#Nina Madsen

[ninabloomislame]

Get ready to dance with us on April 27th at The Tail of the Junction! Doors open at 8:30 PM for a night of pure musical magic featuring 4 incredible Toronto-based bands! 🌟 Jazz, pop, and indie rock collide for an unforgettable evening!

🎸 Lineup: JACQUELINE MADSEN & QUINN BALES D’CRUZE, ROSEWATER PARK, NINA BLOOM & THE WORST CASE SCENARIO, GOKKEN COLLECTIVE

From soulful jazz tunes to infectious pop beats and edgy indie rock anthems, we’ve got something for everyone! 🎶✨ Don’t miss out on this epic showcase of Toronto’s diverse music scene!

📅 Date: April 27th 🕣 Time: Doors open at 8:30 PM 📍 Location: The Tail of the Junction, Toronto

Join us for a night of unforgettable performances, good vibes, and memories that will last a lifetime! 🎟️💫

The tickets will be available at the door. See you there! 🔥

[amrweio]

2024年見た映画

1月

『鬼太郎誕生　ゲゲゲの謎』（2023年／104分／日本／古賀豪）

『オリエ���ト急行殺人事件』（『Murder on the Orient Express』／2017年／114分／アメリカ／ケネス・ブラナー）

『リピーテッド』（『Before I Go to Sleep』／2014年／92分／イギリス・フランス・スウェーデン／ローワン・ジョフィ）

MyFrenchFilmFestival

『ジャンヌと七面鳥』（『Jeanne Dinde』／2022年／23分／France／Pauline Ouvrard）

『私に触れた手』（『Câline』／2022年／16分／France,Belgium／Margot Reumont）

『２匹は友だち』（『Deux amis』／2014年／4分／France／Natalia Chernysheva）

『ふたりは姉妹』（『Entre deux soeurs』／2022年／7分／France／Anne-Sophie Gousset, Clément Céard）

『ダンスの中に』（『Dans la danse』／2022年／5分／France／Ekaterina Mikheeva）

『女と犬』（『Des filles et des chiens』／1991年／6分／France／Sophie Fillières）

『アトミックチキン』（『Atomic Chicken』／2023年／5分／France／ Thibault Ermeneux,,,）

『フェアプレー』（『Fairplay』／2022年／18分／France／Zoel Aeschbacher）

『新凱旋門』（『La Grande arche』／2022年／11分／France／Camille Authouart）

『スピード』（『Rapide』／2022年／24分／France／Paul Rigoux）

2月

MyFrenchFilmFestival

『夏休み』（『Les Grandes Vacances』／2022年／25分／France／Valentine Cadic）

『戦いとは終わりである』（『La Lute est une fin』／2022年／27分／France／Arthur Thomas-Pavlowsky）

『オアシス』（『Oasis』／2022年／15分／Canada／Justine Martin）

『カナダでの暮らし』（『La Vie au Canada』／2023 年／23分／France／Frédéric Rosset）

『北極星』（『Polaris』／2022年／78分／France／Ainara Vera）

『ジャヌスとサムの酔っ払い道中』（『Super bourrés』／2023年／79分／France／Bastien Milheau）

『イヌとイタリア人、お断り！』（『Interdit aux chiens et aux italiens』／2021年／70分／France／Alain Ughetto）

3月

MyFrenchFilmFestival

『ふたりだけのロデオ』（『Rodéo』／2022年／80分／Canada／Joëlle Desjardins Paquette）

Tokyo Anime Award Festival

『ニナとハリネズミの秘密』（『Nina and the Hedgehog's Secret』／2023年／77分／フランス／Alain Gagnol, Jean-Loup Felicioli）

『ストーム』（『The Storm』／2023年／91分／中国／Busifan）

『トニーとシェリー、そして魔法の明かり』（『Tony, Shelly and the Magic Light』／2023年／82分／チェコ・スロバキア・ハンガリー／Filip Pošivač）

『シロッコと風の王国』（『Sirocco and the Kingdom of the Wind』／2023年／80分／フランス・ベルギー／Benoit Chieux）

『熱帯の複眼』（『Compound Eyes of Tropical』／2022年／17分／台湾／ZHANG XU Zhan）

『カコマンド』（『Kakomando』／2023年／7分／フランス／Gobelins, l'école de l'image）

『日が沈むので』（『As the Sun Goes Down』／2023年／6分／フランス／ESMA）

『姉妹』（『Sister』／2022年／12分／ポーランド／Kasia K. Pierog）

『ミス・バレエ』（『Sig. na Balletto』／2023年／5分／台湾／Qiao-Fang Zheng）

『レギュラー』（『Regular』／2022年／5分／アメリカ・ウクライナ／Nata Metlukh）

『人形たちの物語』（『Puppet Story』／2023年／15分／韓国／Park Sehong）

『時計職人』（『Horologist』／2023年／6分／マレーシア／Jared Lee）

『マノ』（『Mano』／2022年／7分／デンマーク／Toke Madsen）

『イトスギの影の中で』（『In the Shadow of the Cypress』／2023年／20分／イラン／Hossein Molayemi, Shirin Sohani）

