#OR Patrick plays the sax | Explore Tumblr Posts and Blogs

slackville-records · 9 months

Text

(62 YEARS AGO)

September 1, 1961 - John Coltrane: Africa/Brass is released.

# ALL THINGS MUSIC PLUS+ 4/5

# Allmusic 4.5/5

# Down Beat 2/5

Africa/Brass is the eighth studio album by John Coltrane, released on September 1, 1961.

Recorded:

May 23, 1961 and June 7, 1961, at RVG's Englewood Cliffs studio

Personnel:

John Coltrane – soprano and tenor saxophone

Booker Little – trumpet

Julius Watkins, Bob Northern, Donald Corrado, Robert Swisshelm – french horn

Bill Barber – tuba

Pat Patrick – baritone saxophone

McCoy Tyner – piano

Reggie Workman – bass

Elvin Jones – drums

__________

ORIGINAL LINER NOTES

John Coltrane is a quiet, powerfully-built young man who plays tenor saxophone quite unlike anyone in all of jazz. His style has been described as "sheets of sound" or as "flurries of melody." But, despite the accuracy, or lack of accuracy, of such descriptions, it is a fact that Coltrane's style is wholly original and of growing influence among new tenor players.

Perhaps he himself best described his dazzling style in a recent Down Beat article with writer Don DeMichael. "I started experimenting because I was trying for more individual development. I even tried the long, rapid lines that Ira Gitler termed 'sheets of sound' at the time. But actually, I was beginning to apply the three-to-one chord approach and at this time the tendency was to play the entire scale of each chord. Therefore, they were usually played fast and sometimes sounded like glisses."

Although Coltrane has absorbed this experiment into his present style and moved on, its effect was shocking, and intriguing, in the jazz world.

Most recently, as this album will attest, Coltrane has become absorbed by the rhythms of Africa. During the editing sessions for this album he noted, "There has been an influence of African rhythms in American jazz. It seems there are some things jazz can borrow harmonically, but I've been knocking myself out seeking something rhythmic. But nothing swings like 4/4. These implied rhythms give variety."

For this record, Coltrane composed two of the three selections, then discussed the orchestration thoroughly with Eric Dolphy, a reed player of enormous talent. Pianist McCoy Tyner of Coltrane's group was the third member of the discussion group.

"Actually," Dolphy recalled, "All I did was orchestrate. Basically John and McCoy worked out the whole thing. And it all came from John; he knew exactly what he wanted. And that was, essentially, the feeling of his group."

AFRICA has an unusual form. Its melody had to be stated in the background because Coltrane is not tied down by chords. "I had a sound that I wanted to hear," Coltrane remarked of this composition. "And what resulted was about it. I wanted the band to have a drone. We used two basses. The main line carries all the way through the tune. One bass plays almost all the way through. The other has rhythmic lines around it. Reggie and Art have worked together, and they know how to give and take." This work began with Coltrane's quartet. He listened to many African records for rhythmic inspiration. One had a bass line like a chant, and the group used it, working it into different tunes. In Los Angeles, John hit on using African rhythms instead of 4/4, and the work began to take shape. Tyner began to work chords into the structure, and, in John's own words, "it's been growing ever since."

The instrumentation--trumpet, four French horns, alto sax, baritone sax, two euphoniums, two basses, piano, drums, and tuba--is among the most unusual in jazz. But, Dolphy explained, "John thought of this sound. He wanted brass, he wanted baritone horns, he wanted that mellow sound and power."

Coltrane heard the playbacks and nodded. "It's the first time I've done any tune with that kind of rhythmic background. I've done things in 3/4 and 4/4. On the whole, I'm quite pleased with Africa."

GREEN SLEEVES is an updating of the old, revered folk song. It's included in this set because Coltrane, in recent months, has been studying folk music. "It's one of the most beautiful folk melodies I've heard," he said. "It's written in 6/8, and we do it just about as written. There's a section for improvisation with a vamp to blow on."

The quartet has been playing this theme recently, and the arrangement is based on Tyner's chords. Dolphy notated it. "For me," Coltrane said, "Greensleeves is the most enjoyable to play. Most of the time we get a nice pulse and groove. It was a challenge to add the band to it. I wanted to keep the feeling of the quartet. That's why we took the same voicings and the same rhythm McCoy comps in."

BLUES MINOR is a piece the quartet has been playing of late. It was assembled at the recording session. "It's a head," Dolphy said. "McCoy gave me the notes. I wrote out the parts, and the band did it on one take." It swings loosely with the ease and drive of a head arrangement.

All in all, this album is representative of the state of musical mind of John Coltrane, 34, on his way to something new and exciting, but pausing along the way to sum up the fresh and provocative work he has accomplished this far.

~ Dom Cerulli

TRACKS

Side one

1. Africa (Coltrane) – 16:28

Side two

1. Greensleeves (traditional, arranged by McCoy Tyner) – 10:00

2. Blues Minor (Coltrane) – 7:22

2 notes · View notes

leemarkies · 1 year

Text

15 questions, 15 people!

tagged by: @parksunghoons (thanks xixi! <3)

1. are you named after anyone? believe it or not yes. after patrick tillman's wife. (she and my mom were besties in high school/college)

2. when was the last time you cried? last friday after my bosses at work were being mean lololol

3. do you have kids? nope! unless u count my 22 yo brother that acts like a child!

4. do you use sarcasm a lot? not that much

5. what sports do you play/have you played? i used to play tennis and volleyball when i was a kid. and i did dance (ballet, jazz, hip hop) for 7(?) years. i also did marching band all 4 years in high school (yes that counts)

6. what’s the first thing you notice about people? their hair!

7. what’s your eye colour? green!

8. scary movies or happy endings? both!

9. any special talents? i can surf and skateboard!

10. where were you born? TECHNICALLY the hospital i was born in was in palo alto, california (my dad was still at stanford for uni) but i was almost immediately brought back to santa cruz, california and was raised there until i was 12

11. what are your hobbies? playing video games! and i love to paint and cross stitch! i also play the flute (and sorta the tenor sax) and if watching trashy reality shows was a hobby i'd be a professional

12. do you have pets? YES i have my baby dog buzz <3 who owns my entire heart <3 and my pet snake named richard, and a beta fish named bait :) also my brother has a dog named kona and i am the best aunt ever btw

13. how tall are you? 5' 8" (173 cm)

14. favourite subject in school? call me a nerd IDC but i loved and excelled in math. i also loved art and anything to do with computers!

15. dream job? botanist! or own a flower shop!

tagging:@exocean, @scoupsy, @akayong-main, @yonglixx, (feel free to ignore!)

#i'm drawing a complete blank on who to tag aldkfladjf #i haven't done one of these in forever #tag games

5 notes · View notes

longlevel · 2 years

Text

Tariq and effie

#TARIQ AND EFFIE FULL#

#TARIQ AND EFFIE TV#

Daniel Bellomy as Ezekiel "Zeke" Cross, Monet's hidden son with Mecca and Carrie's new love interest (seasons 1-2).

Lovell Adams-Gray as Dru Tejada, the artistic middle child of Monet and Lorenzo and brother of Cane and Diana who is secretly gay.

Melanie Liburd as Caridad "Carrie" Milgram, one of Tariq's professors who had a secret relationship with Zeke (seasons 1-2).

Gianni Paolo as Brayden Weston, Tariq's best friend and business partner from Choate, as well as current roommate at Stansfield.

Shane Johnson as Cooper Saxe, the attorney protecting Tariq, despite failed attempts to catch Ghost, Tasha, Tommy and Tariq.

Patrick, who is slowly following in his father's footsteps as a drug dealer Along the way, Tariq gets entangled in the affairs of the cutthroat Tejada family, adding further complications as he tries to balance his drug operations with his education, love life, family affairs, and mounting pressure from Cooper Saxe. He was murdered, so keep that in mind.Ghost follows Tariq navigating his new life, in which his desire to shed his father's legacy comes up against the mounting pressure to save his family. “And if you remember, dear readers of the series, Effie’s brother is dead. But I’ll tell you about that later.” perfomance Universe creator Courtney A revealed Kemp in a 2020 Instagram Live. More than that, the third season of Spirit will reveal much more of Effie’s backstory We’re sure if he finds out, it will change the dynamic of their friendship forever.

#TARIQ AND EFFIE FULL#

▶” src=”” frameborder=”0″ allow=”accelerometer auto play write clipboard encrypted media Gyroscope Picture-in-Picture” Allow full screen> Season 3 of Power Book II: Ghost will reveal more of Effie’s backstoryĬurrently Effie and Brayden hold the truth about what happened to Lauren from Tariq. My energy is strong and bold when I walk into a room.” There’s a contrast, but we’re similar in that I have an angular side. We differ in that she can be cold and I am a warm spirit. My relationships mean the most to me, more than anything else. She will hurt everyone in the process, get into trouble and not care at all. ‘With Effie, as you said, she will stop at nothing to get what she needs.

