#Malayalam comic artists

[influencermagazineuk]

Sridevi: Remembering the Iconic Bollywood Actress

Sridevi, an epitome of grace, talent, and beauty, remains one of the most celebrated and beloved actresses in the history of Indian cinema. Born on August 13, 1963, in Sivakasi, Tamil Nadu, she began her acting career at a young age and soon became a prominent figure in the Indian film industry. Her journey in the film world started as a child artist, and she made her debut in lead roles with the Tamil film "Moondru Mudichu" in 1976. Her natural acting prowess and charismatic screen presence quickly garnered attention, leading to roles in various Tamil, Telugu, and Malayalam films. However, it was her foray into Bollywood that catapulted Sridevi to superstardom. Her performance in the 1983 film "Himmatwala" opposite Jeetendra marked her Bollywood debut and initiated her journey towards becoming an iconic figure in Indian cinema. The success of the film established her as a bankable leading lady and paved the way for her subsequent blockbuster films. Sridevi's ability to seamlessly transition between various genres and portray diverse characters set her apart. From romantic dramas like "Chandni" to intense roles in films like "Sadma," she showcased her versatility and left an indelible impact on the audience. Her pairing with leading actors of the time, including Amitabh Bachchan and Anil Kapoor, resulted in several memorable on-screen moments. The '80s and '90s were dominated by Sridevi's performances that left a lasting impression. She charmed audiences with her comic timing in films like "Mr. India" and "ChaalBaaz." Her dance moves, especially in the iconic song "Hawa Hawai," became a cultural phenomenon and added to her immense popularity. Sridevi's contributions to Indian cinema were not limited to Hindi films. She continued to excel in regional cinema, garnering critical acclaim for her roles in Tamil, Telugu, and Malayalam movies. Her dedication to her craft and her ability to connect with audiences across language barriers solidified her status as a pan-Indian star. After a brief hiatus, Sridevi made a triumphant return to the silver screen with the critically acclaimed film "English Vinglish" in 2012. Her portrayal of a middle-aged woman's journey of self-discovery resonated with audiences and critics alike, reaffirming her unparalleled acting prowess. Tragically, Sridevi's life was cut short when she passed away on February 24, 2018, leaving behind a legacy that continues to shine brightly. Her sudden demise was met with shock and grief from fans, fellow actors, and the entire film fraternity. Sridevi's impact on Bollywood and the larger entertainment industry remains unmatched. Her body of work, spanning over four decades, showcases her ability to embody a wide range of characters and emotions. She received numerous awards for her contributions, including several Filmfare Awards, and was posthumously honored with the National Film Award for Best Actress for her role in "Mom." As fans and admirers remember Sridevi, her films, songs, and memorable moments continue to be cherished. Her legacy serves as an inspiration for aspiring actors and artists, reminding us of her extraordinary journey from a child artist to an eternal screen legend. Read the full article

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[awesometeennews]

Remember 'CID Moosa'? This docu series captures the magic of Malayalam comics

Remember ‘CID Moosa’? This docu series captures the magic of Malayalam comics

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Tony Davis and Sreeram KV are behind the documentary series ‘Kadha Vara Kadhakal’ on YouTube.

That day, Sreeram KV and Tony Davis were attending a quiz as part of an event by Chai Pe Quiz, an informal quiz club in Kochi. A question was asked about Kannadi Viswanathan and Tony was quick to answer it. Viswanathan is the creator of one of Tony’s favourite Malayalam comics, CID Moosa. After…

[artofyakshi]

Yakshi

@art_of_yakshi @ insta

[mhazaru]

Hi! You probably get this a lot but your art style is so perfect, I admire your lines and coloring so much! I noticed that deeper in your tumblr you used a distinctively different art style which also caught my eye — is there a specific reason you changed it? Also, there’s something about your username that’s really cool, is there a meaning behind it or anything? You don’t have to share if it’s personal or something, just wanna learn more about the artist behind this gorgeous art :)

Thank you! I used to do more realistic stuff, but stylized/comic art always caught my eye a lot more and it feels way more natural for me to draw. If you have to force yourself to draw a certain way or overthink it then it’s probably not the right path for you

My user name is the Malayalam word for rain rearranged (mazha) mixed in with some letters of my rl name. I’m actually more of a blue skies/bright sun person but the feeling of reading/drawing inside while it’s raining is great

[voicemonkstudio]

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[chromiollies]

hey uh @demonrhythms big thankie for tagging me! You’re a rad buddy

so here I go, take it as a buncha facts because I dont do tag games a lot but this one stood out to me

1) Height: 5’4

2) Last thing I googled: tawog wiki (I was checking some images, dont ask why)

3) Favorite musicians: I listen to loads of artists but I really love Korn, SOAD, EDEN, Jack Stauber, Kikuo, Hatsune Miku , some vocaloids which I forgot the name of, Shelby Merry, Jake Sidwell, Jack Conte, Joakim Karud, and bunches more which I cant name in one go. they all depend on each genre phase I go through

4) Song stuck in my head: Counting by KORN, its really good because well Korn yum

5) Followers: 1029 (cant stress this enough but thank you all)

6) Following: 444

7) Do you get asks: once a month? its very rare unless its ask time, then its frequent

8) Amount of sleep: hmmm, school days are always 8 hours. Holidays: same number of hours except I sleep by 3 am lol

