#Nancy Cantor

[fellow-fandom-fruitifier]

(Red songs are ones I feel fit the best, some song are more vibes than anything.)

So I went through every single song I’ve ever downloaded (It’s A LOT, like, it’s a playlist over 30 hours long.) and grabbed all the ones I maladaptive daydream Wukong and/or Macaque to. So, without further ado, I present:

💞✨An Overly Long Wukong/Macaque “Playlist”✨💞

People Eater and Misery Meat by Sodikken

Sober by FIDLAR (makes me think of a v angsty shadowpeach fic from SWK’s POV)

Rät by Penelope Scott

Scrawny by Wallows

Nowhere To Run by Stegosaurus Rex

I’m Gonna Win by Rob Cantor

Poor George by James Supercave

Candle Queen by GHOST

Copycat by VocaCircus

Bury A Friend by Billie Eilish

Can’t Be Erased by Coda

Ghosts by Jacob Tillberg

Maniac by Conan Gray

Snowcone by Rei Ami

OH NO! and Are You Satisfied by Marina & The Diamonds

Good Enough by Atsuover

Two Birds by Regina Spektor

Bird Song by Florence + The Machine

Suki Suki Daisuki by Jun Togawa

Saint Bernard by Lincoln

I Can’t Decide by Scissor Sisters

Ghosting, Wrecking Ball, Hayloft (+ Hayloft II), Arms Tonite (YES IK WHAT ITS ACTUALLY ABT SHUP UP😭), and Problems by Mother Mother

Everybody Loves Me by OneRepublic

Seven Nation Army by The White Stripes

Violent by Carolesdaughter

Troublemaker by Olly Murs

Sweet Tooth and Devil Town by Cavetown

Bust Your Kneecaps by Pomplamoose

Cupid’s Chokehold by Gym Class Heroes

Cloud 9 by Beach Bunny

I Can’t Fix You by The Living Tombstone

Hot N Cold by Katy Perry

Applause by Lady Gaga

She Wants Me Dead by Cazette

Backstabber by Kesha

Hell’s Comin’ With Me by Poor Mans Poison

Paparazzi Murder Party by Vain

‘Cause I’m A Liar by Mcki Robyns-P

Choke by IDKHBTFM

Everything Stays by Adventure Time

I / Me / Myself by Will Wood (Idk y, it just feels so wholesome shadowpeach-y 2 me)

Worst Case Scenario and Goodbye MR A by The Hoosiers

Anything You Want by JAWNY

Stalkers Tango by Autoheart (listen… listen man… just think abt it)

Bad Day by Darwin Deez

Fuck You by Lily Allen (bitter exes💀)

True Love FT. Lily Allen by P!nk

Feels by Calvin Harris

Change The Formality by Infected Mushroom

I Just Threw Out The Love Of My Dreams by Weezer

Villain by Stella Jang

Washing Machine Heart by Mitski

Ghost Busters (bcz I think it’s fun E, just imagine SWK & others like ‘who ya gonna call’ & 6EM is the ghost)

Pride X New Magic (I MEAN C’MON “Loves gonna get you killed, but prides gonna be the death of you.” IDBSIXGSINSEIH, the edit audio ever)

Sucker By Jonas Brothers

Bloody Nose and Kitchen Fork by Jack Conte (this song has the vibes that just scream the past tragedy part of their relationship 2 me, idk how 2 explain it)

Passing Through by Kaden MacKay

Karma by AJR

One Way Or Another by Blondie

These Boots Are Made For Walking by Nancy Sinatra

Bad Idea! by Girl In Red

Brutal by Olivia Rodrigo

Them Changes by Thundercat (same reason as the Jack Conte songs tbh, but it’s more the present tragedy part)