『家族写真』（『The Family Portrait』／2023年／15分／クロアチア・フランス・セルビア／Lea Vidakovic）

『ワンダーマム』（『Wondermom』／2023年／6分／フランス／MoPA）

4月

MyFrenchFilmFestival

『楽園』（『Le Paradis』／2021年／83分／Belgium／Zeno Graton）

『緑の香水』（『Le Parfum vert』／2021年／101分／France／Nicolas Pariser）

『ジャングルのけもの』（『La bête dans la jungle』／2022年／103分／France／Patric Chiha）

5月

『ハリー・ポッターと賢者の石』（『arry Potter and the Sorcerer's Stone』／2001年／152分／アメリカ／クリス・コロンバス）

『ハリー・ポッターと秘密の部屋』（『Harry Potter and the Chamber of Secrets』／2002年／161分／アメリカ／クリス・コロンバス）

『ハリー・ポッターとアズカバンの囚人』（『Harry Potter and the Prisoner of Azkaban』／2004年／142分／アメリカ／アルフォンソ・キュアロン）

『ハリー・ポッターと炎のゴブレット』（『Harry Potter and the Goblet of Fire』／2005年／157分／アメリカ／マイク・ニューウェル）

『ハリー・ポッターと不死鳥の騎士団』（『Harry Potter and the Order of the Phoenix』／2007年／138分／アメリカ／デヴィッド・イェーツ）

『ハリー・ポッターと謎のプリンス』（『Harry Potter and the Half-Blood Prince』／2009年／154分／アメリカ／デヴィッド・イェーツ）

『ハリー・ポッターと死の秘宝 PART1』（『Harry Potter and the Deathly Hallows: Part 1』／2010年／146分／アメリカ／デヴィッド・イェーツ）

『ハリー・ポッターと死の秘宝 PART2』（『Harry Potter and the Deathly Hallows: Part 2』／2011年／130分／アメリカ／デヴィッド・イェーツ）

『ファンタスティック・ビーストと魔法使いの旅』（『Fantastic Beasts and Where to Find Them』／2016年／133分／アメリカ／デヴィッド・イェーツ）

MyFrenchFilmFestival

『のら犬』（『Chien de la casse』／2022年／93分／France／Jean-Baptiste Durand）

[dyingroses]

Some more Stuttgart highlights

[therunwayarchive]

Nina Kettiger at Anne Sofie Madsen, Spring 2018

[modelsoffthecatwalk]

Nina Marker + Aia Madsen Busk | Copenhagen via Le 21ème

[itsaleph]

Nina Marker + Aia Madsen Busk | Copenhagen 

[shirarihena]

I was tagged by @flower-mando, thank you Amalie 🥰

Rules : spell out your name and url using only song titles and tag 10(ish) people.

S: Someone new by Banks

H: Hypochondriac by Sasha Sloan

I : Illicit affair by Taylor Swift

R: R U mine by Artic Monkeys

A: A little death by The Neighbourhood

R: Rendezvous by Little Mix

I : If you’re over me by Years & years

H: Heaven by Troye Sivan

E: Endlessly by The Cab

N: No rest for the wicked by Lykke Li

A: Animals by Alex & Sierra

-

S: She is the sunlight by Trading Yesterday

H: Hotbox by Ne-yo

I : If you want me by Marketa Irglova and Glen Hansard (ost. Once)

R: Run by Daughter

L: Loyal to me by Nina Nesbitt

E: Everything I wanted by Billie Eilish

Y: Young God by Halsey

I'm tagging: @tulakhord @shinyflashythings @tessisawriter @carolinarod18@turnoutthecitylights @hoeforaho @m-madsen @folkloreflyers @ypurisetsuki @thenhlhastakenovermylife :)

[blue-eyes-tattoos]

@whatagreatproblemtohave thank you for tagging me, haven't done this in a while! 🥰

✶ “ Rules: You can usually tell a lot about a person by the type of music they listen to! Put your playlist on shuffle and list the first 10 songs, and then tag 10 people! No skipping!” ✶

1. The Moments I'm Missing - Nina Nesbitt

2. Uptown Funk - Bruno Mars, Mark Ronson

3. Outer Space / Carry On - 5SOS

4. Therapy - All Time Low

5. #Hashtag - Y-Titty, MC Fitti (lmao bye)

6. Love Is A Killer (Radar Love) Live - Madsen

7. Love Is Dead - Tokio Hotel

8. America's Sweetheart - Elle King

9. Like Em Young - Tove Lo

10. Beside You - 5SOS

I'm tagging @oopsoulmates @tommo-stylinson @essercipertuttienonperse @flamboyant-louie @flamboyo-xx and everyone else who wants to do it, I love seeing what y'all listen to 😌

[dunderklumpen]

A decent human

Interview with Modemagasinet IN (March 2020)

How do we react when faced with something that scares us? If we are Danes, we suppress and displace, because there is no need to spoil the hygge we are so famous for. But we must dare to talk about it, says Nikolaj Coster-Waldau. And that is why he has said yes to co-star in the film about the attack on Krudttønden and the Copenhagen Great Synagogue in 2015. Because art can help us to talk about the difficult things we otherwise cannot find words for. The same can be said about community, so we Danes must also be better at looking after each other in everyday life – the same way we do when our national football team is successful.

