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doubleattitude · 4 years

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Radix Dance Convention, Phoenix, AZ: RESULTS

High Scores by Age:

Rookie Solo

1st: Lucia Piedrahita-’Fields of Gold’

2nd: Brighton Taylor-’Fabulous’

Mini Solo

1st: Esme Chou-’Particle’

1st: Victoria Martinez-’SIX’

2nd: Isabella Piedrahita-’All Along’

2nd: Peyton Nowacki-’Angels to Fly’

2nd: Sasha Milstein-’Ephemera’

2nd: Isabella Kouznetsova-’Trouble’

3rd: Brooklyn Ladia-’Caruso’

3rd: Winter Eberts-’Dreamlike’

3rd: Kaydence Mardis-’I’m Available’

3rd: Diana Kouznetsova-’It’s In His Kiss’

4th: Elsie Sandall-’Almost Gone’

5th: Paizley Cogswell-’A Moment Apart’

5th: Phoenix Notary-’New Form’

6th: Aubrey Tolentino-’Foortwurkin’

7th: Sabina Vess-’I See Fire’

7th: Vanessa Soto-’Speechless’

7th: Annie Carlson-’YOUNG’

8th: Isla Gardner-’Don Juan’

8th: Ashton Wullbrandt-’Risk’

8th: Kendyl Miller-’Stand By Me’

9th: Violet Rush-’Change is Everything’

9th: Italia Torres-’Sparrow’

10th: Elias Elkind-’Lost A Friend’

10th: Lucy Wirick-’Save Me’

Junior Solo

1st: Gracyn French-’Covergirl’

2nd: Madison Ortega-’A Winged Victory’

2nd: Laci Stocio-’Mein Herr’

2nd: Kira Chan-’Pump’

3rd: Claire Wirick-’Capita-Lis’

4th: Campbell Bas-’Alice’

4th: Audrey Domingo-’Eclipse’

4th: Avery Lee-’New York, New York’

4th: Gage Davis-’Saturn’

5th: Jasmine Sison-’Across The Ice’

5th: Hailey Fagenblat-’Blackbird’

5th: Reese Tolentino-’Recomposed’

6th: Scottlyn Lucas-’Grow As We Go’

6th: Megan Reta-’The Dance’

7th: Presley Green-’Born, Never Asked’

7th: McKenzie Robinson-’Dream’

7th: Allie Scrimpshire-’Matter of Time’

8th: Tiffany Morales-’Over The Love’

9th: Brenna Bieler-’Oracle’

9th: Peighton Rolfe-’Thrift Shop’

9th: Rylee Ropa-’Til Enda’

10th: Ryleigh Hutta-’Come Fly With Me’

10th: Ryah Moshier-’Soleil Noir’

10th: Kiley Ko-’Try’

Teen Solo

1st: Dyllan Blackburn-’Haunted’

2nd: Devin Mar-’Lonely Place’

3rd: Anthony Curley-’Put It On Me’

4th: Kaitlyn Ortega-’All Human Beings’

4th: Willow Notary-’Expo’

5th: Kenzie Jones-’Flightless Bird’

5th: Rachel Loiselle-’RUN’

5th: Rosendo Arechiga-’Thanks For Asking’

6th: Isabella Warfield-’Nicest Thing’

6th: Jesse Detroy-’Once Upon A December’

6th: Ava Greenwaldt-’Quill’

7th: Hallee Goates-’All Mine’

7th: Katy McIlwaine-’Heavy’

7th: Imogene Elias-’Timer’

8th: Makena Covington-?

8th: Tegan Chou-’Multiverse’

8th: Isabella Lynch-’Residue’

9th: Alex Dinero-’Afternoon’

9th: Piper Camm-’DRONES’

9th: Izabella Alagao-’Tempo’

9th: Aaliyah Landreaux-’Volcanic’

10th: Zoe Konhilas-’Dust & Water’

10th: Rubi Lucas-’Gypsy’

10th: Alysha Ritschel-’Made of Water’

10th: Brekyn Knowels-’Ornament’

Senior Solo

1st: Selena Hamilton-’Black Car’

1st: Ella Horan-’Not A Woman’

2nd: Aspyn Morrell-’Love Song’

3rd: Skye Notary-’Orange’

3rd: Makenna Taylor-’Red Skies’

4th: Olivya Sessing-’The Hill’

5th: Lauren Wallingford-’Entanglement’

6th: Payton Martineu-’Passion Fruit’

6th: Aliza Workman-’She Was Right’

6th: Ella Szymanski-’Unarmed’

7th: Milan Furtado-’As We Appear’

7th: Trinity Gray-’Laughing On The Outside’

7th: Kaylee Watkins-’The Source’

8th: Ariana Moreno-’Mercy’

8th: Bianca Capanna-’Unchained Melody’

9th: Natalie Smith-’Rooftop Dancing’

9th: Shane Higa-’Superpower’

10th: Colie Naraghi-’Coffin’

10th: Brianna Rodems-’Lonely’

Rookie Duo/Trio

1st: Dance Deluxe-’What’s Inside’

2nd: Dance Deluxe-’Baby Mine’

Mini Duo/Trio

1st: Dance Deluxe-’We Want It All’

2nd: Project 21-’I Am The Cute One’

3rd: Dance Deluxe-’Hocus Pocus’

3rd: Prodigy Training Centre-’So Long Dearie’

Junior Duo/Trio

1st: The Industry Dance Academy-’Fight to Protect’

2nd: Dance Deluxe-’Emergency’

Teen Duo/Trio

1st: CanDance Studios-’Temple’

2nd: Elektro Dance Academy-’Extra Extra’

2nd: CanDance Studios-’Like You’ll Never See Me Again’

3rd: CanDance Studios-’Serpent’

Senior Duo/Trio

1st: The Industry Dance Academy-’When Dirt Meets Water’

2nd: CanDance Studios-’Revolution’

3rd: San Diego Dance Collective-’Not Who We Were’

Rookie Group

1st: Danceplex-’Little Wonders’

2nd: Dance Deluxe-’Cheetah Girls’

3rd: Dance Studio C-’Piggy Bank’

Mini Group

1st: Project 21-’Fan Tan Fannie’

2nd: Prodigy Training Center-’Money’

3rd: Elektro Dance Academy-’Urban Jungle’

Junior Group

1st: Project 21-’No Fear But Anticipation’

2nd: Project 21-’Wegue’

3rd: Project 21-’Stuff Like That There’

Teen Group

1st: Project 21-’Bring On The Men’

2nd: Elektro Dance Academy-’E Boyz’

2nd: Project 21-’Girls, Girls, Girls’

3rd: CanDance Studios-’Screaming Infidelities’

Senior Group

1st: Project 21-’We Can, We Will’

2nd: CanDance Studios-’I Won’t Complain’

3rd: San Diego Dance Collective-’Somebody to Love’

3rd: Elektro Dance Academy-’The Island’

Rookie Line

1st: Dance Deluxe-’Cafe’ Parfait’

2nd: CanDance Studios-’Get Right’