C’est toi qu’elle préfère by Alice et Moi

Break My Heart by Dua Lipa

Jesus On The Telephone by Machinery Of The Human Heart

Too Close and Michelle by Sir Chloe

Another Believer by Rufus Wainwright

Dancin Closer To The Edge by JOHNNH GOTH

Julie VS. Robot Julie by Arthur

She Wolf by Shakira

I Don’t Want To Set The World On Fire by The Ink Spots

Plug Me In by Lil Soda Boi

Run, Rabbit, Run! by Flanagan & Allen

Youth by Daughter

Stay Calm by BonBun Films

Exorcism FT. Cyber Diva by Creep-P

Step On Me by The Cardigans

Girl Anachronism by The Dresden Dolls

I’m Not The Only One by Sam Smith (it’s prolly just me tbh)

Shit by Bo Burnham

NARCISSISTIC PERSONALITY DISORDER by Odetari (THE VIBES N SHIT, THE GIRLS R FIGHTIIIING)

[mariacallous]

SAN FRANCISCO (J. Jewish News of Northern California via JTA) — Dianne Feinstein was an eshet chayil, the Hebrew term for a woman of valor, Rabbi Jonathan Singer proclaimed in his opening remarks on Thursday at a memorial service for the U.S. senator who died Sept. 29 at 90.

The event outside San Francisco City Hall was attended by about 1,500 invited guests, all gathered to remember a pathbreaking politician who spent a decade as the city’s first woman mayor.

Singer, the co-senior rabbi of Congregation Emanu-El — the same synagogue where Feinstein, then Dianne Goldman, was confirmed as a teenager in 1949 — shared the English words of Psalm 23, which begins, “God is my shepherd.” Cantor Roz Barak, Emanu-El’s cantor emerita, sang the psalm in Hebrew.

“She feared no evil, as she courageously pursued justice as a leader in the Senate,” Singer said. “And she gave us hope that we Americans can always be inspired by the values of democracy, even as we walk at times through the valley of shadows.”

San Francisco Mayor London Breed, Vice President Kamala Harris, former House Speaker Nancy Pelosi and Sen. Chuck Schumer were among the prominent speakers. President Joe Biden delivered a recorded message.

“God bless a great American hero. She was something else,” Biden said. “She was a dear friend.”

The service took place on an exceptionally hot San Francisco day, punctuated by the Blue Angels flying overhead as part of Fleet Week, which Feinstein was responsible for establishing in 1981 to honor the armed forces. “Fleet Week would be dedicated to you,” Pelosi noted as the roar of the jets caused her to pause.

Many of the guests, including current and former members of Congress, accented their formal attire with sun hats and baseball caps and fanned themselves with the memorial programs as the sun beat down. A building-sized portrait of Feinstein was displayed outside City Hall, where Feinstein lay in state on Wednesday before a private, family-only burial after the service.

In his remarks, Schumer told a story about his colleague, recalling how she called him in New York shortly after his daughter Alison moved to San Francisco.

“Does your daughter have anywhere to go for the High Holiday services?” Feinstein asked him. He replied that she did not. “Well, then, she’s going to services with me.”

(Feinstein and her third husband, Richard Blum, joined Reform Congregation Sherith Israel in 1992, though it is unknown how long they were members.)

Schumer worked closely with Feinstein to pass the federal ban on assault weapons in 1994. “Dianne Feinstein was a leader of uncommon integrity,” the New York senator said.

Harris described Feinstein as “an American patriot, a giant of the Senate and a dear friend” to her and her husband, Doug Emhoff.

“Dianne commanded respect, and she gave respect. She was a serious and gracious person who welcomed debate and discussion, but always required that it was well informed and studied,” the vice president said.

Pelosi said Feinstein was not only a close colleague in Congress but also a good neighbor in Pacific Heights, their San Francisco neighborhood.

“Dianne loved cultivating people, and flowers,” Pelosi said, describing the hydrangeas growing in Feinstein’s yard as “the most fabulous.” She also knew the senator to be quite the matchmaker and credits her with pairing former Gov. Jerry Brown and his wife, Ann Gust.