Full text (Danish) behind the cut. Check the notes for the crappy English google translated version.

ET ORDENTLIGT MENNESKE

Hvordan reagerer vi, når vi står over for noget, der gør os bange? Hvis vi er danskere, har vi det med at fortie og fortrænge, for der skulle nødig være noget, der spolerede den hygge, vi er så berømte for. Men vi skal turde tale om det, siger Nikolaj Coster-Waldau. Og det er bl.a. derfor, han har sagt ja til at medvirke i filmen om attentatet på Krudttønden og Københavns Synagoge i 2015. For kunst kan hjælpe os med at tale om de svære ting, vi ellers ikke kan finde ord for. Det samme kan fællesskab, så vi danskere skal også være bedre til at søge hinanden i hverdagen - på samme måde, som vi gør, når vores fodboldlandshold har succes.

AF Nina Ettrup FOTO Franne Voigt STYLING Graham Addinall HÅR MAKEUP Mads Stig FOTOASSISTENT William Lunde

Nikolaj Coster-Waldau

Født 27. juli 1970, opvokset i Tyberg på Sydsjælland.

Uddannet fra Statens Teaterskole i 1993 – året efter fik han sit store gennembrud i ‘Nattevagten’.

Siden har han medvirket i bl.a. ‘Black Hawk Down’, ‘Manden bag døren’, ‘Den gode strømer’, ‘Supervoksen’, Oblivion’, ‘En chance til’ og ‘Selvmordsturisten’.

Han spillede rollen som Jaime Lannister i HBO-succesen ‘Game of Thrones’ fra 2011 til 2019. Serien vandt hele 59 Emmystatuetter i løbet af de otte sæsoner.

Fra 5. marts kan han opleves som politimanden Rico i ‘Krudttønden’.

Senere på året dukker han op i den amerikanske thriller ‘The Silencing’, og næste år spiller han over for Katrine Greis-Rosenthal i ‘Smagen af sult’.

Han har været gift med Nukâka Coster-Waldau og er far til to piger, Safina og Filippa.

Han er goodwill-ambassador for FN med fokus på bæredygtige udviklingsmål og rettigheder for piger og kvinder.

Ansigtet er forpint. Øjnene små sprækker. Stemmen ryster let. 'Alting forandrer sig. Hver eneste dag', nærmest muser han. Det er slet ikke det, han skal sige.

Nikolaj Coster-Waldau kommer blæsende ind ad døren. Hans tykke, gyldne hår stritter, og han har ingen jakke på, fur han ‘kom lidt hurtigt ud ad døren’. Han griner og giver opmærksomt hånd rækken rundt - han er klar. Hans ligefremme facon virker næsten kontradiktorisk, når man lige har set ham i ‘Krudttønden’ - Ole Christian Madsens film om attentatet på Østerbro-spillestedet og synagogen i København for fem år siden.

Her spiller han politimanden Rico. Den eneste af filmens fire hovedfigurer, der ikke er hentet i virkeligheden. Rico er manden, som jagter Omar el-Hussein efterdrabene på Finn Nørgaard og Dan Uzan. Den eneste af de fire, som overlever, og dermed den, der fortæller historien. Men den afrapportering, han bliver bedt om at levere af sin chef, bliver lige sl meget en tankestrøm om liv, død og (u)menneske(lig)hed, som hvisler ud mellem de sammenbidte tænder. Filmen har allerede inden premieren skabt debat: Er det fur tidligt at lave en film om attentatet på København? Er det for barsk aver for ofrenes pårørende og dem, der var vidner til drabene? Kan man overhovedet lave en film om noget, som vi ikke kender de fulde konsekvenser af endnu?

Nikolaj Coster-Waldau har hørt argumenterne. Og ‘alle har ret til deres holdning’, synes han.

– Men film og kunst generelt kan tage fat i det, der er voldsomt i vores verden, og hjælpe os med at bearbejde det, siger han og fortsætter:

– Jeg kan jo kun sige, hvad jeg selv følte og tænkte, da jeg læste manuskriptet: Jeg havde ikke glemt attentatet, men jeg havde nok fortrængt det lidt, og sådan tror jeg, mange har det. For det stemmer ikke overens med den måde, vi ser Danmark på. Vi kan ikke acceptere, at det er den nye normal.

Men det er vigtigt, at vi taler om det, der foregår, siger han. Og film kan hjælpe os med at skabe et sprog for det.

