but he's not a demon just a dog dude really. The setting in this AU is much like Dunmeshi, but all monsters are called "demons" instead and tied with this concept of demonic not just monstrous, there's special generalized fear in them being kinda fundamentally evil. But they're just beasts, and sometimes just demihuman races, like Kuro. Magic does exist though, and curses, and yeah just a folk kinda vibe!

Kabru because he's become supernatural knows how to speak Kuro's tongue now too, or maybe he's always known it idk... But Kabru sought Kuro out because he's The demon guy around, thought if anyone around would know how to do anything about his having become a monster it'd be him- Mickbell is there too ig like waaa this innocent-looking (def isn't) human loves this demon and lives with him, alone but peaceful as hermits in the woods? Wah wild. Wah we can still have love?? Wah we can fall in love together and live happy monster lives even if ostracized??! Wah wait I'm not even a monster it was just my own latent magical powers cursing myself because I worried and believed myself to be a demon so intensely for so long?!! Wah we can truly have it all...... Growth feels so nice. Except Mickbell, that grown ass man is not finding inner peace yet. Still he's chill here since he's a side char not a main one

It's how Kuro's confident in himself despite everything being stacked against him, it's how he still trusts and likes himself, it's how he just wants a simple happy life and pursues what he wants, it's how he takes things simply... Self-critical Kabru always neglecting himself over obsessing about the greater good could learn from him........ Kuro is the only one after his transformation that unconditionally welcomes him and shows him compassion and it's all so confusing to him, especially since at first Kabru wouldn't even offer that same humanization to Kuro, only risked it out of necessity for his own circumstances, but he gradually becomes able to see the humanity in him despite his appearance, mannerisms, way of life and ideals, until he sees the humanity in him and himself too despite their appearances, until he finds there's nothing wrong in this routine and life of theirs in this isolated magical little place, until........... Just about accepting all of those fuzzy inbetween ways to be that are unclean and hard to understand from the outside, and growing comfortable in them and loving himself and kuro and the life they've made together.......!!!!!! What if through humanizing you I humanized myself... What if through growing a understanding for each other wevalidated ourselves, love as self-love...

I love including Rin into things, for a more plotty story it'd be neat if she tried and followed Kabru... He up and disappeared and she's a capable mage and she doesn't know what his plan was because he never tells her anything so she goes out and pursues him- Could even be the main antagonist besides just idk self-hate and townspeople lol, like she thinks Kuro is keeping him prisoner or something and also because she kinda represents the same kinda social trauma Kabru has, where she's strict about conforming and being an irreproachable undeniable human so she kind of wants to drag him back to that state he was in of anxiety over acting and being human enough...... But of course in the ultimate confrontation when she has her staff pointed at Kuro and they talk, she's hurt by him not confiding in her and thinking of her as someone who wouldn't help, but she understands and stops and yay happy ending :> And if we want them to be in this Holm and Dia may be allies I feel 🤔Like maybe they help out Kabru when they see him, help him escape their human village at one point or something, Holm is quite nice and cares for spirits and Dia's fled her home too so they kinda get it in a way, it'd contrast Rin... This isn't about the Laios party lol. Rin & Mickbell shenanigans would lowkey be fun like maybe Mickbell tricks Rin into thinking Kabru IS there against his will so she can take him away and the status quo of Mickbell not having to share Kuro with anyone is preserved, or maybe they just shittalk and grumble together. Gbdgd this is a plotline about accepting change and these two are noooot happy about it

So yeah he hates being a monster that's the schtick!! Won't a cool dog man pleaseeee turn me human again. Surely he can do that right. So he goes to live with this feared coolass magicky guy and that guy's little guy at his weird home and through making connections and self-love the curse you actually unknowingly put on yourself gradually lessens and disappears, but you don't care anymore because that's the point 😌 Which is why I call it a Howl's Moving Castle recolor gdbd

Kabru is usually the voice of reason within kurokabu so it's really fun switching the roles in that way. If you're just stumbling into this and are sooo confused first of all congrats on getting so far second I can't overstate how unironic this is + if you want more explanation about the ship I made a brainstormy manifesto here <3 Like, did you know Kuro's name is actually Yodan? He was likely called Kuro by Mickbell due to the language barrier. In this AU it's because no one's interested in him as a person so people just give him an ominous title that means black. But Kabru learning his name and Kuro willingly giving away that information and Kabru feeling the weight of it because he really thinks this'd allow him to control him (he can't actually control bc he's not a demon! No one's a demon yay! Just weirdo humans who get otherized)......

