#OKAY I AM HERE !

[abelshot]

hahah ur all so short

[shima-draws]

Drops this here and pretends like I'm not over a week late to @oprarepairweek 😳

Day 4 is clothing swap!! You can't tell me that Law would NOT lose his mind fanboying if he ever got to wear the Germa 66 raid suit, come on. LMAO

[cocoabell]

A bitter reminder 🥀

[inkskinned]

the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.

the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.

friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.

if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!

what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!

people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.

you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.

your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.

[hedgehog-moss]

(There is blood pictured at the end of this post) (well, 1 drop) (don't worry it's mine, not some innocent creature's)

I found a dormouse in my kitchen today, just chilling on the ceiling above my head, watching me cook. Maybe even judging my cooking technique like Ratatouille. I only noticed its presence because there's a bunch of dried herbs hanging from the ceiling above the stove and at one point I heard a rustling, then a crunching noise.

It was eating my herbs.

As if they were a little snack I'd placed here for my dormouse friends. None of my other animals can walk on the ceiling, therefore any food that's near the ceiling must be an offering to the dormice. (I admit, that's sound logic.)

A dormouse family has been living in my walls since before I moved here—I should probably call it a dormouse dynasty, by now. Here's the first post I wrote about them, in 2019 ! The cats eat a lot of them (especially Morille, she loves dormice) but apparently not enough to make the key decision makers in this dormouse community decide that living in my house is more trouble than it's worth.

Every year when they hibernate and go quiet for eight months I have the renewed hope that this time the cats got rid of all of them, but the next spring they wake up and start scratching inside my walls in the middle of the night again. (Not only that's creepy, but it's so loud.)

Anyway, this dormouse, let's call him Alfred. I saw immediately which hole between two stones he'd crawled out of and the first thing I did was to stuff a salt shaker in there to block his escape route. Step 2 was to call for backup—I summoned Morille, and she came down from the living-room 2 seconds later (the cats know it's always good news when I call them to the kitchen while cooking.)

Alfred was panicking.

I grabbed a broom and started threatening him with it like an angry old woman in a cartoon. He tried to flee towards the ladder, but Morille was there. He tried to flee towards the door, but Morille was also there. He tried to hide on top of the fridge, and Morille happily lay siege to it, like my fridge was a Gallic oppidum on top of a hill and Morille was Caesar and his entire army.

Morille was having the time of her life.

But my kitchen door was ajar, and Alfred managed a heroic jump from the top of the fridge to the lintel, like a flying squirrel. He scurried out then grabbed hold of the climbing rose right above the door. When I got out and took this photo, he looked fairly stressed and pessimistic.

I didn't want him to climb the wall all the way to the eaves and go right back into my house, so I went back in to get my broom again, either to make him lose his grip and fall straight into Morille's gaping maw (sorry), or make him run away into the woods (inferior solution; they always find their way back, unless you take them very far away.)

(I used to trap dormice humanely then drive them 3km away to release them near the barn of a neighbour I disliked, but this neighbour has since moved. (Not because of my dormouse warfare, I swear.) There's also an abandoned house in the woods where I used to exile my prisoners, but after a while I started feeling silly driving around the countryside with dormice in the backseat, so I stopped trapping them (it really was a hassle) and just let the cats eat them.)

But Alfred is a combative and resourceful rodent. In the half-minute it took me to go back in and grab my broom, he laid a trap for me.

He ran along the stem of my climbing rose in such a way that his weight made it droop jussst enough to be now hanging at face level rather than above the door. So when I ran outside again with my broom, I was slapped in the face by a thorny rose plant. (For a minute I thought I was crying tears of blood, which seemed worrying, but it was just a scratch above my eye.) (I wish it could leave a tiny scar, so people will ask how I got it, and I will tell them about the mighty dormouse wielding a rose sword.)