3rd: The Industry Dance Academy-’Hard Knock Life’

3rd: Dance Deluxe-’The Princess Inside You’

Mini Line

1st: Project 21-’Dive In The Pool’

2nd: Dance Deluxe-’Gratitude’

3rd: Dance Deluxe-’Smile’

Junior Line

1st: Project 21-’Proud Mary’

2nd: CanDance Studios-’Here We Go Again’

3rd: Dance Deluxe-’Steam Heat’

3rd: Dance Precisions-’Where or When’

Teen Line

1st: Project 21-’Post That’

2nd: Project 21-’The Dictator’s Dream’

3rd: CanDance Studios-’Can I’

3rd: Elektro Dance Academy-’Motorcross’

Senior Line

1st: Elektro Dance Academy-’Soul Food’

2nd: CanDance Studios-’Falling Asleep At The Wheel’

3rd: San Diego Dance Collective-’Hypnosis’

Junior Extended Line

1st: CanDance Studios-’Room Where It Happens’

2nd: CanDance Studios-’Next One’

3rd: CanDance Studios-’Awoo’

Teen Extended Line

1st: Elektro Dance Academy-’Babylon’

2nd: Project 21-’Desoleil’

2nd: CanDance Studios-’The Colony’

3rd: CanDance Studios-’Dangerous’

Mini Production

1st: CanDance Studios-’Let’s Get Loud’

Junior Production

1st: CanDance Studios-’Power’

Teen Production

1st: CanDance Studios-’Throw It Back’

Senior Production

1st: Elektro Dance Academy-’Nobody Cares’

High Scores by Performance Division:

Rookie Jazz

Dance Deluxe-’Cheetah Girls’

Rookie Musical Theatre

Dance Deluxe-’Cafe’ Parfait’

Rookie Lyrical

Danceplex-’Little Wonders’

Mini Jazz

Project 21-’Dive In The Pool’

Mini Contemporary

Elektro Dance Academy-’To Love’

Mini Musical Theatre

Project 21-’Fan Tan Fannie’

Mini Lyrical

Dance Deluxe-’Gratitude’

Mini Specialty

Elektro Dance Academy-’Tetrad’

Mini Hip-Hop

Prodigy Training Center-’Money’

Mini Ballroom

Dance Deluxe-’Come Back My Love’

Junior Lyrical

Dance Deluxe-’Here Comes the Sun’

Junior Contemporary

Project 21-’No Fear But Anticipation’

Junior Ballet

The Industry Dance Academy-’Spring’

Junior Specialty

Project 21-’Wegue’

Junior Musical Theatre

Dance Deluxe-’Steam Heat’

Junior Jazz

Project 21-’Stuff Like That There’

Junior Tap

Dance Precisions-’In The Mood’

Junior Ballroom

CanDance Studios-’Kiss Kiss Bang’

Junior Hip-Hop

CanDance Studios-’Next One’

Teen Contemporary

Project 21-’The Dictator’s Dream’

Teen Lyrical

Danceplex-’If I Say’

Teen Jazz

Project 21-’Post That’

Teen Hip-Hop

Elektro Dance Academy-’E Boyz’

Teen Specialty

Dance Studio C-’Walk The Line’

Teen Musical Theatre

Dance Deluxe-’Blackbird’

Teen Ballroom

CanDance Studios-’I Got The Boom’

Senior Specialty

Elektro Dance Academy-’Soul Food’

Senior Contemporary

Project 21-’We Can, We Will’

Senior Jazz

San Diego Dance Collective-’New Dorp, New York’

Senior Lyrical

Dance Deluxe-’Shine’

Senior Hip-Hop

Elektro Dance Academy-’Nobody Cares’

Best of Radix:

Rookie

Dance Deluxe-’Cafe’ Parfait’

CanDance Studios-’Get Right’

The Industry Dance Academy-’Hard Knock Life’

Dance Studio C-’Piggy Bank’

Danceplex-’Little Wonders’

Mini

Project 21-’Fan Tan Fannie’

Elektro Dance Academy-’Urban Jungle’

The Industry Dance Academy-’Mambo 5′

CanDance Studios-’Let’s Get Loud’

Dance Deluxe-’Gratitude’

Prodigy Training Center-’Money’

Junior

The Industry Dance Academy-’Clairvoyance’

Project 21-’No Fear But Anticipation’

CanDance Studios-’Here We Go Again’

Dance Deluxe-’Blue’

Dance Precisions-’Where or When’

Teen

Dance Studio C-’Black and White’

San Diego Dance Collective-’End of Love’

Dance Precisions-’When Tragedy Strikes’

Visionary Dancer-’Hope Is A Dangerous Thing’

Danceplex-’If I Say’

Elektro Dance Academy-’Babylon’

Project 21-’Post That’

CanDance Studios-’The Colony’

The Industry Dance Academy-’In In’

Dance Deluxe-’Heaven’

Senior

Elektro Dance Academy-’Nobody Cares’

Project 21-’We Can, We Will’

CanDance Studios-’I Won’t Complain’

San Diego Dance Collective-’Somebody to Love’

Studio Standout:

Dance Precisions-’When Tragedy Strikes’

Dance Deluxe-’Heaven’

Dance Studio C-’Black and White’

Elektro Dance Academy-’Nobody Cares’

Project 21-’Post That’

The Industry Dance Academy-’In In’

Visionary Dancer-’Hope Is A Dangerous Thing’

CanDance Studios-’The Colony’

#2021 #dance #radix #phoenix #arizona

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josefavomjaaga · 3 years

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Helfert, “Joachim Murat”, Chapter 4, Part 1

Sorry for the long delay!

4. Occchiobello - Tolentino - Casa Lanza.

April/May 1815.

The army led by King Joachim, with which he undertook the great risk of challenging Austria and the Congress of Vienna, did not number 80,000, nor 60,000 men, which were the figures he constantly mentioned, but about 35,000 men on foot and 5,000 on horseback with 60 guns. It was divided into six "legions" - the Napoleonids never lacked ostentatious titles - two of the Guard, of which Pignatelli-Strongoli commanded the infantry, Livron the cavalry; then three line infantry with Carascosa d'Ambrosio and Lecchi as commandants, and one legion cavalry under GL Rosetti. Millet de Villeneuve was at the head of the general staff, and Pietro Colletta, the future historian, was at the head of the general staff.