#TARIQ AND EFFIE TV#

“We have some things in common, but for the most part we’re very different,” she explained TV Insider. However, Lapri says that she and Effie are not the same. We saw that when she lured Lauren (Paige Hurd) to her death in Season 2 Spirit. TIED TOGETHER: Power Book II: Ghost fans are convinced Tariq will kill Monet and Lorenzo Tejada to take over their drug empire Alix Lapri says she and her Power Book II: Ghost character Effie are not the sameĪlthough it looks like it Effie loves Tariq, we know that she comes from a very different background than Tariq and Brayden. “Yes, she’s the one.” It’s very unusual for that to happen right now.” He walked into the room and was pretty much like. After I finished, the director leaves and says, “Wait a minute.” He comes back at 50. “A lot of people don’t even know when I first auditioned Den of Thieves‘ Lapri said TV Insider. In fact, he offered her the role on the spot. Calculating and intense perfomance Universe Executive Producer Curtis “50 Cent” Jackson knew Lapri was right for the role when he met her on the set of Den of Thieves. In fact, the trio sold drugs together at Choate boarding school, and when the boys tried to expel Effie, she turned against them, was expelled, and took over the school’s drug pipeline for herself.Įffie mostly took care of herself. Though she and Tariq have become more connected and intimate SpiritEffie has known the drug dealer and his best friend Brayden (Gianni Paolo) since high school. Patrick and Alix Lapri as Effie Morales in Power Book II: Ghost | starz 50 Cent immediately offered Alix Lapri the role of EffieĮffie was there that perfomance universe for some time.

#Tariq and effie

2 notes · View notes

kamrinortiznumberonefan · 20 days

Text

Paris is a city for dreaming.

Guitarist Nick Rossi flew to the City of Lights a year ago for the International Duke Ellington Meeting, a three-day conference for experts, scholars and musicians devoted to Ellingtonia, the musical world surrounding America’s most consequential 20th century composer, bandleader and pianist. A scholar of pre-World War II jazz who’s lived in the Mission for two decades, Rossi gave a short talk on guitarist Fred Guy, a key member of the Ellington Orchestra from 1925 to 1949. After communing with some of his favorite authors and researchers, Rossi came home with a nagging question and the seed for his next musical mission.

“Why doesn’t San Francisco, or California or the West Coast, have an ensemble dedicated to Duke’s music?” he wondered. “Not to throw shade on groups that play Ellington, but there are bands exclusively devoted to Ellingtonia in many other cities and countries, but not here. I realized these are my marching orders.”

The long trek from Paris to San Francisco culminated at Mr. Tipple’s last October, when Rossi’s nine-piece Jazzopaters debuted at the Civic Center supper club, which has become the project’s home base. Focusing on pieces recorded by Ellington’s small groups, variously sized ensembles broken out from the orchestra to showcase its singular voices like alto saxophonist Johnny Hodges, trumpeter Cootie Williams, and baritone saxophonist Harry Carney, Rossi’s Jazzopators play a dance show Saturday at the Community Music Center.

With pianist Rob Reich and Patrick Wolff on alto sax and clarinet, the group features some of the region’s most esteemed improvisers alongside hot jazz specialists Mikiya Matsuda on bass and Riley Baker on drums, For Rossi, playing a gig walking distance from his home isn’t unusual. A Mission resident since 2002, “the longest I’ve lived anywhere, period,” Rossi has performed at Curio Bar & Restaurant and The Liberties with small groups recent years, and provided a propulsive score for the Wednesday night Cat’s Corner swing dance sessions that recently moved to the Valencia Room (formerly the Elbo Room). He’s back in the neighborhood June 8 at the Verdi Club with Nick Rossi Swing Six, playing a monthly dinner dance series.

Rossi’s Jazzopaters also perform Friday at Stanford University as part of the Department of Music’s Jazz Inside Out series, a sit-down concert that allows the group to play with a wider array of tempos and dynamics. But Rossi notes that Ellington’s music was often created for dancing, and bringing it into the CMC’s ballroom feels particularly apt. He’s played the hot jazz and swing dance party known as the Bootleggers Ball there several times, “and playing this music in a space that existed when this music was created is kind of a big deal to me,” Rossi said. “We’re having this active dialogue with the past in as real a way as possible.”

#jazz music #jazz #music #history #jazz history #duke ellington #jazzopaters #san francisco #mission district #kamrin ortiz

0 notes

screamingforyears · 3 months

Text

IN A MINUTE: A POST_PUNK_ISH EXPRESS…

@dontgetlemontx are here w/ “LAST CHANCE FOR ROMANCE,” the latest single from their forthcoming LP titled ‘Have Some Shame’ (4/23 @alacarterecords_@summerdarlingtapes) & it finds the Austin-based trio anthemically rising & falling across 4 ½ mins of dizzingly delightful & synth_popping NüWave.

“SHE SAYS” is a brand-new single from @freeplayangel & it finds @underpassband mastermind Alexander Miranda’s recording/live musical side project dub_popping its way across 3 ½ echoed mins of grooved out & hypnotically tranced ArtRock.

@housesofheaven are here w/ “DESERVE,” the second single from their forthcoming LP titled ‘Within/Without’ (4/26 @felte_label) & it finds the Oakland-based trio of Keven Tecon (vox/synth/guitar/programming), Adam Beck (synth/guitar/programming) & Rachel Travers (drums) linking up w/ Mariana Saldaña of @ms.boan to bring 4 mins of beat-driven & electro_popping SynthWave.

“LINES” is the latest single from @maxbandnyc’s forthcoming debut LP titled ‘Maxband On Ice’ (4/5 @holm.front) & it finds the New York-based quartet of Max Savage, Patrick J Smith, Eric Read & Tim Nelson wielding their winsome personalities across 5 ½ mins of hawkishly hooked, funkily post_punked & stoically deadpanned Indie.

“GIFT OF KNIVES” is the title-track from @replicacityco’s recently released EP (@power_goth) & it finds the Denver-based trio of Nathan Rodriguez (drums), Matt Dunne (bass) & Corey Fruin (vocals/guitar) bringing 3 ½ mins of their frantically haunting PostPunkingHardcore.

“LOST APPEAL” is the second single from @vessel.atl’s forthcoming LP titled ‘Wrapped In Cellophane’ (4/2 @doublephantom) & it finds the ATL-based quartet of Alex Tuisku (drums/vox), Keron Robinson (guitar), Dan Pulido (bass) Isaac Bishop (sax/keys/vox) skanking their way across 3 saxxed up & six-string shimmered mins.

#music #screamingforyears #songs #postpunk #indie #goth #rock #indierock #alternative #aesthetic #electronicmusic #synthwave #Bandcamp #Spotify

1 note · View note

jelly-o630 · 10 months

Text

I was super bored several weeks ago and ranked a bunch of different version of one song and that’s been sitting in my notes for a while now but I’m posting this today cause I felt like anyways here’s

Ranking different versions of Almost Like Being in Love by how in love the singer sounds to me

James Taylor- 8/10 the intro threw me off a bit but as soon as he starts singing the man sounds pretty in love (he sounds like he’s reminiscing about a really good day), he’s walking down a pier at sunset having a good time thinking about someone

Natalie Cole-6/10 the first half is not very in love (with the exception of a word or two here) but after she scats a little she sounds much more in love

Seth MacFarlane- 6/10 including the intro makes him sound a lot more in love- trying to sound like Sinatra a little too much (I.e. smug about about being in love) the occasional repeating of words makes him sound a tinny bit more in love

Nat the king Cole- 7/10 the piano is carrying the love feeling here but his diction does sound pretty in love

Frank Sinatra- 4/10 smug about being in love, his repetition of almost didn’t sound in love enough, sounds like walking down the street by yourself after a pretty good date but not a great one

Vic Damone- 2.5/ 10 he’s only singing it cause they told him to not cause he’s in love- he randomly slows down the song to sound more in love and the forcedness of it loses him a point, the repetition of love gets him half a point back, if you told me the horn players were in love I’d believe it but him, nah

Ella Fitzgerald- 8/10 was going to rank this lower but it became progressively more in love, you can hear her smiling, she surprised by her own love

Gene Kelly- 10/10 you can here him smiling, give off an in love sigh, and fall backwards by how in love he is, walking home after meeting the person you’re gonna marry, giddy, childish in a good way, slows down a second because he’s just that in love (take a hint Vic), the classic too emotional to sing so the music takes over for a second all to express how in love he is, the ending 😮‍💨👌🏼

Laura samuels and Sophia Evans- 7/10 Duet!!! Extra points, the speed up tempo gives the stars in theirs eyes as they sing, also gives impression of dancing with their partner at the end, the second singer sounds more in love than the first but both are very happy about being in love, bonus points for the sapphic vibes

Patrick Wilson and Kellie O’Hare- 7/10 very excited that he is in love, Kellie is more in love, the slowed down part was excellent in selling the love

Shirley Jones and Jack Cassidy- 6/10 he’s content with being in love, not much to say here, you can here some hearts floating around his head, here Jack is more in love

Shirley Bassey- 4/10 also has a weird, unearned slowed down part, not very in love but doesn’t make me mad by how insultingly indifferent about it it is

