Something about the fact that these shots are all grouped together, one after another, visually giving them equal weight just gets me. The narrative knows what's going to happen between JGY and Huaisang at this point, knows how it's going to treat JGY at the end of everything. And it still takes time to show Meng Yao instinctively and immediately going in front of Huaisang and Huaisang instinctively and immediately hiding behind him. It takes the time--literally, showed it in the background and focused on it with the same general amount of time as the other shots--to show that this act of protection and trust are just as real and true as Jiang Cheng defending his sister, as Wen Qing defending her younger brother.
Like, I dunno! There are other Nie juniors there! They have swords and shit! Huaisang could have gone and hid behind the wall, but he hid behind Meng Yao! And Meng Yao could have moved back with Huaisang, but he steps directly in front of him!
There's a lot CQL did to JGY's character and narrative that I don't like and that flatten or just straight up erase his full complexity. But I really appreciate the lengths that it went to in Episode 4 to explicitly tell us that he does not hesitate to protect Huaisang, even though at this point he does not have a sword and definitely does not have anywhere near the same cultivation power (if any) as any of the rest of the people in the room.
Right now, after being publicly humiliated, unarmed and definitely outclassed, he is brave. Along with the rest of the characters, he's allowed to be uncomplicatedly young and loyal and just as innocent as any of the other students there.
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Every character in Mob Psycho is so lonely at the beginning of the series, but they all express it in different ways so they don’t realize they’re all dealing with the same problem!
Mob makes himself small and quiet and blends in and does his best to never make a scene and never ask for anything and never think about what he wants. Reigen makes himself big and loud boisterous and takes up as much space as possible--but it’s all show, it’s all slight-of-hand, it’s a magic trick so everyone looks where he wants them to and he doesn’t have to risk anyone seeing through him. Ritsu makes himself perfect and dutiful and studious and pours himself into the mold of A Good Son, A Good Student, A Good Brother, and thinks that if he buries himself deep enough no one can touch him. Teru makes himself sharp and brilliant and frightening and puts himself at the top of the pyramid and convinces himself that it’s a feature that no one can get close to him. Dimple does the same thing--makes himself into a god and a monster, someone who only sees humans as pawns. Never equals. Never friends.
Everyone has walled themselves off from genuine connection, convinced themselves that there’s an important reason they’re alone that isn’t just that they’re afraid, and the series is about all of those walls being torn down, bit by bit. There are a million ways to be lonely, but the solution to all of them, every time, is vulnerability and kindness.
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tim and bernard who break up and it's nothing big, no one cheated or anything. it's just their lifestyles didn't work out well together. tim cannot give up vigilantism currently and bear cannot handle the level of danger tim puts himself in. and on the other hand, tim cannot handle the fact that bear chooses to run into danger as an emt bc he already worries about everything but now he has to worry if he'll find his boyfriend convulsing from fear gas in a random alley but also bear who felt the life drain out of darla cannot stand the thought of not helping people and runs headfirst into dangerous situation after dangerous situation hoping that every person he saves can somehow make up for the fact that he could not save darla.
(he very pointedly does not think about the fact that there was nothing he could do because if he thinks about that, he'll spiral until they have to lock him in arkham too)
and so they break up but they were tim & bernard in high school and when they started dating they balanced out the worst of each other and they became tim&bernard. and everyone who knows them, knows that they're better together but they cant be together, they refuse actually because they cannot lose another person to the violence of gotham and by the time they figure out that they cant work together as long as the other is an emt or vigilante, it's too late for both them. they've already left too many pieces of themselves in each other.
tim still knows what bear means when he says "tim" in that exasperated voice. tim still goes boneless when he hears bear say "baby" in that firm tone. bear can still read tim like a book. he still knows the right way to massage tim's neck so that tim can go to sleep. everyone at the first responders gala knows not to bother ceo drake-wayne and senior emt dowd when they're talking.
(and if they're standing a little too close to each other than what is normal, who are they to judge? everyone knows that dowd and drake-wayne have history)
and if everyone on the night shift has caught red robin with his head tucked into the crook of emt dowd's neck as emt dowd runs a soothing hand up and down the vigilante's back, well then, they just quietly back away.
