10 maggio … ricordiamo …
#semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2022: María Duval, nome d’arte di María Mogilesky, attrice argentina. Vinse un concorso di lettura indetto dal Teatro Municipale. Successivamente, lasciò la sua città natale e si recò a Buenos Aires per partecipare a un concorso al fine di far parte del cast di Canción de cuna. Nel 1942 girò sei film. Inoltre, lavorò nel 1944 anche nel teatro. Alla fine del 1947 diventò una delle attrici più…
Mario Taddei "Come diventare Leonardo da Vinci", presentazione
Mario Taddei “Come diventare Leonardo da Vinci”, presentazione
“Da oltre 30 anni studio Leonardo da Vinci. Ho realizzato mostre in tutto il mondo, costruito centinaia di macchine e ho creato software multimediali, libri e ricerche per far conoscere il più grande genio e artista di tutti i tempo al grande pubblico”.
340 pagine, tutte illustrate e bilingui, italiano e inglese a fronte
Su Amazon a questo link per acquistare o consultare l’Indice
I veri…
The brothers walked all the way to the underground pipe system of Brooklyn and kept watch for one another as they packed up their overalls, socks and boots before jumping in the water, letting their tails reconnect before swimming back home. The brothers were a pretty bumped at how their first day on the job went but Mario was quick to cheer himself and Luigi up, claiming it was just one time and that he was certain that things would get better from here on out.
Once they made it home, they hang their caps and took off their gloves. Their family paused their chatter when they heard the front door open and close and turned to them, all greeting the twins with a synchronized "Heyo!", the brothers responding in the same way as they sat in their respective seats at the dinner table, Mario next to his dad and Luigi next to his uncle, Tony. The family all together consisted of 9 merfolks; the brothers, their parents, Mia and Pio, their two uncles, Arthur and Tony, their aunt Marie, Arthur's wife, their grandfather and Marilyn, their cousin (I can't see her as the niece, she literally has Arthur's hair and she's sitting next to them like she's their daughter. Sorry folks).
"It's the 'Super Mario Brother'! From the TV!" uncle Tony exclaimed teasingly, laughing along with the grandfather across the table as the twins' mom gave him an annoyed side-glance.
"They gave an Oscar for worse actors?" their other, Arthur, joined in the teasing only for his wife, Marie, to set him straight with a slap at the back of his head, confusing him.
The brothers didn't take them seriously or minded the teasing, Mario being happy that they all saw their commercial and asking for feedback, which only gave their uncles the opportunity for another round of teasing and laughing. Their mom however claimed it was amazing and should be in the cinema like Luigi had said back at the pizzeria. The brothers really appreciated the comment and gave their mom soft, grateful smiles.
That smile was gone from Mario's face when his dad placed a big scoop of spaghetti on Mario's plate with plenty of mushrooms in it. He always hated mushrooms, being the only one in the family that did. He took his fork and picked out all mushroom pieces from his plate, dropping them in Luigi's plate, as Tony started another conversation with him.
"Mario, seriously, what were you thinking with that commercial?" Tony asked a bit more seriously.
"What? It's supposed to be funny" Mario responded, not even looking up from his plate while Luigi asked for the bread, getting ignored.
"Yeah, but what's with the outfits? Plumbers wearing white gloves?" Tony asked again, getting a chuckle from Arthur.
"That's right, we gotta have a trademark. Gotta stand out." Mario defended.
"Don't listen to them, boys. The world laughed at Da Vinci too back then" their mom encouraged her sons as she passed a bowl of soup to Luigi.
Then Mario asked for his dad's opinion since he hadn't said a word this whole time and hoped he had a different opinion than his uncles. However, their dad admitted that he thought Mario was nuts to leave a steady job and blow their life savings on a commercial for a silly dream business. He didn't mean to wound Mario, he only wanted to give honest criticism since he's very experienced in the world-field, but the discussion was immediately over when he brought how Mario was dragging Luigi down with him.
Mario frowned, drained and hurt by what his dad said, and left the dinner table, swimming to his and Luigi's room. Everyone was shocked at what he had said and gave him looks of disbelief. Mia was the first to speak up about what Pio had just said, scolding him for being so harsh. Pio didn't think he didn't anything wrong, however, which prompted his own brothers to join in and said that he shouldn't have brought Luigi in the conversation since he knew how close the two were.
Luigi didn't engage in this argument, taking Mario's plate and working through it to take out all the remaining mushrooms from it. He put himself a plate as well after being done with Mario's and took both plates to his and Mario's shared room, where he found his brother staring at the screen of their TV with a solemn face.
"Hey." Luigi greeted his brother softly, swimming over to sit next to Mario, the NEWS channel on the TV barely audible.