Jennifer Nettles- 4.5/10 singing like Madonna not like she’s in love, not much to say just kinda meh, the slowed down part at the ending helps it

Michael Johnson- 1/10 are you trying to seduce me with this song???, the vibe he gives it is completely wrong for this song, I think you CAN believe this is real, the sax is all wrong for this, almost like being in love is NOT a sensual song what are you doing, random woodblock???, at least Vic understood the genre and context of the song

Austin Giorgio- 5/10 for the singer he sounds pretty average about being in love BUT THE BAND 100/10, the band is so great I feel awful about having him so low but man needs to sound in love not just amazing at singing

Jo Stafford- 5/10 She doesn’t sound very in love but I feel pretty in love right now (with her if that wasn’t clear)

Diana Krall- 5/10 very sleepy version, also not too in love but it’s sounds alright, very played quietly at a restaurant vibes

Shy Baldwin- 6.5/10 the girls hate being there but the Dude he’s in love, probably with himself, but in love nonetheless, bonus points for heaven above

Emile- Claire Barlow- 8/10 the intro tricked me (where she already sounds in love) the rest is also very in love, you can hear her smile, it’s ringing just for me 😆😆

David Brooks and Marion Bell- 5/10 he sounds pretty averagely in love, she’s also averagely in love

Jonny Hartman and Gerald Wilson- 6/10 First singer is pretty in love, doesn’t wow me but those dudes are in love (not with each other tho)

Melanie- 5/10 averagely in love but pretty weird version of the song, idk if I like it or not, she’s certainly in love with the drugs she took before this take, I wanna make her score lower for the weird version of the song but it doesn’t effect how in love she sounds

Jonny Mathis- 8/10 he was on love, their love is gone now and I’m upset now, great emotion, give me a bad enough day and this song would 100% make me cry

Chris Conner- 3/10 the stacco of the notes takes away the in loveness, give it room to breath ma’am, changing the rhythm a little feels like it’s forcing the love feeling, not in love

Nicole Henry- 7/10 she’s 100% in love, I really like this version idk what else to say, love the changing context of the song by her additional lyrics at the end

Nancy Wilson- 8/10 Giddy with love, she’s wants to tell everyone she’s in love

Billy Stewart- 6/10 very jazzy, I like how he sings it, and the band is great but as for sounding in love eh, he loves performing

Nana Mouskouri and Torrie Zito- 4/10 interesting arrangement, good voice but doesn’t sound in love

Eydie Gorme- 5/10 slight hispanic edition!!!, average about love but that band is great

#musicals #musical theatre #music #ranking #Frank Sinatra #nat king cole #bridgadoon #I actually don’t know how many versions I listened to #this is was in one day btw #just so you know I am not ranking by how much I like their version of song #otherwise ALOT of these would be a lot higher #it is ONLY by whether I think they sound in love #this may be skewed by the fact I’m aro/ace #but ah well #Ella Fitzgerald

0 notes

mirandamckenni1 · 11 months

Video

youtube

Liked on YouTube: Man! I Feel Like A Woman! - Shania Twain (Marilyn Monroe Style Cover) feat. Allison Young || https://www.youtube.com/watch?v=08wwMzJrFsA || Man! I Feel Like A Woman! - Shania Twain (Marilyn Monroe Style Cover) ft. Allison Young Get our new album: https://ift.tt/BReusTZ | Tix: http://pmjtour.com Subscribe: http://bit.ly/subPMJ | PMJ on Spotify: https://ift.tt/gX9WMQd The sensational Allison Young returns to the PMJ bandstand to give Shania Twain’s 1999 country-pop hit, “Man! I Feel Like A Woman!” a 1950s Marilyn Monroe twist, with a nod to the iconic Old Hollywood musical number, “Diamonds Are A Girl’s Best Friend.” Follow & Connect with Allison Young: YouTube: https://www.youtube.com/@allisonyoungmusic Facebook: https://ift.tt/CGpJh15 Instagram: https://ift.tt/ByjPqma Bandcamp: https://ift.tt/0cKeIRu TikTok: https://ift.tt/Anh7btW See Postmodern Jukebox LIVE! Tickets On Sale NOW for the US/Canada, UK, Europe, Australia/NZ, Asia — find over 100 dates on sale here: https://ift.tt/umjcBXU Follow Postmodern Jukebox: "Bat Signal" Mailing List: https://ift.tt/0cRMuHP Facebook: https://ift.tt/ObQPf3W Instagram: https://ift.tt/pLjEkzv TikTok: https://ift.tt/4v1EYKx Twitter: https://twitter.com/pmjofficial Shop: http://shoppmj.com Watch More Postmodern Jukebox: Newest Videos: https://youtube.com/playlist?list=PL7A4D9C100657150E&playnext=1&index=2 Popular Videos: https://youtube.com/playlist?list=PLJZH8sevmMq5rnnzsmkbteoFOWCdBx24u&playnext=1 Jazz Covers: https://youtube.com/playlist?list=PLJZH8sevmMq4yD3ezQ3jFJfw68ZU1f_NS&playnext=1 Soul Covers: https://youtube.com/playlist?list=PLJZH8sevmMq5WazmMNVZL_S6yXuL7oxpe&playnext=1 Swing Covers: https://youtube.com/playlist?list=PLJZH8sevmMq5SrR0uFw9W-XidSoq3FiYi&playnext=1 Watch by Decade: https://youtube.com/user/ScottBradleeLovesYa/playlists?sort=dd&shelf_id=218&view=50 Watch by Mood: https://youtube.com/user/ScottBradleeLovesYa/playlists?sort=dd&shelf_id=219&view=50 Listen to Postmodern Jukebox on: iTunes: http://bit.ly/itunesPMJ Spotify: http://bit.ly/spotifyPMJ Google Play: http://bit.ly/googlePMJ ____________________________________________ Follow The Musicians: Casey Brefka (Trumpet) Instagram: https://ift.tt/9X2Qv8W Facebook: https://ift.tt/zVrv5XL Dan Hitchcock (Tenor Sax) Instagram: https://ift.tt/qsy5tZV YouTube: @danhitchcock124 Jeff Adams (Trombone) Instagram: https://ift.tt/dov8BJC https://slideadams.com/ Thor Jensen (Guitar) Facebook: https://ift.tt/ze5MIah Instagram: https://ift.tt/gXD1KVp Twitter: https://twitter.com/thorbobby Jared Manzo (Bass) Facebook: https://ift.tt/7wuctD6 Instagram: https://ift.tt/Mh1pxb2 Chris Gelb (Drums) Facebook: https://ift.tt/JPdtgWz Instagram: https://ift.tt/U5q9DRh Scott Bradlee (Piano & Arrangement) YouTube: https://youtube.com/scottbradlee Spotify: https://ift.tt/m5XovnB Substack: https://ift.tt/zL7ExhU Arranged & Produced by Scott Bradlee Cinematography by Andrew Rozario & Mike Stryker Engineered, Mixed & mastered by Thai Long Ly https://ift.tt/o8UqNZ0 Hair & Makeup by Nichole Pechonis https://ift.tt/NAvsIB6 Wardrobe by Sunny Holiday Production coordinator: Patrick Coleman #shaniatwain #Cover #marilynmonroe

#IFTTT #YouTube

0 notes

chrancecriber · 2 years

Text

Radio NET Bulgaria (November 20, 2022)

