#Lucia Bartolini

[garadinervi]

Archizoom Associati, No-stop city, 1970 [«Abitare»]

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Sledovat celý film Mission: Impossible Odplata – První část (2023) Online je aktuálně nejoblíbenějším filmem na vyhledávacím webu Google. Filmy, které jsou dnes velmi vyhledávané milovníky filmů, filmy, které je zábavné sledovat o víkendech s rodinou, přáteli a přítelkyněmi. Chcete-li se zbavit nudy, která se vám stane po únavě z práce.

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Sledovat online : Mission: Impossible Odplata – První část (2023)

Stažení : Mission: Impossible Odplata – První část (2023)

Další název: Mission: Impossible Odplata – První část Žánr: Akční, Dobrodružný, Thriller, Země: Spojené státy americké Premiéra v ČR: 2023-07-08 Délka: 163 min. hraje: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby, Henry Czerny, Esai Morales, Pom Klementieff, Cary Elwes, Shea Whigham, Mariela Garriga, Greg Tarzan Davis, Charles Parnell, Rob Delaney, Indira Varma, Mark Gatiss, Frederick Schmidt, Jean Kartal, Marcello Walton, Brian Law, Lincoln Conway, Alex James-Phelps, Marcin Dorociński, Ivan Ivashkin, Zahari Baharov, Adrian Bouchet, Sam Barrett, Louis Vaughan, Os Leanse, Luke Smith, Nikolaos Brahimllari, Matt Malecki, Damian Rozanek, Ioachim Ciobanu, Antonio Bustorff, Michael Kosterin, Sergej Lopouchanski, Robert Luckay, Jadran Malkovich, Mikhail Safronov, Christopher Sciueref, Andrea Scarduzio, Barnaby Kay, Gloria Obianyo, Alex Brock, Kaye Dinauto, Dana Blacklake, Arevinth V Sarma, Doroteya Toleva, Lucia Tong, Hersha Verity, Yennis Cheung, Laura Vortler, Faycal Attougui, Gaetano Bruno, Marco Sincini, Evita Ciri, Melissa Anna Bartolini, John Akanmu, Marco Lascari, Simon Rizzoni, Nicolas Wang, Lee Bridgman, Daniella Carraturo, Katie Collins, Joanna Dyce, Taylor Goodridge, Jessica Holland, Philip Hulford, Grace Jabbari, Ira Mandela Siobhan, Nicholas Tredrea, Megan Westpfel, Marc Wesley DeHaney, Rocky Taylor, Obsah filmu Mission: Impossible Odplata – První část: Sedmé pokračování kultovní špionážní série s agentem Ethanem Huntem. Srdcová série Toma Cruise se vzestupnou tendencí opět představí rozmanitý fikční svět, ve kterém se Impossible Mission Force parta vydá po stopách likvidační zbraně, která má potenciál zničit lidskou existenci. Hunt tentokrát stojí proti osobnímu nepříteli, jenž ho znal v době před agentskou dráhou. Ví o každé jeho slabině a vyzbrojen komplexní znalostí představuje dosud nejtěžšího protivníka, který před Hunta klade morální otázku, zda hodlá riskovat život svých nejbližších. Řemeslně vytříbená značka přinese tradičně řadu praktických efektů a poctivých kaskadérských kousků, stejně jako variaci sebe samé. Kroky ke stažení filmů * Můžete navštívit webové stránky prostřednictvím odkazů, které jsme poskytli následovně: povodeň * Navštivte stránky, které již doporučujeme a vyhledejte film, který chcete sledovat a stahovat. Pro zjednodušení můžete použít funkci vyhledávání. * Po nalezení filmu, který se vám líbí, klikněte na kartu Hry. Pokračujte v stahování hrozby „Mission: Impossible Odplata – První část“ a stáhněte film do požadované kvality. Viz obrázek, aby bylo jasnější. Klíčová slova Mission: Impossible Odplata – První část celý film zdarma ke shlédnutí, Mission: Impossible Odplata – První část cz dabing online ke shlednuti, Mission: Impossible Odplata – První část Filmy Česky a Zdarma, Mission: Impossible Odplata – První část online ke shlednuti, Mission: Impossible Odplata – První část Informace o filmu, Mission: Impossible Odplata – První část online cely film, Mission: Impossible Odplata – První část Sleduju Online, Mission: Impossible Odplata – První část online bombuj, Mission: Impossible Odplata – První část online, Mission: Impossible Odplata – První část online film cz, Mission: Impossible Odplata – První část Bombuj, Mission: Impossible Odplata – První část bombuj cz,

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Les meilleurs sites pour regarder Mission : Impossible - Dead Reckoning Partie 1 un film en streaming gratuit en VF ou VOSTFR, en illimité et sans inscription. Mission : Impossible - Dead Reckoning Partie 1 2023 Trailer Music | Mission : Impossible - Dead Reckoning Partie 1,org Genre: Action, Aventure, Thriller, Sortie: 2023-07-08 Etoiles: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby, Henry Czerny, Esai Morales, Pom Klementieff, Cary Elwes, Shea Whigham, Mariela Garriga, Greg Tarzan Davis, Charles Parnell, Rob Delaney, Indira Varma, Mark Gatiss, Frederick Schmidt, Jean Kartal, Marcello Walton, Brian Law, Lincoln Conway, Alex James-Phelps, Marcin Dorociński, Ivan Ivashkin, Zahari Baharov, Adrian Bouchet, Sam Barrett, Louis Vaughan, Os Leanse, Luke Smith, Nikolaos Brahimllari, Matt Malecki, Damian Rozanek, Ioachim Ciobanu, Antonio Bustorff, Michael Kosterin, Sergej Lopouchanski, Robert Luckay, Jadran Malkovich, Mikhail Safronov, Christopher Sciueref, Andrea Scarduzio, Barnaby Kay, Gloria Obianyo, Alex Brock, Kaye Dinauto, Dana Blacklake, Arevinth V Sarma, Doroteya Toleva, Lucia Tong, Hersha Verity, Yennis Cheung, Laura Vortler, Faycal Attougui, Gaetano Bruno, Marco Sincini, Evita Ciri, Melissa Anna Bartolini, John Akanmu, Marco Lascari, Simon Rizzoni, Nicolas Wang, Lee Bridgman, Daniella Carraturo, Katie Collins, Joanna Dyce, Taylor Goodridge, Jessica Holland, Philip Hulford, Grace Jabbari, Ira Mandela Siobhan, Nicholas Tredrea, Megan Westpfel, Marc Wesley DeHaney, Rocky Taylor, Le site Web où Vous pouVez regarder des Films de Mission : Impossible - Dead Reckoning Partie 1 en streaming gratuit. Regarder film complet Mission : Impossible - Dead Reckoning Partie 1(2023) en Streaming français sans inscription. Bonne qualite HD 720p, Full HD 1080p, 4k. Le Vrai Mission : Impossible - Dead Reckoning Partie 1 streaming VF gratuit et complet de tout les derniers Films des meilleurs séries en HD Version Francaise, original et sous titré. Voir Mission : Impossible - Dead Reckoning Partie 1 Film en streaming gratuit en ligne Version Française en qualité Full HD 1080p. Les meilleurs sites pour regarder Mission : Impossible - Dead Reckoning Partie 1 un film en streaming gratuit en VF ou VOSTFR, en illimité et sans inscription. Voir Mission : Impossible - Dead Reckoning Partie 1 - Streaming Gratuit en Français Voir tous les films avec des catégories complètes, Streaming en français, en Full HD, gratuit et illimité. Rendez-vous sur le site ci-dessous ! Les meilleurs sites pour regarder Mission : Impossible - Dead Reckoning Partie 1 un film en streaming gratuit en VF ou VOSTFR, en illimité et sans inscription. Comment Voir Mission : Impossible - Dead Reckoning Partie 1 des films gratuitement en français complet ? Mission : Impossible - Dead Reckoning Partie 1 un film sur internet gratuitement sans télécharger bonne qualité HD. Quelle est la diFFérence entre le téléchargement et streaming ? La diFFusion après téléchargement requis la récupération de l’ensemble des données d’un Film ou d’un extrait Vidéo, cela prend du temps et de l’espace sur Votre disque dur. L’aVantage du streaming Vous n’aVez rien à télécharger, il permet la lecture d’un Flux audio ou Vidéo que Vous pouVez lire directement depuis un lecteur proposé le plus souVent par des plateFormes qui proposent plusieurs Films, séries ou morceaux musicaux. étiquette : Mission : Impossible - Dead Reckoning Partie 1 Film complet Mission : Impossible - Dead Reckoning Partie 1 2023 Film complet Mission : Impossible - Dead Reckoning Partie 1 Film complet en Français Mission : Impossible - Dead Reckoning Partie 1 streaming VostFR Mission : Impossible - Dead Reckoning Partie 1 Film streaming Mission : Impossible - Dead Reckoning Partie 1 streaming VF

[thousandisthemaximum]

19 brani bellissimi da ascoltare nel weekend

http://bit.ly/2HwcLRE

[yandereplumsim]

Just something fun i was going to change most of the premade sims names for the Italian’s version, so lets see what the Italianized names are like...

