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#Marisha knew what she was doing with that costume change!!
ariadne-mouse · 4 months
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"It's just Delilah."
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mintywolf · 29 days
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A Long Road Home - Page 74 Author Notes
Page 74
That is the same apothecary Matilda's parents took her to as a child, identifiable by the stuffed basilisk hanging from the ceiling. (So again, the future site of Slayer's Cake.)
I arrived at my design for the Effigy of Vex’ahlia outfit a long time ago in what is still one of my highest note count drawings, my “Pietà of Delilah Briarwood” diptych. Vex doesn’t wear a skirt with her usual ranger ensemble obviously but I wanted it to look like not a perfect cosplay but a somewhat carelessly put together costume, just enough to create a recognizable impression of her when seen from a distance (and several feet off the ground), that was given to Matilda to put on over her own clothes. So the brown skirt is supposed to just be what she was wearing to the dinner party. (It’s also where I first put forth the idea that she kept and is still wearing the belts from that costume, which turned out to be true! :) )
The last panel of her walking away from the city with Whitestone in the background is intentionally meant to resemble the shot of Percy doing the same in the Legend of Vox Machina intro. (Although she hasn’t left the surroundings woods yet.) Back when I wrote the script for this I had assumed from Laudna’s (brief) account of things that she had left the city the same night that she was raised as an undead:
MARISHA: I died, and then I woke up. I woke up, and I was surrounded by a lot of other corpses, and all of Whitestone was in a complete panic, run amok. Just death and disease and nightmare everywhere, and I didn't know what happened, so I ran. But yeah, I haven't really aged.
But it has since been elaborated on and now we know that she also spent some time hiding in the tunnels under Castle Whitestone and living in the Parchwood nearby although it’s still not clear when and for how long she did this. So the last panel is taking place . . . sometime . . . ??? It could be the same night, it could be a few months later, it could be a whole year later with Delilah in tow, idk. I left it vague in case I need to change anything later. (Canon taking a different path from me was a possibility I was aware of at the outset of what I knew was going to be a very long project so I am not that bothered.)
I had a couple more scenes that were meant to follow her leaving Whitestone the same night that I cut to avoid conflicting with the canon timeline but I may put them back in later and just live with the discontinuity. I did put them in Remember Us so they wouldn’t be lost forever but I always pictured them in a visual format.
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loquaciousquark · 6 years
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Talks Machina Highlights - Critical Role C2E56 (March 26, 2019)
Gooooood evening, everyone. @eponymous-rose is taking a well-deserved break, so I’m stepping in to ruin reputations and botch direct quotations all over the place. Here to give us the appropriate gravitas and fear for the evening is the Chamber of Chairs:
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Tonight’s guests: Liam O’Brien & Marisha Ray. Dani flips Liam off to start the show and it’s pretty funny. “What did I doooo?”
Tonight’s announcements: Last night was the season finale of Between the Sheets, featuring Ashly Burch, who is shockingly short in person. The VOD’s up for subscribers now, and it’ll be posted on YT tomorrow for everyone else. The Ashley Johnson episode will be up soon! Yay! Remember, no new episode of CR this week, and no new episode of TM next Tuesday as a result. Normal CR broadcasting resumes April 4. The Kickstarter hit $8 million today. Liam: “Oh boy oh boy oh boy it’s fine it’s fine IT’S FINE.” The final goal is $8.8m with 23 days to go, and a behind-the-scenes filming of the theme song was posted today on the KS. The video’s actually pretty cool & features Ashley in a feather boa!
Anyway! Episode 56: The Favor
CR Stats! This was the shortest episode of this campaign at 2h19m15s of gameplay. Only Shopping and Shipping from C1 was shorter. This episode tied for the fewest spells cast in one episode (six) and all were cast by Caleb. Over the 44 episodes & 136 days the M9 had the dodecahedron, they gained 25 fragments of possibility and actually utilized 13. 
Liam and Marisha talk about having a timer in the office: “It has been 27 days since the last Holy Fuck ending.”
None of them thought Matt was going to cut it off at that point, but when he explained he wanted Taliesin there for the next part, it made sense to all of them & they all agreed it was for the best.
Beau has four thousand thoughts racing through her head right now. One of them is excitement about getting to learn the Kryn more, but she’s also terrified. Henry interrupts with the most adorable baying howl and he walks offstage. What a good pupper.