I sent these pics to my brother hoping to get some sympathy, and he cropped & desaturated the one with the blood teardrop then sent it back with the comment "you look like an Evanescence song"

By this point I decided Alfred had won this battle. (Not the war, because it's almost autumn aka hibernation time so he probably found another gap between two stones and went right back inside. The war continues.) But this humble dormouse set a Saw trap to poke my eyes out the second I stepped outside my house and I respect that. I admire the way he used his environment to his advantage, and teamed up with my climbing rose to level the playing field (since I had teamed up with my cat first.) He has won the right to spend another winter inside my walls, curled up in my cosy wool insulation, dreaming of dried herbs, thwarted cats, and heroic skydiving from fridgetops.

Well played.

[poorly-drawn-mdzs]

Flower Empowered.

[First] Prev <–-> Next

[starcurtain]

2.1 Penacony Spoilers!

I know the scene after Ratio's "betrayal" can be read a lot of ways but I am shocked I haven't seen more people interpret it as Ratio being so worried about Aventurine that he couldn't stay away even though he was supposed to.

We know:

1) Ratio absolutely knew Aventurine's plan from start to finish, both his gamble to create "death" in the dream and with the three cornerstones. (Wish people would stop underselling Ratio in their analyses; "Three chips are enough" is a direct enough clue that, genius as he is, Ratio would never miss.)

2) In his own words, Ratio was acting according to Aventurine's instructions while in Dewlight Pavilion and with Sunday and felt that he did a good job not giving them away.

I think most people are on the same page up to there, but then I've seen a lot of people interpreting this scene after Aventurine leaves Sunday's mansion as Aventurine being genuinely angry at Ratio (possibly after having gaslit himself into thinking Ratio was actually betraying him).

But this doesn't make much sense to me because:

1) Ratio actually has nothing to gain by selling Aventurine out to Sunday. They're on the same side in this mission. Information about a Stelleron on Penacony wouldn't be news anyone with a brain like Ratio's and why would he need someone else's research on Stellerons when he already has ties to the Genius Society through Screwllum and Herta, as well as the Astral Express where the Trailblazer is actively housing a Stelleron?

2) One of Aventurine's most notable lines of dialogue is how it's perfectly fine and expected for "friends" to use each other and backstab. This is his default understanding of partners--why would he suddenly be mad about something he expected from the start?

3) If the betrayal wasn't already planned and was just a possibility based on Aventurine's understanding of Ratio, why would he ever have revealed there were "three chips" (aka three cornerstones) in play? If even the betrayal over Topaz's stone wasn't planned, just assumed, why would Aventurine reveal the existence of the third stone? He would gain nothing from doing so.

Instead, I think it makes a lot more sense to interpret Aventurine's frustration with Ratio in this later scene as annoyance over Ratio taking an "unnecessary" risk:

1) As far as Sunday knows, Ratio had just very seriously betrayed Aventurine, completely selling him out and essentially sending him to his execution.

2) In the scene afterward, Aventurine is out in public in the middle of Penacony where The Family's eyes are always watching, yet Ratio walks right up to him to check on him. Why would someone who just sold you out come up to you immediately afterward to check on your health?!

3) It's only natural that Aventurine would pump the brakes and go "Wow, didn't think you'd show yourself after you just betrayed me, remember?" Because that's the act they are supposed to be keeping up! They're still being monitored; it's not safe to break character!

But Ratio is a genius, right, so why would he break character here? From the standpoint of the ploy itself, revealing to the Family that he and Aventurine were still on the same side would only jeopardize the plan, not help it.

The logical explanation, then, is that Ratio went to Aventurine here because he felt like he had to.

He had to check in and make sure the situation was still under Aventurine's control.

(In fact, the entire exchange through the middle of this scene is Aventurine and Ratio confirming the rest of their plot in a veiled manner: Ratio brings up the plan and mentions what's concealed in the gift money bag, Aventurine confirms the cornerstone is good to go; Ratio asks what his next step will be; Aventurine says he's going to do the insane thing of handing out cash while looking pathetic [aka fishing for Sparkle]. Ratio essentially asks if he's crazy enough to take the final gamble with his own life, which Aventurine confirms, and then Ratio sets them up for the finale by gifting him the doctor's note.)