"You're not brining me down, big bro. You know what? What do they know!" Luigi tried to cheer up Mario but the older twin shook his head, rejecting the plate Luigi brought him.
"It's not just them, Lu. Everyone has been telling us that we can't do this or that since we were fries. I'm just so tired of feeling like such a small fish..." Mario sighed.
But that changed when he finally paid attention at the TV to see that there was water main break that was flooding Brooklyn. At this, Mario's face lit up and he hurried up from his bed.
"Luigi, this is our chance! Destiny is calling!"
"Destiny Delvachio from school?" Luigi asked, thinking his brother was talking about their old classmate.
"No that one! This is our chance to prove that we can still be plumbers! Come on!" Mario took ahold on Luigi's hand and dragged him out of their room and out of the house.
The two mermen swam all the water to the underground water system of Brooklyn, where the water break was taking place. Since they came here daily, they knew it like the back of their hands. Luckily for them, the place had flooded enough for the break to be underwater and they could work on it much easier since they wouldn't have to be extra cautious to keep their tails split.
Luigi decided to keep hold of their tools and let Mario do the plumbing for now, looking around with an nervous look on his face. He didn't really like how much darker it was here at night. The pipe Mario was working on started shaking violently as he tried to hold it still. Luigi swam over and tried to help keep it steady but it ended up bursting and swinging the brother to a break wall with such force that it broke on impact and sent the mermen to the room on the other side.
After the two had sat up, they looked around them and were shocked to see what they ended up finding by accident. The place was like a whole different pipe system, one that they had never seen before. Judging by the looks of it, no one had known of this place for ages. The water was pouring in from the broken wall but judging from how far down this new place went, it'd take ages for it to even fill up a quarter of a way. This allowed the brothers to split their tails and explore the new area while walking around.
Down and down the went, walking down staircase after staircase, ladder after ladder, it's like it never ended. Luigi tried to keep track of what directions they took and the details around them, fearing they'd up getting lost with how far down they went. By the time they got to the bottom, the water that had rushed in had filled about 12 feet of this place. Based on how dirty it was, it must have gathered up over the years and the break helped fill it up more. It was no problem for them.
They dived in the water to have a look around.
"Eww. This water is so gross! M-maybe it's best if we head back, this doesn't seem safe." Luigi suggested, cringing uncomfortably at how dirty the water felt, looked and even tasted.
"Just a quick look, Lu. We'll be out soon." Mario promised, not taking his eyes off of his surroundings. He only turned around when he heard the clanging sound of a pipe bring hit.
He saw one of his and Luigi's wrenches laying inside a large green pipe but Luigi was nowhere to be found.
Worry started creeping in Mario when he couldn't see Luigi all of a sudden, even more so when he wouldn't answer his calls to his name. Mario swam over and picked up the wrench from the floor, slowly inching deeper into the pipe to see if he could spot Luigi.
The wrench was suddenly ripped out of his hand by a strong current that soon not even he could fight against as he was sucked into the pipe.
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Hope you guys enjoy! @istadris @itsavee4117 @vulpixfairy1985 @billinshoes @fruitytiff @keakruiser
Second chapter of Gift is posted! Also, do you know what Desmond would be called in that time? Would it be Desmond Auditore Da Firenze, even though they're not in Florence and Desmond has never even been there, or Da Monteriggioni, or da Roma? Or do you know any sources I could look at regarding the naming conventions?
No sources, I'm sorry, I mostly learned by osmosis. It's basically just pointing out where a person is from, and since Desmond wasn't born or is likely to be raised in Florence, "da Firenze" isn't it.
I think Ezio would go with whatever place Desmond is initially raised in - Monteriggioni if that's where they stay, etc. Desmond Auditore da Roma would raise questions in that situation. If, however, Monteriggioni gets razed to the ground by the Papal armies again and Ezio heads to Rome, being from Monteriggioni might paint a target on Desmond's back.
Tho since Ezio claims Desmond officially as part of the Auditore family, it might not be that important to point out where he's from, precisely. Few of the other characters in Ezio trilogy make the point to do it, Mario never does and Leonardo is a "da Vinci" because as a bastard he doesn't have a family name and "son of Ser Piero from Vinci" is a mouthful. (Personally I think the reason it's such a commonly pointed out thing with Ezio is because his family was part of the upper echelon, his father was a notary, and it's remembrance for what he lost... and his enemies use it to mock him, maybe. "Ezio Auditore from Florence... except you're not welcome in Florence anymore, are you?")