Liam describes the moment as everyone frozen in amber as they wait for the next episode. Beau will figure out something to her advantage between now and then.
Marisha likens this moment to the Emon attack and the Lorenzo fight with Molly in terms of emotional shock. Brian remembers Sam was in a tux that night; Marisha: “I knew it was going to be a funeral tux.”
There’s another question about how Marisha/Beau feels about the dodeca handoff, and both Liam and Marisha start laughing about how this entire TM episode is just going to be about the ramifications of Caleb’s decision. Liam: “No regrets,” but he understands there’s going to be a lot of fallout. They talk about how the ramifications will depend on how public the Krynn make their gift: will it be parades in the streets, a handshake and dismissal from a private room, etc? What if there was a Dairon-type spy in the room who’ll tell people they don’t want to know about their actions? They’re eager and afraid to see the fallout.
Brian points out everyone could see on Travis’s face he would rather have gone to jail, but further discussion is derailed by questions.
The group had discussed the possibility of handing off the dodecahedron in the past, but he hadn’t considered ever handing it off until the last sixty seconds when “everything was going to shit. It was more mathematical than anything. It felt a lot like Avantika. We’ve got a plan, the plan’s broken, but we can get away, no, we can’t get away, now this is changing--I don’t want someone outside our group to control the situation if I can act first, if I can punch first. Everyone’s trying to negotiate and it’s failing, I don’t want to give up this thing either, I don’t want to die, I don’t want to die, here’s--this.” Caleb wanted to save the group. He wouldn’t have taken the gamble even two minutes earlier. Then, suddenly as it began to work, he & Caleb began realizing that not only did it work, but it worked very well and now his brain had split into two: “oh, thank God, I care about these people, I can save them,” and “how do I use this to my advantage.”
Caleb was quiet through most of this episode because he really wanted to discuss several things in private with other group members--that’s what he was thinking about for most of this.
Dani points out everyone expected physical travel between this fight & the audience with the queen where there would be downtime to discuss things. None of them expected immediate teleportation.
If Beau had been in a position to stop Caleb from giving up the beacon, she would not have stopped him.
Beau was wincing as Nott & Jester asked questions they should have already known the answers to. Liam points out it’s the war room in Dr. Strangelove--only the most powerful people would have been there. Beau dislikes authority but doesn’t think she’s stupid enough to have gotten herself seen as an obvious traitor.
Everyone revels in Matt’s Caduceus impression.
GIF of the Week: Liam pulling the dodeca out of the haversack by Will D. Brian singsongs “Travis is tilted~, Travis is tilted, look at his face~” over the GIF playing. Haaaaaahaha, poor Travis.
Liam: “I think I’m just in the shithouse.” Marisha: “You blew the shit whistle.”
Brief hilarious aside where they discuss Tetanus Terry (ft. on Travis Willingham’s YeeHaw Game Ranch) & Caleb Widogast getting fully replaced by Terry as a backup character if he gets assassinated.
On a scale of 1-10, Beau is following Dairon’s advice to a 7. She’s trying not to get attached, not to die, to listen, to not get impatient, to not be biased. She’s probably going to get closer to people than Dairon would suggest, but thinks she’s trying pretty hard.
It wasn’t cathartic for Caleb to renounce the Empire like this. His parents were very pro-Empire, and now that he’s on this journey to atone for his parents’ deaths, he’s done exactly the last thing his parents ever, ever wanted him to do--walked into the heart of the enemy and gave them everything they wanted. (Brian, Liam, & Dani briefly rag on Tumblr still having faint life somewhere. “Female-presenting nipples” comes up. It’s funny and also very sad.)
Brian discusses how it’s a big moment, but it’s not a victory for the group. Caleb was just shooting for a short-term immediate solution. Marisha: “It feels like a sitcom bait-and-switch. Nah, it’s cool, guys, we’re gonna pretend to be waiters and we’ll sneak into the kitchen,” but then they sneak into the kitchen and the cook laughs that the sous-chef is out today, and “now we’re in over our heads!”
Brian reveals dramatically that last night he came out as a supporter of Liam for President of D&D Beyond. Liam: “Beneath all the chicanery & hair product, there is common sense."
Liam & Marisha talk about the difference between Nott/Caleb’s original first podunk jail and this potential maximum security prison.