23:57 MARCIN NOWAKOWSKI - Wake up! 23:52 DAVE KOZ - Only Tomorrow Knows 23:48 GARY MEGGS - A Joyous World 23:43 PETER WHITE - Never Gonna Give You Up 23:38 JODY MAYFIELD - Summer Rain (feat. Michael Tarpley) 23:34 AL DEGREGORIS - Into the Sun 23:30 ROB TARDIK - B Positive (feat. Dave Koz) 23:26 QUINTIN GERARD W. - Air Beneath Your Wings 23:21 MARK MAXWELL - Winter Wonderland 23:17 EUGE GROOVE - Vinyl 23:12 JOY RIDE - Fly By 23:08 VANN BURCHFIELD - You Can Do It 23:04 WALTER BEASLEY - Lovely Day 23:00 WARREN HILL - Skinny Dippin' 22:59 JOYCE COOLING - Coasting 22:55 WILL SUMNER - Jolon Road 22:51 KIM WATERS - In The Fast Lane 22:46 BRAD ALEXANDER - Just Between Us (feat. Donald Hayes) 22:42 PAOLO RUSTICHELLI - Mondorama 22:39 BRIAN CULBERTSON - Deck The Halls 22:35 PATRICK YANDALL - Last Flight Home 22:31 THREESTYLE - Desert Moon 22:27 KIM SCOTT - Back Together Again 22:22 JEFF KASHIWA - 3 22:18 ZOLBERT - Find the Light 22:14 SHARMOND SMITH - Hark The Herald Angels Sing 22:10 TONY SAUNDERS - All Alone 22:06 WAYMAN TISDALE - Conversation Piece (feat. Bob James) 22:02 TERENCE YOUNG - Dance with Her 21:57 JACKIEM JOYNER - J Street 21:54 RICK BRAUN - Love Will Find a Way 21:50 ART FOUR SALE - Feliz Navidad 21:48 MARCUS ANDERSON - Psalm 42 21:43 DREW DAVIDSEN - I Can't Help It (feat. Bobby Lyle) 21:37 PETER WHITE - Good Day 21:33 THE SMOOTH JAZZ ALLEY - EBF 21:28 BLAKE AARON - Sunday Strut (feat. Najee) 21:25 TONY CRADDOCK JR. - Let It Snow! Let It Snow! Let It Snow! 21:21 DARRON COOKIE - Your Smile 21:17 RONNY SMITH - Smooth 21:12 NELSON RANGELL - Welcome Home 21:07 GREGG KARUKAS - Show Me The Way 21:03 MARK JAIMES - Trigger Happy 20:59 CAROL NETHEN - Pat a Pan 20:56 CHRIS STANDRING - Change The World 20:51 JIM ADKINS - Time With You 20:48 DANIEL DOMENGE - Latin Flavours 20:43 NAJEE - Bottom To The Top 20:40 DEE BROWN - Smooth Talk 20:37 ARIEL B - Candy Cane Love 20:33 RICHARD ELLIOT - Authentic Life 20:28 REZA KHAN - Clear Skies 20:24 BLAIR BRYANT - Sapphire Rain 20:20 DEON YATES - When We Meet Again 20:15 RHYTHM LOGIC - Call Me Tonight 20:11 NEAL DAVIS - Golden Bells 20:07 JONATHAN FRITZEN - Electric 20:03 RYAN LA VALETTE - AMG Power 19:58 THE SAX PACK - Like Old Times 19:53 KAYLA WATERS - Heaven Said (vocal) 19:47 DEE LUCAS - The Grady Curve 19:43 MICHAEL LINGTON - Winter Wonderland, Let It Snow 19:38 KEN NAVARRO - I'll Tell You What 19:34 NILS - Play It 19:29 PETER WHITE - Long Ride Home 19:24 ART RUPRECHT - Wine and Dine 19:20 NORMAN BROWN - Wes Side Story 19:17 KEB' MO' - Moonlight, Mistletoe & You 19:13 RAINFOREST BAND - God's Nature 19:08 AL GOMEZ - Groovetimez 19:03 NICHOLAS COLE - Let's Take a Ride 19:00 PAUL BROWN - Love You Found Me 18:55 ROBERT HARRIS - Cool Breeze 18:51 COOL SPRING JAZZ QUARTET - The First Noel 18:47 DARREN MOTAMEDY - You're Incredible 18:43 NICK COLIONNE - On the Move 18:39 BRANDON WILLIS - Seduction 18:35 PAUL HARDCASTLE - Domino Effect 18:31 VINCENT INGALA - Vintage Vibe 18:28 DIRK K - Have Yourself A Merry Little Christmas 18:24 RANDY SCOTT - Jade Mountain 18:19 OLI SILK - New Bounce 18:15 PIECES OF A DREAM - Ear Candy 18:11 DEAN JAMES - Neon Skies 18:07 MEKIEL REUBEN - No Where Love 18:01 JUSTIN YOUNG - Silver Bells 17:58 CAROL ALBERT - Fly Away Butterfly 17:53 DARRYL WILLIAMS - How Long Has It Been (feat. Jeff Lorber & Marcus Anderson) 17:49 FUNKTASTIC PLAYERS - Feeling Happy 17:45 RICK HABANA - Eclipse 17:41 LOWELL HOPPER - Change of Seasons 17:37 K.VIO, TIM TONIC - O Christmas Tree 17:32 JOHN E. LAWRENCE - Slammin' & Jammin' 17:28 BRIAN BROMBERG - Come To Me 17:23 PETER WHITE - Just My Imagination 17:18 WILL DONATO - Everlasting 17:13 DREAMING IN COLOUR - The Dream Merchant 17:09 SYLVIA BENNETT - A Rainbow Christmas 17:05 LES SABLER - Three Dee 17:01 SAM BASSMAN JENKINS - That's The Way Of The World 16:58 BRIAN SIMPSON - Daybreak 16:54 JAZZ FUNK SOUL - Hustle 16:50 BIRDS OF A FEATHER - Phoenix Rising 16:46 DAVID BENOIT - Angels We Have Heard On High 16:42 ADAM HAWLEY - 35Th St. (Feat. Eric Darius) 16:38 DANNY LERMAN - Gotcha! 16:33 ANDRE DELANO - Full Circle 16:29 ERIC MARIENTHAL - Your Move 16:24 JEREMY HECTOR - Spray Bay 16:21 HARPER, GUS AND GOMEZ - Christmas Time 16:17 BEN TANKARD - Thicker Than Water (Reality TV Mix) 16:13 FREDDIE FOX - No U Turn 16:09 GABRIEL MARK HASSELBACH - Vanishing Summer 16:04 NATE WHITE - Step up to the Plate 16:00 CHRIS GODBER - Essential (feat. Jordan Love) 15:59 RONALD BOO HINKSON - Second Look 15:54 BONEY JAMES - Camouflage 15:50 SMOOTH SOUL HOLIDAY - Silent Night 15:46 UNDER THE LAKE - Can't Believe It's True 15:41 PHILLIP DOC MARTIN - Rock the Boat 15:37 ROCCO VENTRELLA - In My Arms 15:32 DAVID PETROSYAN - Forgive Me 15:28 LOUIE FITZGERALD - Surviving the Storm 15:25 DANA FIELDS - Christmas Time Is Here 15:20 GERRY SMOOTH - Rise Above (feat. Maestro J.) 15:16 PETER WHITE - Bueno Funk 15:11 MARC ANTOINE - Silk And Steel 15:04 JEFFERY SMITH - The Chill Zone 15:00 JULIAN VAUGHN - Loving You 14:59 TIM BOWMAN - Into The Blue 14:55 SPECIAL EFX - Mother of Pearl 14:51 R. HARRIS - Blu Twilight (feat. Andrew Nixon, Ignacio Nunez & Dean Rickard) 14:48 DR. SAXLOVE - O Come All Ye Faithful 14:43 DARREN RAHN - Sonic Boom (feat. Jonathan Fritzen) 14:39 SPONTANEOUS GROOVIN' COMBUSTION - Double Deuces 14:36 PEET PROJECT - Lightyears 14:31 ACOUSTIC ALCHEMY - Lilac Lane 14:27 PAUL TAYLOR - Club 702 14:23 CHRISTMAS CAROLS - Happy Christmas 14:19 MARION MEADOWS - No Wind, No Rain 14:13 KEIKO MATSUI - A Night With Cha Cha from Soul Quest 14:09 STEVE OLIVER - Ba Aye 14:04 LISA ADDEO - Stay With Me Tonight 14:00 ERIC DARIUS - Nu Trane Of Thought 13:58 JEANETTE HARRIS - Passing Time 13:54 MARCIN NOWAKOWSKI - Tell Me Why (Feat. Paul Brown) 13:49 DANIEL D. - Jingle Bell Groove 13:44 DAVE KOZ - Just To Be Next To You 13:41 JODY MAYFIELD - Right Now (feat. Bill Hart) 13:36 AL DEGREGORIS - All Over The Place (Feat. Eric Marienthal) 13:32 ROB TARDIK - That's a Strut 13:27 QUINTIN GERARD W. - Changing Signs 13:23 NATHAN WOODWARD - Angels We Have Heard 13:18 EUGE GROOVE - Talk To Me 13:13 PETER WHITE - Requiem For A Princess 13:08 JOY RIDE - Trade Winds 13:05 VANN BURCHFIELD - We Can Do This 13:00 WALTER BEASLEY - La Nina 12:58 WARREN HILL - Oh Girl 12:53 JOYCE COOLING - Jelly on My Jacket 12:49 WILL SUMNER - First Light 12:45 JACK JEZZRO - White Christmas 12:41 KIM WATERS - Walking On Air 12:36 BRAD ALEXANDER - Like the Dew 12:32 PAOLO RUSTICHELLI - Vagabond 12:28 PATRICK YANDALL - Viejo Amigo 12:24 THREESTYLE - Bring It Up 12:20 BRADLEY LEIGHTON - Have Yourself A Merry Little Christmas 12:16 KIM SCOTT - J's Groove 12:12 JEFF KASHIWA - The Attraction 12:08 ZOLBERT - Above the Clouds 12:04 TONY SAUNDERS - Unlimited Access 12:00 RAGAN WHITESIDE - How Do You Know (vocal) 11:58 WAYMAN TISDALE - Watch Me Play Again (feat. Robert Wilson from The