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genevieveetguy · 1 year
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Clean, Olivier Assayas (2004)
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themorning-news · 11 months
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Finálové kolo letošního ročníku dějepisné soutěže gymnázií se blíží
Dějepisná soutěž gymnázií pořádaná Nadačním fondem Gaudeamus při gymnáziu Cheb je již řadu let významnou událostí středoškolských studentů z České a Slovenské republiky. Tato soutěž nejenže podněcuje zájem o historii, ale také poskytuje útočiště mladým nadšencům do dějepisu, aby ukázali své znalosti a vášeň pro studium minulosti.
Letos proběhne již 31. ročník. Vzhledem k mimořádnému zájmu o soutěž se od roku 2014 ve všech 22 krajích ČR a SR uskutečňuje krajské kolo, do kterého se zpravidla hlásí 250-330 gymnázií z obou zemí. Z krajského kola, které proběhlo ve středu 5. dubna 2023, vzešel tradiční počet 75 gymnázií, která se utkají 23. listopadu 2023 v Chebu. Studenti budou soutěžit ve znalostech evropských dějin 1945-1975 (od Postupimské konference až po Helsinskou konferenci).
"Dějiny jsou nejen o datech a jménech, ale také o porozumění kontextu a důležitosti těchto událostí v širší perspektivě. Tato soutěž nabízí studentům možnost prozkoumat spletité dějiny 20. století, které zásadně ovlivnily, jak Evropu, tak i celý svět. Soutěžící si nejen memorují prostá fakta, ale také se učí, jak interpretovat a rozumět historickým událostem a procesům," říká organizátor soutěže Mgr. Miroslav Stulák.
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Atraktivnost celé soutěže umocňuje i skutečnost, že během vyvrcholení soutěže se do zadávání otázek zapojují  prostřednictvím velkoplošné obrazovky i osobnosti obou republik, v posledních ročnících to byli např. přední umělci Zdeněk Svěrák, Marek Eben, Viktor Preiss, Karel Gott, Jiřina Bohdalová, Emília Vášáryová, Štefan Kvietik, Marián Labuda, Martin Huba, Milan Kňažko, významní lékaři Josef Koutecký, Pavel Pafko, Jan Pirk, Vladimír Krčméry, slavní sportovci Jan Železný, Bára Špotáková, Ivo Viktor, Antonín Panenka, Dominik Hašek, Petr Čech, Jiří Holeček, Jozef Golonka, Miroslav Šatan, Miloš Mečíř, bratři Hochschornerovi, dále prezidenti SR Andrej Kiska, Zuzana Čaputová a předseda vlády SR Eduard Heger.
V roli odborných garantů se XXXI. ročníku zúčastní prof. PhDr. Jan Rychlík, DrSc., PhDr. Petr Blažek, Ph.D. a prof. PhDr. Roman Holec, DrSc., dále pak jako hosté prof. PhDr. Milan Hlavačka, CSc., PhDr. Jiří Plachý, Ph.D., a řada dalších osobností naší země z různých oblastí společenského života.
Na finančním zajištění se kromě desítek firem, podnikatelů a významných osobností ČR a SR, podílejí i ministři vlády České republiky, členové Poslanecké sněmovny i Senátu PČR, zastupitelé Karlovarského kraje a řada zastupitelů města Chebu. Setkání mladých historiků dále finančně podporují desítky městských úřadů České republiky a Slovenské republiky, městských a obecních úřadů Karlovarského kraje a také krajské úřady České republiky. Poslední ročníky finančně podpořily i desítky poslanců Národní rady Slovenské republiky.
Tato významná soutěž chebského gymnázia je připomínkou toho, jak mohou být dějiny inspirací pro budoucnost a jak je důležité uchovávat a sdílet znalosti o minulosti. Cheb je místem, kde se dějiny stávají živoucími a inspirativními.
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emevfaves · 2 years
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📝 | just another Friday (or Saturday) with these two funny guys Thank you @VanityFair Photographer @nickrileybentham Stylist @chapoteau Hair @hairbyorlandopita Makeup @hungvanngo Manicure @julieknailsnyc Set Design @anthonyasarosetdesign Produced by @preisscreative
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godzilla-reads · 5 years
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Dragon Books <3
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One of my absolute favorite kinds of books are ones with dragons in it, so I’ve compiled a list of some of my favorite dragon books. Hope you guys can enjoy!
“Dragons: The Myths, Legends, & Lore” by Doug Niles
“The Ice Dragon” by George R.R. Martin
“Kenny & the Dragon” by Tony DiTerlizzi
“Dragonflight” by Anne McCaffrey (Series)
“Dragon Rider” by Cornelia Funke
“How to Train Your Dragon” by Cressida Cowell (Series)
“Dealing With Dragons” by Patricia C. Wrede (Series)
“Eragon” by Christopher Paolini (Series)
“His Majesty’s Dragon” by Naomi Novik (Series)
“The Dragon and the George” by Gordon R. Dickson
“My Father’s Dragon” by Ruth Stiles Gannett (Series)
“The Fire Within” by Chris D’Lacey (Series)
“Dragon’s Blood” by Jane Yolen
“A Natural History of Dragons” by Marie Brennan (Series)
“Dragonworld” by Byron Preiss
“Puff, the Magic Dragon” by Peter Yarrow
“The Reluctant Dragon” by Kenneth Grahame
“Tea with the Black Dragon” by R.A. MacAvoy
“The Book of Dragons” by E. Nesbit
“The Dragon Keeper” by Robin Hobb
“The Dragon of Lonely Island” by Rebecca Rupp
“The Hobbit” by J.R.R. Tolkien
“Wings of Fire Series” by Tui Sutherland 
“The Flight of Dragons” by Peter Dickinson
“The Dragon’s Egg” by W.J. Corbett and Wayne Anderson
“Dragon” by Wayne Anderson
“The Dragon Machine” by Helen Ward and Wayne Anderson
“Dragonology” by Dugald Steer 
“Jeremy Thatcher, Dragon Hatcher” by Bruce Coville
“Hatching Magic” by Ann Downer
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zootropolis-nanuk · 3 years
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Gympl s ručením omezeným (2012) online ‘cz’ dabing celý film HD
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Shlédněte film Gympl s ručením omezeným Online Cz Titulky (2012) Gympl s ručením omezeným celý filmy titulky online česky v "Csfd" a stažení kvalitě HD zdarma.
Kde můžete sledovat film Gympl s ručením omezeným cz dabing?
vidět.: https://bit.ly/3wSIx12
Shlédněte film Gympl s ručením omezeným online bez čekání | Tento film s názvem Gympl s ručením omezeným je dostupný také ke stažení zdarma.
sledovat Gympl s ručením omezeným Filmy online zdarma Je vůbec možné sledovat filmy online zdarma? Samozřejmě. V tomto přehledu se podíváme na nejrůznější zákoutí českého internetu, která nabízí filmy online, zdarma a legálně.
Filmy Gympl s ručením omezeným online jsou i na nejpopulárnějším serveru pro sdílení videí, na. Dokonce s českou audio stopou. Za legální sledování filmů můžeme v tomto případě děkovat distribučním společnostem Bioscop a Magic Box. Sledování filmů na tomto kanále je naprosto bez omezení.
Gympl s ručením omezeným Filmy v češtině Filmy Gympl s ručením omezeným v češtině, který nabízí Gympl s ručením omezeným českým divákům filmy online zdarma. Legální sledování je samozřejmostí, stejně tak zajímavý filmový výběr a nenahraditelná pohodlnost. Při brouzdání jsme ovšem párkrát narazili na problém, že film nebyl v naší zemi dostupný.