Illustration parodying Leonardo da Vinci’s The Last Supper painting, featuring a variety of different video game characters, from the French Canard Jeux Video magazine. Note Mario to the right of the center of the image, in the position taken by St. James the Greater in the original painting.
Main Blog | Twitter | Patreon | Source: Canard Jeux Video (France), Issue 12, 2014
Cure Jump is one of the six main Cures in Nintendo Precure!, and is the group leader. Jump’s “civilian form” is Larissa Frausto.
Jump’s very cheerful and easy to get along with. She often smiles and grins, happy to be doing her part in protecting the world from the Game Over Squad. As the leader, she’s strong willed, brave, courageous, and overall a joy to be around. Her outgoing personality makes her the face of the team and what they stand for: justice!
~Appearance~
Cure Jump appears to currently have 2 looks used in NP. There’s her regular appearance, and one where she appears to have actual overall pants, gloves, a yellow cape, and a Mario hat. Her hair also differs slightly. Currently, only one person has seen Jump looking like this…
~Power and abilities~
Cure Jump appears to weld the ability to to summon fire for her special attack, “Jumping Fire.” She also seems to be very good as physical fighting, whenever that’d be punching or fighting and seems to have a bigger jump than the majority of her teammates. (Brownie points if you can tell what style I was trying to emulate in this image)
~Voice Claims~
For JP, her voice claim is Leonardo Da Vinci from Fate/Grand Order, who is voiced by Maaya Sakamoto. For EN, her voice claim is Leonardo Da Vinci from Fate/Grand Order, who is voiced by Erika Harlacher. Both voices I feel are excellent fits for Jump, sounding a bit mature and leader-like, but still retaining cheerfulness~
⚠️ WARNING!!!
Recently there has been bad rumors about Jump. They appear to be just from her jealous haters… don’t believe them. Alas, just another thing about being a precure… you’re basically a celebrity. People will make up things to cause drama…
Last post I said that Emiko was next but I forgot about Jump ahah. Don’t worry, now Emiko will be next for intros now that Jump is finished.
10 maggio … ricordiamo …
#semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2021: Neil Connery, Neil Niren Connery, attore scozzese. Fratello di Sean Connery, era noto essenzialmente per il suo ruolo nel film OK Connery (1967). È apparso in diversi film. Era sposato con Eleanor, dalla quale ebbe due figlie. Morto per una breve malattia; sette mesi dopo il fratello maggiore. (n. 1938)
2017: Geoffrey Bayldon, Albert Geoffrey Bayldon, attore britannico. (n. 1924)
2015:…
Okay...this is going to sound weird (and god forbid, I'm probably going to have discourse in my notes for months and months after this). But....
I feel like AI-Generation should be banned and made illegal. Not just 'AI Image Generation'. I mean, ALMOST EVERY FORM OF AI GENERATION!
Specially, visual generation and audial generation. My current hypothesis is that, by the year 2050, almost everything artistically related, whether it be stuff like a piece of promotional art to voiceover lines, will be AI-generated, at least at a coporate and mainline industrial level. This is based on modern-day observations with factory jobs and how they have been slowly phased out, from the early 20th century with the introduction of the Assembly Line all the way to today.
Sure, you might be asking me 'Well, what about my big titty anime girls?' or 'What about those memes where Mario says fuck but it actually kind of sounds like Mario?' like they are completely harmless.
....THOSE ARE THE EXACT PROBLEMS I'M TALKING ABOUT!
That stuff you want to generate of your own volation? That art that you are too depraved just to commission someone for?
It wasn't made by a human. An honest-to-god, breathing, flesh-and-blood human.
It was made by a machine. A series of lines of code made to mimic the actions of a human without all of the flaws or personality that come with being human.
Now, this isn't me going against AI in general. AI itself is an incredibly useful tool in all sorts of fields from video games to factories. I mean, anyone who has played single-player Mario Kart 8 is probably more familiar with AI than a computer scientist from 1940.
I am saying the concept of AI Generation is an inherently bad thing for us as a species. Or more specifically, what I feel like is the most important aspect of our species as a whole: Our Creativity.
From Leonardo Da Vinci to the guy who wrote poorly structured poems back in Kindergarten, we all have a higher capacity for higher-level thinking and manipulation of our environments compared to most other lifeforms on this planet. However, with that higher-level intellect also comes our inherent emotions. This is what allows us to achieve the global cooperation that we enjoy and take for granted, to achieve our pack and herd dynamics. Our abilities to feel fear, sadness, happiness, anger, and so much more is as inherent to our neurological chemistry as our intelligence and understanding.