Feinstein was also an avid painter, giving her friends mugs and painted images of her homegrown flowers, Pelosi said.

Pelosi read off a list of legacies Feinstein leaves behind, including fighting to save San Francisco’s cable cars; authoring legislation to create the breast cancer stamp that benefited research; doggedly battling to pass the federal assault weapons ban; and starting the annual Lake Tahoe Summit with former Senate Majority Leader Harry Reid in 1997.

“She left on her own terms,” Pelosi said, recalling Feinstein’s final vote, a day before she died. “She walked into the [Senate] floor and voted to advance legislation to keep the government open for the people,” she said.

John Burton, who served in Congress and the state Assembly and chaired the Democratic Party in California, provided written remarks read aloud by Breed. “She had chutzpah, and I loved her for it,” Burton wrote.

Eileen Mariano, Feinstein’s 31-year-old granddaughter and the final speaker at the hourlong memorial service, described the warm, grandmotherly woman she was behind the scenes.

Feinstein would cut her granddaughter’s hair in her kitchen, often slightly crooked, Mariano joked. “She taught me to play chess, although she hated losing,” she remembered, and would sing “You Are My Sunshine” as a lullaby.

“We had an effortless connection,” said Mariano, who works in the San Francisco mayor’s office.

Among the Jewish elected officials in attendance were Sen. Barbara Boxer, who was elected alongside Feinstein in 1992, becoming the first Jewish women to win seats in the Senate; California state Sen. Scott Wiener; San Francisco Supervisor Aaron Peskin; Sacramento Mayor Darrell Steinberg; Rep. Adam Schiff of Southern California; and Sen. Jon Ossoff of Georgia.

“Let’s remember what she meant to San Francisco,” Wiener said in a statement. “She became mayor during one of the most difficult periods imaginable for our city. She led San Francisco out of the fires of political assassinations, mass cult suicides, and a mass die-off of gay men due to a new, terrifying virus.”

Heading out after the memorial, Steinberg stopped to share his thoughts. “She represented the best in Jewish values,” he said. “As a public servant, she embodied what we need more of in this country — leaders who have strong values, who fight but fight in the right way and are always looking for common ground. And the one thing that matters more than anything else: accomplish something on behalf of the people. That was Dianne Feinstein.”

[angeliagro]

NESTE DIA, 22 de outubro de 1990, o PEARL JAM (então conhecido como Mookie Blaylock) fez seu primeiro show ao vivo no Off Ramp em Seattle abrindo para o Alice In Chains.

Os fãs de rock em Seattle ainda lamentavam a perda de Andrew Wood em março de 1990 e o subsequente colapso do Mother Love Bone. Mas todos na cena queriam ver no que os colegas de banda de Wood, Jeff Ament e Stone Gossard, estavam trabalhando e ouvir seu novo vocalista.

Mookie Blaylock foi escolhido às pressas como o nome da banda para o show. Eddie Vedder, Jeff Ament, Stone Gossard, Mike McCready e Dave Krusen eram uma banda há apenas algumas semanas quando isso aconteceu, mas algumas de suas canções mais memoráveis ​​já haviam sido escritas naquele curto espaço de tempo.

Entre os presentes na multidão estava Nancy Wilson, guitarrista da lenda do rock de Seattle, Heart. Sobre a estreia de Mookie Blaylock, ela relembrou: "Eu vi a primeira vez que eles tocaram. Eddie era bastante tímido. Ele estava meio que estudando suas botas no palco. Ele era um cantor realmente incrível, mas estar em Seattle com toda essa comunidade unida de pessoas que amavam Andy Wood antes dele, ele provavelmente estava um pouco nervoso"

Mesmo assim, os grooves da banda, juntamente com os vocais e letras profundos de barítono de Vedder, cativaram o público."