Komedie / Drama
Česko, 2012–2013, 100 h 24 min (Minutáž: 59–72 min)
Režie: Jiří Chlumský, Libor Kodad, Vojtěch Moravec, Marián… (více) Scénář: Lucie Paulová, Lenka Hornová, Jitka Bártů, Kateřina… (více) Kamera: Asen Šopov, Palo Husenica, Jan Filip, Peter Beňa, Jan Drnek Hudba: Ondřej Gregor Brzobohatý, Dominik Renč Hrají: Lucie Benešová, Libuše Šafránková, Ondřej Gregor Brzobohatý, Karel Heřmánek, Zuzana Bydžovská, Marta Jandová, Václav Vydra nejml., Kristýna Leichtová, Václav Kopta, Milan Šteindler, Libuše Švormová, Vojtěch Vondráček, Jáchym Kraus, Slávek Bílský, Jan Maršál, Fabián Povýšil, Tereza Nvotová, Kamil Halbich, Daniela Šinkorová, Miroslav Hrabě, Jiří Kalužný, Vendula Hlásková, René Přibil, Petr Batěk, Valérie Zawadská, Vojtěch Machuta, Martin Preiss, Ludmila Zábršová-Molínová, Liliana Malkina, Jana Altmannová, Stanislav Zindulka, Eva Salvatore Burešová, Ivana Korolová, David Gránský, Jakub Grafnetr, Jordan Haj, Karel Heřmánek ml., Hana Tomášová, Josef Polášek, Petr Štěpánek, Jiří Kout, Václav Veselý, Milan Enčev, Otakar Harlas, Sara Sandeva, Dana Batulková, Jan Šťastný, Jan Révai, Květa Fialová, Hana Gregorová, Robert Nebřenský, Josef Kubáník, Eva Novotná, Monika Absolonová, Milan Slepička, Lubor Novotný, Berenika Suchánková, Jaroslav Sypal, Jiří Bábek, Vlastimil Harapes, Pavel Trávníček, Petr Kutheil, Marek Dobeš, Zdeňka Sajfertová, Kamil Střihavka, Michaela Sejnová, Marek Ronec, Veronika Divišová, Miloslav Mejzlík, Karel Hynek, Chantal Poullain, Michal Čeliš, Marta Vítů, Karel Zima, Sabina Králová, Josef Havrda, Stanislav Aubrecht, Pavel Tesař, Anna Duchaňová, Daniel Šváb, Tomáš Klouda, Kateřina Pindejová, Radek Bruna, Ondřej Rychlý, Ester Geislerová, Oldřich Hajlich, Jiří Zapletal, Anastasia Chocholatá, Václav Vondráček, Kamila Sedlárová, Miroslav Večerka, Tomáš Měcháček, Markéta Procházková, Jana Švandová, Monika Maláčová, Ondřej Lechnýř, Václav Neckář, Petra Hobzová, Dušan Sitek, Lucie Černá, Barbora Černá, Marian Roden, Helena Vondráčková, Taťána Gregor Brzobohatá, Pavla Tomicová, Pavel Nový, Michal Slaný, Dana Pešková, Petr Matoušek, Veronika Gajerová, Nina Divíšková, Jan Komínek, Aleš Kiro Čermák, Kateřina Hrachovcová, Richard Zevel, Vojtěch Hájek, Jelena Šebestová-Juklová, Zdenka Procházková, Tomáš Novotný, Antonín Hardt, Klára Cibulková, Libuše Fanturová, Jaroslav Vlach, Josef Zyka, Jarmil Škvrna, Josef Loučím, Tomáš Matonoha, Vojtěch Lavička, Zita Morávková, Martin Veliký, Peter Aczel, Ján Jackuliak, Anna Bazgerová, Ondřej Volejník, Hana Seidlová, Ivan Jiřík, František Skřípek, Václav Vašák, Zdena Šubrtová, Anna Sikorová, Leoš Juráček, Veronika Zelníčková, Josef Hervert, Jana Radojčičová, Tereza Tobiášová, Natálie Topinková, Nataša Gáčová, Juraj Bernáth ml., Pavel Tomanka, Kateřina Krejčí, Tereza Blažková, David Šír, Natálie Halouzková, František Nedbal, Lukáš Marval, Patrik Kytka, Lucie Chlumská, Kateřina Herčíková, Jindřich Kriegel, Alois Ponížil, Lenka Andelová, Radomír Švec, Pavel Krátký, Michal Holán, Ondřej Kos, Radim Madeja, Irena Kristeková, Lukáš Burian, Pavel Navara, Tomáš Zvelebil, Rudolf Slivka, Evžen Hájek, Martina Macková, Filip Müller, Karolína Šafránková, Sabina Valová, Dita Sládečková, Anna Šulcová, Michaela Dittrichová, Jiří Weingärtner, Michaela Váňová
Obsah Hradecké gymnázium je škola se špatnou pověstí, která má před sebou poslední podmínečný rok své existence. Buď se "něco" stane, nebo bude zrušena. Ví to ředitel Matula (Karel Heřmánek), jenž ale utopil pohled na realitu ve sklence chlastu, ví to zástupkyně Eva (Lucie Benešová), která by se ráda dostala k moci a dokázala, že škola by pod jejím vedením určitě prosperovala, ví to i češtinářka Eliška (Libuše Šafránková), jedna z posledních, které osud hradeckého gymnázia a jeho studentů není lhostejný. Na školu přichází mladý pedagog Adam (Ondřej Gregor Brzobohatý), který ještě neztratil všechny iluze. Z vlastní zkušenosti ví, že i z outsiderů se mohou stát hvězdy. Ačkoli se to zdá zpočátku nepravděpodobné, on je strůjcem a hybatelem úspěchu, díky kterému se škole podaří vyhnout hned prvnímu průšvihu v novém školním roce. Učitelský sbor plný pestrých charakterů, romantika, svébytný humor i drsnost školního prostředí, studentské trable i nikdy nekončící problematika vztahů rodičů, dětí a učitelů – kdo by tento osobitý, často vtipný, ale někdy i krutý svět neznal? Seriál Gympl s (r)učením omezeným přenese televizní diváky zpátky do světa školních lavic, který kdysi důvěrně znali nebo se v něm, ať už jako rodiče, učitelé, nebo studenti, pohybují dodnes.
Značka Gympl s ručením omezeným Filmové Novinky Gympl s ručením omezeným celý film Cecsy Gympl s ručením omezeným Filmové premiéry Gympl s ručením omezeným celý film cz dabing Gympl s ručením omezeným zkouknito Gympl s ručením omezeným sleduj filmy Gympl s ručením omezeným online cz titulky Gympl s ručením omezeným Program filmy Gympl s ručením omezeným CZ HD Film o filmu Gympl s ručením omezeným CZ dabing Gympl s ručením omezeným premiéra Gympl s ručením omezeným online cz Gympl s ručením omezeným online cs Gympl s ručením omezeným cs Gympl s ručením omezeným online cz dabing Gympl s ručením omezeným Zadarmo Gympl s ručením omezeným Celý Film Gympl s ručením omezeným Titulky Gympl s ručením omezeným nový film Gympl s ručením omezeným DVD filmy Gympl s ručením omezeným Blu-ray filmy Gympl s ručením omezeným 3D filmy Gympl s ručením omezeným film online cz Gympl s ručením omezeným online bombuj Gympl s ručením omezeným online cely film Gympl s ručením omezeným online ke shlednuti Gympl s ručením omezeným cz dabing online ke shlednuti Gympl s ručením omezeným filmy online zdarma bez omezení
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david558me · 4 years
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clancarruthers · 5 years
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Mary Carruthers
Clan Carruthers Int Society CCIS
  Mary Carruthers 1925 – 2020
    Mary Carruthers, born on January 4, 1925, in Jersey City, New Jersey and, having been raised in the Washington Heights neighborhood of New York City, passed into eternal life on Monday, January 27, 2020, while residing at Bon Secours Place in St. Petersburg, Florida. She was 95.
