✰ BEST OF THE BEST REASONS TO WRITE FUCKIN’ RECORD REVIEWS IN 2019 ✰
It’s that time again: let’s feast from 2019′s Grapevine That Is Never Pruned with 21 (+ approximately 277 more) of the BEST OF THE BEST REASONS TO WRITE FUCKIN’ RECORD REVIEWS IN 2019! ✰ 7th ANNIVERSARY ✰
<All long playing vinyl records unless otherwise noted...& many cassettes>
✰ ✰ ✰ ✰ ✰ ✰ ✰ ✰ ✰ ✰ TOP 21 ✰ ✰ ✰ ✰ ✰ ✰ ✰ ✰ ✰ ✰
✰ TAIWAN HOUSING PROJECT Sub-Language Trustees (ever/never) ✰
✰ SAMANTHA RIOTT Bloodletting download (self-released)
✰ PAULA GARCIA STONE Undercurrent cd (Linear Obsessional, UK)
✰ POSSIBLE HUMANS Everybody Split (Trouble In Mind)
✰ WILLIAM HENRY MEUNG cassette FMerror (chemical imbalance., Australia)
✰ LEILA BORDREUIL Headflush (Catch Wave Ltd)
✰ LEIGHTON CRAIG Diamond Eye (Bruit Direct Disques, France)
✰ KNITTED ABYSS Bad Lassies (Paradise Daily, Australia)
✰ WEAK SIGNAL LP1 (Mag Mag)
✰ TOM OF ENGLAND Sex Monk Blues (L.I.E.S.)
✰ DRY CLEANING Boundary Road Snacks And Drinks & Sweet Princess LP (It’s OK, UK)
✰ 75 DOLLAR BILL I Was Real double LP (Thin Wrist Recordings)
✰ DARK BLUE Victory Is Rated (12XU)
✰ KALI MALONE The Sacrificial Code 3 cd (iDEAL Recordings, Sweden)
✰ SHABAZZ MYSTIK Chant D’Lâme (Off, Belgium)
✰ LONG HOTS Give And Take 7” (Third Man)
✰ AMIRTHA KIDAMBI & LEA BERTUCCI Phase Eclipse cassette (Astral Spirits)
✰ CHRIS BROKAW End Of The Night (VDSQ)
✰ SPIRAL WAVE NOMADS Spiral Wave Nomads (Twin Lakes/Feeding Tube)
✰ HAMA Houmeissa (Sahel Sounds)
✰ YL HOOI Untitled cassette (Altered States Tapes, Australia)
JEANINES Jeanines (Slumberland)
ARTEFACTOS DE DOLOR La Niña double LP (Pain Artifacts)
U-BAHN U-Bahn (Future Folklore, France)
MDOU MOCTAR Ilana: The Creator (Sahel Sounds)
STEFAN CHRISTENSEN The Upcoming Flame (bruit direct disques, France)
TYSHAWN SOREY & MARILYN CRISPELL The Adornment Of Time cd (Pi Recordings)
ALE HOP Apophenia (Buh Records, Peru)
TIM PANARETOS Submergence cd-r (chemical imbalance., Australia) & Opposites End download (self-released, Australia)
KATE CARR City Of Bridges download (Longform Editions, Australia)
WRITHING SQUARES Out Of The Ether (Trouble In Mind)
MY NORTH EYE (My) North Eye (2011) cd-r (Reverb Worship, France)
PINOCCHIO Pinocchio ep (Toxic State)
BRIDGET HAYDEN Soil And Song cassette (Synchronise Witches, UK) [comes with Karen Dalton fanzine!]
The COWBOYS The Bottom Of A Rotten Flower (Feel It Records)
OLUMPUS Caucus & Surplus downloads (both stabbies, etc., New Zealand)
CHUCK CLEAVER Send Aid (Shake It!)