– Der er ingen, der bryder sig om at bryde den gode stemning - det er nærmest blevet vores ‘trademark’ her i Danmark. Hyggen, ikke? Men det er vigtigt, at vi får svesken på disken. Og lige præcis når det handler om at gi ud og skyde pi andre mennesker, skal vi stå fast og sige ‘dét accepterer vi ikke’, siger skuespilleren.

Han understreger, at ‘det voldsomme’ jo ikke går væk af, at vi ikke taler om det. Det er en del af verden og hverdagen. Han - som nok har rejst mere end de fleste de seneste år – henviser til den øgede sikkerhed i lufthavne verden over og ‘de kæmpe sten’, som nu ligger som sikkerhedsværn på Christiansborg Slotsplads. Men også til de krige, Danmark har deltaget i, og de danske soldater, ‘der stadig er derude’.

Fire mænd ved en skillevej

‘Krudttønden’ forsøger ikke at forklare, hvorfor det, som skete, skete. Eller om det kunne have været afværget. Den fortæller den historie, vi kender fra medierne, om en mand, som tager to liv og ender med selv at blive skudt. Men den fortæller også historien om fire mænd - Omar, Finn, Dan og Rico - som alle har noget, de kæmper med, da deres skæbner forbindes.

– Jeg kunne godt lide strukturen, og jeg tror, de fleste kan identificere sig med det her med at stå ved en skillevej og skulle vælge, hvor man går hen, siger Nikolaj Coster-Waldau.

– Rico har været en succes, men nu er han kommet til et punkt, hvor han skal prøve at acceptere, at der skal ske nogle forandringer, forklarer han videre - uden at det her skal røbes, hvad det er for nogle ting. hans fiktive alter ego bokser med.

– Han er pissebange. Og det kan jeg godt forstå. Men toget kører altså, og så skal du vælge, om du vil blive stående på perronen, eller du vil hoppe på. siger Nikolaj Coster-Waldau og tilføjer, at ‘forandring fryder - er det ikke det, man siger?’

I de scener, hvor Rico aflægger rapport efter attentaterne og indimellem kommer på mentale afveje, taler han om menneskelighed og det vigtige i at holde fast i den, når verden virker skræmmende, usikker og ond. Og Nikolaj Coster-Waldau er enig i, at kærligheden og fællesskabet er de bedste våben mod frygten.

– Det er en del af det at være dansk, at være reserveret. Det er jeg også selv. Men vi er nødt til at skubbe til os selv indimellem. Vi elsker jo også sammenholdet. Når der er store fudboldbegivenheder, springer vi hinanden om halsen og fester i gaderne, siger han og griner, da han erkender, at der ‘kan være lidt langt mellem snapsene’, når det gælder fodboldlandsholdets succeser.

– Men de fleste vil gerne være med. Det kunne vi også se, da Kim Larsen døde, og der var fakkeloptog gennem byen - han har jo også om nogen prædiket kærlighed og sammenhold, siger han om den folkekære sanger.

Åbne døre i USA

Nikolaj Coster-Waldau bragede igennen med ‘Nattenvagten’ for 26 år siden. Siden fik Hollywood øjnene op for danskeren og gav ham hovedrollen i serien ‘New Amsterdam’ og siden jobbet som den krigeriske Jaime Lannister i ‘Game of Thrones’ der har givet ham stjernestatus verden over. Sidste år sagde han endegyldigt farvel til den brynjeklædte ridder og otte års monstersucces og har siden lavet thrilleren ‘Domino’, dramaet ‘Selvmordsturisten’ og nu ‘Krudttønden’.

Han smiler skævt, da jeg nævner, at det ikke ligefrem er feelgood-film, og spørger, om han har haft behov for at lægge afstand til ‘Game of Thrones’ ved at lave en række alvorstunge film.

– Altså ... ‘Game of Thrones’ var jo et udstyrsstykke, og jeg har i hvert fald ikke haft travlt med at lave mere af den slags, lyder svaret, før han selv tænker videre og siger:

– Jeg bar ladet lysten drive værket.

De senere år har han lavet flere film i USA og spillet over for internationale stjerner som Tom Cruise, Jessica Chastain og Juliette Binoche. Det vil han rigtig gerne blive ved med, og nu hvor ‘Game of Thrones’ ikke længere lægger beslag på kalenderen, åbner der sig nogle muligheder.

– Det føles, som om der er et ‘moment’ i USA lige nu. Jeg får nogle møder. Og det er enormt sjovt, siger han.

Samtidig er han bevidst om, at han er ‘midt i livet, måske lidt mere endda’ og at de ting, han gerne vil, skal han rykke på nu. Det er derfor, han har lavet et produktionsselskab sammen med en ven. De er i gang med at producere en dokumentarfilm, og til efteråret skal de lave en spillefilm.

– Jeg er stor fan af dokumentarfilm, som jo også har oplevet en stor opblomstring de senere år. Det er en kliche, men det handler om, at virkeligheden ofte overgår fantasien, forklarer Nikolaj Coster-Waldau, der mener, at dokumentarfilm også kan være med til at belyse verden - både de dele af den, vi ikke kender, og dem, vi kan spejle os i.