Mortimer Goth      > Maurizio Alberghini Bella Goth            > Daniela Alberghini (They should have kept Bella/Isabella) Cassandra Goth   > Martina Alberghini (Why they didn’t kept Cassandra?) Alexander Goth    > Alessandro Alberghini 

Don Lothario         > Don Lotario 

Dina Caliente        > Dina Caliente Nina Caliente        > Nina Caliente

Daniel Pleasant      > Marco Bartolini (no idea why they didn’t went with Daniele) Mary Sue Pleasant > Susanna Bartolini (ngl, i like this WAY better) Angela Pleasant     > Angela Bartolini Lilith Pleasant         > Lilith Bartolini

Kaylynn Langerak   > Cecilia Langerak (She kept her surname for some reason)

John Burb               > John Burb (They kept his name so: Giovanni/Gian?) Jennifer Burb          > Jennifer Burb (Her original The Sims Name isn’t listed so; Ginevra?) Lucy Burb               > Lucy Burb (The easier one: Lucia)

Herb Oldie              > Romano Oldoni  Coral Oldie             > Anna Oldini (I might change theirs too, but the surname is cute)

Darren Dreamer      > Darren Sognidoro (Maybe i’ll go with Doriano?) Dirk Dreamer           > Dirk Sognidoro (Teo/Teodoro, maybe? I kinda like this one)

Brandi Broke            > Luana Sventura (I have no idea for this one?) Dustin Broke            > Elvis Sventura ( No Idea either) Beau Broke              > Kevin Sventura (I might give the whole family new names)

Meadow Thayer       > Morena Bermutez (Might change it to Maria dil Pratto instead)

Sandy Bruty             > Sandy Forelli (They could have gone with Alessandra/Alessa, but okay)

Goopy GilsCarbo     > Giovanni GilsCarbo (Love this one ngl)

Gordon King             > Gordon King (We’re changing this one)

to be continued...

[anastpaul]

Saint of the Day - 22 October - Blessed Lucia Bartolini Rucellai (Died 1520)

Saint of the Day – 22 October – Blessed Lucia Bartolini Rucellai (Died 1520)

Saint of the Day – 22 October – Blessed Lucia Bartolini Rucellai (Died 1520) Widow, Tertiary of the Order of Preachers, Penitent, Prioress, Born in the 15th Century in Florence as Camila Bartolini and died in 1520 of natural causes. Lucia was born in Florence, Italy, in the 15th century; She was a member of the noble Bartolini family and was Baptised with the name of Camila. When she was a…

[italianartsociety]

Posted by Samantha Hughes-Johnson.

Lorenzo Bartolini was born in Prato on 7 January 1777. As a youth, he began his artistic studies at the Florentine Academy of Fine Arts before moving to Paris in 1797. By 1799, Bartolini was present in the studio of Jacques - Louis Davide and shared workshop space with Jean-Auguste-Dominique Ingres and Pierre-Nolasque Bergeret. An advocate of Napoleon Bonaparte, Bartolini acted as a drummer in The Little Corporal’s army and subsequently benefitted from Napoleonic patronage. In 1807, Bartolini was suggested as Director of the School of Sculpture at the Academy of Fine Arts in Carrara and in 1812, he was granted honorary membership of the Academy of Fine Arts in Florence. In 1839, he was offered a chair at the latter institution, which he accepted. It was at this point in his career that Bartolini felt that he could safely abandon his neoclassical training and the ideal representations associated with this style. He would subsequently concentrate his artistic efforts on faithfully reproducing figurative subjects in both two and three - dimensional forms, painstakingly replicating details derived from his own scrupulous scientific and natural observations.

References: Franca Falletti, Silvestra Bietoletti and Annarita Caputo eds., Lorenzo Bartolini: Beauty and Truth in Marble, Florence and Milan, Giunti Editore, 2011.

Lorenzo Bartolini: Scultore del bello naturale, With essay contributions from Cristina Acidini, Silverstra Bietoletti, Leticia Azcue Brea, Annarita Caputo, Maria Theresa Caracciolo, Maria Virginia Cardi, Grégoire Extermann, Franca Falletti, Andrea Grecco, Michele Gremigni, Elena Karpova, Anna Gallo Martucci, Barbara Musetti, Ettore Spalletti, Caterina Olcese Spingardi, and Lucia Tonini, Florence and Milan: Giunti Editore, 2011.

Deborah Menaker, ‘Lorenzo Bartolini's Demidoff Table.’ In Metropolitan Museum Journal, Vol. 17 (1982), pp. 75-86.

Barbara Ann Day - Hickman, Napoleonic Art: Nationalism and the Spirit of Rebellion in France (1815-1848), Newwark, New Jersey: University of Delaware Press, 1999.

Images: Jean Auguste Dominique Ingres, Portrait of the Sculptor, Lorenzo Bartolini, 1820, oil on canvas, Louvre Museum. Wikimedia Commons.

Lorenzo Bartolini, Bust of Napoleon, c. 1810, white marble, on a white marble socle. © 2018 Artnet Worldwide Corporation.

Bust of Elisa Baciocchi Bonaparte, Princess of Piombino and Lucca, Grand Duchess of Tuscany,c. 1809, marble. © 2018 Sotheby's.

Malvezzi Angelelli Monument, after 1827, marble, Columbario Hall, Certosa Monumental Cemetery, Certosa di Bologna.

The Demidoff Table, 1845, marble, Metropolitan Museum of Art, Gift of le Duc de Loubat, 1903. Public Domain.

The Campbell Sisters Dancing A Waltz, 1821-1822, marble, purchased jointly by the National Galleries of Scotland and the Victoria and Albert Museum, with the aid of the National Heritage Memorial Fund, the Art Fund (with a contribution from the Wolfson Foundation), and a donation in memory of A. V. B. Norman, 2015. © National Galleries Scotland.

[garadinervi]

Archizoom Associati, No-stop city, 1970 [«Abitare»]

[edicolaelbana]

Edicola Elbana Show speciale Soroptimist

In occasione della Giornata mondiale del libro e del diritto d’autore che si celebra ogni anno il 23 aprile, il Soroptimist International Club Isola d’Elba inaugura la 3 Biblioteca dedicata a Mara Verri, socia fondatrice del Club elbano prematuramente scomparsa il 30 gennaio di due anni fa, presso la Scuola dell’Infanzia e Nido “V.T. Battaglini di Marina di Campo. Il progetto, nato lo scorso anno con l’inaugurazione della Biblioteca della Scuola dell’Infanzia di Carpani di Portoferraio, quest’anno ha realizzato ben due biblioteche: quella della Scuola dell’Infanzia “Don Michele Albertolli” di Capoliveri ed oggi quella di Marina di Campo. La Presidente Rossella Celebrini, supportata da tutte le socie del Club, crede fortemente nell’importanza di questo progetto che continuerà con la Presidente incoming Gina Petricciuolo con due inaugurazioni all’anno presso le biblioteche dell’infanzia dell’Elba per poi passare alle scuole elementari, medie e superiori con l’obiettivo di ricordare Mara Verri, quale moglie, mamma ed imprenditrice eccezionale, la quale ha sempre considerato l’educazione alla lettura un aspetto importante per la crescita dei propri figli. La lettura è un piacere per molti e un diritto per tutti - sottolinea Rossella Celebrini - oltre al fatto che leggere ci rende più coscienti e consapevoli, più creativi e fantasiosi,  e meno soggetti a pregiudizi e condizionamenti. Un libro ci fa muovere al di là del tempo e dello spazio ed è la cura più preziosa per le nostre esistenze perché ci rende uomini liberi. Non a caso il Soroptimist Isola d’Elba ha finanziato qualche anno fa un progetto che ha coinvolto la Biblioteca Foresiana di Portoferraio con l’acquisto di audio libri per  garantire anche ai non vedenti e alle persone anziane con problemi di vista la possibilità di informarsi, studiare e leggere libri e di avere una vita culturale e sociale e pari dignità come qualsiasi altro essere umano. Conclude dicendo che i principi fondamentali del Soroptimist sono quelli della parità di genere, dell'accettazione della diversità e dei diritti umani. Presenti alla cerimonia, oltre a Cristiana e Luca Bartolini, rispettivamente madre e zio di Mara Verri, e al marito Riccardo Rebua e al figlio Antonio, il Vicesindaco di Campo nell’Elba Valentina Petrocchi e l’Assessore alla Cultura e al sociale Chiara Paolini. Un ringraziamento particolare va a tutto il corpo docenti, a Lucia Segnini e Gabriella Mazzella, quest’ultima responsabile della Scuola dell’Infanzia e Nido "V.T. Battaglini" di Marina di Campo, e a Jessica Leoni Martelli che ha realizzato le decorazioni sui muri della Biblioteca.