The Neapolitan army, which had been the focus of the king's attention from the very beginning, was a handsome sight; but underneath the beautiful shell lay serious defects and deficiencies. Even a supporter of Murat as enthusiastic as Guglielmo Pepe cannot fail to pass a harsh judgment in this respect. "The army", he says, "was paid in the most punctual manner, but the internal administration of the troops was the worst imaginable; little or nothing was known of discipline". The latter will be comprehensible on learning that three regiments of foot soldiers were made up of people taken from the prisons and the galleys. The evils this entailed had already become apparent in the last campaign, where people ran off en masse with their weapons and baggage, firing on the guards who stood in their way; of the 9th Line Regiment, 3,000 strong when it marched out of Naples, a third had disappeared within a few days, until Guglielmo Pepe, who knew how to deal with his Neapolitans, took over command and kept the rest together. But not everyone understood this, least of all the foreign officers, especially the French, of whom there was still a large number in the army; of 25 generals, 10, of 27 colonels, 13 were French by birth, who always occupied a kind of special position, were sometimes haughty and overconfident, insisted on their compatriotism with the king and were regarded with as much disdain by the national officers as they were hated and cursed by the common man. Samples of this had already been seen in the last campaign. But no less annoying than the national jealousy was the political division, since among the Italian higher officers there were a number who cared less for Naples than for the independence and political unification of Italy and, usually going hand in hand with this, for the introduction of liberal institutions, whereas others knew only their service, wanted nothing to do with innovations and were therefore regarded by them as sinister or royal lackeys. Also in this direction, Guglielmo Pepe was at the forefront, who boasted that he had been the first to proclaim "Italian independence" in an appeal to the population when he entered the Marches in January 1814. Pepe had many like-minded comrades and supporters in the army, but it remained to be seen what deeds their desire for liberty would inspire them to do in the field. For on the average, Murat's generals were not particularly fit for war; there were many of the king's favourites among them who were not worth the credit he gave them. Some good, useful material was to be found in the common man and in the lower ranks, whereas among the officers neglect of duty and cowardice at the decisive moment were not exactly rare phenomena. General Mack had made a sad experience of this in 1799.

This time, as in January 1814, the Neapolitan army marched out in two main directions: the two legions of the Guard were ordered to march via Rome to Tuscany, the main force was to advance eastwards from the Apennines towards the Po. The army was preceded by Joachim's political emissaries, who, amply provided with instructions and money, crept under various titles and pretexts into Rome and Tuscany, into Milan and other cities of the Austro-Italian territory, in order to stir up emotions there, to heat up tempers, to prepare revolts. Soon, their successes became palpable. Fear, apprehension and terror came over the seven-hill city, which Charles IV of Spain hurriedly left with his wife to go to Florence for the time being, where the ex-queen of Etruria was to follow them. The papal curia was getting ready to leave. Things seemed to have taken such a serious turn that the British agent Edward Cooke wrote to Lord Castlereagh asking whether it would not be advisable to vouch for King Joachim's throne because he would then keep quiet, and suggested to the Bishop of Saint-Malo, who represented France to the Holy Father, that he should influence his monarch in this sense, but the Bishop absolutely refused in view of the principles of Louis XVIII, with which he was well acquainted. But in the northern regions of the peninsula, too, the party of Italian unity was stirring; in Austrian territory, Venice, Padua, Verona were in a fever, Brescia declared itself in favour of the national uprising. Thus everything seemed to be favourable for the adventurous king's enterprise. On 19 March he arrived in Ancona, while his guard was already on the march on Rome. In the middle of Holy Week on 22 March, Pius VII, followed by the ministers of Austria and Spain and the majority of the Cardinals, left the eternal city, which was occupied by Neapolitan troops.

In the east, at the same time, the vanguard of the royal army led by Carascosa was already beyond Ancona. Among the dethroned Napoleonids, the king's enterprise was followed with eager anticipation. Between Fano and Pesaro, the secretary of the former King Joseph arrived, sent from Switzerland to Joachim, to whom he conveyed the admonition to hasten his march as much as possible. Nor were the royals lacking in swiftness of movement. Even before a declaration of war had been made, their advance troops appeared before Cesena, which 2500 Austrians evacuated in order to retreat via Forli and Imola towards Bologna. For they were not strong enough to offer successful resistance and had been instructed not to engage in any rash fighting: already on all roads leading to Italy, troops and war supplies of all kinds were moving from the interior of the empire in rapid marches towards the south.

On 30 March, Joachim was in Rimini, from where he issued two proclamations: a decree according to which he had annexed the two Marches of Fermo and Ancona, then the territories of Gubbio, Pesaro and Urbino to his kingdom, of which the north-eastern border was no longer to be formed by the Tronto, but by the Foglia; and an appeal to the "Italians" to rally armed under his banners and fight under his leadership for their independence. The following day the king, crossing the Fiumesino, the Rubicon of the ancients, went to Forli. Here he was met by new tidings from beyond the Alps: it was Jérôme, the former King of Westphalia, who, coming across the sea, welcomed and encouraged him. But the speeches he made did not please Murat's generals; for instead of directly approving of their king's enterprise, he spoke of the Italians as subjects of the emperor, to whom they owed sworn obedience.

Thank you, Joseph and Jérôme, for ruining the moment. Those two always have impeccable timing. (Didn’t they also show up at whatever place Marie Louise had gone to after leaving Paris in 1814, trying to make her go see her father?)

#napoleon #joachim murat #hundred days #naples #italy1815 #helfert murat

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italianartsociety · 4 years

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A Case of Teenage Diplomacy: Galeazzo Maria Sforza’s First Impression of the Medici Palazzo

In the Spring of 1459, the teenage Galeazzo Maria Sforza (heir to the Duchy of Milan) was present in Florence, being one of the members of a dignified retinue that would escort Pope Pius II onwards from Tuscany to Mantua. The Medici had apparently played an important role in financing the neophyte Sforza dynasty, as Galeazzo Maria’s father Francesco, a former mercenary, was keen to simultaneously modernise and beautify the city of Milan (by way of magnificent expenditure) and legitimise his de facto position within the duchy as the Sforza dukes would not obtain official investiture until the quattrocento was coming to a close.

Accordingly, when Galeazzo Maria Sforza wrote to his parents concerning the newly constructed Medici palazzo, the praise levelled at the Cosimo “il Vecchio” de’ Medici’s new home may well have been a veritable recollection of youth. However, it was also perhaps a politely diplomatic response that reflected the extent of the Sforza’s financial reliance on this Florentine clan.

I took leave of their lordships and finally, accompanied by the above mentioned crowd of gentlemen and peopl, all of whom were on holiday by public proclamation as if it were Easter Day, arrived here at the house of the magnificent Cosimo, where I discovered a house that is both in terms of the beauty of its ceilings, the height of its walls, the high finish of the entrances and the windows, the number of bedchambers and reception rooms, the ornateness of the studies, the worth of the books, the neatness and gracefulness of the gardens, and in terms of the tapestry decorations, chests of inestimable workmanship and value, majestic sculptures, designs of infinite kinds as well as of priceless silver, the most beautiful I may ever have seen, or believe it possible to see...

I visited the esteemed Cosimo who I found in one of this chapels which lacked nothing of the ornateness and beauty of the rest of the house...

On return to the house I dined in the garden of the esteemed Cosimo under a loggia. In fact it gave me the greatest of pleasure to see this garden again. In my opinion it is the most beautiful and most ornate I have ever seen.

The images below represent a small portion of the architecture and objects that Galeazzo Maria may have seen and been impressed by. It must be stressed however, that there have been many additions and changes made to the palazzo and its internal decorations since the quattrocento. Furthermore, some artworks that were once housed within the confines of the palazzo in Cosimo “il Vecchio’s” era, can now be located in other civic settings. Further still, some of the internal decorations may still have been in progress during the 1459 visit.