Karen Mason Blair Fotografia

[artistsonthelam]

I'm so excited to announce the contributors in my inaugural zine, LAMINATOR Vol. 1! This new publication—Artists on the Lam's first physical booklet—features work by 68* artists, poets, and writers from all over Chicago, the country, and the world. This is a labor of love.

*(If you think that's a lot (it is): The submission process unexpectedly became highly competitive for a little zine; I received applications from over 200(!) people, a record number for me. It got to the point where one night I actually continued to review entries in my dreams.)

In this volume, enjoy poetry, prose, and art across all media and forms—including illustration, painting, photography, collage, textiles, and more—by:

Ami Moregore, Ami Watanabe, Angela Townsend, Annie Govekar, Audrey Clarendon, Buuchau Chau, Chantal Danyluk, Charlene Moy, Christine Lozano, Claire Cai, Constance Volk, Cynthia J. Lee, Dana Albalushi, Darcie Denton, Darinka VZ, Emily Andrews, Emily Thornton Calvo, Fei Ewald, Fernanda Morales Tovar, Gabe Drueke, George Peterson, Gloria Tang Yuze, Hayden Minor, InsomniaBird (Susie Xiong), Jamiece Adams, Jasmine Marie, Jessica Smit Mattingly, Jonathan Espinoza-Perez, Josepha Natzke, Julia Graczyk, Kathy Halper, Keelan McMorrow, Kelly Eden, Klinta Kalneja, Kurt Kreissl, Laura Cantor, Laura Catherwood, Laura Rodriguez, Lillian Prichard, Maddie Hinrichs, Maham Ali, Marcia Biasiello, Marie Magnetic, Mark Banks, Mary Kate Fahrenbach Venturini, Meri Kukkavaara, Nalendra Ezra a.k.a Ejura, Nancy Bechtol, Olukorede Ojelade, Oscar Eduardo de Paz, Patrick Earl Hammie, Pedro Patti, Renata Hernández, Renee McGinnis, Richard Gessert, Sarah Lorentz, Seth King, Shannon Sphar, Sneha Paul, Sophia Croasdale, Stafford Hiroshi Smith, Taryn Okesson, Tiffany Gholar, Vaishnavi Sivaprasad, Wendy Wahman, Win Wallace, Yulin Yuan, and Zee Tan Zhi Wang

Created and edited by Jenny Lam

Pre-order the zine at http://www.artistsonthelam.com/zine, where you can also get a sneak peek at some of the artwork and poetry inside, as well as view a mini online art exhibition featuring some of the contributing artists!

Pictured here: A charcoal drawing called Acolyte #1 (this will be on the cover!) by Win Wallace, an artist currently based in Lockhart, Texas, and an oil painting called Wallflowers by Emily Andrews, an artist, actress, and musician from Niagara Falls, Ontario.

LAMINATOR (c) Jenny Lam 2023

[hotnew-pt]

O ator James Darren, conhecido por seu papel em 'Hooker', morreu #ÚltimasNotícias #França

Hot News OEle obteve a informação de Nancy Sinatra. O ator, cantor e diretor americano James Darren, conhecido por seu papel em No coração do tempo, e para a ultra popular série dos anos 80, Prostitutamorreu na segunda-feira no Hospital Cedars-Sinai, em Los Angeles. O ator havia sido internado para cirurgia de válvula aórtica, mas estava fraco demais para o procedimento, segundo a revista Prazo…

[lizzygrantarchives]

Repeat, June 2010

“You might recognise Lana Del Rey already... perhaps from an old movie somewhere, but look closer and you might not. Lana Del Rey is a young singer weaving cinematic dark pop for the 21st Century – music wrapped in smoky, sultry and glamorous overtones. Born in the rural town of Lake Placid, New York, Lana then relocated to a series of places: Alabama, New Jersey and New York City, but now spends most of her time in London. No matter where in the world Lana is, her love of film noir, Italian landscapes, big churches, roller coasters and the memory of faded stars like Bette Davis, Kurt Cobain, Nina Simone and Elvis are the chorus line for her music, and her love of New York is her heartbeat.” OFFICIAL PRESS RELEASE