~~~~~~~~~~~~

Other vers because I 1) really like it and 2) am very indecisive. I overthink every single slight color change I stg lol

Sigh....... Like bro what if we were both so so far away from home and we knew we can't really go back and we've made our peace with that but man I miss not having been ripped away from my homeland and we are both so so isolated in our own ways in our presents and with a small yet gigantic gesture of compassion and of seeing each other we can learn and grow together with secret study dates where I teach you how to communicate the same way you're teaching me your language, we are both reaching across to each other we are both finding in one another a presence and humanity that feels so rare anywhere else. A sliver of warmth a sliver of home but also a sliver of the new, and embracing that things are changing and that we've changed and wow the animality within humanity and the humanity within animality!!!!!!!!!!!!!!!!

Hey bro your humanity I am only now fully grasping and coming to terms with is so hot bro............ What if your beastly features ended up making me more comfortable in my own stinky human animal flawedness bro........ What if we could just be together reassured through each other that we're human enough no matter what and that's all we need to just be and wahhhhh aughhhhh

Kurokabu is Kuro needing to choose between Kuro and Yodan. Kurokabu is needing to feel comfortable in animality within humanity. What if we stopped repressing ourselves 🫶

[brennustheskeleton]

Used to be beautiful, now I'm a demon. They want me to perish in flames like a heathen. But they can't destroy me, I'll rise from the ashes. I’ll take them by storm and make sure to raise havoc.

Progress images below

Image flipped to have a better view of Qymaen :)

[yardsards]

people have brought up the difference between "this piece of media is good" vs "i like this piece of media". i would also like to mention the third axis "i would easily recommend this piece of media to others"

[gingermintpepper]

For the longest time, the quintessential song describing Apollo's wrath and consequent murder of Coronis for me was Marah in the Mainsail's 'Your Work isn't Done'.

It's dark. It's seething. Its image of Fate pushing the scorned speaker to complete his foul, terrible work of killing the man who stole his lover away from him is particularly powerful and it's always evoked this gruesomely tragic evolution of a glassy eyed Apollo stumbling through the streets, weak-legged and trembling from the betrayal growning more and more wrathful 'til he can think of no other course than to aim his bow and shoot. The price of betraying his trust is death and Coronis betrayed so much more than just his trust by taking Ischys as her lover.

The song itself captures that sensation of building wrath so well too. From the lonely guitar and vocals at the beginning which evoke this lonely, stripped back but distant grief to the way the singer is practically screaming his refrain of "Your work here isn't done" by the end, accompanied by the full blasting of instruments and an omnious chorus at his side, everything about this song is centered around building stakes, building realisations, building tensions and it creates this feeling of the speaker growing closer and closer with each new verse and chorus that adds to his anger.

There's also the absolute treasure trove of lyrics that work so well for specifically this tale. A brief overview of some of my favourites include;

- There's a crow overhead singing "Oh, Death is my friend."

- And though you think your time has come, the wheels of Fate have spun. Death has declared your work here isn't done.

- There's a girl on my heart safe ashore in her lover's arms

There's just such a vivid image to be drawn here - of Apollo's emotions being swallowed by his rage, of his resolve to end everything the more he bears witness to Coronis' brazen affair. There's even a strong female voice in the first two verses which seem to egg the speaker on in his spiral - a perfect opening to include Artemis who wishes for her brother to hunt that which brought him such pain alongside her. An Artemis who reinforces just what Coronis has done, an Artemis who does not want her brother to repress his anger after such grave an insult just because love was once there.

To me, it was perfect. Apollo's killing of Coronis was a crime of passion, an execution he sometimes cannot even bring himself to commit according to who is telling the tale. It's a wretched situation, harrowing, suffocating and cruel but if not by Apollo's hands, Coronis would simply die by another's. She cannot live after what she has done. The gods simply would not allow it.

AND THEN MY BIAS WAS COMPLETELY WRECKED BY LORD HURON.

Now, let it be known, I am a huge Lord Huron fan. Strange Trails is perhaps the most Apollo-coded album I've ever heard and songs like Yawning Grave and The Balancer's Eye capture such a visceral, gorgeous portrait of cosmic grief and anger that they haven't really left my brain since I first listened to them. Still, 'Setting Sun' from their Lonesome Dream album completely flew under my radar. Maybe it's because the commercial version is so much snappier than the Alive from Whispering Pines recording, maybe it's because I just hadn't listened to Lord Huron's discography in a while but my god. My god.

This song has it all; a quiet menace in its music, a strong male singer who sounds only barely restrained, an absolute HOST of lyrics that are so wonderfully perfect for the scenario -- after getting over how wonderful the song itself is, I immediately dethroned Your Work isn't Done because ultimately, 'Setting Sun' has something in abundance that 'Your Work isn't Done' minimised in order to focus on the wrath driving the song forward.

And that's love.

Setting Sun is so powerful because it's not just a revenge ballad - it's a dirge, a breakup song, a lament, a regret manifesto. So many times during the song, the speaker wonders when his lover stopped loving him. He recounts intimate moments and wonders if his lover was thinking of the other man when she was enjoying herself, wonders if anything she'd said was even real. And I love that so, so much.

