Clovis Bound by Joe McMillan
Via Flickr:
On February 15, 1964, FTA 180L leads a Clovis-bound freight west of Littlefield, Texas. This location was on the First District of the Slaton Division (Slaton, Texas, to Texico, New Mexico.) Photo by Joe McMillan.
Christina Catherine Martinez is an artist holding the tension between worlds. With a live act that blends elements of stand up, performance art, and clowning, the writer, actor, art critic and comedian comes to Littlefield for a one-night-only evening of comedy and performance. "I'm working on an hour," Martinez says, "and right now that hour is split between a slideshow lounge act about the decline of Democracy, and a standard stand up set. I'm going to perform both and have some of my favorite NYC people do sets in between."
Featuring special guests:
River L. Ramirez
Ike Ufomadu
Pierce Champion
& Jesus of Nazareth
(Cory Peter Lane)
$12 advance / $15 at the door
Christina Catherine Martinez is a writer, actor, art critic, and comedian living in Los Angeles. She’s been named a Comedian You Should Know by Vulture and a Comic to Watch by TimeOutLA, and is a recipient of the Andy Warhol Foundation Arts Writers Grant. Christina writes for The Los Angeles Times, Aperture, Artforum, Art Agenda, DOCUMENT Journal, Texte Zur Kunst, as well as for television, including The Eric Andre Show and a forthcoming animated series on Adult Swim. She devised and acted in the short-form series Two Pink Doors for FX/Hulu and is the creator and host of the live comedy talk show Aesthetical Relations and author of a book of essays, also titled Aesthetical Relations. She has performed commissions for The Los Angeles County Museum of Art, Art Toronto, REDCAT Center for the Performing Arts, The Geffen Contemporary, the Spit Take Comedy Series in Minneapolis, and at the SXSW Comedy Festival in Austin, Texas.
Projects on the horizon for Martinez include her first gallery exhibition with No Moon LA, and forthcoming documentary on her work as a comedian, produced by ITVS. "I'm always writing," Martinez says, "that's the foundation of what I do. I just finished my first screenplay and am working on my second book of essays. And of course, jokes. Or my approximation of them."
In this bigger, BANDER Made of Bugs, comedian Tim Platt goes from the comedy Bob Dylan (acoustic) to the comedy Frank Sinatra (respected) as he plays his original songs with a full backing band, Simon Hanes & His Musical Boys. This swamp cabaret of jokes, sketches, characters, and songs is like if the Muppet Show Band had an MTV Unplugged but chose to stick to electric.
⚾️ 🤔 #crackit or #rackit What are we doin with this? 1982 Fleer Rack Pack #littlefield (at Las Vegas Strip) https://www.instagram.com/p/CmS98frMwLG/?igshid=NGJjMDIxMWI=
They moved closer together as if drawn together and both were kissing before the officiant said they could. It didn’t matter. They didn’t need to be told they were now man and wife. They could feel it.
The Kaiping Diaolou are fortified multi-story watchtowers built to protect rural villages from ethnic warfare, bandits, and warlords. Most were built from the late 19th century to the early 20th century with a fusion of Chinese and Western architectural styles by returning immigrants with wealth acquired overseas.
The earliest diaolou were built in the Ming Dynasty as a response to banditry and floods. Building reached a peak during the Warlord Era of the 1920s and 30s. Of the more than three thousand diaolou built, approximately 1800 remain in the Kaiping countryside, another 500 in Taishan and other areas nearby. Most were abandoned after the Communist Revolution. Some are being maintained by families of the original owners who live in other countries.
There are three kinds of diaolou: watchtowers, communal towers built by several families as temporary shelter in an emergency, and residential towers built by rich families as fortified residences. Residences became a way for owners to showcase their wealth. Families and clans competed to build the tallest and grandest towers with modern materials and features at the time. Building was financed by Chinese immigrants returning from the West, Hong Kong and Malaysia, who incorporated Western architectural features, like domes, arches, and Roman columns into the structures. Local builders sometimes worked from postcards sent from abroad.
UNESCO designated the Kaiping Diaolou and Villages a World Heritage Site in 2007. The designation covers four separate areas: Sanmenli, Zilicun, Jinjiangli, and Majianglong village cluster.
WONDERSHOW at the Littlefield Theatre in New York last week. Stellar performances! If you haven't seen them yet...your missing a good time! . . . #wondershownyc #paladinartists #littlefield #show #liveperformance 📸 Allison Stock @allisontheperson 📸 JT Anderson @jtcanshoot (at littlefield) https://www.instagram.com/p/CejnTD4vyMt/?igshid=NGJjMDIxMWI=
In That’s What Frenemies Are For, by Sophie Littlefield and Lauren Gershell, upscale New York mommy Julia maintains her popularity and status by discovering designers, masterminding charity events, and winning the backhand compliments Olympics. But when her Hamptons home needs repairs, poor Julia is basically trapped in Manhattan for the whole summer, which is basically social exile from her…