Images:

Image of the Palazzo Medici Riccardi: Courtyard by Michelozzo di Bartolomeo, 1445-60, Palazzo Medici Riccardi, Florence. Web Gallery of Art.

Piero del Pollaiuolo, Portrait of Galeazzo Maria Sforza, c. 1471, tempera on panel, Galleria degli Uffizi, Florence. Web Gallery of Art.

View of the Chapel with frescoes by Benozzo Gozzoli, 1459-60, Palazzo Medici Riccardi, Florence. Web Gallery of Art.

A Further View of the Chapel with frescoes by Benozzo Gozzoli, 1459-60, Palazzo Medici Riccardi, Florence. Web Gallery of Art.

The Palazzo Medici Riccardi at Night. Wikimedia Commons.

Donatello, David, 1430s, bronze, height, Museo Nazionale del Bargello, Florence. Wikimedia Commons.

Donatello, Judith and Holofernes, 1455-60, bronze, Palazzo Vecchio, Florence. Wikimedia Commons.

Giovanni di Ser Giovanni Guidi (called Scheggia), Birthing Tray of Lorenzo de’ Medici showing The Triumph of Fame, c. 1449, tempera, silver and gold on wood, The Metropolitan Museum of Art, New York. Purchase in memory of Sir John Pope-Hennessy: Rogers Fund, The Annenberg Foundation, Drue Heinz Foundation, Annette de la Renta, Mr. and Mrs. Frank E. Richardson, and The Vincent Astor Foundation Gifts, Wrightsman and Gwynne Andrews Funds, special funds, and Gift of the children of Mrs. Harry Payne Whitney, Gift of Mr. and Mrs. Joshua Logan, and other gifts and bequests, by exchange, 1995. Public Domain.

Image of The Walled Garden at the Palazzo Medici Riccardi. Wikimedia Commons.

Fra Filippo Lippi, Adoration of the Child, c.1459, oil on panel, Staatliche Museen, Berlin. Web Gallery of Art.

Paolo Uccello, Niccolò da Tolentino Leads the Florentine Troops, 1450s, tempera on wood, The National Gallery, London. Web Gallery of Art.

References:

Jardine, Lisa and Brotton, Jerry, Global Interests: Renaissance Art Between East and West, London: Reaktion Books, 2000.

Kent, Dale V., Cosimo De' Medici and the Florentine Renaissance: The Patron's Oeuvre, London: Yale University Press, 2000.

Neville, Jennifer, Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy, Bloomington and Indianapolis: Indianapolis University Press, 2004.

https://www.palazzomediciriccardi.it/en/

Sforza, Galeazzo Maria, “Letter to His Parents (1459).” In Peter Elmer, Nick Webb and Roberta Wood (eds.), The Renaissance in Europe: An Anthology, London: Yale University Press in association with The Open University, 2000, p. 226.

Trexler, Richard C., Public Life in Renaissance Florence, London: Cornell University Press, 1980.

Posted By Samantha Hughes-Johnson.

#quattrocento #florence #sforza #medici #diplomacy #epistles #pope pius ii #Architecture #paintings #sculpture

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smokefalls · 4 years

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When two women 'entrusted' themselves to each other, they prioritized not their similarities but their differences. They recognized that the differences between their stories were central to their identities, and in doing this, they also created these identities and affirmed this difference as strength. (Audre Lorde had made this argument in 1979, framing difference as something not just to be 'merely tolerated,' but a 'fund of necessary polarities, between which our creativity can spark like a dialectic.') In the 1990 book Sexual Difference, the Milan women wrote, 'Attributing authority and value to another woman with regard to the world was the means of giving authority and value to oneself.' Entrustment was framework that not only allowed them to understand themselves as both woman and human, but consciously predicated the second identity on the first. It was 'the form of female gendered mediation in a society which does not contemplate gendered mediations, but only male mediation endowed with universal validity.' Given the reality of a world, a language, a literary tradition shaped by male power, these women attempted to remake all three things simultaneously by passing their stories through one another…

Jia Tolentino, “Pure Heroines” from Trick Mirror: Reflections on Self-Delusion

#Jia Tolentino #Trick Mirror #quote #essays #nonfiction #2020 reads

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not-a-fever-dream · 4 years

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I cling to the Milan women's understanding of these literary heroines as mothers. I wish I had learned to read them in this way years ago—with the same complicated, ambivalent, essential freedom that a daughter feels when she looks at her mother, understanding her as a figure that she simultaneously resists and depends on; a figure that she uses, cruelly and lovingly and gratefully, as the base from which to become something more.

Pure Heroines, Trick Mirror, Jia Tolentino

#pure heroines #trick mirror #jia tolentino #book #quote

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shewhoseeksfreedom · 5 years

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In Sexual Difference, the Milan women write about a disagreement they had while discussing Jane Austen, during which one woman said, flatly, ‘We are not all equal here.’ The statement ‘had a horrible sound, in the literal sense of the term: sour, hard, stinging,’ the women wrote. But ‘it did not take long to accept what for years we had never registered... We were not equal, we had never been equal, and we immediately discovered that we had no reason to think we were.’ Difference was not the problem; it was the beginning of the solution. The realization, they decided, would be the foundation of their sense that they were free.

This is a piece from the end of the chapter Pure Heroines in Jia Tolentino’s book Trick Mirror.

This is in reference to a moment where she was able to affirm her own identity outside of the traditional white literary femme identity.

#identity #jia tolentino #trick mirror #2019 #pure heroines #trick #mirror #writing #fav book #favorite books #favorite book of 2019

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greekromangods · 6 years

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Perseus Triumphant

1800–1801

Antonio Canova (1757–1822)

Marble

Museo Pio Clementino, Musei Vaticani

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The statue shows the triumphant Perseus holding the severed head of the Medusa, one of the three Gorgons. The hero is shown with the winged cap, the sandals of Mercury and the sword which had been given to him in order to complete this task. This statue was carved by Antonio Canova (1757–1822) in the space of a few months between the end of the year 1800 and the beginning of 1801. Made for the tribune Onorato Duveyriez, the first owner of the statue, this Perseus was ceded to the Cisalpine Republic for the new Bonaparte Forum in Milan. Later the statue was bought by Pope Pius VII Chiaramonti (1800–1823) who displayed it on the pedestal of the Apollo of the Belvedere which had been taken to France following the Treaty of Tolentino. It was the weight, proportions and expressive character of the statue of the Belvedere Apollo which inspired Canova in this famous statue of Perseus.