– Jeg oplever, at verden føles fragmenteret, men også at mennesker har en enorm lyst til at være fysisk sammen. Der er en ny bevidsthed i forhold til at engagere sig politisk - det har jeg også set på tætteste hold i USA, siger han og nævner bl.a. antivåben-bevægelsen March for Our Lives, som opstod i kølvandet på endnu et skoleskyderi, denne gang på Marjory Stoneman Douglas High School i Florida i februar 2018.

Her gjorde særligt gymnasieeleven Emma Gonzáles sig bemærket, da hun gik på talerstolen og talte med både styrke og følsomhed om attentatet på sin skole.

– De her unge mennesker er meget inspirerende, siger Nikolaj Coster-Waldau, som selv er far til to store teenagepiger.

Han forsætter:

– Det er ligesom Greta Thunberg - det er jo også fuldstændig fantastisk sindssygt, hvad hun har skabt! Hun har formået at få klimaforandringerne sat højest på dagsordenen - det er utroligt, som hun kan formulere sig, selv på de største scener. Hun er så konsekvent i sine holdninger. Hun sagde, hun ville strejke hver fredag, og alle sagde naja, det går nok over: men det er ikke gået over endnu!

‘Alting forandrer sig, Kan vi holde fast I det menneskelige?’ funderer han.

Nikolaj Coster-Waldau smiler, før han rejser sig op. På et øjeblik er han ude ad døren og væk. //

[butchhistorynerd]

A list of lesbian / wlw fiction and non-fiction

This list is entirely based on what I have read or want to read in the future. I can not attest to whether or not the ones I haven’t read are any good. I hope someone enjoys reading this list just a fraction of how much I enjoyed compiling it.

Non-fiction

Butch/Femme culture; gnc lesbians 

Stone Butch Blues - Leslie Feinberg

Butch is a noun - S. Bear Bergman

Persistence: All Ways Butch and Femme - Ivan Coyote

S/He - Minnie Bruce Pratt

The Persistent Desire: A Femme-Butch Reader - Joan Nestle

Dagger: On Butch Women - Lily Burana

My Lesbian Husband: Landscapes of Marriage - Barrie Jean Borich

Female Masculinity - Jack Halberstam

Boots of Leather, Slippers of Gold: The History of a Lesbian Community - Elizabeth Lapovsky

wlw; lesbians in general

Gentleman Jack - Anna Choma

The Secret Diaries of Miss Anne Lister - Helena Whitbread 

New Our Right to Love: A Lesbian Resource Book - Ginny Vida

Zami: A New Spelling of My Name - Audre Lorde

The Sewing Circle: Hollywood's Greatest Secret. Female Stars Who Loved Other Women - Axel Madsen

Inseparable - Emma Donoghue

Vita & Virginia: The lives and love of Virginia Woolf and Vita Sackville-West

Charity and Sylvia: A Same-Sex Marriage in Early America - Rachel Hope Cleves

Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America - Lillian Faderman

Gentleman Jack: A biography of Anne Lister, Regency Landowner, Seducer and Secret Diarist - Angela Steidele

Female Fortune: Land, Gender and Authority - Jill Liddington

No Priest But Love (The Secret Diaries of Miss Anne Lister Vol. 2) - Helena Whitbread

Nature’s Domain Anne Lister and the Landscape of Desire - Jill Liddington

Fiction

The Moss House - Clara Barley

Carmilla - Joseph Sheridan Le Fanu

Good enough to eat - Alison Grey

Mac and PC - Fletcher DeLancey

All the Little Moments - G. Benson

My Lesbian Experience with Loneliness - Kabi Nagata

She's my Ride Home - Jacquelyn Bushore

Everything Leads to You - Nina LaCour

Taking the Long Way - Lily R. Mason

Her Name in the Sky - Kelly Quindlen

The Gravity Between Us - Kristen Zimmer

Patience & Sarah - Isabell Miller

The Price of Salt: or Carol - Patricia Highsmith

Hunter’s Way  Gerri Hill

And Playing the Role of Herself - K. E. Lane

Dare Truth or Promise - Paula Boock

Wildthorn - Jane Eagland

The World Unseen - Shamim Sarif

Leaving L.A. - Kate Christie

Keeping You a Secret - Julie Anne Peters

Crybaby Butch - Judith Frank

Rubyfruit Jungle Rota Mae Brown

Once & Future - Cori McCarthy

In the Vanishers’ Palace - Aliette de Bodard

Ash - Malinda Lo

Thorn - Anna Burke

This London Love - Clare Lydon

The Long Weekend - Clare Lydon

London Calling - Clare Lydon

Once Upon a Princess - Clare Lydon

All I want - Clare Lydon

Twice in a Lifetime - Clare Lydon

You’re My Kind - Clare Lydon

Noting to Lose: A Lesbian Romance - Clare Lydon

Bond the Trail: Six Short Stories - Jae

Laid Bare: A Collection of Erotic Lesbian Stories - Jae

Ein Happy End kommt selten allein: Dreizehn romantische und erotische Kurzgeschichten - Jae