9) Lucky number: 22! oor 4 goes well too

10) What are you wearing: a floral palasso and a Blue t-shirt 

11) Dream Job: I REALLY, REALLY want to be, either an animator/Character Illustrator/Comic artist/or a freelance artist. but gotta get a computer engineering degree first sigh

12) Instruments: have a guitar and my past self swore she would practice but psyche-

13) Languages: English, Arabic, Hindi and Malayalam(yes, weird. dont blame me im an Indian)

14) Favorite Song: I have too many to count with my 10 fingers

15) Random Fact: I uh, love love love final space with my heart, same goes for the amazing world of gumball!! Gary Goodspeed and Gumball Watterson respectively I wanna shower with hugs because theyre equally dumb but really rad fictional peeps hee hee. Used to be in the ninjago fandom, but as the series progressed and design changes happened I lost interest

16) Aesthetics: I really like vaporwave of the 90s! anything 80s-90s based, Space, edge aesthetic or black stuff, but most fav are those 1980′s Microsoft computers because hell I love old timey stuff

im not gonna tag anyone but yall could do it if you wanted to!

[kawaiisharkbarbarian]

Yeh Dil 2003

Yeh Dil

Producer: Anandi Art Creations Director: Teja Starring: Tusshar Kapoor, Natasha Music: Nadeem-Shravan Lyrics: Sameer Genre: Romantic Recommended Audience: Parental Guidance Approximate Running Time: 180 mins Film Released on: 04 April 2003 Reviewed by: Suraj Das - RatingWhat it means10.0 Masterpiece - perfect in all aspects!9.0 - 9.5 Superb - highly recommended!8.0 - 8.5 Very well made - recommended!7.0 - 7.5 Good - but could have been better!6.0 - 6.5 Above Average - worth a watch!5.0 - 5.5 Average - not worth going to theatre (watch on TV)4.0 - 4.5 Below Average - OK for time-pass!3.0 - 3.5 Hopeless - you would not miss it!2.0 - 2.5 Poor - watch only if you are desperate!1.0 - 1.5 Really Bad - avoid at all costs!0 - 0.5 Should not have been released!

','white', 320)' ;=' onmouseout='hideddrivetip()'>Rating: 2.5 / 10

Yeh Dil 2003 Full Movie Download

Yeh Dil (2003)

Yeh Dil 2003

Let us know what you think about this review

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Krishnakumar Kunnath (born 23 August 1968) (popularly known as KK, K.K. Or Kay Kay), is an Indian playback singer.He has recorded more than 500 songs in Hindi films and more than 200 songs in other languages. https://kawaiisharkbarbarian.tumblr.com/post/642266702120353792/pretty-ricky-on-the-hotline-mp3. He has been a prominent singer in Hindi, Tamil, Telugu, Kannada, Malayalam, Marathi, Bengali and Gujarati languages films. Yeh Dil 2003 Hindi Movie Song-Kyun Dil Bichde. 6 years ago 7.6K views. Yeh Dil 2003 Hindi Movie Song-Kyun Dil Bichde. Browse more videos.

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Public Rating Average: 5.1 / 10 (rated by 411 viewers)

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2003 is shaping up to become one of the greatest years the Indian film industry has ever seen. Release after release this year has raised the quality bar in Bollywood to dizzying heights. Certainly it’s hard to imagine films better than recent contemporary classics such as “Chura Liya Hai Tumne” or “Love At Times Square,” but audiences are in for a pleasant surprise with Anandi Art Creations’ latest offering. Aptly titled “Yeh Dil,” the film stars a stalwart Tusshar Kapoor opposite a sensational Natasha (who was recently seen in the who-done-it

'Kucch To Hai') in one of the most inventive and well-written love stories ever committed to celluloid.

Yeh Dil’s storyline deserves plaudits for attempting a theme that has seldom been seen before in Bollywood films. The originality and inspiration behind the situations and characters in the film are simply superb. Ravi (Tusshar Kapoor) is a rich sportsman at his college, where Vasundhara (Natasha) is a poor but studious girl. The two are diametric opposites in terms of personality, but realize that they are soul-mates and decide they must get married.

In a completely unexpected twist, however, Ravi’s multi-millionaire father and Vasundhara’s milkmaid father do not think the two should get married. Accordingly, they hatch intricate plots to make sure the lovers cannot unite. The suspense filled, breathtaking, and heart-wrenching drama that ensues determines whether or not Ravi and Natasha’s true love can overcome the opposition of their family members.

The plot’s innovativeness never lets up. The parents, looking out for the well-being of their children, don´t hesitate to go to any lengths to make sure their children never unite. The parents have a dark, violent, and unpredictable nature that has never been explored before in Indian films; they even try tactics like kidnapping their own children and forcing them to marry other people. The hard-hitting, Scorsese-esque violence towards the end of the film merits a special mention as-well - it really enhances the intensity of this already gripping romantic drama.

Of course in a film featuring leads in the caliber of Tusshar Kapoor and Natasha, performances are bound to be top-notch. Tusshar Kapoor delivers on the immense promise he has shown in earlier films, and delivers a carefully calculated and nuanced performance one would ordinarily expect only from a veteran actor. The manner in which he overreacts almost identically to love, hate, and violence really helps to create a sense of consistency and permanence that is simply not present in the work of Kapoor’s contemporaries like Vivek Oberoi. While Sonu Nigam in “Kash Aap Hamare Hote,” still ranks as the most emotional performance by a younger star this year, Tusshar Kapoor comes dangerously close to dethroning Mr. Nigam with his tour de force work in this film.