Caleb imagined the BDSM straps over his shirt and coat. Apparently most of the fanart generated this week has failed to include them. 
Both Marisha & Liam VEHEMENTLY agree they hated not being able to be main parts of the Brightqueen talks. They also talk about how they both are far better at CHA than Nott & Jester, though they point out in fairness that Matt’s told them he always adjusts the social DCs based on the arguments they make.
As far as the slavery part of the disguise, Marisha: “Marisha has laughed at every piece of fanart. Beau was surprised. Beau’s gonna have a talk.” She (Beau) felt they had discussed the costumes, the pretense--but not the bullying & active degradation her group put her through. It was huge, an eye-opening moment for Beau in a way she (Beau & Marisha) absolutely did not expect. She never thought they would abuse their status over her in that way.
They discuss how on a meta sense, they all knew that the scene was just Travis and Laura trolling them and having fun at their expense, but at the same time it’s still happening in game and will have in-game consequences. Marisha: “It’s like at a party where your good friend starts getting a little too drunk and starts making fun of you a little too much--it’s a little too real.”
That said, one of Marisha’s favorite fanarts from this week was Beau (as a table) swearing under her breath at Jester with her feet up. It’s an interesting juxtaposition.
Fanart of the Week: The Brightqueen by Nikki Dawes.
Beau does not feel she’s betrayed anyone by being present at this event. She knows where her allegiances lie, so just because this happened doesn’t mean it’s changed anything about what she believes. That said, she has no love for the Empire. She’s very personal with whom she cares about. She doesn’t have as much obvious disdain as Caleb does--she’s just more indifferent.
Caleb has a high CHA that he just doesn’t use anymore, because the people he knew with high CHA that used it did so to do bad things. Liam thinks when Caleb was young he was very gifted, charming, and attracted people to him; now it’s all gone. He can hold it together like a sandcastle by the tide for an hour, but in the end it always washes away.
On Nott speaking for the group: Marisha always likes hearing Sam talk. In some ways Marisha felt it was the same thing she used to get for Keyleth-- "why are you talking? You shouldn’t be talking. You shouldn’t be the talker.” Everyone should have their own voice, regardless of the scores on the page. “Your stats are there to influence the effects of what happens; they’re not the Bible. They’re not law.” She reminds us Vex once entered an arm-wrestling contest with a strength of 7.
How does Beau feel now that Caleb’s made another huge decision without consulting the rest of the M9 (i.e. Bowlgate)? It’ll play out in game. It’s a big deal. Liam admits he loves it. “The whole point is conflict resolution, so you need conflict.” He loves things like this, like the Astrid letter, because it opens opportunities to explore characters. In some ways it’s the same thing: they were in an impossible situation and Caleb sees it as protecting his friends, but that’s not how it read to anyone else. Marisha points out that once again he made himself the authority to make this huge decision without discussing it with anyone else in the group.
Marisha and Liam start talking about the decision more, decide it should wait for the game, but then keep talking despite themselves. Marisha points out that on top of his (once-again) unilateral decision, his speech was also framed selfishly (”I did this thing, I brought this back to you,”). To her, it still feels like the same thing with Caleb deciding things with major consequences for the rest of the group without their input, though she admits it’s colored by their (Beau’s & Caleb’s) history. Liam talks about how in the moment he was scared of deception checks, so he just tried to be as truthful as possible--nothing he said was false because he was only speaking for himself. He could not have spoken for the group & still been truthful. It’s a really interesting dichotomous discussion, both of them talking about what they felt in the moment versus how it came across to everyone else.
Liam feels it’s more like seeing someone dying in front of them & wasting time discussing whether they should do CPR or not, rather than him making decisions for the whole group. Marisha’s face obviously disagrees (so do I, ahaha). Liam also thought they were going to continue the episode & talk more, which would have kept it from being as much about him. This is gonna be super interesting when it actually plays out, for sure.
Once again, no new CR this Thursday or TM next Tuesday. Most of the rest of the programming will stay the same. This Tuesday’s Mame Drop will feature Max James of CR production fame.
We end on this eldritch horror:
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"Weuuuh, Caleb knows best! Caleb will make the decisions for all of us in this D&D game!”
Aaand we’re out. Stay turnt.
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eponymous-rose · 6 years
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Talks Machina Highlights - Critical Role C2E43 (December 4, 2018)
Tonight’s episode features Marisha Ray and Travis Willingham!