Vollmond über Manhattan - Jae

Westwärts ins Glück - Jae

Vorsicht, Sternschnuppe - Jae

Berührt von ihr - Jae

Aus dem Gleichgewicht - Jae

Hängematte für zwei - Jae

Perfect Rhythm - Herzen im Einklang - Jae

Liebe à la Hollywood - Jae

Cabernet und Liebe - Jae

Alles nur gespielt - Jae

Tintenträume - Jae

The Case of the Good-for-Nothing Girlfriend: A Nancy Clue and Cheery Aimless Mystery - Mabel Maney

Sword of the Guardian - Marry Shannon

Finding Ms. Write - Jove Belle

In Development - Rachel Spangler

Sweet Surrender - Anna Cove

Lucky Love - Anna Cove

Gay Pride and Prejudice - Kate Christie

Tipping The Velvet - Sarah Waters

Fingersmith - Sarah Waters

(I included some German ones as well since that’s my main language)

[jacki24x7-d-f-casting-blog-1]

Staff & Faculty Update W/Out Mark Jacobson & Renee Wells

I'm writing all the teachers names down and who is playing them (if more than one actor for one character still including all their names)

Oliver Keaton Played by Matthew Daddario

Geraldine Hoida Played by Rachel Keller

Diana Grant Played by Anna Diop 

Kristen Henderson played by Sasha Pieterse

Isabella Weaver played by Troian Bellisario

Dave Williamson played by Christopher Gorham

Marley Fields played by Shay Mitchell

Emmet Kendal played by Kellan Lutz 

Rebecca Mason played by Emma Watson

Aaron Sullivan played by Cheyenne Jackson

Steven Croft played by Zachary Levi

Kori Lockwood played by Dianna Agron (Recast)

Lana Stewart played by Brittany Raymond 

Phoebe Wilson played by Victoria Baldesarra

Lisa Goodman played by Liza Koshy

Anna Brady played by Sherri Saum 

Sheryl Palmer played by Teri Polo 

Audrey Moran played by Daisy Ridley 

Edward Johnson played by Nick Blood

Liam Kendrick played by Avan Jogia

Christopher Freyman played by Byran Dechart

Vivian Freyman (Minka Kelly) & Zarina Freyman (Leighton Meester)

Neil Buckingham played by Wyatt Nash 

Thomas Redding played by Paul Wesley

Marissa Walters played by Veronica Dunne 

Bryan Keaton played by Luke Cook

Nolan Jalali-Hill played by Phillip Rhys

Dwight Hedorah played by Leo Howard

Ellary Greyson played by Conor Leslie

Benjamin Bogert played by Ben Hall

Tate McCall played by Chris Wood

Finn Clarke played by Nathaniel Buzolic

Elijah Terrell played by Taylor Boldt

Colt Madsen played by Tom Ellis

Toni Madsen played by Hayley Erin

Skip Mitchell played by Keegan Allen

Stella DeVries played by Nina Dobrev

Wendy Telle played by Rachel Boston 

Adam Frost played by Andrew Ridings

Beverly Hasson played by Elizabeth Lail

Demi Crawford played by Emeraude Toubia

Emmylou Quinn played by Victoria Pedretti

Bernadette McAllister played by Candice King

Bridgit Camber played by Kat Graham

Adrian Mittleman played by Ian Somerhalder

Melvin Stillwell played by Chris Johnson

Rosa Stillwell played by Sara Canning

Henrietta Naramore played by Meghan Rienks 

Igor Ferdinand played by Jonathan Bailey

Jay Newman played by Tom Bateman 

Callum Stevenson played by James Godfrey

Nurse Archie Collins-Turner played by Chace Crawford (Kai’s Cousin)

Gregory Henson (Greg) played by Dana Ashbrook

Ezra Stenzel played by Michael Trevino

Salem Barenchi played by Josh Duhamel

[countduck]

Model Lena Madsen in jacket with leopard collar by Nina Ricci. Photo by Maurice Petit, 1954         

[barkercast]

320 : Riley The Cenobite

Thanks for joining us at the Clive Barker Podcast. Subscribe and follow us so you never miss a release. In Episode 320, Jose and Ryan are joined by Ed and Nina to go over Hellraiser, Clive Barker Art, Nightbreed and Candyman news. 

From Ther Reef

New Hellraiser Cast Members (Hulu / Spyglass)

Illuminerdi Cast News

Gottmik Pinhead (on Instagram)

Now Touring London

Happy Birthday Doug Bradley (9/7)

UK Screening of Hellraiser (1987)

Russell Cherrington: The Art of Clive Barker Virtual Tour

Corey Taylor Slipknot Mask

Blabbermouth Announcement 

Lots of Material on “The Forbidden” and Candyman at the Clive Barker Archive

Virginia Madsen Hypnotized for Candyman (YouTube video)

 Our Episode Poll Results

Coming Next 

Nightlives

Jericho Squad 77 Part 7

Illustrator II

A-Z Commentary : (P for Pain) Night of the Living Dead 1990

And this podcast, having no beginning will have no end. 