This has created what I like to call 'emotional transplanting'. Using our intelligence and understanding of the world around us, either based on empirical study or observing phenomenon, to manipulate and change the world around us to reflect our emotions. To use our understanding of language, both oral and bodily, to tell stories based on our memories or our own ideas and creations. To use our hands to shape the world, or, to a lesser extent, an object, to project our emotions and showcase our world of thinking through how we manipulate, change, and project onto the world around us using the neurological and physical tools at our disposal.
And I feel like, in a way, AI Generation is removing that key core of our being.
Because, at the click of a button, we can generate giant paintings that would've taken years upon years for a human to do. At the click of a button, we can make anyone read anything that has been and will be ever written. At the click of a button, we can generate stories that no one in their right minds could've ever thought of or will think of.
However, what we get with the great increase in speed, we sacrifice the soul of the work. The humanity, the emotions. The flaws, the ideas on display. They are stripped away and slapped perfectly together through lines upon lines of calculated, studied, and refined AI code, so that it LOOKS like a piece of art up there with the Impressionists or the Renaissance, or a realistic photo, or a story worthy of a Oscar or a Pulitzer Prize.
But it isn't.
All because it lacks that human element. It lacks soul. It lacks emotion. Sure, an AI can simulate emotion. But it can't feel emotion.
But corporations know that. They know how easy AI is to use compared to actual creatives, both regarding time and money, and so, I predict that, if we do not do something about this, if we do not raise our voices and holler from the hilltops upon which our forefathers before screamed for their unions or our old masters who shouted cries for freedom...
We too, will end up like the factory workers of yesteryear. Discarded by the wayside all because companies care more about money, time, and manipulating the population into buying their product, than the humans who put their heart, their soul, and their emotions into the things that they have created.
This is why I believe AI Generation should be made illegal. To not only protect the careers and livelihoods of thousands, but to also ensure that one of the most important features of our civilization does not fall into the trappings of dystopic dreams and cyberpunk corporate greed.
Entre la Cruz y la Espada en el Renacimiento Italiano,
En los anales de la historia, pocas familias han despertado tanta fascinación y horror como los Borgias. Originarios de la región de Valencia en España, esta familia se trasladó a Italia y se enredó en el tejido del poder eclesiástico y político del Renacimiento. Su historia es una mezcla intoxicante de ambición, intriga, corrupción y un inquebrantable deseo de ascenso social y poder.
La saga de los Borgias comenzó con Alfonso Borgia, quien se convirtió en el Papa Calixto III en 1455. Sin embargo, fue su sobrino, Rodrigo Borgia, quien dejaría una marca imborrable en la historia. Con una astucia política inigualable y una moralidad cuestionable, Rodrigo se convirtió en Papa Alejandro VI en 1492. Su elección al trono papal fue el comienzo de una era definida por el nepotismo, la conspiración y la lucha por el poder.
El legado de los Borgias no se limita a Rodrigo. Sus hijos, César, Lucrecia, Juan y Jofré, jugaron roles fundamentales en la dinámica del poder de su tiempo. César, originalmente destinado para una carrera eclesiástica, se convirtió en un líder militar implacable y despiadado, inspirando incluso al autor Nicolás Maquiavelo en su obra "El Príncipe". Lucrecia, por otro lado, ha sido inmortalizada en la historia y la cultura popular como un símbolo de seducción y manipulación, aunque la realidad histórica es mucho más compleja.
La historia de los Borgias está llena de episodios que parecen sacados de una novela. Desde escandalosas acusaciones de incesto y asesinatos políticos hasta alianzas matrimoniales estratégicas, su narrativa está teñida de intrigas y misterios sin resolver. Los banquetes en el Palacio Apostólico no solo eran eventos sociales, sino también escenarios de juegos de poder donde se fraguaban alianzas y traiciones.
A pesar de su reputación, los Borgias también contribuyeron al Renacimiento italiano. Fueron mecenas de las artes, financiando a artistas como Rafael y Leonardo da Vinci. Su influencia se extendió más allá de los confines políticos, dejando una huella indeleble en la cultura y el arte de su época.
Los Borgias, con todos sus defectos y virtudes, fueron un reflejo de su tiempo: una era donde la ambición, el poder y el arte se entrelazaban de maneras complejas. Su historia continúa fascinando y provocando debates, sirviendo como un espejo en el que podemos contemplar las luces y sombras del alma humana.
Si os interesa este personaje histórico, un libro fácil de leer y completito es "Los Borgia " de Mario Puzo, el autor del libro homónimo para el cine "El padrino" como curiosidad, el libro no pudo terminarlo el autor, falleció antes, pero dejó a su mujer todo el contenido, terminando creo los últimos capítulos, uno o dos. Me gustó muchísimo, ni una novela he leído tan intrigante como esta.