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Announcements for tonight: 
New Pumat shirt! Matt and Taliesin will also be playing some Fortnite with a Pumat voice pack. As you do.
#EverythingisContent stream tomorrow at 4PM Pacific: games on the all-new MAME cabinet!
Travis’ FPS stream will be happening next week!
Travis strongly recommends tuning in right at the start of the episode on Thursday. Right at the start. You and all your friends. Don’t miss it. There’s a sneak preview of some sort of animation!
Check out Gil Ramirez’s (an amazing smith, but also of “don’t fuck me Gil” fame) kickstarter!
Stats!
This episode had more spells cast than any previous episode: 76.
3rd time Beau has attempted to Extort Truth, and the 2nd time it’s succeeded.
Fjord has used four potions, all administered to other people. Brian: “For as much as you like swallowing... potions, not so much.”
Fjord has just passed Molly’s natural 20 count, reaching 26. Beau still sits at the top, with 49.
Travis and Marisha agree that this was one of their top five episodes of the show.
Fjord “totally dug” Caleb’s call to go with Wall of Flame to bring the situation with Avantika to a head. He points out that they’d had a conversation about keeping this whole situation in check if need be.
Brian: “You sound like McCree’s drunk uncle.”
The group planned (”we obsessed”) over the game for the entire two weeks, hundreds and hundreds of messages. It pretty much went according to plan. Marisha: “We had contingency plans. We had an ideal initiative, but we were like, if we fuck up, then Nott will take the journal. We had main roles and then understudies.”
Fjord thinks being able to summon demons is pretty much in line with all the weird shit that’s happened to him up to this point. He hasn’t even considered the consequences. Marisha: “I feel like that’s this entire mission. We’ll consider the consequences later.”
During the “I... wait” scene, Brian and Dani were yelling at their TVs, Travis was trying to telepathically communicate, and Marisha had complete tunnel-vision. She knew that if she’d fucked that up, they would have all died. She turned to Travis after Beau got up there and realized, “It’s just me and my words.”
Gif of the Week: the executive goth approves of Fjord’s demon-summoning! Henry models the prize:
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Travis gets asked why Fjord slipped into his real voice when yelling that Caleb needed help. Travis pleads the Fifth: “My what?”
Marisha had no idea her mention of the Cobalt Soul would carry so much weight with the Plank King. It was a last-ditch effort after Fjord’s diplomacy fell flat with him. Travis desperately wants to know how much of what Beau said was true.
Brian: “Only Mercer could make Plank King cool again... Planking? Remember?” There is a brief threat of mutiny in the studio. It’s a Tuesday.
Matt mentioned to Marisha that, if Avantika had been allowed to speak, she would’ve called for a trial. Things could’ve gone very wrong for the Nein.
Out-of-context quote of the night: Dani: “Can you fit a puppy in your pocket?” Travis: “Yes, I’m enormous.”
Beau is surrounded by people who can do all sorts of absurd magic, “so of course she’s like, ‘Yeah, I can punch the shit out of you. I’ll start a fucking fight to do it!’”
Travis isn’t working with anything custom for his class, apart from the sword. Brian: “So your gag reflex is right out of the Handbook?” Travis: “That and personal experience.”
Travis on Fjord’s reaction to Avantika’s death: “All great stories are laced with truth. That fucked me up, because I hadn’t realized until that point that if she’s toast, I won’t get to ask her questions.” Not to mention the whole island having reactions to Vandren’s name. “I went back and watched it twice. The ritual, the tattoos, how she found her sphere, all of that shit, I’m feeling more like I knew less of the man than I thought I knew, and she knew more about him than I ever did. It’s fucking me up.”
Fanart of the Week: “I... wait.”
Marisha on Avantika’s very sudden death: “You know how things happen, and you go, wow, I should’ve seen that coming...” The outcome of the first plan was just to get her arrested, and then the fight happened, so she wasn’t thinking about immediate repercussions. She was expecting an arrest, and maybe she’d get executed after they left, but “I mean... that was brutal.” Travis: “It just kept escalating, and then she kept saying nothing after nothing. We’re going to be front row center for this.”