She was working as a telephone operator in New York…
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kritikycz · 5 years
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Tmavomodrý svět - největší velkofilm Jana Švěráka
Ptám se sám sebe, zda-li to není nějaká náhoda, že jsem se v poslední době uchýlil k recenzování výhradně českých filmů. Kolikrát jsem dal v nedaleké minulosti přednost filmům s česky mluvícími představiteli před filmy zahraničními, mnohdy daleko lákavějšími… Avšak pořekadlo „zlaté české ručičky“ nebylo vždy na místě, a tak jsem vždy odcházel z kina s poněkud rozdílnými pocity. Nejednou mi zůstal nad tvorbou českých snímků rozum státi, zejména v případě nedávno uvedené komedie Vyhnání z ráje, stejně tak jsem si však ony pocity vynahradil nadprůměrnými zážitky, které zpestřily mé návštěvy v kině při sledování Samotářů či Rebelů.- Více na https://www.kritiky.cz/filmove-recenze/retro-filmove-recenze/2019/tmavomodry-svet-nejvetsi-velkofilm-jana-sveraka/
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websiteflix · 8 years
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Top Fantasy & SciFi Books
The Hunger Games (Book 1) by Suzanne Collins
The Martian by Andy Weir
Outlander by Diana Gabaldon
The Hobbit by J. R. R. Tolkien
The Lord of the Rings: 50th… by J. R. R. Tolkien
Harry Potter and the Sorcerer’s Stone by J.K. Rowling
Wool by Hugh Howey
Ender’s Game (The Ender Quintet) by Orson Scott Card
Ready Player One: A Novel by Ernest Cline
A Game of Thrones by George R. R. Martin
The Name of the Wind by Patrick Rothfuss
World War Z: An Oral History of the… by Max Brooks
The Way of Kings by Brandon Sanderson
The Lion, the Witch and the Wardrobe by C. S. Lewis
1984 (Signet Classics) by George Orwell
The Road by Cormac McCarthy
The Gunslinger: by Stephen King
American Gods by Neil Gaiman
Fahrenheit 451: A Novel by Ray Bradbury
The Eye of the World by Robert Jordan
Dune by Frank Herbert
Red Rising by Pierce Brown
The Time Traveler’s Wife by Audrey Niffenegger
The Golem and the Jinni: A Novel (P.S.) by Helene Wecker
Slaughterhouse-Five by Kurt Vonnegut
Brave New World by Aldous Huxley
The Handmaid’s Tale by Margaret Atwood
Cloud Atlas: A Novel by David Mitchell
A Wrinkle in Time (Time Quintet) by Madeleine L'Engle
Old Man’s War by John Scalzi
The Magicians: A Novel by Lev Grossman
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
The Princess Bride: S. Morgenstern’s… by William Goldman
The Golden Compass: His Dark Materials by Philip Pullman
The Forever War by Joe Haldeman
Hyperion (Hyperion Cantos) by Dan Simmons
Starship Troopers by Robert Heinlein
Frankenstein by Mary Shelley
Jonathan Strange & Mr. Norrell: A Novel by Susanna Clarke
Good Omens: The Nice and Accurate… by Neil Gaiman
Graceling by Kristin Cashore
I Am Legend by Richard Matheson
The Mists of Avalon by Marion Zimmer Bradley
Sabriel (Old Kingdom) by Garth Nix, Leo and Diane Dillon
Snow Crash by Neal Stephenson
Stranger in a Strange Land by Robert Heinlein
Assassin’s Apprentice by Robin Hobb, Michael Whelan
Childhood’s End by Arthur C. Clarke
Uglies by Scott Westerfeld
Uprooted by Naomi Novik
Neuromancer by William Gibson
Howl’s Moving Castle by Diana Wynne Jones
Interview with the Vampire by Anne Rice
Do Androids Dream of Electric Sheep? by Les Martin, Philip K. Dick
Ancillary Justice (Imperial Radch) by Ann Leckie
Guilty Pleasures by Laurell K. Hamilton
The Sparrow: A Novel by Mary Doria Russell
The Time Machine by H. G. Wells, Nicholas Ruddick, Eric S. Brown
Twenty Thousand Leagues Under the Sea by Jules Verne
Doomsday Book by Connie Willis
The Sword of Shannara by Terry Brooks, Tim Hildebrandt
The Color of Magic (Discworld) by Terry Pratchett
Kindred by Octavia E. Butler
The Martian Chronicles by Ray Bradbury
Annihilation: A Novel by Jeff VanderMeer
The Windup Girl by Paolo Bacigalupi
Red Mars (Mars Trilogy) by Kim Stanley Robinson
A Wizard of Earthsea by Ursula K. Le Guin
2001: a Space Odyssey by Arthur C. Clarke, Stanley Kubrick
Kushiel’s Dart (Kushiel’s Legacy) by Jacqueline Carey
Pawn of Prophecy (Belgariad) by David Eddings
The Rook by Daniel O'Malley
The Last Unicorn by Peter S. Beagle
Lord Foul’s Bane by Stephen R. Donaldson
Sandman Slim: A Novel by Richard Kadrey
Perdido Street Station by China Miéville
A Canticle for Leibowitz by Walter M. Miller Jr., Mary Doria Russell
I, Robot by Isaac Asimov
Altered Carbon (Takeshi Kovacs Novels) by Richard K. Morgan
The Stars My Destination by Phyllis Eisenstein, Alfred Bester, Byron Preiss
Daughter of the Blood by Anne Bishop
The Dragonbone Chair: Book One of… by Tad Williams
The Curse of Chalion (Chalion series) by Lois McMaster Bujold
Dragonflight by Anne McCaffrey
Ringworld (A Del Rey book) by Larry Niven
The Left Hand of Darkness by Ursula K. Le Guin
Solaris by Stanislaw Lem, Joanna Kilmartin
Among Others by Jo Walton
The Dispossessed (Hainish Cycle) by Ursula K. Le Guin
The Dark is Rising by Susan Cooper
The Speed of Dark by Elizabeth Moon
Riddle-Master by Patricia A. McKillip
Dhalgren by Samuel R. Delany
How to Live Safely in a Science… by Charles Yu
Stories of Your Life and Others by Ted Chiang
Blood Music by Greg Bear
Foreigner: (10th Anniversary Edition) by C. J. Cherryh
H. P. Lovecraft: Tales by H. P. Lovecraft, Peter Straub
Grass by Sheri S. Tepper
Nights at the Circus by Angela Carter
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goalhofer · 6 years
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Every Junior/Professional Antoine Vermette Teammate
Quebec Remparts
Simon Gagne (1998-99)
Eric Chouinard (1998-99)
David Bernier (1998-99)
Martin Moise (1998-99)
Dmitri Tolkunov (1998-99)
Wes Scanzano (1998-99)
Andre Martineau (1998-99)
Simon Tremblay (1998-99)
Maxim Balmochnyk (1998-99)
Daniel Archambeault (1998-99)
Martin Grenier (1998-99)
Jerome Marois (1998-99)
Eric Laplante (1998-99)
Raymond Dalton (1998-99)
Nicholas Bilotto (1998-99)
Joey Fetta (1998-99)
Juraj Kolnik (1998-99)
Marco Charpentier (1998-99)
Sebastien Lucier (1998-99)
Travis Zachary (1998-99)
Sylvain Plamondon (1998-99)
Jeff Leblanc (1998-99)
Cameron Lowe (1998-99)
Tommy Bolduc (1998-99)
Pierre Loiselle (1998-99)
Alexandre Morel (1998-99)
Stuart MacRae (1998-99)
Jonathan Wilhelmy (1998-99)
Sebastien Crete (1998-99)
Nicolas Pelletier (1998-99)
Jean-Philippe Cote (1998-99)
Danick Jomphe (1998-99)
Hunter Lahache (1998-99)
Martin Bilodeau (1998-99)
Eric Jean (1998-99)
Maxime Ouellet (1998-99)
Victoriaville Tigres
Marc-Andre Thinel (1999-2001)
Carl Mallette (1999-2002)
Sebastien Thinel (1999-2001)
Danny Groulx (1999-2001)
Alex Ryazantsev (1999-2000)
Eric Cote (1999-2000)
Matthew Lombardi (1999-2002)
Kristian Kovac (1999-2001)
Teddy Kyres (1999-2001)
Pierre-Luc Sleigher (1999-2002)
Antoine Bergeron (1999-2000)
Carl Gagnon (1999-2002)
Eric Labelle (1999-2000)
Pierre-Luc Daneau (1999-2002)
Joey Fetta (1999-2000)
Jonathan Fauteaux (1999-2001)
Stephane Veilleux (1999-2000)
Mathieu Wathier (1999-2001)
Sandro Sbrocca (1999-2001)
Luc Levesque (1999-2001)
Michael McIntyre (1999-2000)
Guillaume Beaudoin (1999-2000)
Billy Rochefort (1999-2000)
Branwell Beck (1999-2000)
Richard Paul (1999-2001)
Simon St. Pierre (1999-2001)
Patrick Chouinard (1999-2000)
Guillaume Lavoie (1999-2000)
Marc St. Louis (1999-2000)
Jean-Francois Nogues (1999-2001)
Philippe Ozga (1999-2001)
Patrice Poissant (1999-2000)
Martin Autotte (2000-01)
Martin Grenier (2000-01)
Johnny Oduya (2000-01)
Mathieu Brunelle (2000-02)
Patrick Vincent (2000-01)
Sergei Kaltygen (2000-01)
Ivan Curic (2000-01)
Steve Richards (2000-01)
James Sanford (2000-01)
Tommy Bolduc (2000-01)
Karl Morin (2000-02)
Adam Wojcik (2000-02)
David Masse (2000-01)
