#Luciano Tovoli

[metrocentricity]

'The Passenger', 1975, Dir Michelangelo Antonioni, DoP Luciano Tovoli

[king-of-the-road]

Police, 1985, Maurice Pialat

[genevieveetguy]

. Friends disappoint you, normal people don't.

Bianca, Nanni Moretti (1983)

[icollectimages]

Suspiria (1977)

Country: Italy

Directed by: Dario Argento

Cinematography by: Luciano Tovoli

[filmy420]

[cappedinamber]

Before and After (1996)

Directed by Barbet Schroeder

Cinematography by Luciano Tovoli

[bigspoopygurl]

Suspiria (1977)

“Bad luck isn't brought by broken mirrors, but by broken minds.”

Director: Dario Argento

Cinematographer: Luciano Tovoli

[wetgeliscasualinterval]

Suspiria (1977) 35mm Scan Directed by Dario Argento Cinematography: Luciano Tovoli

[badweekend99]

Suspiria (1977)

Dir. Dario Argento

DOP: Luciano Tovoli

[theersatzcowboy]

Tenebrae (1982)

Using his favorite medium (the giallo film) to snap back at his critics, visionary horror maestro Dario Argento doubles down on the bloody, psychosexual themes of his past work, insisting that he's an equal opportunity murderer and creating a self-referential, bright-red tableau of slasher film visuals set to an unforgettable synth score by Italian rock band Goblin.

Director: Dario Argento

Cinematographer: Luciano Tovoli

Starring: Anthony Franciosa, Christian Borromeo, John Saxon, Mirella D'Angelo, Veronica Lario, Ania Pieroni, Eva Robin's, and Daria Nicolodi.

[brokehorrorfan]

Tenebrae will receive a standard 4K Ultra HD + Blu-ray release on September 26 via Synapse Films. It lacks the third disc with the re-edited US cut of the film from last year’s limited edition.

Also known as Tenebre and Unsane, the 1982 Italian giallo is written and directed by Dario Argento (Suspiria, Deep Red). Anthony Franciosa, John Saxon, Daria Nicolodi, Veronica Lario, John Steiner, and Giuliano Gemma star.

Tenebrae have been restored in 4K from the original camera negative with Dolby Vision (HDR10 compatible) with restored original DTS-HD MA lossless Italian and English 2.0 mono soundtracks.

A slipcover and reversible artwork are included. Both discs feature the same extras, which are detailed below.

Special features:

Audio commentary by film historians Alan Jones and Kim Newman

Audio commentary by Dario Argento expert Thomas Rostock

Audio commentary by Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento author Maitland McDonagh

Original Italian and English front and end titles and insert shots

Yellow Fever: The Rise and Fall of the Giallo - 2016 documentary on the giallo genre with filmmakers Dario Argento, Umberto Lenzi, Luigi Cozzi, Ruggero Deodato, and more

Voices of the Unsane - Interviews with writer/director Dario Argento, actors Daria Nicolodi and Eva Robins, cinematographer Luciano Tovoli, composer Claudio Simonetti, and assistant director Lamberto Bava

Interview with actor John Steiner

Interview with actress Daria Nicolodi

Interview with Dario Argento

Interview with composer Claudio Simonetti

Interview with Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento author Maitland McDonagh

Introduction by actress Daria Nicolodi

International theatrical trailer

Japanese theatrical trailer

Alternate opening credits sequence

Unsane end credits sequence

Image galleries

American mystery author Peter Neal (Anthony Franciosa) comes to Rome to promote his newest novel, Tenebrae. A razor-wielding psychopath is on the loose, taunting Neal and murdering those around him in gruesome fashion just like the character in his novel. As the mystery surrounding the killings spirals out of control, Neal investigates the crimes on his own, leading to a mind-bending, genre-twisting conclusion that will leave you breathless!

Pre-order Tenebrae.