Natasha complements Tusshar on every level. The chemistry and comfort the lead couple share on screen in as delightful to watch in this film as it was earlier in the thriller “Kucch To Hai.” Natasha is not quite as dramatic as Tusshar, but her restraint is excusable. The character artists who enact the roles of family members are not short of award-worthy.

Yeh Dil 2003 Full Movie Download

The drama and suspense is handled masterfully by director Teja. Not since Hitchcock has someone married intense romance and thrilling suspense with so much success. The editing is likewise excellent. The background music and the soundtrack by Nadeem-Shravan is cutting-edge. It marries the modern feel of a 80´s synthesizer with classic Indian beats to create music that strikes the rare perfect balance between experimentation and appeal. Cinematography is on an international standard. The dance numbers – ravishing cinematic spectacles, all of them - are flawlessly choreographed and brought to life by the unbelievable skill and dexterity of the leads. Even recent Hollywood benchmarks in the musical genre pale in comparison.

Yeh Dil (2003)

“Yeh Dil” is an incredible cinematic journey. Part allegory on class-warfare, part intense love story, there are few more meaningful or more entertaining ways to spend three hours. True, sometimes the director strays so far from Bollywood convention it seems disorienting, but this complete disregard for convention only improves the film in the long run. A 'must see' in every sense of the phrase.

Yeh Dil 2003

koi kisi ko kyun chahe, apni zindagi me laaye usse mohabbat kare wo, usse vafaye nibhaye ye dil hay ye dil hay ye dil ye dil hay ye dil hay ye dil ye kya bekhudi hain ye kya khwab hain jise isme dekho wo betaab hain ye hain dard kaisa ye kya pyaas hain koi to bataaye kya ehsaas hain koi kisi ke paas aaye fir use apna banaye usse mohabbat kare wo, usse vafaye nibhaye ye dil hay ye dil hay ye dil ye dil hay ye dil hay ye dil ye chahat ki chahat bhi kya chiz hain dilo ki bagavat bhi kya chiz hain ye tufaan ko roke se rukta nahi jhukaane se aashiq jhukta nahi o koi kisi pe mit jaaye, fir uspe jaan lutaaye usse mohabbat kare wo, usse vafaye nibhaye ye dil hay ye dil hay ye dil ye dil hay ye dil hay ye dil na ik pal mohabbat me aaram hain ye paagal divano ka hi kaam hain jo khushiyon bhara iska aagaaz hain to mushkil bada iska anjaam hain o saare jaha se takraaye, koi kisi ko jab paaye usse mohabbat kare wo, usse vafaye nibhaye ye dil hay ye he he dil hay ye he he dil mera dil hay mera dil hay ye he he dil koi kisi ko kyun chahe, apni zindagi me laaye usse mohabbat kare wo, usse vafaye nibhaye ye dil hay ye he he dil hay ye he he dil mera dil hay mera dil hay ye he he dil

[technologyreviewsgadgets]

New Post Amazon India’s Best of Prime 2019: All that is new and popular in Prime this Year has been published on https://www.reviewcenter.in/9818/amazon-indias-best-of-prime-2019/

Amazon India’s Best of Prime 2019: All that is new and popular in Prime this Year

What a year for Prime members! Today, Amazon is celebrating the Best of Prime 2019, revealing how Prime members chose to enjoy the best of shopping and entertainment from Amazon this past year. Prime brings members the best of Amazon in India with unlimited free one and two-day delivery, early access to sale events, video streaming, ad-free music, and much more. Members worldwide enjoyed more moments than ever before with their video, music and reading benefits. 85 percent of Prime members enjoyed at least 1 benefit during the Great Indian Festival 2019. More members worldwide signed up for Prime during the past year than any year before. 2x more Prime members joined from outside of Top 10 Indian cities in 2019 than in 2018.

The Family Man became the most watched Amazon Original in India to date; other Indian Originals – Four More Shots Please!, Made In Heaven were among the most watched shows in India in 2019; Most streamed artist on Prime Music was Arijit Singh, most read title on Prime Reading was Chacha Chaudhary and Temple Thief and Raman of Tenali. Most shopped products were Tata Salt, boAt Rockerz sports Bluetooth wireless earphone, Madhur Sugar, Fire TV Stick with Alexa Voice Remote, Mi Band 3 and Pigeon by Stovekraft new handy mini plastic chopper. Amazon India’s Best of Prime 2019 can be found on Prime Insider at www.amazon.in/bestofprime.

“Best of Prime celebrates what members loved most this year and how Prime made their lives a little simpler, more convenient, and more fun. Whether through blockbuster Amazon originals like The Family Man, to a wide selection of hit songs and specially curated playlists on Prime Music, or through early access to our biggest Diwali sale, we loved delivering smiles throughout the year. We will continue to make Prime more accessible to our members to discover and enjoy the benefits of Amazon Prime, including unlimited video and music entertainment, free, fast shipping on millions of items and early and exclusive access to top deals.” said Akshay Sahi, Director and Head of Prime, Amazon India.