“Lizzy Grant’s lyrical connotations are at once sexy and sinister, while her vocal delivery carries a slinky, determined innocence straight from the trailer park, supported by throwback grooves evocative of Nancy Sinatra, with a jazz attitude. Her visual messages are dangerously alluring. You won’t be able to leave her songs without assigning your own personal meaning.” THE SMUDGE

Hawaiian, glam and surf noir, are just a few of the labels that Lana Del Rey (real name Lizzy Grant) has used to encapsulate her delectable, hypnotising and nostalgic songs, that are impeccable in both composition and performance! Called the “unofficial sweetheart of rock and roll” by one journalist, in late 2008 she released her debut EP, Kill Kill, followed by her self-titled debut LP in February 2009 on the NYC based label, 5 Points Records, exclusively through iTunes in the USA – both of which were produced by David Kahne (Paul McCartney, The Strokes, Regina Spektor). And with music, vocals and lyrics that are a match made in heaven, the record sounds “black and white, famous, like Coney Island and like a sad party,” as Lana poetically put it.

In an interview with The Huffington Post, when quizzed about her infatuation with Coney Island, Lana – who at one time lived in a New Jersey trailer park – replied: “All the good stuff is real but isn’t, myself included. Coney Island is a place people go to escape, but whatever you choose to be your reality is your reality. So, in a way it’s just as real as anything else. I mainly let my imagination be my reality. Fantasy is my reality. I never saw Coney Island when it had all its big attractions, but there was something desperate about the boardwalk, and I related. There was no end in sight to it, and there were people in bars you didn’t know were there. Maybe the amusement park was the touchstone because I have such a history with cheap thrills. I like things that go fast, things with bright colors, things that taste good. At Coney Island, you can get a Coca-Cola, ride the roller coaster and watch everybody.”

Of her other inspirations, the songstress declared: “Mark Ryden’s pictures drive me crazy, and Vegas makes me shine. Daytona and the Jersey Shore just kill me. Yes. Even pictures of other performers do it for me. I knew Elvis’ songs would be the soundtrack to my life as soon as I laid eyes on his photograph. I know when I love something as soon as I see it. Then, I write about it. Speaking of Elvis, it’s unfair not to mention The Beach Boys and The Flamingos as my other constant companions.”

With smouldering good looks and a sumptuous voice / sound that will dig into your soul – which should soon see her catapulted into stardom – it’s time you sampled the delights of Lana Del Rey and got to know her a little bit better, as she’s truly an artist to fall in love with who harks back to music’s golden age…

For music fans who may not yet know much about you, could you give us some background information on your musical past / tell us about when your love of music first began?

Well, I was the cantor in my church choir when I was younger and I was in choirs all throughout high school. I didn't listen to much popular music when I grew up but I did watch a lot of movies, and I was always writing music. When I got into high school I listened to a lot of rap and techno and eventually found different types of music that I loved like Elvis and Van Halen. My teacher in high school, Mr. Campbell, taught me who all the greats were in every genre and eventually I came to know what good music was.

Was it a conscious decision to be a solo artist, and where does your stage name Lana Del Rey come from / why did you choose to use this instead of your real name?

No. I wanted to be a band but the label I was with and the team I had around me absolutely wanted me to be a solo artist. Lana Del Rey came from a series of managers and lawyers over the last 5 years who wanted a name that they thought better fit the sound of the music. My music was always kind of cinematic so they wanted a name that reflected the glamour of the sound.

Turning old-school for a moment, if you were to make a Mixtape for me, including one of your own songs, what would you put on there + title the compilation?

