#Max Bruch

[violinconcertobracket]

Propaganda:

Shostakovich:

The third movement is the most awe inspiring horrifyingly gorgeous masterpiece of music that exists in the violin repertoire. Followed by a slow build cadenza where the rage creeps up on you until the violin is screaming. And then a brutally fun final movement. First and second mvts are sickeningly spectacular too, but the 3-cadenza-4 is just simply the crown jewel of violin rep. It doesn’t get better than this.

It’s got a passacaglia AND a burlesque what more could you want

It is everything.

Bruch:

yes it's a concerto <3

[lesser-known-composers]

Max Bruch (1838-1920) - Concerto for 2 Pianos, in A flat minor, Op.88a,

I. Andante sostenuto – 0:00 II. Andante con moto - Allegro molto vivace – 05:29 III. Adagio ma non troppo – 11:21 IV. Andante – Allegro – 18:42

Oliver Schnyder & Julia Kociuban (pianos),

ORF Radio-Symphonieorchester Wien, Howard Griffiths, (conductor)

[otoso]

Randall Goosby

Max Bruch

[dedoholistic]

The Classic Month with Roberto Roganti: Max Bruch

[churchofsatannews]

Vox Satanae - Episode #570: 16th-20th Centuries - Week of October 08, 2023

Vox Satanae – Episode #570 16th-20th Centuries This week we hear works by Noel Bauldeweyn, Antonio de Cabezón, Erasmus Widmann, André Philidor, Carl Leopold Röllig, Max Bruch, Laci Boldemann, and Andrew Toovey. 150 Minutes – Week of 2023 October 08 Stream Vox Satanae Episode 570. Download Vox Satanae Episode 570.  

[opera-ghosts]

OTD in Music History: Composer and conductor Max Bruch (1838 - 1920) conducts the world premiere of the original version of his immortal 1st Violin Concerto in 1866, with Otto von Konigslow playing the solo part. (The piece was subsequently withdrawn by Bruch so that he could revise it with the help of legendary violinist Joseph Joachim [183 - 1907], and the pair then premiered the revised version in January 1868.) Although the 1st Violin Concerto is one of the most popular concertos ever written and Bruch remains a rather obscure figure to most listeners, it isn’t fair to characterize him as a "one hit wonder” – both his "Scottish Fantasy for Violin and Orchestra" (1880) and his "Kol Nidrei for Cello and Orchestra" (also 1880, subtitled "Adagio on Hebrew Melodies") remain firmly ensconced in the standard repertoire. After briefly studying philosophy and art as a young man, Bruch turned to music and enjoyed a long career as a teacher, conductor, and composer, moving from post to post across Germany: Mannheim (1862–1864), Koblenz (1865–1867), Sondershausen (1867–1870), Berlin (1870–1872), and Bonn (1873–78). At the height of his career, he also spent three seasons as conductor of the Liverpool Philharmonic Society (1880–83). He ended his career teaching composition at the Berlin Hochschule fur Musik from 1890 until his retirement in 1910. Because the popularity of the 1st Violin Concerto overshadowed the rest of his substantial output, Bruch gradually grew resentful of the work. This was no doubt amplified by the fact that he had also sold all rights in it outright to his publisher (N. Simrock) for a relatively small lump sum – meaning that he never earned any royalties from the substantial sales that Simrock enjoyed over the years… PICTURED: A surprisingly uncommon autograph musical quotation of the beautiful violin melody that opens the slow 2nd Movement of the 1st Violin Concerto, which Bruch wrote out for a fan and signed during a concert tour in Liverpool in 1893.

[ourmindonmusicpodcast]

Janet Horvath Highlights the Importance of Max Bruch's "Kol Nidre" During Yom Kippur

In this Our Mind on Music #moments, musician and author, Janet Horvath explains the significance of Max Bruch’s “Kol Nidre,” especially during Yom Kippur. As an accomplished cellist, Janet Horvath has performed “Kol Nidre” annually for over 30 years, continuing a tradition started by her father, a Holocaust survivor and cellist. She explains that “Kol Nidre” is traditionally played at the…

[mrbacf]

Bruch: Piano Trio in C minor, Op. 5 (with Score)

[sunset-supergirl]

Happy birthday Max Bruch

[violinconcertobracket]

Propaganda:

Bruch:

i KNOW it's a classic, well-loved violin concerto. i know a bunch of people will have submitted it. but it's soooooo good. listen to hilary hahn's version with the frankfurt radio symphony: https://www.youtube.com/watch?v=KDJ6Wbzgy3E. the orchestra tutti and the lead-up to it by the solo violin from like 5:30 to 7:20-ish. the violin chords at 5:33, the rise of tension from a bit before 6 onwards that leads to absolutely sick chords and string crossings from the soloist between 6:10 and 6:17, and the immediate transition into the tutti at 6:20.... and what a tutti!! the vivacity, the strength, the speed! the double basses and cellos at 6:37! the fun syncopation around 6:50! the brass at 7:03! anyway vote bruch

Dvorak: None

[lesser-known-composers]

Max Bruch (1838–1920) - Die Loreley, Act III: Siehst du ihn glühen im Brautpokal?

Artist: Michaela Kaune, Artist: Magdalena Hinterdobler, Artist: Thomas Mohr, Artist: Jan Hendrik Rootering,

Choir: Philharmonischer Chor Prag

Orchestra: Münchner Rundfunkorchester

Conductor: Stefan Blunier

[agoodsongeveryday]

Day Nine Hundred and Thirty Five

[dedoholistic]

Il Mese Classico con Roberto Roganti: Max Bruch

[baronessblixen]

Top song aside, I don't agree with it all. But eh. My favorite genre IS classical and I'm not ashamed to admit that.