Best of Prime 2019: Top Products

Most shopped products during the year included boAt Rockerz sports Bluetooth wireless earphone, Fire TV Stick with Alexa Voice Remote, Mi Band 3, JBL headphones, Pigeon by Stovekraft new handy mini plastic chopper, Maggi 2 minutes masala noodles, Britannia Little hearts, Madhur Sugar and Tata Salt

Top-selling deals in India this Prime Day included Echo Dot and Fire TV Stick with Alexa Voice Remote, which was also the top-selling deal across all categories this Prime Day

Members shopped from over 1,000 new product launches including OnePlus 7 Mirror Blue, Maggi Fusian, Samsung Galaxy M40 Cocktail Orange, Alexa-enabled washing machine by IFB among others

Best of Prime 2019: Prime Video

2019 was an exciting year for Prime Video with multiple Amazon Original series like Made in Heaven, Four More Shots Please, One Mic Stand and The Family Man being launched. The shows were loved by consumers across the country. Besides English, Prime Video is now available in 9 Indian languages viz. Hindi, Marathi, Gujarati, Tamil, Telugu, Malayalam, Kannada, Punjabi and Bengali. Prime Video also introduced Hindi, Tamil and Telugu user interfaces which included search, navigation, browsing and customer support, in a bid to offer a more localized experience to its customers. A significant selection of Prime Video content now features show descriptions and subtitles in these languages.

In 2019 Members curled up on the couch with their TV, tablet or smartphone watching Prime Video:

The Family Man became the most-watched Amazon Original in India to date; other Indian Originals – Four More Shots Please!, Made In Heaven were among the most-watched shows in India in 2019

Members Love Jack Ryan: This year, Tom Clancy’s Jack Ryan returned to Prime Video for its second season and had the biggest global premiere of any original.

Prime Video India is now watched across the length and breadth of the country in more than 4,000 towns and cities of India

The Marvelous Mrs. Maisel is the most awarded Amazon Original series ever with a total of 16 Emmys, 3 Golden Globes, 5 Critics Choice and 3 SAG Awards.

The Report had the biggest global premiere of any Amazon Original movie this year.

Best of Prime 2019: Prime Music

Members in the country streamed music in 18 Indian and International languages on Prime Music and couldn’t get enough of the hits on Prime Music:

The most streamed artists were Arijit Singh, A.R.Rahman and Pritam

The most streamed International artists were Ed Sheeran; Imagine Dragons and Post Malone

Prime Members thoroughly enjoyed Amazon Prime Music curated Playlists, with the top 3 favourites being 50 Most Played: India, 50 Most Played: International& Unplugged Bollywood

The 50 Most Played playlist series were the most streamed Playlist across Hindi, English, Punjabi, Tamil, Telugu, Malayalam and Marathi

Listeners’ favorite albums included Kabir Singh (various artists), Gully Boy (various artists), and Luka Chuppi (various artists).

Members’ favourite 2019 songs included “Bekhayali” by Sachet Tandon, “Señorita” by Shawn Mendes & Camila Cabello, “Duniyaa” by Akhil & Dhvani Bhanushali and “Apna Time Aayega” by Ranveer Singh & Dub Sharma

The Most requested song on Alexa was “Aankh Maarey” by Neha Kakkar, Mika Singh and Kumar Sanu

Best of Prime 2019: Prime Reading

Everyone loves a good book, and members are no exception. Here’s a look at Indian members’ top picks on Prime Reading, where Prime members can read hundreds of eligible e-books, comics and more at no extra cost*:

In India the most borrowed titles by genre were: Biographies & Memoirs: Chanakya Neeti; Health, Family & Lifestyle: Introducing Psychology: A Graphic Guide; Literature & Fiction: One Indian Girl; Romance: The Nameless Relationship; Science Fiction & Fantasy: Immortals of Meluha (The Shiva Trilogy Book 1); Young Adult: Harry Potter and the Philosopher’s Stone

“Chacha Chaudhary and Temple Thief: Chacha Chaudhary Comic”; “Raman If Tenali”; Suppandi (Vol 2): Tinkle Collection (Suppandi: Tinkle Collection)”; “Birbal the Genius”; “The Wedding Tamasha” (The Menon Women Book 1) were the most read titles on Prime Reading this past year.

Best of Prime 2019: Prime Day

Prime Day is an annual celebration in July where Prime Members enjoy the best of shopping, savings and entertainment.

Over 1000 new products were launched on Prime Day from top brands including OnePlus 7 Mirror Blue, Maggi Fusian, Samsung Galaxy M40 Cocktail Orange and an Alexa-enabled washing machine by IFB among others.

Members from over 70% pin codes of India shopped this Prime Day

1 out of 3 orders placed during Prime Day were delivered by the next day.

Top-selling deals in India this Prime Day included Echo Dot and Fire TV Stick with Alexa Voice Remote, which was also the top-selling deal across all categories this Prime Day.

Members enjoyed the unique selection from thousands of small sellers who saw a 67% increase in their sales, Kalahaat artisans saw nearly 150% increase in their volumes and 4,500 small & medium sellers each clocked sales of INR 10 lakhs or more.

Best of Prime 2019: Exclusive Deals and Early Access to the Great Indian Festival

Prime members got 12 hours of exclusive early access to the Great Indian Festival sale, with Prime members shopping more than ever on any single day, since Prime launched in India.

Amazon.in saw the single largest day of Prime sign-ups, with 66% of Prime members shopping in 24 hours coming from tier 2 & 3 towns

Customers enjoyed India’s most awaited TV launches like 55” QLED OnePlusTV and Indian brand Vu TVs while Mi 50 4k flash Sales sold out in under 30 seconds

Best of Prime 2019: Amazon Pay

Prime members can now enjoy exclusive offers when they use Amazon Pay. Members can also experience & enjoy Prime exclusive offers when they book their movie or travel tickets, order their favourite food on popular partner sites & apps when they pay using Amazon pay.