[ohnohetaliasues]

Central Italy/Italia Centrale or Centro Italia

(First of all i apologize for my grammatical errors, i corrected some of them but i’m not sure they are all the errors that i made) Country Name: Central Italy/Italia Centrale

Founded: Around 264 B.C., when Romans founded Firmum (today Fermo) in Piceno (today Marche), a colony which was used to control Asculum, protagonist of a revolt against Romans, and avoid other revolts

Age: 2281

Population: 12.067.524 (2016)

Location: South Europe 

Size of Land: 58 052 km²

Capital City: -Florence (1864-1870), Rome (1870-today, capital and largest city)

Largest City: Rome

Government: Democratic Republic

Political Leader: Sergio Mattarella (republic president) and Paolo Gentiloni (prime minister)

Official Language(s): -Italian

The italian we know nowdays is a canonization of the literaly tuscan dialect, in particular florentine dialect, because it was the most used language and close to latin. Before Risorgimento didn’t exist an “italian” as a spoken language because every preunitary country used their dialects or the languages of their invader (for example in Piedmont the official language was french), only in literaly works was used the “italian”. After Unity of Italy one of the most problematic situation was , in fact, the language: everyone talked with a different language and almost everybody were illiterates. So in 1859 Gabrio Casati emanated a law which introduced the free and obligatory elementary education. When Italy was unified this law was widened across the italic peninsula.

Other Languages: There aren’t other languages, but there are languages that were spoken in the past (and Lucia spoken/learned there languages) -French

French was a language fashionable in ‘700 because was the spoken language of enlighteners. In a nutshell, speak french meant be intellectual and elegant. Many italian noblemen knew how to write and speak in french in this period. Plus french was the second language taught in the italian schools, only recently it’s going to be completely replaced by english. -Latin Latin, as everybody know, was the official language of Romans. It derived from an ancient popolation named “Latini” who culture and language was absorbed by Romans. Both barbarian invasions and the old language of italic popolation latin was contaminated after the fall of West Roman Empire and so born the “volgari” and medieval latin. The “volgari” were ancestors of romance languages which derived from classical latin but were very different from its. Only in ‘300, during Humanism, it was decided to revived the real latin thanks to filologists. Latin over time became the literaly language of works, even from '400/'500 onwards began to be replaced by florentine. Today latin is used to translate from italian to latin, in Italy.

National Animal: Appennine Gray Wolf  This type of wolf is a subspecies of European Gray Wolf who live in the italian Appennines mountanious zones and in Eastern Alps. It isn’t consider as a sudspecies of Europe Gray Wolf, but there are some differences like, for example, their cranial morphology (i’ll add other informations)

National Flower:  -Red Lily (ancient national flower) Red Lily or “Florence Lily” (“Giglio di Firenze”) or “Giglio Rosso” in italian was (and is) the symbol and national flower of Florence (“Firenze” in italian). In reality the Florence Lily is more similiar to an iris mixed with a lily, in fact remind a flower which born around the city, the Germanic iris (“Iris Germanica”). We don’t know much about the origin of this symbol, but it’s thought it was born from the fact that the Florence Lilies were florid in Florence; another theory speaks of its birth during the foundation of Florence by the Romans in 59 B.C., which name in latin was Florentia because the city was created in spring during festivities in honor of the goddess Flora. Plus, as i said before, around the city grew many Iris. At the beginnig, in the Coat of Arms, the lily was white in a red background, but when the Ghibellines were expelled in 1251, the Guelfs inverted the colors: red in a white background. -Corbezzolo Italy doesn’t have a real national flower and, because of this, there are many theories about Italy’s national flower. The most accredited flower is “Corbezzolo” (or “Arbutus”) because its colors remind Italy’s flag: green the leaves, white the flowers and red the fruits.

Human Name: Lucia Costantina Vargas 

Name Meaning: Lucia: this is a name of latin origin from the word “lux” (“light”) and means “bright” or “shining”. Probably was assigned, in ancient Rome, to babies who born at dawn or on bright days like Lucio. In the christian world is the name of the saints Lucia Filippi (Rome) and Lucia (Siracusa). The others are the beate Lucia Bartolini Rucellai (Florence, protectress of Rucellai’s family), Lucia da Caltagirone (Salerno) and Lucia da Settefonte (near Bologna).  -Costantina: this is a female variant of “Constantino”. At first was a latin cognomen, a “nickname” indicating a particular characteristic of a person, subsequently this name assumed a meaning (like every latin name) from the verb “consto” or the participle “costans”, that means, “stand still”, “stay firm”,“don’t waver”,“the one who has firmness.” It was also the name of the Roman Emperor Constantino who, as legend has wanted, has been baptized at the point of death and he assumed the nickname of “Christian-Roman emperor” because of his great tolerance towards the Christian people. Both names are from latin origins and they are part of the christian world, because Lucia is very attached to her Romans origins (for example as a traditional dance she has Saltarello, a typical Romans dance, and she talk with an accent very similiar to latin) and she’s a christian because of her past with Papal States. Costantino was a Roman and christian emperor, so this name represents these two worlds where she is born and grow up

Nicknames: Lu’, Luci’, Terza Italia (Third Italy)

Physical Age: 21

🎂: 17th March

⭐ Sign: Pisces

Gender: Female

Pronouns: She/her

Sexuality: Heterosexual (Italy doesn’t still accept homosexual marriage)

Personality: Lucia is a grumpy woman, irascible, superb, proud, messy and cowardly. She considers her arts and knowledge superior to any other nation, and she is also considers herself the author of the literature of other nation such as England. Most of the time, she’s serious and clumsy to her similiars, especially with those who harass or annoy her like France, Austria and Prussia, yet she’s also a friendly, sunny, and sympathetic person thanks to the great sensibility she’s equipped with. She get angry very easily, it’s enough really little things to blow her nerves and unleash her bad words repertoire, but she doesn’t say blasphemies because of a rigid Christian education after the fall of the Roman Empire (even her faith has a little faded, she doesn’t abandoned its because she doesn’t judge wrong religion). As a child she was very capricious and malleable, because of this she learned any subject or rule. When she grow up and learning on her own, her malleability has disappeared into rigidity, and now the Italian appears to be a marble statue physically and in some psychological traits: firmness. Though she’s a Vargas, she has this peculiarity which turns out if in trouble or needs it, she’s capable of great solidity even in the toughest moments, sometimes it has pushed her to take on the classic iron fist despite there have been very few events that have spurred her to that point (mostly problems in the borders and only in rare moments, in her past). In contrast she’s fragile, conditioned by her own feelings, preventing her from doing as she should, and forcing her, because of her pride, to build a wall of appearances around her. She has borrowed from the Roman Empire one of the great characteristics of the Romans: the patientia. Unlike the Italian, this term doesn’t mean “patience” but “endurance”, being able to undergo, undergo and undergo again, suffer, endure the hundred blades in the chest and get back up, so Lucia. Little Attention: patientia is not self-control. The Italian doesn’t know how to control herself. It’s about resisting, transforming wounds into weapons, not controlling them. She is, therefore, dreadful, there is no surrender without fighting or even there is no surrender in certain cases (especially during the italian unification). She has been raised with these values. However, unfortunately, this doesn’t imply good military prowess, the wars, if not all, most of them she lost and lose them. Only with allies or in particular cases she won, in others she was defeated, and there is also a lack of interest on the part of the girl who prefers one of her precious books to a weapon in her hands. She admires her grandfather so much, she keeps his memoires in the language (she uses florentine accent, the Italian standard, the closest to latin) in ideas (all things that he has taught her like virtue, for example) in ways of doing and in traditions (the saltarello was a typical Roman dance). Her arrogant attitude derived from her past events besides the rich culture of her country, a great boon, she considers herself superior to the others nations for the huge cultural heritage formed by the gratest italian artists, architets and literary writers. Despite the long years of scientific, classical and literary studies she hasn’t lost her christian faith: Lucia believe in God, attends the church and follows some important tradition, but she never (and can’t) say that God exist or no (this is because in Central Italy there are regions which people arent so christian, like Tuscany, but instead there are also regions where people are very christian, like Marche). She is, for christian influence, slightly homophobic: thinks that homosexuals can get married because is a form of love and they can make marriages like normal people, but this is an unnatural, irregular, love form.