Gap Band) 11:53 TERENCE YOUNG - Island Love 11:49 SHIN GIWON CHRISTMAS CAROL COLLECTION - All I Want For Christmas Is You 11:45 JACKIEM JOYNER - Close 2 You 11:40 RICK BRAUN - Missing in Venice 11:34 MARCUS ANDERSON - Clean Heart 11:30 DREW DAVIDSEN - Don't Delay 11:26 THE SMOOTH JAZZ ALLEY - Let's Ride 11:22 JONATHAN BUTLER - Winter Wonderland 11:17 BLAKE AARON - Groovers and Shakers (feat. Darren Rahn) 11:14 DARRON COOKIE - Other Places 11:08 PETER WHITE - Wake Up Everybody 11:04 JEFF RYAN - Sweet Spot 11:00 RONNY SMITH - I'm Beside You 10:56 NELSON RANGELL - Reasons 10:52 GREGG KARUKAS - Happy The Man 10:49 MARK JAIMES - ABC 10:45 PEGGY DUQUESNEL - Breath of Heaven 10:41 CHRIS STANDRING - Too Close for Comfort 10:37 JIM ADKINS - A Kiss From You 10:32 GREG MANNING - For the Love of You 10:28 DANIEL DOMENGE - French Connection 10:24 NAJEE - Modern Lovers 10:22 ART MORRIS - Santa Claus Is Coming To Town 10:17 ALEXANDER ZONJIC - Nature Boy 10:14 DEE BROWN - Love You Too 10:10 RICHARD ELLIOT - Summer Madness 10:04 REZA KHAN - Midnight Runner 10:00 BLAIR BRYANT - Red Tiger 09:58 DEON YATES - Quintastic 09:53 RHYTHM LOGIC - There for You 09:48 JONATHAN FRITZEN - Turn Back Time 09:45 YOLANDA RABUN - That's What I Want for Christmas 09:40 RYAN LA VALETTE - No Limits 09:36 THE SAX PACK - Can't Help Myself 09:32 KAYLA WATERS - Spirit Awakening 09:28 DEE LUCAS - To Be Continued 09:24 KEN NAVARRO - Walking Each Other Home 09:21 AARON BING - Away In A Manger 09:17 NILS - Shine Your Light On Me 09:13 ART RUPRECHT - Living in the Son 09:08 PETER WHITE - Drive By Night 09:04 RAINFOREST BAND - Caribbean Sunset 09:00 NORMAN BROWN - Back At Ya 08:55 3RD FORCE - Follow Me Home 08:50 AL GOMEZ - Closer to You 08:46 SHAKATAK - Christmas With You 08:42 NICHOLAS COLE - Whodat 08:38 JAY KING - My Song 08:34 AMANDUS - Chrome Improvement 08:30 ROBERT HARRIS - New Day 08:26 PAUL BROWN - Right Back At Ya 08:21 GERALD ALBRIGHT - Silent Night 08:17 DARREN MOTAMEDY - After the Storm 08:14 BRANDON WILLIS - Its Always Been You 08:10 KEITH MASON - End of Days 08:06 NICK COLIONNE - Just Being Me 08:00 PAUL HARDCASTLE - Soaring like an eagle Sax Remix 07:58 KENNY PORE - Touching Hearts Today 07:54 VINCENT INGALA - Can't Stop The Rain From Falling 07:50 WAKANA - Go for the Sound (feat. Darren Rahn & Koh Mr.Saxman) 07:46 DAMIEN ESCOBAR - Joy To The World 07:42 RANDY SCOTT - Sanctity 07:39 OLI SILK - All We Need 07:35 SHAUN LABELLE - Desert Nights 07:31 ALTHEA RENE - Pastel Leather 07:27 PIECES OF A DREAM - Gettin' Through It 07:23 U - NAM 07:18 DEAN JAMES - Can You Feel It 07:14 LIN ROUNTREE - Me for Me 07:09 MEKIEL REUBEN - Lovely Day 07:05 PETER WHITE - Deep In My Heart 07:00 DARRYL WILLIAMS - Here to Stay (feat. Euge Groove) 06:55 NORTH 2UNES WOODALL - Loving 2 06:51 FUNKTASTIC PLAYERS - Cooling In My Ride 06:46 BRIAN LENAIR - O Come All Ye Faithful 06:42 RICK HABANA - Ocean Breeze 06:38 LOWELL HOPPER - Resurgence 06:33 JOHN E. LAWRENCE - Step into a Dream 06:28 VINCENT IOIA - No Time Like Now (feat. Bill Heller) 06:25 WILL DONATO - Always You (Feat. Steve Oliver) 06:22 CHRIS 'BIG DOG' DAVIS - White Christmas 06:17 DREAMING IN COLOUR - Yearbook 06:13 LES SABLER - City Rhythm 06:09 SAM BASSMAN JENKINS - Feel So Good 06:05 SEAN U - Xlr8 06:00 BIRDS OF A FEATHER - Above the Clouds 05:56 ADAM HAWLEY - Shuffle (Feat. Darren Rahn) 05:51 DERRICK HARVIN - Colombiana 05:47 BOBBY WELLS - Oooh Baby 05:45 HANK BILAL - Let It Snow, Let It Snow, Let It Snow 05:41 DANNY LERMAN - Meow Baby 05:37 ANDRE DELANO - Vocalistic 05:33 ERIC MARIENTHAL - Just Around The Corner 05:29 JEREMY HECTOR - Clarity 05:25 NATE WHITE - Migration 05:21 SKINNY HIGHTOWER - Oh Come All Ye Faithful 05:17 BEN TANKARD - It's Working 05:13 FREDDIE FOX - Day Dreamin' 05:08 GABRIEL MARK HASSELBACH - Litmus Test 05:04 PETER WHITE - Festival 05:00 CHRIS GODBER - West Coast Soul 04:59 RONALD BOO HINKSON - She's Mine (The Girl Is Mine) 04:54 BONEY JAMES - Got It Goin' On 04:48 BROOKE ALFORD - The Christmas Song (By the Fireside) 04:44 UNDER THE LAKE - Bridgetown 04:41 PHILLIP DOC MARTIN - Just the Two of Us 04:35 KIRK WHALUM - Afterthought 04:31 ROCCO VENTRELLA - Soulful Strut 04:26 DAVID PETROSYAN - Everytime You Go 04:23 HERB ALPERT - Merry Christmas, Darling 04:19 LOUIE FITZGERALD - Thinkin' Back on When 04:14 GERRY SMOOTH - I'm Glad You're Here 04:10 MARC ANTOINE - Spooky 04:05 JEFFERY SMITH - Southern Style 04:00 JULIAN VAUGHN - Sunday 03:56 TIM BOWMAN - Heart & Soul 03:52 SHAWN RAIFORD - In the Moment 03:48 DAVID GARFIELD - Let It Snow! Let It Snow! Let It Snow! 03:44 SPECIAL EFX - Never Ending Love 03:39 wo Years On (feat. Jimmy Engher, Monte Mann, Ignacio Nunez & Dean Rickard) 03:35 DARREN RAHN - Revelation 03:31 SPONTANEOUS GROOVIN' COMBUSTION - Road to Redemption 03:27 PEET PROJECT - Tell Me You Want It 03:23 LISA MCCLOWRY - It Wouldn't Feel Like Christmas 03:17 ACOUSTIC ALCHEMY - Only in My Dreams 03:13 GARY PALMER - Land of the Sun 03:09 PAUL TAYLOR - Friday@5 03:04 PETER WHITE - City Of Lights 03:00 MARION MEADOWS - Any Time Any Place 02:58 KEIKO MATSUI - Black Lion 02:55 STEVE OLIVER - Watching the World 02:51 LISA ADDEO - Never Enough 02:46 CHIELI MINUCCI - Little Drummer Boy's Dream 02:42 JOE MCBRIDE, THE TEXAS RHYTHM CLUB - Kickin' It 02:38 ERIC DARIUS - Jean Maries Groove (Dedication for Prvcy Jeans) 02:35 PAUL TUVMAN - In My Life 02:29 JEANETTE HARRIS - Here & Now 02:25 MARCIN NOWAKOWSKI - After Hours 02:21 THE TIMELESS QUINTET - Mary Did You Know 02:17 DAVE KOZ - Surrender 02:13 JODY MAYFIELD - Where Would I Be (feat. Heidi McLaughlin) 02:08 AL DEGREGORIS - Autumn Chill 02:04 ROB TARDIK - Two Much Fun 02:00 QUINTIN GERARD W. - Roundtrip LAX 01:56 EUGE GROOVE - Good Night 01:51 JOY RIDE - Raise The Roof 01:47 KIMBERLY BREWER - Every Day Feels Like Christmas 01:44 VANN BURCHFIELD - Ain't No Body 01:39 WALTER BEASLEY - Skip To My Lew 01:35 WARREN HILL - Mojo 01:31 JOYCE COOLING - South of Market 01:27 WILL SUMNER - The Girl 01:23 JOHN FLUKER - Oh Come All Ye Faithful (Instrumental) 01:19 BRAD ALEXANDER - It's About Time (feat. Dee Lucas) 01:14 KIM WATERS - The Moment I See You 01:09 BRIAN SIMPSON - Mystical 01:04 PETER WHITE - Romance Dance 01:00 PAOLO RUSTICHELLI - Voyager 00:59 PATRICK YANDALL - One Last Look 00:55 THREESTYLE - SteppinÂ'up (feat. Magdalena Chovancova & Robert Fertl) 00:50 KIM SCOTT - Poolside 00:47 NICK DUKAS - This Is Christmas 00:43 JEFF KASHIWA - When Will I Know 00:39 ZOLBERT - One 00:34 TONY SAUNDERS - Highway 5 00:30 RAGAN WHITESIDE - Options (vocal) 00:26 WAYMAN TISDALE - Let's Do It Again 00:22 GARY MEGGS - Hark The Dancing Angels 00:17 ANDY SNITZER - She Loves Me 00:14 TERENCE YOUNG - Take You Out 00:10 JACKIEM JOYNER - Take Me There 00:05 RICK BRAUN - Amor de mi vida (Love of my Life) 00:00 ROBERT CHRISTA - Let It Go