1 out of every 3 Prime member used affordability schemes through the year to purchase products on Large Appliance and Mobiles categories

Prime members can earn unlimited 5% reward points on shopping on Amazon.in with the Amazon Pay ICICI Bank credit card. Today 1 out of every 2 Amazon Pay ICICI Bank credit card holder is a Prime member

50% of the Prime members used Amazon Pay balance to pay for their orders

3 out 4 Flight bookings on Amazon.in where done by Prime members

Most popular partner apps/sites were Swiggy, BookMyShow, Redbus and Dominos.

On partner apps/sites, 7 out of 10 Prime members came back every month and paid using Amazon Pay.

More than 20% of Prime members have used Amazon to pay their Bills everyday

Every Day Made Better with Prime

Prime is designed to make your life better every single day. Over 100 million Prime members around the world enjoy the many benefits of Prime. In India, this includes unlimited free & fast shipping, unlimited access to award-winning movies & TV shows with Prime Video, unlimited access to millions of songs ad-free with Prime Music, Prime Reading, exclusive product launches, early access to Lightning Deals and more. Members in Delhi NCR, Bengaluru, Hyderabad and Mumbai can enjoy ultra-fast 2-hour delivery on Amazon devices, consumer electronics and everyday essentials on the Prime Now app. Log on to www.amazon.in/prime and become a Prime member today.

Methodology

The Best of Prime 2019 analyzed how Prime members in India enjoyed their Prime benefits from October 1, 2018, through September 30, 2019, unless otherwise noted. Amazon Music data were analyzed from November 1, 2018, through November 1, 2019, and includes all Amazon Music listeners in the U.S., not limited to Prime members. Data for Tom Clancy’s Jack Ryan and The Report was collected from October 31, 2019 – December 1, 2019. The information included in these results examines data at a collective level, without viewing personal information by specific Prime members.

[dredfunn]

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[bollywoodirect]

Wishing Shakti Kapoor many happy returns of the day.

Shakti Kapoor (born as Sunil Sikanderlal Kapoor on 3 September 1958 ) is an actor who appears in Bollywood films. Known for his villainous and comic roles in Hindi films, he has featured in more than 700 films throughout his career. In the 1980s and 1990s, Kapoor teamed up with actor Kader Khan as the comical or evil duo in over 100 films. He was a contestant in the Indian reality show Bigg Boss.

As a struggler in Bollywood, initially Shakti Kapoor did many inconsequential roles in movies, all the while looking out for a suitable role as a leading man. The years 1980–81 established Shakti Kapoor as an actor in Bollywood with two of his movies Qurbani and Rocky. In 1983, Kapoor had roles in Himmatwala and the Subhash Ghai directed movie Hero. Kapoor had played villain roles in both these movies. In the nineties, he often diversified to positive comic roles and performed them with equal finesse. He has been nominated for the Filmfare Award in the Best Comedian category and won once, for his performance as Nandu in David Dhawan's film, Raja Babu. Some of his comic roles have been as Inspector Bhinde in Insaaf, Prasad in Baap Numbri Beta Dus Numbri, Crime Master Gogo in Andaz Apna Apna, Tohfa, as Batuknath in ChaalBaaz and as Goonga in Bol Radha Bol.

Kapoor has been a reference for mimicry artistes who emulate his style and dialogues such as "Aaaooo Lolita" from the movie Tohfa, "Main Nanha sa Chotta sa Bachcha Hoon" from the movie Chaalbaaz and "Nandu sabka bandhu, samajhta nahi hai yaar" from the movie Raja Babu. Since 2000, Kapoor is a regular fixture in Priyadarshan films like Hungama, Hulchul, Chup Chup Ke, Malamaal Weekly and the Malayalam remake Bhagam Bhag. He also acted in a few Bengali films of Kolkata, Odia film and in an Assamese feature film. In 2011, he was in the reality television show Bigg Boss 5 as one of the contestants. He has appeared in the musical comedy Aasman Se Gire Khajoor Pe Atke[8] with his sister-in-law Padmini Kolhapure. He is also the brand ambassador of Servokon.

Like बॉलीवुड डायरेक्ट Bollywoodirect

[changesevenmagazine]

Manager’s Special by Tom Darin Liskey

The incense wafts in thick coils, creating ghost-like apparitions that drift in the penumbra of this makeshift tabernacle that once served as a barn in southeast Texas.

From the window next to me, I catch the sudden flash of spreading peacock feathers. The bird is perched on a fence post outside this place where members of the Malankara Orthodox Syrian Church have gathered to worship.

I’m here for a narrative photo project exploring faith after the metropolitan (bishop) gave me permission to photograph the early Saturday mass. These devotees proudly trace their spiritual roots all the way back to St. Thomas, the former resurrection skeptic who eventually brought the gospel to the sub-continent over two thousand years ago. These orthodox Indians, in turn, have brought their exotic liturgy to the American bible-belt where church malls and the franchise mentality sometimes dominate the religious landscape of today.

