Character Themes
What instrumental track would play in the background of your character's story during their most meaningful moments?
Tagged by the lovely @mimble-sparklepudding
It's Me by Sleeping At Last
I chose this one for Ki'to because it sounds like the light at the end of a very long, very dark tunnel.
If I could replace the music at the very end of Endwalker, after the Endsinger fight, with a pause at 1:28 and continuing after the fight with Zenos, it would be this.
After the constant struggle, there was finally a sense of 'Thank the gods, it's finally over'
It also reminds me of this one line in Undertale that honestly fit with how he felt during that stretch of time.
The Jellyfish Song (Music Box Cover)
With her having lost all memory of her childhood in Thavnair, I just know that returning home is going to be one of the most meaningful moments for Orias.
This just gives me that childhood vibe, while still being sorrowful. Which, given she hasn't been to Thavnair since, if the memories come back to her upon seeing home again she will probably need a while to just... be. Not that Urianger and Thancred would mind (in fact, Thancred would probably be by her side. That ship is set to sail by ShB tbh, she put her foot down on it being him), and Estinien would just have to be patient.
Divine Creation by Sleeping At Last
This one is still upsettingly short for how it swells, but it gives a very good base for how I'd imagine Rhala's instrumental might go.
He loves the water, and one would almost exclusively find him down by the docks if he wasn't in his room or Labyrinthos. It calms him like nothing else. So in a meaningful moment, a swell of music and waves sounds like the perfect backdrop for him.
Honestly this gives me strong "Beloved son" vibes where Hydaelyn is present in the cutscenes, like the above. It just gives that sense of floating in a space of ethereal nature.
Ill Equipped by Sleeping At Last
This gives me desert child vibes, which is perfect for Lohi given he's from the U Tribe of the Sagolii Desert. So far, since he's only part way through ARR, that's really the only thing defining him right now in his head. So I could imagine this would be playing as his personal bgm until later when he gets more well-rounded as a character.
As you can see, Sleeping At Last is generally my go-to for instrumentals. Absolutely stunning music, I cannot recommend it enough.
Decided to go ahead and add one for each of my main OCs in addition to my WoL, as well as explanations because I'm very meticulous when it comes to what goes on each of their playlists.
Speaking of! I actually completed Lohi's a couple days back, so feel free to enjoy it here!
I'll probably make him another later on after he completes EW, this one's just his vibe.
Not sure who's been tagged yet, so I'll just tag anyone who's seen this and hasn't been tagged yet in case y'all want to do it too! <3
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"Non paeniteo potitus."
+ details & process
And, process !!
The jump btwn the second to last and last always surprise me whenever I make one of these because I always forget to take snapshots after I start painting. It's always like: oh yeah heres the lineart with some colors- BOOM fully finished✨️
What he's holding are the Austrian imperial scepter and orb, seen below:
I was going to draw the crown too but decided I don't hate myself that much(maybe some other day), and gave him a golden laurel crown, bcs I'm obsessed with that as a motif, and also its very remincient of the boy king statue that started this whole thing!
There's some symbolism of this, both intentionally but also just historically. I love that the orb represents that the monarch is holding the world in their hand, basically every old monarchy has one of those, and I think it's very cool for symbolism. But also bcs of that, I was forced to basically draw catholic fanart so, you win some you lose some. The star halo above him head is both to reference those religious statues with star crowns(I saw them a lot in Europe and they imprinted onto my brain), as well as: his four championships of course!
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re your post about it--i'm curious about your thoughts on the global middle ages! i did my bachelors in medieval studies and whenever somebody asks, i talk about how the medieval period refers to a specific historical arc in a specific geographical range where a specific group of cultures were mingling. we don't talk about "medieval australia" in the same way we don't talk about "third intermediate period british isles" or "edo period caribbean," right? my thinking is that that's because the various cultural moments that led us to denote that date range as a specific period didn't happen in every culture, everywhere. the history of other geopolitical regions is periodized in ways that reflect historians' ideas of those regions' own major cultural shifts and such.
now i absolutely have not been keeping up with current discussions in the field, and if it's a whole thing totally feel free to tell me to just google it. but if you do have thoughts about it that you want to share, or literature to point me towards, i'd love to hear!
I think it kind of is A Whole Thing right now, alas, but! I do think the original idea of the global middle ages is important — it helps to gain a broader understanding of the premodern past. while “medieval” or “middle ages” has been used to almost exclusively refer to western europe c. 500-1500, we KNOW that there was trade and travel happening between europe, the SWANA region, and east asia, and that trade/travel certainly influenced culture/literature/etc. if we don’t also look to these regions we’re missing out on vital info about how the medieval world worked in direct contact with the western european regions we typically associate with the middle ages. in addition, thinking globally can also invite collaboration across disciplinary boundaries that are set apart for the reasons you mention — I’m thinking, for instance, of the interesting and important work that scholars like tarren andrews, suzanne conklin akbari, adam miyashiro, brenna duperon, etc., have been doing in collaboration between indigenous studies and medieval studies. nahir otaño-gracia has also been doing some interesting work on caribbean medievalisms and we know from late medieval/early modern documents that medieval understandings of race and monstrosity went hand in hand with the colonial projects of western europe.
one of the issues that’s been going around with global middle ages though is 1) it’s still not really “global” (for the reasons above, the research has mostly been focused on SWANA/east asia) and 2) it often tends to end up in the “I am giving my class one non-western european text (or maybe even just mandeville or marco polo or a crusade chronicle) in our survey class and patting myself on the back for my global syllabus” area OR the “this field is so incredibly not diverse and perhaps some of these people should think about why and how they’re engaging with these regions/cultures” issue re: extractive reading/research practices that don’t engage with the cultures whose history/practices/literature they’re using (tarren andrews’ work does a really good job of laying this out)
I personally would love if there were more collaboration happening across fields to make conversations about the premodern world across geopolitical and historical boundaries because I think it’s really interesting, and I think that how we set up periodization in history/literature creates artificial boundaries that can foreclose on understanding the diverse and interconnected nature of the medieval world. also the post I made was brought on by a public history book I’m reading about medieval women where I was thinking about how much I’d love to know about women in the medieval world outside of just western europe but it’s so much harder to find public history casual reading type stuff about those topics (and like. I can and do read academic books all the fucking time but I would love for some more public-facing stuff that’s a less intensive read)
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