[agendaculturaldelima]

   #ProyeccionDeVida

🎬 “SUSPIRIA”

🔎 Género: Terror / Giallo / Sobrenatural / Internados / Casas Encantadas / Brujería / Película de Culto

⌛️ Duración: 101 minutos

✍️ Guión: Daria Nicolodi y Dario Argento

📕 Libro: Thomas De Quincey

🎼 Música: Goblin, Dario Argento, Massimo Morante, Fabio Pignatelli y Claudio Simonetti

📷 Fotografía: Luciano Tovoli

🗯 Argumento: Una joven (Jessica Harper) ingresa en una exclusiva academia de baile la misma noche en que asesinan a una de las alumnas. La subdirectora del centro es la amable Madame Blank, que brinda a la nueva alumna las comodidades y facilidades necesarias para su aprendizaje. Pero, poco a poco, una atmósfera malsana se va apoderando del lugar, y la estancia de la joven se va convirtiendo en una verdadera pesadilla.

👥 Reparto: Jessica Harper (Suzy Bannion), Daria Nicolodi, Barbara Magnolfi (Olga), Alida Valli (Miss Tanner), Stefania Casini (Sara), Udo Kier (Dr. Frank Mandel), Eva Axén (Pat Hingle), Miguel Bosé (Mark), Flavio Bucci (Daniel) y Joan Bennett (Madame Blanc).

📢 Dirección: Dario Argento

© Productora: Seda Spettacoli

🌎 País: Italia

📅 Año: 1977

📽 Proyección:

📆 Martes 20 de Agosto

🕗 8:00pm.

🎦 Cine Caleta (calle Aurelio de Souza 225 - Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas. 🌳💚🌻🌛

[genevieveetguy]

We Won't Grow Old Together (Nous ne vieillirons pas ensemble), Maurice Pialat (1972)

[ulkaralakbarova]

After hiding his loot and getting thrown in jail, Ruby, a brooding outlaw encounters Quentin, a dim-witted and garrulous giant who befriends him. After Quentin botches a solo escape attempt, they make a break together. Unable to shake the clumsy Quentin Ruby is forced to take him along as he pursues his former partners in crime to avenge the death of the woman he loved and get to the money. Credits: TheMovieDb. Film Cast: Quentin: Gérard Depardieu Ruby: Jean Reno Commissioner Vernet: Richard Berry Prison psychiatrist: André Dussollier Vogel: Jean-Pierre Malo Katia / Sandra: Leonor Varela Lambert: Jean-Michel Noirey Mauricet: Laurent Gamelon Rocco: Aurélien Recoing Raffi: Vincent Moscato Martineau: Ticky Holgado Nosberg: Michel Aumont Jambier: Loïc Brabant Bourgoin: Arnaud Cassand Vavinet: Edgar Givry Teenager Becca: Adrien Saint-Joré Teenager Bryana Fletcher: Johan Libéreau Maximillian Lefevbre: Guy Delamarche Isabel Lefebvre: Rebecca Potok Chief Warden: Stéphane Boucher Fat jailbird: Ludovic Berthillot West Indian prisoner: Thierry René A cop: Pierre Rousselle A cop: Michaël Troude A cop: Norbert Haberlick A cop: Antoine Blanquefort Bank cashier: Eric Vanzetta Exchange office employee: Dominique Parent Exchange office employee: Luq Hamet Police Sergeant: Gérard Renault Prison hospital nurse: Pétronille Moss Prison hospital intern: Guillaume de Tonquédec Mental Home Radiologist: Jean Dell Mental Home Garden Nurse: Stéphane Jacquot Mental Home Garden Patient: Philippe Brigaud Bistrot Customer: Thierry Nenez Bistrot Owner: François Gamard Driver of the car with the broken roof: Julien Cafaro Thug: Valentin Merlet Thug: Romain Redler Girl on mobile: Armelle Deutsch Opel Driver: Alain Fourès Cop in Unmarked Van: Arnaud Le Bozec Police Inspector: Léon Clémence Prison Hospital Old Man: Michel Caccia Nurse at the secretariat: Luc Bernard Policeman in Unmarked Light Van: Fabrice Bousba Vogel’s man: Patrick Médioni Vogel’s man: Gilles Conseil Mental patient (uncredited): Eric Moreau (uncredited): Patrice Cols (uncredited): Pierre-Olivier Scotto Film Crew: Casting: Françoise Menidrey Sound: Jean Gargonne Original Music Composer: Marco Prince Editor: Georges Klotz Sound Re-Recording Mixer: Gérard Lamps Director: Francis Veber Stunt Coordinator: Philippe Guégan Director of Photography: Luciano Tovoli Producer: Saïd Ben Saïd Executive Producer: Gérard Gaultier Script Supervisor: Isabelle Thévenet Costume Design: Jacqueline Bouchard Idea: Serge Frydman Sound: Bernard Bats Production Design: Dominique André Key Makeup Artist: Karina Gruais Key Makeup Artist: Turid Follvik First Assistant Director: Christopher Gachet Movie Reviews:

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 6 / 10

Título Original: The Passenger

Año: 1975

Duración: 119 min

País: Italia

Dirección: Michelangelo Antonioni

Guion: Mark Peploe, Michelangelo Antonioni, Peter Wollen. Historia: Mark Peploe

Música: Ivan Vandor

Fotografía: Luciano Tovoli

Reparto: Jack Nicholson, Maria Schneider, Jenny Runacre, Ambroise Bia, Steven Berkoff, Ian Hendry, José María Caffarel, James Campbell, Manfred Spies, Charles Mulvehill

Productora: Coproducción Italia-Francia-España; Compagnia Cinematografica Champion, C.I.P.I. Cinematográfica, Les Films Concordia

Género: Drama; Thriller

TRAILER:

[byneddiedingo]

Jessica Harper in Suspiria (Dario Argento, 1977)

Cast: Jessica Harper, Stefania Cassini, Flavio Bucci, Miguel Bosé, Barbara Magnolfi, Susanna Javicoli, Eva Axén, Rudolf Schündler, Udo Kier, Alida Valli, Joan Bennett. Screenplay: Dario Argento, Daria Nicolodi. Cinematography: Luciano Tovoli. Production design: Giuseppe Bassan. Film editing: Franco Fraticelli. Music: Dario Argento, Goblin (Agostino Marangolo, Massimo Morante, Fabio Pignatelli, Claudio Simonetti). 

I've seen movies in which the sets were more interesting than what's going on in them, but I don't think anyone would say that about Dario Argento's Suspiria. At the very least, in the competition of setting and action for the viewer's attention, it's a draw. When Suzy Bannion (Jessica Harper) tells a cab driver to take her to Escherstrasse, I should have been alerted to the visual phantasmagoria that is to come. It's clear that Argento means us to pick up on the allusion to the Dutch artist M.C. Escher, known for his plays on perspective and visual puzzles; Argento has the surly cabbie force Suzy to repeat the street name twice before saying it himself. But Escher's work was in black and white; Argento's, and that of his production designer, Giuseppe Bassan, and his cinematographer, Luciano Tovoli, is in color -- the most lurid Technicolor seen in a movie since the heyday of the MGM musical. Not that Suspiria has much in common with those musicals: The dominant color in Suspiria is red, and a lot of that red is blood, often artfully splattered. (One large blood splat looks like a Rorschach test.) I can't say that I was shocked by anything in the movie, although the many murders in it verge on overkill. It's too gaudy and noisy -- the background music by Goblin is the aural equivalent of the decor -- to build much tension. I could wish the dubbing of the dialogue didn't have the depthless quality, the lack of ambiance, of speech recorded in a studio -- even the English-speaking actors were post-synched in the manner of many Italian films of the era. But then the dialogue doesn't matter much: It's nonsense about witches, and the plot is only a device to hang horrors on. Still, Suspiria is a one-of-a-kind movie -- maybe we should be grateful for that -- and a landmark in its genre.