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This is also a traditional congregation. Church members peel off their sandals and dress shoes, leaving them by the door. The women wear bright saris with headscarves. I even spot a couple of church members clad in shalwar kameezes, pantaloons with long tunics. The celebrants worship in the sanctuary barefoot because this is a sacred place. Lost to the majesty of it all, the younger children wiggle in their parents’ arms.

We’ve come to the part of the mass where celebrants greet each other. The resonance of Malayalam prayers and rattling cymbals linger in the air. From the front of the church, a young girl breaks away from her mother. I can see her approaching me at the back of the church. Her hands are pressed together as if in prayer. The veil covering her dark hair flutters like a patch of blue sky in the shadows. She can’t be more than twelve.

When she stands before me, she raises her fingertips and bows her head.

“She is offering you a ‘kiss of peace,’” the man next to me says.

But I am not part of her devotion. Heck, I’m not even one of those Good Christian Soldiers people used to sing about in church when I was a child.

I am a believer, but I am also straggler, limping on the road with all of God’s other walking wounded. The camera lens is my stained-glass window.

“This is our greeting,” the man adds. He presses his hands together and nods for me to do the same. I clumsily return the girl’s sudden act of kindness, this welcoming gesture for the stranger in their midst. And in that one moment my orphan heart, grief-worn and dirty with doubt, sees the face of God.

***

What drove me to this secondhand church began with a deep funk that began a year ago.

I had just come off a bad sickness. I woke up one morning, swung my feet from the bed to the floor and froze. It felt like all the air was sucked out of the room. Just like that. Then it descended. The invisible weight of a pitch-black depression.

I’ll be honest, I have struggled with depression for most of my life. There had been ebbs and flows over the years, but this latest episode just crushed me. If you talk to people who know me, they’ll tell you I can be the life of the party. I could have been a comic. The thing is, I’ve learned to be as functional as I can be without falling apart. But this last episode was brutal.

I use the story about the Indian girl at church because her simple act of kindness touched me at a very dark moment in my life. I know that sounds melodramatic, but you can lose friends when depression strikes. I had one person ask me why I didn’t “reach out” during the worst of it. My response was how do “you reach out” when you’re hanging on by your fingernails?

Photography, and listening to other people’s stories, was a doorway out of the darkness. Every act of kindness, every tiny morsel offered to me, tasted as sumptuous as a feast in the wilderness.

That Indian congregation, where the girl in blue greeted me, asked me to break bread with them in a traditional meal after mass. I felt love that day. Later on, a tiny Jewish congregation in remote Suriname offered me bread and salt after their Sabbath service. I wept on my way back to my hotel, the taste of salt on my lips. Three Afro-Guyanese young girls posed for me as the afternoon sun poured through the tall stain-glass windows of an old church in Georgetown, giving me a deeply private revelation. These moments were—and remain—very important to me.

I took some of these pictures in Mexico City, London, Trinidad and Tobago, Colombia, and the Welsh-speaking hinterland of Wales. Each photo has its own narrative. I hope you find some beauty in them.

Tom Darin Liskey

Tom Darin Liskey spent nearly a decade working as a journalist in Venezuela, Argentina, and Brazil. He is a graduate of the University of Southern Mississippi. His fiction and non fiction have appeared in the Crime Factory, Driftwood Press, Mount Island, The Burnside Writers Collective, Sassafras Literary Magazine, and Biostories, among others. His photographs have been published in Hobo Camp Review, Roadside Fiction, Blue Hour Magazine, Synesthesia Literary Journal,and Midwestern Gothic. He lives in Texas where he tells his children that he has done worse things for less money.

More work by this artist:

Homelessness in America

Bootmakers Offer an Example

Trinidad & Tobago: Listen to the Beat

You Can’t Build a Wall on Common Ground

Rebel with a Cause

Kosher in Corsicana

The Bookbinder of Bogota

We Are Spectrum

Manager’s Special

Five Photographs by Tom Darin Liskey in Issue 2.1

        Tom Darin Liskey offers a poignant, personal glimpse of #Grief. @tomdarinliskey #depression #faith The incense wafts in thick coils, creating ghost-like apparitions that drift in the penumbra of this makeshift tabernacle that once served as a barn in southeast Texas.

[cheapest-usps-eddm]

Vivek Anand Oberoi in a still from PM Narendra Modi

This week’s new Bollywood release, director Omung Kumar B’s PM Narendra Modi, is not a biography. It is an unwittingly farcical, comical hagiography of Narendra Modi and the Bhartiya Janata Party (BJP), and even that is a euphemistic description. To put it simply, this is a highly fictionalised account of the present Indian prime minister’s life.