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black-poet-boy · 6 years
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"There will never be an “us” if I play small. —SHARON PREISS In Dante’s Divine Comedy, the only difference between the lovers who find themselves enduring Hell and the lovers working their way through Paradise is that those in Hell have no individual center, and so they spin in endless identification with each other. Hard as it is, we cannot shrink from our relationships or we simply become an audience or gofer for the dominant partner or friend. Like most of us, I have struggled with this my whole life: fearful of what might happen if I actually voice my concerns and needs, surprised that doing so—while not always easy or pleasant—always enables me to be myself more fully. Then, not by chance, I’m always more able to feel and see the world around me. I bring more to the scene and am revitalized more readily by my daily experience. The great philosopher Martin Buber, who believed that God is most deeply known through relationship, spoke to the heart of this paradox. He said that before there can be a true relationship, there must be two separate beings who can relate. Most of our life experience bears this out. Unless we work to be ourselves, we can never truly know others or the numinous world we live in."-Mark Nepo I used to play small thinking that it was humility. I used to think like I was taught to shrink so that others may feel big. I didn't last long because my soul didn't care much for that. It was when I breathed my truth unapologetically, that my highest Self was felt by the those around me. I am constantly remembering who I am in every kind of relationship that I am blessed with. There's nothing to compare with wholehearted living.-zari #blackpoetboy #thebookofawakening #marknepo #wholehearted #trueliving
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marclefrancois1 · 6 years
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Bedtime Stories: Favorite Books to Benefit Your Growing Child
The following blog post Bedtime Stories: Favorite Books to Benefit Your Growing Child is republished from MLF
Bedtime stories are a part of almost every family nighttime routine. Reading is a screen-free, quiet activity that allows babies and children to calm down before it’s time to go to sleep. Reading stories to young children has benefits beyond a bedtime routine, though.
The American Academy of Pediatrics studied the brain function of children, age three to five, to see the effects of reading aloud. They found that the areas of the brain that promote mental imagery and comprehension were activated by reading stories. When you read to your child, it helps develop their brain in a way that will help when they begin to read and comprehend on their own.
Talk To Your Baby
Your baby really loves to hear your voice. It doesn’t matter if they understand your words early on. They are picking up speech patterns and tonal differences which help them learn and process language. Additionally, babies can sense your love and affection for them in your voice. Talk and sing to your child as much as you can and they will be learning how much you love them. They’ll also become better prepared to speak for themselves.
Read To Your Baby, Too
Reading books to your child is also important. We may just assume this is a good idea because everyone tells us to do it. But there is more to reading a bedtime story to a baby or toddler than having a calm activity before bed. Pediatricians are now including a discussion on reading and providing books with parents of newborns because it is vitally connected to a baby’s intellectual development. In fact, the AAP has even urged their practitioners to include literacy in their practice.
Scientists think that children are exposed to a broader range and more diverse set of words through picture books. As a result, they are challenged to practice imagining the images suggested through the words. Later on, children who have more practice at this will be better able to make images and stories out of words themselves.
Reading bedtime stories will help foster a close, emotionally rich relationship with your child
Bedtime Stories Bring You Closer To Your Child
There are huge benefits to your child’s development when you read books from an early age. This benefit goes well beyond an educational advantage. Regular bedtime reading will also help foster a close, emotionally rich relationship with your child. In time, it will help build a bridge toward discussion of deep ideas and important subjects that you will help him understand.
Growing a strong parent-child bond over years of snuggles and good books at bedtime is one of the best things about parenting. You may be dog-tired at times, but in 20 years, you won’t regret those 10 to 20 minutes a night you spent reading with your child.
Need a Good Book?
We live in an age where there is an abundance of wonderful children’s literature. There are always going to be more books available than we can possibly read to our child while they are interested, but it sure is fun trying to read them all!
You don’t need to buy them all. Start making regular visits to your local library and you will be amazed at the resources available to you for free. Many libraries allow you to reserve titles online in the comfort of your own home and then pick up your selections already collected for you at the main desk. This is a dream for the mom of young ones!
We’ve compiled a list of books to check out. Some are timeless classics, while others are modern. Most of these qualify as picture books. Picture books contain very few words in relation to the pictures — only about 500 on average — which means that each word is intentional, and the story is concise. This helps your child develop their language skills and encourages engagement through the pictures. A few have a larger vocabulary for older readers. The ages are approximate — these books are as ageless as they are timeless!
Favorite Bedtime Stories
Pat the Bunny by Dorothy Kunhardt (age 1+)
Goodnight Moon by Margaret Wise Brown and Clement Hurd (age 1+)
The Very Hungry Caterpillar by Eric Carle (age 1+)
Time for Bed by Mem Fox and Jane Dyer (age 1+)
Your Baby’s First Word Will Be Dada by Jimmy Fallon and Miguel Ordóñez (age 1+)
The Going to Bed Book by Sandra Boynton (age 2+)
Little Pea by Amy Krouse Rosenthal and Jen Corace (age 2+)
Brown Bear, Brown Bear by Bill Martin Jr. and Eric Carle (age 2+)
Where the Wild Things Are by Maurice Sendak (age 2+)
The Pigeon finds a Hotdog by Mo Willems (age 2+)
Little Blue Truck by Alice Schertle and Jill McElmurry (age 2+)
The Day the Crayons Quit by Drew Daywalt and Oliver Jeffers (age 3+)
The Gruffalo by Julia Donaldson (age 3+)
Corduroy by Ron Freeman (age 3+)
Dragons Love Tacos by Adam Rubin and Daniel Salmieri (age 3+)
The Hat by Jan Brett (age 4+)
The Story of Ferdinand by Munro Leaf and Robert Lawson (age 4+)
Alexander and the Horrible, Terrible, No Good, Very Bad Day by Judith Viorst and Ray Cruz (age 4+)
If You Give A Mouse A Cookie  by Laura Joffe Numeroff and Felicia Bond (age 4+)
The Paper Princess by Elisa Kleven  (age 4+)
The Lion and the Little Red Bird by Elisa Kleven (age 4+)
Fancy Nancy by Jane O’Connor and Robin Preiss Glasser (age 4+)
Where Oh Where is Huggle Buggle Bear by Katherine Sully and Janet Samuel (age 5+)
Thidwick, the Big-Hearted Moose by Dr. Seuss (age 5+)
For children who have trouble falling asleep, picture books can also be a good jumping off point for working on visualization. The Sleep Lady Dream Cards are also a great tool for visualization.