#perseus #medusa #gorgon #sculpture

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ufficiosinistri · 4 years

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The opposite of Neymar

Siamo stati tutti degli ultimi arrivati. Abbiamo affrontato con coraggio il primo allenamento, quello “giusto per provare” e per vedere se “ti trovi bene”. Ed è stata una delle cose più coraggiose che abbiamo fatto. Abbiamo ricevuto consigli da sconosciuti, da persone che magari nemmeno sapevano calciare un pallone, e ci siamo adattati alla volontà dei nostri genitori, facendo ciò che sarebbe stato giusto fare. Tanto la squadra non aveva bisogno di noi sicuramente. Siamo tutti, almeno per una volta, arrivati al campo scrutandone da lontano le luci, mentre i futuri nuovi compagni già erano impegnati a giocare sottoporta prima dell’inizio dell’allenamento. Che ci guardavano, incuriositi e altezzosi, dall’alto della loro comprovata militanza per quella squadra per quei colori. Abbiamo raggiunto gli spogliatoi da soli, con la nostra borsetta contenente solo un paio di scarpe da calcio, un asciugamano e una maglietta di ricambio, quando tutti gli altri avevano il borsone della società, i k-way uguali, le maglie per l’allenamento stirate. Sentivamo l’affiatamento degli altri, mentre noi, in cerca di consenso, guardavamo i loro movimenti così sicuri nello spogliatoio e il loro modo di scherzare, così spavaldo, con gli altri. Poi, questa fase finisce. Come per incanto, i dirigenti ti fanno firmare il cartellino e lo inseriscono nella distinta della società. Assieme all’allenatore, ai tuoi compagni e ai magazzinieri. Assieme ai dirigenti che all’occasione si reinventavano guardalinee. Entri anche tu nelle liste dei nomi all’interno di uno schedario che contiene ulteriori Dox (metonimia) e cartellette.

Lucas Tolentino Paquetà sembrava, almeno sino a quando giocava nel Milan di Milano, fosse rimasto sempre a questo immaturo capitolo, di forzata appartenenza. Con la sua borsa, contente solamente delle scarpe, un asciugamano e una maglietta di ricambio. Forse perché nacque su un’isola e da casa sua riusciva a scorgere Rio de Janeiro solamente da lontano, proprio come io adocchiavo le luci del campo da calcio mentre mi avvicinavo per le prime volte con il mio zaino Invicta mentre tutti gli altri avevano già l’attrezzatura e l’abbigliamento delle società per la quale giocavano. Mi avrebbero mai invitato a mangiare una pizza alla fine dell’allenamento, in estate, seduti sulle panchine e in cerchio sull’erba del nostro campo di casa? Nel Lione, credo che ora Paquetà possa esserlo, invitato. Una città raggiungibile da Milano in poche ore di treno, grazie ad un’inutile e dispendiosa linea ad alta velocità che perfora la Alpi dopo aver attraccato per qualche istante a Torino. Una città che gli sta dando una chance imperdibile: quella di diventare, come già fu per Coutinho e, più velatamente, per Bruno Fernandes, un centrocampista esile e tecnico, cresciuto nel campionato di Serie A in grado, dopo alcune stagioni non al massimo dei loro rendimenti, di prendere letteralmente in mano le redini di altre squadre estere. A differenza di Neymar, colpevole, sulla lunga distanza, della resa attuale del Barcellona e del Brasile, Paquetà e gli altri come lui hanno dovuto far breccia prima nella squadra, che nella gente e nel loro pubblico. Una volta, tornato da uno dei miei primi allenamenti, trovai un collega di mio padre a cena. Era ancora durante la preparazione atletica, ero arrivato in squadra alla fine della stagione precedente e non avevo ancora ricevuto né il borsone, né l’abbigliamento ufficiale della società, nonostante avessi disputato qualche amichevole e fossi già tesserato.

Mi consegnarono tutto proprio quel sabato e mi sentivo volare, mentre tornavo a casa in bicicletta e l’aria di settembre iniziava a farsi sentire con tutta la sua freschezza, nonostante le luci dell’estate non fossero ancora del tutto esaurite. Aprii la porta e trovai queste due persone, un uomo e una donna, che mi salutarono come se mi conoscessero da tempo, mentre era la prima volta che le vedevo. Erano in cucina, appoggiate al tavolo chiaro sul quale pranzavo io in settimana, che parlavano con mia madre, indaffarata ai fornelli per la cena. Non mi ricordavo avessimo avuto ospiti, quella sera, ma li salutai come se fosse in previsione, nel mio carnet, la loro visita. Avrei voluto correre in camera e disfare la borsa con la roba sporca, aprirla ed assaporarne l’aroma, come un tesoro ancora inviolato. Aprire la cerniera inferiore per il reparto scarpini, richiuderla e riaprirla di nuovo, sentire che fosse mia. Esplorarne le tasche, scoprire se le avessi scoperte tutte o ce ne fosse qualcuna ancora celata. E invece no, pettinata e dare una mano a tavola, come quando Lucas Paquetà, agli inizi, rimaneva deluso dal mancato arrivo, in società, della sua roba, con i colori che si sarebbe apprestato a servire. Mia madre cucinò una zuppa di farro. Era l’inizio degli anni novanta e questo cereale non era ancora molto diffuso, sulle tavole degli italiani. I miei avevano scelto la zuppa di farro perché erano sempre attenti alle nuove mode, soprattutto culinarie, di quegli anni. Lui, l’amico di mio padre (che poi scoprii essere un suo collega prossimo alla pensione), asserì di aver già mangiato la zuppa di farro, in vita sua. Si trovava in Toscana, qualche mese prima, in una trattoria. Raccontò che l’ambiente fosse “così toscano” che si aspettava, da un momento all’altro, veder entrare Geppetto dalla porta del locale. “Beh, se eravate in Toscana...” esordii io, a bruciapelo. Gli davo già del tu: avevo perso, tutta di colpo, la mia educazione, pensando alla mia roba da calcio nuova. Mia madre mi fulminò con gli occhi e mio padre si mise a ridere, col suo collega di lavoro prossimo alla pensione. Ma io, da quella sera, non sarei più stato l’ultimo arrivato.

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fossadeileonixv · 4 years

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The Brazilian Carni-Nah: A Tribute to Lucas Paqueta by Gillis

Man can not separate what God has brought together.

Lucas Tolentino Coelho de Lima, AKA Lucas Paqueta, was a mystery wrapped in a riddle inside an enigma. Yes, many of us thought he was the rebirth of Brazilian talent flourishing at Milan, ready to nutmeg even one-legged defenders. Instead what we are left with is Alessandro Matri-like numbers and a broken heart as he heads to Lyon.

Many of us will have sleepless nights struggling to understand how a guy with so much talent could be given merely half a season to show his worth when turds-at-the-time Hakan Calhangolu and Ricardo Rodriguez were started game after game. Sure RR is still garbage but Hakan came good, what would have happened if Paqueta was given 3yrs of consecutive starts regardless of how utterly terrible he played? I guess some answers are too dangerous for even God Almighty to know...

So after one and half years, Paqueta moves on and is leaving behind a legacy of Brazilian dance moves on Instragram and neck tattoos. Clearly Milan wanted and needed more. All we can do is hope he thrives and some EPL team overpays for him since Milan will get 15% of his resale fee.

Don't be afraid to weep and to open up to someone close to you. For those of you on Paqueta island with me, rejoice for you have been rescued and can return to your loved ones. Lastly...

youtube

Forza Milan.