It would be called 'Sex on Ice' and I'd probably put Gangsters Paradise on there… 2. Flamingos 'I Only Have Eyes For You' 3. Britney Spears 'Hit Me Baby One More Time' 4. The Godfather Theme 5. Lee Hazlewood & Nancy Sinatra 'Some Velvet Morning' 6. Lana Del Rey 'Hey Lolita Hey' 7. Scarface Theme 8. Ennio Morricone 'Once Upon A Time In The West' 9. Mickey Avalon 'So Rich So Pretty'

Why do you think you are so drawn to vintage ‘50s / ‘60s America?

I don't know if I'm drawn to 50s music, but I'm drawn to the quality of the recordings just as I'm drawn to the quality of the way movies were filmed in that era. There's a feeling of lasting integrity and beauty in most of the 50s music, but I suppose what mostly draws me to that musical era is that there were good singers. Today, anyone can be a singer, but back then, you had to have something special, a shining personality, whether it be good or bad.

At the moment, you’re currently based in London, when and why did you decide to relocate here?

I relocated to London because there were a lot of writers and producers who wanted to work with me. I've written in L.A. and New York, but because what I'm doing is darker and more classic then most American Pop, London is the right place for me to be. They don't expect me to dumb anything down here. They're all about the smart.

When did you first realise that you had such a special voice / how do you take care of it, and is it important to you to keep pushing yourself vocally?

Vocally I never did anything to take care of myself. I'm on the run, I'm always screaming and I eat tons of chocolate and milk, so I shouldn't be able to sing the way I do. Thanks for saying I have SUCH a special voice.

What was the first instrument that you ever owned, and is there anything that you always play when trying-out a new instrument before buying it, or any chords that never fail to fill you with inspiration?

Other than a kazoo I guess the first instrument was a guitar. If I'm looking at a new guitar to buy, I just play one of my songs I've written. But I'm shitty at the guitar so I don't find that much I can do that inspires me musically. I'd rather have Frank try it out for me and play a Van Halen Riff or something.

Do you adhere to any rules when writing and recording, in terms of how a track will sound musically, melodically or rhythmically + is there anyone whose opinions on your songs you value greatly?

Um, I go back and forth sometimes, I'm like Maria Callas, and sometimes I'm like Bob Dylan. Dylan is a 3 take man. I can usually do exactly what I wanna in 3 takes. But sometimes I like to take a long time and piece a lot of different takes together like Maria, especially if I'm working in some kind of operatic bridge.

If you could ask a musical hero anything, who would it be and what would you ask them?

I would ask Elvis if he would kiss me.

Does writing lyrics come naturally to you and is there much revision involved or do you trust your initial instinct + can you tell us about your homemade videos, as for me, visually and thematically, they seem to have been sparked off from your lyrics?

Yeah writing comes naturally to me, I spend most of my time writing and lately I edit everything because I'm working with so many writers. But my first record, even though it took years to write, was very instinctual. Yes indeed I can tell you about my homemade videos, writing songs first – movies next, but the songs first come from memories I have. So then I go online and try to find footage that is the equivalent to my life experience. It's usually super 8 footage that you can tell means a lot to whoever it belongs to. I like to take it, make it mine and mix it with footage from my own actual past. I love making movies, it's my passion. I like it as much as I like singing. The editing is the part that makes the movie special, the timing of the scene changes and use of brief flashes of light or scenery.

As you like metal and because your songs are much softer than this musical genre, from all of the artists / bands that you admire, what are some of your favourite noisy and gentle tracks?

Um, well Nirvana is my first love. I was in love with Kurt and the band as soon as I heard them. In terms of softer songs I like, the flamingos, a beautiful doo wop band who sounds like heaven.

You’re currently in the studio working on your new album, so will this be a continuation or an evolution from your debut long player?

Well at this point, I've written so many songs that I don't know if I'm regressing or evolving. But I do the same thing I've always done – I write about what I know and I try and find the most beautiful melodies I can.

I read that you “live in your songs,” so what does it mean to you to play your songs live and have there been many memorable shows for you to date?