Omung Kumar’s recall value so far has come from the vastly superior Priyanka Chopra-starrer Mary Kom (2014) and the embarrassingly bad Aishwarya Rai Bachchan-starrer Sarbjit (2016). PM Narendra Modi falls into the so-bad-it-could-be-fun category, except that it is not fun at all – it is, instead, an insult to viewer intelligence and viewer knowledge. "Modi ek insaan nahin, ek soch hai (Modi is not a person, Modi is a way of thinking/a concept),” says the protagonist himself at one point. Aur Modi ke baare mein soch badalne ke liye, to change the thinking about Modi, the screenplay – co-written by Anirudh Chawla and the leading man, Vivek Anand Oberoi – runs facts through a carefully chosen sieve and presents a new, rewritten history so far removed from recorded reality, that it bears little resemblance to the actual Modi. In that sense, PM Narendra Modi reminded me of a scene in last year’s Malayalam feature Kammara Sambhavam, in which the hero watches a PR film about his life and does not recognise himself on screen. Things that did not happen in Modi’s life are in this film shown to have happened: he is shown being arrested during the Emergency, the then Prime Minister Atal Bihari Vajpayee is shown praising him to the press during the 2002 riots, in the run-up to the 2014 election Modi is shown volunteering to do a live interview with a hostile TV journalist before an audience and acing it. In the face of such liberties with facts involving major historical events, all PM Narendra Modi’s other follies and flaws – the word “grateful” being spelt as “greatful” in the opening acknowledgements, the lazy caricature of former Prime Minister Manmohan Singh and Modi’s corrupt government colleague in Gujarat, the false suggestion that Modi never married, other monumental exaggerations and misrepresentations in the screenplay, Hitesh Modak’s overbearing background score and the overall tackiness of the narrative – pale into insignificance. It is worth mentioning here that the aforementioned hostile journalist is a stooge of a corrupt industrialist called Aditya Reddy, played by Prashant Narayanan. Three enemies are very clearly marked out by PM Narendra Modi: Pakistan, the news media and, through the medium of the Reddy character, the dark-skinned self-serving south Indian. On Vivek Oberoi’s shoulders falls the task of playing this larger-than-life version of Modi, determined to vanquish all three. Most of Oberoi’s co-stars are comparatively irrelevant because their roles are dwarfed by his, but despite being dealt the same hand, their performances are a mixed bag. Manoj Joshi looks oddly wimpish as Amit Shah (the BJP chief’s full name is muted out in the film for some reason), but Boman Irani brings some dignity to the role of Ratan Tata as does Zarina Wahab playing Modi’s mother. In an ocean of mediocrity, Anjan Shrivastav does a reasonably good take on Vajpayee without resorting to gimmicky mimicry. As for Oberoi, well, in the actor who hams his way through this role, there is no trace of the young debutant who showed such spark under Ram Gopal Varma’s guidance in 2002’s Company. It is sad to watch an artist lose his touch. For those of us who saw something in him in Company, the only consolation is that his turn as Modi is less cringe-worthy than his performance as a horny young chap in Masti (2004), Grand Masti (2013) and Great Grand Masti (2016). If you think about it, despite the apparent contrast between them, the Masti trilogy and PM Narendra Modi both offer conventionally accepted definitions of masculinity. The Mastis used slapstick comedy as a vehicle to present us with men driven by their nether regions and their hormones as men naturally would be, or so we are given to understand. In PM Narendra Modi, the hero espouses an earnest, asexual, aggressive machoism, initially speaking of wanting to renounce the world and follow the path taken by Lord Buddha, and in the climatic moments ascribing his decisiveness – as the real life Narendra Modi has done – to a 56-inch chest. You see, his political journey is not a consequence of personal ambition, it is the answer to the public’s prayerful longing for “ek sachcha mard (a real man)” to lead them, to quote the words of a character early in the film.

[trendingnewsb]

Beyond Bollywood: where India’s biggest movie hits really come from

The global success of fantasy epic Baahubali 2: The Conclusion underscores the power of the countrys billion-dollar regional film industry

The global success of SS Rajamoulis fantasy epic sequel Baahubali 2: The Conclusion has once again brought Indian cinema to the attention of the world. Its forerunner, the $31m-budgeted Baahubali: The Beginning (2015), grossed $100m worldwide but caused little more than a ripple outside India. Within the country, it made waves because the film, made in the south Indian Telugu and Tamil languages, saw the Hindi-dubbed version alone gross more than $20m.

It is a common misconception that the Hindi-language, Mumbai-based film industry known as Bollywood is Indias national cinema. The numbers tell a different story. India produces an astonishing 1,900 films a year on average, of which Hindi-language Bollywood accounts for about 340. The bulk of the rest comes from the Tamil, Telugu, Malayalam, Kannada, Marathi, Bengali, Punjabi and Gujarati languages. Domestic box office has remained stagnant at about $1.5bn and, while Bollywood might produce more films (Tamil had 291, Telugu 275, and Kannada 204 films in 2016), it contributes just a third of the box office gross. In short, Bollywood has the visibility, but not the profits, with the under-performers far outweighing the hits.

In this context, the numbers racked up by the regional Baahubali 2 budgeted at $39m, made in Telugu and Tamil, with Hindi and Malayalam dubbed versions are astonishing by Indian standards. The film opened on 28 April and grossed $194m in 13 days, making it the highest Indian grosser of all time and putting it on track to become the first Indian film to gross $200m. It easily outperformed the $123m collected by PK (2014), starring Bollywood icon Aamir Khan.

Baahubali 2 consolidated this performance by delivering an extraordinary result in the US, opening in third position at the box office, above The Circle starring Tom Hanks and Emma Watson. With $17m and counting, it is the highest grossing Indian film of all time in North America.

Baahubali 2 has the perfect blend of action, emotion and all the right ingredients that a moviegoer wants, says Soma Kancherla, of the films US distributors Great India Films. Baahubali 1s success and the curiosity factor had created a huge hype. The conclusion had lived up to the expectations.

Female empowerment saga Parched, directed by Leena Yadav. Photograph: Brisbane Asia and Pacific Film Festival

Has the film broken out beyond Indian diaspora audiences to a broader audience? Yes, says Kancherla. We factored some of that into our promotion and targeted non-Indians, and to some extent it worked. We have seen many Americans in the theatres who watched and appreciated the film.