JOSÉ DIAS After Silence, Vol. 1. cd (Clean Feed, Portugal)
KNIFE WIFE Family Party cassette (Sister Polygon)
TRAMPOLINE TEAM Trampoline Team (HoZac)
KATE CARR Heatwave cassette (self-released, UK)
SEBASTIEN STH BISET Islæd cd (Mnóad, Belgium)
PHAROAH CHROMIUM Eros + Massacre (Scum Yr Earth, France)
JOSEPH ALLRED Aspirant cassette (Garden Portal Tapes) & O, Meadowlark (Feeding Tube)
ANDREA BORGHI Tistre cassette (Dinzu Artefacts)
MOPE GROOVES Desire (See My Friends Records)
JOSHUA ABRAMS & NATURAL INFORMATION SOCIETY Mandatory Reality (Eremite)
SOFIE BIRCH Island Alchemy cassette (Constellation Tatsu)
VOYAGE DATA Voyage Data cassette (Econore, Germany)
JONNY COUCH Mystery Man (Damages Sofa)
FISCHERLE Gmatwacz cassette (Czaszka, UK)
ROCKET 808 Rocket 808 (12XU)
LINDA TRIP Sad Bangers cassette (Superdreamer)
MATTHEW J. ROLIN Matthew J. Rolin (Feeding Tube Records)
STEKKERDOOS Kalendar cassette (No Rent)
IAN HAWGOOD 光 (Home Normal, Japan)
ÀLEX REVIRIEGO • DISCORDIAN STRING ENSEMBLE Incerto For Doublebass And Strings download (Discordian, Spain)
JULIA KENT Temporal cd (The Leaf Label, UK)
NAPS Better To Give cassette (Gertrude Tapes)
TERROR OF THE DEEP The A-Team cassette (Melted Ice Cream, New Zealand)
CLAIRE ROUSAY Friends cassette (Never Anything)
ANNA SUBIRIANA • POL PADRÓS • JOAN ANTONI PICH Brull’s Bet download (Discordian, Spain)
HAKOBUNE A Fan, Strings, and Two Guitars cassette (Patient Sounds)
LORI GOLDSTON Things Opening (Second Editions, Germany)
The RESONARS No Exit (Trouble In Mind)
MARCIA BASSETT • MANUEL MOTA • MARGARIDA GARCIA Here They Rest Immobile (Yew)
URANIUM CLUB The Cosmo Cleaners: The Higher Calling Of Business Provocateurs (Fashionable Idiots/Static Shock, UK)
THE COOL GREENHOUSE “Crap Cardboard Pet” 7” (Hidden Bay Records, France)
ROB NOYES “You Are Tired”/“Nightmare Study” 7” (Market Square Recordings, UK)
TOM LÖNNQVIST Häviävän Pieni Osa (Guggenhavn Archive, Sweden)
GOTOBEDS Debt Begins At 30 (Sub Pop)
GREG KELLEY/ROB NOYES Greg Kelley/Rob Noyes split cassette (self-released)
DEAD SEA APES The Free Territory double LP (Feeding Tube Records)
DRAGGS Draggs cassette (Slime Street, Australia)
SPRAY PAINT Into The Country (12XU)
SPF Paul’s McCartney
2 CHEVRONS No Rules In Outta Space cassette (Albert’s Basement, Australia)
DARK TEA Dark Tea (Fire Talk)
TERRINE Live At Home cassette (Econore, Germany)
The SNAKES The Snakes (Anti Fade, Australia)
LIVE SKULL Saturday Night Massacre (Bronson Recordings, Italy)
ELKHORN Sun Cycle/Elk Jam 2 LP (Feeding Tube)
MESSRS Messrs 12” (Heel Turn Records)
VIRGINIA PLAIN Strange Game (All Hands Electric)
JEN KUTLER Dismbodied (EyeVee)
MOR AIR Life Behind Glass cassette (Genot Centre, Czech Republic)
CIA DEBUTANTE The Landlord (Siltbreeze)
JOSÉ DIAS After Silence, Volume 1 cd (Celan Feed, Portugal)
LAURA LUNA CASTILLO Folksonomies cassette (Cudighi Records)
THE GIRL IN TIMES NEW VIKING The Girl In Times New Viking (The Fah-Q Catalog)
43 ODES 43 Odes cassette (Eiderdown)
OOF Vanity Plate cassette & EGO cassette (both Fuzzy Warbles cassettes)
ORGUE AGNÈS A Une Gorge (three:four, Switzerland; Standard In-Fi - 2018)
MICHAEL MORLEY Heavens Idleness Awaits 2 LP (Thin Wrist Recordings)
CHRISTINA KUBISCH Schall Und Klang cd (Fragment Factory, Germany)
HUNTED CREATURES Sleep Weed cassette (White Reeves Productions)
UNITED WATERS Coma To Coma (Drawing Room Records)
JULIUS MENARD Hr cassette (Econore, Germany)
GEE TEE Chromo-Zone download (self/released, Australia)
AARON RUSSELL Coral Music cassette (Gertrude Tapes)
9TH HOUSE Planetary EP 12” (Hot Haus, UK)
SCAN Scan 7” ep (Drugfront)
The HECKS My Star (Trouble In Mind)
ALINA PETROVA & KIRA WEINSTEIN Sad Ko cassette (Never Anything)