Ratio was willing to risk ruining their entire plan--something Aventurine does seem to be frustrated about at first--just to ensure Aventurine still felt all right about the situation.

He needed to deliver his note demanding Aventurine stay alive.

He needed to tell Aventurine to come to him if the situation got too painful to bear.

In short, Ratio was worried enough that he could not stay away even though, for the sake of their plot, it would have made significantly more sense for him not to appear. The gain of breaking character was worth more to him than the risk of being caught.

You honestly don't even have to take this in a shipping context. The real point here is that Ratio is an incredibly good person who wasn't okay with Aventurine's self-sacrificial plan and who felt morally compelled to check on a person in pain. He's a healer through and through, and ignoring Aventurine in this condition--ignoring someone who was taking so much risk on themselves--simply wasn't possible for him, no matter the danger it posed to the plan.

But for those who do ship Ratio and Aventurine... I hope more people will come to see this scene as another example of Ratio's genuine concern for his mission partner! He did not have to appear here at all; it would have made much more sense for him to leave Aventurine to his own devices to uphold the illusion of their "betrayal." He showed up in this scene--very likely against Aventurine's expectations--because he was concerned for Aventurine's situation and wanted to ensure Aventurine knew he could fall back on Ratio's support at any time if the plan went awry.

tl;dr: I wish people would stop interpreting this scene as the aftermath of a betrayal. Aventurine wasn't ticked off with Ratio in this scene because he felt like he'd genuinely been backstabbed; he was ticked off because Ratio was literally breaking their pre-established "betrayer" character just to be fussy over Aventurine's safety and well-being. (Okay, and to double check on the plan, but let's be real, the first part was definitely more important. 👌)

[omaano]

Shaak Ti and her tiny charges join the Hades AU, complete, with colourful little highlights and a dialogue box this time (and an alternate version under the cut where I tried my hand at taking the shade/Force-ghost aspect a little further than I did with Fives)

"There is no doubt that Grogu is an exceptional youngling, but I cannot take him on as a Padawan no matter how much I may wish that I could. My duty is to look after the clones as they grow and learn - we cannot just abandon them once their war is over. As a Mandalorian you must understand this. However, I would gladlyassist in your quest in any other way I can."

Linear timeline who? Rex can have a mighty white beard and then look spry and blond simultaneously, there is teenager Omega and Boba sitting on his throne on Tatooine, so just don't worry about it XD Have three of my clone OCs as baby cadets and enjoy how cute they are instead.

[luxanid]

The reason why Netflix is loosing so much money is because they keep canceling shows. Im so serious. This happens every couple of months and it makes me less and less inclined to start new shows. People dont want to start watching things they already know are not going to complete their runtime. Finish your shows before making new ones! Thats how you get your fucking money!

[crowkip]

ouguugh,, womnen

[chloeplayz]

“Deer in the headlights.”

Guess who finally decided to post on tumblr… ME!

Character design and au idea to @isjasz

[i-got-da-rubes]

“Thank you for asking what nobody else did.

What not even I considered.”

Drawn with my non-dominant hand.

[anotherdragon]

Sorry Boys has the perfect setup for becoming an actual like. ARG or horror web series and I genuinely think its really funny that it's like. not. they have a website where if you input a code you get an ominous audio snippet in the zombie apocalypse videos they reference several other sorry boys videos implying that they're all somehow taking place in the same universe, weird cryptic things happening in some of the videos that just. never get explained. and they've all got experience with acting and horror (ranboo from genloss and the enderwalk arg, wilbur from his arg, charlie from genloss and jrwi, and all five of them have been on roleplay servers) and they've committed to being a fucking insane vlog channel. perfect keep up the good work guys