Travis: “Fjord is Lawful Good, clearly--” Brian: “You’re fooling no one with that Lawful Good bullshit, Travis.” Travis: “At least 40% of the audience. Lawful Good. Clearly feels a little distressed that she had to pay with her life.” But he points out that it wasn’t the first time Fjord wanted to see her dead. “If he could’ve seen to it himself, I think he would’ve.” It’s not something he’s very practiced with, but he’s emboldened by his new abilities.
Beau was definitely intimidated by the Plank King, but still had a bit of her contempt for authority figures. “I think it set in pretty hard that she was going to be terse, she was going to be blunt, but she wasn’t going to try anything that was going to get her throat slit immediately.”
Travis hadn’t intended to start picking up pieces of lost friends as part of his identity (Molly’s sword, Vandren’s accent), but it felt like the right fit, since he’s trying to establish his identity for the first time. He’s emulating what he admires about them.
Fjord’s in his early 30s. Beau’s in her early 20s. Playing Beau younger than Marisha lets her give Beau a little extra room for development; it also makes sense with her backstory. For Fjord, he was old enough to have mostly figured out what he was doing... and then everything changed.
Travis: “Fjord saw in Vandren a leadership that empowers people to rise in their station.” It’s about the team succeeding, not one person gaining more power. He’s constantly trying to put people in different situations for success.
Fjord is very attached to this group, but he’s also uncomfortable with how much attention is starting to be put on him. His whole survival mechanism is based on blending in, and being pushed to the front and being forced to make decisions is hard for him (Travis: “And me.”). Fjord is loving everything that’s been happening. The world’s never been richer or more exciting, and he wants to protect that if he can.
Brian: “Are you preparing for when things are as Beau-focused as they are... Fjord-focused right now?” No pun intended. Beau: “It’s a horror that you cannot prepare for. One day Matt will just introduce an NPC and he’s going to look at you and he’s going to be like, ‘Hello, Beau,’ and I’m going to be like ‘AHHH’.” Travis: “The tension is palpable. It’s real.” They compliment Taliesin on his handling of the first character-centric arc in the first campaign.
Brian jokes about everyone stumbling into Yasha’s story while Ashley’s still away, so Travis would have to play her through the whole thing. Travis gives a sneak-preview of how that would go, grabbing Beau’s hand and staring deeply into her eyes.
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A gift for Travis from fans! He’s blown away.
Talks Machina: After Dog
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Essential update on Henry: he likes wearing costumes because “it feels like being hugged”. There’s talk about him doing a Grog cosplay.
Pumat impressions all around. Travis’ is, according to Marisha, “Like Grog doing a Pumat impression.” Marisha has some practice because she was the one who wrote all the Pumat promos. Travis: “Wow, that puts your Swedish accent to shame.”
Fjord and Jester? “Fjord picks up on some subtle things and some not-so-subtle things, and then probably second-guesses those things.” He’s not too sure where they stand.
Everyone’s worried about their favorite artists’ tumblrs.
Travis reads the German on the back of his chocolate. Marisha: “There are way more syllables there than what you said.” Travis offers the last chocolate to Brian, and promptly eats it in front of him instead. “You gotta act fast on that shit.”
There were some ideas that didn’t work out: Travis was going to cast a spell so everyone could breathe underwater, and they were going to jump off the ship.
A question for Henry: Who’s a good boy?
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Quote from the text thread: “Oh shoot. There is an a-hole with a crossbow. Dangit.”
Finally, in case you were losing sleep wondering, Brian is still dabbing every time he says the word “slash” in a URL. Further updates as warranted. 
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christianborle · 8 years
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SOMETHING ROTTEN! 1.1.17 - FINAL PERFORMANCE (#27)
well well well. here we are. after a year and a half, rotten says goodbye on broadway. i’m super sad about it but i’m grateful it is going on tour and will continue to spread joy and laughter around the country.
here was my day at rotten’s final performance! (warning this is super dramatic and emotional)
i’m going to bold the moments i started crying just for dramatic effort (well i was tearing up the whole day but these moments were like....The Emotional Moments)
the first was on the train where i remembered “hey, i’m on the train to see something rotten for the last time”
i got to the theatre at around 3:30. i stood under it and took it all in. and there was no one around, weirdly, which really added to the effect. i took long, lasting looks at the marquee and the wallpaper. i crossed the street over to phantom to look at the theatre from afar. i couldn’t believe in 24 hours, it would all be gone. my home would be gone.
then i met up with me pals (@stuff-and-shenanigans​ and other pals who don’t have tumblrs) and we went to get food and then got ready for the show in our matching t-shirts bc we’re annoyingly extra. hayley headed to the theatre early and we met up with her. while we were waiting in line i saw christian borle and his dresser, meredith, walk into the restaurant right next to the theatre and i was so shook. i knew he was gonna be at the show, i just didn’t expect to turn around and boom there he is!
finally the time came and the usher who i don’t know his named but he always checks our bags and he knows us now checked our bags and we thanked him for everything and hugged him and the usher scanned my ticket and i just. began crying. last time scanning my ticket, last time walking down this long hallway.