Ultimately, Apollo adored Coronis. As inevitable as her death was, he regretted every second of it. No matter how angry, no matter how betrayed, no matter how intensely he was shamed, he still loved her. He weeps for her when she dies, he screams and grieves and cries when he's faced with her corpse. In some tales, no matter the cocktail of emotion driving him, he simply cannot bring himself to kill her. He'd rather cry in Artemis' arms and take his anger out on his own servant than hurt her. His own father has to dispatch Ischys since Apollo can't even bring himself to hurt that which Coronis once loved. Of course, in this case, Apollo's going to kill someone but the point is, it's not a decision of pure anger so much as its this complicated, horrible mix of resolve and lost love.

And my god does Setting Sun capture this conflict, passion, grief and love so well. UGH, I'm vibrating just thinking about it -- there are so many points where I hear its lyrics and can vividly picture Apollo, jaw clenched looking Coronis in her eyes and quietly confronting her.

Coronis, returning home at twilight after spending the day with Ischys to Apollo stringing his bow, "Oh? Is he ready to die for you baby? No, but you know I would."

Coronis lying to him about who she's spent her time with and Apollo's soft, near pained, "Does it hurt when you lie to me? If you asked, I would set you free."

I even really love the image of a Coronis who runs away from Apollo upon realising what will soon happen, not to escape his arrows but to warn Ischys who does not know what will happen. Of Apollo getting into his stance, taking aim at them and gathering his strength as the final refrains rings out "I know I'll never reclaim your love and that's as hard as it gets, so I'll be taking a life when the sun sets."

Other favourite lines of mine include;

- Oh, is he ready to die for you baby, now that the deed is done?

- Tell me when did I lose your love? Was it him you were thinking of?

- And I could never betray your love, you had me heart and soul. You might never have known it girl, but I was all yours.

And ultimately, I just like this conflicted portrait of premeditated murder much more than the crime of passion 'Your Work isn't Done' paints. Crimes of passion - especially when Apollo is concerned - are tragic in their own right, but in Coronis' case, I think I prefer it so much more when there's no way for Apollo's action to be misconstrued for anything other than what it is, especially since he goes on to cut Asclepius from his mother's corpse then carry on with building her funeral pyre. I think there's something so much more impacting about Apollo being unable to hide away from Coronis' blood on his hands and him having to raise Asclepius with those selfsame hands.

Love of the mortal does not supercede the responsibility of the divine. If Coronis' sentence no matter what is death, who better to lead her gently to the knife than he who still loves her?

[deservedgrace]

I don't think that framing "Marginalized™️ Atheism/Deconstruction" and "Cishet White Male Atheism/Deconstruction" as inherently ~separate and distinct~ is super effective (and disclaimer I'm specifically speaking about my experience with christianity, atheism, and ex christian atheists/deconstructors), but also... okay so I was raised in a cult, and cults are oppressive for all its members. Nobody gets out unscathed, everyone experiences the abuse tactics, everybody is a victim. But within the cult there is a hierarchy, and cishet white men are at the top. So while the cult is oppressive to everyone, and everyone is harmed in some way, it is also uniquely oppressive to queer folks, to BIPOC, to disabled folks, to women, etc etc. And the thing that happens to some of those cishet white men is they leave an oppressive cult, where they are considered the "default", and they go into the ~real world~, where they are also considered the "default", and even in atheist/deconstruction spaces, their bodies and experiences are often the leading voices.

The men that leave go from an oppressive patriarchal culture to a far less oppressive (to them) patriarchal society. The white people that leave go from an oppressive racist culture to a far less oppressive (to them) racist society. The people that leave go from an oppressive culture that does not value marginalized voices to a different, less oppressive culture that also does not value marginalized voices. And if you personally do not experience [xyz] oppression, it can be difficult to even realize there are things surrounding that you have to deconstruct unless you listen to the voices of the oppressed. But some cishet white men go from being considered the "default" in an oppressive culture, to being considered the "default" in a less oppressive culture (to them). Their experience of "overcoming systemic oppression" comes from leaving the church, and it can be really easy to fall into the trap that the church, specifically, is the sole oppressor and enemy of everyone.

Of course this doesn't happen in every single case and it's also not exclusive to cishet white men. But those blind spots are why I think it's important for everyone to listen to a variety of voices when they're deconstructing, especially if those voices are talking about oppression you wouldn't have experienced firsthand.

No, our deconstructions are not inherently different, but the experiences and circumstances prior to it often are. It's okay to acknowledge that and beneficial for everybody to listen to each other's experiences.

[malusrecord]

"You're the most jealous nun I know."

"You know other nuns?"