#Radio NET Bulgaria #Smooth Jazz #Chillout #Lounge #2022 #November 2022

0 notes

burlveneer-music · 2 years

Audio

Greco Bastián - With a little hell from my friends - in which he recruits an astounding cast of musicians to play his intricate prog-math-zeuhl-r.i.o. compositions

I'm just a man lost in music. I cannot play any instrument, but I know how it must to be played, so I compose some tunes and some dear friends help me in order to make it sounds as it has to be... Without them I'm nothing.

For years I´ve heard "it sounds good, but you should make real musicians play it" so I decided to invite some of my idols to join in. This is the miracolous result, just give a look to the line up and listen something... IT MUST BE IN YOUR COLLECTION!! - TATSUYA YOSHIDA, Japan (KOENJIHYAKKEI, RUINS, KOREKYOJINN, etc.) – Drums - JEAN-LUC PLOUVIER, Belgium (UNIVERS ZERO, MAXIMALIST!, DANIEL SCHELL & KARO, etc.) – Piano - RYOKO ONO, Japan (SAX RUINS, PLASTIC DOGS, RYORCHESTRA, etc.) – Sax - PIERRE VERVLOESEM "Belgium's Frank Zappa", Belgium (X-LEGGED SALLY, FLAT EARTH SOCIETY, KINGS OF BELGIUM, etc.) – Electric Guitars - MATT LEBOFSKY, USA (MIRTHKON, SECRET CHIEFS 3, MOETAR, etc.) – Bass Guitars - PATRICK SHIROISHI, Japan (CORIMA, UPSILON ACRUX, SSWAN, etc.) - Sax - EMMETT ELVIN, UK (GUAPO, KNIFEWORLD, CHROME HOOF, etc.) – Electric & Bass Guitars - VINCENT SICOT-VANTALON, France (SCHERZOO, UNIT WAIL, ZERO ZERO ZERO, etc.) – Piano & Keyboard Effects - JON BAFUS, USA (GENTLEMAN SURFER, AFTERNOON BROTHER, INVASIVE SPECIES, etc.) – Drums - SAMO ŠALAMON, Slovenia (TRIO, QUARTET, SEXTET, etc.) – Electric Guitars - JOSÉ LUIS VELASCO, México – Electric & Bass Guitars - HEY FIGUEROA, México (MUSHASHO) – Bass Guitars - ARMANDO LAGARDA, México (MUSHASHO) – Drums - EDSON SANTANA REYNA, México – Acoustic & Charango Guitars - GERARDO RAMLOP, México - Xylophone - GRECO BASTIÁN, México – Composition, VST´s Effects

#Greco Bastián #math rock #prog rock #progressive rock #zeuhl #r.i.o.#2022 #mexico

7 notes · View notes

epacer · 2 years

Text

Story You May Have Missed

Hollis Gentry III

Hollis Gentry

San Diego's music community was dealt a major blow on September 5, 2006, with the passing of jazz icon Hollis Gentry, 51. Saxophonist Gentry had survived a roll-over car accident in September 2004, which fractured his jaw and caused serious facial damage, preventing him from playing his instrument; he was hospitalized for nearly three months. Sadly, he never fully recovered and could no longer play, but things took an even worse turn when he was diagnosed with cancer just two months before his passing.

Gentry went to O'Farrell Middle School and Crawford High School. In 1969, he and Carl Evans, Jr., founded local funk band Power. In the early 1980s, the pair founded the jazz quintet Fattburger. A few years later, Gentry departed to form his own band Neon, though he remained a part-time member of Fattburger up until he was unable to play his instrument any more.

Hollis Gentry's Neon released its first album on the Nova label in 1989. While Gentry kept a slightly lower profile during his post-Neon years, until the time of his accident he was a perennial presence at numerous clubs and festivals, as well as at the occasional recording session and tour. He appears with guitarist Larry Carlton on the video Larry Carlton Live at the Montreal Jazz Festival, taped in 1990.

Gentry took home a San Diego Music Award in 1996 for Best Jazz Artist and contributed to many local recordings. Anyone looking for a complete set of his recordings will need copies of albums by Patrick Yandall, Gomango Invasion, Planet Groove, Doug Robinson, and Robin Henkel, to name just a few. There are enough guest appearances out there for a good-sized box set.

Neon would eventually fade, but Gentry (as Hollis Gentry III) released a solo album -- For the Record -- in 2001. Dizzy's owner Chuck Perrin has the distinction of having Gentry's last recorded performance as part of his 2005 album, :44 of Love.

-- by Bart Mendoza for San Diego Troubadour, used with permission

Gentry attended O’Farrell in Southeast San Diego in the 1960s, the middle school where evidence of his unusual talent first became apparent.

“My mother could probably best tell you,” remembers Veronica West, Gentry’s sister, “but he started out trying to play drums in the fourth grade at Knox Elementary. When he got to middle school, he knew what he wanted to do. He said that he really wanted to play the saxophone.”

After O’Farrell, Gentry transferred to Crawford High School. A protégé of jazz sax legend Cannonball Adderley, Gentry cofounded smooth-jazz group Fattburger in the 1980s. A fixture on the local jazz club circuit with his band Neon, Gentry toured with Larry Carlton and David Benoit, among others. In 2004, a near-fatal car accident cost him the ability to play saxophone.

Gentry died of cancer on September 5, 2006 at the age of 51.

On February 24, 2011, Social Advocates for Youth (SAY) San Diego and the O’Farrell Community School in Skyline hosted a dedication concert on campus to name their auditorium after Gentry. *Reposted article composite from the San Diego Reader Online Archive. No date or editor attached to story.

0 notes

artistbookings · 2 years

Text

The Idiomatics - Party Trio

The Idiomatics play songs of life, love and lived experience. This newly formed trio from Melbourne fuses the musical provenance of its members … latin, electronica, ska, jazz, brass band, pop and funk. Patrick and Michael provide lush backing arrangements to Sally’s wryly observed lyrics. The expansive sonic palette of keyboards, samples and electronica is enhanced by trombone, saxophone, flute and even a bit of old-fashioned whistling.

Original tunes and freshly interpreted classics come together in this richly imagined musical experience.

The Idiomatics brings their collective legacy of leading or performing with bands such as the ARIA-winning Melbourne Ska Orchestra, the Spaghetti Western Orchestra, Texicali Rose, Yothu Yindi, Sally Ford and the Pachuco Playboys, Joe Camilleri’s Black Sorrows, Ska Vendors, Skazz and Frank Yamma.

Instrumentation: Vocals, Flute, Alto Sax, Maschine Mk3, Sequences, Valve Trombone, Keys, SFX

Music Genre: Latin, Electronica, Ska, Jazz, Brass Band, Pop, Funk

Size: Trio

Covid Safe: Vaccinated

0 notes

daughterofhecata · 3 years

Text

Kaj’s Kink January

Okay, damit ich gezwungen bin, mich an die Liste zu halten, hier also die Prompt List für Januar! (Ich werde sie dann im Verlauf des Januars immer wieder editieren, sodass dann auch die Pairings und Links dabei sind, aber das wird immer erst am entsprechenden Tag verraten.)

ring kink + voice kink -> Cotta/Victor [@iscariot-rising]

foursome + coming untouched -> Justus/Peter/Bob/Skinny

semi-public sex -> Cotta/Dylan | Cotta/Dylan/Skinny

dacryphilia -> Cotta/Peter | Cotta/Skinny/Peter

locker room -> Peter/Jeffrey

roommate kept awake -> Peter/Skinny | Peter/Skinny/Dylan

against a wall + sub!Cotta -> Cotta/Goodween

smoking kink/capnolagnia -> Justus/Victor

glory hole -> Bob/?

voyeurism -> Cotta/Victor | Morton/Cotta/Victor

sexting + office sex -> Peter/Cotta [@maislabyrinthsverirrung]

uniform kink/military roleplay -> Cotta/Justus

control + breathplay -> Peter/Skinny

frottage + tongue piercing -> Cotta/Skinny [inspired by @crazy-walls ' "you're pulling the trigger all wrong"]