HIEROPHANTS Spitting Out Moonlight (Anti Fade, Australia)
NOTS 3 (Goner)
P WITS The Desire and Pursuit of The Whole cassette (chemical imbalance., Australia)
GOLDEN PELICANS Grinding For Gruel (12XU)
TOPDOWN DIALECTIC Vol. 2 (Peak Oil)
M. SAGE Catch A Blessing (Geographic North)
ECHO OHS Wild Weeds 12” (1:12 Records, New Zealand)
CIVIC Selling, Sucking, Blackmail Bribes 7" (Total Punk)
WENDY EISENBERG & SHANE PARRISH Nervous Systems (Verses)
KNEELING IN PISS Tour De Force cassette (The Fah-Q Catalog)
s.soo Tyman download (New York Haunted, Netherlands)
WSCHÓD Wschód cd (Clean Feed, Portugal)
PREENING Gang Laughter (Digital Regress)
CLARICE JENSEN Drone Studies cassette (Geographic North)
MARBLED EYE Beat Sessions, Vol. 8 cassette (Shout Recordings)
STEVE MOORE Steve Moore 12” (L.I.E.S)
The SELVA Canícula Rosa cd (Clean Feed, Australia)
PROGRAM Show Me 12” (Anti Fade, Australia)
SLUMB PARTY Spending Money (Drunken Sailor, UK)
EUN-JUNG KIM & CHARLIE COLLINS Shining Days cd (Linear Obsessional, UK)
NEON Neon 12” (Square One Again)
CUCINA POVERA Zoom (Night School, Scotland)
PAULA SHOCRON & PABLO DÍAZ with GUILLERMO GREGORIO Díalogos cd (Fundacja Słuchaj, Poland)
MY NORTH EYE / LE GOÛT ACIDE DES CONSERVATOURS MNE • L / G / A / D / C split cassette ([Equilibre Fragile], France)
The WOOLEN MEN Human To Human (Dog’s Table)
PIERCE WARNECKE & LOUIS LAURAIN
Phonotypic Plasticity cassette (Astral Spirits)
BIG QUIET Interesting Times (Unblinking Ear)
SEAN ALI • LEILA BORDREUIL • JOANNA MATTREY I Used to Sing So Lyrical cassette (Astral Spirits)
POWDER Powder In Space cd (Beats In Space)
MUKQS Jaki Crush cassette (No Rent)
DENNIS GONZALEZ & DEREK ROGERS Certain Aspects cd (Marginal Frequency)
PONT-À-MOUSSON Bye Bye Mirello! cassette (ABrecords, France)
AKI ONDA A Method To Its Messiness (Thalamos, Greece)
ALEXANDER Untitled cassette (Garden Portal)
BRANDY “Clown Pain”/“Rent Quest” 7” (Total Punk)
MAJOR STARS Roots Of Confusion, Seeds Of Joy (Drag City)
LORI GOLDSTON & JUDITH HAMANN Alloys cd (Marginal Frequency)
PAINT THINNER The Sea Of Pulp (ŌBLĒK)
JEANS BEAST Unearthly Gardens Of The New Gods cd-r (Econore, Germany) & Attrition cassette (self-releases, Germany)
SKULL PRACTITIONERS Skull Practitioners 12” (In The Red)
UROCHROMES Trope House (Wharf Cat)
LIVINGDOG & MIKE JOHNSON CRO$$ cassette (Constellation Tatsu)
HEADROOM New Heaven 12” (ever/never)
JEFF HENDERSON The Charming Clarinet download (III Records, NewZealand)
GRAHAM DUNNING & EDWARD LUCAS End Of A Cable cassette (tsss tapes, Italy)
VILDE CHAYE Demos cassette (Brainplan)
Heavy Space Records - Anthology Volumes I & II cassettes (Ikuisuus, Finland)
KYLE EYRE CLYD Eggshell cd (Yew)
NEUTRALS Kebab Disco (Emotional Response)
FREDDIE DOUGGIE Freddie Douggie: Live on Juneteenth cassette (International Anthem)
AGUSTÍ FERNÁNDEZ • WILLIAM PARKER • SUSIE IBARRA One Night At The Joan Miró Foundation cd (Fundacja Słuchaj, Poland)
HUGO MASSIEN Dance Trax Vol. 21 (Unknown To The Unknown)
RRILL BELL Vagabond Laws cassette (Gertrude Tapes)
GAMARDAH FUNGUS Natural Storm cd (Hidden Vibes, Ukraine)
WAYNE ROGERS The Air Below (Twisted Village)
UNKNOWN SENDER Unknown Sender (Colonel Records)
BLUES LAWYER Something Different (Mt.St.Mtn)
DURA Reverberation Hymns cassette (Garden Portal)
JODIE LOWTHER The Cat Collects download (self-released)
WOLKOROTS Dan Manialogism cassette (Magma Tones, Finland)
CEREAL KILLER The Beginning And End Of Cereal Killer (Anti Fade, Australia)
COLIN WEBSTER/MARK HOLUB Nadir (Raw Tonk, UK)
The CAVEMEN Lowlife 7” EP (Slovenly)
FRANCISCA GRIFFIN The Spaces Between cd (CocoMuse, New Zealand)
ANDY HUMAN & THE REPTOIDS “Psychic Sidekick” 7” (Total Punk)
SEI A Mode Static 12” (Aus Music, U.K.)