I do live in my songs, and so I love singing them at shows or at home alone. The shows all just blend into the rest of my life since I sing all day long. But they are always memorable since I have so many weird and sexy people who come to say hello. It's always a freak show and I enjoy every show.

If you had to go shopping for someone and buy a record, a book and a film – what would they be and why?

I would buy the same things for anyone. I think everyone should have the book "Think and Grow Rich" by Napoleon Hill. The movie "Don't Look Back" by D.A. Pennebaker, and for a record, I would get "Agnus Dei" composed by Samuel Barber.

Lastly, chips or cream buns?

I would truthfully do both. I'm an American girl and I'm the junk food queen. I still have a banana split almost every morning and I have french fries for dinner. I have the same tastes that I did when I was a little girl.

Originally published on repeatfanzine.co.uk with the headline Lana Del Rey On Her Past, Present & Future…

[princetonuniversitypress]

Listen in to the Ideas #Podcast and discover how #diversity is an essential strength that gives nations a competitive edge from Historian & Mellon Foundation Head Earl Lewis and Nancy Cantor, Rutgers University Chancellor and Distinguished Professor of Psychology.

[universomovie]

Ed Motta lança 'Behind the Tea Chronicles', primeiro álbum em cinco anos

Músico que foi ‘cancelado’ por criticar plateias brasileiras afirma que passa por isso desde a juventude e que já se habituouDanilo Thomaz O cantor Ed Motta – Divulgação RIO DE JANEIRO – Uma cantora sofre pressões e manipulações pelo prefeito e os mafiosos de uma cidade, que lhe fazem promessas profissionais. “Sweet Nancy”, diz a canção “Gaslighting Nancy”, do músico Ed Motta, “why do you have…

[docrotten]

THE NEST (1987) – Episode 238 – Decades Of Horror 1980s

“I so admire these nymph cockroaches – their ability to reproduce without the contribution of their male counterpart.” A society where men are incidental? Hmm. Humans could learn from cockroaches. Join your faithful Grue Crew – Chad Hunt, Bill Mulligan, Crystal Cleveland, and Jeff Mohr along with guest host effects artist Julian Ledger – as they experience the creepy, creature effects on display in The Nest (1987).

Decades of Horror 1980s Episode 238 – The Nest (1987)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

Decades of Horror 1980s is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of 1980s and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.

A biological experiment goes haywire when meat-eating mutant roaches invade an island community, terrorizing a peaceful New England fishing village and hideously butchering its citizens.

  Director: Terence H. Winkless

Writers: Robert King (screenplay by); Eli Cantor (based on the 1980 novel by; under the pseudonym Gregory A. Douglas)

Produced by: Julie Corman (producer), Roger Corman (executive producer) (uncredited)

Special Effects by: 

Special Effects Coordinator: Cary Howe

Effects Artist: Julian Ledger

Special Effects: James M. Navarra 

Puppeteers: Julian Ledger, Ted Lamoureux, Ralph Miller III, Dave Matherly (credited as Paul David Matherly), Christine Papalexis

Pyrotechnics: Roger George (Humanoids from the Deep pyrotechnics stock footage), Frank Ceglia  

Selected Cast:

Robert Lansing as Elias Johnson

Lisa Langlois as Elizabeth Johnson

Franc Luz as Richard Tarbell

Terri Treas as Dr. Morgan Hubbard

Stephen Davies as Homer

Diana Bellamy as Mrs. Pennington

Jack Collins as Shakey Jake

Nancy Morgan as Lillian

Jeff Winkless as Church

Steve Tannen as Mr. Perkins

Heidi Helmer as Jenny

If you have a fear of roaches and pests, you’re gonna love episode 238! Yes, sir, it’s time for … The Nest (1987)! The Grue-Crew are joined by special effects artist Julian Ledger who worked on the film (despite being omitted on IMDb) as a puppeteer (according to the onscreen credits) and monster makeup and effects under the supervision of Cary Howe, providing behind-the-scenes insight into the making and design of the critters, creatures, and goo. There’s lots of entertaining discussion with Julian, Jeff, Crystal, and Bill. And, of course, bugs, baby … bugs.