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[acsversace-news]

While the challenge often is truncating an abundance of material, sometimes the dilemma is the opposite. In producing the follow-up to the hit limited series American Crime Story: The People v. O.J. Simpson, producer Nina Jacobson found that FX's The Assassination of Gianni Versace proved a more difficult story to tell than its predecessor.

"Whereas with the O.J. Simpson trial virtually every person involved with the story had written a book, in the case of Versace, we had much less information available to us," she says.

The series creators based many of the key events in the story of Andrew Cunanan, who murdered the famous fashion designer outside his Miami home, on Maureen Orth's 2000 book Vulgar Favors. They gathered additional information from newspaper accounts and available video footage. "But what happened between David Madsen and Andrew Cunanan, for example, when they went missing for several days, or how exactly some of the murder scenes went down — the only people who know about them are dead," says exec producer Brad Simpson. "They had to be imagined based on what we knew of the personalities and the crime scenes."

That's where the storytellers must rely heavily on what they call "emotional truth." "Marcia Clark used that phrase after she saw [People v. O.J.]. She said, 'It's not a documentary, but they captured the emotional truth of what happened,'" recalls Simpson, adding that producers did not, for either season, contact any of the people involved. "We want to be cognizant of the victims, but at the same time we think it's best to tell the story based on historical evidence and to try to unpack what happened but not be beholden to telling one particular story in one particular way. That's been our approach for the Crime Story series in general."

[impartofthesolution]

