GR96
@fusionspruntcityjournal
So how do you produce electricity with living plants? Simply by using the natural processes that already occur. In short: the plant produces organic matter via photosynthesis. Only part of this organic matter is then used for its own growth. The rest is excreted via the roots. Around the roots, bacteria feed on the organic matter and they release electrons. If you’re able to harvest the electrons into an electrode, you can couple the first electrode to a counter-electrode and build an electrical circuit, like in a battery. The electrons flow back into the natural system via the counter-electrode, so it’s completely circular. Because we use the natural processes around the plant, nature is not harmed. It works day and night, summer and winter. It only stops when the plant and its surroundings completely dry up or freeze over.
Sedum Oviferum
Sedum pachyphyllum is a ground-hugging succulent that spreads by rooting fallen stems and leaves. The succulent also goes by the names “Cerise Moonstones” or “Mauve Pebbles”. The short and stumpy round leaves have a light silvery-purple color; positioned at a right angles to the stem and curve upward, which in the wintertime, the tips of said leaves will turn into a notorious red.
Sedum Oviferum is a succulent that is very easy to grow and maintain. It is a resilient plant that can tolerate drought, moist and dry soils, and when given adequate exposure to sunlight and sufficient water, Cerise Moonstones will thrive outdoors. The Sedum Oviferum succulent grows at its best with regular exposure to sunlight. If Mauve Pebbles are planted in an area in a garden that gets plenty of sunlight per day, you will be rewarded with bright coloured leaves and flowers. In winter and early spring, Cerise Moonstones actively grow and produce blooms featuring red-orange petals and sepals that have the same pigmentation as the leaves. The flowers produced by Cerise Moonstones have a bell shape and a sugary fragrance.
Subterranean Clover
Trifolium subterraneum is also known as the subterranean clover (often shortened to sub clover), or subterranean trefoil. The plant's name comes from its underground seed development, a characteristic not possessed by other clovers. It can thrive in poor-quality soil where other clovers cannot survive.
This species is self-fertilizing, unlike most legume forage crops such as alfalfa and other clovers, which are pollinated by insects, especially honeybees. It is also grown in places where the extreme ranges of soil type and quality, rainfall, and temperature make the variable tolerances of sub clover especially useful.
Functionality
GR96 are powered by any plant of choosing on their back pod (the one we are going to discuss has a giant Sedum Oviferum and multiple sub clovers to operate) which is held in place by five strong suction cups. They’re manufactured for community gardens (strictly only one per garden), but they can also be bought by high class citizens for private properties, though at a way bigger cost since they’re financed by the city.
They can use their hands as scissors, shovels, and for watering (hence the big forearms, for storing the water), the latter which they do by dipping their hands in a bucket, opening the valve on their forearms so they can fill them up and releasing the water from the pinholes on their palms. Their “eyes” are actually a screen that can show plenty expressions, but the two circles above that peripheral screen are the real environmental sensors. They also have the same sensors on their ankles for inspecting the lower plants and ground without the need of kneeling, and their feet are shaped in a way so that weight is evenly distributed, lowering the chances of damaging a plant if they were to step on it. The ear like protrusions are small solar panels, used as backup energy (they don’t have any communication properties). Their speaker aka their “voice” is the mohawk-like structure on the top (which also has their series barcode 128 on the lower back), but when they speak there are these strips at the sides of the face mask that light up with the volume. The mask (non removable) has a set of pipes that are used for analyzing the air quality and humidity of the area surrounding them.
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I love the comic book writing sensibility that Frequency has, like how Three and Five's ending is great for the story being told but if it were a published comic it would still leave them on the table for if a future writer wanted to use them.
whats funny is that despite doing my best to keep in line with dc comics/comic writing sensibilities throughout the fic (staying as comics-accurate as possible in terms of continuity/tone/characterization/story elements etc) that particular comic writing reality was one that was like. kind of a genuine anxiety that i didn't know i had until i started writing this thing.
ive said before that in the original concept for Frequency all of the clones (besides Thad) were going to end up dead. whether it was via killing each other or unintentionally being the instrument of their own demise (disney villain style). obviously it changed because creating an entire narrative about this one character's redemption arc and then not allowing any of the other villains to have a shot at redemption felt hypocritical and like. mean. not to mention antithetical to the whole ethos of the story.
but the reason why killing off all the other clones was my first instinct is partially because i had this kinda subconscious recoil to the idea that any of them would actually continue on after the story was over.
like, because i was trying to stick to canon so much, while figuring out the story a thought came up a couple times that basically went like, "okay, well, if this was a real comic, then...". and inevitably i had a realization that if this WAS a real comic, my original clone characters would be canonized, and therefore available to any future writer who wanted to yank them out of their respective endgames and inject them into other stories. which i Did Not Like the Idea Of.
classic "making up a guy to get mad at" except it was more "making up a reality to get anxious about". because obviously no matter how much it sticks to canon, Frequency still exists in a fan-created space.
but! i'd never made up original characters to put in my own fanmade stuff before and was definitely feeling protective. because all those original clones i made had yknow: a story purpose and narrative function to facilitate the actual key characters, Thad and Bart. the idea of them being removed from that context in any capacity, even if it was in the hands of a good writer, made me have this gut "no STOP you're ruining it!!!!" reaction.
they were all made for Frequency, and to foil Thad as a character, i didnt like the idea of Three being brought back as a one-note villain or Jude and Nathaniel getting folded into the wider Flash cast of allies. and none of them were made to be main character material. plus the character roster at DC is already uhh Extremely Stacked i genuinely did not want the takeaway to be "and here's the nEW ADDITIONS TO THE FLASH FAMILY!" because that wasnt the intention
anyway i got over it lol. i still did my best not to leave any loose ends, and have each ending be wholly satisfying on its own, and ideally the oc clones basically continue on offscreen while the true adventures are based around Thad and Bart. but yeah it felt right to leave off on that note (and served the story much better than killing everybody off)
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