(after all, dowd's one of like, five, emts that can get the bats to receive medical treatment so if turning a blind eye to whatever the fuck they have going on is what allows them to give back to their heroes, then the night shift will do it every time)
and of course, tim and bear are practical people. they loved (love) each other sure, but when your lives are fundamentally incompatible, well, you cant get too stuck on the what-ifs, that's for sure. and so they do find love with other people and yeah, maybe it's not what they expected love to be when they first fell in love with each other. it's not the bubbly, stomach-swoopy, cant stop grinning, feeling that permeated tim&bernard's early days or the i Know you/you Know me that was their middle or the quiet despair that was their end but it is contentment. and in a life with as many losses as theirs, contentment is something they hold dearly
and they're happy! truly! but sometimes, at galas when they're making each other snort champagne out their noses or in darkened alleyways when their clothes are both stained with blood or at rallies for stricter gun regulations in gotham where they both sit too close to each other, fingers enclosed around each other in a death grip, when the presenters inevitably bring up grieves
(worst school shooting in gotham in decades, there's blood on their hands and blood in their mouths and darla is dead in between both of them and there is a chasm so wide that they are screaming to get their voices across and she will always be dead and maybe this had always been the problem that she is dead and there is no coming back from that and that there is blood on their hands and blood in their mouth and blood on their han-)
but sometimes, most especially on opposite sides of the street, as life pulls them in different directions, just sometimes, they see each other and just for a second, nothing too long, the flap of a hummingbird's wings, the time it takes to blink, an electron's orbital, they look at each other and for the briefest moment, blue on brown, a barely noticeable stutter in their steps, the space between heartbeats, because this is all they will give themselves because they do not dwell on what-ifs or what-could-have-beens, or what-should-have-beens, or delusions of a softer world, their eyes meet and they think to themselves, god, in another life, i would have really liked just doing laundry and taxes with him.
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I think the dissonance between you and the anons comes from the fact that you do see shipping potential with other characters their age but not bkdk, if that makes sense? Like you can see other pairings through a shipping lens so why not bkdk also (I’m not saying you have to, I’m just assuming people see it as a double standards of sorts)
which i would understand if i hadn't stated multiple times that i am not rejecting any romantic reading at all whatsoever, so i don't know why people act like i am, especially when i retweet ship fan art occasionally like why is this so serious to some people help
but to spell it out, i do not enjoy throwing bakugo and deku into silly ship scenarios as easily as i do in other constellations because their canon relationship is more complex and my opinions on their dynamic are more nuanced and deeper than my opinions on their friendships with other characters. the implications of 17yo bakugo asking deku out on a date differ from the implications of someone like rody asking deku on a date and i don't rlly feel like ignoring that.
i do think that deku had a crush on bakugo as a kid and he does carry some of that into their teenage years and makes everything more complicated like i am not denying that, which is why im confused by people who accuse me of having a double standard when my own interpretation and fan art more often than not hinges on this assumption. just because i don't see bakugo recognize or reciprotate any of that does not mean they can't have that one day, throwing them into that as teens just goes against the reading that i'm very commited like it's not that easy (the love thing), or i wouldn't want it to be that easy it doesn't feel right to me
some people do and i like and respect those readings, i wouldn't share their art/thoughts or do those requests otherwise lmao
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the remake of the prison episod of pt1 in pt4 lacks the most important foundation the narration of the episod is built on imo. Whereas in the pt4 remake lupin explicitely uses the affection zenigata has for him to escape, in pt1 lupin does not understand why zenigata didnt just kill him. He is so unaware of zenigatas budding attachement to him that he chalks it up to zenigata enjoying his humiliation. and there is truth in that tbh. Zenigata does. but his affection takes over during the excruciating year lupin puts him thru, but not by his own design. Lupin thinks hes making zenigata suffer by not escaping and putting zenigata on edge wondering wether hes going to escape or not. Meanwhile zenigata is begging the gods for someone to help lupin escape. In his desire for revenge lupin accidentally succeeds. And when he leaves he is none the wiser as to the actual reasons why zenigata suffered. its wicked. meanwhile the pt4 prison escape is utter fucking bullshit where lupin manages to escape by painting ? a distorted image of himself ? dying ? with the food zenigata cooks him ? be fr. the pt1 ep escape is much more believable. where is the edge. where is the genuine torment where are the deep cuts. where is the mix of hatred and obssessive passion. the utter toxicity. yes the scene where zenigata says that his existence as a detective ends when lupin does is lovely. its also just as frustrating because he lacks the tiny fucking push thats gonna make him realize the reasons why he has attached his entire life around the thief. but its too soft. its not intense enough. its not psychosexual
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