(semi) public masturbation + sauna -> Bob [@maislabyrinthsverirrung]

against a mirror + fighting for dominance -> Bob/Skinny

handjobs under the table + cheating -> Peter/Skinny

ice play -> Peter/Cotta

unhealthy power dynamics + under the influence/dubcon + facial -> Bob/Sax

somnophilia + bareback -> Cotta/Bob

size kink/double penetration -> Peter/Skinny

rope bondage leaving marks + aftercare -> Peter/Bob [@crazy-walls | @loki-simp]

cuddling/seeking warmth turned sexual + body worship -> Justus/Peter/Bob

bondage/tease and denial -> Peter/Cotta

high af in an alleyway behind a club + dubcon -> Dylan/Bob

over the hood of a car + bareback -> Justus/Patrick

praise kink + deepthroating -> Cotta/Justus/Victor

daddy kink -> Skinny/Victor

orgasm denial -> Justus/Jeffrey

semi-public sex -> Justus/Skinny/Monique [inspired by @otis--driftwood 's "two guys (for every girl)"]

D/s play -> Skinny/Justus

Bonus:

tongue piercing -> Skinny/Stan [@crazy-walls]

tentacles -> Justus

uniform kink -> Cotta/Goodween

in a skirt -> Justus/Skinny [inspired by @kollegen-den-schnapp-ich-mir 's art]

#kink january #die bonus prompts benutze ich entweder als alternative wenn ich doch zu einem der regulären prompts nichts anständiges verfasst kriege #oder es gibt sie halt im februar bonus oben drauf #einige der pairings zu den einzelnen prompts kann man sich sicherlich mithilfe des dokuments leicht erschließen #aber wer das vorher wissen will muss eben ein bisschen detektiv spielen #der *plan* war dass ich heute auch erst anfange zu schreiben #faktisch habe ich aber bereits vier fills fertig + diverse bits and pieces für drei weitere...#kaj rambles #drei fragezeichen #btw nein die reihenfolge hat nichts zu bedeuten ich hab meine liste einfach durch nen randomizer gejagt

29 notes · View notes

doomandgloomfromthetomb · 2 years

Text

Doom & Gloom: The Year In Bootlegs

Whole lotta doom and gloom in 2021. But here's some of the good kind of Doom & Gloom. Live recordings from across the decades! Read on to get caught up with the D&G exclusive upload kinda things from the past 12 months. In case you've missed some of these, I've gone ahead and replaced expired links. This year marks 12 years of Doom & Gloom From The Tomb. Hope you've enjoyed the ride. Keep on sailing.

Pharoah Sanders - The Jazz Workshop, Boston, Massachusetts, November 3, 1973

Pharoah effortlessly turns this basement club into an extremely cosmic zone, stretching way out, but always carrying the audience along with him.

Rahsaan Roland Kirk & the Vibration Society - The Jazz Workshop, Boston, Massachusetts, October 31, 1972

“If I pass through this land and split offa this earth, and I find somebody puttin’ my music out on bootleg, I got some cats and sisters gonna take care of ya with some karate chops and some knives."

Herbie Hancock - The Jazz Workshop, Boston, Massachusetts, March 22, 1973

With synth madman Dr. Patrick Gleason in tow (plus a dude named Scorch on congas), the group takes the Boylston Street basement club into the outer reaches of the cosmos. The groove remains strong, however, with Buster Williams and Billy Hart laying down a thick and greasy foundation for everyone else to blast off from. Amazing jams.

Bob Dylan - Spokane Arena, Spokane, Washington, October 5, 2001

A fantastic Crystal Cat recording and a fantastic performance from the Campbell / Sexton / Kemper era NET band, with a bunch of song debuts and Bob in fine form. I can remember getting CDRs of this gig in the mail just a few weeks later, which seemed like a minor miracle at the time — like “Love And Theft” itself!

The Band - The Music Inn, Lenox, Massachusetts, September 26, 1976

The Band would soon be dancing its Last Waltz, but they all sound as good as ever at the Music Inn, as captured on a very nice audience tape. Danko in particular is on fire, vocally and instrumentally, and the mix gives us a little bit more of Manuel’s piano as a treat.

Sun Ra and His Arkestra - The Grotto, New Haven, Connecticut, June 14 & November 12, 1986

Almost twenty African-American musicians, resplendent in shiny flowing robes and sequined caps, were shoehorned on the Grotto stage in June, 1986. They greeted the audience with a furious roll of drums, followed by the modal yodel and chromatic squeal of a synthesizer imitating a reed—an oboe or alto sax—and then zipping into an ascending siren noise like a spaceship in a sci-fi flick thrusting into hyperspace.

Fairport Convention - Royal Festival Hall, London, England, February 14, 1970

Fairport at this stage was debuting their Full House lineup / repertoire. That band’s saga is always kind of amazing to me. At the end of 1969, they lost a key co-founder and creative force (Ashley Hutchings) and the greatest singer of all time (Sandy Denny). Other groups would hang it up at that point — but instead, they just somehow became even more awesome.

Sandy Denny - The Bitter End, New York City, February 5, 1972

In January, we played the Bitter End in New York, with twenty-three-year-old Jackson Browne opening. He was obviously something special, with amazing maturity of voice and songwriting, and a genial human being. Between sets, we would repair next door to Nobody’s Bar, sawdust on the floor and Tapestry on the jukebox. One night, the guy on the door at the club told us that Bob Dylan was in the house. If there was one sure way of ruining Sandy’s set, it had just happened. I’d never seen her so nervous, self-conscious and clumsy on stage. Bob slipped away before the set ended. — Richard Thompson

Richard & Linda Thompson - New Merlin’s Cave, London, England, November 27, 1973

Another trip back to Richard Thompson's early days with Linda and Simon Nicol, when the trio was touring folk clubs and pubs as Sour Grapes. This audience tape is far from pristine, but it’s not bad either, capturing the Grapes trying to calm a rambunctious crowd. And mostly failing!

Black Francis - McCabe’s Guitar Shop, Santa Monica, California, March 22, 1990

Black Francis, AKA Frank Black, AKA Charles Thompson IV on Pico Boulevard. The Pixies frontman was out on the west coast at the time recording Bossanova, and he takes the opportunity to debut a bunch of that LP during the course of his 80+ minute set, plus a wide range of old faves and obscurities.

Frank Black - McCabe’s Guitar Shop, Santa Monica, California, May 27, 1994

The Pixies were kaputt for the time being and Frank had quickly built up an entirely new repertoire — apart from a handful of covers, this 29-song set is drawn from his two solo albums, 1993’s self-titled debut and the then-just-released Teenager of the Year, plus assorted b-sides. These records are, in my humble opinion, just as good as Black’s original work with the Pixies, capping off an astonishing eight-year run for the songwriter. To my mind, his early solo releases are kind of like a West Coast speculative fiction novel mixed with wry memoir, looking back at a weird southern California past and forward to an apocalyptic future.

Frank Black - McCabe’s Guitar Shop, Santa Monica, California, September 21, 1996

Throughout, Frank is extremely relaxed, chatty and expressive. At this point, he had almost completely left behind any trace of the Pixies … except that he breaks out a lovely “Wave of Mutilation” in the middle of this set. I remember that seeming like a bit of a miracle at the time.

Lou Reed - Various Radio Interviews, 1976

Lou is pretty forthcoming and chill, relatively speaking — I think the most spicy he gets is when one DJ asks if he likes The Tubes. Lou does not like The Tubes! Things he does like: New York City, Jimmy Carter, Zuma … and Sandy Denny!

Lou Reed’s Metal Machine Trio - Royal Festival Hall, London, England, April 19, 2010

A night of deep noise! Will this tape of Lou’s Metal Machine Trio ease your worried mind? Maybe, maybe not. But here it is if you need it. In the mid-2000s, Lou joined forces with Sarth Calhoun and Ulrich Krieger to bring his classic 1975 double LP Metal Machine Music to the stage — at long last! Like last week’s Zorn/Anderson collab, this is Reed reclaiming his avant-garde roots, leaving songform behind for the moment and heading straight into the heart of the sun.

Lou Reed - Festival Des Vieilles Charrues, Carhaix, France, July 17, 2011

The overall sound is kinda like a throwback to the Take No Prisoners / Everyman Band days. The setlist at this outdoor festival gig adds to the vibe as well; after a curveball opening “Who Loves The Sun,” Lou leads the band into some very rarely played 1970s numbers: “Senselessly Cruel” from Rock and Roll Heart and “All Through The Night” from The Bells. The latter tune, stretched out over 12 minutes, is a mindless endless boogie, just a vamp repeated on and on into infinity. Pretty good, though! “I wanna take you higher!” Lou bellows at one point, really feeling it.

Lou Reed - Heineken Music Hall, Amsterdam, Netherlands, June 14, 2012

And how about Lou himself? He sounds both fragile and defiant, raging against the dying of the light, full of passionate intensity — surely some Revelation is at hand! He also sounds like he’s enjoying himself, especially on the Lulu tracks, spitting out those incredibly nasty lyrics with glee. But the quieter moments are great, too — Magic and Loss’s “Cremation” is given an almost Irish folk feel, Lou venturing into the slipstream: “The coal black sea waits for me,” he sings, perhaps knowing that the end is near.

John Cale - VPRO Studio, Hilversum, The Netherlands, September 10, 1975 (or 1974?)