JOHN SAINT PELVYN Improvisation 7.7.18 download (Southern Jukebox Music)
REBEL SCUM The Descent cassette (chemical imbalance., Australia - 2018)
S. ARAW TRIO XIII Activated Clown cassette (NNA Tapes)
FERRAN FAGES & VASCO TRILLA Gestell cd (Raw Tonk, UK)
HUA LUN Wanderlænd + 2 cassette (Katuktu Collective)
VIRVON VARVON Mind Cancer cassette (Girlsville)
PHILIPP OTTERBACH The Rest Is Bliss (Knekelhuis, Netherlands)
EDITRIX Talk To Me download (self-released)
PAVLOV’S PUSS Comfort Food (Melted Ice Cream, New Zealand)
NATHALIE STERN Nerves And Skin cassette (Cruel Nature, UK)
AKI TAKASE Hokusai cd (Intakt, Switzerland)
MOORDDROOM Deep VR Edits bandcamp DL (New York Haunted, Netherlands)
EXEK Some Beautiful Species Left (Digital Regress)
CLAIRE BIRCHALL “Dead Air” bandcamp DL (it, Australia)
JUDY & The JERKS Bone Spur cassette (Earth Girl) & Music For Donuts ep (Thrilling Living)
POWER STEERING Power Steering cassette (chemical imbalance., Australia)
RASMUS TIETCHENS HOBOTPAHC cd-r (New York Haunted, Netherlands)
UTINUTIN Black Cat, Anyeurism, And Simian Politics download (no label)
GUY BIRKIN Yemen Data Project cassette (New York Haunted, Netherlands)
LINUS VANDEWOLKEN Het Vlier Een Hommel Op Aarde 10”x 2 (Okraïna, Belgium)
JOHN CHANTLER Tomorrow Is Too Late (Room40, Australia)
JENNIFER VANILLA J.E.N.N.I.F.E.R. EP 12” (Beats In Space)
WOW Come La Notte (Maple Death, Italy)
KATE MOHANTY Disappear Here cassette (Friendship Tapes)
ASTRO SOCIAL CLUB & GRUMBLING FUR Plasma Splice Trifle (vhf)
SANR Kesif cd (Flaming Pines, UK)
ANDREW TASSELMYER & PATRICK SPATZ Interior Currents cassette (Constellation Tatsu)
AHMEDOU AHMED LOWLA Terrouzi cassette (Sahel Sounds)
SKRU Count Zero cassette (Bedouin, UAE)
PUGILIST Blue 06 12” (Whities, UK)
ULAAN KHOL Collapsing Hymns cassette (Worstward)
L.$.D. FUNDRAISER No Peace Without Tranquility (no label, New Zealand)
COCHONNE Cochonne (self released)
LE POUFS À CORDES Le Poufs À Cordes cd (Pagans, France)
FRET! A Vanity Spawned By Fear cassette (Cruel Nature, UK)
UNWAR Other People cd-r (Magma Tones, Finland)
WOJCIECH RUSIN The Funnel (Akashic, Scotland)
SLEEPER AND SNAKE Junction And High (Aarght, Australia)
The OILIES Psychic Dog (Fruits & Flowers)
ELI KESZLER Empire 12” (Shelter Press, France)
HAIDER 10961 12” (Aus Music, UK)
FOSTER CARE El Abuso (Total Punk)
TORN HAWK Time Is A Scam 2x 12” (L.I.E.S.)