So, go ahead and curl up with your little one and a good book. It doesn’t even have to be at bedtime to offer huge benefits to your child.
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Kim West
Kim is a Licensed Clinical Social Worker who has been a practicing child and family therapist for more than 24 years, and the creator of the original gentle, proven method to get a good night’s sleep for you and your child.
She is the author of The Sleep Lady's Good Night Sleep Tight, its companion Workbook and 52 Sleep Secrets for Babies.
Click here to read more about her.
Did you find this article helpful? Please share it with your friends by clicking below, or ask a question on The Sleep Lady Facebook page.
The post Bedtime Stories: Favorite Books to Benefit Your Growing Child appeared first on Baby Sleep Coaching by the Sleep Lady.
from Blog – Baby Sleep Coaching by the Sleep Lady https://sleeplady.com/parenting/bedtime-stories-benefit/
from https://www.marclefrancois.net/2018/04/18/bedtime-stories-favorite-books-to-benefit-your-growing-child/
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tannertoctoo-blog · 7 years
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June 28, 2017
Archiv für Geschichte der Philosophie, Vol. 99, #2, 2017 Ethics, Vol. 127, #4, 2017 Contemporary Pragmatism, Vol. 14, #2, 2017 Journal for General Philosophy of Science, Vol. 48, #2, 2017 Journal of Business Ethics, Vol. 143, #2, 2017 Journal of Moral Philosophy, Vol. 14, #3, 2017 Journal of Philosophy, Vol. 113, #11, 2016 Journal of Social Philosophy, Vol. 48, #2, 2017 Nursing Philosophy, Vol. 18, #3, 2017 Philosophy & Social Criticism, Vol. 43, #6, 2017 Philosophy of Science, Vol. 84, #3, 2017 Politics, Philosophy & Economics, Vol. 16, #2, 2017 Studies in History and Philosophy of Science Part B: Modern Physics Synthese, Vol. 194, #6, 2017
Archiv für Geschichte der Philosophie, Vol. 99, #2, 2017 Articles David Ebrey. The Asceticism of the Phaedo: Pleasure, Purification, and the Soul’s Proper Activity. Agnes Callard. Enkratēs Phronimos. Jean-Luc Solère. Bayle and Panpsychism. Matias Slavov. Hume’s Fork and Mixed Mathematics. Book Reviews Christian Vassallo. Pierre Destrée / Penelope Murray (eds.), A Companion to Ancient Aesthetics. Bernd Goebel. Katherin A. Rogers, Freedom and Self-Creation: Anselmian Libertarianism. Back to top
Ethics, Vol. 127, #4, 2017 Articles Robert Cowan. Rossian Conceptual Intuitionism. Benjamin Bagley. Properly Proleptic Blame. Discussions Matthew Salett Andler. Gender Identity and Exclusion: A Reply to Jenkins. Jacob M. Nebel. Priority, Not Equality, for Possible People. Review Essay David Estlund. The Ideal, the Neighborhood, and the Status Quo: Gaus on the Uses of Justice. Book Reviews Fred Feldman, Distributive Justice: Getting What We Deserve from Our Country is reviewed by Joseph Mendola. Christopher Kutz, On War and Democracy is reviewed by Jonathan Parry. Kasper Lippert-Rasmussen, Luck Egalitarianism is reviewed by Kristin Voigt. Tim Mulgan, Purpose in the Universe: The Moral and Metaphysical Case for Ananthropocentric Purposivism is reviewed by Thaddeus Metz. Michael A. Neblo, Deliberative Democracy between Theory and Practice is reviewed by Kai Spiekermann. Carolyn Price, Emotion is reviewed by Christine Tappolet. Scott Sehon, Free Will and Action Explanation: A Non-causal, Compatibilist Account is reviewed by Maria Alvarez. William R. Shaw, Utilitarianism and the Ethics of War is reviewed by Ryan Jenkins. Toby Svoboda, Duties Regarding Nature: A Kantian Environmental Ethic is reviewed by Emily Brady. Allen W. Wood, Fichte’s Ethical Thought is reviewed by Nedim Nome. Notes on Contributors // Manuscript Reviewers for 2016 Back to top Contemporary Pragmatism, Vol. 14, #2, 2017 Research Articles John Capps. A Pragmatic Argument for a Pragmatic Theory of Truth. Kenji Juzuu. Philosophical Exorcism and Pragmatic Sharing of the Unsharable: A Return from Rorty to Dewey through John Cassavetes and David Lynch. Joseph W. Long. When to Believe Upon Insufficient Evidence: Three Criteria. Rodrigo Laera. Dogmatic Evidence of "The Given." Stéphane Madelrieux. Pragmatism: The Task before Us. Alexander Livingston. Pragmatism, Practice and the Politics of Critique. Brad Elliott Stone. A Prophetic Pragmatist Response to Koopman’s Transitional Pragmatism. Colin Koopman. Being Pragmatist about Pragmatism: Replies to Stéphane Madelrieux, Alexander Livingston, and Brad Stone. Book Reviews Alva Nöe. Strange Tools: Art and Human Nature, review by Brian E. Butler Pentti Määthttänen. Mind in Action: Experience and Embodied Cognition in Pragmatism, review by Joel Richeimer. Michael Slater. Pragmatism and the Philosophy of Religion, review by Nate Jackson. Beth L. Eddy. Evolutionary Pragmatism and Ethics, review by Justin Bell. Back to top
Journal for General Philosophy of Science, Vol. 48, #2, 2017 Obituary Margareta Hallberg. Revolutions and Reconstructions in the Philosophy of Science: Mary Hesse (1924–2016). Articles Jan Baedke, Tobias Schöttler. Visual Metaphors in the Sciences: The Case of Epigenetic Landscape Images. Jacques Bair, Piotr Błaszczyk, Robert Ely. Interpreting the Infinitesimal Mathematics of Leibniz and Euler. Jean-Michel Delhôtel. Retaining Structure: A Relativistic Perspective. Boris Kožnjak. Kuhn Meets Maslow: The Psychology Behind Scientific Revolutions. Reports Alexander Christian. The Second International Conference of the German Society for Philosophy of Science (GWP.2016), 8–11 March 2016. Nicole J. Saam. What is a Computer Simulation? A Review of a Passionate Debate. Book review Stephan Kornmesser and Gerhard Schurz (eds): Die multiparadigmatische Struktur der Wissenschaften. Stefan Heidl. Back to top
Journal of Business Ethics, Vol. 143, #2, 2017 Thematic Symposium: Ethics, Technology and Organizational Innovation (articles 1-7); Issue Editors: Antonino Vaccaro, Stefano Brusoni Editorial Notes Stefano Brusoni, Antonino Vaccaro. Ethics, Technology and Organizational Innovation. Original Papers Christian Voegtlin, Andreas Georg Scherer. Responsible Innovation and the Innovation of Responsibility: Governing Sustainable Development in a Globalized World. Arnaldo Camuffo, Federica De Stefano, Chiara Paolino. Safety Reloaded: Lean Operations and High Involvement Work Practices for Sustainable Workplaces. Aoife Brophy Haney. Threat Interpretation and Innovation in the Context of Climate Change: An Ethical Perspective. Bari L. Bendell. I don't Want to be Green: Prosocial Motivation Effects on Firm Environmental Innovation Rejection Decisions. Edwin Rühli, Sybille Sachs, Ruth Schmitt, Thomas Schneider. Innovation in Multistakeholder Settings: The Case of a Wicked Issue in Health Care. Tommaso Ramus, Antonino Vaccaro. Stakeholders Matter: How Social Enterprises Address Mission Drift. Chanhoo Song, Seung Hun Han. Stock Market Reaction to Corporate Crime: Evidence from South Korea. Xingqiang Du, Jianying Weng, Quan Zeng, Hongmei Pei. Culture, Marketization, and Owner-Manager Agency Costs: A Case of Merchant Guild Culture in China. Andre A. Pekerti, Denni Arli. Do Cultural and Generational Cohorts Matter to Ideologies and Consumer Ethics? A Comparative Study of Australians, Indonesians, and Indonesian Migrants in Australia. François Maon, Valérie Swaen, Adam Lindgreen. One Vision, Different Paths: An Investigation of Corporate Social Responsibility Initiatives in Europe. Back to top