History: Ｃｅｎｔｒａｌ Ｉｔａｌｙ Lucia’s birth was around 264 B.C. when Romans founded Fermo, a colony in the Piceno’s region (today Marche) after a revolt leaded by Asculum (Ascoli today). This colony was used by Romans for control Asculum and avoid other revolts. Before the Piceno’s region, Romans conquered Umbrians in 295 B.C., Etruscans in 396 B.C. after the siege of Veio, Sabines in 449 B.C. (even the final conquest was in 290 B.C.) and Latins, Volsci, Equi, Falisci (all Latium region) were finally subjugated immediately afterwards Romans conquest of Veio and its destruction because this city was the center of Latium civilization. Before, Romans had to fought many wars against Latium popolation for a century. According to Livio, an Augustan latin writer, Veio was won and destroyed by Furio Camillo, a military genius who Livio identified as a predecessor of Ottaviano. Camillo and his soldiers dug a tunnel under Veio’s wall taking by surprise the inhabitants. Umbrians The most ancient popolation established in the italic peninsula, according to traditions, were Umbrians. Their name derived from ancient greek Ὄμβροι from the word όμβρος that mean “thunderstorm”. Probably greeks assigned this name to them because they resisted to the rains of a terrible flooding. We don’t know much about their origins, probably Etruscans subjugated some Umbrians cities. They were, according to traditions, the founders of Sabines who were Sannis, Lucani, Breuzi and Picens (not certain) ancestors. Romans never really won this popolation, they were slowly absorbed by them. Picens Picens were a popolation who lived in the Piceno, today called Marche. The name “Piceni” derived from the latin word “Picantes”(Πίκεντες “Pikentes” in ancient greek) that mean “Those of the woodpecker (picus in latin)”. Their origins are very ambiguous, more legendary than real, like Rome origins. According to the legend told by Strabone, Plinio il Vecchio (Old Plinio) and Festo, Picens were Sabines who, during the ver sacrum, migrated from Sabina to Piceno leaded by a Green Woodpecker, their totem animal. The “Ver sacrum” was a vote that many ancient italic populations used to do and consisted of offer to gods (this wasn’t a sacrifice but a sort of blessing) children born during famines or a year of war between the 1th March and 30th April. When they grew up and became adults, at the beginning of spring they were accompanied at the borders of their territory and started looking for new lands where they settled and created new temples of their gods. About their Sabines origins many historians disagree with this theory because of some archaelogical finds. They think Picens derived from a big ethnic group of umbrian-sabels (or oscan-umbrians) who arrived into this region and created little different settlements. They had never been able to made one and strong aggregation. The Picenum was inhabitated by Picenti (North Picenum, called Ager Picenus), Petruzi (South Picenum, called Ager Praetutianus) and little groups of Liburni. During the phase “Piceno VI” (IV-III centuries B.C.) greeks from Magna Greece (Syracuse) founded a colony called Ancona and Senones Gauls invaded the Northen region of Picenum after called by Romans Ager Gallicus or Ager gallicus picenus. Sabines Sabines, as I said before, were the result of Umbrians migration with Sannis and Sabels. Their name probably derived from the ancient greek word σέβομαι (sèbomai) that mean “adore” because of their big faith on gods. With Umbrians, Sabines were one of the most ancient italic popolation, we have informations about their settlements from 3000 B.C., but the origins are unknown. Probably, because of similiarities with Umbrians, they derived from a magration of this popolation during Ver Sacrum. Sabines where divided in two parts: Sabines of Tiber (or Sabina Tiberina) and Sabines of Rieti, Norcai and Amiternum (or Mountainous Sabina). The first lived next the river Tiber, near Romans, the part of Sabina richer and more evolved (famous for values like justice and honesty), the seconds were the poorest part where inhabitans based their life on pastoralism. Sabines of Tiber and Romans shared many things like kings (Numa Pompilio was a sabine) and, according to a legend, the first contact between Romans and Sabines was during the Rape of the Sabine Women event, when Romulus, for make alliances, ask others popolation to give him their women for procreate and populate his new city (Rome). These popolation refused his request, so Romulus organized a show for attired all the inhabitants’s regions and, while they were watching this show, Romans kidnap their women. This action caused a war between Romulus (Romans) and Tito Tazio, king of Sabines ended with the Battle of Lake Curzio where women, wives of Romans and daughters of Sabines, placed in the midst of the factions and convinced Romans and Sabines to stop the war. But, after a long peace, in 290 B.C. Romans conquered Sabines after Sannis. (Here are still missing excursus on Etruscan and Latium popolations) Ｆｌｏｒｅｎｃｅ － Ｒｅｓｐｕｂｌｉｃａ Ｆｌｏｒｅｎｔｉｎａ （Ｒｅｐｕｂｌｉｃ ｏｆ Ｆｌｏｒｅｎｃｅ） ａｎｄ Ｓｉｇｎｏｒｉａ ｄｉ Ｆｉｒｅｎｚｅ （Ｓｅｉｇｎｏｒｙ ｏｆ Ｆｌｏｒｅｎｃｅ） In 476 A.D. the West Roman Empire fall, destroyed by Odoacer, general of Huns. He deposed the last Roman emperor Romulus Augustus and he created the Kingdom of Ostrogoths which was conquered by Byzantine Empire after the bloody Ghotic War (535-555 A.D.), but Longobards, thanks probably to Narsete, invaded regions and cities of Italy between 568 A.D. and 751 A.D. and took away most of territories to Byzantine Empire. Lucia, after these invasions, was conquered again by the Franks (or Carolingian Empire) of Charlemagne (or Charles the Great), the last alive son of Pepin the Short. When he died in 814 A.D., his reign in 817 A.D. was divided by his three sons: Lotario I became emperor of the Kingdom of Central Franks (its territories were Provence, North Italy, Central Italy and Lotaringia), Louis the German became king of East Franks, Charles the Bald became king of West Franks. In 752 A.D. born the Papal States formed by most of Central Italy regions (Umbria, Marche, Lazio and Emilia-Romagna) thanks to Donations made by kings. At this point Lucia remained with only a region in her hands, while Papal States was absorbing her territories: Tuscany. Before she know Scola Siciliana thank to Frederick II of Swabia, she stayed with Papal States and fought as a crusader (all Crusades from 1095, the first, to 1291, the last, even with Scola Siciliana she decided to dedicate herself in literature). When Frederick II of Swabia, an emperor hated by the pope Gregory IX, in 1220 showed to Lucia the Sicilian Poetry School, she was so impressed that she started to copy the sicilian poems in Florence, because in 1227 and 1234 there was revolts in Rome leaded by Ghibellines. But, instead of returns in Rome, she prefered to stay in Florence. When Frederick II of Swabia made famous the Sicilian Poetry School in Florence writers started to copy these poems in florentine. At the of XI century, after a great democratic development and a great flourishing period, cities reborned and the new urban classes gathered together for create an indipendent reality free from the imperial authority and feudal constraints: the communes. Lucia in this period began to think about a free existence like his brother Feliciano (especially when in 1115 Florence became a commune), who fought with Papal States against Frederick Barbarossa for the liberty of communes (Lombard League) so, because of this, she prefered to stay in Florence although there wasmany civil wars between Guelfs and Ghibellines and, subsequently, White Guelfs and Black Guelfs. (Here are still missing exursus and history of the Republic of Florence and Seignory of Florence, plus the part of  the commune of Florence is a bit confused) Ｇｒａｎｄ Ｄｕｃｋｙ ｏｆ Ｔｕｓｃａｎｙ （Ｇｒａｎｄｕｃａｔｏ ｄｉ Ｔｏｓｃａｎａ） ａｎｄ Ｒｏｍａｎ Ｒｅｐｕｂｌｉｃ （Ｒｅｐｕｂｂｌｉｃａ Ｒｏｍａｎａ） (In progress) Ｃｅｎｔｒａｌ Ｉｔａｌｙ (In progress) Ｃｅｎｔｒａｌ Ｉｔａｌｙ (In progress) Hobbies -Reading; -Writing; -Studying; -Drawing.

Talents: -Cooking; -Writing; -Drawing.