The film also collected $2.3m across 66 Imax screens around the world in its opening weekend. This included $1.8m from 45 Imax locations in North America, making it the highest ever opening in the format for a foreign language film.

In the UK, rather than the consolidated figure of the various versions charting as in North America, fragmented versions were listed, with the Hindi version bowing in sixth position, the Tamil one in ninth and the Malayalam and Telugu versions lower in the Top 20.

Creating and maintaining anticipation for the larger-than-life saga of warring cousins and fiery queens was a carefully calibrated task for producer Shobu Yarlagaddaof Arka Mediaworks, the company behind the films. As we started preproduction on the film, we knew that for the kind of efforts we were planning to put into the project, financial and otherwise, it would be sad if we didnt at least attempt to go beyond our regional strongholds, says Yarlagadda.

Global hit Dangal has taken $143m worldwide. Photograph: Disney

Getting a wide release in the south Indian language markets of Telugu, Tamil, Kannada and Malayalam was simple enough as director Rajamouli is a brand name there, with hits such as Eega and Magadheera behind him. For north India and the international markets, Arka promoted the project on social media platforms, as well as attending comic-cons and university festivals.

The so-called traditional market for Indian films is a block of 50 territories with the biggest being the US, the UAE, the UK, Singapore, Malaysia, Hong Kong, Indias south Asian neighbours, Australia and New Zealand, and North Africa, with some pockets in France, Germany and Switzerland. Elsewhere, Indian films were popular in Russia and China in the 1950s, particularly actor/film-maker Raj Kapoors blockbuster Awara, while dancing action star Mithun Chakraborty enjoyed fame there with his 1982 film Disco Dancer. However, of late, Indian studio majors have been striking out into non-traditional territories with dubbed or subtitled versions of films: Ki & Ka was released in territories as diverse as Ivory Coast, Zimbabwe and Gibraltar; Bajrangi Bhaijaan in Morocco, Tunisia and Poland; and Mary Kom in Kazakhstan, Azerbaijan, and Kyrgyzstan.

Indian producers have utilised every trick in the book to reach overseas audiences. Arka hired Franois Da Silva, former artistic director of Cannes directors fortnight, to sell and market the film internationally. Non-Indian behind-the-camera talent is increasingly common. Leena Yadavs female empowerment saga Parched, in Hindi, boasts Titanic cinematographer Russell Carpenter and The Descendants editor Kevin Tent.

Accessible English-language titles are also on the rise. Pan Nalins Angry Indian Goddesses, billed as Indias first female buddy movie, sold to 61 territories internationally. Nalin says: Based on my past movies and gaining some experience with international distribution one thing I realised is that its not enough to just have a great movie. We also need a great title which is universally appealing. Titling it in English has paid off. Across the world, the moment we utter or read Angry Indian Goddesses it puts a smile on faces.

All the major Hollywood films are released in English and in Hindi, Telugu and Tamil dubs, demonstrating that India loves global tentpoles, provided they speak in their own tongues. (Appropriately, the highest grossing Hollywood film in India is the India-set The Jungle Book, which roared to $28m in 2016.) Nevertheless, the dominance being enjoyed by Baahubali 2 could be under threat. Wrestling drama Dangal has taken $143m at the global box office, while fans of Baahubalis spectacle will be waiting for the big-budget adaptations of epic story cycles The Ramayana and The Mahabharata, which are in the works. Its fair to say that, with Hollywood accounting for just 10% of the local box office, the Indian film industry continues to enjoy rude good health.

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from Viral News HQ http://ift.tt/2qdgkSq via Viral News HQ

[tvactress-blog]

Manju Pillai Serial Actress

New Post has been published on http://serialactress.com/manju-pillai

Manju Pillai

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Manju Pillai is an actress in Malayalam films and video serials. She is reputed for handling comedy and disadvantageous roles with repose. She was one of the heroines of Adoor Gopalakrishnan’s present winning pic Naalu Pennungal. She is the granddaughter of Malayalam pic comic S. P. Pillai. Manju premiere acted in the video nonparallel Sathyavum Mithyayum. Manju won the 2000-2001 Utter Laurels for the best video actress for V. N. Mohandas’s periodical Devaranjini and Venu Nair’s Sethuvinte Kathakal. She won the Pic Critics’ Subsidization the unvarying gathering. In 2002-2003, she again won the Refer Grant for the finest television actress for Ali Akbar’s Sundaranmarum Sundarikalum. Manju Pillai is the pianoforte girl of Warhorse Malayalam dramatist S. P. Pillai.She did her collegian studies from Mar Ivanious College Trivandrum.She was united to Malayalam cine-serial artist Mukundan Menon & was later divorced.Later she wed cinematographer Sujith Vasudev on 23 Dec 2000. They change a girl Daya Sujith.

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[dredfunn]

Epic Malayalam inspired tattoo sleeve design part 13 #dredfunn #freddunn #wip #workinprogress #illustrator #illustration #youtube #youtuber #youtubechannel #art #artistsoninstagram #artist #artwork #artistsofinstagram #comics #comiccon #comicbookartist #realistictattoo #realisticdrawing #realisticart #pencildrawing #pencilart #tattoo #tattooart #tattoodesign #asianelephant #hummingbird #peacock https://www.instagram.com/p/B5JqeKXAbnh/?igshid=1g95m7e777jhr