At the time of this writing, The Nest is available for streaming from Tubi, Plex, and PPV from Amazon. It is also available on physical media as a Blu-ray disc from Shout! Factory. 

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Crystal, will be Dolls (1987), directed by Stuart Gordon and produced by Charles Band and Brian Yuzna. Special effects artist Ralph Miller III, who worked on the film under the supervision of John Carl Beuchler at MMI (Mechanical and Makeup Imageries) will be joining the 80s Grue Crew for this one!

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the Gruesome Magazine Youtube channel, on the Gruesome Magazine website, or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!

[apwmagazine]

Is Rutgers Chancellor Nancy Cantor Fired? Net Worth

Is Rutgers Chancellor Nancy Cantor Fired? Net Worth

People wonder if Nancy Cantor was fired after she was caught behaving rudely to the Police officers. On March 4, 2019, Nancy Cantor was caught on camera yelling at officers while investigating a minor traffic accident involving her driver’s car and a Rutgers University Police car. Officials from Rutgers-Newark stated that a driver in a black sedan had arrived to pick up Cantor from the Center for…

[randomposter33]

Democratic Party Congressional Campaign Chairman Loses Election

Democratic Party Congressional Campaign Chairman Loses Election

https://news.yahoo.com/house-dem-campaign-chief-maloney-154027625.html Following closely after the attack on Nancy Pelosi’s home, but also along the same pattern as the Alexandra Ocasio Cortez victory against the 4th ranking Democrat and 10-term incumbent Joe Crowley, the GOP majority leader Eric Cantor’s loss to a Tea Party candidate, the defeat in primaries of Buffalo mayor by a socialist…

[lawenforcementtoday]

It looks like this university official needs a lesson in respect!

[thepopculturearchivist]

EXHIBITORS HERALD WORLD, October 4, 1930. WHOOPEE and FOLLOW THRU are among the few early all-Technicolor films to survive in color.

[angeliagro]

NESTE DIA, 22 de outubro de 1990, o PEARL JAM (então conhecido como Mookie Blaylock) fez seu primeiro show ao vivo no Off Ramp em Seattle abrindo para o Alice In Chains.

Os fãs de rock em Seattle ainda lamentavam a perda de Andrew Wood em março de 1990 e o subsequente colapso do Mother Love Bone. Mas todos na cena queriam ver no que os colegas de banda de Wood, Jeff Ament e Stone Gossard, estavam trabalhando e ouvir seu novo vocalista.

Mookie Blaylock foi escolhido às pressas como o nome da banda para o show. Eddie Vedder, Jeff Ament, Stone Gossard, Mike McCready e Dave Krusen eram uma banda há apenas algumas semanas quando isso aconteceu, mas algumas de suas canções mais memoráveis ​​já haviam sido escritas naquele curto espaço de tempo.

Entre os presentes na multidão estava Nancy Wilson, guitarrista da lenda do rock de Seattle, Heart. Sobre a estreia de Mookie Blaylock, ela relembrou: "Eu vi a primeira vez que eles tocaram. Eddie era bastante tímido. Ele estava meio que estudando suas botas no palco. Ele era um cantor realmente incrível, mas estar em Seattle com toda essa comunidade unida de pessoas que amavam Andy Wood antes dele, ele provavelmente estava um pouco nervoso"

Mesmo assim, os grooves da banda, juntamente com os vocais e letras profundos de barítono de Vedder, cativaram o público."

Karen Mason Blair Fotografia

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[nypl]

We frequently hear about diversity, but why is diversity important? Recently, with the Andrew W. Mellon Foundation, we hosted Our Compelling Interests: A Panel on Diversity and Democracy, a panel gathered to address the critical role of diversity in democracy. Listen now.