[inkskinned]

you were raised in comparison.

it wasn't always obvious (well. except for the times that it was), but you internalized it young. you had to eat what you didn't like, other people are going hungry, and you should be grateful. you had to suck it up and walk on the twisted ankle, it wasn't broken, you were just being a baby. you were never actually suffering, people obviously had it worse than you did.

you had a roof over your head - imagine! with the way you behaved, with how you talked back to your parents? you're lucky they didn't kick you out on your ass. they had friends who had to deal with that. hell, you have friends who had to deal with that. and how dare you imply your father isn't there for you - just because he doesn't ever actually talk to you and just because he's completely emotionally checked out of your life doesn't mean you're not fucking lucky. think about your cousins, who don't even get to speak to their dad. so what if yours has a mean streak; is aggressive and rude. at least you have a father to be rude to you.

you really think you're hurting? you were raised in a home! you had access to clean water! you never so much as came close to experiencing a real problem. sure, okay. you have this "mental illness" thing, but teenagers are always depressed, right. it's a phase, you'll move on with your life.

what do you mean you feel burnt out at work. what do you mean you mean you never "formed healthy coping mechanisms?" we raised you better than that. you were supposed to just shoulder through things. to hold yourself to high expectations. "burning out" is for people with real jobs and real stress. burnout is for people who have sick kids and people who have high-paying jobs and people who are actually experiencing something difficult. recently you almost cried because you couldn't find your fucking car keys. you just have lost your sense of gratitude, and honestly, we're kind of hurt. we tell you we love you, isn't that enough? if you want us to stick around, you need to be better about proving it. you need to shut up about how your mental health is ruined.

it could be worse! what if you were actually experiencing executive dysfunction. if you were really actually sick, would you even be able to look at things on the internet about it? you just spend too much time on webMD. you just like to freak yourself out and feel like you belong to something. you just like playing the victim. this is always how you have been - you've always been so fucking dramatic. you have no idea how good you have it - you're too fucking sensitive.

you were like, maybe too good of a kid. unwilling to make a real fuss. and the whole time - the little points, the little validations - they went unnoticed. it isn't that you were looking for love, specifically - more like you'd just wanted any one person to actually listen. that was all you'd really need. you just needed to be witnessed. it wasn't that you couldn't withstand the burden, but you did want to know that anyone was watching. these days, you are so accustomed to the idea of comparison - you don't even think you belong in your own communities. someone always fits better than you do. you're always the outlier. they made these places safe, and then you go in, and you are just not... quite the same way that would actually-fit.

you watch the little white ocean of your numbness lap at your ankles. the tide has been coming in for a while, you need to do something about it. what you want to do is take a nap. what you want to do is develop some kind of time machine - it's not like you want your life to stop, not completely, but it would really nice if you could just get everything to freeze, just for a little while, just until you're finished resting. but at least you're not the worst you've been. at least you have anything. you're so fucking lucky. do you have any concept of the amount of global suffering?

a little ant dies at the side of your kitchen sink. you look at its strange chitinous body and think - if you could just somehow convince yourself it is enough, it will finally be enough and you can be happy. no changes will have to be made. you just need to remember what you could lose. what is still precious to you.

you can't stop staring at the ant. you could be an ant instead of a person, that is how lucky you are. it's just - you didn't know the name of the ant, did you. it's just - ants spend their whole life working, and never complain. never pull the car over to weep.

it's just - when it died, it curled up into a tight little ball.

something kind of uncomfortable: you do that when you sleep.

[verdantglow]

Joel SmallishBeans mentions that he looks at fanart on tumblr.

“He’s here!” People scream, “Scatter!”

As everyone runs away, I, unmoving, look him dead in the eye & say,

“Let him watch.”

[usertoxicyaoi]

"But ... why do we only have sex before it's a sunny day?" TAIKAN YOHOU (2023). EPISODE ONE.

#1YearWithTaikanYohou.