Journal of Moral Philosophy, Vol. 14, #3, 2017 Research Articles David Miller. Fair Trade: What Does It Mean and Why Does It Matter? Aaron James. Fortune and Fairness in Global Economic Life. Jessica Flanigan. Seat Belt Mandates and Paternalism. Stephen J. White. Responsibility and the Demands of Morality. Book Reviews Thom Brooks. Unlocking Morality from Criminal Law. Benjamin De Mesel. Lecture on Ethics, edited by Edoardo Zamuner, Ermelinda Valentina Di Lascio, and D.K. Levy. Eric Reitan. Terrorism: A Philosophical Investigation, written by Igor Primoratz Diane Williamson. Kant on Emotion and Value, edited by Alix Cohen. Jonathan Spelman. Ignorance and Moral Obligation, written by Michael J. Zimmerman. Lawrence J. Jost. Rethinking Virtue Ethics, written by Michael Winter. Back to top
Journal of Philosophy, Vol. 113, #11, 2016 http://proxy.lib.umich.edu/login?url= Articles Carolina Sartorio. PAP-Style Cases. Duncan Pritchard. Epistemic Risk. Lei Zhong. Physicalism, Psychism, and Phenomenalism. New Books: Translations Back to top  
Journal of Social Philosophy, Vol. 48, #2, 2017 Original Articles Sarah Sorial. The Expression of Anger in the Public Sphere. Jeremy Fischer. Self-Assessment and Social Practices. James Stacey Taylor. How Not to Argue for Markets (or, Why the Argument from Mutually Beneficail Exchange Fails). Jeffry L. Ramsey and Olivia O'Connor. Hume and Same-Sex Marriage. Vittorio Bufacchi. Colonialism, Injustice, and Arbitrariness. Nicole Dular. Moral Testimony under Oppression. Corrigendum Back to top Nursing Philosophy, Vol. 18, #3, 2017 Editorial Derek Sellman. Nursing, recycling and the environment. Original Articles Renzo Zanotti and Daniele Chiffi. Nursing knowledge: hints from the placebo effect. Carole Rushton and David Edvardsson. Reconciling concepts of space and person-centred care of the older person with cognitive impairment in the acute care setting. Alastair Morgan. Against compassion: in defence of a “hybrid” concept of empathy. Marc Roberts. A critical analysis of the failure of nurses to raise concerns about poor patient care. Sylvia Määttä, Kim Lützén and Stina Öresland. Contract theories and partnership in health care. A philosophical inquiry to the philosophy of John Rawls and Seyla Benhabib. Roger Alan Newham. The emotion of compassion and the likelihood of its expression in nursing practice. Dialogue Contribution Sherry Dahlke and Sarah Stahlke Wall. Does the emphasis on caring within nursing contribute to nurses' silence about practice issues? Philosophers for Nursing Peter Allmark. Aristotle for nursing. Book Review Martin Lipscomb. Will nurse researchers and educationalists rise to the challenge thrown out by John Paley? Back to top
Philosophy & Social Criticism, Vol. 43, #6, 2017 Articles Jon Mahoney. The politics of religious freedom: Liberalism and toleration in Muslim-majority states. Kathy Kiloh. Towards an ethical politics: T.W. Adorno and aesthetic self-relinquishment. Ben Holland. The Perpetual Peace Puzzle: Kant on persons and states. Joshua Preiss. Libertarian personal responsibility: On the ethics, practice and American politics of personal responsibility. Armin Khameh. Political toleration, exclusionary reasoning and the extraordinary politics.  Back to top
Philosophy of Science, Vol. 84, #3, 2017 Articles William Roche, Elliott Sober. Explanation = Unification? A New Criticism of Friedman’s Theory and a Reply to an Old One. Jacob Stegenga, Tarun Menon. Robustness and Independent Evidence. Christian Loew. The Asymmetry of Counterfactual Dependence. Gerhard Schurz. Interactive Causes: Revising the Markov Condition. Nina Emery. A Naturalist’s Guide to Objective Chance. Richard Bradley, Casey Helgeson, Brian Hill. Climate Change Assessments: Confidence, Probability, and Decision. Justin Garson. A Generalized Selected Effects Theory of Function. Paolo Galeazzi, Michael Franke. Smart Representations: Rationality and Evolution in a Richer Environment. Discussion Note Marcel Weber. Which Kind of Causal Specificity Matters Biologically? Essay Reviews Nora Mills Boyd. Franklin’s Field Guide to Scientific Experiments. Samuel C. Fletcher. Against the Topologists: Essay Review of New Foundations for Physical Geometry. Oron Shagrir. Review of Physical Computation: A Mechanistic Account by Gualtiero Piccinini. Back to top
Politics, Philosophy & Economics, Vol. 16, #2, 2017 Introduction Andrew Williams. Symposium on justice, the family and public policy. Articles Ingvild Almås, Alexander W Cappelen, Kjell G Salvanes, Erik Ø Sørensen, Bertil Tungodden. Fairness and family background. Elizabeth Brake. Fair care: Elder care and distributive justice. Serena Olsaretti. Children as negative externalities? Gina Schouten. Citizenship, reciprocity, and the gendered division of labor: A stability argument for gender egalitarian political interventions. Brian Kogelmann. Aggregating out of indeterminacy: Social choice theory to the rescue. Back to top
 Studies in History and Philosophy of Science Part B: Modern Physics Editorial board and publication information Articles Jan Potters, Bert Leuridan. Studying scientific thought experiments in their context: Albert Einstein and electromagnetic induction. Barbara Drossel. Ten reasons why a thermalized system cannot be described by a many-particle wave function. Alexei Grinbaum. How device-independent approaches change the meaning of physical theory. Jeffrey A. Barrett. Typical worlds. O.J.E. Maroney. Measurements, disturbances and the quantum three box paradox. Katie Robertson. Can the two-time interpretation of quantum mechanics solve the measurement problem? Daniel Jon Mitchell. Making sense of absolute measurement: James Clerk Maxwell, William Thomson, Fleeming Jenkin, and the invention of the dimensional formula. Back to top
Synthese, Vol. 194, #6, 2017 Original Papers María Manzano, Enrique Alonso. A note on Visions of Henkin. Lenny Clapp. On denying presuppositions. Jie Gao. Rational action without knowledge (and vice versa). Matthew W. McKeon. Statements of inference and begging the question. Christian Loew Pages 1945-1965. Causation, physics, and fit. Charles H. Pence. Is genetic drift a force? Boris Hennig. The man without properties. Markos Valaris. What reasoning might be. Paul D. Thorn. On the preference for more specific reference classes. Matthew Tugby. The problem of retention. John D. Greenwood. Solitary social belief. Benjamin Lennertz. Probabilistic consistency norms and quantificational credences. Yongfeng Yuan. Rational metabolic revision based on core beliefs. Fernando Broncano-Berrocal. A robust enough virtue epistemology. J. Adam Carter, Martin Peterson. The modal account of luck revisited. Benjamin Rohrs. Supervaluational propositional content. Luc Lauwers. Infinite lotteries, large and small sets. Christopher Clarke. How to define levels of explanation and evaluate their indispensability. Stefan Buijsman. Accessibility of reformulated mathematical content.  Back to top
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rkbahuja · 7 years
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Los Angeles-based internationally acclaimed Cinematographer Martin Preiss is a product of Film and TV School of the Academy of Performing Arts (FAMU) in Prague. Preiss  recently made his Bollywood debut with Raabta. While talking to Pandolin, Preiss shares how shooting this foreign language film in a new country has taught him a lot about life, filmmaking and creativity. Here are excerpts from the conversation in which Preiss reveals how he used the most expensive lenses ever in a Bollywood movie.