Christian Borle and his dresser Meredith, Brooks Ashmanskas, Brian D'Arcy James, Will Chase, Jordan Roth, Karey and Wayne Kirkpatrick, John O'Farrell, Kevin McCollum, Gregg Barnes, and Todrick Hall, and all the producers were in the audience tonight.
also i saw stephanie @writingplays again yay!!
i also saw karey and wayne in the lobby and i went over and said hi and wayne hugged me and we talked about the tour! they’re so freaking nice it’s really mind blowing to just?? be in the presence of the writers of ur fave show and have them remember you??
The Show!
So this was the most rowdy crowd I've ever heard in my life. Any time there was room for applause, there were waves of it. Literally just.....always cheering. Every entrance and actor made got an applause. Every applause after a song lasted twice or triple as long as it would have on any other day (A Musical and Omelette were even longer, but we'll get to that later).
cheering for Brooks's cell phone announcement (I'm so glad they kept it as Brooks for the whole run. I'd love to have seen his reaction to hearing his voice again) and for the dimming of the lights and for André's entrance.
Cheering as the curtain pulled up
The ensemble looked so happy and so ready to burst with energy. They were smiling so big and were holding back tears.
Huge applause for Rob and Josh and the troupe!!
So Rob was sick yesterday and apparently had a raging fever, which is insane because he was AMAZING. I would have never known he was sick
Robin (Aaron Kaburick) got so many cheers and laughs throughout the night i’m so happy for him
The famous “don’t be a penis” line got a huge laugh, the laugh it deserves
GERRY VICHI!!!!!!!!!!
Huge applause!!! His speech about how much he loves theatre was so passionate and so full out energy and it got a huge cheer, something i haven’t heard since previews/early run
Rob played along and even clapped for Shylock!
Also any time jews were mentioned some audience members clapped thx friends
LESLIE KRITZER!!!! WENT OFF!!!!! I love her so much she riffed the hell out of the song and just gave it her all!
When bea kisses nick, she kissed him for a rly long time and the audience started cheering so leslie broke off and then just kept kissing him again rt ur goals
Bea winked and blew nick a kiss right before running off and got a huge applause of course
Josh changed his hyperventilating/panic bit! It’s really hard to describe just in text but basically he dragged out his words “i don’t thiiiink i can wooooork under than kind of pressuuuuure”
BRAD OSCAR!!!!!
Got a huge applause!! We literally just didn’t stop so nostradamus just went with it and he started looking up and around as if he could hear voices.
Brad always gives x200 each performance, but tonight he just had so much enthusiasm and it made me so happy to see him give justice to this number.
There were cheers for the les mis joke, for when the ensemble comes out, “and then you got yourself a musical,” and the end. People were also clapping along to the song.
“And then you got yourself a musical” is the line that always gets me. It’s the loudest point in the song, it’s when everyone is lined up together, it’s just?? The best part and i really teared up at that part. 
The standing ovation started when everyone had their headsketches up. It was really incredible to see the actors smiling so wide, really taking in the audience. Most of the ensemble was crying. I was in the second row so I could turn around and see the orchestra, the mezz, and the balcony all on their feet. I saw Jordan Roth standing and beaming. It was really magical.
The applause clocked in at approximately a minute and 30 seconds, which doesn’t seem like a lot of time but trust me when i say it felt like five minutes. Then when everyone sat down, the applause started back up again to last another 30 seconds.