Fears: earthquakes (before say anything this fear ISN’T a reference to the famous earthquakes in Central Italy in 2016, it’s a general fear because there was, in the past, many other earthquakes in Central Italy), wars and civil wars (especially the second because civil wars ruined her grandfather and characterized many wars for power in Florence)

Languages Spoken: italian, Central Italy dialects

First Languages: italian

Hair Color: brown hair, between the dark brown of her big brother Romano and the light brown of her little brother Feliciano

Hair Style: slightly wavy hair with a curl to the right of her head and more central. This represent her geographically position (she is the Middle Italy)

Hair Length: medium-long hair

Eye Color:  green eyes, like the hills, the nature when spring come out and the Green Woodpecker, because this animal is related to many cults of ancient Central Italy popolations. According to a legend, the green woodpecker leaded the Picenes from the territory of Sabina to the Piceno’s region (Marche) during the ver sacrum. It was they totem animal. According to Ovid the green woodpecker was a man named Pico, king of Ausonia and founder of Albalonga, who was turned into a green woodpecker (“picchio verde” in italian) by Circe because he refused her love. For the Umbrians this animal was a symbol of good luck. For the Latins piculus (woodpecker in latin) was a sacred animal which could predict the future. For christian culture the green woodpecker was the only bird which hadn’t help God to create fountes, rivers and streams so God, for punish him, said that he couldn’t drink water from rivers, only on leaves and branches when it rains

Complexion: european dark skin

Overall Appearance: she looks like a young, twenty-one-year-old woman with slightly wavy hair, medium brown and medium length. Once she kept them long, but with the advent of the Unification of Italy initially she had been cuts them short (They not reached her shoulders) then, at the end of the war, she decided to let them grow. This represent her radical changes during the italian wars indipendent, psychological and territorial changes (she became more combactive and tried to conquer her territories which were donated in Medieval Age to Papal States). She usually wears elegant clothes, for her the appearance are important, like white shirts lined with lashes and tight black skirts. Posture always erect, almost regal in some ways, and a thin physical without curves too accentuated. Her dark eyes, of an emerald green, seem perennially serious or lost in the void, wandering in a separate world. She has two scars behind her back: one, the smallest, passes horizontally close to her waist and go through a quarter of her back, the other, bigger, begins after her shoulder and cross vertically her back until the scar reaching the first and crossing it slightly. They represent respectively the Battle of Tolentino in 1815 and the fall of the Second Roman Republic in 30th April 1849. The curl, typical of the brothers, it’s at the right of her head and more central. Obviously it is an erogenous zone, so she doesn’t want someone touch it. It represents her geographical position, at the center of Italy. She also has got a floreal bracelet which represents an event during spring in Castelluccio di Norcia called “Fioritura”. Between May and July the plateau of Castelluccio, Pian Grande and Pian Perduto, is colored by many and different species of flowers like daffodils, violets, tulips, gentianellas, etc…

Family:

Feliciano Veneziano Vargas/Nord Italia

Feliciano is the little brother of Lucia. She loves him like her big brother and in the past she helped him during the first battles against Austria in Risorgimento, even she didn’t helped him with a real and trained army but with an army formed by tuscan volunteers.

Lovino Romano Vargas/Sud Italia

Lovino is her old brother and she love him very much. Lucia see him as a protective figure even sometimes they quarrel. They fought together against Austria during the Battle of Tolentino and she asked his help during napoleonic conquests, in 1798, for throwing out frenchmen in her Roman Republic.

Romulus Caesar Vargas/Antica Roma - Repubblica - Impero Romano

Romulus taught her latin, Romans culture and religion, prohibiten her to learn ancient greek and greek philosopy. The education in Ancient Rome was very strich and disciplined, you had to study only what the government (or your pater familias) wantend you to learn, so Lucia learn only what Rome wanted her to learn. However, he loved her and she loved and loves him, so much that she’ll never forget the teachings of Rome, bringing them to today. (for example: her italian accent is very similiar to latin and she studied latin even after the death of her grandfather)

Friends: Feliks Łukasiewicz/Polonia They are friends, although their meeting is quite recent, in fact dates back to 1849. The Polish had come in Central Italy as a military assistance to the Roman Republic after Rome was besieged by the French and, then, he’s mentioned in the Italian anthem and Italy in the Polish Gilbert Beilschmidt/Prussia They are friends  (mostly drinking) although the Italian doesn’t love so much the prussian. Their friendship began in 1198, during the first Crusade, when the Teutonic Order was born. Armed fellow fighters, they fought together until about 1250, when Lucia decided to leave the military road and jump into the intellectual one thanks to the Scola Siciliana, and became the independent communes of Florence. In certain ways we can say she saw him born. They later found themselves in the Congress of Vienna and, in particular, in the Italian-Prussian alliance, also known as the Third Italian War of Independence, on March 28, 1866. We can say that Gilbert is the only one who she doesn’t really feel hate, despite his and his brother terrible behavior on her during World War II Antonio Fernàndez Carriedo/Spagna The relationship between the italian and spanish is rather neutral, they have a small friendship’s link just because they share Lovino. In the past, they have always been quite ambiguous, one allies then enemies and allies again, the culprits are also the lords/grand dukes of Lucia who have constantly danced between France and Spain for keep good relations with the firts and receive benefits from the second. Even during spanish domination period in Italy, despite she enjoyed the total support of Spain, the italian was almost forced to accept it as it was imposed by her superiors who were helped by spanish to return in Florence after the expulsion in 1494 (Piero de’ Medici was throw out in 1494 with all the other Medici’s components) Kiku Honda/Giappone Lucia meet Kiku during the Second World War but they never talk together unless for important things. After the war they started to talk because he sometimes visited her at Florence and nowdays they have a little friendship link. There are many japanese tourist at Florence, one of the most popular tourist destination, especially students who come for studies or their curiosity, plus in Central Italy there are many comicon dedicated to anime, manga, cosplay, games and comics where Lucia and Kiku often meet and, sometimes, they cosplay togheter. The most important are Lucca Comics and Games and Romics, but there are other less famous like Camerino Comics Enemies: Francis Bonnefoy/Francia Nowadays Lucia can’t even see the French how she hates him. Even though they don’t appear, they were great friends: France has supported Florence and the Medici family for many years even during the instability period of the 15th century - he helps the Florentine Republic set up after the expulsion of the Medici. Although she was later forced to support Spain - in those periods vicious enemy of France - their relations were good, especially thanks to Caterina de 'Medici, first, wife of Henry II, then guard of Charles IX, and were also allied in the war against Charles V -Lega of Cognac. The situation remained great for centuries, until Napoleon’s arrival. Initially, like all the Italians, she greatly admired the general, but as a result of increasingly pungent choices only to increase his power, confidence in Francis and in his beloved commander collapsed until it disappeared. The Napoleonic period for the two was the most unstable one, surrounded by continual quarrels and reconciliations which ended on March 21, 1801, when the French suppressed the Grand Duchy of Tuscany with the Kingdom of Etruria, removing at the Italian girl the last territory of her property. From that moment on, their relationship was broken. There was a last moment of reconciliation during the Unity of Italy (Plombières agreements) but the Armistice of Villafranca, the betrayal of Napoleon III, reversed again and for the last time the situation Roderich Eldestein/Austria Their relationship is not one of the best, since they met. The Medician dynasty, which had been left with only one childless component, had now dried up and it was replaced by the Habsburg-Lorraine, who became part of the Habsburg branch thanks to the marriage between the Archduke Maria Teresa d'Asburgo and Francesco Stefano di Lorena. The entry of the new family into the Grand Duchy of Tuscany should have included this territory into austrian possessions but they decided to keep the territories and, consequently, the respective crowns separate. Despite the decision, however, the austrian attempted to impose on her, for example, to oblige her to suppress an intellectual book because according to him was unfit, he also disagreed the Grand Duchy’s freedom of press. The Risorgimento worsened their already unstable relations with the battle of Tolentino in 1815, the siege of Ancona on May 8, 1849, and the conquest of the Grand Duchy of Tuscany on May 28, 1849. Although she hates him, in any case she owes him a big thank -that she will never say- to having returned to her the Grand Duchy of Tuscany during the Vienna Congress Arthur Kirkland/UK Today Lucia and Arthur seems to be enemies, because italians consider british dirty, bad in the kitchen and with strange habits, british consider italians mediocre and stupids. In reality, Lucia and her brothers had been allies with Arthur: during the World War I italians leave the Triple Alliance and, with the covenant of London, they went into Triple Entente, plus british during the Second Italian Indipendent war wantend to help italians, even only for ruin France and Austria. Many english writers used as model other italian poets and as setting an italian city, plus the english authoress Mary Shelley with his husband lived in Italy. However, unfortunately, these things didn’t contribuited to create a friendship link beacause of many contrasting differences (habits, way to talk, languages, etc…) and now, althought sometimes they talk together about literature, Lucia and Arthur aren’t good friends (still a sort of w.i.p.)

Okay, this is fabulous. I’m half Italian, and I love that you included such in depth information. Thanks for the submission!