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mhsn033 · 4 years

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AC Milan 1-1 Atalanta: Draw keeps Atalanta slim title hopes alive

Atalanta saved alive their slim Serie A title hopes alive with a plan at AC Milan.

Hakan Calhanoglu curled home a free kick to construct the hosts forward early in the first half of.

Alternatively, the guests equalised earlier than the damage when Duvan Zapata drilled in his 18th of the season.

The point come Atalanta are five points in the abet of leaders Juventus with two games remaining and are counting on a huge give arrangement by the leaders.

Juventus can cement the title with a elevate at home to Sampdoria on Sunday.

Line-ups

AC Milan

99Donnarumma

2Calabria

24Kjaer

46Gabbia

93Laxalt

79Kessié

20BigliaBooked at 25minutesSubstituted forKrunicat 61′minutes

56SaelemaekersSubstituted forCastillejo Azuagaat 69′minutes

10CalhanogluSubstituted forBonaventuraat 61′minutes

18RebicSubstituted forda Conceição Leãoat 61′minutes

21Ibrahimovic

Substitutes

1Begovic

5Bonaventura

7Castillejo Azuaga

17da Conceição Leão

29Colombo

33Krunic

39Tolentino Coelho de Lima

43Campos Duarte da Silva

90Donnarumma

92Olzer

94Brescianini

98Maldini

Atalanta

95Gollini

33Hateboer

2ToloiBooked at 38minutesSubstituted forSutaloat 45′minutes

3Caldara

19Djimsiti

8GosensSubstituted forCastagneat 69′minutes

15de Roon

11FreulerSubstituted forPasalicat 69′minutes

10GómezSubstituted forColleyat 90′minutes

18MalinovskiySubstituted forMurielat 57′minutes

91Zapata

Substitutes

4Sutalo

5Tameze

6Palomino

7Czyborra

9Muriel

20Da Riva

21Castagne

22Bellanova

31Rossi

57Sportiello

88Pasalic

90Colley

Match Stats

Residence TeamAC MilanAway TeamAtalanta

Possession

Residence47%

Away53%

Shots

Residence10

Away16

Shots on Goal

Residence2

Away4

Corners

Residence3

Away7

Fouls

Residence17

Away12

Live Textual dispute material

Post update

Match ends, Milan 1, Atalanta 1.

90′ 3′

Tubby Time

2nd Half ends, Milan 1, Atalanta 1.

90′ 3′

Post update

Nook, Atalanta. Conceded by Zlatan Ibrahimovic.

90′ 2′

Post update

Luis Muriel (Atalanta) wins a free kick on the left hover.

90′ 2′

Post update

Sinful by Franck Kessié (Milan).

90′ 1′

Post update

Are trying blocked. Franck Kessié (Milan) legal footed shot from open air the box is blocked. Assisted by Giacomo Bonaventura.

90′

Post update

Sinful by Ebrima Colley (Atalanta).

90′

Post update

Giacomo Bonaventura (Milan) wins a free kick on the legal hover.

90′

Substitution

Substitution, Atalanta. Ebrima Colley replaces Alejandro Gómez.

87′

Post update

Offside, Atalanta. Mario Pasalic tries a by ball, but Alejandro Gómez is caught offside.

87′

Post update

Nook, Atalanta. Conceded by Matteo Gabbia.

87′

Post update

Are trying blocked. Luis Muriel (Atalanta) legal footed shot from open air the box is blocked. Assisted by Mario Pasalic.

82′

Post update

Marten de Roon (Atalanta) wins a free kick in the defensive half of.

82′

Post update

Sinful by Rade Krunic (Milan).

81′

Post update

Sinful by Bosko Sutalo (Atalanta).

81′

Post update

Giacomo Bonaventura (Milan) wins a free kick in the defensive half of.

81′

Post update

Duván Zapata (Atalanta) wins a free kick in the attacking half of.

81′

Post update

Sinful by Franck Kessié (Milan).

80′

Post update

Nook, Milan. Conceded by Alejandro Gómez.

79′

Post update

Hans Hateboer (Atalanta) wins a free kick in the attacking half of.

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doubleattitude · 4 years

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24/7 Dance Convention, Reno, NV: RESULTS

High Scores by Age:

Sidekick Solo

1st: Lauralee King-’Bigger Is Better’

2nd: Valentina Segrest-’All Is Found’

3rd: Nyla McCarthy-’Wind It Up’

4th: Nicole Soto-’Shake and Shimmy’

5th: Brecca Garcia-’Day-O’

5th: Kenlee Townsend-’Kill The Lights’

6th: Ayla Zink-’Stop’

7th: Wren Lavery-’Sweet, Sweet’

8th: Paisley Greendandl-’Worldwide Party’

9th: Marley Cliffe-’Dessert’

9th: Greta Jones-’Shake Rattle and Roll’

10th: Malia Tuaileva-’Stupid Cupid’

Mini Solo

1st: Roxie Onellion-’Drifting Down’

2nd: Isabella Kouznetsova-’Almost There’

2nd: Tiara Sherman-’And The Things Remain’

3rd: Harper Ducale-’Change Is Everything’

3rd: Winter Eberts-’Dreamlike’

3rd: Naiya Abalos-’Forces’

3rd: Cali Cassidy-’Weird People’

4th: Paizley Cogswell-’A Moment Apart’

4th: Fiona Wu-’Juliet’s Dream’

4th: Joah Moore-’Mad World’

4th: Regan Gerena-’My Boyfriend’s Back’

4th: Presley Nava-’Pure Imagination’

4th: Delilah Hewitt-’Shop Around’

5th: Peyton Nowacki-’Angels To Fly’

5th: Kylie Lawrence-’Breathe In’

5th: Tatum Brady-’Fall Creek’

5th: Everleigh Soutas-’Heartbeat’

5th: Olivia Armstrong-’Hit Me With A Hot Note’

5th: Kate Baker-’I’ll Stand By You’

5th: Aria Du-’Reddir’

5th: Elizabeth Hsu-Kwan-’Ruin’

6th: Diana Jouznetsova-’It’s In His Kiss’

6th: Hadlee Heriford-’Unbroken’

7th: Tabitha Nan-’Torn’

7th: June Newmarker-’What A Feeling’

8th: Zoey German-’On My Own’

8th: Elliana Anbardan-’Runway Walk’

8th: Joy Lin-’This Is Me’

9th: Rory Frye-’Amen’

9th: Aurora Brady-’Hit The Road Jack’

9th: Reagan Nordling-’Lemon of Pink’

10th: Khloe Kwon-’Black Pink!’