The LICE Nancy Spungen download (self-released)
DJ XNX ATX (Get Busy!, Russia)
SHITTY LIFE Vinyls Discography (Lo-Fo Lo-Life, Germany)
GONG GONG GONG 幽靈節奏 = Phantom Rhythm (Wharf Cat)
SARAH LOUISE Nighttime Birds And. Opening Stars (Thrill Jockey)
MYRIAM BLEAU Lumens & Profits (Where To Now?, UK)
TV DUST Forget (MyOwnPrivateRecords / Occult Gang, Italy)
PRIMORJE Reference Path cassette (Thalamos, Greece)
JUNE CHIKUMA Ler Archives LP + 7” (Freedom To Spend)
dMyanche Ergonomie cassette (Indian Redhead, France)
EQUIPMENT POINTED ANKH Live (Sophomore Lounge)
VIV CORRINGHAM Until I Learn The Language Of Mineral Vegetable cassette (Linear Obsessional, UK)
JACOB WICK feel (Thin Wrist)
AMATEUR HOUR Framtiden Tillhör Inte Oss (Happiest Place, Sweden)
The FICTIVE FIVE Anything Is Possible cd (Clean Feed, Portugal)
DANKETSU 9 Towards A Walk In The Sun cd (Patient Sounds (intl))
IVAN THE TOLERABLE Rations 2LP (Stolen Body, UK)
DANA Glowing Auras And Black Money (Heel Turn)
NATE YOUNG Volume 3: Dance Of The Weeping Babe 12” (Lower Floor)
SHOLTO DOBIE & MARK HARWOOD The Blue Horse cd (Penultimate Press, UK)
HEAVY METAL 4 (Statik Age Music, Germany)
WET TUNA Water Weird (Three Lobed Recordings)
CARRAGEENAN Invisible Design cassette (Czaszka, UK)
PRIVATE ANARCHY Central Planning (Round Bale Recordings)
HIDEO NAKASAKO Texture Of Days cassette (Muzan Editions, Japan)
PRANA CRAFTER Bodhi Cheetah’s Choice (Beyond Beyond Is Beyond)
PATRICK SHIROISHI & NOEL MEEK Break Your Eyes cassette (Sploosh)
ANDY HUMAN & The REPTOIDS Psychic Sidekick (Total Punk)
SLAG QUEENS You Can’t Go Out Like That (Rough Skies Records, Australia)
ALIAS G Natural Love 12” (Unknown To The Unknown, UK)
NIVHEK After Its Own Death / Walking In A Spiral Towards The House cd (W.25th)
GARCIA PEOPLES Natural Facts (Beyond Beyond Is Beyond)
MARCO SERRATO/FRANCESCO COVARINO Bestemmia cd (Raw Tonk, UK)
HOUSEWIVES Twilight Splendour (Blank Editions, UK)
CLOUDWATCHERS Cloudwatchers cd (Unexplained Sounds Group, Italy)
CATHERINE LAMB Shade/Gradient (Black Pollen Press -2018)
UNITED BIBLE STUDIES Porti Sepolti cassette (Sloow Tapes, Belgium)
ÚJ BÁLA Diacritical Marks And Angels cassette (Baba Vanga, Czech Republic)
STRENGTH N.I.A. Do Televisions, Frankie Moore ritual cassette (Stength N.I.A., UK)
DAVID LIPTAK David Lipton: Dove Songs [Tony Arnold, soprano/Allison D’Amato, piano] cd
ANNĒE ZĒRO La Coolitude (Indian Redhead, France)
MELENAS “Ya Me No Importa Si Tú Quieres”/“Si Tú Me Quieres” 7” (El Nebula Recordings, Spain)
WHIRLING HALL OF KNIVES Knukke cassette (Cruel Nature, UK)
PROTRUDERS Poison Future (Feel It)
MOTHER JUNO Commit cassette (popnihil)
LEFT HAND CUTS OFF THE RIGHT Purge cassette (Fractal Meat Cuts, UK)
CLAIRE ROUSAY t4t cassette (No Rent)
IQ+1 Conversaphone Plus (mappa, Slovenia)
BENOÎT PIOULARD & SEAN CURTIS PATRICK Avocationals (Bacon Sound)
DELPHINE DORA Dunkles Zu Sagen (self-released)
SOOT Pockmarked With...Soot! cassette (Eternal Soundcheck, Australia)
DAN MELCHIOR BAND Negative Freedom (In The Red)
TÔLE FROIDE Tôle Froide (Le Turc Mecanique, France - 2018)
AHMED AG KAEDY Alkaline Kidal (Sahel Sounds)
DUNNING & UNDERWOOD The Blow Vol. 5 cassette (Front & Follow, UK)
TAKAHIRO MUKAI Super Annoying cassette (Fort Evil Fruit, Ireland)
ANTONIO High Voltage! cassette (Altered States Tapes, Australia)
CUBE Decoy (W.25th)
The PLAINS The Plains cassette (chemical imbalance., Australia)
KA BAIRD Respires (Rvng Intl.)