~Kat

[lucia-vargas1]

Biografia di Lucia ex novo, anche se è ancora un WIP-

~ℒucia 𝒞ostantina 𝒱argas~ »ℒucia: Nome di origine latina dal sostantivo "lux" ("luce") e significa "luminosa" o "splendente". Probabilmente veniva assegnato, nell'antica Roma, alle bambine nate all'alba o in giornate luminose come per Lucio. Nel mondo cristiano è il nome delle sante Lucia Filippi (Roma) e Lucia (Siracusa). Le altre sono le beate Lucia Bartolini Rucellai (Firenze, protettrice dei Rucellai), Lucia da Caltagirone (Salerno) e Lucia da Settefonte (nelle vicinanze di Bologna). Un nome romano e cristiano »𝒞ostantina: variante femminile di "Costantino". Dapprima cognomen latino, cioè un "soprannome" che indicava una caratteristica particolare di una persona, successivamente assunse un significato (come ogni nome latino) proveniente dal verbo "consto" o dal participio "costans", cioè "stare fermo", "stare saldo", "non vacillare", "colui che ha fermezza". Inoltre era il nome dell'imperatore romano Costantino il quale, leggenda vuole, si sia fatto battezzare in punto di morte assumendo il soprannome di "imperatore cristiano-romano" a causa della sua grande tolleranza nei confronti del popolo cristiano. Un secondo nome di un imperatore romano e cristiano ❝Virtus, Albine, est pretium persolvere verum quis in versamur, quis vivimus rebus potesse, virtus est homini scire id quod quæque habeat res, virtus scire homini rectum, utile quid sit, honestum, quæ bona, quæ mala item, quid inutile, turpe, inhonestum; virtus quærendæ finem re scire modumque, virtus divitiis pretium persolvere posse, virtus id dare quod re ipsa debetur honori, hostem esse atque inimicum hominum morumque malorum, contra defensorem hominum morumque bonorum hos magni facere, his bene velle, his vivere amicum; commoda præterea patriai prima putare, deinde parentum, tertia iam postremaque nostra.❞ - Lucilio, Satire, la virtù degli antichi ❝La virtù, Albino, è il dare il giusto prezzo alle cose in cui ci troviamo, in cui viviamo virtù è sapere ciò che per un uomo comporti ogni cosa virtù è sapere che cosa sia per un uomo retto, utile, onesto, che cosa sia buono, poi che cosa sia cattivo, cosa è inutile, turpe, disonesto, virtù è sapere qual è il limite e la misura delle cose, virtù è poter trovare il giusto prezzo alle ricchezze, virtù è dare agli onori ciò che agli stessi davvero si deve, essere nemico e avversario degli uomini e dei costumi cattivi al contrario essere difensore degli uomini e dei costumi buoni stimare questi, voler bene a questi, vivere in amicizia con questi, inoltre mettere al primo posto le utilità della patria, poi quelle dei genitori, infine per terzo e ultimo posto le nostre.❞ - Lucilio, Satire, la virtù degli antichi ♚La forza dei latini ♚La tenacia e la volubilità dei piceni ♚L'intelligenza e la temerarietà degli etruschi ♚La fede dei sabini ♚La resistenza degli umbri ♚La patientia dei romani ❝Qual rugiada o qual pianto, quai lagrime eran quelle che sparger vidi dal notturno manto e dal candido volto de le stelle?❞ - Tasso 「𝓒arattere」 Lucia è una donna scorbutica, irascibile, superba, orgogliosa, disordinata e codarda. Reputa le sue arti e le sue conoscenze superiori a qualsiasi altra nazione, inoltre si ritiene l'artefice della stessa letteratura di altri stati come l'Inghilterra. Il più delle volte è seria e scontrosa nei confronti dei suoi simili soprattutto con chi serba rancore o la infastidisce come Francia, Austria e Prussia, ciononostante si dimostra essere anche una persona amichevole, solare e comprensiva grazie alla grande sensibilità di cui è dotata. Si arrabbia molto facilmente, basta davvero poco per farle saltare i nervi e scatenare il suo repertorio di parolacce, ma non bestemmia avendo subito una rigida educazione cristiana alla caduta dell'Impero Romano - anche se nel tempo la sua fede si è affievolita, però non l'ha abbandonata non giudicando mai sbagliata la religione. Da bambina era molto capricciosa oltre che malleabile, per questo apprendeva qualsiasi argomento o regola le insegnavano seppur nonno Roma alla sua nascita dovette lavorarci molto a causa della sua natura ribelle. Crescendo e imparando da sola questa sua malleabilità è scomparsa trasformandosi in rigidità, difatti ad oggi l'italiana appare come una statua di marmo fisicamente e in alcuni tratti psicologici: la fermezza. Benchè sia una Vargas ha questa particolarità la quale spunta fuori se in difficoltà o se ne necessita o se ne ha bisogno, è capace di una grande solidità perfino nei momenti più duri, talvolta l'ha spinta sino ad assumere il classico pugno di ferro nonostante siano stati pochissimi gli eventi ad averla spronata fino a quel punto - per lo più problemi nei confini. In opposizione è fragile, si fa condizionare parecchio dai propri sentimenti, impedendole di agire come dovrebbe e obbligandola, per orgoglio, a costruire un muro di apparenze intorno a sè. Ha mutuato da Impero Romano una delle grandi caratteristiche dei romani: la patientia. A differenza dell'italiano questo termine non significa "pazienza" ma "sopportazione", essere capaci di subire, subire e subire ancora, sopportare le cento lame nel petto e tornare ad alzarsi, così Lucia. Piccola attenzione: la patientia non è autocontrollo. L'italiana non sa minimamente autocontrollarsi. Si tratta di resistere, trasformare ferite in armi, non di controllarle. È, di conseguenza, temeraria, non esiste arrendersi senza combattere o addirittura non esiste l'arrendersi in certi casi. È stata cresciuta con questi valori. Purtroppo, però, questo non implica la bravura bellica, in verità le guerre, se non tutte, la maggior parte le perdeva e le perde. Solo insieme ad alleati o in casi particolari vinceva, in altri ne usciva sconfitta, in più c'è anche un disinteresse da parte della ragazza stessa che preferisce uno dei suoi preziosi libri ad un'arma tra le mani. Ammira moltissimo il nonno, tanto che mantiene le sue memorie sia nella lingua - utilizza come accento il fiorentino, l'italiano standard, essendo quello più vicino al latino - sia nelle idee - tutto ciò che le ha insegnato sulla virtù, per esempio - sia nei modi di fare e nelle tradizioni - il saltarello era un ballo tipico romano. 【𝒜spetto 𝒇isico】 Appare come una giovane donna ventunenne dai capelli leggermente mossi, castano medio e di media lunghezza. Una volta li aveva molto lunghi ma con l'avvento dell'Unità d'Italia inizialmente se li era tagliati corti - non arrivavano alle spalle - poi, alla fine della guerra, decise di lasciarseli crescere come li ha ora poichè secondo lei stonavano col suo modo classicista di essere. Indossa solitamente abiti eleganti, per lei l'apparire è importante, come camicie bianche contornate da balze e strette gonne nere. Postura sempre eretta, quasi regale per certi versi, e fisico asciutto senza curve troppo accentuate. I suoi occhi scuri, di un verde smeraldo, sembrano perennemente seri o persi nel vuoto, erranti in un mondo a parte. Ha due cicatrici dietro la schiena: una, quella più piccola, passa orizzontalmente vicino alla vita attraversando per un quarto la schiena, l'altra, più grande, inizia subito dopo le scapole attraversando verticalmente fino a raggiungere la prima e incrociandosi leggermente. Rappresentano rispettivamente la Battaglia di Tolentino nel 1815 e la caduta della seconda Repubblica Romana nel 1848. Il ricciolo, tipico dei fratelli, si trova a destra e al centro. Ovviamente è una zona erogena, perciò meglio evitare di toccarla. ❝[...]et pur che voi mostriate segno di alcun di pietate, vertù contra furore prenderà l'arme, et fia 'l combatter corto: chè l'antiquo valore ne gli italici cor' non è anchor morto.❞ - Francesco Petrarca, Italia mia ‹𝓡elazioni› [VERRANNO AGGIUNTE ALTRE IN SEGUITO) Antonio Fernandez Carriedo/Spagna Il rapporto tra l'italiana e lo spagnolo è piuttosto neutrale, possiedono un piccolo legame di amicizia solo perchè hanno in comune Lovino. In passato sono stati sempre abbastanza ambigui, una volta alleati poi nemici poi alleati di nuovo, colpevoli sono anche i signori/granduchi di Lucia che hanno costantemente ballato tra la Francia e la Spagna un po' per mantenere i buoni rapporti col primo e un po' per ricevere vantaggi dal secondo. Pure nel periodo della dominazione spagnola, nonostante godeva del totale appoggio dello spagnolo era quasi costretta ad accettarlo poichè le era imposto dai suoi superiori che furono aiutati a rientrare a Firenze dopo la cacciata nel 1494. Francis Bonnefoy/Francia Al giorno d'oggi Lucia non lo può neanche vedere il francese tanto lo odia. Seppur non appare, sono stati grandi amici: la Francia ha appoggiato Firenze e la casata medicea per lunghi anni anche durante il periodo di instabilità del '500 -diede aiuto alla Repubblica Fiorentina instaurata dopo la cacciata dei Medici. Nonostante successivamente è stata costretta ad appoggiare la Spagna -in quei periodi acerrima nemica della Francia- i loro rapporti sono rimasti buoni soprattutto grazie a Caterina de' Medici prima moglie di Enrico II poi tutrice di Carlo IX, inoltre sono stati alleati nella guerra contro Carlo V -Lega di Cognac. La situazione rimase ottima per secoli, fino all'arrivo di Napoleone. Inizialmente, come tutti gli italiani, ammirava molto il generale, ma in seguito a scelte sempre più meschine volte solo ad ingrandire il suo potere la fiducia nei confronti di Francis e nel suo adorato comandante scemò finchè non sparì del tutto. Il periodo napoleonico per i due fu quello più instabile contornato da continui litigi e riconciliazioni che si conclusero il 21 Marzo del 1801, quando i francesi soppressero il Granducato di Toscana con il Regno d'Etruria togliendo all'italiana l'ultimo territorio rimasto di sua proprietà. Da quel momento il loro legame si spezzò definitivamente. Ci fu un ultimo momento di riappacificazione durante l'Unità d'Italia -accordi di Plombières- ma l'armistizio di Villafranca, il tradimento di Napoleone III, ribaltò nuovamente e per l'ultima volta la situazione. Roderich Edelstein/Austria Anche il loro rapporto non è uno dei migliori, fin da quando si sono conosciuti. Ormai prosciugata la dinastia medicea, rimasta con un solo componente senza figli maschi, alla sua morte essa venne sostituita dagli Asburgo-Lorena, venuta a far parte del ramo asburgico grazie al matrimonio tra l'arciduchessa Maria Teresa d'Asburgo e Francesco Stefano di Lorena. L'entrata della nuova famiglia nel Granducato di Toscana avrebbe dovuto includere questo tra i possedimenti austriaci ma si decise di tenere separati i territori e, di conseguenza, le rispettive corone. Nonostante la decisione l'austriaco tentò comunque di imporsi su di lei come, per esempio, obbligarla ha sopprimere un libro di un intellettuale perchè secondo lui inadatto -inoltre non era d'accordo con la libertà di stampa del Granducato. Il Risorgimento portò a peggiorare ulteriormente i loro rapporti, già instabili, con la battaglia di Tolentino del 1815, l'assedio di Ancona dell'8 Maggio del 1849 e la conquista del Granducato di Toscana in 28 Maggio del 1849. Sebbene lo odi, però, in ogni caso gli deve un grande grazie -che mai dirà- per averle restituito il Granducato di Toscana durante il Congresso di Vienna. Gilbert Beilshmidt/Prussia Sono amici -prevalentemente di bevute- sebbene l'italiana non sopporti il prussiano. La loro amicizia parte dal 1198, durante la prima crociata, quando l'Ordine Teutonico era da poco nato. Compagni d'arme hanno combattuto insieme fino a circa il 1250, quando Lucia decise di abbandonare la strada militare e buttarsi in quella da intellettuale grazie alla Scola Siciliana diventando l'indipendente comune Firenze. In certi sensi possiamo dire che l'ha visto nascere. Successivamente si sono ritrovati durante il Congresso di Vienna e, in particolar modo, nell'alleanza italo-prussiana anche conosciuta come Terza guerra di indipendenza italiana il 28 Marzo del 1866. Possiamo dire che Gilbert è l'unico a cui non prova davvero odio, nonostante il suo atroce comportamento e quello di suo fratello assunto nei suoi confronti durante la Seconda Guerra Mondiale. Feliks Łukasiewicz/Polonia Sono amici a tutti gli effetti sebbene il loro incontro è abbastanza recente, difatti risale al 1849. Il polacco era venuto in aiuto militare alla Repubblica Romana dopo che Roma venne assediata dai francesi e, inoltre, compare nell'inno italiano come l'Italia compare nell'inno polacco. 〘 𝓒uriosità 〙 ► Preferisce evitare vestiti troppo scollati, secondo lei sono volgari; ► Legge e scrive molto spesso. Adora leggere romanzi d'amore oppure antiche opere letterarie di autori famosi come Dante, Machiavelli, Petrarca, addirittura arriva ad autori di epoca classica come Seneca o Orazio. Non le piace scrivere romanzi, invece, preferisce poemi epici o poesie; ► Ha una scrittura precisa e delicata; ► È cristiana ma non afferma nè nega l'esistenza di Dio: secondo lei non lo si può dire; ► Ha combattuto come cavaliere crociato, seppur per un breve periodo; ► Sa disegnare molto bene. Solitamente usa come soggetti personaggi epici o biblici oppure coloro che ammira utilizzando uno stile molto classico di epoca romana che si è imposta dall'Umanesimo. ► Lucia, tra i Vargas, è la mezzana: più piccola di Lovino ma più grande di Feliciano; ► Ama incondizionatamente il vino, in assoluto la sua bevanda preferita. Lo beve in continuazione, finchè non finisce ubriaca certe volte; ► Sa tenere molto bene l'alcool; ► Ha molte conoscenze agricole/contadine, soprattutto riguardanti l'uva e i vigneti, ma non sono approfondite quante quelle del fratello maggiore.