Refoliation

           The bombs fell all night long.  First, they sounded like late-summer fireworks in the distance, but then they got louder, deafening.  Jace held his young brother Xander throughout it all.  When it sounded like the bombs were right on top of them, they prayed ceaselessly that they’d be safe.  Maybe God heard them and saved them.  Maybe the bombs had a different purpose.  Whatever the reason and however the cause, their house stood until morning.           Jace was woken up by his brother shifting.  He was still holding Xander protectively.  He knew they were alright, but he didn’t know anything else.  Fearful to discover the worst, he opened their bedroom door and listened.  Sounds of life came from the kitchen. Bolstered, Jace and Xander went downstairs to join their parents.            “We thought we’d let you sleep in, since your school called for a 2-hour delay,” said their mother as she made them bowls of cereal.            “What happened last night?  Were we attacked?”  Jace had so many questions, but he stuck with the most important ones first.            “We don’t know much.  It sounds like no one was injured and most buildings are completely unharmed.  They’re not saying who did it.”            “Was it more terrorists?”            “Again, we don’t know.  No one seems to have claimed the bombing.  Maybe they failed.”            “Until we know more, they’ve recommended us to stay at home unless it’s necessary to leave,” Jace’s father spoke up.  “The public schools have off, but your school insists on having you go in.  I still have to go to the hospital, so I’ll take you on my way.  Jacob’s mother will bring you guys home.”  While a 2-hour delay wasn’t as good as a whole day off, it meant that Jace and Xander could play a little Monkey Ball on the Game Cube. Normally, their parents wouldn’t let them, but it felt like a special occasion.            Unsurprisingly, all of the conversations at school involved speculations and “where were you when you first heard the explosions.”  Sixth graders have wild imaginations, and Jace’s friends were no exception.  “I bet it was Osama Bin Laden, back from the dead.”  Jacob’s suggestion didn’t really sound feasible, but Jace couldn’t deny that when Jacob folded a 1 dollar bill a certain way, it spelled out O-S-A-M-A.  One kid suggested aliens while another kid suggested they all just had the same dream.  He pointed out that no one died and, except for some downed trees and broken glass, nothing was destroyed.  “Bombs destroy things, after all,” he reasoned.            When it came time to go outside for recess after lunch, two teachers stopped the kids at the door.  “In light of the township urging people not to go outside needlessly, we’re going to have recess in the gym,” they said.  This was met by a collective groan from the middle schoolers, but there was nothing they could do to persuade the teachers otherwise. Recess in the gym was better than no recess at all, even if all they wanted to do was run around in the September sun.            By the time last period came around, no one had any new ideas of what had happened.  The collective dream idea was winning until the Principal came on the loudspeaker. “Attention, students.  Attention please.  The school buses will not be running this afternoon.  In addition, boys’ and girls’ soccer practices are canceled. We have called all your parents asking them to pick you up.  Will the following students please report to the main office: Charlie Appleton, Candy Dumphry, Terry Goodman, Mary Madsen, Timothy Owens, Daniel Southfield, and Nina Strayer.  Everyone, please remain in homeroom until your parent comes to get you.”  The announcement ended with a repeated list of the names.            It didn’t change plans for Jace and Xander.  Jacob spoke to his and Jace’s homeroom teacher, telling her that his mom would be picking Jace and Xander up, too.  The homeroom teacher called Xander’s teacher to inform her.  As soon as the bell rang signifying the end of the school day, Jacob’s mother, Mrs. Coldwell, appeared at the door, looking agitated.  She tried to look calm, but Jace noticed the nerves operating beneath her rushed pace.  They stopped by the fourth grade room to pick up Xander before hurrying towards the parking lot.  “Something strange is going on,” Jacob’s mom finally said in a low voice.  “It might be related to what happened last night, but we still don’t know.”            “What is it, mom?” asked Jacob.  “Something to do with Bin Laden?”  His mother looked at him out of the corner of her eye, deciding not to answer the second question.  This was not the first time he blamed something on a dead man coming back from the grave.            “Well, there are massive vines crawling up buildings. It’s messing with traffic.  And some people have gone missing.  It could be a coincidence.”            “Maybe the vines are eating people?” suggested Xander, too amused to be appropriate for the situation.            “Don’t be stupid,” chided Jacob.  “Vines don’t eat people.  They squeeze you until you explode."            “Jacob, this is serious.  Get in the car.  Boys,” Jacob’s mom addressed Jace and Xander, “I want you to go right inside your house and stay there.  Don’t leave it, understand?”  Jace nodded, promising to take care of the both of them while Xander still had an amused twinkle in his eye.            She wasn’t kidding, the road was littered with vines. Some had broken through the glass of buildings, wrapping into them like a kraken attempting to sink a pirate ship. Other vines seemed to be growing right out of the sidewalk.  The vines were green, their leaves were green, even the sky seemed to be a light teal color.  Luckily for them, the roads weren’t crowded, making it easier to dodge vines.  Though it seemed like most people heeded the advice to stay home, there still were many people on the sidewalks, stepping around, over, or on the vines to go about their business.            BOOM.  The car exploded in the turn lane next to them, bursting the glass in as their car flew a few feet to the right, tottering on two wheels before finally rolling over onto its roof.  Glass lay strewn on the ceiling, below the heads of the seatbelted children.  “Is everyone okay?” asked a panicked and disoriented Mrs. Coldwell.  At that, Xander started crying.  Jace looked over at his brother.  His face and arm were covered in small scratches, but otherwise he was fine.            “I think so, Mrs. Coldwell,” responded Jace.  He carefully undid his seatbelt while lowering himself to the ceiling of the car.  Then, he helped Xander down, trying to console him.  It worked pretty quickly, and by the time they made their way out of the car, he had stopped crying.  Jace used a towel lying in the back of the car to wipe away his blood.            Jace looked back at the car.  It generally looked okay except for the broken windows and the fact it was upside down.  Looking to the left, he saw what was left of the car that exploded.  Pieces of it were strewn everywhere.  Vines seemed to cover the intersection now, seemingly to have originated where the car had exploded.            “Stay right here,” Jacob’s mother said after looking them over to convince herself they were fine.  “I’m going to go into this store and call my insurance company and the police.  I’ll be right back in a few minutes, if…” she didn’t get to finish her thought.            “Uh… I don’t feel so good,” said a man half-limping on the sidewalk towards them.  He was looking pretty green.  About fifteen feet out, his eyes shot open and he stopped.  He gasped for air and then vines burst from his body in all direction, sending body parts and blood flying.  The vines unfurled at lightning speed.            “Let’s go to your parents’ house, Jace.  If we hurry, it’s only 6 or 7 minutes away.”            “Mrs. Coldwell?” Xander’s voice was smaller.            “Yes?” she turned to look to him, her eyes widening. A vine had wrapped tightly around his ankle.  “Hang on.” She dashed towards him to free him. Before she reached him, another vine unfurled and wrapped around his torso.            “Ouch!” he exclaimed before whimpering and bawling. Jacob, his mother, and Jace all started to tug on the vines to free Xander, but they held fast.  Then, they started constricting, and Xander started screaming.  It was hysterical, the sound of someone with no idea what’s going on but feeling extraordinary amounts of pain.  They heard a snap as the vine holding his ankle broke it.  Xander’s voice choked for a second before redoubling in volume and hysteria.  As the vines around his torso continued to tighten, Jace was powerless to do anything. About half a minute after the vine snapped his ankle, Jace heard a crunch.  Xander’s screams were pure anguish, catching and turning breathless. The vines had broken his ribcage. “NOO!” Jace started pounding the vine with his fists, but it was like punching a rock.  Xander released a strangled exhale followed by a wet popping sound.  Blood started running out between the vines, pooling on the ground.  Xander’s head lolled to the side.  He had no pulse.  “No” Jace collapsed, sobbing.            Xander’s body started shaking and shivering. “Jace, we have to go.  NOW!” shouted Mrs. Coldwell.  He didn’t move.  She grabbed his arm and dragged him until he got his feet under him and started to run with her.  Another explosion sounded behind them as they reached the far side of the intersection. Xander’s favorite necklace landed at Jace’s feet.  Recognizing it immediately, he scooped it up without breaking stride as he ran to his house with Jacob and his mother. Back to Table of Contents (x)