10th: Aubrey Tolentino-’Footwurkin’

10th: Holland Fraley-’Torn’

Junior Solo

1st: Gracyn French-’CoverGirl’

2nd: Laci Stoico-’Mibiso’

3rd: Makaia Roux-’Everything I Wanted’

4th: Mya Tuaileva-’Can’t Unhear’

4th: Kortlynn Rosenbaugh-’Unearthed’

5th: Hayden Olson-’Breathe’

5th: Lincoln Blakely-’What I Came to Do’

5th: Kendyl Fay-’You’ll Find A Way’

5th: Madison Ortega-’Island Song

6th: Campbell Clark-’I’ll Be Seeing You’

6th: Kylee Ngo-’Ex machina’

6th: Ciana Ciulla-’Sophrosyne’

6th: Madison Ronquillo-’White Ferrari’

6th: Rylee Young-’Lullaby’

7th: Bella Fernandez-’She Was Running’

7th: Kendall Jundt-’Awakening’

7th: Leighton Werner-’The Rose’

8th: Gigi Hipwell-’Sorry Seems To Be The Hardest Word’

8th: Abbi Francis-’Feel It Still’

8th: Sienna Brown-’Ballroom Blitz’

8th: Natalie Kulba-’Ascending’

8th: Stella Eberts-’Valley’

8th: Campbell Bas-’Silhouette’

9th: Anabel Alexander-’Plans We Made’

9th: Lena Chiem-’Grand Piano’

9th: Anya Inger-’Quiet Thoughts’

10th: Sunnie Pelant-’No Place Like Home’

Teen Solo

1st: Dyllan Blackburn-’Haunted’

2nd: Kaitlyn Tom-’Charity Bound’

2nd: Luke Barrett-’Eden’

2nd: Carley Thinfen-’Self Destruction’

2nd: Elle O’Donnell-’Slowly’

2nd: Imogene Elias-’Timer’

3rd: Zoe Ridge-’A Thousand Eyes’

3rd: Katy McIlwaine-’Heavy’

3rd: Cydney Heard-’I’m Going In’

3rd: Ava DeCristofaro-’Letting In’

3rd: Isabella Warfield-’Nicest Thing’

3rd: Jenna Koblin-’Ultralight Beam’

4th: Kaitlyn Ortega-’All Human Beings’

4th: Sami Sonder-’Fever’

4th: Brooklyn Sandlin-’Hollow’

4th: Siena Riga-’Naked’

4th: Mason Walker-’Touch’

5th: Ali McKeown-’All I Ask’

5th: Lilly McCollum-’Control’

5th: Raina Wu-’Looking In’

5th: Kamryn Webb-’Take Me Out’

6th: Mikaella Lopez-’Mind In Flight’

6th: Dayanara Vega-’Skin’

6th: Amanda J. Lai-’The Journey, Not The Destination’

6th: Zuzu Duchon-’Twelfth of Never’

6th: Riley Cooke-’Yellow’

6th: Aiden Boquiren-’You Will Be Found’

7th: Olivia Magni-’Moonlight Sonata’

7th: Sebastian Hsu-Kwan-’My Identity’

7th: Julissa Ortiz-’Never Knock’

7th: Felix Fulton-’Rome’

8th: Tiffany Robinson-’Human Touch’

8th: Milana Zamora-’Hypnosis’

8th: Ellyana Lor-’Rise of the Phoenix’

8th: Zoey Garcia-’Slappers’

8th: Claire Kaplan-’Suspended’

8th: Avery Reyes-’The Garden’

9th: Bella Machado-’Everybody Got Their Something’

9th: Aaliyah Wiley-’If I Ain’t Got You’

10th: Tyler Chiyuto-’Glitch’

10th: Deanna Zarkova-’Love Song’

10th: Gabbie Carrozza-’Unbroken’

Senior Solo

1st: Zach Burk-’2/21/21′

1st: Selena Hamilton-’Keep an Eye Out’

2nd: Kendall Pangburn-’Secret’

2nd: Anna Miller-’50 Ways’

2nd: Perris Amento-’Addicted to Love’

3rd: Charlotte Foldes-’Shock To Us All’

3rd: Priscilla Tom-’The Blues’

3rd: Milan Furtado-’Peace of Mind’

4th: Gianna Van Den Bosch-’Feel’

4th: Shane Higa-’Superpower’

4th: Camille Fehr-’Till Now’

5th: Kadynce Ross-’Findings’

5th: Kaylee Feierfeil-’Lasting Lover’

5th: Amanda Taylor-’What Is Happening To Me’

5th: Kacie De La Rose-’What’s Poppin’

6th: Lauren Wallingford-’Entanglement’

6th: Izzy Burton-’For All We Know’

6th: Kolton Cross-’Get Your Head In The Game?’

6th: Reese Taylor-’Pink’

6th: Madeline Underwood-’Power of Love’

7th: Mia Hurtz-’Don’t Worry About Me’

7th: John Mays-’Kash’

7th: Amara Tedford-’Stand By Me’

7th: Bianca Capanna-’Unchained Melody’

8th: Grace Glass-’All My Friends’

8th: Stella von Borck-’Hater’

9th: Christina Laude-’Black Ships’

9th: Hanna Clark-’Close To You’

9th: Galilee Nelson-’Everything I Wanted’

9th: Kaitlyn Hong-’I Try’

9th: Cassie Brown-’Ransom’

9th: Delaney Davis-’Shades of Cool’

10th: Noelani Kreider-’Fade’

10th: Alivia Elliot-’My Mistake’

10th: Makenna Bilodeaux-’Oops’

10th: Mallory Davis-’Put It On Me’

Mini Duo/Trio

1st: HYPE Dance Studio-’American Boy’

2nd: Project 21-’I Am The Cute One’

3rd: Pave School of The Arts-’Blow’

3rd: Sweaty Shelly Natomas Dance and Fitness-’Everybody Dance Now’

Junior Duo/Trio

1st: Dance Unlimited Boise-’Me and My Shadow’

2nd: Yoko’s Dance and Performing Arts Academy-’Bring You Home’

3rd: Creative Edge Dance Studio-’Chapstick’

Teen Duo/Trio

1st: DNA Dance Collective-’Tapout’

2nd: Pave School of The Arts-’Amen’

3rd: Dance Attack!-Los Gatos-’Dive In The Water’

Senior Duo/Trio

1st: Elite Studio of Dance-’Layers’

2nd: Elite Studio of Dance-’Woman’

3rd: Core Connection Dance Company-’Take Over’

Sidekick Group

1st: Echo School of Dance-’It’s My Party’

2nd: Echo School of Dance-’Tonight Belongs To You’

3rd: Elite Studio of Dance-’Hard Knock Life’

Mini Group

1st: Project 21-’Fan Tan Fannie’

2nd: Pave School of The Arts-’Swine’

2nd: Elite Studio of Dance-’We Go To Work’

3rd: Echo School of Dance-’We Comin’

Junior Group

1st: Project 21-’Stuff Like That There’

2nd: Project 21-’No Fear But Anticipation’

3rd: Project 21-’Wegue’

Teen Group

1st: Project 21-’Girls, Girls, Girls’

2nd: Project 21-’Bring On The Men’

3rd: Elite Studio of Dance-’Stand Up’

Senior Group

1st: Project 21-’We Can, We Will’

2nd: Elite Studio of Dance-’SR HH”

3rd: HYPE Dance Studio-’Silence’

Sidekick Line

1st: HYPE Dance Studio-’ABC’

2nd: HYPE Dance Studio-’We Got The Beat’