[designbooksmilano]

Il design non è una cosa seria

Memorie di una ragazza radicale

Cristina Morozzi

Rizzoli, Milano 2017, 194 pagine, ISBN 9788891814494

euro 19,90

email if you want to buy :booksinprogressmilano@yahoo.it

Questo volume è un intenso racconto di vita, con l'infanzia fiorentina in una famiglia fuori dal comune, culla ideale per il suo sguardo curioso, in bilico fra arte, filosofia, moda e invariabilmente attirato dall'inedito e dal sorprendente. Un racconto personale che coincide con la sorprendente avventura del design italiano, che non è ancora finita.

Anche il sottotitolo – Memorie di una ragazza radicale – è importante: perché Cristina Morozzi è cresciuta nella Firenze della metà del secolo scorso, al fianco di Massimo Morozzi, membro di Archizoom Associati (Firenze 1966, con Andrea Branzi, Gilberto Corretti, Paolo Deganello in seguito raggiunti nel 1969 da Lucia Morozzi – sorella del marito – e il suo sposo Dario Bartolini) e poi protagonista di rilievo, in altre e diverse vesti, del mondo del progetto con cui ha condiviso una vita fatta di complicità intellettuale vera e partecipata, sorprese, avventure e si, appunto di design. Il tempo nelle sue righe non è mai preciso se non scadenzato da date indimenticabili quali quelle della nascita dei suoi quattro figli. Il resto è solo memoria, come dice lei, più o meno limpida allacciata a esperienze e circostanze particolari che l’hanno colpita per più motivi. Le piace dirci della casualità degli accadimenti. Racconta del caso che le fece incontrare Alessandro Mendini in un bar all’angolo tra via Monte di Pietà e via dell’Orso nel centro di Milano (era il 1977) dopo che il marito si traferisce in città con Andrea Branzi per lavorare al Centro Design Montefibre della Montedison, chiamati entrambi da Elio Fiorucci, amico impareggiabile per cui spende tenere parole. Quel caffè la catapulterà in una carriera fatta di scrittura.

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[persinsala]

Kilowatt Festival 2019

Sansepolcro torna al centro della scena teatrale contemporanea con il Festival diretto da Luca Ricci e Lucia Franchi

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[tmnotizie]

PESARO – Se amate il verde e siete curiosi di conoscere la storia di Pesaro con una prospettiva decisamente inedita, il primo weekend di giugno è tutto da passare a Villa Caprile, la ‘piccola Versailles italiana’ nel parco San Bartolo. Sabato 2 e domenica 3 giugno, continua il ricco programma della tre giorni alla scoperta di quei piaceri che animavano la villa scelta dalla famiglia Mosca per ‘oziare’ sulle colline.