GINO & The GOONS Do The Get Around (Drunken Sailor, UK)
VIVIEN LE FAY Ecolalia (Boring Machines, Italy)
DUKE Uingizaji Hewa (Nyege Nyege Tapes, Uganda)
ARIAN SHAFIEE Arabic Voice cassette (unifactor)
MOUNT TROUT Shelter Belt cassette (Rough Skies, Australia)
OCEAN FLOOR Vernalis cassette (Eiderdown)
CURRENT AFFAIRS “Buckle Up”/“World In Crisis” 7” (dotx3, Germany)
AARON SNOW Instrumentals ‘15-‘19 cassette (Surf Shop)
MELKINGS Movement Music cassette (Regional Bears, UK)
DECIMUS DECIMUS 6 (self-released)
SYLVIE COURVOISIER and MARK FELDMAN Time Gone Out cd (Intakt, Switzerland)
DANIEL HOLT Daniel Holt 12” (L.I.E.S.)
BEAT DETECTIVES NYPD Records Volume 3: Nefertiti Abstract Movie cassette (NYPD Records)
STEFAN CHRISTENSEN & FRIENDS Unknown Fortune (C/Site)
DIRE WOLVES Grow Towards The Light (Beyond Beyond Is Beyond)
FAMOUS LOGS IN HISTORY Memories Of the Space Age cassette (Fuzzy Warbles Cassettes)
HAND & LEG Lust In Peace (Black Gladiator)
DEE DEE & The FUZZ COFFINS Three Golden Hits cassette (Earth Girl Tapes)
RAZORLEGS Skip Skool cassette (Fadensonnen)
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Neil Morris, speaking to Alan Lomax in 1959:
“Well, when I was just a small boy, Old Uncle Milt Oldfield…Billy Oldfield, the Congressman from Arkansas for so long, it is his father. He and my father are awfully close friends. And they were discussing music. They were music teachers both of them.
“And uh, and they said, dad did and Uncle Milt sanctioned what he said, that MUSIC HAD NO END. That you could learn all the other guy [or girl] learned, and after you got that done they would then, something else would crop up. That uh, that you, that was the reason why that uh, music advanced. That’s why that you would get a better music in one generation maybe that is, uh, IT WOULD FIT THE TIMES IN WHICH THEY LIVED.”
[Lomax: “What about music on the grapevine?”]
“Welllll, they said that MUSIC GREW LIKE THE GRAPEVINE THAT IS NEVER PRUNED. That each year it’d…it’d put on a little bit more. That was what they said, now, about it. Any further questions?”’
38 notes
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In the continuity of the crossovers, ficlets, original stuff and various AUs I like to write, I have an idea for the overall cosmology it takes place in. This is the multiverse, comprising the worlds characters might travel in and stranger realms from which magic and eldritch beings might originate, as well as many unique realms of no particular astral alignment but might make good plot hooks, brief adventures or sources of antagonists or treasures, or even answers relevant to a given story.
This cosmology is very much a work in progress and heavily inspired by a mess of different series - primarily the Great Wheel of 3rd Edition Dungeons and Dragons as seen in Planescape: Torment, aspects of 4th Edition D&D, whatever was going on in Exalted, and whatever else feels like an appropriate addition. Consequently any of this might change later on, and I welcome suggestions.
A few ground rules for how things work, on the scale of the regular universes the characters know. These are places that aren’t so different from the world we know.
On the current scene of things, the multiverse - and thus the casts - has only recently recovered from a catastrophic incident that occured about a thousand years ago, with brief flare ups resulting in further damage a little less than a hundred years ago. This has left many universes collapsed, arun with terrible monsters and destroyed civilizations; warbands of hopeful conquerors run rampant, and newly established societies struggle to gain a foothold, while roaming bands of nomads move from world to world. However, things are not all doom and gloom, as society is making a comeback and people are recovering, now exploring the ruins of the past to piece together what happened and restore lost technologies and arts.
The multiverse itself is still wounded; demons, cosmic horrors, world-eating abominations and mysterious entities of all kinds regularly invade the material realms and make a real nuisance of themselves.