[edge-oftheworld]

super intrigued by the theme and content of 5sos6

[juliart-107]

you know what, these ideas have been plaguing me for long enough. here's some hcs of charlie: the hero and sneeg: the hero from these genloss swap ideas and what goes through their head in their final moments

this is rambling time, so apologies if it makes half sense

what if i told you that glhero!charlie's goggles block out the color green, rendering him colorblind and seeing in red hues both in reality and whenever he tried to visualize something. in his final moments, he is finally able to remember the color green. the color of traffic lights, emeralds, fruit, and nature. his life outside. he remembers a person sitting among green, lush grass. he remembers her eyes; green, too. and when the audience decides he's no longer useful, a toy they have gotten tired of, he tries to think of as much green as possible in a desperate attempt to capture that idea of individuality that has been stolen from him for so long. he holds on to that color, to those familiar eyes, to that person who's name is just on the tip on his tongue ("it's similar to the word green, right? gre—thats not right. c'mon charlie, think. you don't have much left, what was her name? you have to remember her, you have to.") as the metal digs into his ribcage. stubbornly, he refuses to give showfall the satisfaction of completely bleaching his mind. he dies with the color green, the color of grace's eyes, in his mind and no one can take that away from him.

you know what else? glhero!sneeg's in-ear tech constantly bombards him with white noise to stop him from acting out of line. when he wakes, that sound has finally stopped, but is replaced with hetch monologuing and, just to mess with him, an obnoxiously loud clock ticking in the room. he begs for the peace of a quiet death. he is able to move his arms so he plugs his ears and for the first time his brain is silent. thats when he realizes, wow, now he can hear what his voice sounds like. he has never truly recognized his own voice, it never felt like it was his own. for some reason, he can only find himself repeating the word "hannah" over and over again, the name coming to him easily like he used to say it out of habit. then, in his head, a memory of a familiar voice, louder than any previous ringing or static, calls a name he assumes that is his—his subconscious flooding with past moments with hannah faster than he can comprehend. as the walls close in he thinks about how no one will mutter his real name again. he thinks about other sounds he will never hear again as well. car horns, dogs barking, laughter, whispered promises... a baby's cry.

anyway, can you tell i slept well? /s

(edit: also, while ive mostly been on twitter, i feel like tumblr is more rambling-friendly, so i may do more waffling about headcannons because the brain rot is strong and i now have a place i can dump it somewhere lmao)

[unopenablebox]

unfortunately those Cutting and Deep h3ather havril3sky ask polly "here's why you're lonely/here's the empathy failure holding you back" excerpts everyone loves to post

are just permanently recontextualized for me by her series of op-eds about how everyone in her family is an incomprehensible one-dimensional pod beast with completely unlovable preferences for things like "starbucks drinks" and "conversations about their lives", which she tolerates, with enormous difficulty, only through a sense of duty and a bunch of rationalizations about how actually it makes her sexier and cooler that she's willing to endure it

[cheriafreya]

I hate these type of videos so much. Look, I don't consider myself a husbando puller, but it's upsetting how everytime there's a man in a banner youtubers immediately disregard them as an "easy skip". I know they make these videos to inform players of the best choice "meta-wise" and it's usually the female characters, but it still rubs me the wrong way and sometimes they are even wrong. I mean, look what happened with Lighter: ALL of them kept saying he was "useless" and a "massive skip" and what happened after his banner dropped? Yeah, turns out he's one of the best stunners in the game if not the best, and has insane synergy with both Ice and Fire teams. To the point where a lot of people wish they had pulled for him back then instead of listening to these ccs. Who would have thought, right?

[purpledragon18]

Skyjacks spoilers up to episode 180:

James is talking about the cosmology of the Skyjacks universe and it’s got me thinking. Is the world of Speir Heliocentric like ours or is it Geocentric? When the sovereign died, almost all of the stars fell to earth, which would make sense if the earth was the ‘center’ (I believe this is how they thought gravity worked with the geocentric model). The remaining stars move around in unpredictable patterns and sometimes disappear, EXCEPT for the morning star which follows a more tractable path (from what I remember). Are those other stars actually planets? Are those also angels or is the morning star the only true angel left in the heavens?

I’m not sure what the model of the universe looks like in the skyjacks cannon, and how that differs from the universe’s reality. I do know there’s a lot of history with the church trying to push back against the heliocentric theory since they preached a geocentric theory. I wouldn’t be surprised at all if that was a part of the world building.

[rosesradio]

.

[sowearecleariamhere]

The argument that you don't listen to rap because you are ace... is so stupid? Like I am ace, don't generally like rap except for a few specific artists that tickle my brain, but even if you like the genre but not that "it is all or almost all sexual" (braindead take btw)... then listen to rap in a language you don't speak well enough or at all? If you don't want to hear specific lyrics and don't mind not understanding all of it, that would be such an easy fix? I will defend checking out things especially music genres that you have a negative bias against anyways and also music from countries and languages that you don't know til the end of time