Sabato 2 giugno si parte alle 17; tra le tante proposte, Anna Cerboni Baiardi sull’epistolario di Giannandrea Lazzarini (ore 18.30), Claudia Rondolini che parla di Giulio Perticari (ore 19.15), il Concerto al Tramonto dei Pueri Cantores della Cappella Municipale di Sant’Ubaldo (ore 20.15), Rodolfo Battistini su ‘pittura e natura nel settecento pesarese’ (ore 21.30). Domenica 3 giugno, il gran finale con appuntamenti anche dedicati ai bambini fin dal mattino; dalle 10.30,  laboratori e letture per i più piccoli e la sera (ore 20.15), la Favola di Orfeo ed Euridice.

Accanto al programma che differenzia le giornate, c’è un’offerta da godersi tutti i giorni con tutti i sensi: come l’arte del profumare di Giulio Luconi, gli abiti in viaggio di Gloria Bellardi e i concerti e instant show a cura di artisti vari. Chi vuole cenare può farlo nell’area ristoro (dalle 19.30 alle 21.30) con menù ispirati al Settecento preparati dall’Istituto Cecchi.

‘Caprile Illuminata’ si inserisce nel programma della XVII edizione di Caprile Agrishow, manifestazione conclusiva dell’anno scolastico dell’Istituto Tecnico Agrario A Cecchi. Tutti gli appuntamenti sono a ingresso gratuito. In caso di maltempo, gli eventi si svolgeranno nel Salone degli Affreschi del piano nobile della villa, nell’Oratorio di San Francesco e nella tensostruttura. Per l’accesso alla villa, doppio ingresso: da via Caprile e via Caprilino.

CAPRILE ILLUMINATA  Gli Amori, le Arti, i Giochi, la Natura

progetto e direzione artistica  Lucia Ferrati

enti promotori Comune di Pesaro/Assessorato alla Bellezza, Istituto d’Istruzione Superiore A. Cecchi, Amat; con Regione Marche, Provincia di Pesaro e Urbino, Ente Parco Naturale San Bartolo. In collaborazione con: Accademia Agraria in Pesaro, Ufficio Scolastico Regionale per le Marche, Ufficio VI-Ambito territoriale della Provincia di Pesaro Urbino, Liceo Artistico F. Mengaroni, I.P.S.I.A. Istituto Tecnico Professionale G. Benelli, Liceo Scientifico e Musicale G. Marconi e Associazione Turistica Pro Loco di Candelara-Candele a Candelara, Biblioteca Louis Braille, Habitania oggetti complementi d’arredo, libreria Il Catalogo

< con il sostegno di Coop Alleanza 3.0

< si ringraziano : Associazione Culturale Amici della Biblioteca Oliveriana, Ente Olivieri. Biblioteca e Musei Oliveriani, FAI/delegazione di Pesaro e Urbino, Garden Club, Università dell’Età Libera

info Amat/uffici di Pesaro 0721 3592515, 366 6305500; Istituto d’istruzione Superiore A. Cecchi  0721 21440 segreteria@iiscecchi.gov.it www.comune.pesaro.pu.it

Programma

Sabato 2 giugno

17.00 PRATO D’INGRESSO

Franca Gambini Accademia Agraria. Gli “orti” sperimentali: dagli Orti Giulii a Villa Caprile

Ettore Franca Francesco Mosca, giacobino eclettico, amante del verde

17.45 GIARDINO SEGRETO Carla Di Carlo Segni di passione: Carolina di Brunswick e Bartolomeo Pergami

18.30 PRATO D’INGRESSO Anna Cerboni Baiardi “Segue lettera”…Giannandrea Lazzarini. L’epistolario che racconta la pittura

letture di Luca Sinelli

19.15 GIARDINO SEGRETO Claudia Rondolini Giulio Perticari: un protagonista nell’Atene delle Marche – letture di Olimpia Bassi

 20.15 GIARDINO SEGRETO

Concerto del Tramonto: Canoni e peccati / Pueri Cantores della Cappella Municipale di Sant’Ubaldo direttore Prof. Maurizio Ciaschini musiche di W.A. Mozart e G. Rossini

Al termine: consegna degli attestati di partecipazione al 23° Corso Pueri Cantores

 21.30 PRATO D’INGRESSO Rodolfo Battistini, Pittura e natura nel Settecento pesarese

 DOMENICA 3 GIUGNO

dalle 10.30 alle 12.30

GIARDINO DELLE ESSENZE Giochi di Terra, d’Aria, d’Acqua e di Fuoco Laboratori per bambini a cura di Giorgia Leonardi e Benedetta Leonardi

 TEATRO DI VERZURA Il posto delle fiabe, letture da Charles Perrault, Jeanne-Marie Leprince de Beaumont, Jacob e Wilhelm Grimm, Hans Christian Andersen, con Maria Rosa Cecchini, Morena Maccaroni, Marcella Tomassoli

VILLA E GIARDINI Visite guidate alla Villa, ai Giardini, ai Giochi d’Acqua e agli Automi, a cura degli studenti dell’Istituto d’Istruzione Superiore “A. Cecchi”

17 GIARDINO SEGRETO Brunella Paolini “Infandum, regina, iubes renovare dolorem”. La Didone abbandonata nel melodramma tra barocco e classicismo; con la partecipazione di Pamela Lucciarini canto e Massimiliano Faraci spinetta

17.45 PRATO D’INGRESSO Gastone Primari Colture agrarie e religione nell’opera letteraria di don Giacomo Marzetti, sacerdote e latinista pesarese del Settecento

18.30 GIARDINO SEGRETO  Lucia Ferrati, Pesaro 24 settembre 1735: una “prima” straordinaria al Teatro del Sole di Pesaro con la partecipazione di Pamela Lucciarini canto  e Massimiliano Faraci spinetta

19.15  PRATO D’INGRESSO  Alberto Ausoni, Le Parc di Angelin Preljocaj. Ambigue strategie amorose fra i circuiti di un giardino di delizie

20.15 GIARDINO SEGRETO

Concerto del Tramonto: La favola di Orfeo ed Euridice, di C. W. Gluck

con Kiyoka Iguchi Orfeo, Francisca Cristopulos Euridice, Vaìa Mani Amore

e con Marco Bartolini violino, Ladislao Vieni viola, Vladimir Zubitsky violoncello, Mari Batilashvili pianoforte; direttore M° Salvatore Francavilla

voci recitanti Francesca di Modugno e Cristian Della Chiara

direttore tecnico Luca Marzi, a cura di International Opera Studio, di Inga Balabanova

sabato 2 e domenica 3 giugno

dalle 17-19.30

VILLA E GIARDINI Visite Guidate, Giochi d’acqua e animazioni Automi a cura degli studenti dell’Istituto d’Istruzione Superiore “A. Cecchi”

Esercizi di disegno dal vivo ed esposizione, a cura degli studenti della sezione di Discipline pittoriche del Liceo Artistico “F. Mengaroni” a cura di Stefania Antonioni e Anna Maria Benvenuti

CASETTA DELLE FATE Et voilà, Madame!  trucco e parrucco, a cura di I.P.S.I.A. Istituto Tecnico Professionale “G.Benelli”

dalle 17.00 alle 21.30

VILLA E GIARDINI      

Abiti in Viaggio a Villa Caprile a cura di Gloria Bellardi performers Bianca Sendrea, Rossella Fiorani, Camilla Barduagni, Federica Frioli coreografie Masako Matsushita

 Sac Uni Que borse in tessuto di Fiorenza Martufi

BOTTEGA DEL GIARDINO SEGRETO L’arte del profumare a cura di Giulio Luconi

GIARDINO DELLE ESSENZE Libri da prato, progetto La Biblioteca fuori di sé’ a cura di Biblioteca “Louis Braille”

GALLERIA DEGLI STUCCHI

Libretto all’Opera di R. Gioacchino istallazione a cura di Isabella Galeazzi

Vero più del Vero mostra di disegni degli alunni della sezione di Grafica del Liceo Artistico “F. Mengaroni” a cura di Giorgio Donini

SERRA Giardino sospeso installazione a cura di Camilla Suppa

dalle 18.30 alle 21.30

ORATORIO SAN FRANCESCO  e TEATRO DI VERZURA  Concerti all’Improvviso, a cura di Ensemble Aurata Fonte con Miho Kamiya soprano, Alessandra Bottai e Francesca Camagni violini, Małgorzata Maria Bartman viola, Perikli Pite viola da gamba, violoncello, Filippo Pantieri, clavicembalo; musiche di A. Vivaldi, H. Purcell, A. Bembo, G. F. Handel, J,S. Bach, G. Brunetti, F. Haydn, L. Boccherini

dalle 19.30 alle 21.30  AREA RISTORO a cura del personale dell’Istituto d’Istruzione Superiore “A. Cecchi”

[garadinervi]

Archizoom Associati, No-stop city, 1970 [«Abitare»]