The general tone is similar to Space Opera settings, with a dash of epic fantasy overlaid with sci fi aesthetics; grand and, well, operatic adventures in space, flying from planet to planet, battling with wicked warlords who command whole systems and entreating with ancient empires and vast galactic councils that all beings have a voice in. Battles and wars are fought with laser swords, rocket hammers and energy shields, with firearms shooting stuff like lightning, mini-rockets and chainsaw-grains instead of bullets. Power armor and mini mecha are ubiquitous among the more powerful factions, tending towards ‘mechanical exoskeletons’ in design.
Visually, as far as the stuff relevant to our characters is, the look is a little bit of a combination of post-cyberpunk space travel, with a hint of modern Mass Effect-style shininess, and a heavy dose of scavengerpunk. Spaceships are big, bulky, round and scarred by the ages. People wear leathers, hexagon-toned bodysuits, bulky spacesuit/exoskeletons, or whatever rags they can stitch together into something cool. (If you’ve ever seen Eclipse Phase artwork, you might get an idea.) Technology generally looks bulky, powerful and comically oversized for whatever it’s purpose is; evidently miniaturization was not in fashion before the big breakdown of things. Things mostly look like grand and glorious works of quasi-magical wonder, but worn down by the ages and scavenged, pasted back together and holding on with tape.
This is not universal, however. Certainly some newfound place of philosophy and enlightenment might harken to buildings of crystal spires that act as vast computers, the people wearing elegant lengths of cloth fashioned into togas and robes. The marauding warband trying to annoy them with loud music might wear bulky armor bolted together and painted red (BECAUSE IT GOES FASTER). And RIGHT NEXT to that, is a cyberpunk corporation world of gloomy spires, neon lights, and a lot of slots to plug your stuff into your body.
The overall technology level and series tone can be described as Warhammer 40k IF Mass Effect’s Paragon tone modified the setting to be less grimdark and stabby. (Alternatively, it USED to be super grimdark but the near destruction of all reality made things calm down a lot. All the people responsible for bad stuff got killed and the societies that enabled them were no longer relevant.) Minus the most destructive weaponry and world-buster bombs, barring caches of weaponry or automated factories that pragmatic factions or overeager warlords would just LOVE to have.
This translates roughly to a very high tech setting prior to the big catastrophe; technology capabilities are usually pretty good (to the point that space travel is pretty common for regular folks and not a national effort), but the most powerful and game-breaking things are the stuff of old civilizations, and are bitterly fought for and studied. Massive war ships that can destroy whole civilizations or legendary mech suits are irreplaceable and unique, because no one knows how they work or how to make more of them, due to the surrounding sciences no longer existing.
Modding. This refers to the use of biological alterations (mods, or biomods for more formal stuff), as well as slang for minor aesthetic alterations, and full on reshaping of someone’s body. This is EXTREMELY common in this setting, not just to enable hyper curves, gigantic sizes or other appropriate changes, but for more practical purposes. Someone might make themselves huge and with powerful muscles to be a better fighter, for instance, or alter their brain for greater thinking. Hyper fertility for one-woman population booms is also quite popular, linked to mega-curve changes. Often these alterations are NOT subtle in the slightest, and will show dramatic changes; how kink-related those might be is situational.
Modding also refers to cybernetics. In keeping with the aesthetics, these cybernetics might be polished or elegant, but they are rarely subtle. People don’t have tiny chips in their brains, they have huge bulky thinking engines fused to their brains in perfect harmony. Robot prosthetic limbs are massive, bulky and shimmering masses of machinery. Even synthetic muscle tissue WILL be pretty dang obvious, whether it be glowy, replace weaker organic muscles, or just be huge. Finally, cybernetics has no inherently negative effect just because it isn’t ‘natural’. Neither is sitting at a table looking at a phone or computer, but there you are! Any complications are strictly health-related, rather than innate or spiritual.
Now, to explain the fantasy-ish elements.
There are gods, and angels, and demons, and other beings. They exist far out in the multiverse, far from mortal dealings, and mostly they do their own thing. The affairs of mortals is not their main concern, but they do take an interest in us. Gods and similar beings take on different forms based on the cultures revering them, and they might be shaped by mortal belief, but there is a notable distinction between gods MADE from mortal belief, and those who exist apart from mortal relevance.