So Elizabeth Earley went on in Marisha’s track, meaning she was the ugly woman Nigel accidentally points at. And she did the funniest bit i have ever seen in that role. Nigel pointed at her and she screamed at him, shaked her butt, and just kept dancing and the crowd went wild. She hovered over to the fruit stand and bought grapes from the seller and proceeded to eat them in front of everyone. The crowd was LIVING. I didn’t think i could laugh any harder until she took ANOTHER grape vine and offered it to portia and portia said no so she just gobbed on them. This literally went on for a full minute. I’ve only seen a funny bit done in this role before at that was with Tracee. Elizabeth Earley is so fantastic I’m so glad i got to see her shine!
I’ve never laughed harder at black death than i had last night
“Pleasure’s a sin”
“YOU SHOULDA BEEN A BETTER REAPER”
Any time bea mentioned feminism the crowd cheered
Eric’s “YO BEAR SHIT BOY” was FIRE
I Love the Way was so frickin CUTE
Will Power was so fire and I kept thinking of Christian in the audience watching and wondering what he was thinking
“Thanks for helping with my wood”
Adam’s “hmm” are so funny
THEY KEPT CHRISTIAN’S ICE SCULPTURE THROUGHOUT THE ENTIRE RUN AND I WOULD KILL TO KNOW WHAT CHRISTIAN WAS THINKING WHEN HE SAW HIS ICE SCULPTURE ROLL OUT ON STAGE
Bottoms Gonna Be On Top might honestly be my fave number i just love it so much
THE TAP BATTLE ok so any time the crowd cheered for Shakespeare, Nick looked at the audience (specifically in my direction??) like “what no stop!!” and rob did the most hilarious thing. When shakespeare asks “you wrote omelette?” rob mimed a string lifting up his knee, then mimed lifting up his foot, and the mimed cutting the string and his foot landed on the ground and he said “yes” that was so brilliant and unexpected i hope he keeps that on tour
Intermission
I said hi to Gregg Barnes!! we had a rly nice convo about his costumes and tour and seeing the show develop from previews and he’s honestly such a nice guy. he thanked me for supporting the show and coming back and i rly can’t wait to see what he does in the future
i headed over to the lobby and saw some of my pals talking to jordan roth so i said hi to them and jordan said hi and welcomed me back and complimented the matching shirts!!
I saw todrick hall in the lobby and we made eye contact and he smiled and i waved?? I don’t know him super well and he doesn’t know me at all but that was a cool moment!!
dina @sscsldcp had a free snack voucher so i went with her on line to get a drink and we ended up behind christian on line with brian and brooks in our vicinity. i said hi to christian and he smiled and said hi and that he was happy to see me!! (that sounds super general but he was actually so nice and generous!!)
Act Two (idk why act two notes are shorter than act one notes??)
Again i just kept thinking about Christian watching Adam do HTBTB
“i like the new york actor”
The scene where nigel reads his poem to portia got so much response!
We see the light was so fun and happy
Tari’s last “so true PREACH IT”
Everyone awwed when nigel and portia kissed!
“DON’T DO THAT” left the audience SILENT and SHOOK my fave moment of the show
To thine own self was fire
Adam’s toby screech
Right hand man reprise was so sweet and touching
MAKE AN OMELETTE!!!!!!
My favorite line in the whole show, “my father said this to me, that he did and then he blew me………….away” got so much laughter thank u thank u
Another standing ovation for Omelette. Pretty much the same as before. Lasted a minute. So much smiling and energy from everyone in the theatre.
To thine own self reprise :((((((( man i was crying
“And brother. I know just the story we should tell”
I was full out sobbing during the finale and the curtain speech
John and kate popped out stage left during the speech and i was so shook???? Surprise ALL ur faves are here!!!!!
Stage Door
Edward Hibbert, Catherine Brunell, Aaron Kaburick, Leslie Kritzer, Angie Schworer, Max Clayton, Stacey Todd Holt, Elizabeth Earley, Jenny Hill, Rob McClure, Josh Grisetti, Tari Kelly, Brad Oscar, Leah Hofmann, Beth Nicely, the Kirkpatricks, John O’Farrell, Jordan Roth, Kate Reinders, and John Cariani all came out. I saw Eric but he had to leave.
I basically just thanked everyone and wished them well. I got hugs from Catherine, Leslie, Tari, Eric, and Beth.
I took a ton of photos with my pals and as I was walking away from the theatre I just lost it. It felt so wrong leaving the theatre knowing it would all be gone.
and that.....was my night. if i remember any more i’ll update this post but ye thanks for reading and thank you to all my SR pals on this website!! ur the real bros!!
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