In the mid-1980s, John Cale released a live album called John Cale Comes Alive! This radio broadcast from the mid-1970s is more like John Cale Comes Undone! The songwriter is in an angry, combative mood, arguing with the Dutch DJ, refusing to answer his questions, giving him a very hard time. Not coincidentally, Cale also sounds very drunk.

Neil Young - Carnegie Hall, New York City, December 5, 1970

A kinda prickly Neil dealing with annoying fans, feeling a bit out of place in such a legendary venue, perhaps. His whole family was there, too, so he was a little stressed. Even Jack Nicholson showed up, according to Bob Young’s account.

Neil Young - Macky Auditorium, Boulder, Colorado, January 27, 1971

Neil Young incites a riot in Boulder! Well, maybe not exactly. Thanks to a bunch of counterfeit tickets that were sold to unsuspecting fans, a big crowd got rowdy and the cops were called in. Must’ve been a wild winter night on the Hill.

Neil Young - KMET Radio Interview With B. Mitchell Reed, September 1973

In September of 1973, Neil Young went to the radio interview — but he didn’t end up alone at the microphone! KMET DJ B. Mitchell Reed was there to chat for about an hour or so. Young doesn’t sound wasted and woozy — he’s pretty lucid, actually, gamely entertaining Reed’s many questions.

Neil Young & Crazy Horse - The Forum, Inglewood, California, November 4, 1976

This tape has made the rounds over the decades as Old Man’s Fancy; it’s a decent audience recording of a rowdy gig, Neil sounding loose and lively. The electric set is where the sparks really fly, whether on a vicious, vivid “Down By The River” or a swirling, soaring “Like A Hurricane.” Best of all might be the moment at the end of “Drive Back” when Young blasts an insane, dissonant skronk directly into the frontal lobes of the Forum audience. Nasty!

Neil Young with The Trans Band - The Catalyst, Santa Cruz, California, August 13, 1982

Now, when we think of this Neil era, we usually think of his Trans alter ego prowling the stage with a headset and shades, singing “Computer Age” and “Sample and Hold.” But that was not really the focus of his ‘82 shows — they actually boasted very fan-friendly setlists. Plenty of greatest hits, played by a kind of supergroup of Neil’s former collaborators. It’s as though Young looked back at all his previous bands and grabbed some players at random: Bruce Palmer from the Buffalo Springfield, Ralph Molina from Crazy Horse, Ben Keith from the Stray Gators, Nils Lofgren from the Santa Monica Flyers, Joe Lala from CSNY / Stills-Young Band …

Neil Young & Crazy Horse - The Old Princeton Landing, Princeton-By-The-Sea, California, June 9, 1996

This is the Horse at their most laid-back and exploratory, playing plenty of deep cuts and jamming the night away — the first set kicks off with “Cowgirl in the Sand” and the last set ends with “Down By The River” if you need convincing.

Neil Young & Crazy Horse - Werchter Festival, Werchter, Belgium, July 7, 1996

[There was] a sense of grace and dignity about what they were doing … an incredible verve and energy. It was very moving, watching them work under the moon … This grand old man of American rock, a pioneer loaded with integrity … [Young and Crazy Horse] were turning around, like in a tribal circle, very slowly. And it seemed to me that they were doing that to catch back their dreams, to find youth again, to not allow the energy to escape. — David Bowie

Neil Young & Crazy Horse - The Catalyst, Santa Cruz, California, May 19, 1997

Seems like Neil was briefly trying to incorporate Mirror Ball material into the Horse repertoire — there are five songs from that album represented here. And they sound good! “I’m The Ocean” is particularly on point … but strangely, Neil’s only played that song a handful more times since. There are also some new tunes — two versions of the still-unreleased “Modern World,” and beautiful readings of “Horseshoe Man” and “Out of Control.” Is there an unreleased 1997 Crazy Horse album somewhere in the vaults? I’m starting this rumor, even if that album only existed for a couple of weeks in Neil’s mind.

Jonathan Richman & The Modern Lovers - The Kitchen, New York City, March 1975

The solid audience tape here features OG Modern Lover Ernie Brooks, Andy and Jonathan Paley, Jody Thaxter, and Miranda Remington backing Richman on a set of classic oldies and charming originals (some of which remain unreleased), all performed sans amplification. Although he turns down a request for “Pale Blue Eyes,” the Velvets still loomed large for Jonathan — towards the end of the remarkable 10-minute “Roadrunner” that closes the show, someone adds a sawing Cale-like viola drone. Jonathan had hypnotized the audience yet again.

Stephen Malkmus & The Jicks - Graceland, Seattle, Washington, June 1, 2002

The Jicks hit the sweet spot between well-rehearsed and very very loose, making for an extremely fun listen, with a lot of Malkmus guitar heroics — check out the soaring solos on "Church On White" and "One Percent of One." The whole thing falls apart marvelously at the end when SM takes over on drums and John Moen takes to the mic for a medley of "Satellite of Love" > "You Ain't Goin' Nowhere" > "Let's Spend The Night Together." Times are gonna change, you will be amazed.

Richard Hell and the Voidoids - Great American Saloon, New Haven, Connecticut, Spring 1979 / November 5, 1979

Richard Hell spewed forth his free associative punk poetry like a yelping junkie chihuahua. Freed of playing bass, he leapt around the postage stamp-sized stage at New Haven’s Great American Saloon — formerly the Oxford Ale House — wailing that I was child / who wanted love that was wild / though tight as slow motion / but crazed with devotion in “Love Comes In Spurts and I was sayin let me out of here before I was / ever born. It’s such a gamble when you get a face in the anthemic classic “Blank Generation.” “We’re gonna be brief but intense,” he announced before the start of the second set one night — the perfect summary of the Voidoid’s career. Such as it was.

Richard Hell & The Voidoids - The Longhorn, Minneapolis, Minnesota, July 31, 1979

Two sets of Richard Hell & The Voidoids at the Longhorn, back in the summer of ‘79. Ferocious stuff, with the blistering Quine / Julian twin guitar attack in full effect.

Richard Hell - The Grotto, New Haven, Connecticut, March 9, 1985

This was a short-lived combo fronted by Richard Hell. I don’t think it ever even had a “band name.” As I recall it, Hell played bass and sang, Anton Fier was on drums, Jody Harris played guitar and Ned Harvey was on saxophone. Despite the excessive time spent tuning between songs — Hell even introduces “Jody Harris on tuning pegs” — it’s a cool rarity by a punk legend.

Jon Hassell w/ David Rosenboom - Music Gallery, Toronto, Canada, October 9, 1976

One of the earliest live recordings of Hassell, duetting with tabla-ist David Rosenboom in Toronto, right around the time of Vernal Equinox, the composer's landmark debut LP. A beautiful half-hour of raga-esque modes.

The Feelies - Irving Plaza, New York City, February 14, 1980

The Feelies at their Crazy Rhythms-era height, incredibly propulsive and precise, playing their debut LP in its entirety (in slightly adjusted running order).

Ghost - Terrastock, Pell Chafee Performance Center, Providence, Rhode Island, April 23, 2006

Over the course of 70+ masterful minutes, Ghost takes us from free-form improv abstractions to lean-mean psych, from pastoral balladry to cosmic jams. Don’t think twice — descend into the Hypnotic Underworld!

Joe Henderson Quintet - The Happy Medium, Chicago, Illinois, August 1974

This sounds like a radio broadcast — starts out a little rough but improves quickly, capturing a scintillating show from Joe and co. Not sure if the saxophonist recorded with this particular lineup, but they sound killer as they stretch out and lock in over the course of 90 very nice minutes.

The Incredible String Band - Corries Folk Festival, Edinburgh, Scotland, August 1, 1967

On stage, the Increds would change instruments after every song, with who played what sometimes varying from performance to performance. Then everything had to be miked, which meant that it could take an hour to get through three songs — but I loved all of it. — Richard Thompson

Luna - The Sinclair, Cambridge, Massachusetts, August 25, 2018 / The Warehouse, Fairfield, Connecticut, August 26, 2018

The band play an energetic set to a full house of devoted fans loudly cheering and singing along, a mix of Luna favorites from throughout the band’s career and covers.

Air - International New Jazz Festival, Moers, Germany, May 29, 1977

More than hour’s worth of sun-kissed free jazz, packed with adventure, melody and curiosity. Organic music!

Alex Chilton - Richard Frey’s Loft, 246 Bowery, New York City, November 1, 1977

An audio verite document of the one and only Alex Chilton playing records late into the night at a pal’s loft back in ‘77. The pal was Richard Frey, a CBGB scene fixture — he hit “record” on his tape machine and captured the moment, as Chilton spins Sam the Sham, the Mindbenders, the Beatles, the Beach Boys and many more!

Grant Lee Phillips - Club Passim, Cambridge, Massachusetts, August 11, 2019

Even though Phillips’ stuff generally leans toward the melancholy, he remains fairly hilarious in between those sad songs, keeping the audience in stitches throughout. Things get especially good when opener Phillip B. Price comes onstage to lend a hand on backing vocals. “Perhaps there’s nothing more manly than two adult men singing high falsetto together,” Phillips quips.

#roio #bootlegs #live music

12 notes · View notes