Magic is a thing. Specifically it follows the model of magic as just a thing that almost everyone can do, but it takes skill and training to do impressive stuff with it. An example: plenty of people have enough ability to, say, boost their skills to superhuman levels briefly or have great control over their body’s growth, but not everyone can throw a fireball. Typically people draw magical energy and shape it into various effects - perhaps forging it into one of a kind relics for ‘super science’ gadgetry - or more standard fantasy sorcery, with a hint of sci fi rationale to it. It can be understood and is rarely persecuted, and underlies a lot of the technological abilities in the setting. There is a distinction between arcane energy in its many forms, which is just the background essence of the cosmos, and divine magic, which is the raw power of genuine gods or spiritual powers, descending onto mortal believers and champions and empowering them.
Magic is hugely differentiated across the cosmos, and even in specific universes. It is heavily informed by culture and personal experience, and magic is more or less a power caused by emotion and perspective bleeding into the fabric of reality, backed up by energy and force of willpower, and shaping it. (Thus, magic is related to the soul; all beings that have souls can use magic, and using magic means you HAVE a soul.) In some places, you might have people who inherit influence over an element that their people are culturally tied to. In another, it might be a matter of academic study with little personal relevance. HAving them MEET can result in some interesting consequences for their abilities.
A soul, for that note, is the consequence of sapience and also sentience; self-awareness combined with the ability to say to the universe ‘I AM’. Clones, robots, self-aware golems, and every conceivable artificial being has as much of a soul as a naturally born human. They are people, and if it can ask ‘Do I have a soul’, then they do.
Many standards of sci fi, and indeed many archaic concepts (berserkers, knights, plate armor, weaponry of all sort and many varieties of ancient armor) are still quite present. However they are rendered with a sci fi aesthetic. Instead of knights, you have monastic orders of power armored warriors that rule as lords over regions. Instead of berserkers, you have ferocious warriors who have modded themselves
Some tech and sci fi thoughts:
As mentioned above, warfare is more similar to older forms of combat in the romantic tradition rather than modern notions of military action. This is partly because I find realistic warfare to be rather boring to really handle on its own. On a practical level, its harder to do it; one can’t just bomb your enemies into submission when targeting systems are difficult to figure out and you’re not really sure how they work except in the most arcane terms. (And they might be magical and can argue with you.) Modern military action CAN still happen, it’s just not an immediate option most of the time. Tanks, speedy jet-bikes, big time charges ad people gazing in awe as giant robots march into the field like living gods is definitely a feature here. Again, think of Warhammer 40k-style battles. Mechanized stuff is still relevant, as well. It is likely also televised and made into entertainment… which is super messed up.
Technology levels vary… a lot. In general it can be assumed that your standard space faring faction, band or society can produce their own spacecraft without relying on treasure troves of ancient relics or treasure hunts to find intact ships; this also implies intact understanding of relevant scientific fields. Thing might get iffier with things like energy-based weapons, advanced personal shields, or something, but they are still reasonably common. It’s usually a local question whether that means that such things can be made cheaply, or if there is a very large pre-collapse cache of them.
Magic involved with technology is very, very common. Cosmic internet that manifests as interconnected chains of psychic energy between populations, bizarre creations that only function because of their magical nature, the use of mental powers to safely navigate through mysterious realms or send telepathic messages to a distant world; all of these are reasonably common. Many groups may replace advanced scientific know-how with magical experimentation entirely, causing a great deal of diversity in individual tool use and fashions.
On that note: faster-than-light travel. It is a thing in universe (how else would you go from world to world to have fun adventures?) but it’s not easy. It is not simple and it can be very, very dangerous. There are a few different methods; phasing into other realms of existence to ignore the speed of light, as that rule won’t apply, is a common one, but this runs the risk of attracting the attention of potentially malicious cosmic horrors, and surging people up with magic, for all kinds of weird transformations. There is also the use of ancient artifacts that transport ships from one point to another, or complicated warp drives that do stuff to gravity at the cost of enormous fuel requirements. In general, this stuff can’t be weaponized, and its most common that public transit between the stars involves the cosmic equivalent of buses; people pack their ships into really large barges and go along for the ride, saving on costs.
Alien life. It’s there! It’s a big deal! And most of it doesn’t look like us, SERIOUSLY GUYS I HATE THE RUBBER FOREHEAD HUMAN TROPE SO MUCH IT CAN BURN IN A DITCH. Think in terms of Mass Effect or Animorphs alien designs for how distinct they can get. Alien races that are canonically similar to humans will likely either be reimagined as being derived from humanity or redesigned into something more appropriate to their homeworld or, if artificial, the circumstances of their creation.
Feel free to ask me about other stuff you might want to know, or should take into consideration for world building!
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