#Director

[wwemcumuscleslover]

Shawn Hatosy should also be invited to direct some episodes of The Pitt...He is good on this too!!

[gingersn4pp]

LN NEWS LETS FUCKING GOOOOOOOOOOO

[389]

Martin Scorsese and Isabella Rossellini (1981)

[girltirl]

[thelonelyqueenofthenight]

Rest in peace and paradise.🕊️🕊️🕊️

David Lynch has passed away at 78 years old.

He was a visionary film director, visual artist, musician, and actor.

He will be missed.

[911onabcbts]

📸: Karla, director of 8x14: Sick Day, posted a story about Oliver 💗

[babydol1]

i hope a crow finds its way to me<3

[l1mllnal]

I love director I love her. I would die for xem, honestly. Overkill AU has taken over(hah taken over, over kill. im not funny im sorry) my life.

Seriously, why are they so hard to draw in my style. Well, I tried at least.

I remember sending an ask wondering if fanart is acceptable, since I wasn't sure what op was comfortable with. Yeah, I didn't wait for a reply because the mind bugs kept crawling up the walls demanding I make this.

ISAT Overkill Au and the character designs all belong to @askoverkill

[thewaltcrew]

Director Kirk Wise, screenwriter Linda Woolverton, and actor Robby Benson on casting the Beast [x]

They gave me an incredible amount of freedom. I didn't want Beast to be a cartoon character. I played it as though I were doing a Broadway show. As if this was a living person. And I wanted him to be funny. By funny, I don't mean shtick or one-liners. I am talking about real comedy. When real comedy works, and is truthful, especially with the Beast, it comes out of the fact that he is so pathetic. For some reason, I really understood that. Ha! Because of that, they gave me a lot of leeway. [x]

My first audition was recorded on, of all things, a Sony Walkman. As a musician, I had branched out into recording engineer and loved to play with sound. When I saw the Sony Walkman I knew it had a little condenser microphone in it, and if I were to get too loud, the automatic compressor and built-in limiter would 'squash' the voice— and there would be very little dynamic range to the performance. I did a quick assessment and wondered how many people who had come in to audition for the part were making that error: playing the Beast with overwhelming decibels, compressing the vocal waveforms. I decided to give the Beast 'range.' Because of my microphone technique, and an understanding of who I wanted Beast to be, they kept asking me to come back and read different dialogue. After my fifth audition, Jeffrey Katzenberg the hands-on guardian of the film, said the part was mine…

Beauty and the Beast was so refreshingly fun and inventively creative to work on that I couldn't wait to try new approaches to every line of dialogue. Don Hahn is one of the best creative producers I have ever worked with. The two young directors, Kirk Wise and Gary Trousdale, were fantastic and their enthusiasm was contagious. I not only was allowed to improvise, but they encouraged it. It never entered my mind that I was playing an animated creature. I understood the torment that Beast was going through: he felt ugly; had a horrible opinion of himself, and had a trigger-temper. Those are things that, if done right, are the perfect ingredients for comedy. Painful and pathetic comedy— but honest. The kind of comedy I understood...

In the feature world of Disney animation, the actors always recorded their dialogue alone in a big studio, with only a microphone and the faint images of the producers, writers, directors and engineer through a double-paned set of acoustic glass. Paige O'Hara and I became good friends; it was her idea that for certain very intimate scenes, such as when Beast is dying, we record together. We were able to play these scenes with an honest conviction that is often absent in the voice-over world...

The success of this film was the culmination of a team effort but I must say, the honors go to the animators— and for me (Beast), that's Glen Keane — and to Howard Ashman and Alan Menken. This was the perfect example of a crew who 'cared'. And the final results (every frame) of the film represent that sentiment. [x]

[leighlew3]

Greta Gerwig made a film that was critically acclaimed, culturally impactful, hilarious, unique, visually exceptional, perfectly cast and acted, left people laughing, crying and thinking AND made a billion dollars at the box office.

But no Best Director nom?!

[389]

I saw her standing by the side of the road four weeks ago as I rode past. I thought Iwas imagining it. But even for me, that would have been imagining things on a super-overdrive. She did actually have a framed picture of David Lynch. Usually I have seen women carrying a small statue or framed picture of one of the numerous gods to ask money for. I roamed around and asked for her whereabouts. After four weeks, we finally met. She, and a few other women from the same village does this for work. When they need a framed picture of a god, they go to a local framing shop and ask if there is one that the customer never came back to collect. For some reason, she chose this one of a white god this time, she said "Which god is he ?" She asks me at the end of our meeting and chat as I walked her back to her bus stop. "The one that has made some of the most beautiful things in the recent years, unlike the others" I said - Tanmay Saxena

[livefastnbebeautiful]

me and who? .*+

[billielhindle]

🚨 ROLE ANNOUNCEMENT 🚨

Super excited to announce that I will be playing O’BRIEN in the Octavius Theatre Company adaptation of 1984 by George Orwell in 2026! 😁👁️

Graphic made by me 😁 I’ll also be directing.

[eightiesfan]

Rip David Lynch (1946 - 2025)

[911onabcbts]

📸: new 1x1 set picture and 8x11 via aishas instagram 💗