Martin Preiss – A Selfie with the crowd on set
You are a Czech cinematographer, writer and director. How did a Bollywood film like Raabta happen?
Well, it’s a story. One day, I woke up at 3 a.m. in my Los Angeles apartment because my European phone was ringing. I picked it up and somebody from Prague asked me if I was interested in doing a movie in Hungary. I said I was, but I told them I was in California and it was the middle of the night and if they could call later. When I woke up, I had zillion missed calls from India. So I called back, and was put in touch with Dino (Dinesh Vijan, Director). We set up a Skype call and immediately clicked together. After reading the script, which I personally really liked, I sent him some visual references. After the presentation, I talked to my agent Ann Murtha and a week later was on my way to Hungary to my first location scout. So it happened really fast. There were other really good DPs that Dino was considering, so I must have caught his eye with something. I think the collaboration worked.
How different was it to shoot a Bollywood film as compared to your previous projects?
Not much, telling the story is the same almost everywhere. You need to prepare it as much as you can and be ready to improvise. It took me some time to adjust to the Indian crew style, which is completely different from what I’m used to in US or Europe. But I had a great 1st AC, Bobby Sanivarapu. He’s an excellent professional who helped me a lot in navigating through renting and on set time. Later, in the Indian portion, we had Syed Mohammed Husain and he organized the crew excellently as well. And I would like to mention the Hungarian/Czech crew as well, which basically made it feel as any other European or American production. So there was not much difference. The Flat Packs film production company in Hungary really had top of the game Line Producers, and they all provided excellent service.
Tell me more about the visual treatment of the film, since there are two parts to the story – one set in a period era and the other in contemporary times. Also what color palettes did you choose for the parts?
For me, there are three parts of the story: the Romantic Comedy, the Drama in the past and the Thriller at the end. So I was trying to subtly make progress in order to create more of a dramatic look and keep some colors and artifacts peering through time from the past to present. I call it layering and I believe that the audience can feel these layers unconsciously. The more layers you can fit, the better. We talk here about visual storytelling, which I’m always trying to put into my movies. The visual rhythm, contrast, colors, lines and shapes. I made a graph and a visual treatment of these changes and wrote to Dino saying, “There are some locations, some lighting and some color that will be inspirational, but this will never show how the film will look. I don’t copy – I create truth through my vision, inspiration, and through my whole experience here on earth. I create the picture for the film. It will bubble to the surface through the preparation process from my inside.”
And that’s basically what happened. There is some link when I see some prep pictures and the final frames in the movie. But it always bubbles on set, on location with actors, and with available time and money. Some parts were superbly prepared and the shots are almost the same as on the storyboard. Sometimes we improvised.
During the shoot of Raabta
Bollywood films are a lot about song and dance, which must be a completely different concept for you. What approach did you follow?
That was the difficult part as I don’t do music videos much. But Dino and Homi (Adajania, Co-Producer) were a great help in this as they made the songs into integral parts of the story, so I could relate to them. It was different from what I’ve seen in Bollywood movies, when suddenly the main character travels in one frame from India to Iceland and you don’t understand why they are there, as it doesn’t have any connection with the story. So, songs that illustrate what is happening in a movie is something I could work with. When we shot ‘Sadda Move’ in Amritsar, I must say that Ahmed Khan (Choreographer) saved me. That part of the shoot was really crazy for me, and basically all the credit for what you see goes to him. I merely supervised it. Ahmed Khan is such a great Cinematographer so I didn’t change much, as it was already great. 
Which camera and lens kit did you use and why? Which other key equipment has been used in the film?
We used mainly two Alexas XTs with Hawk V-Lite Anamorphic lenses from Vantage Prague. I must say a big thanks to the producers of Raabta who believed me when I said that we would need those lenses to tell the story correctly and to get this equipment from Europe, as apparently they were the most expensive lenses ever used in a Bollywood movie. We had the full package, not just a few lenses. I chose those great lenses as we agreed to shoot in a classical anamorphic 1:2.35 ratio. The lenses have great color and feel. I tested almost seven sets of different lenses thanks to Vantage’s manager Jindrich Cipera, who provided this ability to choose the right lens for this project.
As it was mainly a romantic story, I wanted smooth skin tones, warmer feel and almost dreamy edges. Anamorphic gives you specific bokeh and beautiful flares. And all these “flaws” make the picture stand out. I’m not a big fan of a “clean” picture. I’m always trying to bend it somehow for the purpose of the story. For the underwater sequences, we used Mini with Zeiss Primes, as that was the only combo we could fit to the housing. Well actually we had two housings, so some shots are made underwater on Hawks as well.
I learned a lot on this shoot. I’m a dive-master and I shot underwater, but this experience pushed the envelope much further for me. It was a challenging four days and I admire the actors, who went from never diving before to doing it so amazingly. We used RED Epic as well for some “C” camera shots and various Drones. We went from big heavy ones to DJI Inspire to my personal DJI Mavic.
How much of VFX assistance was employed in the film? Which parts has VFX largely been used for?
That’s probably a question for my good friend Jaykar Arudra, who is the VFX supervisor. There are a lot blue screen shots, even when we went to shoot the period part in Mauritius. There’s always something you need to avoid. So the use of VFX is necessary. Basically we mostly used it for background swap. We needed big waterfalls, which we couldn’t get to in Mauritius, so that’s one swap. Then an edge of a high cliff forest etc. So the crew built some enormous blue screens (so far the biggest I’ve worked with). But I had a good experience with VFX work so I hope it was easy for Jaykar as well.
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  And what kind of an experience was it to work with Dinesh Vijan as he is a debutant director?
We say we are like brothers. We have similar taste and similar history. It was a great collaboration. He has thousands of ideas and is a very good producer. To be a director and a producer on set is very difficult, as sometimes what you need to do goes against the other’s goals. He was very generous and we had lots of fun on set.
Did you watch any Bollywood films before shooting Raabta. Any movies you saw for reference?
No, I didn’t want to be influenced with the standard style of Bollywood. Basically I want to find my own style after I read a script. I watch so many films in a year— almost one each day so I have a lot of references in my head. I’ve seen all of the 250 top films on IMDB and many more and I recommend every filmmaking student to do that. But as I said above, I don’t copy, at least consciously.
How would you sum up your experience of shooting in India?
It was a growing experience. India is an amazing country with wonderful people and I learned a lot about life, filmmaking, creativity and more. I would not change this experience for anything else. It was a blast. And I became a bit more humble I hope. I also learned to live more in the present day. We Westerners tend to worry about the future and past. I think you (Indians) cope much better with it than we do, so that was excellent. I also found new friends, Homi Adajania is my cup of tea and I enjoyed every second with him on and off set. I would love to do a film with him. I became friends with many great co-workers like our first AD Siddharta Luther, my AC Bobby and the DIT guys Viki Vivek and Tanmay Kant.
With Director Dinesh Vijan
While working on the film, which areas did you feel that Indian films need to focus more on?
There would be plenty. But that is everywhere. It always seems to me, from the little I have seen in Bollywood cinema, that the woman characters and overall story is bit mono-thematic. An orphaned girl, a boy that loves her and a villain with lots of songs. The woman characters look like they are in control of the story, but they are not at all. The man rules. Not many Indian films would pass the Bechdel test. But as I said, I might have seen the 250 top IMDB films, but I’m a complete novice to Indian cinema. I’ve seen some, but not enough to really make an argument point. On the other hand, some business ethics could be straightened and made more transparent and trustworthy
You have received various awards at international film festivals. Raabta happens to be a commercial film but would you also like to explore non-commercial Indian Indie films?