Mini Line

1st: Project 21-’Dive In The Pool’

2nd: Elite Studio of Dance-’Drip or Down’

2nd: Pave School of The Arts-’The List’

3rd: Elite Studio of Dance-’Candy Man’

Junior Line

1st: Project 21-’Proud Mary’

2nd: HYPE Dance Studio-’Get Up Off That Thang’

3rd: Elite Studio of Dance-’Lost On You’

Teen Line

1st: Project 21-’Post That’

2nd: HYPE Dance Studio-’Can U Feel The Beat’

2nd: Dance Attack!-Los Gatos-’Never Be Mine’

2nd: Elite Studio of Dance-’Nine One Six’

2nd: Project 21-’The Dictator’s Dream’

3rd: California Dance Company-’Back Alley’

Senior Line

1st: Dance Attack!-Los Gatos-’Next To You’

2nd: Elite Studio of Dance-’Did Something Bad’

3rd: Elite Studio of Dance-’Fergalicious’

Teen Extended Line

1st: Project 21-’Desoleil’

2nd: HYPE Dance Studio-’Pressure’

High Scores by Performance Division:

Sidekick Jazz

1st: Echo School of Dance-’Tonight Belongs To You’ 2nd: HYPE Dance Studio-’We Got The Beat’ 2nd: Elite Studio of Dance-’Yankee Doodle Dandee’

Sidekick Hip-Hop

1st: Echo School of Dance-’It’s My Party’ 2nd: HYPE Dance Studio-’ABC’

Sidekick Tap

Elite Studio of Dance-’Hard Knock Life’

Mini Jazz

1st: Project 21-’Dive In The Pool’ 2nd: Pave School of The Arts-’Swine’ 3rd: Elite Studio of Dance-’Candy Man’

Mini Hip-Hop

1st: Elite Studio of Dance-’Drip or Down’ 2nd: Elite Studio of Dance-’We Go To Work’ 3rd: Echo School of Dance-’We Comin’

Mini Tap

1st: Elite Studio of Dance-’Mr. Postman’ 2nd: Elite Studio of Dance-’What You Want’ 3rd: Sweaty Shelly Natomas Dance and Fitness-’Pennies from Heaven’

Mini Contemporary

1st: Pave School of The Arts-’The List’ 2nd: Echo School of Dance-’Warrior’

Mini Lyrical

1st: Elite Studio of Dance-’Wind Beneath My Wings’ 2nd: Elite Studio of Dance-’Somewhere We Know’ 3rd: Core Connection Dance Company-’Somewhere Only We Know’

Mini Musical Theatre

Project 21-’Fan Tan Fannie’

Junior Jazz

1st: Project 21-’Proud Mary’ 2nd: Project 21-’Stuff Like That There’ 3rd: HYPE Dance Studio-’You Got The Look’

Junior Ballet

Denisa’s School of Dance-’Warrior’

Junior Hip-Hop

1st: Echo School of Dance-’Swagg Out’ 2nd: HYPE Dance Studio-’Diamond Block’

Junior Tap

1st: HYPE Dance Studio-’Get Up Off That Thang’ 2nd: Sweaty Shelly Natomas Dance and Fitness-’Don’t Want To Dance Alone’ 2nd: Elite Studio of Dance-’Dear Future Husband’

Junior Contemporary

1st: Project 21-’No Fear But Anticipation’ 2nd: HYPE Dance Studio-’How Will I Know’ 3rd: Sweaty Shelly Natomas Dance and Fitness-’All I Know’

Junior Specialty

1st: Project 21-’Wegue’ 2nd: Sweaty Shelly Natomas Dance and Fitness-’Night Fight’

Teen Jazz

1st: Project 21-’Bring On The Men’ 1st: Project 21-’Post That’ 2nd: Elite Studio of Dance-’Diva’ 3rd: Elite Studio of Dance-’Show Me’

Teen Ballet

Elite Studio of Dance-’Counterpoise’

Teen Hip-Hop

1st: HYPE Dance Studio-’Pressure’ 2nd: HYPE Dance Studio-’Can U Feel The Beat’ 2nd: Elite Studio of Dance-’Nine One Six’ 3rd: California Dance Company-’Back Alley’

Teen Tap

1st: Dance Attack!-Los Gatos-’Sir Duke’ 2nd: Elite Studio of Dance-’Just Fine’ 3rd: HYPE Dance Studio-’Beggin’

Teen Contemporary

1st: Project 21-’Girls, Girls, Girls’ 1st: Project 21-’Desoleil’ 2nd: Elite Studio of Dance-’Stand Up’ 3rd: Project 21-’The Dictator’s Dream’ 3rd: Dance Attack!-Los Gatos-’Never Be Mine’

Teen Lyrical

California Dance Company-’Amen’

Teen Musical Theatre

Sweaty Shelly Natomas Dance and Fitness-’Shaking The Blues Away’

Teen Ballroom

Dance Attack!-Los Gatos-’Baila’

Senior Jazz

Elite Studio of Dance-’Lip Gloss’

Senior Hip-Hop

1st: Elite Studio of Dance-’SR HH” 2nd: Core Connection Dance Company-’Bay Area’

Senior Tap

1st: Elite Studio of Dance-’Fergalicious’ 2nd: Elite Studio of Dance-’Bad Guy’

Senior Contemporary

1st: Project 21-’We Can, We Will’ 2nd: Dance Attack!-Los Gatos-’Next To You’ 3rd: Elite Studio of Dance-’Did Something Bad’

Senior Jazz

Elite Studio of Dance-’Lip Gloss’

11 O’Clock:

Sidekick

Echo School of Dance-’It’s My Party’

HYPE Dance Studio-’ABC’

Elite Studio of Dance-’Hard Knock Life’

Mini

Project 21-’Dive In The Pool’

Pave School of The Arts-’The List’

Elite Studio of Dance-’Drip or Down’

Junior

Sweaty Shelly Natomas Dance and Fitness-’All I Know’

HYPE Dance Studio-’Get Up Off That Thang’

Project 21-’Proud Mary’

Elite Studio of Dance-’Lost On You’

Teen

Dance Attack!-Los Gatos-’Never Be Mine’

Echo School of Dance-’Da Girl Gang’

California Dance Company-’Back Alley’

HYPE Dance Studio-’Pressure’

Elite Studio of Dance-’Stand Up’

Project 21-’Girls, Girls, Girls’

Senior

Dance Attack!-Los Gatos-’Next To You’

Elite Studio of Dance-’Did Something Bad’

HYPE Dance Studio-’Silence’

Echo School of Dance-’I Lost A Friend’

Core Connection Dance Company-’Heartless’

Project 21-’We Can, We Will’

Studio Showcase:

Sweaty Shelly Natomas Dance and Fitness-’Untouchable’

Project 21-’Girls, Girls, Girls’

HYPE Dance Studio-’Pressure’

Elite Studio of Dance-’Stand Up’

Echo School of Dance-’I Lost A Friend’

Core Connection Dance Company-’Heartless’

#reno #nevada #24/7 #dance #2021

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