I would love to. I’ve seen some interesting independent films from India. The official Oscar nomination for 2016 Visaranai was a film I saw here in Los Angeles and I liked it a lot. It was well-built and the characters were interesting. I would be interested in a strong drama script.
Telling the story is same almost everywhere - Martin Preiss Los Angeles-based internationally acclaimed Cinematographer Martin Preiss is a product of Film and TV School of the Academy of Performing Arts (FAMU) in Prague.
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lesterplatt · 8 years
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Thomas Azier - Angelene (official video) from sander houtkruijer on Vimeo.
Directed by Sander Houtkruijer Cinematography by Lauro Cress Produced by ChopChop Producer - Daniel Franke 1AD - Imri Kahn AC - Carlos Andres Lopez Grip - Max Preiss Gaffer - Norwin Hatschbach Electrician - Christopher Reiners Set design - Ben Roth, Steffi Bühlmaier Styling - Laura Renard Make-up artist - Theo Schnürer Make-up assistant - Kerrie Ann Murphy Production Assistant - Claas Ebeling 3D artist - Andreas Nicolas Fischer Compositing - Burkhard Kalytta Color Grading - Johannes Hubrich Featuring: Xenia and Thomas Azier With: Robin Hunt, Daniel Franke, Kai Kreuzmueller, Kirsten Burger, Martin Deckert, Kiril Bikov Dancers: Nicola Mascia, Helga Wretman, Shiran Eliaserov, Pauliina Aladin, Asaf Aharonson, Amit Elan
Thanks to: Bastian Christ, Storz & Escherich, Voin de Voin, Lucinda Dayhew and all the extras
wearechopchop.com/
The track 'Angelene' is written and produced by Thomas Azier thomasazier.com facebook.com/thomasazier
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Biographies/Informational Books
Title: 26 Fairmount Avenue
Author: Tomie Depaola
Genre: Biography
Copyright: 1999
Five Sentence Synopsis: Tomie Depaola lives in a tight knit community with a large extended family. The family is focused waiting to move into their new house throughout the course of the book. There is a hurricane in their area during the book. The reader gets to meet Tomie’s extended family. 
Prompt, “Give a musical song/activity for each of the five texts you have chosen.”
This song explain additional information about hurricanes. It will help students to fully understand the details of what is happening throughout the book. 
https://www.youtube.com/watch?v=Lkqoc9IFrcI
Title: The Story of Ruby Bridges
Author: Robert Coles
Genre: Biography
Copyright: 1995
Five Sentence Synopsis: Ruby Bridges was a very smart student. She was the only African-American girl to integrate into a white school. She has to deal with people treating her poorly and protesters in front of the school every day. She prayed for the protesters one day in front of them. People eventually stopped protesting. Things began to become normal although she still dealt with much judgement.
Prompt,  “Give a musical song/activity for each of the five texts you have chosen.”
This song details the struggle Ruby Bridges endured to attend a white school as an African-American when segregation was ended.
https://www.youtube.com/watch?v=nCfbT939Hcw
Title: Who Was Harriet Tubman
Author: Yona Zeldis McDonough
Genre: Biography
Copyright: 2002
Five Sentence Synopsis: Harriet Tubman lived on a plantation as a slave. She was whipped and almost killed by an overseer. Harriet eventually escaped slavery through the underground railroad. She is famous for helping so many other slaves escape through slavery through her role as a conductor. Harriet Tubman led many groups to freedom. 
Prompt,  “Give a musical song/activity for each of the five texts you have chosen.”
This video contains a song about Harriet Tubman. It alternates between telling the story through text and illustrations. 
https://www.youtube.com/watch?v=NQ_gRFYgXMo
Title: Who Was Abraham Lincoln
Author: Janet B. Pascal
Genre: Biography
Copyright: 2008
Five Sentence Synopsis: Abraham Lincoln had a rough childhood becasue his mother died when he was very young. He had a love of reading. He grew up to become a lawyer and later the President of the United States. He ended slavery and kept the United States together during the Civil War. He was later assasinated
Prompt,  “Give a musical song/activity for each of the five texts you have chosen.”
This song describes the life of Abraham Lincoln to a fun beat. 
https://www.youtube.com/watch?v=CbrrIxY5Bvo
Title: 100 African-Americans Who Shaped American History
Author: Chrisanne Beckner
Genre: Biography
Copyright: 1995
Five Sentence Synopsis: This is a collective biography of one hundred people. The people all have being African-American and making an impact on American history in common. There is a biography about each of these people that details their life. It emphasizes how they impacted history.
Prompt,  “Give a musical song/activity for each of the five texts you have chosen.”
This song describes Martin Luther King, one of the most influential African Americans in history.
http://www.songsforteaching.com/store/i-have-a-dream-song-download-with-lyrics-pr-1535.html
Title: New Way Things Works
Author: David Macaulay
Genre: Informational Book
Copyright: 1988
Five Sentence Synopsis: This book is about how machines work. It covers a wide range of different machines. Some are simple machines while some are more complicated. Each page typically depicts one machine. Diagrams of the machines are used to explain how they work.
Prompt, “Align a language arts common core standard within your teaching licensure for each text.”
To incorporate this standard with the text, I could have students compare one machine (depicted in a paragraph) with a machine they have previous knowledge of.
Describe the logical connection between particular sentences and paragraphs in a text (e.g., comparison, cause/effect, first/second/ third in a sequence).
Title: Prehistoric Actual Size
Author: Steve Jenkins
Genre: Informational Book
Copyright: 2005
Five Sentence Synopsis: This is an informational picture book about various creatures. Insects and animals are included in this book. Each page has a different creatures. Information is included along with an illustration drawn to actual size. You can see the size written but this information comes to life with the illustrations.
Prompt, “Align a language arts common core standard within your teaching licensure for each text.”
Ask students to identify the front cover, back cover, and title page of this book.
Identify the front cover, back cover, and title page of a book.
Title: You Can’t Take a Balloon Into The Museum of Fine Arts
Author: Jacqueline Preiss Weitzman and Robin Preiss Glasser
Genre: Informational Book
Copyright: 2002
Five Sentence Synopsis: A little girl visits a meuseuem. The girl accidentally lets go of her ballon. The journey of the balloon as it goes through a museum is depicted. It shows the balloon going past historical works of art. The balloon narrates a story that aligns with the history associated with this art.
Prompt, “Align a language arts common core standard within your teaching licensure for each text.”
 I could ask students to tell me what happened in the book and the main topic.
1. With prompting and support, identify the main topic and retell key details of a text.
Title: Solar System
Author: Jill McDonald
Genre: Informational Book
Copyright: 2016
Five Sentence Synopsis: This book introduces the concepts of plants, moon, and sun. It describes each of these elements in our solar system. Facts about the plants, moon, and sun are included in these descriptions. The illustrations help the students to see what is being described. All of these concepts are introduced at a very basic level.
Prompt, “Align a language arts common core standard within your teaching licensure for each text.”
Read the book outloud to the class as they follow along. Then, create a picture that includes the planets, moon, and sun. Discuss what we learned about each. 
1. Actively engage in group reading activities with purpose and understanding.
Title: Germs Are Not for Sharing
Author: Elizabeth Verdick
Genre: Informational Book
Copyright: 2006
Five Sentence Synopsis: This book explains what a germ is and how it works in kid-friendly terms. It teaches children what germs cause. It provides information on why it is important to prevent them from spreading. This explains how to prevent these germs from spreading
Prompt, “Align a language arts common core standard within your teaching licensure for each text.”
I would ask my students questions such as, “Why is it important to prevent germs from spreading,” and, “How can we prevent germs from spreading.”
With prompting and support, ask and answer questions about key details in a text.
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